Volatile Man Quotes

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you are a horse running alone and he tries to tame you compares you to an impossible highway to a burning house says you are blinding him that he could never leave you forget you want anything but you you dizzy him, you are unbearable every woman before or after you is doused in your name you fill his mouth his teeth ache with memory of taste his body just a long shadow seeking yours but you are always too intense frightening in the way you want him unashamed and sacrificial he tells you that no man can live up to the one who lives in your head and you tried to change didn't you? closed your mouth more tried to be softer prettier less volatile, less awake but even when sleeping you could feel him travelling away from you in his dreams so what did you want to do love split his head open? you can't make homes out of human beings someone should have already told you that and if he wants to leave then let him leave you are terrifying and strange and beautiful something not everyone knows how to love.
Warsan Shire
If the financial system has a defect, it is that it reflects and magnifies what we human beings are like. Money amplifies our tendency to overreact, to swing from exuberance when things are going well to deep depression when they go wrong. Booms and busts are products, at root, of our emotional volatility.
Niall Ferguson
The volatile, abusive, and sometimes dangerous reactions that abusers can have when relationships draw to a close have often been considered, especially by psychologists, to be evidence of the man’s “fear of abandonment.” But women have fears of abandonment that are just as great as men’s, yet they rarely stalk or kill their partners after a breakup. Not only that, but many abusers are vicious to their ex-partners even when they do not desire a reunion or when they initiated the breakup themselves.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Has she accepted you?" "Not yet.She wants to discuss it with you first." "Thank God.Because I'll tell her that it's the worst idea I've ever heard." Leo arched a brow."You doubt I could protect her?" "I doubt you could keep from murdering each other!I doubt she could ever be happy in such volatile circumstances.I doubt...no,I won't bother listing all my concerns,it would take too bloody long." Harry's eyes were ice-cold. "The answer is no,Ramsay.I'll do what is necessary to take care of Cat.You can return to Hampshire." "I'm afraid it won't be that easy to get rid of me," Leo said."Perhaps you didn't notice that I haven't asked for your permission.There is no choice.Certain things have happened that can't be undone.Do you understand?" He saw from Harry's expression that only a few fragile constraints stood between him and certain death. "You seduced her deliberately," Harry managed to say. "Would you be happier if I claimed it was an accident?" "The only thing that would make me happy is to weight you with rocks and toss you into the Thames." "I understand.I even sympathize.I can't imagine what it would be like to face a man who's compromised your sister,how difficult it would be to keep from murdering him on the spot.Oh, but wait.." Leo tapped a forefinger thoughtfully on his chin. "I can imagine.Because I went through it two bloody months ago." Harry's eyes narrowed."That wasn't the same.Your sister was still a virgin when I married her." Leo gave him an unrepenting glance. "When I compromise a woman,I do it properly." "That does it," Harry muttered, leaping for his throat.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
He’s intense, quite volatile, incredibly self-assured and extremely rich. Oh, and he’s wild in the sex department. But that’s all I know. I don’t even know how old he is.
Jodi Ellen Malpas (This Man (This Man, #1))
The word is a thing of mystery, so volatile that it vanishes almost on the lip, yet so powerful that it decides fates and determines the meaning of existence. A frail structure shaped by fleeting sound, it yet contains the eternal: truth. Words come from within, rising as sounds fashioned by the organs of a man's body, as expressions of his heart and spirit. He utters them, yet he does not create them, for they already existed independently of him. One word is related to another; together they form the great unity of language, that empire of truth-forms in which a man lives.
Romano Guardini (Preparing Yourself for Mass)
(a) Are the skies you sleep under likely to open up for weeks on end? (b) Is the ground you walk on likely to tremble and split? (c) Is there a chance (and please check the box, no matter how small that chance seems) that the ominous mountain casting a midday shadow over your home might one day erupt with no rhyme or reason? Because if the answer is yes to one or all of these questions, then the life you lead is a midnight thing, always a hair's breadth from the witching hour; it is volatile, it is threadbare; it is carefree in the true sense of that term; it is light, losable like a key or a hair clip. And it is lethargy: why not sit all morning, all day, all year, under the same cypress tree drawing the figure eight in the dust? More than that, it is disaster, it is chaos: why not overthrow a government on a whim, why not blind the man you hate, why not go mad, go gibbering through the town like a loon, waving your hands, tearing your hair? There's nothing to stop you---or rather anything could stop you, any hour, any minute. That feeling. That's the real difference in a life.
Zadie Smith
And the places she turns up in Jamaica are all the more curious. I remember being at sound-system dances and hearing everyone from Bob Marley Kenny Rogers (yes, Kenny Rogers) to Sade to Yellowman to Beenie Man being blasted at top volume while the crowd danced and drank up a storm. But once the selector (DJ in American parlance) began to play a Celine Dion song, the crowd went buck wild and some people started firing shots in the air.... I also remember always hearing Celine Dion blasting at high volume whenever I passed through volatile and dangerous neighborhoods, so much that it became a cue to me to walk, run or drive faster if I was ever in a neighborhood I didn't know and heard Celine Dion mawking over the airwaves.
Carl Wilson (Let's Talk About Love: A Journey to the End of Taste)
...the passage of time, which transformed the volatile present into that finished, unalterable painting called the past, a canvas man always executed blindly, with erratic brushstrokes that only made sense when one stepped far enough away from it to be able to admire it as a whole.
Félix J. Palma
Normal people are not always boring. On the contrary. Volatility and passion, although often more romantic and enticing, are not intrinsically preferable to a steadiness of experience and feeling about another person (nor are they incompatible). These are beliefs, of course, that one has intuitively about friendships and family; they become less obvious when caught up in a romantic life that mirrors, magnifies, and perpetuates one's own mercurial emotional life and temperament. It has been with my pleasure, and not-inconsiderable pain, that I have learned about the possibilities of love - its steadiness and its growth - from my husband, the man with whom I had lived for almost a decade.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
I had lost some of my naivete and gained strength. These women with their pointless scheming could not contain me, and I watched the volatile world of the gynaeceum with a detached eye. The Forbidden City had buried my youth, and in the monastery, I had died and come back to life. Friends, enemies and mistresses had all disappeared. I was a ghost from a lost world, still going from one season to the next and still living for one man alone.
Shan Sa (Empress)
I notice a whiff of Swift in some of my notes. I too am a desponder in my nature, an uneasy, peevish, and suspicious man, although I have my moments of volatility and fou rire.
Vladimir Nabokov (Pale Fire)
But what becomes of the divinity when it reveals itself in icons, when it is simply incarnated in images as a visible theology? Or does it volatilize itself in the simulacra that, alone, deploy their power and pomp of fascination - the visible machinery of icons substituted for the pure and intelligible Idea of God? This is precisely what was feared by Iconoclasts, whose millennial quarrel is still with us today. This is precisely because they predicted this omnipotence of simulacra, the faculty simulacra have of effacing God from the conscience of man, and the destructive, annihilating truth that they allow to appear - that deep down God never existed, even God himself was never anything but his own simulacra - from this came their urge to destroy the images. If they could have believed that these images only obfuscated or masked the Platonic Idea of God, there would have been no reason to destroy them. One can live with the idea of distorted truth. But their metaphysical despair came from the idea that the image didn't conceal anything at all.
Jean Baudrillard (Simulacra and Simulation)
The universe was once conceived as the passive stage upon which the dramatic conflict of human wills was enacted and resolved. Today man has discovered that that which seemed simple and stable is, instead, complex and volatile; his own inventions have put into motion new forces, toward which he has yet to invent a new relationship. Unlike Ulysses, he can no longer travel over a universe stable in space and time to find adventures; nor can he solve intimate antagonisms with an adversary sportingly suitable in stature. Rather, each individual is the center of a personal vortex; and the aggressive variety and enormity of the adventures which swirl about and confront him are unified only by his personal identity.... The integrity of the individual identity is counterpointed to the volatile character of a relativistic universe.
