Voices In My Head Funny Quotes

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I'm going to wake Peeta," I say. "No, wait," says Finnick. "Let's do it together. Put our faces right in front of his." Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice. His eyelids flutter open and then he jumps like we've stabbed him. "Aa!" Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
She leans over an says things that make him throw his head back an laugh like he never heard nuthin so funny in his life. It's sick-makin. Or it would be, if I cared. Which I don't. Liar, whispers the voice inside my head. Liar, liar, liar.
Moira Young (Blood Red Road (Dust Lands, #1))
I'm not crazy, but I suspect the voices in my head are. ~Chrissy
Kelli Sullivan (Ice in My Veins)
It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Well, I'm glad you're so amused," I said, running my fingers across the railing. Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it." Hmm. He was almost being funny. "So...about what you said...," he started tentatively. "Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes. He laughed once. "The part about me being good..." "Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress. "I appreciate you making things look authentic, but you didn't need to go that far." My head snapped up. How could he think that? "Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more." He was quiet, but there was a small smile on his face. "Thank you," he finally said. "Anytime." Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony. "Huh?" "Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly. I had to laugh. No such thing would happen in y world. "he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice. "Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times. "Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you." I hit his arm. "Shut up, Maxon." "I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity. "I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting. "No, I don't suppose you can help it.
Kiera Cass (The Selection (The Selection, #1))
It felt like some kind of honor, you know? Being asked to be the head of the Council's son-in-law. Plus, you dad, he, uh, told me a lot about you." My voice was barely above a whisper. "What did he say?" "That you were smart, and strong. Funny. That you had trouble using your powers, but you were always trying to use them to help people." He shrugged. "I thought we'd be a good match." The vast dining room suddenly felt very small, like it consisted only of this table and me and Cal.
Rachel Hawkins
America," he begged. I turned to Maxon. "They're fine. The rebels were slow, and everyone here knows what to do in an emergency." I nodded. We stood there quietly for a minute, and I could tell he was about to move on. "Maxon," I whispered. He turned back, a little surprised to be addressed so casually. "About last night. Let me explain. When they came to prep us, to get us ready to come here, there was a man who told me that I was never to turn you down. No matter what you asked for. Not ever." He was dumbfounded. "What?" "He made it sound like you might ask for certain things. And you said yourself that you hadn't been around many women. After eighteen years...and then you sent the cameras away. I just got scared when you got that close to me." Maxon shook his head, trying to process all this. Humiliation, rage, and disbelief all played across his typically even-tempered face. "Was everyone told this?" he asked, sounding appalled at the idea. "I don't know. I can't imagine many girls would need such a warning. They're probably waiting to pounce on you," I noted, nodding my head toward the rest of the room. He gave a dark chuckle. "But you're not, so you had absolutely no qualms about kneeing me in the groin, right?" "I hit your thigh!" "Oh, please. A man doesn't need that long to recover from a knee to the thigh," he replied, his voice full of skepticism. A laugh escaped me. Thankfully, Maxon join in. Just then another mass hit the windows, and we stopped in unison. For a moment I had forgotten where I was. "So how are you handling a roomful of crying women?" I asked. There was a comical bewilderment in his expression. "Nothing in the world is more confusing!" he whispered urgently. "I haven't the faintest clue how to stop it." This was the man who was going to lead our country: the guy rendered useless by tears. It was too funny.
Kiera Cass (The Selection (The Selection, #1))
She heard Rowan awake with a start before he reconciled himself to his surroundings. His back scraped across the trunk of the tree as he slid sideways--trying to see around the branch she was sitting on to get a look at her. "Are you awake?" he asked, his voice still rough from sleep. "Yeah." "Did you sleep at all?" "No." She heard him mumble something to himself and decided to cut him off before he could scold her again. "My butt did, though. Slept like a log all night." "Well, obviously, your butt has more sense than you do." "You're a funny man, Rowan whatever your last name is." "Fall." "I'd rather not." She managed to get a tiny chuckle out of him, which she considered a huge achievement. Rowan stood up on his branch, bringing his head level with Lily's, and started to untie her. His lips were still pursed in a near smile. "My name is Rowan Fall.
Josephine Angelini (Trial by Fire (Worldwalker, #1))
Mama, Ollie taught me how to play ‘Let It Go’ on guitar,” Crista piped up in a muffled voice as she pulled her pajama shirt over her head. Aunt Linda shot me a look that was half sheer terror, half witch hunt. The face of someone at peak Frozen saturation. I didn’t, I swear, I mouthed, making chopping motions by my neck.
Sophie Gonzales (Only Mostly Devastated)
It took a long time, but my heart now feels full when I think of him. When you fall in love again—which I have—it's funny the other things that come back in with that open-ness. You have this ghost chorus of the lovers who came before, but they're benign now, they're good spirits.
Emma Forrest (Your Voice in My Head)
Dan moans behind me, reminding her of the problem. She straightens in fear at the sound of his voice, peers over my shoulder at the chunk of bloody beef that is Dan Sikorsky. She looks slowly from him to me. “What did you do?” I duck my head, embarrassed. “I sort of lost my temper.
Jasinda Wilder (Falling into You (Falling, #1))
So if you're trying to play games with me, I should let you know up front that it's not going to work. "What?" I frown "what are you talking abou-" "You can't play hard to get, kid." He raises his eyebrow. "I can't even touch you. Takes 'hard to get' to a whole new level, if you know what I mean." "Oh my god," I mouth, eyes closed, shaking my head. "You are insane." He falls to his knees. "Insane for your sweet, sweet love!" "Kenji" I can't lift my eyes because I'm afraid to look around, but I'm desperate for him to stop talking. To put an entire room between us at all times. I know he's joking, but I might be the only one. "What?" he says, his voice booming around the room. "Does my love embarass you?" "Please-please get up-and lower your voice-" "Hell no." "Why not?" I'm pleading now. "Because if I lower my voice, I won't be able to hear myself speak. And that," He says, "Is my faviorite part." I can't even look at him. "Don't deny my Juliette I'm a lonely man." What is wrong with you?" "You're breaking my heart." His voice is even louder now,
Tahereh Mafi
You won’t stop until you have all of me, will you? My body, my blood, my trust…and still you want more.” He knew of what I spoke and his reply was immediate. “I want your heart the most. Above all else. You’re exactly right, I won’t stop until I have it.” Tears began to slide down my cheeks, because I couldn’t hold the truth back anymore. I didn’t know how I’d managed to hold it back this long. “You have it already. So now you can stop.” His whole body stilled. “You mean that?” Uncertainty but also growing emotion filled his eyes as they bore into mine. I nodded, mouth too dry to speak. “Say it. I need to hear the words. Tell me.” I licked my lips and cleared my throat. It took three times, but finally my voice returned. “I love you, Bones.” A weight seemed to lift from me I hadn’t known was there. Funny how much I’d feared something that shouldn’t have frightened me at all. “Again.” He started to smile, and a beautiful, pure joy filled up the emptiness I’d carried my entire life. “I love you.” He kissed my forehead, cheeks, eyelids, and chin, feather-soft brushes that had the impact of a locomotive. “Once more.” The request was muffled by his mouth on mine and I breathed the words into him. “I love you.” Bones kissed me until my head reeled and everything tilted even though I was lying flat. He only paused long enough to whisper onto my lips, “It was well worth the wait.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
As my laughter faded, he shot me an amused glance. "You should laugh more often. It's far less nauseating than your speaking voice." "That may be the nicest thing you've ever said to me." "Don't let it go to your head.
Cecily White (Conspiracy Boy (Angel Academy, #2))
"Joss" "What?" "What?" Dylan asked back. "You just said my name." "No I didn't" "Sorry that was me." I sat up, banging my head on the roof. "Who is that?" "Hey, stay down here where the air is good, okay?" Dylan pulled me gently back down. "Hows your head?" "Not good, I think." "Um, okay, so you here me. Heather's right, you do think loud. I mean, I've never heard you before, but my Talent seems to be a lot more selective than her's. But now that she's got me turned in to you-" "Who are you?" "It's still me, Marshall. It's Dylan. I'm right here." "My name's Joel." "Joel?" "Joss, what are you talking about?" He took my face in his hands. "Who's Joel?" "The voice in my head, I guess." "Jesus.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
And then we heard a branch break. It might have been a deer, but the Colonel busted out anyway. A voice directly behind us said, "Don't run, Chipper," and the Colonel stopped, turned around, and returned to us sheepishly. The Eagle walked toward us slowly, his lips pursed in disgust. He wore a white shirt and a black tie, like always. He gave each of us in turn the Look of Doom. "Y'all smell like a North Carolina tobacco field in a wildfire," he said. We stood silent. I felt disproportionately terrible, like I had just been caught fleeing the scene of a murder. Would he call my parents? "I'll see you in Jury tomorrow at five," he announced, and then walked away. Alaska crouched down, picked up the cigarette she had thrown away, and started smoking again. The Eagle wheeled around, his sixth sense detecting Insubordination To Authority Figures. Alaska dropped the cigarette and stepped on it. The Eagle shook his head, and even though he must have been crazy mad, I swear to God he smiled. "He loves me," Alaska told me as we walked back to the dorm circle. "He loves all y'all, too. He just loves the school more. That's the thing. He thinks busting us is good for the school and good for us. It's the eternal struggle, Pudge. The Good versus the Naughty." "You're awfully philosophical for a girl that just got busted," I told her. "Sometimes you lose a battle. But mischief always wins the war.
