“
No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted. I fit a window frame into a brick wall. With a little brush, the size for fingernail polish, I glue it. The window is the size of a fingernail. The glue smells like hair spray. The smell tastes like oranges and gasoline.
”
”
Chuck Palahniuk (Lullaby)
“
The angel destroyed me! He seduced me with a pure voice, spoke kind words, and stroked my hair to lower my guard, to make me trust him, to trick me! He sullied my body, my voice, my heart; remade me as a terrifying monster; turned me into his companion! The angel was a disfigured phantom wearing a mask!
”
”
Mizuki Nomura (Book Girl and the Corrupted Angel (light novel) (Volume 4) (Book Girl, 4))
“
As he was halfway through the portal, pushing forward as though trying to escape a rushing river, he screamed, “Remember, Lindon! Remember to visit a barber! A barber, Lindon! Your hair lacks volume and defin—
”
”
Will Wight (Wintersteel (Cradle, #8))
“
Damen pushed himself up on an elbow, and propped his head on his hand, his fingers in his hair. He saw that Laurent was looking at him. Not watching him, as he did sometimes, but looking at him, as a man might look at a carving that has caught his attention.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
He found himself looking down at Laurent, his eyes passing slowly over the delicate skin, the lamp-darkened blue eyes, the elegant curve of cheekbone, interrupted by a stray strand of blond hair.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Your parents died. Your world fell apart."
I nod.
He puts his hand on my cheek. "You were left drowning"
I nod again.
"And you're struggling to breathe"
I am. It's a constant struggle to stay near the surface I have just enough air to stop me from going totally under, but not enough to thrive.
"So do it. Breathe. Just Breathe." He turns up the volume and strokes my hair.
”
”
Jessica Park (Left Drowning (Left Drowning, #1))
“
He was not wearing the woollen cap. His newly minted hair was uncovered, and he looked as fresh as he had emerging from the baths the night before, as he had waking beneath Damen's hands. But he had resumed the cool restraint, his jacket laced, his expression disagreeable from the haughty profile to the intolerant blue eyes.
'You're alive,' Damen said, and the words came out on a rush of relief that made him feel weak.
'I'm alive,' said Laurent. They were gazing at one another. 'I wasn't sure you'd come back.'
'I came back,' said Damen.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Vee is my un-twin. She's green-eyed, milky blond, and a few pounds over curvy. I'm a smoky-eyed brunette with volumes of curly hair that holds its own against even the best flatiron. And I'm all legs, like a bar stool. But there is an invisible thread the ties us together; both of us swear that tie began long before birth. Both of us swear it will continue to hold for the rest of our lives.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Shion sat down in front of the heater. His white hair, leaning more on transparent, was tinged red with the colours of the flame. His youthful hair had lost its colour, but still retained its shine. “It’s beautiful” Nezumi thought.
”
”
Atsuko Asano (No.6, Volume 2)
“
71. Rare Things-- A son-in-law who's praised by his wife's father. Likewise, a wife who's loved by her mother-in-law.
A pair of silver tweezers that can actually pull out hairs properly.
A retainer who doesn't speak ill of his master.
A person who is without a single quirk. Someone who's superior in both appearance and character, and who's remained utterly blameless throughout his long dealings with the world.
You never find an instance of two people living together who continue to be overawed by each other's excellence and always treat each other with scrupulous care and respect, so such a relationship is obviously a great rarity.
Copying out a tale or a volume of poems without smearing any ink on the book you're copying from. If you're copying it from some beautiful bound book, you try to take immense care, but somehow you always manage to get ink on it.
Two women, let alone a man and a woman, who vow themselves to each other forever, and actually manage to remain on good terms to the end.
”
”
Sei Shōnagon (The Pillow Book)
“
You have been abroad then?” said Henry, a little surprised.
“Oh! No, I only mean what I have read about. It always puts me in mind of the country that Emily and her father traveled through, in The Mysteries of Udolpho. But you never read novels, I dare say?”
“Why not?”
“Because they are not clever enough for you — gentlemen read better books.”
“The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid. I have read all Mrs. Radcliffe’s works, and most of them with great pleasure. The Mysteries of Udolpho, when I had once begun it, I could not lay down again; I remember finishing it in two days — my hair standing on end the whole time.”
“Yes,” added Miss Tilney, “and I remember that you undertook to read it aloud to me, and that when I was called away for only five minutes to answer a note, instead of waiting for me, you took the volume into the Hermitage Walk, and I was obliged to stay till you had finished it.
”
”
Jane Austen (Northanger Abbey)
“
What kind of man are you, really? What colour is your hair? What is the shape of your eyes? What do you look like?... I wish I hadn't blinded myself... I want to see you face. I bet you look kind.
”
”
Eiichiro Oda (One Piece, Volume 80: Opening Speech)
“
I have hundreds of roubles that I don't know what to do with, and she stands there in a tattered coat and looks at me timidly," thought Pierre. "And what does she need money for? As id this money can add one hair's breadth to her happiness, her peace of mind? Can anything in the world make her or me less subject to evil and death? Death, which will end everything and which must come today or tomorrow - in a moment, anyhow, compared with eternity.
”
”
Leo Tolstoy (War and Peace)
“
She was a long-necked, long-backed woman, who disciplined her hair and her children. She was never embarrassed, and her anger, though never permitted to be visible, made itself felt the more.
”
”
Dorothy L. Sayers (The Lord Peter Wimsey Mysteries Volume One: Whose Body?, Clouds of Witness, and Unnatural Death)
“
You can do a great many things if you're rich which would be severely criticised if you were poor. You can go and come, you can travel alone, you can have your own establishment: I mean of course if you'll take a companion—some decayed gentlewoman, with a darned cashmere and dyed hair, who paints on velvet.
”
”
Henry James (The Portrait of a Lady, Volume 1)
“
The Poet Ridiculed by Hysterical Academics"
Is it, then, your opinion
Women are putty in your hands?
Is this the face to launch upon
A thousand one night stands?
First, please, would you be so kind
As to define your contribution
To modern verse, the Western mind
And human institutions?
Where, where is the long, flowing hair,
The velvet suit, the broad bow tie;
Where is the other-worldly air,
Where the abstracted eye?
Describe the influence on your verse
Of Oscar Mudwarp’s mighty line,
The theories of Susan Schmersch
Or the spondee’s decline.
You’ve labored to present us with
This mouse-sized volume; shall this equal
The epic glories of Joe Smith?
He’s just brought out a sequel.
Where are the beard, the bongo drums,
Tattered T-shirt and grubby sandals,
As who, released from Iowa, comes
To tell of wondrous scandals?
Have you subversive, out of date,
Or controversial ideas?
And can you really pull your weight
Among such minds as these?
Ah, what avails the tenure race,
Ah, what the Ph.D.,
When all departments have a place
For nincompoops like thee?
”
”
W.D. Snodgrass
“
I never read a book in my life,” she said again. She looked at the volume where it lay by the boulder, at Scott, at the book again. She seemed to be having a great deal of trouble getting used to the idea of a man reading a book. “What do you read books for?”
Now he laughed, and she flared up at him, “You laughing at me?”
“Lord, no, ma’am. It’s just that nobody ever asked me that before.”
He looked at the still water for a moment, thinking. “Tell you what, suppose you had a friend, he knew a whole lot more than you do. He could tell you things about what people are like all over the world, the way they live, everything. And what folks were like a hundred years ago or even a thousand. He could tell you things that make your hair curl, lose you sleep, or things that make you laugh.” He looked up at her swiftly, and away. “Or cry.”
He kicked a pebble into the water and watched the sunlight break and break, and heal. “More than that. Suppose you had a friend there waiting for you anytime you wanted him, anyplace. He’d give you all he’s got or any part of it, whenever you wanted it. And even more, you could shut him up if you didn’t feel like listening. Or if he said something you like, you could get him to say it over a hundred times, and he’d never mind.”
He pointed at the book. “And all that you can put in your pocket.
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume X: The Man Who Lost the Sea)
“
So they cut their hair short in front, that their enemies might not grasp it. And they say that Alexander of Macedon for the same reason ordered his generals to have the beards of the Macedonians shaved, because they were a convenient handle for the enemy to grasp.
”
”
Plutarch (Plutarch's Lives, Volume I)
“
From now on, you fight dirty, understand? And nothin’s dirtier than dirt. Pick it up, throw it in your opponent’s eyes. Go for the hair and the squishy bits. And for God’s sake, don’t be afraid to grab another man’s balls. Casual homophobia has killed a lot of otherwise competent fighters.
”
”
Jack Townsend (Tales from the Gas Station: Volume Four (Tales from the Gas Station #4))
“
He felt the full warmth of that pleasure from which the proud shut themselves out; the pleasure which not only goes with humiliation, but which almost is humiliation. Men who have escaped death by a hair have it, and men whose love is returned by a woman unexpectedly, and men whose sins are forgiven them. Everything his eye fell on it feasted on, not aesthetically, but with a plain, jolly appetite as of a boy eating buns. He relished the squareness of the houses; he liked their clean angles as if he had just cut them with a knife. The lit squares of the shop windows excited him as the young are excited by the lit stage of some promising pantomime. He happened to see in one shop which projected with a bulging bravery on to the pavement some square tins of potted meat, and it seemed like a hint of a hundred hilarious high teas in a hundred streets of the world. He was, perhaps, the happiest of all the children of men. For in that unendurable instant when he hung, half slipping, to the ball of St. Paul's, the whole universe had been destroyed and re-created.
