Void Marvel Quotes

In the beginning Marvel created the Bullpen and the Style. And the Bullpen was without form, and void; and darkness was upon the face of the Artists. And the Spirit of Marvel said, Let there be The Fantasic Four. And there was The Fantasic Four. And Marvel saw The Fantasic Four. And it was good.

Floating in the void free of gravity I made my way along the side of the ship. I listened to my own breaths. It was so dark and I was so weightless that I had to look for my bubbles to be sure which way was up. I swam backward a little away from the boat and into outer space and waved my arm through the water. Sure enough the phosphorescents appeared trailing my movement like the tail of a shooting star. I let myself tip upside down and floated there watching the gentle snowstorm marveling that a world of such strangeness existed here all the time just under the surface.

Now fair and marvellous was that vessel made, and it was filled with a wavering flame, pure and bright; and Earendil the Mariner sat at the helm, glistening with dust of elven-gems, and the Silmaril was bound upon his brow. Far he journeyed in that ship, even into the starless voids; but most often was he seen at morning or at evening, glimmering in sunrise or sunset, as he came back to Valinor from voyages beyond the confines of the world.

When the sun goes down, melting away his caresses into the sky which consonants with the ocean, lively colors are scattered through the deep pale depth during some short sensuous instants. Later, as by art of magic, light is consumed into the infinite horizon giving space to the poked voidness and its full-cristal-covered vastness. Then, to mystify the night, a marvelous and alluring sentinel rests next to us through the vivid night, just until the next prismatic fest arrives with its celebrating aperture.

A popular Spanish song says in words of marvelous truth: “If anyone wants to make himself invisible, there is no surer way than to become poor.” Love sees what is invisible.

Goofy from lack of sleep, they scribble in snatched moments between classes, part-time employment and their married lives. Their brains are dizzy with words as they mop out an operating room, sort mail at a post office, fix baby’s bottle, fry hamburgers. And somewhere, in the midst of their servitude to the must-be, the mad might-be whispers to them to live, know, experience — what? Marvels! The Season in Hell, the Journey to the End of the Night, the Seven Pillars of Wisdom, the Clear Light of the Void… Will any of them make it? Oh, sure. One, at least. Two or three at most — in all these searching thousands.

Christ will never more come down to earth nor will there be any law-giver, nor will murder cease nor theft, nor rape, and yet... and yet one expects something, something terrifyingly marvellous and absurd, perhaps a cold lobster with mayonnaise served gratis, perhaps an invention, like the electric light, like television, only more devastating, more soul rending, an invention unthinkable that will bring a shattering calm and void, not the calm and void of death but of life such as the monks dreamed, such as is dreamed still in the Himalayas, in Tibet, in Lahore, in the Aleutian Islands, in Polynesia, in Easter Island, the dream of men before the flood, before the word was written, the dream of cave men and anthropophagists, of those with double sex and short tails, of those who are said to be crazy and have no way of defending themselves because they are outnumbered by those who are not crazy.

You might well get that feeling of a void or wanting a drink, particularly over the next few days. If and when it happens, reverse it immediately. Just remind yourself, “This is the death throes of that goblin on my back. It’s what drinkers suffer throughout their drinking lives. Isn’t it marvellous: I’M FREE!” That way the slight pangs immediately become moments of pleasure. Get into the habit of doing that over the next few days. Unless you reverse those pangs immediately, you will be doubting your decision. Remember, any slight aggravation that you might suffer over the next few days is not because you stopped drinking, but because you started. Non-drinkers don’t have this problem.

