Volunteer Poems And Quotes

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The birth of a true poet is neither an insignificant event nor an easy delivery. Complications generally begin long before the fated soul carries its dubious light into whatever womb has been kind enough to volunteer the intricate machinery of its blood and prayers and muscles for a gestation period much longer than nine months or even nine years.
Aberjhani (The American Poet Who Went Home Again)
Justice Denied Thousands of women, probably more I cannot reach them behind justice doors Many stay silent, barred just like me. Haunted by demons, faces unseen. Still by the hundreds, they continue to serve Duty and country, active and reserve. Thankless, forgotten through America's wars Scarred like their brethren, treated as foes. Volunteered to go to the shores. Died like the others, shamed to the core. Where is the dignity, long since denied? Lost in the White House of Justice Denied Women in service since beginning of time Often they're treated like victims in crime. Where is their voice, silence throughout the years? It's dead in the Senate and House, with their tears!
Diane Chamberlain (Conduct Unbecoming: Rape, Torture, and Post Traumatic Stress Disorder from Military Commanders)
When Thomas said, “Love’s overrated,” I said, “You spoiled fucking brat.” And I reminded him, “Some boys have AIDS, retardation,” etc. Stuff he’d never se-e-e-en up in Beverly Hills. “There are girls who’d dismember their boyfriends for one word from you,” I told him. He knew that, but he didn’t know some of them were crippled. So I drove Thomas down to the hospital where I volunteer, where paraplegics with his posters taped around them like a sky, saw him and gasped like they’d been diagnosed God.
Dennis Cooper (The Dream Police: Selected Poems, 1969-1993)
My mother made me into the type of person who is at ease standing in the middle of moving traffic, the type of person who ends up having more adventures and making more mistakes. Mum never stopped encouraging me to try, fail and take risks. I kept pushing myself to do unconventional things because I liked the reaction I got from her when I told her what I'd done. Mum's response to all my exploits was to applaud them. Great, you're living your life, and not the usual life prescribed for a woman either. Well done! Thanks to her, unlike most girls at the time, I grew up regarding recklessness, risk-taking and failure as laudable pursuits. Mum did the same for Vida by giving her a pound every time she put herself forward. If Vida raised her hand at school and volunteered to go to an old people's home to sing, or recited a poem in assembly, or joined a club, Mum wrote it down in a little notebook. Vida also kept a tally of everything she'd tried to do since she last saw her grandmother and would burst out with it all when they met up again. She didn't get a pound if she won a prize or did something well or achieved good marks in an exam, and there was no big fuss or attention if she failed at anything. She was only rewarded for trying. That was the goal. This was when Vida was between the ages of seven and fifteen, the years a girl is most self-conscious about her voice, her looks and fitting in, when she doesn't want to stand out from the crowd or draw attention to herself. Vida was a passive child – she isn't passive now. I was very self-conscious when I was young, wouldn't raise my voice above a whisper or look an adult in the eye until I was thirteen, but without me realizing it Mum taught me to grab life, wrestle it to the ground and make it work for me. She never squashed any thoughts or ideas I had, no matter how unorthodox or out of reach they were. She didn't care what I looked like either. I started experimenting with my clothes aged eleven, wearing top hats, curtains as cloaks, jeans torn to pieces, bare feet in the streets, 1930s gowns, bells around my neck, and all she ever said was, 'I wish I had a camera.
Viv Albertine (To Throw Away Unopened)
Don’t play it like it’s love. It’s a memory of love. — Francis Travis, the conductor’s instruction to a volunteer orchestra, Tokyo, Japan. His words are now the epigraph to Tess Gallagher’s poem “Near, As All That Is Lost,” from Moon Crossing Bridge (Graywolf Press, 1992)
Francis Travis
When I saw her! It was mid day, it was a sunny noon, When she passed through, I felt the shimmer of the moon, And for a moment I believed everything about her was true, Her eyes that radiated with the charm of the day, Her wavy arms that moved like the waves of calm and graceful sea, Her beautiful face that you would notice anyway, And when she passed by, you hoped this is what you would always and forever see, Her every step that led her somewhere, Made you forget your errands, because you only wished to be with her, Wherever she went, just anywhere, And you imagined a life with her, only with her, And when she spoke to someone else, You cursed the skies for this prejudice, For in that moment you wanted to be this someone, and not anyone else, And you wanted to rewrite the fate’s treatise, So that whenever she talked, she only talked to you, Whenever she passed by someone in the street, She first ogled at you, And felt the desire that you were the only one she wished to meet, But right now, she just passed by and I saw her walk away, Until she had reached far, and become a distant star, And now I only keep gazing at the sky every night and day, And I deal with the never ending inner war, Where she still peeps through all my memories, Where she still makes me believe what I saw, and felt in that moment was true, And it makes me feel like these helpless daisies, Who can do nothing, but just wait for the winter to pass and hope the sky will once again turn blue, So I am a flower that is rooted in its place and its faith, And I only grow in the field of her beauty, That is what my heart feels and that is what my mind always sayeth, For sometimes to love and to believe is the noblest duty! And I love her still although she is a star so distant, Rescued by my memories that form the only bridge, Between what I felt then, what I so long to feel now, ah it is a feeling so eminent, But I have to live with the star and its distance and volunteer myself for this daily emotional sacrilege! But then, living loving someone is a beautiful feeling, Maybe that is why daisies bloom every year, To witness the kiss of the summer, that magical thing, And for its sake bearing the pain of winter, seems nothing, every year, and every next year!