”
”
G.K. Chesterton (The Collected Works of G.K. Chesterton Volume 07: The Ball and the Cross; Manalive; the Flying Inn)
“
She was the most erotic thing I’d ever seen. She was fair skinned and golden haired, full-blood Italian. The air was suddenly filled with banana leaves. We started talking and my head started to spin. Cupid’s arrow had whistled past my ears before, but this time it hit me in the heart and the weight of it dragged me overboard.
”
”
Bob Dylan (Chronicles, Volume One)
“
Gone are the Kings, gone are their towering prows, Vanished upon the raging deep, alas, The long-haired warrior heroes of Hellas.
”
”
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
“
Lips red as rubies, hair dark as night. Drink your true love’s blood, become the Vampire, Snow White,
”
”
RaShelle Workman (Blood and Snow Volumes 1-4: Blood and Snow, Revenant in Training, The Vampire Christopher, Blood Soaked Promises)
“
For children also strike the mouth of their parents, and the mother's hair is disturbed, and the child is torn.
”
”
Seneca (Seneca the Younger Essays Volume 1)
“
I’m tired of only being able to talk to you on the phone, Alyssa...”Silence. “I need to see you...” His voice was strained. “I need to fuck you...”“Thoreau...” “No, listen to me.” His tone was a warning. “I need to be buried deep inside of you, feeling your pussy throb around my cock as you scream my name—my real name.”A hand trailed down past my stomach and between my thighs, and my fingers began to strum my clit. Slow at first, then faster, faster with every sound of his heavy breaths in my ear. “I’ve been very patient with you...” His voice trailed off. “Don’t you think?”“No...”“I have,” he said. “I’m tired of imagining how wet your pussy can get, how loudly you’ll scream when I suck your tits as you ride me...How hard I’ll pull your hair when I bend you over my desk and fuck you until you can’t breathe...Tired.”I shut my eyes, letting my other hand squeeze my breast, letting my thumb pinch my nipple.“I’m giving you two weeks to come to your fucking senses...”“What?”“Two weeks,” he whispered. “That’s when you and I are going to meet face to face, and I’m going to claim every inch of you.”“I can’t...I can’t agree to...that.”“You will.” His breathing was now in sync with mine. “And the second you do, you’re going to invite me over and I’m going to remind you of everything you’ve teased me with over the past six months.
”
”
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
“
What kind of man are you, really? What colour is your hair? What is the shape of your eyes? What do you look like?... I wish I hadn't blinded myself... I want to see your face. I bet you look kind.
”
”
Eiichiro Oda (One Piece, Volume 80: Opening Speech)
“
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow.
Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
”
”
Bob Thurber (Paperboy: A Dysfunctional Novel)
“
Because I live in south Florida I store cans of black beans and gallons
of water in my closet in preparation for hurricane season.
I throw a hurricane party in January. You’re my only guest.
We play Marco Polo in bed. The sheets are wet like the roof caved in.
There’s a million of me in you. You try to count me as I taste the sweat
on the back of your neck. I call you Sexy Sexy, and we do everything twice.
After, still sweating, we drink Crystal Light out of plastic water bottles.
We discuss the pros and cons of vasectomies. It’s not invasive you say.
I wrap the bedsheet around my waist. Minor surgery you say.
You slur the word surgery, like it’s a garnish on a dish you just prepared.
I eat your hair until you agree to no longer talk about vasectomies.
We agree to have children someday, and that they will be beautiful even if they’re not.
As I watch your eyes grow heavy like soggy clothes, I tell you When I grow up
I’m going to be a famous writer. When I’m famous I’ll sign autographs
on Etch-A-Sketches. I’ll write poems about writing other poems,
so other poets will get me. You open your eyes long enough to tell me
that when you grow up, you’re going to be a steamboat operator.
Your pores can never be too clean you say.
I say I like your pores just fine. I say Your pores are tops.
I kiss you with my whole mouth, and you fall asleep next to my molars.
In the morning, we eat french toast with powdered sugar. I wear the sugar
like a mustache. You wear earmuffs and pretend we’re in a silent movie.
I mouth Olive juice, but I really do love you.
This is an awesome hurricane party you say, but it comes out as a yell
because you can’t gauge your own volume with the earmuffs on.
You yell I want to make something cute with you.
I say Let me kiss the insides of your arms.
You have no idea what I just said, but you like the way I smile.
”
”
Gregory Sherl
“
He let a vision of April grow and fill the world. (...) He saw April at the spaceport, holding him in the dark shadows of the blockhouse while the sky flamed above them. We’ll go out like that soon, soon, Tod. Squeeze me, squeeze me … Ah, he’d said, who needs a ship?
Another April, part of her in a dim light as she sat writing; her hair, a crescent of light loving her cheek, a band of it on her brow; then she had seen him and turned, rising, smothered his first word with her mouth. Another April wanting to smile, waiting; and April asleep, and once April sobbing because she could not find a special word to tell him what she felt for him …
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume VIII: Bright Segment)
“
The only people paying attention to him were those girls and when he made more of an effort to listen, he realized they were commenting on Boyd's and his looks. Apparently, he had an amazing body and Boyd had beautiful hair.
”
”
Santino Hassell (Evenfall: Volume 1: Director's Cut (In the Company of Shadows, #1 part #1))
“
Be a man. Not any old man, not mankind, but manhood. To do this you don’t need to play pro football and grow hair on your chest and seduce every third woman you meet long as she’s female. All you have to do is hunt, fish (or talk sense about ’em as if you had) and go bug-eyed when the girls go by. If a sunset moves you so much you have to express yourself, do it with a grunt and a dirty word. Or you say, ‘That Beethoven, he blows a cool symphony.’ Never champion a real underdog unless it’s a popular type, like a baseball team. Always treat other men as if you were sore at something and will wipe it off on them if they give you the slightest excuse. I mean sore, Louis, not vexed or in a snit. And stay away from women. They have an intuition that’ll find you nine times out of ten. The tenth time she falls for you, and there’s nothing funnier.”
“I think,” Loolyo said after a time, “that you hate human beings.
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume IX: And Now the News...)
“
I found out the differences between “the truth” and “all the truth.” You can know some pretty terrible things about a person, and you can know they’re true. But sometimes it makes a huge difference if you know what else is true too. I read something in a book once about an old lady who was walking along the street minding her own business when a young guy came charging along, knocked her down, rolled her in a mud puddle, slapped her head and smeared handsful of wet mud all over her hair. Now what should you do with a guy like that?
But then if you find out that someone had got careless with a drum of gasoline and it ignited and the old lady was splashed with it, and the guy had presence of mind enough to do what he did as fast as he did, and severely burned his hands in the doing of it, then what should you do with him?
Yet everything reported about him is true. The only difference is the amount of truth you tell.
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume X: The Man Who Lost the Sea)
“
Carus, taking off a cap which he wore to conceal his baldness, assured the ambassadors, that, unless their master acknowledged the superiority of Rome, he would speedily render Persia as naked of trees as his own head was destitute of hair.
”
”
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
“
Miss Kuhli (Merrihew had heard it “Cooley” the day before, and had built quite a different picture) was Eurasian. Not since the perfection of ferro-concrete and its self-stressed freedom has architecture been able to match the construction of such eyelids and supraorbital arches as those with which Miss Kuhli had been born. Her hands seemed to be the cooperative work of a florist and a choreographer. Her body had not been designed, but inspired, and her hair was such that it could not be believed at a single glance.
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume XIII: Case and the Dreamer)
“
After following it for nearly two miles he came across two she-monsters drawing water from a well. How did he know that they were monsters? Each of them had on her head an extremely unfashionable hair-style held up by bamboo slivers that stood one foot two or three inches high.
”
”
Wu Cheng'en (Journey to the West, 3-Volume Set (I, II & III) (Hardcover))
“
In less than ten thousand years, domestication has increased the weight of wool grown by sheep from less than one kilogram of rough hairs to ten or twenty kilograms of uniform, fine down; or the volume of milk given by cattle during a lactation period from a few hundred to a million cubic centimeters. If artificial selection can make such major changes in so short a period of time, what must natural selection, working over billions of years, be capable of? The answer is all the beauty and diversity of the biological world. Evolution is a fact, not a theory.