Men may perish, but the world will neither celebrate nor mourn. It will go on.' His smile thinned. 'Would you like to know how?' 'No.' 'Animals will swell to fill the void left by men," he told her. 'And over-swell it, perhaps. There will be other extinctions and other recoveries. The sky will clear, but those who see it will not marvel at its many colors. Those ruins will collapse, burying treasures like this-' He waved at the walls. '-and this-' He picked up the spoon from her coffee tray and tossed it down again with a clatter. '-forever, but the world will go on. Years become centuries so easily when no one is there to count them. Centuries become millennia. The forests will reclaim the lands that Men have razed. Rivers will carve canyons across the scars left by this fallen cities. Mountains will rise up, trapping seas to dry under and uncaring sun and leaving the bones of whales to bleach in the newborn deserts for no one to find, no one to be inspired by thoughts of giants and dragons. And still the worlds will go on, and I will go on with it through ages that can only be measured by the coming and going of glaciers. The stars themselves will shift in the heavens and no one will be there to invent names for their new alignments or remember the stories of the old ones, no one but me. In time, the sun itself will begin to cool. Here on Earth, the world goes on and on as its remaining life passes through its last changes and dies away. It will be quiet. And lonely.' His mouth curved into a bitter line. 'But I'll live.' 'Stop it,' Lan whispered through numb lips. 'I read once that the sun will someday swell and engulf this world before it burns itself out. Perhaps I will finally die with it. Or perhaps I' will continue to endure... my ashes pulled eternally apart through the frozen vacuum of space, and I with no more mouth to scream... still alive.

Everything and all the world became my enemy, and soon my very body betrayed me and became my foe. My leg became a creeping Japanese, and then the other leg. My arms, too, and then my head. My heart was alone. It was me. I was my heart. It lay quivering, I lay quivering, in that rotten hole while the darkness gathered and all creation conspired for my heart. How long? I lay for an eternity. There was no time. Time had disintegrated in that black void. There was only emptiness, and that is Something; there was only being; there was only consciousness. Like the light that comes up suddenly in a darkened theatre, daylight came quickly. Dawn came, and so myself came back to myself. I could see the pale outlines of my comrades to right and left, and I marvelled to see how tame the tree could be, how unforbidding could be its branches. I know now why men light fires

Well, I heard the story, as one hears all the varied marvels and terrors of the air; as one heard some years ago of “air pockets,” strange gulfs or voids in the atmosphere into which airmen fell with great peril; or as one heard of the experience of the airman who flew over the Cumberland mountains in the burning summer of 1911, and as he swam far above the heights was suddenly and vehemently blown upwards, the hot air from the rocks striking his plane as if it had been a blast from a furnace chimney. We have just begun to navigate a strange region; we must expect to encounter strange adventures, strange perils.

[God] created beings capable of love from all possible distances. Because no other could do it, he himself went to the greatest possible distance, the infinite distance. This infinite distance between God and God, this supreme tearing apart, this agony beyond all others, this marvel of love, is the crucifixion. Nothing can be further from God than that which has been made accursed.

They would have thought me mad, even Kristabel. Flying carriages. People who live forever. Hundreds of inhabited worlds. Machine servants instead of genistars. Cities where Makkathran would be naught but a small district. A civilization where justice was available to all. Aliens. More stars in the sky than it is possible to count. No, such marvels of my fevered imagination were best kept inside my skull.

Until my thirtieth year, I lived in a state of almost continuous anxiety interspersed with periods of suicidal depression. It feels now as if I am talking about some past lifetime or somebody else’s life. One night not long after my twenty-ninth birthday, I woke up in the early hours with a feeling of absolute dread. I had woken up with such a feeling many times before, but this time it was more intense than it had ever been. The silence of the night, the vague outlines of the furniture in the dark room, the distant noise of a passing train – everything felt so alien, so hostile, and so utterly meaningless that it created in me a deep loathing of the world. The most loathsome thing of all, however, was my own existence. What was the point in continuing to live with this burden of misery? Why carry on with this continuous struggle? I could feel that a deep longing for annihilation, for nonexistence, was now becoming much stronger than the instinctive desire to continue to live. ‘I cannot live with myself any longer.’ This was the thought that kept repeating itself in my mind. Then suddenly I became aware of what a peculiar thought it was. ‘Am I one or two? If I cannot live with myself, there must be two of me: the ‘I’ and the ‘self’ that ‘I’ cannot live with.’ ‘Maybe,’ I thought, ‘only one of them is real.’ I was so stunned by this strange realization that my mind stopped. I was fully conscious, but there were no more thoughts. Then I felt drawn into what seemed like a vortex of energy. It was a slow movement at first and then accelerated. I was gripped by an intense fear, and my body started to shake. I heard the words ‘resist nothing,’ as if spoken inside my chest. I could feel myself being sucked into a void. It felt as if the void was inside myself rather than outside. Suddenly, there was no more fear, and I let myself fall into that void. I have no recollection of what happened after that. I was awakened by the chirping of a bird outside the window. I had never heard such a sound before. My eyes were still closed, and I saw the image of a precious diamond. Yes, if a diamond could make a sound, this is what it would be like. I opened my eyes. The first light of dawn was filtering through the curtains. Without any thought, I felt, I knew, that there is infinitely more to light than we realize. That soft luminosity filtering through the curtains was love itself. Tears came into my eyes. I got up and walked around the room. I recognized the room, and yet I knew that I had never truly seen it before. Everything was fresh and pristine, as if it had just come into existence. I picked up things, a pencil, an empty bottle, marvelling at the beauty and aliveness of it all. That day I walked around the city in utter amazement at the miracle of life on earth, as if I had just been born into this world.