Maya Deren (The Legend of Maya Deren: A Documentary Biography and Collected Works)
Mental illness doesn’t cause abusiveness any more than alcohol does. What happens is rather that the man’s psychiatric problem interacts with his abusiveness to form a volatile combination. If he is severely depressed, for example, he may stop caring about the consequences his actions may cause him to suffer, which can increase the danger that he will decide to commit a serious attack against his partner or children. A mentally ill abuser has two separate—though interrelated—problems, just as the alcoholic or drug-addicted one does.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
... but you are always too intense frightening in the way you want him unashamed and sacrificial he tells you that no man can live up to the one who lives in your head and you tried to change didn't you? closed your mouth more tried to be softer prettier less volatile, less awake but even when sleeping you could feel him travelling away from you in his dreams so what did you want to do, love split his head open? you can't make homes out of human beings someone should have already told you that and if he wants to leave then let him leave you are terrifying and strange and beautiful something not everyone knows how to love.
Warsan Shire
man ought never to trust another man’s evaluation of a third man’s disposition. For human temperament was a volatile compound of perception and circumstance;
Eleanor Catton (The Luminaries)
Jesus growls, ‘Man is his own worst enemy! Nothing but a cannibal eating his own head; a volatile, self-obsessed hybrid, that never should’ve been allowed to evolve. Let them swallow each other up!
Jonathan Dunne (Finding Jesus)
I had ceased to be a writer of tolerably poor tales and essays, and had become a tolerably good Surveyor of the Customs. That was all. But, nevertheless, it is any thing but agreeable to be haunted by a suspicion that one's intellect is dwindling away; or exhaling, without your consciousness, like ether out of a phial; so that, at every glance, you find a smaller and less volatile residuum. Of the fact, there could be no doubt; and, examining myself and others, I was led to conclusions in reference to the effect of public office on the character, not very favorable to the mode of life in question. In some other form, perhaps, I may hereafter develop these effects. Suffice it here to say, that a Custom-House officer, of long continuance, can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind. An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that, while he leans on the mighty arm of the Republic, his own proper strength departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self-support. If he possess an unusual share of native energy, or the enervating magic of place do not operate too long upon him, his forfeited powers may be redeemable. The ejected officer—fortunate in the unkindly shove that sends him forth betimes, to struggle amid a struggling world—may return to himself, and become all that he has ever been. But this seldom happens. He usually keeps his ground just long enough for his own ruin, and is then thrust out, with sinews all unstrung, to totter along the difficult footpath of life as he best may. Conscious of his own infirmity,—that his tempered steel and elasticity are lost,—he for ever afterwards looks wistfully about him in quest of support external to himself. His pervading and continual hope—a hallucination, which, in the face of all discouragement, and making light of impossibilities, haunts him while he lives, and, I fancy, like the convulsive throes of the cholera, torments him for a brief space after death—is, that, finally, and in no long time, by some happy coincidence of circumstances, he shall be restored to office. This faith, more than any thing else, steals the pith and availability out of whatever enterprise he may dream of undertaking. Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle's pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam's gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the Devil's wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self-reliance, and all that gives the emphasis to manly character.
Nathaniel Hawthorne (The Scarlet Letter)
The answer was obvious: the passage of time, which transformed the volatile present into that finished, unalterable painting called the past, a canvas man always executed blindly, with erratic brushstrokes that only made sense when one stepped far enough away from it to be able to admire it as a whole.
Félix J. Palma (The Map of Time)
I don’t want you to be ashamed of your darkness. I don’t want you to be afraid of it. I am not a delicate man. I am brash, volatile, controlling and demanding and I always, always get what I want. What I want is your darkness to play with mine. I want to make it come so beautifully alive, so that we can revel in it together.
Karina Halle (Blood Orange (The Dracula Duet, #1))
Sitting now...with my eyes wide open and full with amazement...I m realising that there is nothing else more volatile in this universe than human nature. I am a killer? No. I am a lover. I am a lover? No, a pragmatic poet bussines woman. I am happy. Yes. And angry. One second ago, I was sad. Now I am enthusiastic. I wanted to be a man. But I love being a woman.
Dragotel Viorica
Grandfather's stories proposed to him that the forms of life were volatile and that everything in the world could as easily be something else. The old man's narrative would often drift from English to Latin without his being aware of it, as if he were reading to one of his classes of forty years before, so that it appeared nothing was immune to the principle of volatility, not even language.
E.L. Doctorow (Ragtime le grand film de milos forman (LITTÉRATURE ÉTRANGÈRE))
He hovered, as it were, on the fringes of both the scientific and the classical worlds, making, apparently, no deep impression on either. Perhaps the characteristics that he inherited from D'Arcy the Elder partly accounted for this. Gifted, volatile, impulsive, and individual, neither could suffer a fool gladly, and they spoke their minds freely when occasion demanded and sometimes when it did not. They both went their own way; they would not ‘run with the pack’; they despised the instinct that leads men to say what others say because it is easier, or do as others do for fear of being thought different. Alike in demanding the highest standard of integrity in behaviour and work they spared no man who was slovenly in either; critical of their own achievements they were equally so of other men's.
Ruth D'Arcy Thompson (D'Arcy Wentworth Thompson: The Scholar-Naturalist (1860-1948))
Sitting now...with my eyes wide open...I am simply amazed about human nature and its volatility...I am a killer. I am so aggressive. No, I am a lover. Love is the key. Acctually...I am a poet. And a pragmatic business woman. I was sad. And angry. But I am enthusiastic. I wanted to be a man. But I love being a woman.
Dragotel Viorica
Moving heavy objects allowed me to feel manly in the eyes of other men. With the women it didn't matter, but I enjoyed subtly intimidating the guys with bad backs who thought they were helping out by telling us how to pack the truck. The thinking was that because we were furniture movers, we obviously weren't too bright. In addition to being strong and stupid, we were also thought of as dangerous. It might have been an old story to Patrick and the others, but I got a kick out of being mistaken as volatile. All I had to do was throw down my dolly with a little extra force, and a bossy customer would say, "Let's just all calm down and try to work this out.
David Sedaris (Me Talk Pretty One Day)
His performance was also intensely visual, with his volatile movements in front of the piano, and his cries and wild vocal accompaniment to his playing, all of which spoke eloquently of his extraordinary passion for the instrument and the music he coaxed, tickled and sometimes pounded out of him. Many critics were put off by all this, thinking it was a mere outward show- and therefore insincere. In fact it is an essential part of music-making for Jarrett, his way of achieving his state of grace… the ecstasy of inspiration. Miles Davis understood that immediately, and so did most other musicians. Jack DeJohonette says: “The one thing that struck me about Keith, that made him stand out from other players, was that he really has a love affair with the piano, it’s a relationship with that instrument… Keith’s hands are actually quire small but because of that he can do things that a person like myself, or other pianists with normal hand spans, can’t do… it enables him to overlap certain chord sequences and do rhythmic things and contrapuntal lines and get these effects of like, four people playing the piano… But I’ve never seen anybody just have such a rapport with their instrument and know its limitations but also push them to the limits, transcend the instrument – which is what I try and do with the drums as well.
Ian Carr (Keith Jarrett: The Man And His Music)
Everything which distinguishes man from the animals depends upon this ability to volatilize perceptual metaphors in a schema, and thus to dissolve an image into a concept. For something is possible in the realm of these schemata which could never be achieved with the vivid first impressions: the construction of a pyramidal order according to castes and degrees, the creation of a new world of laws, privileges, subordinations, and clearly marked boundaries — a new world, one which now confronts that other vivid world of first impressions as more solid, more universal, better known, and more human than the immediately perceived world, and thus as the regulative and imperative world.
Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense)
Thinking back, ladies, looking back, gentlemen, thinking and looking back on my European tour, I feel a heavy sadness descend upon me. Of course, it is partly nostalgia, looking back at that younger me, bustling around Europe, having adventures and overcoming obstacles that, at the time, seemed so overwhelming, but now seem like just the building blocks of a harmless story. But here is the truth of nostalgia: we don’t feel it for who we were, but who we weren’t. We feel it for all the possibilities that were open to us, but that we didn’t take. Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the table top and solidifies into the shape it will always be. It becomes the past, a solid single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held. It is impossible - no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind - it is impossible not to feel a little sad, looking at that bit of wax. That bit of the past. It is impossible not to think of all the wild forms that wax now will never take. The village, glimpsed from a train window, beautiful and impossible and impossibly beautiful on a mountaintop, and you wonder what it would be if you stepped off the train and walked up the trail to its quiet streets and lived there for the rest of your life. The beautiful face of that young man from Luftknarp, with his gaping mouth and ashy skin, last seen already half-turned away as you boarded the bus, already turning towards a future without you in it, where this thing between you that seemed so possible now already and forever never was. All variety of lost opportunity spied from the windows of public transportation, really. It can be overwhelming, this splattered, inert wax recording every turn not taken. ‘What’s the point?’ you ask. ’Why bother?’ you say. ’Oh, Cecil,’ you cry. ’Oh, Cecil.’ But then you remember - I remember! - that we are even now in another bit of molten wax. We are in a moment that is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the Now. Where we never can know what shape the next moment will take. Stay tuned next for, well, let’s just find out together, shall we?
Cecil Baldwin
The key trait of a Sperm Pirate is that she is not driven by desperation. Escaping poverty or hardship is not her motive. She usually has a good education and access to the same opportunities as the man she tries to trap. However, she understands that it is more efficient to enjoy a lavish lifestyle through the sweat of another’s labour. But the Sperm Pirate is acutely aware that the infatuation of a hormonal man has a brief shelf life. This poor collateral must be cashed in before it expires. A pregnancy is the best way to convert this volatile resource into a stable asset. Babies are reliable insurance policies. They create legal obligations for financial support, even when the sweet milk of passion turns sour.
Taona Dumisani Chiveneko (The Hangman's Replacement: Sprout of Disruption)
The phrase was so simple and for most women, so generic. Any other female would have laughed off such a question from a boy she had no interest in. But in my case, it was a landmark moment in my life. Number 23 had gone where no other man had gone before. Until then, my history with men had been volatile. Instead of a boyfriend or even a drunken prom date, my virginity was forfeited to a very disturbed, grown man while I was unconscious on a bathroom floor. The remnants of what could be considered high school relationships were blurry and drug infused. Even the one long-lasting courtship I held with Number 3 went without traditional dating rituals like Valentine’s Day, birthdays, anniversary gifts, or even dinner. Into young adulthood, I was never the girl who men asked on dates. I was asked on many fucks. I was a pair of tits to cum on, a mouth to force a cock down, and even a playmate to spice up a marriage. At twenty-four, I had slept with twenty-two men, gotten lustfully heated with countless more, but had never once been given flowers. With less than a handful of dates in my past, romance was something I accepted as not being in the cards for me. My personality was too strong, my language too foul, and my opinions too outspoken. No, I was not the girl who got asked out on dates and though that made me sad at times, I buried myself too deeply in productivity to dwell on it. But, that day, Number 23 sparked a fuse. That question showed a glimmer of a simplistic sweetness that men never gave me. Suddenly he went from being some Army kid to the boyfriend I never had.
Maggie Georgiana Young (Just Another Number)
You have insulted me and degraded me every time I’ve been in your presence. If my brother were here, he’d call you out! Since he is not here,” she continued almost mindlessly, “I shall demand my own satisfaction. If I were a man, I’d have the right to satisfaction on the field of honor, and as a woman I refuse to be denied that right.” “You’re ridiculous.” “Perhaps,” Elizabeth said softly, “but I also happen to be an excellent shot. I’m a far worthier opponent for you on the dueling field than my brother. Now, will you meet me outside, or shall I-I finish you here?” she threatened, so beside herself with fury that she never stopped to think how reckless, how utterly empty her threat was. Her coachman had insisted she learn to fire a weapon for her own protection, but although her aim was excellent when she’d practiced with targets, she had never shot a living thing. “I’ll do no such silly damned thing.” Elizabeth raised the gun higher. “Then I’ll have your apology right now.” “What am I to apologize for?” he asked, still infuriatingly calm. “You may start by apologizing for luring me into the greenhouse with that note.” “I didn’t write a note. I received a note from you.” “You have great difficulty sorting out the notes you send and don’t send, do you not?” she said. Without waiting for a reply she continued, “Next, you can apologize for trying to seduce me in England, and for ruining my reputation-“ “Ian!” Jake said, thunderstruck. “It’s one thing to insult a lady’s handwriting, but spoilin’ her reputation is another. A thing like that could ruin her whole life!” Ian shot him an ironic glance. “Thank you, Jake, for that helpful bit of inflammatory information. Would you now like to help her pull the trigger?” Elizabeth’s emotions veered crazily from fury to mirth as the absurdity of the bizarre tableau suddenly struck her: Here she was, holding a gun on a man in his own home, while poor Lucinda held another man at umbrella point-a man who was trying ineffectually to sooth matters by inadvertently heaping more fuel on the volatile situation. And then she recognized the stupid futility of it all, and that banished her flicker of mirth.
Judith McNaught (Almost Heaven (Sequels, #3))
It’s important to remember that market participants have always tended to pull back and do less trading during market crises, suggesting that any reluctance by quants to trade isn’t so very different from past approaches. If anything, markets have become more placid as quant investors have assumed dominant positions. Humans are prone to fear, greed, and outright panic, all of which tend to sow volatility in financial markets. Machines could make markets more stable, if they elbow out individuals governed by biases and emotions. And computer-driven decision-making in other fields, such as the airline industry, has generally led to fewer mistakes.
Gregory Zuckerman (The Man Who Solved the Market: How Jim Simons Launched the Quant Revolution)
This bold energetic man of rare intelligence and enterprise must also be understood as a man undone by his own deep flaws. He was known to drink to grievous excess, for example, which often turned him volatile and violent. On the other hand, his evil repute has been wildly exaggerated by careless journalists and their local informants, who seek to embellish their limited acquaintance with a “desperado”; with the result that the real man has been virtually entombed by tale and legend which since his death has petrified as myth. The most lurid view of Mr. Watson is the one perpetuated by the Islanders themselves, for as Dickens observed after his visit to this country, “These Americans do love a scoundrel.” Because his informants tend to imagine that the darkest interpretation is the one the writer wishes to hear, the popular accounts (until now, there have been no others) are invariably sensational as well as speculative: the hard facts, not to speak of “truth,” are missing. Also, this “Bloody Watson” material relates only to his final years in southwest Florida; one rarely encounters any reference to South Carolina, where Edgar Artemas Watson passed his boyhood, nor to the years in the Indian Country (always excepting his alleged role in the slaying of Belle Starr), nor even to the Fort White district of Columbia County in north Florida where he farmed in early manhood, married all three of his wives, and spent almost half of the fifty-five years of his life.