”
”
Carl Sagan (Cosmos)
“
I say is someone in there?’ The voice is the young post-New formalist from
Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that
hesitant knocking of when you know perfectly well someone’s in there, the
bathroom door composed of thirty-six that’s three times a lengthwise twelve
recessed two-bevelled squares in a warped rectangle of steam-softened wood, not
quite white, the bottom outside corner right here raw wood and mangled from
hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and
offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic
spirals of pale blue smoke from the elephant-colored rubble of ash and little
blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent
her sliding down along the wall past knotted washcloth, towel rack, blood-flower
wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated
sky’s blue that’s left her uprightly fetal with chin on knees in yet another North
American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All
Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the
claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer,
she’s holding the bottle, recalling vividly its slogan for the past generation was The
Choice of a Nude Generation, when she was of back-pocket height and prettier by
far than any of the peach-colored titans they’d gazed up at, his hand in her lap her
hand in the box and rooting down past candy for the Prize, more fun way too much
fun inside her veil on the counter above her, the stuff in the funnel exhausted though
it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s
best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold
edge to pull herself up as the white- party-noise reaches, for her, the sort of
stereophonic precipice of volume to teeter on just before the speaker’s blow, people
barely twitching and conversations strettoing against a ghastly old pre-Carter thing
saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance
where their acknowledgement of her commands seems like magic, both clogs simply
gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean
medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair
of the flame she’s eaten now trailing like the legs of wasps through the air of the
glass she uses to locate the de-faced veil and what’s inside it, loading up the cone
again, the ashes from the last load make the world's best filter: this is a fact. Breathes
in and out like a savvy diver…
–and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s
lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting
muddy juice and blue smoke and dots of mercuric red into the claw-footed trough,
and can hear again and seems to see, against the fire of her closed lids’ blood, bladed
vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue
light from one sky, searching.
”
”
David Foster Wallace (Infinite Jest)
“
But the blots, Turkey," intimated I. "True,-but, with submission, sir, behold these hairs! I am getting old. Surely, sir, a blot or two of a warm afternoon is not to be severely urged against gray hairs. Old age-even if it blot the page-is honorable. With submission, sir, we both are getting old.
”
”
Henry James (The Best Short Stories of All Time, Volume III)
“
Because it was impossible, he allowed himself to imagine, just once, what it would be like to face Laurent as a man . . . if there had been no animosity between their countries, Laurent journeying to Akielos as part of an embassy, Damen’s attention superficially caught by the blond hair. They’d attend banquets and sports together, and Laurent . . . he had seen Laurent with those he cultivated, charming and edged without being lethal; and he was honest enough with himself to admit that if he had encountered Laurent in that mode, all golden lashes and needling remarks, he might well have found himself in some danger.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
He chuckled against my neck, the puffs of air stirring my hair. Out of nowhere he flipped my body around, sank to his knees, and yanked down my panties. They were stuck at the ankles where I had neglected to remove my heels. As I locked eyes with his, he opened me with his thumbs, flattened his tongue, and went to town on my clit.
”
”
Audrey Carlan (Calendar Girl: Volume One (Calendar Girl #1-3))
“
Her hair was the blackest I ever saw. Her eyes matched her hair. Her nose was not quite large enough, I admit. Her mouth and chin were (to quote Mr. Franklin) morsels for the gods; and her complexion (on the same undeniable authority) was as warm as the sun itself, with this great advantage over the sun, that it was always in nice order to look at.
”
”
Lewis Carroll (100 Books You Must Read Before You Die - volume 1 [Emma; Jane Eyre; Wuthering Heights; Heart of Darkness;Frankenstein ...])
“
The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid. I have read all Mrs. Radcliffe's works, and most of them with great pleasure. The Mysteries of Udolpho, when I had once begun it, I could not lay down again; I remember finishing it in two days—my hair standing on end the whole time."
"Yes," added Miss Tilney, "and I remember that you undertook to read it aloud to me, and that when I was called away for only five minutes to answer a note, instead of waiting for me, you took the volume into the Hermitage Walk, and I was obliged to stay till you had finished it."
"Thank you, Eleanor—a most honourable testimony. You see, Miss Morland, the injustice of your suspicions. Here was I, in my eagerness to get on, refusing to wait only five minutes for my sister, breaking the promise I had made of reading it aloud, and keeping her in suspense at a most interesting part, by running away with the volume, which, you are to observe, was her own, particularly her own. I am proud when I reflect on it, and I think it must establish me in your good opinion.
”
”
Jane Austen
“
Take delight on a woman’s pubic hair for its a signature of maturity and a secretive covenant . . . the hair signifies potent sexual energy and strength hold but also signifies virility of the animalistic tendencies and royal power . . . A woman who rejects narcissism of complete vaginal hair removal gives a signature of strength, virtuously liberated, body acceptance, and more womanhood.
”
”
John Shelton Jones (Awakening Kings and Princes Volume I)
“
From my childhood I had heard read, and read the Bible myself. Morning and evening the sacred volume was opened and prayers were said. The Bible was my first history, the Jews were the first people, and the events narrated by Moses and the other inspired writers, and those predicted by prophets were the all important things. In other books were found the thoughts and dreams of men, but in the Bible were the sacred truths of God.
Yet in spite of my surroundings, of my education, I had no love for God. He was so saving of mercy, so extravagant in murder, so anxious to kill, so ready to assassinate, that I hated him with all my heart. At his command, babes were butchered, women violated, and the white hair of trembling age stained with blood. This God visited the people with pestilence -- filled the houses and covered the streets with the dying and the dead -- saw babes starving on the empty breasts of pallid mothers, heard the sobs, saw the tears, the sunken cheeks, the sightless eyes, the new made graves, and remained as pitiless as the pestilence.
This God withheld the rain -- caused the famine, saw the fierce eyes of hunger -- the wasted forms, the white lips, saw mothers eating babes, and remained ferocious as famine.
”
”
Robert G. Ingersoll
“
These are the creatures we usually fall in love with, only to suffer the more. For each new anxiety they cause us blots out from our eyes a part of their personality. We were resigned to suffering, thinking we loved something outside ourselves, and we come to realize that our love is a function of our sadness, that perhaps it is our sadness, and that its object is only to a small extent the young girl with raven hair.
”
”
Marcel Proust (The Prisoner: In Search of Lost Time, Volume 5 (Penguin Classics Deluxe Edition))
“
Helen is scrutinizing her eyes in a lacquered hand-mirror. She plucks a stray hair from her brow-line with the ruthlessness she always applies to her own body. Even thirty feet away, hovering in the air like an invisible angel, I find this violence unnerving. I realize that I have only been fully at ease with my wife while watching her through the viewfinder of a camera – even within the private space of our various hotel rooms I prefer her seen through a lens, emblematic of my own needs and fantasies rather than existing in her own right. At one time this rightly outraged her, but recently she has begun to play along with my obsession. For hours I watch her, picking her nose and arguing with me about something as I lie on the bed with a camera to my eye, fascinated by the shifting geometries of her thighs and shoulders, the diagrams of her face.
”
”
J.G. Ballard (The Complete Short Stories: Volume 2)
“
Do you know what kind of a world we live in? We live in a world where, if a man came up with a sure cure for cancer, and if that man were found to be married to his sister, his neighbors would righteously burn down his house and all his notes. If a man built the most beautiful tower in the country, and that man later begins to believe that Satan should be worshipped, they’ll blow up his tower. I know a great and moving book written by a woman who later went quite crazy and wrote crazy books, and nobody will read her great one any more. I can name three kinds of mental therapy that could have changed the face of the earth, and in each case the men who found it went on to insane Institutes and so-called religions and made fools of themselves—dangerous fools at that—and now no one will look at their really great early discoveries. Great politicians have been prevented from being great statesmen because they were divorced. And I wasn’t going to have the Mensch machine stolen or buried or laughed at and forgotten just because I had long hair and played the lute. You know, it’s easy to have long hair and play the lute and be kind to people when everyone else around you is doing it. It’s a much harder thing to be the one who does it first, because then you have to pay a price, you get jeered at and they throw stones and shut you out.
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume XI: The Nail and the Oracle)
“
I’m tired of only being able to talk to you on the phone, Alyssa...”
Silence.
“I need to see you...” His voice was strained. “I need to fuck you...”
“Thoreau...”
“No, listen to me.” His tone was a warning. “I need to be buried deep inside of you, feeling your pussy throb around my cock as you scream my name—my real name.”
A hand trailed down past my stomach and between my thighs, and my fingers began to strum my clit. Slow at first, then faster, faster with every sound of his heavy breaths in my ear.
“I’ve been very patient with you...” His voice trailed off. “Don’t you think?”
“No...”
“I have,” he said. “I’m tired of imagining how wet your pussy can get, how loudly you’ll scream when I suck your tits as you ride me...How hard I’ll pull your hair when I bend you over my desk and fuck you until you can’t breathe...Tired.”
I shut my eyes, letting my other hand squeeze my breast, letting my thumb pinch my nipple.
“I’m giving you two weeks to come to your fucking senses...”
“What?”
“Two weeks,” he whispered. “That’s when you and I are going to meet face to face, and I’m going to claim every inch of you.”
“I can’t...I can’t agree to...that.”
“You will.” His breathing was now in sync with mine. “And the second you do, you’re going to invite me over and I’m going to remind you of everything you’ve teased me with over the past six months.
”
”
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
“
During slavery they made us hate ourselves for being black as if it was a “Curse” because of the “Curse of Canaan” story. So as we got older it was the norm to love our slavemasters children. We watched our children get sold into slavery and we watched them starve. We nursed their babies while our babies died. We took care of the master’s house chores and the master’s family while our family was in turmoil. We watched their children go off to school while our children died in the streets. We learned to love the image of a “White Saviour” because we were taught that black skin was “ugly” and a “curse”. We went from watching cartoons with white princesses and princes to watching T.V. sitcoms where whites dominated the cast. As a result we wanted our hair to look “straight” like the Princesses we saw on T.V. or the girl that was liked by all the boys. This mental brainwashing was “key” in the process of erasing our “true identity”.