John Green (Looking for Alaska)
He slouches,' DeeDee contributes. 'True--he needs to work on his posture,' Thelma says. 'You guys,' I say. 'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?' 'You guys. We are not getting married!' 'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?' 'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?' I swat her. "I'm not having Mitchell's children!' 'I'm sorry--what?' Thelma says. Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl! But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!' Jolene turns beet red, and she and DeeDee dissolve into mad giggles. 'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous. 'Okaaay, I think maybe I won't turn around,' I announce. A person of the male persuasion clears his throat. 'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me. 'If you change your mind, we might be able to work something out,' the person of the male persuasion says. 'About the children?' DeeDee asks. 'Or the turning around?' 'DeeDee!' Jolene says. 'Both,' says the male-persuasion person. I shrink in my chair, but I raise my hand over my head and wave. 'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.' Warm fingers clasp my own. 'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.' 'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!' I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants. Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter. He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line. Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder. 'Did you see!' Thelma gasps. 'Did you see how proud he was?' 'You improve his posture!' Jolene says. 'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.' 'I can't believe you waved at him,' DeeDee says. 'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.' 'It was a surrender flag. I was surrendering myself to abject humiliation.' 'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
Lauren Myracle (Bliss (Crestview Academy, #1))
He closes the door with a determined click, and I hear him call to a flight attendant, and I sink down onto the toilet seat, resting my elbows on my knees and my head in my hands as I listen to him through the door. "I'm sorry to bother you but my wife," he says, and then pauses. With the last word he says, my heart begins to hammer. "The one who now got sick? She's started her... cycle? And I'm wondering if you keep any, or rather if you have... something? You see this all happened a bit fast and she packed in a hurry, and before that we were in Vegas. I have no idea why she came with me but I really really don't want to screw this up. And now she needs something. Can she, uh," he stutters, finally saying simply, "borrow quelque chose?" I cover my mouth as he continues to ramble, and I would given anything in this moment to see the expression of the flight attendant on the other side of this door. "I meant use," he continues. "Not to borrow because I don't think they work that way." I hear a woman's voice ask, "Do you know if she needs tampons or pads?" Oh God. Oh God. This can't be happening. "Um..." I hear him sigh and then say, "I have no idea but I'll give you a hundred dollars to end this conversation and give me both.
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
I feel very reassured. In fact, it feels like we're in separate rooms. Separate houses even.' I say. 'That's the power of a good pillow barrier,' he says, and his voice has a smile in it.
Nina Kenwood (It Sounded Better in My Head)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.” He didn’t even blink as he talked, looking straight into my eyes. And I didn’t think I did either. I didn’t think I was even breathing. “All the time I wasted so foolishly. All the time I could have had with her.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Whatever else you may think about me," he said gruffly, "I would never play that kind of game with you. The devil knows how you could doubt my attraction to you after our lesson at Baujart's. Or didn't you notice that being near you made me as randy as a prize bull?" "I noticed," Garrett whispered sharply. "However, the male erection isn't always caused by sexual desire." His face went blank. "What are you talking about?" "Spontaneous priapism can be caused by scrotal chafing, traumatic injury to the perineum, a flare-up of gout, an inflamed prostatic duct-" Her list was interrupted as Ransom hauled her against him, front to front. She was alarmed to feel his entire body shaking. It wasn't until she heard a ragged chuckle near her ear that she realized he was struggling not to laugh. "Why is that funny?" she asked, her voice muffled against his chest. He didn't reply, couldn't, only shook his head vehemently and continued to wheeze. Nettled, she said, "As a physician, I can assure you there's nothing humorous about involuntary erections." That nearly sent him into hysterics. "Holy God," he begged, "no more doctor-talk. Please." "It wasn't from scrotal chafing," Ransom eventually said, a last tremor of laughter running through his voice. Letting out an unsteady sigh, he nuzzled against the side of her head. "Since we don't seem to be mincing words, I'll tell you what caused it: holding a woman I'd already dreamed about more than I should. Being near you is all it takes to put me in high blood.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Granny Weatherwax personally disliked young Pewsey. She disliked all small children, which is why she got on with them so well. In Pewsey's case, she felt that no one should be allowed to wander around in just a vest even if they were four years old. And the child had a permanently runny nose and ought to be provided with a handkerchief or, failing that, a cork. Nanny Ogg, on the other hand, was instant putty in the hands of any grandchild, even one as sticky as Pewsey "Want sweetie," growled Pewsey, in that curiously deep voice some young children have. "Just in a moment, my duck, I'm talking to the lady," Nanny Ogg fluted. "Want sweetie now." "Bugger off, my precious, Nana's busy right this minute." Pewsey pulled hard on Nanny Ogg's skirts. "Now sweetie now!" Granny Weatherwax leaned down until her impressive nose was about level with Pewsey's gushing one. "If you don't go away," she said gravely, "I will personally rip your head off and fill it with snakes." "There!" said Nanny Ogg. "There's lots of poor children in Klatch that'd be grateful for a curse like that." Pewsey's little face, after a second or two of uncertainty, split into a pumpkin grin. "Funny lady," he said.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
It’s a gift,” she said, her voice funny, deep with emotion. “Watching you all get close, witnessing all that happened making you closer, feeling that love. But it was another gift, maybe even a bigger one, precious, knowing that sharing it makes people I don’t know laugh. It makes them happy. Some of them write to me. They tell me bad things are happening in their lives. But they read my book and it takes them away. It makes them smile. Laugh. Even if for moments, or better yet hours, they can forget the bad, be with us here at Fortnum’s, and laugh.” She tipped her head to the side. “That’s beautiful. So how can it be wrong?
Kristen Ashley (Rock Chick Revolution (Rock Chick, #8))
The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?" Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again. "Hello," Skulduggery said, speaking loudly to be heard over the alarm. "Hi," said the man. "The door's locked." "Is it?" "Yes." "That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?" There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?" Skulduggery tilted his head. "Who am I speaking with?" "This is Oscar Nightfall." "Are you sure?" "What?" "Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know." Oscar Nightfall sounded puzzled. Who are you?" "Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?" "What's your name? Give me you name." "No. It's mine." "Tell me your name!" "My name is Oscar Nightfall." "What? No it isn't. That's my name." "Is it? Since when?" "Since I took it!" "You didn't ask me if you could take it. I was using it first." "Open this door immediately." "I don't have the key." "I'll fetch the Cleavers." "I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go." Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more.
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
Bet you didn't know that when you agreed to be 'betrothed' to me, huh? Husband-eviscerating apparently runs in my family." Still no reaction, and I felt shame curl in my belly. "Of course, you also didn't know you were getting a damon bride," I added in a softer tone. Very few people knew what my dad really was. I'd always assumed Cal had found out the same night I did. That's why I was really surprised when he raised his head and said, "I knew." "What?" "I knew what you were then, Sophie. Your dad told me before the betrothal. And he told me about your grandmother, and what happened to your grandfather." I shook my head. "Then,why?" Cal took his time before answering. "For one thing, I like your dad. He's done good things for Prodigium. And it-" He broke off with a long exhale. "It felt like some kind of honor, you know? Being asked to be the head of the Council's son-in-law. Plus, your dad, he,uh,told me a lot about you." My voice was barely above a whisper. "What did he say?" "That you were smart, and strong. Funny. That you had trouble using your powers, but you were always trying to use them to help people." He shrugged. "I thought we'd be a good match." The vast dining room suddenly felt very small, like it consisted only of this table and me and Cal. "Look, Sophie," he started to say. But before he could finish, Jenna walked in. "I am so glad I still get to eat human food, because that bacon smells insane..." she said, and then froze. "Oh!" she exclaimed, her ealier bounciness draining out of her. "Sorry! I didn't mean to interrupt...whatever. I c-can...leave?" She gestured with her thumb over her shoulder. "And then come back,uh, later?" But the moment was broken. Cal sat back, and I pushed my hair behind my ears. "No,it's fine," I said quickly, concentrating harder on my eggs than I had on my SAT.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Irma, she said. But I had started to walk away. I heard her say some more things but by then I had yanked my skirt up and was running down the road away from her and begging the wind to obliterate her voice. She wanted to live with me. She missed me. She wanted me to come back home. She wanted to run away. She was yelling all this stuff and I wanted so badly for her to shut up. She was quiet for a second and I stopped running and turned around once to look at her. She was a thimble-sized girl on the road, a speck of a living thing. Her white-blond hair flew around her head like a small fire and it was all I could see because everything else about her blended in with the countryside. He offered you a what? she yelled. An espresso! I yelled back. It was like yelling at a shorting wire or a burning bush. What is it? she said. Coffee! I yelled. Irma, can I come and live-- I turned around again and began to run.
Miriam Toews (Irma Voth)
Why did you break in Mrs. Casnoff’s desk for?” Information on Archer. After he left. “Ah. You’re welcome, by the way?” For what? She jiggled the nail harder. “For putting him in his place the other night. Working with The Eye,” she scoffed. “Yeah, that’s a brilliant plan.” He’s just trying to think of something,” I said automatically. I wasn’t sure why I was defending him when I’d basically said that idea was the stupidest thing ever to have stupided, but I didn’t like the scorn in her voice. Well, my voice, her words. Elodie paused in trying to open the desk drawer and shoved my hair back with both hands. “What’s it going to take for you to realize that Archer Cross is bad news? He’s an Eye. He’s a liar and a jerk, and he’s not nearly as funny as he thinks he is. And you’re betrothed to Cal. Boys who can heal all wounds and are super hot, to boot? Don’t exactly come around every day.” I don’t think about Cal like that. Pressing the point of the nail back into the lock, Elodie snorted. “Um, hi, I’ve been in your head. You totally think about him like that.” Look,, this isn’t a slumber party, I snapped. Can you please get back to work? “Fine,” she muttered. “Don’t listen to me. But I’m telling you, Cal is the way to go. Heck, if I had a body, I wouldn’t mind-“ I’m going to need you to stop right there. I’m ninety-nine percent sure she wasn’t going to stop right there, but before she could say anything else, the lock on the drawer gave way.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I BELIEVE THAT we know much more about God than we admit that we know, than perhaps we altogether know that we know. God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
Gavin, come on. Mommy doesn't feel good," I complained. He stopped bouncing and leaned forward to sprawl his body out on top of me, putting his face right up to mine. "Do you want me ta' beat up your friends, Mommy?" he whispered conspiratorially. I removed my hands from my head and opened my eyes to look at him. "What are you talking about, Gav?" He brought his hands up and put them on my chest, resting his chin on top. "Your friends, Mommy. The ones who maded you sick," he said in a voice that clearly screamed, "Duh.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
He holds his hands up. ‘OK, OK. I was only asking. I do still care about you, you know. I know things haven’t worked out the way we planned.’ I raise my eyebrows at this, the understatement of the year, but he ignores me and carries on: ‘But I’ll always care about you, whether you want me to or not.’ I hear Polly’s voice in my head, snorting: care about you? He had a funny way of showing it. How long would I have gone on pretending everything was OK, if I hadn’t found the text message from Catherine on his phone that forced his hand
Laura Marshall (Friend Request)
She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries. I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched. I said, "Let me help." She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again. That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist. I left the old woman at her door. The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
The sides of my head throb. My knees feel weak. “You need therapy.” Mom laughs the most over-the-top, hysterical laugh I’ve ever heard. “It’s not funny. There is something wrong with you. Who treats their kids this way? There’s a reason none of us want to be around you. There’s a reason Shoji wants to live with Dad, and why Taro spent the rest of the summer with his friend, and why I want to go to art school thousands of miles away from you.” My face burns with frustration. “You are so obsessed with yourself that there isn’t any room for anyone else’s feelings. You don’t care about anything unless it somehow relates back to you.” I start to walk away, intent on leaving her alone in her chair. But something stops me. Spinning back to face her, my breathing erratic and my voice hoarse, I growl, “And I’m not imagining what happened to me. Your sick brother sexually abused me. I don’t care what you think it’s called, because that’s what it is. Sexual abuse. I was sexually abused. Do you get that? And if you were any kind of mother, that would have mattered to you. You wouldn’t have tried to justify it or rationalize it away by saying it wasn’t rape and therefore isn’t as bad—it was bad. That’s it.