To me the opinions of mankind, taken without any contrary prejudice (since I have no rival opinions to propose) but simply contrasted with the course of nature, seem surprising fictions; and the marvel is how they can be maintained. What strange religions, what ferocious moralities, what slavish fashions, what sham interests! I an explain it all only by saying to myself that intelligence is naturally forthright; it forges ahead; it piles fiction on fiction; and the fact that the dogmatic structure, for the time being, stands and grows, passes for a proof of its rightness. Right indeed it is in one sense, as vegetation is right; it is vital; it has plasticity and warmth, and a certain indirect correspondence with its soil and climate. Many obviously fabulous dogmas, like those of religion, might for ever dominate the most active minds, except for one circumstance. In the jungle one tree strangles another, and luxuriance itself is murderous. So is luxuriance in the human mind. What kills spontaneous fictions, what recalls the impassioned fancy from its improvisation is the angry void of some contrary fancy. nature, silently making fools of us all our lives, never would bring us to our senses; but the maddest assertions of the mind may do so, when they challenge one another. Criticism arises out of the conflict of dogmas.

I wander through the feria and greet my colleagues who are wandering as dreamily as I am. Dreamily× dreamily = a prison in literary heaven. Wandering. Wandering. The honor of poets: the chant we hear as a pallid judgment. I see young faces looking at the books on display and feeling for coins in the depths of pockets as dark as hope. 7 × 1 = 8, I say to myself as I glance out of the corner of my eye at the young readers and a formless image is superimposed on their remote little smiling faces as slowly as an iceberg. We all pass under the balcony where the letters A and E hang and their blood gushes down on us and stains us forever. But the balcony is pallid like us, and pallor never attacks pallor. At the same time, and I say this in my defense, the balcony wanders with us too. Elsewhere this is called mafia. I see an office, I see a computer running, I see a lonely hallway. Pallor× iceberg = a lonely hallway slowly peopled by our own fear, peopled with those who wander the feria of the hallway, looking not for any book but for some certainty to shore up the void of our certainties. Thus we interpret life at moments of the deepest desperation. Herds. Hangmen. The scalpel slices the bodies. A and E × Feria del Libro = other bodies; light as air, incandescent, as if last night my publisher had fucked me up the ass. Dying can seem satisfactory as a response, Blanchot would say. 31 × 31 = 961 good reasons. Yesterday we sacrificed a young South American writer on the town altar. As his blood dripped over the bas-relief of our ambitions I thought about my books and oblivion, and that, at last, made sense. A writer, we've established, shouldn't look like a writer. He should look like a banker, a rich kid who grows up without a care in the world, a mathematics professor, a prison official. Dendriform. Thus, paradoxically, we wander. Our arborescence × the balcony's pallor = the hallway of our triumph. How can young people, readers by antonomasia, not realize that we're liars? All one has to do is look at us! Our imposture is blazoned on our faces! And yet they don't realize, and we can recite with total impunity: 8, 5, 9, 8, 4, 15, 7. And we can wander and greet each other (I, at least, greet everyone, the juries and the hangmen, the benefactors and the students), and we can praise the faggot for his unbridled heterosexuality and the impotent man for his virility and the cuckold for his spotless honor. And no one moans: there is no anguish. Only our nocturnal silence when we crawl on all fours toward the fires that someone has lit for us at a mysterious hour and with incomprehensible finality. We're guided by fate, though we've left nothing to chance. A writer must resemble a censor, our elders told us, and we've followed that marvelous thought to its penultimate consequence. A writer must resemble a newspaper columnist. A writer must resemble a dwarf and MUST survive. If we didn't have to read too, our work would be a point suspended in nothingness, a mandala pared down to a minimum of meaning, our silence, our certainty of standing with one foot dangling on the far side of death. Fantasies. Fantasies. In some lost fold of the past, we wanted to be lions and we're no more than castrated cats. Castrated cats wedded to cats with slit throats. Everything that begins as comedy ends as a cryptographic exercise.