Peter Matthiessen (Shadow Country)
At that moment, remarkably, there was a man in the expansive reactor hall of Unit 4 who witnessed all this.121 Night Shift Chief of the Reactor Shop Valeriy Perevozchenko saw the top of the reactor - a 15-meter-wide disk comprised of 2000 individual metal covers which cap safety valves - begin to jump up and down. He ran. The reactor’s uranium fuel was increasing power exponentially, reaching some 3,000°C, while pressure rose at a rate of 15 atmospheres per second. At precisely 01:23:58, a mere 18 seconds after Akimov pressed the SCRAM button, steam pressure overwhelmed Chernobyl’s incapacitated fourth reactor. A steam explosion blew the 450-ton, 3-meter-thick upper biological shield clear off the reactor before it crashed back down, coming to rest at a steep angle in the raging maw it left behind. The core was exposed.122 A split second later, steam and inrushing air reacted with the fuel’s ruined zirconium cladding to create a volatile mixture of hydrogen and oxygen, which triggered a second, far more powerful explosion.123 Fifty tons of vaporised nuclear fuel were thrown into the atmosphere, destined to be carried away in a poisonous cloud that would spread across most of Europe. The mighty explosion ejected a further 700 tons of radioactive material - mostly graphite - from the periphery of the core, scattering it across an area of a few square kilometers. This included the roofs of the turbine hall, Unit 3, and the ventilation stack it shared with Unit 4, all of which erupted into flames. The reactor fuel’s extreme temperature, combined with air rushing into the gaping hole, ignited the core’s remaining graphite and generated an inferno that burned for weeks. Most lights, windows and electrical systems throughout the severely damaged Unit 4 were blown out, leaving only a smattering of emergency lighting to provide illumination.124
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
The ownership of land is not natural. The American savage, ranging through forests who game and timber are the common benefits of all his kind, fails to comprehend it. The nomad traversing the desert does not ask to whom belong the shifting sands that extend around him as far as the horizon. The Caledonian shepherd leads his flock to graze wherever a patch of nutritious greenness shows amidst the heather. All of these recognise authority. They are not anarchists. They have chieftains and overlords to whom they are as romantically devoted as any European subject might be to a monarch. Nor do they hold as the first Christians did, that all land should be held in common. Rather, they do not consider it as a thing that can be parceled out. “We are not so innocent. When humanity first understood that a man’s strength could create good to be marketed, that a woman’s beauty was itself a commodity for trade, then slavery was born. So since Adam learnt to force the earth to feed him, fertile ground has become too profitable to be left in peace. “This vital stuff that lives beneath our feet is a treasury of all times. The past: it is packed with metals and sparkling stones, riches made by the work of aeons. The future: it contains seeds and eggs: tight-packed promises which will unfurl into wonders more fantastical than ever jeweller dreamed of -- the scuttling centipede, the many-branched tree whose roots, fumbling down into darkness, are as large and cunningly shaped as the boughs that toss in light. The present: it teems. At barely a spade’s depth the mouldy-warp travels beneath my feet: who can imagine what may live a fathom down? We cannot know for certain that the fables of serpents curving around roots of mighty trees, or of dragons guarding treasure in perpetual darkness, are without factual reality. “How can any man own a thing so volatile and so rich? Yet we followers of Cain have made of our world a great carpet, whose pieces can be lopped off and traded as though it were inert as tufted wool.
Lucy Hughes-Hallett (Peculiar Ground)
Moving with infinite reluctance, Westcliff gingerly put his arms around her. The escalation of Lillian’s heartbeat seemed to drive the air from her lungs. One of his broad hands settled between her tense shoulder blades, while the other pressed at the small of her back. He touched her with undue care, as if she were made of some volatile substance. And as he brought her body gently against his, her blood turned to liquid fire. Her hands fluttered in search of a resting place until her palms grazed the back of his coat. Flattening her palms on either side of his spine, she felt the flex of hard muscle even through the layers of silk-lined broadcloth and linen. “Is this what you were asking for?” he murmured, his low voice at her ear. Lillian’s toes curled inside her slippers as his hot breath tickled her hairline. She responded with a wordless nod, feeling crestfallen and mortified as she realized that she had lost her gamble. Westcliff was going to show her how easy it was to release her, and then he would forever afterward subject her to ruthless mockery. “You can let me go now,” she whispered, her mouth twisting in self-derision. But Westcliff didn’t move. His dark head dropped a little lower, and he drew in a breath that wasn’t quite steady. Lillian perceived that he was taking in the scent of her throat…absorbing it with slow but ever-increasing greed, as if he were an addict inhaling lungfuls of narcotic smoke. The perfume, she thought in bemusement. So it hadn’t been her imagination. It was working its magic again. But why did Westcliff seem to be the only man to respond to it? Why— Her thoughts were scattered as the pressure of his hands increased, causing her to shiver and arch. “Damn it,” Westcliff whispered savagely. Before she quite knew what was happening, he had pushed her up against a nearby wall. His fiercely accusing gaze moved from her dazed eyes to her parted lips, his silent struggle lasting another burning second, until he suddenly gave in with a curse and brought their mouths together with an impatient tug.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
No, she couldn’t blame this one on him. This one was entirely hers. She’d sent him running away. Everyone knew it, too, which was nowhere more apparent than in the carriage once they were all settled in and headed off. Lisette was unusually silent. The duke’s wooden expression said that he wished he could be anywhere else but here. And Tristan was studying her with a cold gaze. He did that for a mile or so before he spoke. “You’re a cruel woman, Jane Vernon.” “Tristan!” Lisette chided. “Don’t be rude.” “I’ll be as rude as I please to her,” he told his sister, with a jerk of his head toward Jane. “That man is mad for her, and she just keeps toying with him.” Guilt swamped Jane. And she’d thought that spending half a day trapped with Dom would be bad? She must have been dreaming. “It’s none of our concern,” Lisette murmured. “The hell it isn’t.” Tristan stared hard at Jane. “Is this about Nancy? About the fact that if she has a child, Dom will lose the title and the estate?” “No, of course not!” How dared he! “Tristan, please--” Lisette began. “That’s why you jilted him years ago, isn’t it?” Tristan persisted. “Because he no longer had any money, and you’d lose your fortune if you married him?” “I did not jilt him!” Jane shouted. An unnatural silence fell in the carriage, and she cursed her quick tongue. But really, this was all Dom’s fault for never telling his family the truth. She was tired of being made to look the villainess when she’d done nothing wrong. “What do you mean?” Lisette asked. Jane released an exasperated breath. “I mean, I did jilt him. But only because he tricked me into it.” When that brought a smug smile to Tristan’s face, she narrowed her eyes on him. “You knew.” “Not the details. I just knew something wasn’t right. But since it was clear that neither you nor my idiot brother were going to say anything without being prodded into it, I…er…did a bit of prodding.” He smirked at her. “You do tend to speak your mind when you get angry.” Jane scowled at him. “You’re just like him, manipulative and arrogant and--” “I beg to differ,” Tristan said jovially. “He’s just like me. I taught him everything he knows.” “Yes, indeed,” Lisette said with a snort. “You taught him to be as much an idiot as you.” She glanced from Tristan to Jane. “So, is one of you going to tell me what is going on? About the jilting, I mean?” Tristan cocked an eyebrow at Jane. “Well?” She sighed. The cat was out of the bag now. Might as well reveal the rest. So she related the whole tale, from Dom’s plotting with Nancy at the ball to George’s involvement to how she’d finally discovered the truth. When she finished, Tristan let out a low whistle. “Hell and thunder. My big brother has a better talent for deception than I realized.” “Not as good as you’d think,” Jane muttered. “If I hadn’t been so wounded and angry at the time, I would have noticed how…manufactured the whole thing felt.” Lisette patted her hand. “You were young. We were all more volatile then.” Her voice hardened. “And he hit you just where it hurt, the curst devil. No wonder you want to strangle him half the time. I would have strung him up by his toes if he’d done such a thing to me!
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
For now, Patton keeps his comments to himself. Volatile words could get him fired - or even killed. Patton is a man of strong beliefs, and as he will tell the press in a few weeks, he is utterly sure of the Russian danger: 'Churchill had a sense of history. Unfortunately, some of our leaders were just damn fools who had no idea of Russian history. Hell, I doubt if they even knew [that] Russia, just less than a hundred years ago, owned Finland, sucked the blood out of Poland, and were using Siberia as a prison for their own people. How Stalin must have sneered when he got through with them at all those phony conferences.