Akemi Dawn Bowman (Starfish)
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman. Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side. When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman." As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib. Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax. But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it. Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob." Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I said, "I want to wear something funny and cool. Marjorie, could I wear your sparkly baseball hat?" The three of us looked at Marjorie. Now I remember thinking that her answer could change everything back to the way it was; Dad could find a job and stop praying all the time and Mom could be happy and call Marjorie shellfish again and show us funny videos she found on YouTube, and we all could eat more than just spaghetti at dinner and, most important, Marjorie could be normal again. Everything would be okay if Marjorie would only say yes to me wearing the sparkly sequined baseball hat, the one she'd made in art class a few years ago. The longer we watched Marjorie and waited for her response, the more the temperature in the room dropped and I knew that nothing would ever be the same again. She stopped twisting her spaghetti around her fingers. She opened her mouth, and vomit slowly oozed out onto her spaghetti plate. Dad: "Jesus!" Mom: "Honey, are you okay?" She jumped out of her seat and went over to Marjorie, stood behind her, and held her hair up. Marjorie didn't react to either parent, and she didn't make any sounds. She wasn't retching or convulsing involuntarily like one normally does when throwing up. It just poured out of her as though her mouth was an opened faucet. The vomit was as green as spring grass, and the masticated pasta looked weirdly dry, with a consistency of mashed-up dog food. She watched Dad the whole time as the vomit filled her plate, some of it slopping over the edges and onto the table. When she finished she wiped her mouth on her sleeve. "No, Merry. You can't wear my hat." She didn't sound like herself. Her voice was lower, adult, and growly. "You might get something on it. I don't want you to mess it up." She laughed. Dad: "Marjorie..." Marjorie coughed and vomited more onto her too-full plate. "You can't wear the hat because you're going to die someday." She found a new voice, this one treacly baby-talk. "I don't want dead things wearing my very special hat.
Paul Tremblay (A Head Full of Ghosts)
There's a recording of Nina Simone's "Ain't Got No", where Simone, after listing all the things she doesn't have - a home, shoes, money, class, a country, schooling, children, sisters or brothers - she begins, around the two-minute mark, to list all that she's got, that "nobody", she sings, "can take away". Hair on her head, brains, ears, a nose, and her mouth. She has her smile too. Her tongue, her chin, her neck, and, my favourite, her boobies. When Nina Simone shouts "my boobies" in her syrupy, cool-wail of a voice, it's as if she's invented a whole new body part. Boobies. These aren't just breasts, they're boobies; they bob and hang. They're funny and beautiful. They're boobies. And I can never unhear Nina Simone claiming hers.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
Hop on." "What?" "Hop on. You're bored, I can see it. Terribly bored, and I'm just as bored just floating here with you ground-ridden. So get on." "I don't like to fly, Ginny, you know that--" "Oh, yes. The big, tough Gryffindor afraid of heights." Hermione glowers and Ginny laughs. "Come on." Hermione eyes the broom in speculation, and then the woman astride it. "I don't know." Ginny dips her head before making her voice deeper. "I promise I'll be gentle." Hermione barks a laugh and shakes her head. "Will you hold me tight?" "With my rippling muscles, love." "You're an idiot." "And you're a coward." Ginny grins, dropping the manly act and tapping the front of the broom. "Come here and ride my stick." "Oh, my God! Ginny!
Everythursday (The Fallout)
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun. "Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now." "Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne. "Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair." My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?" Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too. But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious." "Cautious?" "Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore." I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?" She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?" And it does.Which I hate. Clickclickclickclick. It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Before Keir MacRae arrived, everything was normal. Now there's been stabbings, explosions, and debauchery, and my sensible older sister is engaged to a Scottish whisky distiller. What's happened to you? You're supposed to be level-headed!" Merritt tried to sound dignified. "Just because one is usually level-headed doesn't mean one is always level-headed." "You won't be comprised if no one knows about it," Luke said. "And God knows none of us are going to say anything." The duke intervened, his voice so dry one could have struck a match off it. "My boy, you're missing the point. Your sister wants to be compromised." Ethan Ransom, who had been inching toward the stairs, ventured, "I don't need to be part of this conversation. I'm going up to see my wife.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Something touched her shoulder. a light touch, as if a butterfly had landed there. She stiffened, but something told her not to open her eyes. "Grace." A soft voice, unmistakable. She sucked in her breath. "Oh--Christopher--" "Don't turn around," he said. "Or look at me." I am only a very little bit here, Grace. It is taking all my strength for you to hear me. I cannot also make myself seen." Don't turn around. She thought of Orpheus in the Greek tales, who had been forbidden from turning to look behind him at his dead wife as he escorted her from the underworld. He had failed, and lost her. Grace had always thought he was silly-- surely it could not be that difficult simply not to turn around and look at someone. But it was. She felt the ache inside her like pain, the loss of Christopher. Who had understood her, and not judged her. "I thought," she whispered, "ghosts could only return if they had unfinished business. Are the fire-messages yours?" "I think," she whispered, "ghosts could only return if they had unfinished business. Are the fire-messages yours?" "I think," he said, "that you are my unfinished business." "What do you mean?" "You don't need my help to solve this," said Christopher, and she could seehim, behind her eyelids, looking at her with his funny quizzical smile, his eyes such a dark violet behind his spectacles. You only need to believe that you can solve it. And you can. You are a natural scientist, Grace, and a solver of puzzles. All you have to do is silence the voice in your head that says you aren't good enough, don't know enough. I have faith in you.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
Don’t act like you know the first thing about the continent,” I snapped. “It isn’t as though you’ve ever visited.” He flinched, silent for a moment. “Have you?” “No,” I admitted. “But I very likely would have if you hadn’t kidnapped me.” “I didn’t kidnap you,” Tristan said, his voice filled with irritation. “Your friend Luc did.” “He wouldn’t have done so, if not for you. And he isn’t my friend.” “That might be the case, but I don’t doubt that he’d have substituted an equivalently dastardly deed in its place.” He pointed a finger at me. “Mark my words, the boy was of a vile sort.” “Then you are two of a kind,” I snapped. “Ha ha,” Tristan snorted. “How dreadfully clever. And speaking of clever, is this to be your bid for escape?” He contemplated my clothing. “In a dressing gown and bare feet? Now tell me, if I go put on nightclothes and slippers, might I join you, or is this a solo adventure?” My eyes stung. “You think this is all exceedingly funny, don’t you? I’m nothing but a joke to you.” His brow creased in a frown. “If you’re a joke, it isn’t an especially humorous one.” I threw up my hands in frustration. “You are the most intolerable individual I’ve ever met.” He bowed. “Why, thank you, Cécile. Always a pleasure to have one’s accomplishments recognized.” “You are the last person in the world I’d choose to marry,” I hissed. “I don’t entirely relish the idea myself,” Tristan said, “but sometimes we must do the unthinkable.” “Why must I?” Tristan tipped his head slightly, expression considering. “Because you have no choice,” he finally said. “Just as I have no choice. There is no way for you to escape Trollus, Cécile, and if you were caught in the attempt…” His eyes closed, black lashes resting against his cheeks. “My father’s anger is a formidable thing, and I do not wish to see you harmed for aggravating him.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
I am Nikolai Wroth.” Why did that name sound so familiar? She squinted up at him. “You are a friend of my aunts?” she said, her voice sounding faint. “With one. And it seems only one.” A short laugh with no humor. “Myst is my wife.” “Myst married?” Was that where she’d been? No, no way. “That’s funny.” “The jest’s on me, I’m afraid.” As they reached the manor, he bellowed, “Annika, call off the goddamn wraiths and let me in.” Emma stared up at the sky, seeing swirling red swaths of ragged cloth circling the house. Occasionally she spied a gaunt, skeletal face, but it would change to beauty if you met its eyes. The price for their protection was hair from each of the Valkyrie within. The wraiths wove each lock into a massive braid, and when it grew long enough, they bent all living Valkyrie to their will for a time. “Myst hasn’t returned yet,” someone called from the house. “But you know that, or else you’d both be naked and fornicating on the front lawn.” “The night’s young. Give us time.” To himself, he murmured, “And it was a field a mile away.” “Don’t you have an appointment to go to, vampire?” Emma stiffened. Vampire? But his eyes weren’t red. “Did you follow me?” “No, I was awaiting Myst’s return from shopping and sensed you trace into the woods.” A vampire waiting for Myst? He’d said she was his wife. She sucked in a breath. “You’re the general, aren’t you,” she whispered. “The one Myst had to be pried from.” She thought the corners of his lips quirked. “Is that what you heard?” At her solemn nod, he said, “It was mutual, I assure you.” He glanced away down the drive, as if willing Myst to return, and said almost to himself, “How much lingerie can one female need . . . ?” Suddenly Annika was shrieking, running for her, vowing to kill him ever so slowly. Amazingly, his body was still relaxed. “If you do not cease trying to take off my head, Annika, we will have words.” “What have you done to her?” she cried. “Obviously, I clawed her, bloodied her, and burned her, and now, oddly, I offer her up to you.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