[A former croft worker] hated the industrial system and had found liberation by operating a market garden on the edge of the moors where he had the use of a powerful telescope erected on his land. Indoors he gave magic-lantern shows of the heavens and their constellations, and on clear evenings at the dark of the year we were invited to view the rings around Saturn, the beauty of the Milky Way or the craters and valleys of the Moon. After carefully sighting the objects he turned to us solemnly, “Sithee, lasses, isn’t that a marvelous seet; a stupendous universe, yet we fritter our lives away i’ wars and petty spites!” As youngsters we gazed, inclined to giggle; then came a moment of silent awe as awareness of “night clad in the beauty of a thousand inauspicious stars—the vast of night and its void”—seeped into consciousness.26

Associate Professor Winter, are you perhaps an amateur? (Again.)   To be completely honest, all this was nothing compared to the main thrust of my paper, the subject I had spent countless years writing my dissertation on: Tehom. “The Great Deep,” which can also mean “abyss, sea” or “to agitate, destroy, confuse.” It comes up right at the beginning of the Bible, as early as verse two. When the earth is a wasteland and a void, and darkness lies over the deep, over Tehom. Because the Spirit of God may have moved over the formless earth, a void. But there was something that wasn’t empty. Something that was already there. Something that either comes ex nihilo or that is ex nihilo per se. Which rests there as itself, in complete darkness. Which has always rested there, and which is resting there still. Which slumbers. Waiting. Waiting for chaos or nothingness to take over again. There is no time in Tehom. No order. No sense of good or evil. There is only Tehom. And it is the scariest thing in the whole world. I

To me, it is far nobler to create my own meaning derived from that around me, using my critical faculties, than to accept unquestioningly the meaning that a superdeity has enforced upon me. The same with beauty and the universe around us. There is something worth dwelling on in that notion that we don’t need for a god to cause and define that universe—that beauty, that spectacle—when we are appreciating it. Whether it be an incredibly complex yet symmetrical mathematical equation, a butterfly’s wings or the expansive Hubble space telescope pictures of nebulae and clouds of space dust and gases, there is much to marvel at in the universe. It’s even more marvelous that there is no painter at nature’s easel.

Lunch with Fabius. How naive to seek enlightenment on the art of govern ment from a motley collection of intellectuals and actresses! What do the population want? Why have they no enthusiasm for anything? Why do the efforts made on their behalf produce negative opinion-poll results? It is quite bewildering how this man, who certainly didn't get to be Prime Minister without employing some cunning and who must surely know how much sharp practice, ill will, deceit and pride goes into any successful political career, can be so ingenuous about the perverse mechanisms of popular indifference, deploring the apathy and per fidiousness of the masses, their lack of imagination and participation, the absence of a collective myth, etc. (when it is by virtue of this indifference that he and others like him are in power today), deploring the emptiness of the social world apparently without noticing the void which power itself occupies (which is why he fills that void so wonderfully well). You wonder how he can survive two days in this role and this setting. The people are bored? Then give them something to marvel at. Otherwise they will make their own entertainment at your expense. They will seek out something to astonish them in spectacle (the spectacle of the media or of terrorism) if they cannot find it on the political stage. Individuals and peoples want something to marvel at - that remains their great passion. And nothing you have done has amazed them. Shock them by telling them the truth? Rubbish! Truth is extremely dangerous, since the person who tells it is the first to believe it. Now it only takes a politician believing in what he says for the others to stop believing him: that is the specific perversity of the political field. It's no use just telling the truth; you need the ring of truth too. It's no use lying. You need to have the ring of lying. This is what the socialists will have lacked to the end. They will have lied a lot and told the truth a lot, but they will never have known how to do something that had this ring about it. Now, admittedly, you can pull off quite a political stroke by using the truth - and indeed that was Fabius's intention. But you must never believe in the truth of truth. If you do, you lose all its effect. You have to use truth as a challenge, go beyond what needs to be said for it to be strictly true. The truth must astonish; otherwise, it becomes akin to stupidity. That's what produced all the political tribulations of the Greenpeace Affair. If a prime minister doesn't know that, then he has his head in the clouds. And this is the impression Fabius gives: sure of his ambitions and totally ignorant of the immoral ways of the world. I had before me the Divine Left in person.