Bill O'Reilly (Killing Patton: The Strange Death of World War II's Most Audacious General)
Christopher. It seemed the entire world stopped. Beatrix tried to compare the man standing before her with the cavalier rake he had once been. But it seemed impossible that he could be the same person. No longer a god descending from Olympus... now a warrior hardened by bitter experience. His complexion was a deep mixture of gold and copper, as if he had been slowly steeped in sun. The dark wheaten locks of his hair had been cut in efficiently short layers. His face was impassive, but something volatile was contained in the stillness. How bleak he looked. How alone. She wanted to run to him. She wanted to touch him. The effort of standing motionless caused her muscles to tremble in protest. She heard herself speak in a voice that wasn't quite steady. "Welcome home, Captain Phelan." He was silent, staring at her without apparent recognition. Dear Lord, those eyes... frost and fire, his gaze burning through her awareness. "I'm Beatrix Hathaway," she managed to say. "My family-" "I remember you." The rough velvet of his voice was a pleasure-stroke against her ears. Fascinated, bewildered, Beatrix stared at his guarded face. To Christopher Phelan, she was a stranger. But the memories of his letters were between them, even if he wasn't aware of it.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
It’s preposterous, expecting a man to unburden himself to a woman,” Bennett Winchester slurred as the mantel clock chimed. Though it was midmorning the Bow Street Society’s parlour had neither daylight nor gaslight to soften the retired captain’s pointed profile. Bloodshot, brown eyes looked beyond the wall as he approached, turned, and retraced his route, each thump of his boot succeeded by the heavy thud of his peg-leg. Miss Trent’s gaze tracked him during each pass of her armchair yet she remained seated. “Captain Winchester,” she began, “you weren’t obligated to come here and I wasn’t obligated to receive you, yet here we are. Putting aside my disinclination to beg your pardon for my gender, I instead ask you to observe your surroundings. You and I are the only ones here. Therefore, your choice is clear—either swallow your masculine pride and tell me why you’re here, or leave and put your trust in those at Bow Street Police Station.” “Don’t speak such impertinence to me!” Captain Winchester barked, drawing Miss Trent to her feet. She countered, “I shall speak whatever I want, Captain, when you are in my domain.” His lips repeatedly furled and unfurled against gritted teeth while calloused hands, which had previously rested within his greatcoat’s deep pockets, balled at his sides. Starting at his neck, his already pink face steadily flushed as if port had spilt under his skin. He snarled, “How daare you, you uncouth wretch.” “Continue as you are, Captain Winchester, and I will be calling upon the officers at Bow Street,” Miss Trent promised despite his stale-rum-drenched breath turning her stomach. Whether it was the tone of her voice, her fixed gaze, the words themselves, or a combination of all three which cooled Bennett Winchester’s rage was unclear. Regardless the result was the same. After some aggressive chewing of his anger, the captain plonked himself in the vacant armchair. The clerk wasn’t naïve enough to think it ended, however. Instead, she enabled additional calming time by fetching tea from the kitchen. Coffee would’ve been more sobering for him but, alas, she suspected such a blatant assumption wouldn’t have been welcomed by his volatile temper. In due course Captain Winchester’s pallid complexion had returned and his hands had come to rest upon his thighs. She poured the amber liquid in silence and he accepted the cup without remark. “I must beg your pardon for my brutishness, Miss Trent,” he muttered against the steam rising from his cup.
T.G. Campbell (The Case of The Winchester Wife (The Bow Street Society Casebook #2))
THREE WEEKS LATER I sat in the chill waiting room, picked up one of those magazines that are always telling you how to “surprise your man” during sex—as if what the volatile male animal needs is to be surprised while he’s inside you—and looked at a perfume ad of a sparkling white horse appearing to make love to a woman on the beach. Such wonderful art was everywhere in the world.
Patricia Lockwood (Priestdaddy: A Memoir)
One of the problems of being a man is that there’s never ever truly a moment’s peace, so maybe that does extend from Adam and Eve The issue is that you’re always on the alert, pondering possibilities, planning escape routes, practicing routines
Phil Volatile (White Wedding Lies, and Discontent: An American Love Story)
I felt like the personification of a storm cloud: a mountainous cumulonimbus thunderhead stretching up into the dark stratosphere, churning with volatile currents, threatening to unleash stabs of lightning at any moment in any direction. A
Kenneth C. Johnson (The Man of Legends)
The world is entering a period of stagnation, the new mediocre. The end of growth and fragile, volatile economic conditions are now the sometimes silent background to all social and political debates... A confluence of influences is behind the ignominious end of an era of unprecedented economic expansion. Since the early 1980's, economic activity and growth has been increasingly driven by financialisation - the replacement of industrial activity with financial trading, and increased levels of borrowing to finance consumption and investment. By 2007, US$5 of new debt was necessary to create an additional US$1 of American economic activity, a fivefold increase from the 1950s.... Ever-increasing amounts of debt now act as a brake on growth. These financial problems are compounded by lower population growth and ageing populations; slower increases in productivity and innovation; looming shortages of critical resources, such as water, food and energy; and man-made climate change and extreme weather conditions. Slower growth in international trade and capital flows is another retardant. Emerging markets that have benefited from and, in recent times, supported growth are slowing. Rising inequality has an impact on economic activity.
Satyajit Das (A Banquet of Consequences: Have we consumed our own future?)
Just before Thanksgiving, I met with Bunker Hunt, then the richest man in the world, at the Petroleum Club in Dallas. Bud Dillard, a Texan friend and client of mine who was big in the oil and cattle businesses, had introduced us a couple of years before, and we regularly talked about the economy and markets, especially inflation. Just a few weeks before our meeting, Iranian militants had stormed the U.S. embassy in Tehran, taking fifty-two Americans hostage. There were long lines to buy gas and extreme market volatility. There was clearly a sense of crisis: The nation was confused, frustrated, and angry. Bunker saw the debt crisis and inflation risks pretty much as I saw them. He’d been wanting to get his wealth out of paper money for the past few years, so he’d been buying commodities, especially silver, which he had started purchasing for about $ 1.29 per ounce, as a hedge against inflation. He kept buying and buying as inflation and the price of silver went up, until he had essentially cornered the silver market. At that point, silver was trading at around $ 10. I told him I thought it might be a good time to get out because the Fed was becoming tight enough to raise short-term interest rates above long-term rates (which was called “inverting the yield curve”). Every time that happened, inflation-hedged assets and the economy went down. But Bunker was in the oil business, and the Middle East oil producers he talked to were still worried about the depreciation of the dollar. They had told him they were also going to buy silver as a hedge against inflation so he held on to it in the expectation that its price would continue to rise. I got out.
Ray Dalio (Principles: Life and Work)
Dahlia,” he says, murmuring against my mouth. “I don’t want you to be ashamed of your darkness. I don’t want you to be afraid of it. I am not a delicate man. I am brash, volatile, controlling and demanding and I always, always get what I want.
Karina Halle (Blood Orange (The Dracula Duet, #1))
And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence of education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.
Alan Moore (Providence Compendium by Alan Moore and Jacen Burrows Hardcover)
First, since so much time is spent by people in bureaus working with paper, they may come to set too much store by it. They may become absorbed in receiving it, initialing it, routing it, filing it, keeping it; they may forget to read it in this process. Paper may in their eyes become more important than what is written on it. This is a natural tendency — paper is durable, tangible, easy to manipulate. It is something to see, feel, touch. Information and ideas are volatile, hard to handle, invisible, and they may not even be used. Men in bureaus are not different from men anywhere; they would rather risk their lives and reputations in keeping track of something solid and inert than of something impalpable and invisible. So they may tend to worry more over where a paper is than what has become of the things written on it. There is something else about bureaucratic paper worth noticing. There are some things you cannot write on it, things any sensible man has to take into account. You can, for instance, write out orders for Lieutenant Brown to leave Fort Russell and report to Fort Ethan Allen, but you can't get on the paper how the lieutenant may feel about it. All kinds of qualifying, modifying, distorting considerations have to be left out of the information written on bureaucratic paper. It is difficult to introduce a sense of urgency, of uncertainty, of change, of growth, of all those strange feelings and attitudes that enter into and disturb any human situation. Concern for paper, in other words, may tend to drive out concern for the human being.