Rhysand opened his mouth, but then the silhouettes of two tall, powerful bodies appeared on the other side of the front door's fogged glass. One of them banged on it with a fist. 'Hurry up, you lazy ass,' a deep male voice drawled from the antechamber beyond. Exhaustion drugged me so heavily that I didn't particularly care that there were wings peeking over thier two shadowy forms. Rhys didn't so much as blink toward the door. 'Two things, Feyre darling.' The pounding continued, followed by the second male murmuring to his companion, 'If you're going to pick a fight with him, do it after breakfast.' That voice- like shadows given form, dark and smooth and... cold. 'I wasn't the one who hauled me out of bed just now to fly down here,' the first one said. Then added, 'Busybody.' I could have sworn a smile tugged on Rhys's lips as he went on, 'One, no one- no one- but Mor and I are able to winnow directly inside this house. it is warded, shielded, and then warded some more. Only those I wish- and you wish- may enter. You are safe here; and safe anywhere in this city, for that matter. Velaris's walls are well protected and have not been breached in five thousand years. No one with ill intent enters this city unless I allow it. So go where you wish, do what you wish, and see who you wish. Those two in the antechamber,' he added, eyes sparkling, 'might not be on that list of people you should bother knowing, if they keep banging on the door like children.' Another pound, emphasised by the first male voice saying, 'You know we can hear you, prick.' 'Secondly,' Rhys went on, 'in regard to the two bastards at my door, it's up to you whether you want to meet them now, or head upstairs like a wise person, take a nap since you're still looking a little peaky, and then change into city-appropriate clothing while I beat the hell out of one of them for talking to his High Lord like that.' There was such light in his eyes. It made him look... younger, somehow. More mortal. So at odds with the icy rage I'd seen earlier when I'd awoken... Awoken on that couch, and then decided I wasn't returning home. Decided that, perhaps, the Spring Court might not be my home.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Jesus… is this about him? Hastings?” “No, this is about you.” She points at me. “You and your innocent act… and your money, and your things. The words you say—the jokes, the laughs, the smiles you give her that she eats right up, and ugh, your face.” “My face?” “Your stupid fucking face,” she says, running her hands through her hair as she groans, those words startling me. Kennedy doesn’t curse. “Your face is everywhere. I’m sick of it!” “You’re sick of my face.” “Yes!” “There’s not much I can do about that.” “You can get out of my head,” she says. “Stop being there all the time!” I laugh at that, because it’s so damn absurd, but that’s the wrong thing to do. Her eyes narrow as she stares me down, looking like she wants to hit me right now. “I hate you,” she says, her voice shaking. “I’ve never hated someone as much as I hate you, Jonathan.” Those words, they wake me right up. I’m no longer laughing. There’s nothing funny about it. I got under her skin, and with the two of us already on shaky ground, I know that’s dangerous. She turns to leave, like she’s going to walk away, but I grab her arm to stop her. “Come on, don’t be like that…” “Don’t touch me,” she says, ripping from my grasp. I let go as I stand up, stepping toward her. “Just… wait a minute… talk to me.” “There’s nothing left to say.” “I’ll be goddamned.” I grab her arm again before she can walk out. “You can’t tell me you hate me and then leave. That’s bullshit. You bust up in here while I’m asleep to yell at me…” “You deserve it!” “Maybe so, but still…” “Still nothing,” she says, turning to me again, getting right in my face. “I hate you. That’s it. There’s nothing else to say. I hate everything about you. Your voice, your face… I hate it. Why aren’t you going away?” “Because I can’t,” I tell her, “and I’m pretty sure you don’t really want me to.” She scoffs. “You’re upset,” I say, “but you’re lying to yourself if you think you want me gone.” “I do.” “You don’t.” “Leave.” “No.” “Go away.” “I’m not.” As soon as that last word leaves my lips, she’s on me, slamming into me, her lips pressing against mine. She’s kissing me, and I’m so fucking stunned that it takes me a moment to react, a moment to consider kissing her back. She moans and wraps her arms around my neck, clinging to me damn near aggressively as she kicks the door closed.
J.M. Darhower (Ghosted)
She walked slowly towards him, taking in how he looked so eerily still. “Okay you,” she said, her voice choked. “We have to have a talk. I know you’re a Dardano, but a wedding reception in the ICU? Not so classy.” She lowered her head, her attempt at levity falling flat under the weight of her heartbreak. She blinked back her tears and cupped his face. “You listen to me, okay? You are not leaving me. You’re not allowed. You’re going to fight, understand? Alessandro, I will not bury another husband. Do you hear me? I refuse to grieve for you. That is not even an option because you are my life.” She kissed his forehead, the beeping of the heart monitor and the respirators the only sounds in the room. “Funny huh? I spent so much time pushing you away and here I am begging you to stay. Not just for me, but for our boys. Will’s already lost one father, don’t you leave him too. And Gianni…don’t you dare leave him nothing but stories about some man in a picture frame.” Bree took his hand, rubbing his ring finger. “Please, Alessandro. Fight. I won’t survive without you. I won’t.” She kissed his palm. “We’ve fought too hard for you to just give up when we’re finally going to be happy. Dammit Alessandro, you owe me! You owe me a life, a happy life together. So don’t you dare die on me. Don’t you leave me to deal with that son of a bitch father of yours by myself.” She covered her mouth with her free hand to stifle her sobs. She leaned down and kissed his still mouth. “I love you…I love you so much…” Her tears fell on his face as she rested her forehead against his.
E. Jamie (The Betrayal (Blood Vows, #2))
That’s exactly a summary of what it does. To get more jargony: it does impulse control, emotional regulation, long-term planning, gratification postponements, executive function. It’s the part of the brain that attempts to tell you, “You know, this seems like a good idea right now, but trust me, you’ll regret it. Don’t do it.” It’s the most recently evolved part of our brains. Our frontal cortex is proportionately bigger and more complex than that of any other primate. And, most interesting, it’s the last part of the brain to get fully wired up. The frontal cortex is not fully online until people are, on average, about a quarter century old. It’s boggling, but it also tells you a lot about why adolescents act in adolescent ways; it’s because the frontal cortex isn’t very powerful yet. And that has an interesting implication, which is that if the frontal cortex is the last part of the brain to fully mature, by definition it’s the part least constrained by genes and most shaped by experience. So the frontal cortex is your moral barometer, if that’s the right metaphor. It’s the Calvinist voice whispering in your head. So, for example, the frontal cortex plays a central role if you’re tempted to lie about something; and if you manage to avoid that temptation, your frontal cortex had something to do with it. But at the same time, if you do decide to lie, your frontal cortex helps you to do so: “Okay, control my voice, don’t make eye contact, don’t let my face do something funny.” That’s a frontal task too. This is a very human, very complicated part of our brains.
Robert M. Sapolsky
You're a killer, Keeley.You'd tease a man to death." He didn't mean it as a compliment, but to her it was a revelation. "I've never tried it before. Now one's ever attracted me enough.You do,and I dont even know why." When she dropped her hand,he took her wrist. It surprised him to feel the gallop of her pulse there, when her eyes, her voice had been so cool, so steady. "Then you're a quick learner." "I'd like to think so.If I come to you, you'd be the first." "The first what?" Temper wanted to stir, especially when she laughed. THen his mind cleared and the meaning flashed through like a thunderbolt. His hand tightened on her wrist, then dropped it as though she had turned to fire. "That scared you enough to shut you up," she observed. "I'm surprised anything could render you speechless." "I've..." But he couldn't think. "No,don't fumble around for words. You'll spoil your image." She couldn't think just why his dazed expression struck her as so funny,or why the shock in his eyes was endearing somehow. "We'll just say that,under these circumstances, we both have a lot to consider.And now,I'm way behind in my work, and have to get ready for my afternoon class." She walked away,as easily, as casually, Brian thought numbly, as she might have if they'd just finished discussing the proper treatment for windgalls. She left him reeling. he'd gone and fallen in love with the gentry,and the gentry was his boss's daughter. And his boss's daughter was innocent. He'd have to be mad to lay a hand on her after this. He began to wish Betty had just kicked him in the head and gotten it all over with.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
With my gaze on anything but Cade, I moved around the room but when Scout spotted me he trotted over. I knelt down and rubbed his ears. The silky fur between my fingers stirred memories. Scout’s tongue flicked under my chin. I leaned my head back and smiled. “He kissed you,” a little boy said. “That means he likes you.” “You think so?” I scrubbed my hands over Scout’s neck. “Yeah. Right, Cade? Dog kisses mean they like you.” I kept my eyes on Scout to avoid looking at Cade. “Yep, means he likes her.” He sat a few feet away and his words wrapped around me, his voice comforting. Scout lifted his paw and placed it on my knee. “What’s that mean, Cade?” The little boy pointed to my leg. “Hmm, maybe he doesn’t want her to leave.” I peeked over, and Cade met my gaze. “He likes her too much.” I looked away. “Maybe he loves her,” the little boy said in a singsong voice. Without missing a beat Cade said, “Maybe he does.” The little boy broke into a fit of belly laughs, and Cade scooted closer. He poked him playfully in the side. “Hey, what’s funny about that?” “He’s a dog. She’s a girl.” “That’s true,” Cade whispered. “But a pretty one, so can you really blame him?” The little boy giggled more. “That’s silly.” Scout nudged me with his wet nose and I cupped his face. “It’s okay, boy, the feeling is mutual.” Scout swiped his long tongue across my mouth. I grimaced and wiped my lips. “Not that mutual.” Cade lowered his voice and leaned slightly toward me. “And now he’s just rubbing it in.” The little boy laughed as he ran away, yelling something to his mom about the dog being in love with me.