”
”
Ronald Dalton Jr. (Hebrews to Negroes 2 - Volume 1)
“
Young has a personal relationship with electricity. In Europe, where the electrical current is sixty cycles, not fifty, he can pinpoint the fluctuation --- by degrees. It dumbfounded Cragg. "He'll say, 'Larry, there's a hundred volts coming out of the wall, isn't there?' I'll go measure it, and yeah, sure --- he can hear the difference."
Shakey's innovations are everywhere. Intent on controlling amp volume from his guitar instead of the amp, Young had a remote device designed called the Whizzer. Guitarists marvel at the stomp box that lies onstage at Young's feet: a byzantine gang of effects that can be utilized without any degradation to the original signal. Just constructing the box's angular red wooden housing to Young's extreme specifications had craftsmen pulling their hair out.
Cradled in a stand in front of the amps is the fuse for the dynamite, Young's trademark ax--Old Black, a '53 Gold Top Les Paul some knot-head daubed with black paint eons ago. Old Black's features include a Bigsby wang bar, which pulls strings and bends notes, and Firebird picking so sensitive you can talk through it. It's a demonic instrument. "Old black doesn't sound like any other guitar," said Cragg, shaking his head.
For Cragg, Old Black is a nightmare. Young won't permit the ancient frets to be changed, likes his strings old and used, and the Bigsby causes the guitar to go out of tune constantly. "At Sound check, everything will work great. Neil picks up the guitar, and for some reason that's when things go wrong.
”
”
Jimmy McDonough (Shakey: Neil Young's Biography)
“
Consider individuals, survey men in general; there is none whose life does not look forward to the morrow. "What harm is there in this," you ask? Infinite harm; for such persons do not live, but are preparing to live. They postpone everything. Even if we paid strict attention, life would soon get ahead of us; but as we are now, life finds us lingering and passes us by as if it belonged to another, and though it ends on the final day, it perishes every day. But I must not exceed the bounds of a letter, which ought not to fill the reader's left hand. So I shall postpone to another day our case against the hair-splitters, those over-subtle fellows who make argumentation supreme instead of subordinate. Farewell. Letter XLVI - On a New Book by Lucilius I received the book of yours which you promised me. I opened it hastily with the idea of glancing over it at leisure; for I meant only to taste the volume. But by its own charm the book coaxed me into traversing it more at length. You may understand from this fact how eloquent it was;
”
”
Marcus Aurelius (Stoic Six Pack (Illustrated): Meditations of Marcus Aurelius, Golden Sayings, Fragments and Discourses of Epictetus, Letters from a Stoic and The Enchiridion)
“
Rich men spent small fortunes in engaging artists to make the most beautiful books ever known. A corps of papermakers, calligraphers, painters, and bookbinders in some cases worked for seventeen years on one volume. Paper had to be of the best; brushes were put together, we are told, from the white neck hairs of kittens not more than two years old; blue ink was sometimes made from powdered lapis lazuli, and could be worth its weight in gold; and liquid gold was not thought too precious for some lines or letters of design or text.
”
”
Will Durant (The Age of Faith)
“
Miss Lucinda Throckmorton-Jones, former paid companion to several of the ton’s most successful debutantes of prior seasons, came to Havenhurst to fill the position of Elizabeth’s duenna. A woman of fifty with wiry gray hair she scraped back into a bun and the posture of a ramrod, she had a permanently pinched face, as if she smelled something disagreeable but was too well-bred to remark upon it. In addition to the duenna’s daunting physical appearance, Elizabeth observed shortly after their first meeting that Miss Throckmorton-Jones possessed an astonishing ability to sit serenely for hours without twitching so much as a finger.
Elizabeth refused to be put off by her stony demeanor and set about finding a way to thaw her. Teasingly, she called her “Lucy,” and when the casually affectionate nickname won a thunderous frown from the lady, Elizabeth tried to find a different means. She discovered it very soon: A few days after Lucinda came to live at Havenhurst the duenna discovered her curled up in a chair in Havenhurt’s huge library, engrossed in a book. “You enjoy reading?” Lucinda had said gruffly-and with surprise-as she noted the gold embossed title on the volume.
“Yes,” Elizabeth had assured her, smiling. “Do you?”
“Have you read Christopher Marlowe?”
“Yes, but I prefer Shakespeare.”
Thereafter it became their policy each night after supper to debate the merits of the individual books they’d read. Before long Elizabeth realized that she’d won the duenna’s reluctant respect. It was impossible to be certain she’d won Lucinda’s affection, for the only emotion the lady ever displayed was anger, and that only once, at a miscreant tradesman in the village. Even so, it was a display Elizabeth never forgot. Wielding her ever-present umbrella, Lucinda had advanced on the hapless man, backing him clear around his own shop, while from her lips in a icy voice poured the most amazing torrent of eloquent, biting fury Elizabeth had ever heard.
“My temper,” Lucinda had primly informed her-by way of apology, Elizabeth supposed-“is my only shortcoming.”
Privately, Elizabeth thought Lucy must bottle up all her emotions inside herself as she sat perfectly still on sofas and chairs, for years at a time, until it finally exploded like one of those mountains she’d read about that poured forth molten rock when the pressure finally reached a peak.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The discussion that day was about loss of self, about Plato's four divine madnesses, about madness of all sorts; he began by talking about what he called the burden of the self, and why people want to lose the self in the first place.
'Why does that obstinate little voice in our heads torment us so?' he said, looking round the table. 'Could it be because it reminds us that we are alive, of our mortality, of our individual souls – which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one's own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us.
Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think? Remember the Erinyes?'
'The Furies,' said Bunny, his eyes dazzled and lost beneath the bang of hair.
'Exactly. And how did they drive people mad? They turned up the volume of the inner monologue, magnified qualities already present to great excess, made people so much themselves that they couldn't stand it.
'And how can we lose this maddening self, lose it entirely?
Love? Yes, but as old Cephalus once heard Sophocles say, the least of us know that love is a cruel and terrible master. One loses oneself for the sake of the other, but in doing so becomes enslaved and miserable to the most capricious of all the gods. War? One can lose oneself in the joy of battle, in fighting for a glorious cause, but there are not a great many glorious causes for which to fight these days.
”
”
Donna Tartt (The Secret History)
“
But paging through it for the first time while actually sitting on the trail was less reassuring than I’d hoped. There were things I’d overlooked, I saw now, such as a quote on page 6 by a fellow named Charles Long, with whom the authors of The Pacific Crest Trail, Volume 1: California heartily agreed, that said, “How can a book describe the psychological factors a person must prepare for … the despair, the alienation, the anxiety and especially the pain, both physical and mental, which slices to the very heart of the hiker’s volition, which are the real things that must be planned for? No words can transmit those factors …” I sat pie-eyed, with a lurching knowledge that indeed no words could transmit those factors. They didn’t have to. I now knew exactly what they were. I’d learned about them by having hiked a little more than three miles in the desert mountains beneath a pack that resembled a Volkswagen Beetle. I read on, noting intimations that it would be wise to improve one’s physical fitness before setting out, to train specifically for the hike, perhaps. And, of course, admonishments about backpack weight. Suggestions even to refrain from carrying the entire guidebook itself because it was too heavy to carry all at once and unnecessary anyway—one could photocopy or rip out needed sections and include the necessary bit in the next resupply box. I closed the book. Why hadn’t I thought of that? Of ripping the guidebook into sections? Because I was a big fat idiot and I didn’t know what the hell I was doing, that’s why. And I was alone in the wilderness with a beast of a load to carry while finding that out. I wrapped my arms around my legs and pressed my face into the tops of my bare knees and closed my eyes, huddled into the ball of myself, the wind whipping my shoulder-length hair in a frenzy.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
The profile of to-day had nothing definite about it, and could be only a momentary resemblance to some deceased member of the family to whom nature had paid this commemorative courtesy. It comes so soon, the moment when there is nothing left to wait for, when the body is fixed in an immobility which holds no fresh surprise in store, when one loses all hope on seeing—as on a tree in the height of summer leaves already brown—round a face still young hair that is growing thin or turning grey; it is so short, that radiant morning time that one comes to like only the very youngest girls, those in whom the flesh, like a precious leaven, is still at work
”
”
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
“
A hero is devoured by a water-monster in the West (devouring). The animal travels with him to the East (sea journey). Meanwhile, the hero lights a fire in the belly of the monster (fire-lighting), and feeling hungry, cuts himself a piece of the heart (cutting off of heart). Soon afterwards, he notices that the fish has glided on to dry land (landing); he immediately begins to cut open the animal from within (opening); then he slips out (slipping out). It was so hot in the fish’s belly that all his hair has fallen out (heat and hair). The hero may at the same time free all those who were previously devoured by the monster, and who now slip out too.6
”
”
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
“
Thank you,” Eithan said quietly. The embrace continued until Lindon realized Eithan’s back was shaking. The man was sobbing, as Lindon had only seen him once before: when the sky turned black. He pushed back, trying to see Eithan’s face. “Eithan? Are you okay?” Tears streamed down Eithan’s cheeks, and he forced a smile. “I just…I wasn’t prepared…to be so proud.” He ruffled Lindon’s hair. “You used my shampoo.” Involuntarily, Lindon let out a laugh. “I did it!” Eithan cried. “I have cracked the stone-faced man! It shall go down in history as one of my greatest feats. And look!” He ruffled Lindon’s hair again. “So silky smooth! Such volume! Truly, this is my apprentice.