Elting E. Morison (Men, Machines, and Modern Times)
I have bad news for you, Bethany. I am not a good man. Please don't get it in your head that I am. I love Elena and I would do absolutely anything for her. Anything. That makes me the worst kind of man. Love is the most volatile poison in the universe. I'm not a saint by any stretch of the imagination, but I make you a promise on my life, that Elena will always be safe with me, even if it costs me everything in the end.
Ariel N. Anderson (Under Your Scars)
My time as a doorman was quite volatile and bloody, no door registration schemes or training courses could have prepared you for what it was like back then. You didn’t have vanloads of police patrolling up and down the town then, you were lucky if you even seen a couple of bobbies in a car, never mind on foot.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Clark sighed and shook his head at the tedious road ahead. Information, that’s what this whole mess was about. Knowledge truly was power, and men like Ellis understood that Clark could help give them the knowledge they needed to grow their billions and protect their kingdoms. Even over the roar of the surf Clark heard Ellis enter the house. Clark and Ellis shared a thirst for power and that was about it. Where Clark was calm and discerning, Ellis was volatile and brash. The man had a way of wearing people out through frontal assault after frontal assault. Nothing tricky, no feints, he just hammered you into submission. Clark found it all very interesting. He was a true tactician, and often relished outmaneuvering people like Ellis, but tonight, in the warm Caribbean air he would prefer drinks, some light fare and the smooth skin of a young woman flown in from Miami.
Vince Flynn (Separation of Power (Mitch Rapp, #5))
One particular incident had seared itself into Wences’s memory. In 1984, during the first major episode of hyperinflation after the Argentinian military junta lost power, Wences’s mother came to get him and his two sisters from school. His mom was carrying two grocery bags filled with money—the salary she had just been given in cash. She rushed with Wences and his sisters to the grocery store and had them run through the aisles, grabbing as much food as possible before the hyperinflation caused the goods to be repriced. A man walked through the aisles all day doing nothing but repricing the items on the shelves to keep up with the rapidly changing value of the peso. When Wences and his mother got to the register, he and his sisters would run back and grab more food if they still had any money left. Holding on to money was equal to losing it. These experiences gave Wences insights into the nature of money that most people in the world learn only from textbooks. In America, the dollar seamlessly serves the three functions of money: providing a medium of exchange, a unit for measuring the cost of goods, and an asset where value can be stored. In Argentina, on the other hand, while the peso was used as a medium of exchange—for daily purchases—no one used it as a store of value. Keeping savings in the peso was equivalent to throwing away money. So people exchanged any pesos they wanted to save for dollars, which kept their value better than the peso. Because the peso was so volatile, people usually remembered prices in dollars, which provided a more reliable unit of measure over time.
Nathaniel Popper (Digital Gold: Bitcoin and the Inside Story of the Misfits and Millionaires Trying to Reinvent Money)
Essayist and critic Wendell Berry, in his book Sex, Economy, Freedom, and Community (New York: Pantheon, 1994), takes aim at a premise beneath much of today’s hostility to the Christian ethic—namely, the assumption that sex is private, and what I do in the privacy of my bedroom with another consenting adult is strictly my own business. Thinkers like Berry retort that this claim appears on the surface to be broad minded but is actually very dogmatic. That is, it is based on a set of philosophical assumptions that are not neutral at all but semi-religious and have major political implications. In particular, it is based on a highly individualistic understanding of human nature. Berry writes, “Sex is not, nor can it be any individual’s ‘own business,’ nor is it merely the private concern of any couple. Sex, like any other necessary, precious, and volatile power that is commonly held, is everybody’s business . . .” (p. 119). Communities occur only when individuals voluntarily out of love bind themselves to each other, curtailing their own freedom. In the past, sexual intimacy between a man and a woman was understood as a powerful way for two people to bind themselves to stay together and build a family. Sex, Berry insists, is the ultimate “nurturing discipline.” It is a “relational glue” that creates the deep oneness and therefore stability in the relationship that not only is necessary for children to flourish but is crucial for local communities to thrive. The most obvious social cost to sex outside marriage is the enormous spread of disease and the burden of children without sufficient parental support. The less obvious but much greater cost is the exploding number of developmental and psychological problems among children who do not live in stable family environments for most of their lives. Most subtle of all is the sociological fact that what you do in private shapes your character, and that affects how you relate to others in society. When people use sex for individual recreation and fulfillment, it weakens the entire body politic’s ability to live for others. You learn to commodify people and think of them as a means to satisfy your own passing pleasure. It turns out that sex is not just your business; it’s everybody’s business.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
There’s a universal understanding between men of the silent sorrow a man endures when he loses a woman he loves
Phil Volatile (Crushed Black Velvet)
Our view is that, contrary to its popular presentation, neoliberalism differs from classical liberalism in ascribing a significant role to the state.7 A major task of neoliberalism has therefore been to take control of the state and repurpose it.8 Whereas classical liberalism advocated respect for a naturalised sphere supposedly beyond state control (the natural laws of man and the market), neoliberals understand that markets are not ‘natural’.9 Markets do not spontaneously emerge as the state backs away, but must instead be consciously constructed, sometimes from the ground up.10 For instance, there is no natural market for the commons (water, fresh air, land), or for healthcare, or for education.11 These and other markets must be built through an elaborate array of material, technical and legal constructs. Carbon markets required years to be built;12 volatility markets exist in large part as a function of abstract financial models;13 and even the most basic markets require intricate design.14 Under neoliberalism, the state therefore takes on a significant role in creating ‘natural’ markets.
Nick Srnicek (Inventing the Future: Postcapitalism and a World Without Work)
The career of libido, as Freud mapped it out, did more than explain the origins of neuroses, of perversions, and of normal erotic gratification. It also explained ways of feeling and modes of acting that had hitherto seemed quite remote from sexuality: the child's rage at its newborn sibling, the adolescent's volatile friendships, the spinster's unappeasable fear of sexual assault, the pacifist's bellicose love of peace, the fanatic's foaming proselytizing, the fat man's uncontrollable overeating. Beyond that, it could illuminate inquiries and activities, like folklore and history, art and politics, presumably innocent of erotic urges. Psychoanalysis first made it possible to think systematically about so comprehensive, complex and elusive a world of experience as bourgeois love, about the paths, and obstructions, to the confluence of its two currents.