Renita Pizzitola (Just a Little Flirt (Crush, #2))
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
On the third day, I asked if she would like to climb Ben Loyal with me--with anyone else who fancied coming along. None of the guys wanted to join me and I ended up with a group of four girls, including Shara. We spent two hours crossing the marshy moon grass to reach the foot of the mountain before starting up the steep slope toward the summit ridge. It was fairly sheer, but essentially we were still going the “easy” way. Within two hundred feet, half of the girls were looking pretty beat. I figured that having slogged across the marsh for so long, we should definitely do some of the climb. After all, that was the fun bit. They all agreed and we continued up steadily. Before the slope eases at the top, though, there is a section where the heather becomes quite exposed. It is only a short, few hundred feet, and I wrongly figured the girls would enjoy a safe, steep scramble that didn’t require any ropes. Plus the views were amazing out to sea. But things didn’t quite go to plan. The first panicked whimper seemed to set off a cacophony of cheeps, as, one by one, the girls began to voice their fears. It is funny how quickly everyone can go from being totally fine to totally not-fine, very fast, once one person starts to panic. Then the tears started. Nightmare. I ended up literally having to shadow the three girls who were worst struck by this fear, one by one down the slope. I had to stand behind them, hands on top of their hands, and help them move one step at a time, planting their feet exactly where I did, to shield them from the drop. The point of this story is that the only girl who was supercool through the whole mission was Shara, who steadily plodded up, and then just as steadily plodded down beside me, as I tried to help the others. Now I was really smitten. A cool head under pressure is truly irresistible to me, and if I hadn’t been totally besotted before, then our mountain experience together tipped the balance. I had a sneaking feeling that I had met the girl of my dreams.
Bear Grylls (Mud, Sweat and Tears)
He fakes a smile and then turns to unlock the door. I follow him inside; he stops me at the kitchen island. “I found it right here.” He points to the countertop. “You found what right where?” I ask, feeling my face scrunch up in bewilderment. “The crossword puzzle from today.” He pulls it out of his pocket. “I found it here when I was making breakfast this morning.” “Wait, you didn’t get it in the mail?” “I’m sorry; I thought I mentioned that.” “No,” I say, holding back from whacking him in the head. “I think I would’ve remembered if someone had broken into your apartment. “I’m sorry,” he repeats, and then lets out a stress-filled sigh. “So, someone broke in here last night while you were asleep?” “I’m not sure. I was thinking that, too, but then . . . what if I just didn’t see it last night when I got home?” “Are you sure you didn’t set your mail down here, maybe even for a second, and then leave this piece behind?” “What difference does it makes?” “It makes a huge difference.” My voice gets louder. “The difference between someone breaking in or not.” I peer around the kitchen and living room, trying to see if anything looks off. “I don’t know.” He reaches for a box of cereal. “I mean, I’m pretty sure I would’ve noticed getting another puzzle in the mail, especially since we’ve been talking so much about this stuff.” “Who has a key to your apartment?” “No one that I know of.” “None of your friends? Did you leave a spare under the doormat, maybe?” “No, and no.” “Then what?” I ask, completely frustrated. “Look,” he says, running his fingers through his shaggy brown hair. “I don’t have all the answers. That’s why it’s a puzzle.” “This isn’t funny,” I tell him. “Someone’s sending you threatening notes, writing twisted messages on your door, and possibly breaking into your apartment. Worrying isn’t an option. It’s an order.” “So what do you order me to do?” “Call the police.” “And tell them what? That someone’s sending me crossword puzzles? That I got an angry message on my door, but I didn’t even feel the need to save it? They’ll give me a Breathalyzer test and ask me what I’ve been drinking.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
Then call me Pierce because we're friends." He bent in close in the turn, eyes gleaming as they dropped to her lips. "Intimate friends, if I get my wish." This time there was no mistaking his meaning. But he was so practiced and smooth that she couldn't help herself-she laughed. When that made him frown, she tried to suppress her amusement, but that only made her laugh harder. "What's so funny?" he muttered. "I'm sorry," she said, swallowing her amusement. "It's just that I've heard my brothers make such insinuations to women in that tone of voice for years, but I've never been on the receiving end." Pierce's smile would rival that of Casanova. "I don't know why not," he said in a lazy drawl. His gaze raked her appreciatively as they swirled about the room. "Tonight, in that purple gown, you look particularly fetching. The color suits you." "Thank you." Minerva had been trying to get her to stop wearing browns and oranges for years, but Celia had always pooh-poohed her sister's opinions. It was only after Virginia had said exactly the same thing last month that she'd begun to think she should listen. And to order new gowns accordingly. "You're a lovely woman with the figure of a Venus and a mouth that could make a man-" "You can stop now." Her amusement vanished. She'd be flattered if he meant a single word, but clearly this was just a game to him. "I don't need the full rogue treatment, I assure you." Interest sparked in his eyes. "Hasn't it occurred to you that I might be sincere?" "Only if you're sincerely trying to seduce me." He cast her a blatantly carnal glance as he held her tighter. "Well, of course I'm trying to seduce you. What else would I be doing?" She pitched her voice over the music. "I'm a respectable woman, you know." "What has that got to do with anything?" She arched an eyebrow at him as they moved in consort. "Even a respectable woman might be tempted into, say, slipping out with a gentleman for a walk in the moonlit courtyard. And if said gentleman should happen to steal a kiss or two-" "Lord Devonmont!" "Fine." He smiled ruefully. "Bu you can't blame me for trying. You do look ravishing this evening." "There you go again," she said, exasperated. "Can you never talk to a woman as if she's a normal person?" "How dull that would be." When she frowned, he shook his head. "Very well. What scintillating topics of conversation did you have in mind?
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
What did you say was chasing you?” Liz sighed in frustration. Apparently the Kindred weren’t big into stuffed animals. “It was this little fuzzy blue thing that came at me when I was in the kitchen—what you called the food-prep area,” she clarified, seeing his confusion. “At first I thought it was cute and tried to pet it. But then it opened its mouth and it had these long, sharp—Omigod! There it is!” She pointed behind Baird where the bright blue teddy bear had suddenly appeared. “Where?” He turned at once, putting himself between her and the perceived threat. Liv couldn’t help noticing he moved with incredible speed for such a large man. She waited breathlessly for the murderous teddy bear to attack but nothing happened. Then, to her dismay, Baird began to laugh. It was a deep, rumbling noise that came from the bottom of his chest and it might have been nice to hear if it wasn’t so obviously directed at her. “What?” Liv glared at him. “Would you mind telling me what’s so damn funny?” “I’m sorry, Olivia. It’s just…I can’t believe you were scared of Bebo.” Baird laughed again. “Bebo? What the hell is a Bebo?” Liv demanded, still keeping her distance from the bright blue teddy bear which was eyeing her mistrustfully. “Bebo’s his name. He’s a zicther—an animal native to my home world, Rageron.” “Rageron?” Liv frowned, wondering why the name of his home planet evoked strange images in her head. Baird nodded. “It’s a jungle planet with a helluva lot more scary animals than Bebo here.” He crouched down to scratch the little animal under its chin. Its large eyes closed and it made a sort of grunting purr as it submitted to his caress. “A jungle planet,” Liv murmured. “Only instead of green, most of the vegetation is blue.” “That’s right.” Baird looked up from where he was crouched on the floor, a startled expression on his chiseled features. “How did you know that?” “I saw it in a dream.” Liv blushed and looked down. “One of the dreams we shared I think. I saw you…never mind.” She shook her head. “Anyway, that accounts for his bright blue fur. I still don’t understand why he tried to attack me though.” “He tried to attack you?” Though he was clearly trying to keep the skepticism from his voice, Baird wasn’t succeeding too well. “Well, he bared his teeth at me!” Liv said, irritated. Of course now that its master was home the little animal was acting like butter wouldn’t melt in its alien mouth. Its alien mouth filled with shark teeth, she reminded herself. “That’s just a greeting stance. He probably did it because he was meeting you for the first time.” Baird rose and dusted blue feathery fur off his large hands. “I’m sorry if he scared you. He’s not dangerous though, just curious.” “Curious
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
I hate like hell to go, especially with things still so up in the air between us.” Liv was watching him from the bed. “Nothing’s up in the air. You’re determined to keep me and I’m determined to go.” His face darkened. “You’re not so damn determined when I have you in the bathing pool.” Liv felt a heated blush creep into her cheeks but she refused to back down. “Be that as it may, what I say or do in the, uh, in the heat of passion doesn’t change how I feel.” A look that was almost despair crossed over his chiseled features. “Damn it, Olivia, can’t you admit to yourself that you feel for me what I feel for you? Can’t you just try to imagine having a life here with me on the ship?” “I could…if I didn’t already have a life waiting for me back on Earth.” She sighed. “Look, let’s not fight about this right now. You have to go, fine. I’ll manage okay on my own here.” To be honest she was looking forward to a reprieve from the constant lust she felt while being cooped up with him in close quarters. He frowned. “I shouldn’t be leavin’ you alone during our claiming period. If I hadn’t had a direct order from my CO—” “It’s okay, really. I’ll find something to keep me occupied. I’ll try the translator and read one of your books. And I can work the wave well enough to make my own lunch without burning a finger off now.” “All right, fine.” He looked slightly mollified. “But whatever you do, stay in the suite. Don’t leave for any reason.” “Yes, sir!” She gave him a mocking salute. “To hear is to obey, oh my lord and master.” “Lilenta…” He sighed. “This is for your safety. I’m not trying to order you around for the hell of it.” “No, you just want to make my decisions for me. Stay here, don’t go there. Live the rest of your life on the ship instead of ever seeing your loved ones on Earth again. Why should this be any different?” Liv knew an edge of bitterness had crept into her voice but she couldn’t seem to help it. Baird scowled. “In time you’ll see that this is best. The only way I can protect you is to keep you close to me.” “Funny how much being protected feels like being owned.” “I thought you didn’t want to fight.” “You started it.” Liv knew it sounded childish but she didn’t care. He ran a hand through his hair. “Damn it, Olivia…” Then he shook his head, as though sensing the futility of any argument. He pointed a finger at her instead. “I’m going but I’ll be back tonight in time for the start of our tasting week.” “You…I’m surprised you want to…to do anything at all.” Liv worked hard to keep the tremble out of her voice but didn’t quite succeed. He raised an eyebrow. “You mean with you trying to pick a fight at every opportunity and generally resisting me every step of the way? I have news for you, Lilenta, none of that affects the way I feel for you—the way I need you—one bit.” He walked over to the bed where she was sitting on the edge and pulled her to her feet. “I still want you more than any other woman I’ve ever seen. Still need to be inside you, bonding you to me, making you mine,” he growled softly, pulling her close. “Baird, stop it!” She wanted to beat against his broad chest in protest but she somehow found herself melting against him instead. “Don’t you want to give me a kiss goodbye?” There was a flicker of bitter amusement in his golden eyes. “No, I guess you don’t. Too bad.” Leaning down, he took her lips in a rough yet tender kiss that took Liv’s breath away.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
He didn’t say anything until we approached my trailer. “Truth be told, I was hoping for a goodnight kiss, you know, after the park and everything.” I ignored him and increased my pace again. After a few more steps, I had a small brainstorm and sallied around with a smug expression. “Sorry, it’s not cold enough to kiss you.” He looked puzzled. “Okay, you’ve lost me. What does the cold have to do with you kissing me?” “Simple, the river Phlegethon will have to freeze over before I’ll ever kiss you again.” Dr. Bore would be proud of my mythology reference. Seth just threw his head back and laughed. “I’m glad you think that’s funny.” He gently, but firmly, took my chin in his hand. “Methinks the lady doth protest too much.” He did not just misquote Shakespeare to me! “I watched you taste my kiss back at the park, Maggie. You enjoyed it as much as I did. You know it and I know it.” His voice rumbled soft, low, and yummy. I yanked my head free and walked up the small path to my porch. “Sooner or later, Maggie, our lips will meet again. Personally, I’m voting for sooner.” I wheeled around, almost losing my balance. “Why do guys like you think every girl wants to make out with them? I don’t get it.” The playful grin had vanished from his face. “I didn’t ask you to make out, Maggie. Goodnight.” A twist of guilt clutched at my belly as he walked away.