Javid Ahmad Tak (They Loved in 2075!)
When I saw her! It was mid day, it was a sunny noon, When she passed through, I felt the shimmer of the moon, And for a moment I believed everything about her was true, Her eyes that radiated with the charm of the day, Her wavy arms that moved like the waves of calm and graceful sea, Her beautiful face that you would notice anyway, And when she passed by, you hoped this is what you would always and forever see, Her every step that led her somewhere, Made you forget your errands and just be with her, Wherever she went, just anywhere, And you imagined a life with her, only with her, And when she spoke to someone else, You cursed the skies for this prejudice, For in that moment you wanted to be this someone, and not anyone else, And you wanted to rewrite the fate’s treatise, So that whenever she talked, she only talked to you, Whenever she passed by someone in the street, She always passed staring at you, And wherever she went, it was just you she intended to meet, But right now, she just passed by and I saw her walk away, Until she had reached far, and become a distant star, And now I only keep gazing at the sky every night and day, And I deal with the never ending inner war, Where she still peeps through all my memories, Where she still makes me believe what I saw was true, And I feel like these helpless daisies, Who can do nothing, but just wait for the winter to pass and hope the sky will once again turn blue, So I am a flower that is rooted in its place and its faith, And I only grow in the field of her beauty, That is what my heart feels and that is what my mind always sayeth, For sometimes to love and to believe is the noblest duty! And I love her still although she is a star so distant, Rescued by my memories that form the only bridge, Between what I felt then , what I so long to feel now, ah it is a feeling so eminent, But I have to live with the star and its distance and volunteer myself for this daily emotional sacrilege! But then, living loving someone is a beautiful feeling, Maybe that is why daisies bloom every year, To witness the kiss of the summer, that magical thing, And for its sake bearing the pain of winter, seems nothing, every year, and every next year!
Javid Ahmad Tak (They Loved in 2075!)
Gardeners, are, by their nature, people who believe in regeneration, as poet Laura Villareal points out. They understand that the broken world we inherit can also be amended, with compost, worms, and steady tending. They have seen that the tended earth, in turn, offers up radical abundance—not only of food, but of insects, birds, rhizomes, and soil. The garden surprises us in unexpected ways. Oregano winters over. Wild miner’s lettuce springs back. A volunteer pumpkin luxuriates near the compost bin. Suddenly met with abundance, we beg people to come help harvest our plums. We befriend a plot of earth, and it befriends us in return. By some powerful force, this friendship brings us into a fuller, more just communion with the human and nonhuman at once. Sometimes, in the face of huge pain, the things of the earth can help reroute any of us toward awe and fascination.
Tess Taylor (Leaning toward Light: Poems for Gardens & the Hands That Tend Them)
To look squarely at the suffering of the ordinary people whose misery is recorded in the transcripts makes me feel that I am not qualified even to be called a “survivor.” It is true that I was one of the last people to leave Tiananmen Square on June 4th, but I did nothing to volunteer myself during the bloody terror of the massacre’s aftermath, nothing to show that a kernel of my humanity had survived. After I left the square, I did not go to Beijing Normal University campus to check on the students from my alma mater who presumably had also left the square. Still less did I consider going out into the streets to minister to dead and wounded whom I did not know. Instead I fled to the relative safety of the foreign diplomatic housing compound. It is no wonder that the ordinary people who lived through the butchery might ask: “When great terror engulfed the city of Beijing, where were all those ‘black hands’ ”? Fifteen
Xiaobo Liu (No Enemies, No Hatred: Selected Essays and Poems)