”
”
Will Wight (Waybound (Cradle, #12))
“
Before I knew anything about church, I'd assumed that most Christians spoke the same language, shared a sense of fellowship, and beyond minor differences had a faith in common that could transcend political boundaries. But if I had imagined that, initiated as a Christian, I was going to achieve some kind of easy bond with other believers, that fantasy was soon shot. Just a few months after I began going to St. Gregory's, I found myself at a restaurant counter in the Denver airport, waiting for a flight home from a reporting trip. A woman—perhaps noticing the silver crucifix I had recently and self-consciously started to wear around my neck—caught my eye and smiled as she took the stool next to me. She had short blond hair and a cross of her own, and was wearing some kind of sexless denim jumper that reeked of piety. I smiled back, and we exchanged small talk about the weather and flight delays, and then she asked me what I was reading. I showed her the little volume of psalms that I'd borrowed from Rick Fabian. “From my church,” I said proudly. “What church is that?” the woman asked. She leaned forward, in a friendly way. “Saint Gregory of Nyssa Episcopal Church, in San Francisco,” I said, as her face rearranged itself, froze, and closed. It may have been the “San Francisco,” I realized later, but the city's name was a reasonable stand-in, by that point, for everything conservative Christians had come to hate about the Episcopal Church as a whole: homosexuality; wealth; feminism; and morally relativist, decadent, rudderless liberalism. The church I'd unknowingly landed in turned out to be a scandal, a dirty joke at airport restaurants, a sign—in fact, thank God, a sure bet—that I was going to eat with sinners.
”
”
Sara Miles (Take This Bread: A Radical Conversion)
“
A young woman asked me: “Shall we go and dine together at a restaurant?” and when I replied: “With pleasure, if you don’t mind dining alone with a young man,” I heard the people round me giggle and I added hastily, “or rather with an old one.” I realised that the words which caused the laughter were of the kind my mother might have used in speaking of me; for my mother I always remained a child and I perceived that I was looking at myself from her point of view. Had I registered, as she did, changes since my childhood, they would have been very old ones for I had stopped at the point where people once used to say, almost before it was true, “Now he really is almost a young man.” That was what I was now thinking but tremendously late. I had not perceived how much I had changed but how did the people who laughed at me know? I had not a grey hair, my moustache was black. I should have liked to ask them how this awful fact revealed itself.
”
”
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
“
Is it, then, your opinion
Women are putty in your hands?
Is this the face to launch upon
A thousand one night stands?
First, please, would you be so kind
As to define your contribution
To modern verse, the Western mind
And human institutions?
Where, where is the long, flowing hair,
The velvet suit, the broad bow tie;
Where is the other-worldly air,
Where the abstracted eye?
Describe the influence on your verse
Of Oscar Mudwarp’s mighty line,
The theories of Susan Schmersch
Or the spondee’s decline.
You’ve labored to present us with
This mouse-sized volume; shall this equal
The epic glories of Joe Smith?
He’s just brought out a sequel.
Where are the beard, the bongo drums,
Tattered T-shirt and grubby sandals,
As who, released from Iowa, comes
To tell of wondrous scandals?
Have you subversive, out of date,
Or controversial ideas?
And can you really pull your weight
Among such minds as these?
Ah, what avails the tenure race,
Ah, what the Ph.D.,
When all departments have a place
For nincompoops like thee?
”
”
Snodgrass
“
Near the exit to the blue patio, DeCoverley Pox and Joaquin Stick stand by a concrete scale model of the Jungfrau, ... socking the slopes of the famous mountain with red rubber hot-water bags full of ice cubes, the idea being to pulverize the ice for Pirate's banana frappes. With their nights' growths of beard, matted hair, bloodshot eyes, miasmata of foul breath, DeCoverley and Joaquin are wasted gods urging on a tardy glacier.
Elsewhere in the maisonette, other drinking companions disentangle from blankets (one spilling wind from his, dreaming of a parachute), piss into bathroom sinks, look at themselves with dismay in concave shaving mirrors, slab water with no clear plan in mind onto heads of thinning hair, struggle into Sam Brownes, dub shoes against rain later in the day with hand muscles already weary of it, sing snatches of popular songs whose tunes they don't always know, lie, believing themselves warmed, in what patches of the new sunlight come between the mullions, begin tentatively to talk shop as a way of easing into whatever it is they'll have to be doing in less than an hour, lather necks and faces, yawn, pick their noses, search cabinets or bookcases for the hair of the dog that not without provocation and much prior conditioning bit them last night.
Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast:flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which-- though it is not often Death is told so clearly to fuck off--- the genetic chains prove labyrinthine enough to preserve some human face down ten or twenty generations. . . so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects. . . .
”
”
Thomas Pynchon
“
I cooked with so many of the greats: Tom Colicchio, Eric Ripert, Wylie Dufresne, Grant Achatz. Rick Bayless taught me not one but two amazing mole sauces, the whole time bemoaning that he never seemed to know what to cook for his teenage daughter. Jose Andres made me a classic Spanish tortilla, shocking me with the sheer volume of viridian olive oil he put into that simple dish of potatoes, onions, and eggs. Graham Elliot Bowles and I made gourmet Jell-O shots together, and ate leftover cheddar risotto with Cheez-Its crumbled on top right out of the pan.
Lucky for me, Maria still includes me in special evenings like this, usually giving me the option of joining the guests at table, or helping in the kitchen. I always choose the kitchen, because passing up the opportunity to see these chefs in action is something only an idiot would do. Susan Spicer flew up from New Orleans shortly after the BP oil spill to do an extraordinary menu of all Gulf seafood for a ten-thousand-dollar-a-plate fund-raising dinner Maria hosted to help the families of Gulf fishermen. Local geniuses Gil Langlois and Top Chef winner Stephanie Izard joined forces with Gale Gand for a seven-course dinner none of us will ever forget, due in no small part to Gil's hoisin oxtail with smoked Gouda mac 'n' cheese, Stephanie's roasted cauliflower with pine nuts and light-as-air chickpea fritters, and Gale's honey panna cotta with rhubarb compote and insane little chocolate cookies. Stephanie and I bonded over hair products, since we have the same thick brown curls with a tendency to frizz, and the general dumbness of boys, and ended up giggling over glasses of bourbon till nearly two in the morning. She is even more awesome, funny, sweet, and genuine in person than she was on her rock-star winning season on Bravo. Plus, her food is spectacular all day. I sort of wish she would go into food television and steal me from Patrick. Allen Sternweiler did a game menu with all local proteins he had hunted himself, including a pheasant breast over caramelized brussels sprouts and mushrooms that melted in your mouth (despite the occasional bit of buckshot). Michelle Bernstein came up from Miami and taught me her white gazpacho, which I have since made a gajillion times, as it is probably one of the world's perfect foods.
”
”
Stacey Ballis (Off the Menu)
“
I still have no choice but to bring out Minerva instead.”
“But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.”
“It’s called geology,” Minerva said. “It’s a science.”
“It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?”
Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it.
As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard.
She shrugged off the awkward memories. That time was behind her now.
Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.”
“Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.”
“Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.”
Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’”
Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.”
Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal.
That book provoked her, no end.
Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries.
Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice.
She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat.
With a calm smile, she placed the book on a side table. “Very useful indeed.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Therefore Flora said, though still not without a certain boastfulness and triumph in her legacy, that Mr F.'s Aunt was 'very lively to-day, and she thought they had better go.' But Mr F.'s Aunt proved so lively as to take the suggestion in unexpected dudgeon and declare that she would not go; adding, with several injurious expressions, that if 'He'--too evidently meaning Clennam--wanted to get rid of her, 'let him chuck her out of winder;' and urgently expressing her desire to see 'Him' perform that ceremony.
In this dilemma, Mr Pancks, whose resources appeared equal to any emergency in the Patriarchal waters, slipped on his hat, slipped out at the counting-house door, and slipped in again a moment afterwards with an artificial freshness upon him, as if he had been in the country for some weeks. 'Why, bless my heart, ma'am!' said Mr Pancks, rubbing up his hair in great astonishment, 'is that you?
How do you do, ma'am? You are looking charming to-day! I am delighted to see you. Favour me with your arm, ma'am; we'll have a little walk together, you and me, if you'll honour me with your company.' And so escorted Mr F.'s Aunt down the private staircase of the counting-house with great gallantry and success.