Sherry Gammon (Unlovable (Port Fare, #1))
She grabbed a brush and stroked Blue’s neck. He nudged her with his big head wanting more. Caught up rubbing down Blue, she didn’t hear Jack come in behind her. He put his hands on her shoulders and gave her a squeeze. Jenna jumped and almost lost her footing. Ever protective, Jack steadied her by wrapping his arms around her and drawing her back to his chest. His voice came out low and husky at her ear. “It’s me. Leave my horse alone and come to bed with me.” She leaned into him, savored his warmth and strength wrapped around her. “You scared me. I’m all wound up about tomorrow. I thought a little exercise would help me sleep.” Blue shifted and nudged Jack’s shoulder. “I think your horse is jealous.” Jenna gave Jack a sweet smile over her shoulder. “Yeah, well he can join the club. So far, Sam and Ben fit into that category, too. They both think I don’t deserve you. I’m sure they’re plotting to steal you away from me.” “No way,” she said, astonished and embarrassed. She turned in his arms and placed her hands on his chest. “Sam’s convinced he can get you to leave with him. He doesn’t even mind the babies are mine, because, well, technically we have the same DNA, so no one can prove they aren’t his.” “Good lord. Is this what you guys talk about while you’re watching ball games and drinking beer?” “Nah, mostly he and Ben talk about how they’ll get rid of me and hide my body.” “Stop it. That’s not funny. Besides, that’d be hard to do these days with all the guards. Three are watching us right now.” “Not us, you. They’re plotting how they can get rid of me and still keep an eye on you at the same time.” “All right, that’s enough. Take me to bed and claim me as yours.” “I’ve already done that, it doesn’t seem to convince anyone. They still want you for their own.” -Jack & Jenna
Jennifer Ryan (Saved by the Rancher (The Hunted, #1))
I’d heard a few stories from his friends already, and they were buzzing around in my head. Curly said that when Jep was trying to use his phone, he said, “Jessica,” one of the few things he said that made any sense. Another story, that would have been funny in almost any other context, was that at one point Jep looked up and said, in a clear voice, “I have to get money from Willie.” Another friend told me that back at the lodge, while they were waiting for the ambulance, Jep kept wanting to walk outside and head for the woods. I shuddered in fear at that story--the deer camp was in the middle of 55,000 acres of woods. If Jep had been alone and wandered off into the woods by himself, he might’ve been lost forever. When that thought came, I put my hand lightly on his arm. He was quiet, for the moment, still strapped securely to the gurney. We might’ve lost you, I thought. We’ve been through so much together. I can’t lose you now.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
I cover my mouth. It’s not funny. It’s really not. But a laugh bubbles through. He looks so discouraged. He balls his hands into a fist. “I’m sorry,” I say, when his eyes narrow at me. “You think this is funny,” he says, and he steps toward me, forcing me to take a step back. My back touches the wall, and his hands land on each side of my head, boxing me in. “You find it amusing, do you?” But his voice has gentled, and he nuzzles his lips against my neck. “Well, the look on your face was pretty priceless,” I say. He finally grins. “The look that said I needed to get the fuck out of there?” He kisses me softly and tenderly, and I realize he has a smudge of lipstick on his cheek. I wipe it away with my thumb. “Did she kiss you?” I ask. “It was more like I had to play ‘Dodge the Kisses,’” he says. “She was determined to get lipstick on me.” I wipe at a smudge that’s on his neck. This should make me angry. They’d hoped to make me angry at Logan. But I’m really just sad. It hurts me that they would try such a thing on such a good man. “I’m sorry,” I say as I place my head on his chest again. He takes a deep breath, and I can feel the tension drain from him.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
As soon as he leaves, I make the executive decision that given the circumstances, there will be no school or work today. First I call O’Callaghan and give him some bullshit excuse, but I need something legitimate for school in case I need to stretch it out for a while. I call the attendance office and lower my voice two octaves, thickening my New England accent to play Dad. I go with the first thing that pops in my head. I tell the woman that my son, Hank, is very ill. It could be flu, but there’s a possibility it could be encephalitis. The woman sounds shocked and concerned, so I know I’ve picked a good excuse. When I hang up, Peyton starts cracking up. “What? What’s so funny?” “Encephalitis is brain inflammation.” “Shit, I overdid it. I meant bronchitis. All I know is, there’s no way I can deal with school today.
Robin Reul (My Kind of Crazy)
We’ll meet you at Ringrose’s Inn tomorrow for a late breakfast. Say, around ten A.M.?” Tristan barked a laugh. “What?” Jane asked. “Is that too late?” Now Dom laughed, too, and Tristan laughed even harder. “What’s so funny?” Jane snapped. “It’s not about you,” Lisette said dryly. “They’re laughing at me. My brothers think me incapable of rising early. Or getting off in a timely fashion.” “That’s because, dear girl, we have yet to see you rise before eleven or leave by noon for a trip,” Dom teased. Tristan grinned at Jane. “Better schedule that meeting in York for a bit later, Freckles.” Freckles. Tristan had dubbed her with the nickname during Dom’s courtship of her, and that reminder of her past with Dom and his family roused an ache in her chest. She avoided Dom’s gaze. “How about midafternoon then?” “Nonsense.” Lisette rolled her eyes. “I can rise early, no matter what my idiot brothers think. We’ll be there midmorning for breakfast if I have to dunk my head in ice water to accomplish it. Max wanted to get an early start, anyway.” Dom chuckled. “Max always wants to get an early start. But he’d have to have a different wife in order to manage that.” The two men nudged each other with smug looks. “Yes, he would,” Lisette said in a voice of pure sweetness, “one he wasn’t quite so enamored of. But since sampling my particular charms always takes him so very long in the morning, I admit that we do end up lying abed late more times than not.” Jane knew she ought to be shocked by such frankness, but she was having too much fun watching the men’s mouths fall open, and a red flush creep up their faces. Lisette flashed them a coy look. “But I shall endeavor to prevent my husband from enjoying his usual pleasures tomorrow morning. That should resolve the matter.” She threaded her arm through Jane’s. “Now come, my dear, let’s join the others for dinner. I’d love a glass of wine, wouldn’t you?” The two women had barely made it out into the hall before they burst into laughter. “That’ll teach…them,” Lisette gasped. “Did you see…Tristan’s face?” “And Dom’s,” Jane choked out. “Oh, Lord, you are so wicked!” “Why, of course.” Lisette’s eyes sparkled with mischief. “What’s the point of being a duchess if you can’t shock people from time to time?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
you are my somebody, Reigh. Don’t you understand that? You’re the one person in the world that makes me feel whole. You’re the quiet voice in my head, the fire in my soul that makes me want to be brave, and the funny thought that makes me smile.
Nicole Conway (Harbinger (Dragonrider Legacy, #2))
Bet you never thought I’d save your skin.” “What?” “Just makin’ small talk. Got to distract myself from the pain, y’know? Life has a funny way of workin’ out, don’t it? Take your friend, for example. The sword-lady.” “Tanith?” “First time we met, we were tryin’ to kill each other, remember that? But every time subsequent to that there’s been a kind of a frisson between us.” “A what?” “Frisson. It’s French for … To be honest I don’t really know what it’s French for, but I know what it means in American. A sort of electrical undercurrent of emotion.” “I know what frisson means, but I really don’t think Tanith would share your view.” “You’re a kid. You don’t know the ways of menfolk and womenkind. All those threats she fires my way? That there is the mark of flirtation.” “Oh, dear God,” Valkyrie said, the colour draining from her face. “You fancy Tanith.” “I don’t fancy her, I—” “You have a crush on Tanith. That is disgusting.” “What? Why would it be disgustin’?” “Because you’re a hired killer.” “That don’t make it disgustin’, just makes it … unusual. Does she talk about me? “Somebody shoot me.” “What does she say? I’m a formidable foe, right? Does she say anythin’ in a kind of a more … wistful voice?” “I don’t want to talk about this.” “Does she ever say, ‘If only he were good …’?” “Stop your talking. Stop it right now. Stop it. She has a boyfriend.” His face fell. “Someone I know?” he asked morosely. “He may have punched you a few times, yes.” “She’s not … She’s not datin’ the skeleton, is she? How would that be even possible, let alone … nice? He’s got no skin, or lips, or … or nothin’. And he talks. Good God, he talks and he never shuts up.” “It’s not Skulduggery.” “Well then, who else could it …? It’s not the ugly fella, is it? It couldn’t be the ugly fella.” “Don’t call him ugly.” “It is him! But he’s all scars! I mean, I know I ain’t got no eyes, but once you get past that, you got my face. And my face is all right. Better’n his. His is a mess, like he was dropped head first into a blender as a kid. Seriously? She’s with him?” “Seriously, and you’re not going to break them up. Not because you won’t try, but because you won’t be able to. Look, are you ready yet? Can we move now?” “I’m ready,” he snapped. “But this conversation stays between us, understand? My romancin’ ain’t gonna work if she knows it’s comin’.” “Believe me, I never want to speak to anyone about this ever again.