Peter Gay (The Bourgeois Experience: Victoria to Freud, Volume 2: The Tender Passion)
So you’ve run off from him, have you?” Beatrix asked, smoothing the wiry ruff on his head. “Naughty boy. I suppose you’ve had a fine old time chasing rabbits and squirrels. And there’s a damaging rumor about a missing chicken. You had better stay out of poultry yards, or it won’t go well for you in Stony Cross. Shall I take you home, boy? He’s probably looking for you. He--” She stopped at the sound of something…someone…moving through the thicket. Albert turned his head and let out a happy bark, bounding toward the approaching figure. Beatrix was slow to lift her head. She struggled to moderate her breathing, and tried to calm the frantic stutters of her heart. She was aware of the dog bounding joyfully back to her, tongue dangling. He glanced back at his master as if to convey Look what I found! Letting out a slow breath, Beatrix looked up at the man who had stopped approximately three yards away. Christopher. It seemed the entire world stopped. Beatrix tried to compare the man standing before her with the cavalier rake he had once been. But it seemed impossible that he could be the same person. No longer a god descending from Olympus…now a warrior hardened by bitter experience. His complexion was a deep mixture of gold and copper, as if he had been slowly steeped in sun. The dark wheaten locks of his hair had been cut in efficiently short layers. His face was impassive, but something volatile was contained in the stillness. How bleak he looked. How alone. She wanted to run to him. She wanted to touch him. The effort of standing motionless caused her muscles to tremble in protest. She heard herself speak in a voice that wasn’t quite steady. “Welcome home, Captain Phelan.” He was silent, staring at her without apparent recognition. Dear Lord, those eyes…frost and fire, his gaze burning through her awareness. “I’m Beatrix Hathaway,” she managed to say. “My family--” “I remember you.” The rough velvet of his voice was a pleasure-stroke against her ears. Fascinated, bewildered, Beatrix stared at his guarded face. To Christopher Phelan, she was a stranger. But the memories of his letters were between them, even if he wasn’t aware of it. Her hand moved gently over Albert’s rough fur. “You were absent in London,” she said. “There was a great deal of hullabaloo on your behalf.” “I wasn’t ready for it.” So much was expressed in that spare handful of words. Of course he wasn’t ready. The contrast would be too jarring, the blood-soaked brutality of war followed by a fanfare of parades and trumpets and flower petals. “I can’t imagine any sane man would be,” she said. “It’s quite an uproar. Your picture is in all the shop windows. And they’re naming things after you.” “Things,” he repeated cautiously. “There’s a Phelan hat.” His brows lowered. “No there isn’t.” “Oh, yes there is. Rounded at the top. Narrow-brimmed. Sold in shades of gray or black. They have one featured at the milliner’s in Stony Cross.” Scowling, Christopher muttered something beneath his breath.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I’ll escort you to London in a few days, if you like. I had already planned to go there to see Prudence Mercer.” Audrey frowned. “Oh.” Christopher gave her a questioning glance. “I gather your opinion of her has not changed.” “Oh, it has. It’s worsened.” He couldn’t help but feel defensive on Prudence’s behalf. “Why?” “For the past two years, Prudence has earned a reputation as a shameless flirt. Her ambition to marry a wealthy man, preferably a peer, is known to everyone. I hope you have no illusions that she pined for you in your absence.” “I would hardly expect her to don sackcloth while I was gone.” “Good, because she didn’t. In fact, from all appearances you slipped from her mind completely.” Audrey paused before adding bitterly, “However, soon after John passed away and you became the new heir to Riverton, Prudence evinced a great deal of renewed interest in you.” Christopher showed no expression as he puzzled over this unwelcome information. It sounded nothing like the woman who had corresponded with him. Clearly Prudence was the victim of vicious rumors--and in light of her beauty and charm, that was entirely expected. However, he had no desire to start an argument with his sister-in-law. Hoping to distract her from the volatile subject of Prudence Mercer, he said, “I happened to meet one of your friends today, when I chanced upon her during a walk.” “Who?” “Miss Hathaway.” “Beatrix?” Audrey looked at him attentively. “I hope you were polite to her.” “Not especially,” he admitted. “What did you say to her?” He scowled into his teacup. “I insulted her hedgehog,” he muttered. Audrey looked exasperated. “Oh, good God.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
accounting for their phenomena by their combinations, and making both eternal and obedient to eternal and immutable law. The speculations of men of science have carried them to the outermost verge of the physical universe. Behind them lie not only a thousand brilliant triumphs by which a part of Nature's secrets have been wrung from her, but also more thousands of failures to fathom her deep mysteries. They have proved thought material, since it is the evolution of the gray tissue of the brain, and a recent German experimentalist, Professor Dr. Jäger, claims to have proved that man's soul is "a volatile odoriferous principle, capable of solution in glycerine". Psychogen is the name he gives to it, and his experiments show that it is present not merely in the body as a whole, but in every individual cell, in the ovum, and even in the ultimate elements of protoplasm. I need hardly say to so intelligent
Henry Steel Olcott (The Life of Buddha and Its Lessons)
For years, the crime of sexual assault depended on our silence. The fear of knowing what happened if we spoke. Society gave us one thousand reasons; don’t speak if you lack evidence, if it happened too long ago, if you were drunk, if the man is powerful, if you’ll face blowback, if it threatens your safety. Ford broke all the rules. She had none of the requirements society tells us we need before we dare open our mouths. She had every reason to stay hidden, but stepped straight into the most public, volatile, combative environment imaginable, because she possessed the single thing she needed, the truth.
Chanel Miller (Know My Name: A Memoir)
Francois wanted to badly to make an impact on the great man. He knew himself to be too reticent, too deferential to authority - a failing dunned into him by his volatile military father - and understood that lesser men often made a stronger impression.
Claire Messud (This Strange Eventful History)
Everything which distinguishes man from the animals depends upon this ability to volatilize perceptual metaphors in a schema, and thus to dissolve an image into a concept.
Friedrich Nietzsche
And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old-fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence or education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.
Alan Moore (Providence Compendium by Alan Moore and Jacen Burrows Hardcover)
They are fond of reading and they read all sorts of books, even serious scientific books, but they usually lay the book down after reading two or three pages, for they feel completely satisfied. Their imagination, mobile, volatile, light, is already excited, their senses are attuned, and a whole dream-like world, with its joys and sorrows, with its heaven and hell, its ravishing women, heroic deeds … suddenly possesses the entire being of the dreamer … Sometimes whole nights pass unnoticed in undescribed joys; sometimes a paradise of love or a whole lifetime … is experienced in a few hours … The moments of sobering up are terrible; the poor unfortunate cannot bear them and he immediately takes more of his poison in new increased doses.
Fyodor Dostoevsky (A Gentle Creature and Other Stories: White Nights; A Gentle Creature; The Dream of a Ridiculous Man)
Simons’s team appeared to have discovered something of a holy grail in investing: enormous returns from a diversified portfolio generating relatively little volatility and correlation to the overall market. In the past, a few others had developed investment vehicles with similar characteristics. They usually had puny portfolios, however. No one had achieved what Simons and his team had—a portfolio as big as $5 billion delivering this kind of astonishing performance.
Gregory Zuckerman (The Man Who Solved the Market: How Jim Simons Launched the Quant Revolution)
To produce even steadier returns, we hedged the overall risk from our entire collection of hedges by neutralizing the impact on our portfolio of shifts in interest rates (across the spectrum of quality and maturity). We also offset the danger to the portfolio from sudden large shifts in overall stock market prices and in the volatility level of the market. From the 1980s on, some of these techniques came into usage by modern investment banks and hedge funds. They also adopted a notion we rejected, called VaR or “value at risk,” where they estimated the damage to their portfolio for, say, the worst events among the most likely 95 percent of future outcomes, neglecting the extreme 5 percent “tails,” then acted to reduce any unacceptably large risks. The defect of VaR alone is that it doesn’t fully account for the worst 5 percent of expected cases.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Despite its having increased by a multiple of more than 23 in fourteen years, I made my first purchase at $982.50 a share and continued to accumulate stock. By contrast, in 2004 I was talking to a bank president in San Francisco when he mentioned that his mother had been a limited partner in Buffett Partnership, Ltd., and received some Berkshire stock as part of her distribution when the partnership closed. “That’s wonderful,” I said. “At today’s prices [then $80,000 a share or so] she must be very rich.” “Sadly,” he said, “she sold at $79 for a several hundred percent profit.” If asked for advice, I recommended the stock to family, friends, and associates with the understanding that it was a long-term holding with a possibly volatile future. I didn’t suggest it to those who couldn’t understand the reasoning behind the purchase and who would be scared by a big drop in price. The response was sometimes frustrating.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
died. Grief stricken though he’d been, the burden of worry and dread he’d carried with him like a dead weight throughout Leda’s second marriage to a violent, volatile, drug-using younger man had become redundant: he’d never again need to fear hearing terrible news, because the news had come. A similar, shameful trace of relief was twisted in among his conflicting emotions now: the worst had happened, so he need never again fear the worst. Having emptied his bladder and
Robert Galbraith (The Running Grave (Cormoran Strike #7))
Our apocalyptic fiction depicts a world in which humans revert to the savagery of the jungle the moment our institutions fall, survivors tearing each other to pieces even as they are dying of plague or stalked by the undead. In our real history, we have been in that situation many times—left without government or law enforcement, none of the modern institutions we take for granted. From each of these scenarios what emerged was not savagery, but cooperation. When the pillars of our culture crumble, we rebuild them. [...] Mankind is, and always has been, much greater than the sum of its parts. A lone human may appear to be nothing special if observed, say, blearily standing in line at a convenience store at two in the morning, or spitefully ripping a toy from the hands of a middle-aged woman in the chaos of a Black Friday sale. Yet, the combined efforts of these confused and volatile primates result in gleaming cities and majestic flying carriages. They have split the atom and peered across the universe. In the blink of an eye, they have acquired the powers of gods. This, I believe, is the fate of humanity: to colonize the stars over the next thousand years, to set down settlements in our solar system and others. Then, many centuries from now, one of our descendants will be strolling along some marvelous domed paradise on some distant planet and will see a drunken youth in offensive clothing, vomiting in an alley outside a pub. The man will look sidelong at the youth in that shameful state, shake his head, and mutter to himself that humanity is a ridiculous, doomed species, incapable of anything worthwhile. He will believe it, because the true, wonderful, terrible, fearsome power of humanity is otherwise almost too much to comprehend. I recognize that not all of you share my faith, but you must admit that if gods are real and have observed humanity’s evolution from afar, they must shudder at the possibilities.