— Little Dorrit, Charles Dickens
”
”
Charles Dickens (Little Dorrit: Volume 1)
“
was being herded. I paused for only a second, but it felt like a very long time. I turned then and darted to the other side of the road. I had a sinking feeling that it was a wasted attempt. The footsteps behind me were louder now. “There you are!” The booming voice of the stocky, dark-haired man shattered the intense quiet and made me jump. In the gathering darkness, it seemed like he was looking past me. “Yeah,” a voice called loudly from behind me, making me jump again as I tried to hurry down the street. “We just took a little detour.” My steps had to slow now. I was closing the distance between myself and the lounging pair too quickly. I had a good loud scream, and I sucked in air, preparing to use it, but my throat was so dry I wasn’t sure how much volume I could manage. With a quick movement I slipped my purse over my head, gripping the strap with one hand, ready to surrender it or use it as a weapon as need demanded. The thickset man shrugged away from the wall as I warily came to a stop, and walked slowly into the street. “Stay away from me,” I warned in a voice that was supposed to sound strong and fearless. But I was right about the dry throat—no volume. “Don’t be like that, sugar,” he called, and the raucous laughter started again behind me. I
”
”
Stephenie Meyer (Twilight (Twilight, #1))
“
The other strikingly modern feature of the type of poet which Euripides now introduced into the history of literature is his apparently voluntary refusal to take any part whatever in public life. Euripides was not a soldier as Aeschylus was, nor a priestly dignitary as Sophocles was, but, on the other hand, he is the very first poet who is reported to have possessed a library, and he appears to be also the first poet to lead the life of a scholar in complete retirement from the world. If the bust of him, with its tousled hair, its tired eyes and the embittered lines round the mouth, is a true portrait, and if we are right in seeing in it a discrepancy between body and spirit, and the expression of a restless and dissatisfied life, then we may say that Euripides was the first unhappy poet, the first whose poetry brought him suffering. The notion of genius in the modern sense is not merely completely strange to the ancient world; its poets and artists have nothing of the genius about them. The rational and craftsmanlike elements in art are far more important for them than the irrational and intuitive. Plato’s doctrine of enthusiasm emphasized, indeed, that poets owed their work to divine inspiration and not to mere technical ability, but this idea by no means leads to the exaltation of the poet; it only increases the gulf between him and his work, and makes of him a mere instrument of the divine purpose. It is, however, of the essence of the modern notion of genius that there is no gulf between the artist and his work, or, if such a gulf is admitted, that the genius is far greater than any of his works and can never be adequately expressed in them. So genius connotes for us a tragic loneliness and inability to make itself fully understood. But the ancient world knows nothing of this or of the other tragic feature of the modern artist—his lack of recognition by his own contemporaries and his despairing appeals to a remote posterity. There is not a trace of all this—at least before Euripides. Euripides’ lack of success was mainly due to the fact that there was nothing in classical times that could be called an educated middle class. The old aristocracy took no pleasure in his plays, owing to their different outlook on life, and the new bourgeois public could not enjoy them either, owing to its lack of education. With his philosophical radicalism, Euripides is a unique pheno menon, even among the poets of his age, for these are in general as conservative in their outlook as were those of the classical age —in spite of a naturalism of style which was derived from the urban and commercial society they lived in, and which had reached a point at which it was really incompatible with political conservatism. As politicians and partisans these poets hold to their conservative doctrines, but as artists they are swept along in the progressive stream of their times. This inner contradiction in their work is a completely new phenomenon in the social history of art.
”
”
Arnold Hauser (The Social History of Art, Volume 1: From Prehistoric Times to the Middle Ages)
“
If a man jumped as high as a louse (lice), he would jump over a football field. In Ancient Egypt, the average life expectancy was 19 years, but for those who survived childhood, the average life expectancy was 30 years for women and 34 years for men. The volume of the moon is equivalent to the volume of the water in the Pacific Ocean. After the 9/11 incident, the Queen of England authorized the guards to break their vow and sing America’s national anthem for Americans living in London. In 1985, lifeguards of New Orleans threw a pool party to celebrate zero drownings, however, a man drowned in that party. Men and women have different dreams. 70 percent of characters in men’s dreams are other men, whereas in women its 50 percent men and 50 percent women. Men also act more aggressively in dreams than women. A polar bear has a black skin. 2.84 percent of deaths are caused by intentional injuries (suicides, violence, war) while 3.15 percent are caused by diarrhea. On average people are more afraid of spiders than they are afraid of death. A bumblebee has hairs on its eyes, helping it collect the pollen. Mickey Mouse’s creator, Walt Disney feared mice. Citarum river in Indonesia is the dirtiest and most polluted river in the world. When George R R Martin saw Breaking Bad’s episode called “Ozymandias”, he called Walter White and said that he’d write up a character more monstrous than him. Maria Sharapova’s grunt is the loudest in the Tennis game and is often criticized for being a distraction. In Mandarin Chinese, the word for “kangaroo” translates literally to “bag rat”. The first product to have a barcode was a chewing gum Wrigley. Chambarakat dam in Iraq is considered the most dangerous dam in the world as it is built upon uneven base of gypsum that can cause more than 500,000 casualties, if broken. Matt Urban was an American Lieutenant Colonel who was nicknamed “The Ghost” by Germans because he always used to come back from wounds that would kill normal people.
”
”
Nazar Shevchenko (Random Facts: 1869 Facts To Make You Want To Learn More)
“
He recognized her deft hand and eye for detail immediately. He flipped through the pages, past vignettes of the dairymaid and her vague-featured gentleman engaged in a courtship of sorts: a kiss on the hand, a whisper in the ear. By the book’s midpoint, the chit’s voluminous petticoats were up around her ears, and the illustrations comprised a sequence of quite similar poses in varying locales. Not just the dairy, but a carriage, the larder, in a hayloft lit with candles and strewn with…were those rose petals?
I’ll be damned.
Gray was fast divining the true source of the French painting master’s mythic exploits. More unsettling by far, however, as he perused the book, he noted a subtle alteration in the gentleman lover’s features. With each successive illustration, the hero appeared taller, broader in the shoulders, and his hair went from a cropped style to collar length in the space of two pages.
The more pages Gray turned, the more he recognized himself.
It was unmistakable. She’d used him as the model for these bawdy illustrations. She’d sketched him in secret; not once, but many times. And here he’d nearly gone mad with envy over each scrap of foolscap she’d inked for once crewman or another. His emotions underwent a dizzying progression-from surprised, to flattered, to (with the benefit of one especially inventive situation in an orchard) undeniably aroused.
But as he lingered over a nude study of this amalgam of the real him and some picaresque fantasy, he began to feel something else entirely. He felt used.
She’d rendered his form with astonishing accuracy, given that it must have been drawn before she’d any opportunity to actually see him unclothed. Not that she’d achieved an exact likeness. Her virgin’s imagination was rather generous in certain aspects and somewhat stinting in others, he noted with a bitter sort of amusement. But she’d laid him bare in these pages, without his knowledge or consent. God, she’d even drawn his scars. All in service of some adolescent erotic fantasy.
And now he began to grow angry.
He had been handling the leaves of the book with his fingertips only, anxious he might smudge or rip the pages. Now he abandoned all caution and flipped roughly through the remainder of the volume. Until he came to the end, and his hand froze.
There they were, the two of them. He and she fully clothed and unengaged in any physical intimacies-yet intimate, in a way he had never known. Never dreamed. Sitting beneath a willow tree, his head in her lap. One of her hands lay twined with his, atop his chest. The other rested on his brow. The sky soared vast and expansive above, gauzy clouds spinning into forever.
The hot fist of desire that had gripped his loins loosened, moved upward through his torso, churning the contents of his gut along the way. Then it clutched at his heart and squeezed until it hurt. Somehow, this illustration was the most dismaying of all. So naïve, so ridiculous. at least the bawdy situations were plausible, if sometimes physically improbable. This was utterly impossible. To her, he'd never been more than a fantasy.
It occurred to Gray that more secrets might be packed within these trunks. If he sorted through her belongings, he might find the answers to all his questions. Perhaps answers to questions he'd never thought to ask. In spite of this, he let the lid of the trunk clap shut and fastened the strap with shaking fingers. He'd suffered as many of her fantasies as he could bear for one day.
It was time to acquaint her with reality.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Joan looked up. The lights in the room were reflected in her eyes and the smile made her look younger. Her brown hair was pinned up and the silver earrings were the finishing touch.
”
”
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))
“
Richard nodded. “I wrote Chasing Girls.” He took a deep breath and licked his lips. Chasing Girls was about his way of life. With one important difference: he didn’t kill women like the protagonist in his story. But he kept souvenirs in his private photo album as a tribute of love to the women he slept with. On some pages he’d even glued underpants and pubic hair. It was lost with the bomb explosion in downtown London.
”
”
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))
“
In 1775, Sybil stood in the garden when she noticed McPierson walking toward her. Her heart missed a beat while she glanced at the hard features of his face. The dark whiskers, his square face, and gray eyes caused her to get goosebumps all over her body. “You will be my wife,” he smiled. Sybil didn’t say a word while he embraced and kissed her. “You and I are going to be so happy,” he promised, and stroked her hair. “You’ll be mine forever, tonight!” Sybil clenched her jaw while he let go of her and walked away from her to talk to her father, who stood in the doorway of the house. Then a sound caught her attention.
”
”
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))
“
A man with tangled white hair looked up. Marco’s eyes widened when he recognized the guy. He’d written an article about Mr. Martins that ruined his business. As he walked by, Mr. Martins stood. “Hey, I know you!” Mr. Martins exclaimed. “You ruined my life!” Marco acted like he didn’t notice and quickly went away.
”
”
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))
“
A ghostly woman appeared. Blood gushed down from her neck. “She will do this to you,” the woman warned in a hoarse voice as she stepped forward. Richard just stood there, frozen, unable to move an inch. The black-haired woman looked at him while she spilled her blood on the wooden planks.