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
The tea was brought. Mumbling her thanks, she took the cup in her hands, not bothering with the saucer. She drank it all without tasting it. “What are you using to dress the wound?” West asked, looking over the collection of bottles on the table. “Glycerin and disinfecting drops, and a layer of oiled muslin.” “And you’re keeping him packed with ice.” “Yes, and trying to make him take a sip of water at least once every hour. But he won’t . . .” Garrett paused as a swoosh went through her head. She closed her eyes—a mistake—the entire room seemed to tilt. “What is it?” she heard West ask. His voice seemed to come from very far away. “Dizzy,” she mumbled. “Need more tea, or . . .” Her lashes fluttered upward, and she had to fight to keep her eyes open. West was in front of her, easing the china cup from her lax fingers before it could drop. His assessing gaze ran over her, and it was then that she realized what he’d done. “What was in my tea?” she asked in a panic, trying to rise from her chair. “What did you put in it?” The room revolved. She felt his arms close around her. “Nothing but a pinch of valerian,” West said calmly. “Which wouldn’t have had nearly this much of an effect if you weren’t ready to drop from exhaustion.” “I’m going to kill you,” she cried. “Yes, but to do that you’ll have to have a nice little rest first, won’t you?” Garrett tried to strike him with her fist, but he ducked easily beneath her flailing arm, and picked her up as her knees buckled. “Let go! I have to take care of him—he needs me—” “I can manage the basics of nursing him while you sleep.” “No, you can’t,” Garrett said weakly, and was horrified to hear a sob breaking from her throat. “Your patients all have four legs. H-he only has two.” “Which means he’ll be half the trouble,” West said reasonably. Garrett writhed with helpless rage. Ethan was on his deathbed, and this man was making light of the situation. He contained her struggles with maddening ease. As West carried her along the hallway, Garrett desperately tried to stop crying. Her eyes were on fire. Her head throbbed and ached, and it had become so heavy that she had to rest it on his shoulder. “There, now,” she heard him murmur. “It’s only for a few hours. When you awaken, you’ll have any revenge you want.” “Going to dissect you,” she sobbed, “into a million pieces—” “Yes,” West soothed, “just think about which instrument you’ll start with. Perhaps that two-sided scalpel with the funny handle.” He brought her into a pretty bedroom with flowered paper on the walls. “Martha,” he called. “Both of you. Come see to Dr. Gibson.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Morning,” he said, headed for the coffeepot. When he got back to the table and sat, he was met by her glare. “What?” he asked, perplexed. “I cannot believe you did that,” she said. “Did what?” he asked. “My best friend. You know she’s been through a hard time.” He looked around a little frantically. “Vanni, what? Where’s Nikki?” “Gone,” she said flatly. “Gone?” he asked, rising out of his chair. “Gone?” “Yes,” she affirmed. “What were you thinking?” He gave a huff of unhappy laughter. “I was thinking I’d just found the woman of my dreams,” he said. “She left?” “In tears,” Vanni said, her mouth set in a grim line. “Tears? Vanni, I did not make her cry!” “Didn’t you have sex with her all night long in that little fifth wheel?” she asked, anger in her tone. Hoo-boy. You don’t talk about that, especially when it’s meaningful. “Vanni, I swear to you, I didn’t do anything to hurt her.” “Didn’t you find her on the deck, crying, and kiss her and seduce her and take her to that little trailer?” “Well… Yeah… I did that part….” And he was thinking, was there a felony in there somewhere? Because all through the night the only thing he had tried to do was show her how much she could be loved. And it was wonderful; she was wonderful. Spontaneous and aroused and ultimately quite satisfied. And happy. He’d heard her sigh, he’d heard her laugh. There was absolutely no crying. “Didn’t it occur to you that after her heart had been broken, that was probably not a great idea?” He got a little angry himself. He leaned his hands on the table, got a little bit in her face and said, “No. I thought it was a terrific idea, and so did she. I wanted to be good to her and I was. I treated her with absolute respect, and she consented one hundred percent. Now, give me her number. I need to talk to her as soon as possible.” “She said absolutely no.” “What? No, I have to get in touch with her. Vanni, this isn’t funny.” “No, it’s not. I just don’t know what went through your mind.” “Wait a minute here, I didn’t talk her into anything! I was a perfect gentleman, I swear to God!” “Don’t you know anything about women?” she asked him. “Apparently not!” he answered hotly. “She’s just spent five years with a guy who wouldn’t come through. What do you suppose she thinks you’re going to do after one night?” “She could give me a frickin’ chance!” Vanni’s mouth was set in a firm line. “She said absolutely no.” “Oh, for God’s sake. Vanni, this is cruel and unusual. Listen, I have feelings for her. Really.” “After one night?” she asked, a definite superior tone to her voice. “Before the night,” he said. “Will you ask her to call me? Please?” “You knew her for what? Ten minutes?” “Shit,” he said. “Okay, it was fast. Okay? I admit it. But by the time we’d spent a night together it seemed…” It seemed as if he’d been with her for years! Jesus, his voice was quivering. He was losing his mind. He should be saying, fine—if that’s the way she wants it, fine. But in his head, his heart, his gut, he was feeling desperate. Driven. He was not letting this woman get away. His
Robyn Carr (Second Chance Pass)
You look like you were on the wrong side of a gang fight, he signs, and then he points to my eye. I shrug. That’s what happens when you grab a girl the wrong way. Take note: Some of them can kick your ass. I thought the other kids were lying, he says. Then he laughs. She really hit you? He looks toward Reagan and grins. That’s what you get for putting the moves on my girl. Don’t say I didn’t warn you. He points a finger at me in warning. “Why aren’t you swimming?” I ask, using my voice. He points to the piece of plastic. Kind of hard to breathe when it’s full of water. “You can’t swim with that thing? Really?” His face falls. I should have left it alone. “Then what are you doing here?” I ask. “You could be riding horses or doing something fun.” He looks toward Reagan. And miss seeing her legs? Absolutely not. I’ll stay right here. I chuckle and shake my head. The boy’s funny. I’ll give him that. I pull a chair up close to him and sit down. “Just so you know,” I say. “I’ve called dibs on that one. So you can stop dreaming.” Dude, she punched you in the face. He laughs. I pat my chest. “I can be charming when I want to.” When will that start? He grins.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
The door suddenly opens, and Sky sticks her head out. She bumps into my chest, and I steady her by grabbing her elbows. I try to wipe the grin off my face, but it’s almost impossible. “Did you need something else?” I ask over a laugh. “You’re still here,” she says against my chest. The heat of her breath does funny things to my insides. And the rest of me. “I wanted to ask you something,” she says, her voice all breathy. She leans a shoulder in the doorway and looks up at me, her eyes so blue and clear that I could fall into them and stay there. She bites her lower lip between her teeth and then says in one big rush, “You mentioned when we were walking into the restaurant that you didn’t take my hand just because it was trembling. I was wondering…um…why else you might do that.” I reach up and tug the length of leather that was holding my hair back and let it fall around my face. Then I make a big production of tying it back up, but I really just want to buy myself some time to figure out how to answer her. I grin. “I did mention that wasn’t the only reason, didn’t I?” I ask, still stalling. She nods, still worrying that lower lip. Her cheeks are rosy, and her eyes are bright. I don’t know the right way to respond, so instead I bend down and kiss her cheek. I linger, letting her breath blow across my shoulder as I take in the scent of her. It’s clean and girly, with a hint of citrus, and so damn breathtaking that I can barely stop sniffing her. I take one last inhale and whisper, “I did it because I like you.” She shivers lightly, and I see the hair on her arms stand up. I force myself to walk away. It takes everything I have in me not to turn around and look at her again. But I don’t. I keep walking.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Before our faces could touch I was yanked back and thrown over Chase’s shoulder as he yelled for the beer pong game to start. “CHASE! Put me down!” I couldn’t even enjoy the fact that his hands were touching my bare thighs. He’d just stopped what could have been my first kiss, and his shoulder was really uncomfortable against my stomach. “No way! The Princess needs her throne!” I started beating my fists on his back, which just made him laugh harder and smack my butt. Ugh, this was the worst position to be in, I couldn’t even get a good pressure point to hit. “If you don’t put me down I will make good on my previous threat!” He laughed for another few seconds before remembering the night in his bed, immediately his laughter stopped and I was set down. But of course, I couldn’t have the last word. Gripping my arm firmly, he pulled me towards the front door before bringing me close to his body so he could whisper roughly in my ear. “I don’t want you with him.” He growled and his grip tightened. Gah, even that sent shivers of pleasure through me. “What is your deal with him? Is there something he did that you’d like to share?” “He’s not good enough for you.” I shook my head and failed at yanking my arm free, it was starting to get painful. “How do you know what is and isn’t good for me? You don’t even know me!” I hissed. Warm hands were on my shoulders then, and though he dropped my arm, Chase looked more pissed off than he had before. I knew he’d been gripping me tight, but my arm was now throbbing where his hand had just been. “I thought I told you to back off man?” Chase’s voice got louder, I swear I could practically see his feathers ruffle. I could tell Brandon was standing in an intimidating stance, but he seemed perfectly at ease making soothing trails up and down my arms. “I don’t really think that’s up to you.” Chase looked at me softly, his voice still harsh, “You hurt her, I swear to God I’ll break your neck.” With that, he pushed past us and went back toward the kitchen. That was a little much. “Ridiculous.” I blew out a breath I hadn’t realized I was holding and turned to look at Brandon. “Before you ask, I have absolutely no idea.” He laughed and wrapped his arms around me, pulling me close to his chest. “And you’re sure nothing’s going on between you?” “Positive. He probably just views me as his sister, so he’s a little protective.” “Hah! I’m pretty sure he doesn’t see you like he sees Bree.” “What do you mean?” I didn’t think it was possible, but somehow his voice got even lower and all I wanted to do was close my eyes and listen to him talk. “You’re gorgeous, funny and just all around amazing. And what makes it worse is that you don’t even see it. All the guys had been talking about you before I even got here, and after today, I see why.” “No they weren’t Brandon.” I rolled my eyes. He raised his eyebrow and smirked, “I wouldn’t lie to you. Harper, trust me when I say he doesn’t want to be your brother, but I’m not about to let him try to be anything else.” His
Molly McAdams (Taking Chances (Taking Chances, #1))
You don’t think she’s too fatigued? She’s not too pale?” A sparkle of mischief lighted Nathaniel’s eyes and a chuckle escaped his throat. “She’s fine.” “What’s so funny?” “Nothing.” Thomas lowered his voice as he leaned toward Nathaniel. “Why did she ask me to leave? I’ve seen her wound a hundred times. Doesn’t she know that?” This time, Nathaniel burst into a full-blown guffaw. “Oh, Thomas, my boy, you are in deep, aren’t you?” Jerking back, Thomas stiffened. “What are you talking about?” “You care for her. Don’t try to deny it.” “You didn’t answer my question.” Thomas tilted his head toward the ceiling and let out a heavy sigh. He refused to give credence to such an inane suggestion. Nathaniel continued his aggravating behavior. “What question?” “Why would she ask me to leave? It’s not as if she’s ever been indecent. Kitty and I have always made sure to keep her properly covered.” Nathaniel stood, laughing again. Thomas wanted to kick him, literally, out of the house. “I can’t honestly say.” Nathaniel pulled his ankle over his knee as he nestled back into the patterned chair. “My assumption is, now that she’s more aware of what’s going on, it’s probably embarrassing for her.” “Embarrassing?” Thomas protested. “Then why isn’t she embarrassed to have you looking at her?” Nathaniel cocked his head and lifted one eyebrow. “Need I explain? I’m a doctor. It’s different. She only sees me occasionally and she knows this is my trade. But you, you’re here all the time. And knowing that you will be so close in such an intimate way—” “Nathaniel.” Thomas spoke through his teeth to keep from shouting. “There’s nothing intimate about it.” He cooled his growing fury with several cleansing breaths. “It can seem intimate, if you care about someone.” Shaking his head, Thomas grit his teeth and stared into the crackling flames. Nathaniel’s chair creaked and suddenly Thomas felt his friend’s hand on his shoulder. “You may not have feelings for her, but I believe she might have feelings for you.” Thomas’s jaw gaped open and he flicked his gaze at Nathaniel. “See, did I not tell you?” Nathaniel laughed, but without his usual teasing. “You can’t hide anything from me. I know you’re falling in love with her.” What?