I know that men are children who chase away their despair with anger, their fear with love; they respond to the void by building castles and temples. They cling to stories, they shove them in front of them like banners; everyone makes some story his own so as to attach himself to the crowd that shares it. You conquer people by telling them of battles, kings, elephants, and marvelous beings; by speaking to them about the happiness they will find beyond death, the bright light that presided over their birth, the angels wheeling around them, the demons menacing them, and love, love, that promise of oblivion and satiety. Tell them about all of that, and they will love you; they will make you the equal of a god. But you will know, since you are here pressed against me, you ill-smelling Frank whom chance has brought to my hands, you will know that all this is nothing but a perfumed veil hiding the eternal suffering of night.

Meditation on the “seal,” that is, the “immobilization” of all dependent things, is for the purpose of liberation from the cycle of existence. The notion of “empti- ness” (Tibetan: stong pa nid) is central to Vajrayana Buddhism (as indeed it is to many schools of Buddhist thought) and is derived from Nagarjuna’s teaching that the essential nature of all dharmas (phenomenal existents) is sunyata, void or empty. As Tibetan scholar Herbert V. Guenther translates the term, sunyata or stong pa nid means “no-thing-ness,” all existents being inherently insubstantial.⁴⁵ The sense of “seal” (mudra) in Gyatso’s commentary is clearly the sense of being sealed in to this state of inherent “no-thing-ness.

Grief can be an astonishingly beautiful response to loss and the pain of it can stir a renewed appreciation for life. It makes food taste better and feelings feel deeper and colors brighter. It amplifies love. Loss can imbue us with such profound gratitude for what we have, and I will always marvel that the void of death can be what makes us feel most alive.

Li’or found herself smiling again and marveled that it was even possible. They were charging what would likely be their doom, purposefully ignoring that very fact, and laughing. What lunatics she had befriended. And what a madwoman she was, but if she was going to die fighting, she was glad it would be beside them.

Daivi Astra: Daivi = Divine; Astra = Weapon. A term used in ancient Hindu epics to describe weapons of mass destruction Dandakaranya: Aranya = forest. Dandak is the ancient name for modern Maharashtra and parts of Andhra Pradesh, Karnataka, Chhattisgarh and Madhya Pradesh. So Dandakaranya means the forests of Dandak Deva: God Dharma: Dharma literally translates as religion. But in traditional Hindu belief, it means far more than that. The word encompasses holy, right knowledge, right living, tradition, natural order of the universe and duty. Essentially, dharma refers to everything that can be classified as ‘good’ in the universe. It is the Law of Life Dharmayudh: The holy war Dhobi: Washerman Divyadrishti: Divine sight Dumru: A small, hand-held, hour-glass shaped percussion instrument Egyptian women: Historians believe that ancient Egyptians, just like ancient Indians, treated their women with respect. The anti-women attitude attributed to Swuth and the assassins of Aten is fictional. Having said that, like most societies, ancient Egyptians also had some patriarchal segments in their society, which did, regrettably, have an appalling attitude towards women Fire song: This is a song sung by Guna warriors to agni (fire). They also had songs dedicated to the other elements viz: bhūmi (earth), jal (water), pavan (air or wind), vyom or shunya or akash (ether or void or sky) Fravashi: Is the guardian spirit mentioned in the Avesta, the sacred writings of the Zoroastrian religion. Although, according to most researchers, there is no physical description of Fravashi, the language grammar of Avesta clearly shows it to be feminine. Considering the importance given to fire in ancient Hinduism and Zoroastrianism, I’ve assumed the Fravashi to be represented by fire. This is, of course, a fictional representation Ganesh-Kartik relationship: In northern India, traditional myths hold Lord Kartik as older than Lord Ganesh; in large parts of southern India, Lord Ganesh is considered elder. In my story, Ganesh is older than Kartik. What is the truth? Only Lord Shiva knows Guruji: Teacher; ji is a term of respect, added to a name or title Gurukul: The family of the guru or the family of the teacher. In ancient times, also used to denote a school Har Har Mahadev: This is the rallying cry of Lord Shiva’s devotees. I believe it means ‘All of us are Mahadevs’ Hariyupa: This city is currently known as Harappa. A note on the cities of Meluha (or as we call it in modern times, the Indus Valley Civilisation): historians and researchers have consistently marvelled at the fixation that the Indus Valley Civilisation seemed to have for water and hygiene. In fact historian M Jansen used the term ‘wasserluxus’ (obsession with water) to describe their magnificent obsession with the physical and symbolic aspects of water, a term Gregory Possehl builds upon in his brilliant book, The Indus Civilisation — A Contemporary Perspective. In the book, The Immortals