”
”
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))
“
Sally’s cold fingers stroked through Richard’s hair as she pulled his head aside to expose his neck. Her slippery tongue licked him. It was a downright ugly feeling, and it gave him even more chills.
”
”
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))
“
Four zombies surrounded Agent Wulff and yanked at his hair. One of the zombies chewed on his neck. Wulff’s gun clattered to the ground.
”
”
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))
“
Her long black hair hung heavy on her shoulders, her eyes were deep, chocolate brown, and a nametag over her left breast said ‘Eileen’. “What’s the other one called “ I said. “Right tit “ she said. “Which describes you perfectly.” I liked her.
”
”
William Meikle (The Midnight Eye Files: Volume 1 (Midnight Eye Collections))
“
It may surprise you to learn that apple cider vinegar is a natural treatment that can help you treat dandruff.
”
”
Amy Leigh Mercree (Apple Cider Vinegar Handbook: Recipes for Natural Living (Volume 1))
“
A lot of people want to know ‘How do I get my hair to look like so-and-so’s?’” Jeri observes. “They go to their hairdresser with a picture and say, ‘I want to look like that.’ Now, first of all, styling hair in the television industry does not necessarily have anything to do with a haircut. It’s styling, and the audience has to realize that this is a style that is maintained all day long. They don’t walk out of the trailer and never get touched again, like normal people in the regular world. They have somebody chasing behind them, making sure that every hair is in place. So to take a photograph of an actor and expect to look like that, they can cut your hair the same way, but if you don’t do the styling, all you’re stuck with is a haircut you don’t know what to do with.
“I think the most important thing is that everybody needs to seek their own look, what makes them beautiful. It has nothing to do with what the actress looks like and nothing to do with wanting to be like them. You have to be yourself. I’m hoping that’s what has evolved on Buffy. She kinda looks like herself. She doesn’t try to create a hairstyle that takes hours to do. Fifteen minutes. Sometimes you have to work with what hair that you have. She is sixteen years old. I don’t want her hair to look like she came out of a salon. I’m hoping that we’re creating things that people can do, they’re not difficult to do. It’s a matter of really liking your face and being able to stand in front of the mirror and move [your hair] around until you balance your face.”
Jeri Baker
”
”
Christopher Golden (Buffy the Vampire Slayer: The Watcher's Guide, Volume 1)
“
This morning I prepared the bridal bed. How fresh the sheets smelt, The pillows were plump with anticipation, Like me. We’ve covered every angle, the mistress and me. I am to smother myself in her sweet perfume And let down my hair – although the colour does not compare. But he will not notice: The lights will be dimmed and the King will be blinded with love.
”
”
Carl Grose (Kneehigh Anthology: Volume 1: Tristan & Yseult; The Bacchae; The Wooden Frock; The Red Shoes (Sydney Festival Release))
“
My hair is beginning to go. I’ll soon be glabrous.
”
”
Graham Greene (The Collected Novels Volume Five: A Burnt-Out Case, The Captain and the Enemy, The Comedians, and The Man Within)
“
Perforation! Shout it out! The deliberate punctuated weakening of paperand cardboard so that it will tear along an intended path, leaving a row of fine-haired white pills or tuftlets on each new edge! It is a staggering conception, showing an age-transforming feel for the unique properties of pulped-wood fiber. Yet do we have national holidays to celebrate its development? Are festschrift volumes published honoring the dead greats in the field? People watch the news every night like robots thinking they are learning about their lives, never paying attention to the far more immediate developments that arrive unreported, on the zip-lock perforated top of the ice cream carton, in reply coupons bound in magazines and on the "Please Return This Portion" edging of bill stubs, on sheets of postage stamps and sheets of Publishers Clearing House magazine stamps, on paper towels, in rolls of plastic bags for produce at the supermarket, in strips of hanging file-folder labels. The lines dividing one year from another in your past are perforated, and the mental sensation of detaching a period of your life for closer scrutiny resembles the reluctant guided tearing of a perforated seam.
”
”
Nicholson Baker (The Mezzanine)
“
The old woman with the shimmering hair knew her time was ending as well; she felt it in the unsteady thump that her heart now made, in the way that her eyes no longer wanted to open in the mornings, in the labored breath she had while doing nothing more than sipping her buttercream coffee. Her life had been a series of hazardous mistakes and misfortunes, bad choices and even worse men. She thought that if she could just make one right choice, one last ditch effort at redemption, to choose the way she left this world, to transform herself, if only for a day, then maybe it would make up for all the lost years and loneliness she had felt. -The Girl with Dragonfly Wings
”
”
Shilo Niziolek (The Gateway Review: A Journal of Magical Realism (Volume 4, Issue 1))
“
And tell me, when have you ever really noticed me, or where I am, or where I sit? You never look at me. You avoid me like I’m the pox!” Her volume reached new levels and she had to force herself not to yell up into his face. She spoke through her teeth to keep her voice low. “You’ve done your best to keep us safe and help me learn what I’ve needed to know about Father—and for that I will be forever grateful, but you can’t honestly pretend that you care!” Thomas captured her shoulders again and pulled her in front of him with a jerk, making her hat fall to the ground. The glowering look in his eyes simmered and Eliza turned her head away. Taking a hand from her shoulder he wrapped his strong, gentle fingers around her chin, compelling her to look at him. The low resonance in his rich voice was both imposing and tender. “I notice everything about you.” Eliza tried to pull away, her heart beating against her lungs. “I don’t believe you. You’re actions say otherwise.” Thomas huffed and glanced away before locking eyes with her again. “I’ve tried to keep away from you, to keep from developing feelings for you, Eliza. I know you have a life in Boston and I’ve only ever brought you trouble . . . but I can’t dictate my heart.” He brushed his calloused fingers against her cheek. Eliza closed her eyes, relishing the feel of his tenderness. It was too wonderful to be real. “I couldn’t bear to see you hurt again, Eliza. That’s what caused my anger. Not the fact that you went to the rally.” His honey voice softened. “If anything had happened to you, I would never have forgiven myself, and not because it’s my duty to care for you, as you think. Because I love you.” Eliza’s breath hitched, and her heart thumped at the sparkle of surprise in his eyes, as if he hadn’t meant to speak the tender words. But from the way his gaze roamed her face, it seemed he didn’t regret saying them. She looked up with parted lips, soaking in the sweet dew of his affections as he stepped closer. As if unwrapping precious china, he unwound the scarf that still circled her hair and let it drop to the ground near the hat. He smoothed his fingers around her ears, cupping her head, and directed her face toward his. All the world disappeared, the surrounding trees and shadows melting together and closing around them like a celestial dream. He stepped closer and her knees turned as weak as the wilted blades of snow-covered grass at her feet. “What are you doing?” she whispered, trembling under his touch. An unmistakable hunger swirled in his gaze, reaching out and expanding the longing of her own. The heat in his low voice stole her breath. “I’m doing what I’ve wanted to do for a very long time.” He leaned toward her, but she put a hand on his chest to stop him, her heart slamming against her ribs. His dark eyebrows crunched down. “What is it?” Eliza swallowed, trying to keep her voice even. “Last time you kissed me, you avoided me as if I were a poison. I don’t want that to happen again.” A quiet, rumbling laugh escaped him. “You are anything but a poison, Eliza.” He cradled her face in his hands, tilting it upward and nuzzled her cold nose with his. She closed her eyes and inhaled in a ragged breath as his warm lips moved across the corners of her eyes, her cheekbones, her ear. Delicious shivers sprayed down her skin and she clung to his chest to keep from falling. His hands brushed down her neck and shoulders—one resting behind her head, the other at her back, as if he wanted to keep her safely next to him forever. Dear
”
”
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
“
I didn’t even know you looked at him like that.”
“Well, things feel more forbidden when you keep them secret, don’t they, Pippa?”
I laugh and roll my eyes.
“What other secrets do you have these days?” She leans in super close to her computer with a devious smile. “Do you have an Italian lover I should know about? Or lovers?”
“What?” My cheeks flame.
“There is someone!” Morgan slaps her palm on the desk. “What’s his name? Wait! Is it that Bruno guy? The one who kissed you? What aren’t you telling me?”
“Settle,” I say, turning down the volume to keep her shrill voice from waking up the whole building. “Uh, Bruno’s…well…”
“Yes?” She moves her hand in a small circle, urging me to continue.
“There’s this other guy, he’s American. But there hasn’t--”
“American?” She scrunches her nose. “We have those over here.”
“Morgan!”
“I’m just kidding! How cute is he?”
Darren’s insane hair curls around my heart and I warm all over. “He’s really cute.”
“Has he kissed you? What’s he like?”
“No kissing,” I say with a shake of my head, “but he, like, saved me. I hurt my ankle and he carried me.”
Her eyes widen more than I remember ever seeing them. “That’s how you met? Did you die? I would have died! That’s so romantic!”
“It didn’t feel romantic at the time.
”
”
Kristin Rae (Wish You Were Italian (If Only . . . #2))
“
Pain"
More faithful
than lover or husband
it cleaves to you,
calling itself by your name
as if there had been a ceremony.
At night you turn and turn
searching for the one
bearable position,
but though you may finally sleep
it wakens ahead of you.