David Wong
existing mantra at Renaissance: Never place too much trust in trading models. Yes, the firm’s system seemed to work, but all formulas are fallible. This conclusion reinforced the fund’s approach to managing risk. If a strategy wasn’t working, or when market volatility surged, Renaissance’s system tended to automatically reduce positions and risk. For example, Medallion cut its futures trading by 25 percent in the fall of 1998. By contrast, when LTCM’s strategies floundered, the firm often grew their size, rather than pull back.
Gregory Zuckerman (The Man Who Solved the Market: How Jim Simons Launched the Quant Revolution)
Andrew, don’t you have some place to be? Something else to do?” He actually had the good grace to blush. “I suppose you’d like some… privacy.” “I suppose we might,” she said, a touch of impatience in her voice. “You have protected me long enough, dear brother. But you have given me to Ruaidri here and that is now his task, not yours.” “At the moment, he’s not fit to protect a fly from a spider, let alone—” “I’m fine,” Ruaidri insisted, yet again. Nerissa sighed and crossed her arms. “And just what do I need protecting from, Andrew?” Andrew’s color deepened. “Right. I understand. I’ll… leave you two to it, then.” He moved to the door and there, paused to look one last time at Ruaidri. “Remember my warning, O’ Devir. Be gentle with her.” Ruaidri raised a brow. He supposed he ought to take offense at such a remark and a few short years ago when he’d been younger, his temper hotter and his moods more volatile, perhaps he would have. But Andrew was her brother, a family member who loved her very much, and having been in a similar situation with his own sister not so very long ago, Ruaidri knew just how hard it was to turn and walk away, leaving your little sister in the care of a man who was anything but a brother and who had every intention of making her a woman. Yes, he understood. He smiled. “Ye have my word on it, Andrew,” he said reassuringly. With a last warning glance at Tigershark’s captain, Lord Andrew left the cabin.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
But those are the dreams of a child, and here I am, still not ready to be a man And those who try to save the world, destroy theirs and themselves in the process
Phil Volatile (White Wedding Lies, and Discontent: An American Love Story)
homosexuality a curable perversion. She professed to disdain men and insisted women had been “enslaved by the institution of marriage.” Yet she loved many men and married twice: she treated her first husband abominably, and was physically and emotionally abused by her second. She considered sex degrading, but was an enthusiastic advocate, and energetic exponent, of free love. “Out here I’ve had chances to sleep with all colours and shapes,” she wrote to a friend, shortly before meeting Ursula. “One French gunrunner, short and round and bumpy; one fifty-year-old monarchist German who believes in the dominating role of the penis in influencing women; one high Chinese official whose actions I’m ashamed to describe, one round left-wing Kuomintang man who was soft and slobbery.” She was a communist who never joined the party; a violent revolutionary and romantic dreamer; a feminist in thrall to a succession of men; a woman who inspired intense loyalty, yet inflicted enormous damage on many of her friends; she supported communism without considering what communist rule involved in reality. She was passionate, prejudiced, charismatic, narcissistic, reckless, volatile, lovable, hypercritical, emotionally fragile, and uncompromising. “I may not be innocent, but I’m right,” she declared. Ursula was entranced. Agnes Smedley seemed to embody political passion and energy, the very antithesis of the smug complacency she found in the bourgeois boudoirs of Shanghai. “Your very existence is not worth anything at all if you live passively in the midst of injustice,” Smedley insisted. Agnes was everything Ursula admired: feminist, anti-fascist, an enemy of imperialism and defender of the oppressed against the forces of capitalism, and a natural revolutionary. She was also a spy.
Ben Macintyre (Agent Sonya: Moscow's Most Daring Wartime Spy)
But Sir Ross was handsome, as much as she hated to admit it. He was a man in his prime, tall and big-framed and a bit too lean. His features were strong and austere, with straight black brows shadowing the most extraordinary pair of eyes she had ever seen. They were light gray, so bright that it seemed as if the white-hot energy of lightning had been trapped inside the black-rimmed irises. He possessed a quality that had unnerved her, a tremendous volatility burning beneath his remote surface. And he wore his authority comfortably, a man who could make decisions and live with them no matter what the outcome.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
The best way to get cooperation among volatile, erotic primates is to regulate sexual relations—who can mate with whom, who can live with whom regularly, and so on. By setting up such customs and marriage taboos you establish families and provide sexual partners between families. In a word, the invention of sexual codes establishes harmony and cooperation in mating units, and in bands composed of such units.
Ernest Becker (The Birth and Death of Meaning: An Interdisciplinary Perspective on the Problem of Man)
Piano At 66 Sandringham Crescent an upright piano was being eased down a long flight of stairs by three men all wearing off-white overalls. Backward, staccato, two stepped descending one stair at a time till the taller of the two men began to collapse in slow slow slow motion and the piano leapt to the hallway's rising floor crashing its memories of music: simple tunes such as 3 Blind Mice, as well as great meaningful sonatas of profundity and faraway, into a scattered anarchic jigsaw of free-loving volatile meaningless sounds fading till the stricken piano lost its memory entirely. After the ambulance arrived (too late) one removal man lit a cigarette and sensing the wide-awake stare of the householder tapped the grey ash, with great delicacy, into the cupped hollow of his left hand.
Dannie Abse (Running Late)
I don't want you to be ashamed of your darkness. I don't want you to be afraid of it. I am not a delicate man. I am brash, volatile, controlling and demanding and I always, always get what I want. What I want is your darkness to play with mine. I want to make it come so beautifully alive, so that we can revel in it together.
Karina Halle (Blood Orange (The Dracula Duet, #1))
Nevertheless, she was still bitter about her failure. It added to that other bitterness, the lesson Fontan had given her, a shameful lesson for which she held all men responsible. Accordingly, she now declared herself very firm, and quite proof against sudden infatuations, but thoughts of vengance took no hold of her volatile brain. What did maintain a hold on it, in the hours where she was not indignant, was an ever-wakedul lust of expensiture, added to a natural contempt for the man who paid, and to a perpetual passion for consumption and waste, which took pride in the ruin of her lovers.
Émile Zola (Nana)
Nevertheless, she was still bitter about her failure. It added to that other bitterness, the lesson Fontan had given her, a shameful lesson for which she held all men responsible. Accordingly, she now declared herself very firm, and quite proof against sudden infatuations, but thoughts of vengance took no hold of her volatile brain. What did maintain a hold on it, in the hours where she was not indignant, was an ever-wakeful lust of expenditure, added to a natural contempt for the man who paid, and to a perpetual passion for consumption and waste, which took pride in the ruin of her lovers.
Émile Zola (Nana)