Strange are the ways of Men, Legolas! Here they have one of the marvels of the Northern World, and what do they say of it? Caves, they say! Caves! Holes to fly to in time of war, to store fodder in! My good Legolas, do you know that the caverns of Helm’s Deep are vast and beautiful? There would be an endless pilgrimage of Dwarves, merely to gaze at them, if such things were known to be. Aye indeed, they would pay pure gold for a brief glance!’ ‘And I would give gold to be excused,’ said Legolas; ‘and double to be let out, if I strayed in!’ ‘You have not seen, so I forgive your jest,’ said Gimli. ‘But you speak like a fool. Do you think those halls are fair, where your King dwells under the hill in Mirkwood, and Dwarves helped in their making long ago? They are but hovels compared with the caverns I have seen here: immeasurable halls, filled with an everlasting music of water that tinkles into pools, as fair as Kheled-zâram in the starlight. ‘And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities. such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come. And plink! a silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes: they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.’ ‘Then I will wish you this fortune for your comfort, Gimli,’ said the Elf, ‘that you may come safe from war and return to see them again. But do not tell all your kindred! There seems little left for them to do, from your account. Maybe the men of this land are wise to say little: one family of busy dwarves with hammer and chisel might mar more than they made.’ ‘No, you do not understand,’ said Gimli. ‘No dwarf could be unmoved by such loveliness. None of Durin’s race would mine those caves for stones or ore, not if diamonds and gold could be got there. Do you cut down groves of blossoming trees in the spring-time for firewood? We would tend these glades of flowering stone, not quarry them. With cautious skill, tap by tap – a small chip of rock and no more, perhaps, in a whole anxious day – so we could work, and as the years went by, we should open up new ways, and display far chambers that are still dark, glimpsed only as a void beyond fissures in the rock. And lights, Legolas! We should make lights, such lamps as once shone in Khazaddûm; and when we wished we would drive away the night that has lain there since the hills were made; and when we desired rest, we would let the night return.

We are trapped in an unending whirlpool of consumerism – how many advertisements have you seen recently for cars, gadgets, and fast foods nobody truly needs? Yet this treadmill of purchasing, devouring, and wanting more anchors our entire existence. The one and only reason we don’t simply ditch the whole exercise is that it stops us, in a limited way, from feeling bored with life. If you can muster the strength needed to step off this carousel existence and embrace the void of boredom, you will begin to discover that inaction is a forgotten art and silence is a marvellous place. It is where everything exists and undreamt-of wonders dwell. As you begin to enter more deeply into this tranquil way of being, you will learn to look upon your previous life as a foolish game and feel pity for everyone who is still addicted to it.

and mouth and made her eyes feel roasted. She felt no fear, merely sat with her arms around her knees, her white, flannel nightgown tucked over her feet, and marveled at the fire’s power and beauty. She had never seen such color. It made every memory she had of this dismal room seem even more faded and dispirited. Then the heat battered at her again, and she realized she would die if she did nothing. So she reached out from within herself, and extinguished it. It vanished between one heartbeat and the next, leaving behind the cold ash and charred beams of a long-dead fire. Patches of wallpaper here and there lent a leprous look to the walls. She heard screaming from somewhere nearby; that, and the void left by the fire’s howl, filled her ears with a dull ringing sound. I believe