How heavy it is,
displacing with its volume
your very breath.
Before, you seemed to weigh nothing,
your arms might have been wings.
Now each finger adds its measure;
you are pulled down by the weight
of your own hair.
And if your life should disappear ahead of you
you would not run after it.
”
”
Linda Pastan
“
Is it really safe to invest in stocks? To answer that question, we would really first need to ask ourselves: what is safe after all? More so, what is safe in business? The answer would be “NOTHING”. Here it is – the stark reality: all businesses have their risks and as far as risks are concerned, the stock market is just another kind of business; that is it! All deep-rooted and unbeaten stock market will advise you on the affirmative. Yet the faint possibility remains that you, at the same time, will without doubt happen upon other stock market players who have done pathetically in the stock market. These traders, when their opinion is sought, will not leave a stone unturned in advising you to steer clear of the stock market. Mystified whose advice you should take? Fine, both are correct in their own points of view.
To cross the threshold into well-paid stock market share trading in the marketplace of any place in the human race, it is to a great extent compulsory that you are geared up with the inclusive fluency of the sod above and beyond in receipt of rationalized with the up to date market shifts so that you prefer no less than probable stocks. In essence then can day businesses bear out valuable? If you are in a job in a different place and are unable to have a look at the trade area under conversation well again, it is advisable that you should not make your mind up on daylight trading. You will in point of fact happen upon other forms of trade which do not necessitate your day and night inspection. You in all probability will chew over those as well.
Affecting the traders
It would also be a reasonable word of warning to say publicly that the stock market affects different types of traders differently. There are cases in point of a lot of investors who have become cleaned out. Putting on next to nothing information and gambling into the share market perceiving others producing immense wealth possibly will provide evidence of being hazardous for you. You could wind up bringing up the rear to your richly deserved wealth and habitual failures will very soon plead your case before you to make your way out from the stock market panorama. Stage-managing and putting on unconditional awareness previous to putting money in will certainly twirl the bazaar in your prop up.
Outline your objectives
You will of course call for to outline your objectives and endeavor to come across the varied working expenditure alternatives in the stock market. At the beginning decide on fragile investments with the intention that even though you put on or incur fatalities, you will in next to no time gain knowledge of the ins and outs of the deal. Just the once you are contented, you can settle on volume funds. You in all probability will decide on each and every one of the three dealing preferences, specifically day business, short-term trading and enduring investment. At one fell swoop given your institution of resource of profits is exclusively the stock market; you will be able to broaden the horizons of your venture ambitions to a larger extent, for instance conjecture in mutual funds, money futures, product futures, and supplementary endeavor goods. You can accordingly keep up equilibrium of your ventures and disappointments if a few will by a hair's breadth inconvenience you. Seeking singular venture alternatives will additionally comply to you eloquent which one goes well with you the most excellent and you can in that case put in funds in capacity in the unwritten prospect.
Make the best use of stock market
It often comes to our notice that the stock market if used fine provides us with an exceptionally excellent occasion to put together loads of wealth and in addition utilize the stock market as our principal foundation of revenue. There are also the risks yet the faint possibility remains that risks are everywhere, in every trade.
”
”
sharetipsinfo
“
Scarce had the rubicund Apollo spread o’er the face of the broad spacious earth the golden threads of his bright hair, scarce had the little birds of painted plumage attuned their notes to hail with dulcet and mellifluous harmony the coming of the rosy Dawn, that, deserting the soft couch of her jealous spouse, was appearing to mortals at the gates and balconies of the Manchegan horizon, when the renowned knight Don Quixote of La Mancha, quitting the lazy down, mounted his celebrated steed Rocinante and began to traverse the ancient and famous Campo de Montiel;
”
”
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
“
As Chen Hsin pulled back Zhang Zhun's hair, his fine features came into view: a lovely forehead, a pair of handsome eyebrows, and watery eyes that lingered gently over the injury on Chen Hsin's face.
"Action!
”
”
Tongzi (Deep in the Act (Volume 1))
“
The wise will go upstairs,
undo buttons and hair,
fold themselves
within the covenant of flesh
and make love
wilder than any weather.
— Bob Hicok, from “Weather,” The Legend of Light (The University of Wisconsin Press, 1995)
”
”
Bob Hicok (The Legend of Light (Volume 1995) (Wisconsin Poetry Series))
“
She was about twenty-five years old, possibly less, with muddy brown hair and eyes and complexion. Squint lines of worry etched the skin around her eyes, and the corners of her thin-lipped mouth turned down. Her face was almost expressionless, as if she were trying to keep the features rigid and immobile.
”
”
Richard S. Prather (Shell Scott PI Mystery Series, Volume Two)
“
She was a tall, firm, abundantly curvaceous, lovely with pollen-gold hair and a shape to make corpses kick open caskets.
”
”
Richard S. Prather (Shell Scott PI Mystery Series, Volume Three)
“
The old man held out a paper scroll, not mere parchment. It was a clear sign of wealth and status. Not every noble family could afford to use paper for invitations. The very fact that Hadjar was being visited by the clan’s attorney, and not by a simple servant, spoke volumes. “Thank-” Hadjar reached out, almost closing his fingers around the scroll, but the old man suddenly loosened his grip. Caught in the wind, the invitation, decorated with monograms and tied with a scarlet ribbon, fell to the dirt at Hadjar’s feet. The old man didn’t apologize. He stood there, with his hand still outstretched, a sneer on his lips, radiating complete confidence in his superiority. A clear example that old age didn’t mean one also gained intelligence or wisdom. He’d lived long enough for his hair to turn gray, but not long enough to acquire a brain. He didn’t even realize how simply and blatantly he was being used. Hadjar, just as the old man had expected, bent down to pick up the invitation, dusted it off, and held it without putting it away in his spatial artifact, as was required by etiquette. “You didn’t have to bow to me, young man,” the old man grunted. This was quite a serious insult. Being the personal disciple of a great hero made Hadjar equal in status to the senior heirs of aristocratic families. He was at the very top of the social structure of Dahanatan. But Hadjar didn’t really care about any of that. The power he possessed was insignificant in his opinion, and ever since he’d eaten those first scraps in Primus’ dungeon, he’d stopped caring about whether he was a Prince or a circus freak. Titles didn’t matter. The important thing was that the old man was a servant, and Hadjar was almost an aristocrat. The lawyer’s words were akin to the old man throwing a glove in Hadjar’s face. Hadjar looked behind his visitor, at the dark carriage emblazoned with the white coat of arms of the Predatory Blades clan. Brustor would have to try a little harder. So far, his provocations weren’t even a match for the insults that Hadjar had received during his meetings with Emperor Morgan. Shocking the old man, Hadjar bowed deeply. “Only a silly young man,” he said, straightening back up, “doesn’t feel respect toward someone whose hair is whiter than his.
”
”
Kirill Klevanski (Path to the Unknown (Dragon Heart, #11))
“
You’re not fucking fine,” Jake counters. “You’re having our baby in an IKEA!” He drags a hand through his hair. “Ohmygod, we’re gonna have to name it Flörp or Lörten or something, aren’t we?
”
”
Emily Rath (Pucking Ever After: Volume 1 (Jacksonville Rays, #1.5))
“
Trying to keep Rohan out of her thoughts, wondering endlessly if she should apologize for throwing herself at him, she traveled from shelf to shelf, rearranging the books by language, by historical period, by size, as was practical, and above all, alphabetically, by the writer's last name.
She had found multiple titles by individual authors scattered willy-nilly through the collection. It made her want to pull her hair out. Obviously!- an individual author's body of work all belonged on one shelf, the works arranged, in turn, by whatever system was most suitable: by volume number, alphabetically by title, or by the year of publication, or, in case of playwrights, works grouped by genre- tragedies with tragedies, comedies with comedies, histories with histories, and so on.
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Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
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all life is, is a series of consecutive risks joined together with hairs stood on end.
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L. Ron Hubbard (Mission Earth Volume 8: Disaster)
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Athletically built, with blue eyes and close-cropped blond hair,
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Ryuto (Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship!, Volume 5)
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Chewing gum is a tested and effective way to remove gum from hair and clothes.
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Bill O'Neill (The Big Book of Random Facts Volume 7: 1000 Interesting Facts And Trivia (Interesting Trivia and Funny Facts))
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dead man’s driver’s license: Edward Brett, 1428 West Hyacinth Drive, Hollywood, California. He was — had been — thirty-eight years old, five feet, eleven inches tall, weight one-eighty, eyes brown, hair brown, complexion pale... I
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Richard S. Prather (Shell Scott PI Mystery Series, Volume Five)
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Now, Sirius was no longer the boy from those fantasies. He was no longer young, and beautiful, and full of life. He was no longer the person Moony had fallen in love with - though he remembered that person, as if from far away. He remembered being loud, and vibrant, and reckless. He remembered the love he'd held for mischief, and for his friends; he remembered laughing with his head thrown back, sweeping his hair behind one ear, smirking with that devilish confidence that he'd always projected.
But that boy felt more like a dream than anything else. And Sirius couldn't bear the thought of going to Moony now, as he was, and watching the fantasy wither before his eyes. Who could be expected to love a black hole, where there had once been a star?
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Rollercoasterwords (All the Young Dudes: Sirius's Perspective - Volume Four: 'Til The End)