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Blue Eyes…” He trailed his lips down one of her braids until he found the sweet curve of her neck. “Make a picture for me, yes? So I can see what you fear.” “What good will that do?” “Fear is a strong enemy. I would stand beside you.” She sighed. “Hunter, you are what I fear.” Releasing her shoulders, he slipped his arms around her, placing his palms beneath her breasts. He smiled at the way she gripped his wrists to make sure his hands didn’t wander. “I strike fear into you because I am a man?” “It isn’t funny.” “I do not laugh. It is a sad thing, yes, that your husband is a man. A very terrible thing.” She rewarded him with a tremulous laugh, looking at him over her shoulder. “It isn’t that you’re a man, exactly. It’s what will happen between us because you’re a man.” “Many good things.” He felt her tense. “Little one, you will trust, eh? I make no lies. What is between us will be very good.” “I try to believe that, really I do. And then I remember.” “Make a picture of the remembering, eh?” “I can’t.” Hunter tightened his hold on her. “It is a memory of your mother?” “Yes,” she admitted. “My mother and what--the Comanches did to her. The memories hit me, and I feel so frightened. I start wondering what it’ll be like, you know, between you and me. And then I start wondering when it’ll happen. And the first thing I know, it’s bedtime. And I’m terrified tonight will be the night. I can feel you watching me. And I’m afraid you’ll get angry if I sleep by Amy.” “And I have blown like the wind, yes? Angry because you sleep away from me?” “No. But I know you have every right.” “So you wait for my anger, and it does not come.” He turned her in his arms and raised her chin so he could look into her eyes. “And the fear grows, until it is big like a buffalo?” “Yes,” she admitted in a quavery little voice. Hunter sighed and pressed his cheek against the top of her head. “Ah, little one, I am sure enough a stupid man. We must make talk, yes? It was my wish to make your fear small, not big. To become your good friend, not your enemy.
Catherine Anderson (Comanche Moon (Comanche, #1))
Are you happy, darling?” “Very.” I sighed. “It’s funny, I never would have thought I could be happy with a vampire.” “We are an irritating bunch,” Corbin agreed with a hint of laughter in his deep voice. “Still, I hope over the next few centuries you can learn to put up with me.” “Centuries…” I sighed and shook my head. “It’s too much to take in right now.” “Then don’t try. Simply sleep,” he urged. “Sleep in my arms as I wanted you to the first night I brought you here.
Evangeline Anderson (Crimson Debt (Born to Darkness, #1))
I absorbed its deathly visage, trying and failing to match it with the voice in my head. The revenant had devoured the populations of entire cities; it was also the entity who ordered me to eat my pottage. ‘I’ll have you know that I’m very good-looking by undead standards,’ the revenant remarked, after I had stared for a long time without speaking. I frowned in annoyance.
Margaret Rogerson (Vespertine)
I had an auto-repair man once, who, on these intelligence tests, could not possibly have scored more than 80, by my estimate. I always took it for granted that I was far more intelligent than he was. Yet, when anything went wrong with my car I hastened to him with it, watched him anxiously as he explored its vitals, and listened to his pronouncements as though they were divine oracles - and he always fixed my car.Well, then, suppose my auto-repair man devised questions for an intelligence test. Or suppose a carpenter did, or a farmer, or, indeed, almost anyone but an academician. By every one of those tests, I’d prove myself a moron, and I’d be a moron, too. In a world where I could not use my academic training and my verbal talents but had to do something intricate or hard, working with my hands, I would do poorly. My intelligence, then, is not absolute but is a function of the society I live in and of the fact that a small subsection of that society has managed to foist itself on the rest as an arbiter of such matters.Consider my auto-repair man, again. He had a habit of telling me jokes whenever he saw me. One time he raised his head from under the automobile hood to say: “Doc, a deaf-and-mute guy went into a hardware store to ask for some nails. He put two fingers together on the counter and made hammering motions with the other hand. The clerk brought him a hammer. He shook his head and pointed to the two fingers he was hammering. The clerk brought him nails. He picked out the sizes he wanted, and left. Well, doc, the next guy who came in was a blind man. He wanted scissors. How do you suppose he asked for them?”Indulgently, I lifted my right hand and made scissoring motions with my first two fingers. Whereupon my auto-repair man laughed raucously and said, “Why, you dumb jerk, He used his voice and asked for them.” Then he said smugly, “I’ve been trying that on all my customers today.”“Did you catch many?” I asked.“Quite a few,” he said, “but I knew for sure I’d catch you.”“Why is that?” I asked.“Because you’re so goddamned educated, doc, I knew you couldn’t be very smart.
Isaac Asimov (It's Been a Good Life)
His blue eyes smear into mine. 'You know, the sad thing is, I really liked you.' He gestures to my clothes. 'Even with all this, I could tell you were the same smart, funny girl I met in the café. That's who I wanted to get to know.' I step forward. Eli knew, and he liked me. Not Alicia. 'I didn't thing you'd like me,' I say, my voice quiet. 'The real me.' He shakes his head again. 'Now we'll never know.
Cynthia Omololu
Dave… I love you, you know that, don’t you?” said Spidroth, her voice weak. Then her eyes went wide with confusion. “Who… Who are you?” she asked him. “What’s going on?” Dave took the bottle of honey from Spidroth and poured it into her mouth himself. Just like Carl, she was too weak and confused to resist. Once she’d drunk all the honey, the confusion disappeared from her face. “Dave,” she said. “Thank you. I didn’t say anything weird, did I? My head still feels funny.” “No, you didn’t,
Dave Villager (Dave the Villager 37: An Unofficial Minecraft Series (The Legend of Dave the Villager))
Oh, you haven’t seen my car yet,” he chuckled to himself, “It’s the Juke,” “The what?” “The Juke.” “Colour?” His smile seeped through his voice, “Blue. You’re looking for the only blue car out here,” “Great! See you shortly!” Ending the call, Sydney pushed down her embarrassment as she headed for her door. She didn’t know cars — there was nothing about them that interested her. If you spoke about it enough, she would presume a Nissan Micra was a high-end sports car.
Stephi Durand (Look Up)
Everyone says there’s a voice in your head that serves as your conscience. Well, I’ve had lots of time to think about this, and I have my own psychological theory: Everybody has a tiny person in their head. Stay with me. Don’t laugh. This “Tiny Person” talks to itself, which would explain the voices we hear, but it makes its own decisions. People are merely drones controlled by them.
Taylor Hughes (Not a Bestseller)
I heard its voice in my head. It told me to look.' Lucien rolled his shoulders. 'Well, thank the Cauldron that you didn't. Cleaning up that mess would have ruined the rest of my day.' He gave me a wan smile. I didn't return it.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
After all we shared? You throw a dagger at my face?' 'All we shared? It was a handful of minutes and a few kisses,' I said, and the truth of that struck me with startling clarity. That was all we'd shared. Gods, I was so... sheltered. Because in my limited experience, it had become... so much more to me. The wake-up call that it was only a few kisses was utterly brutal. 'It was more than a few kisses.' His voice dropped low. 'If you've forgotten, I'm more than willing to remind you.' Tiny coils of tension formed in my stomach. Part of me wanted to be reminded of what I surely had not forgotten. Thank the gods, the smarter, logical part of me won out. 'There was nothing worth remembering.' 'Now you insult me after throwing a dagger at my face? You've wounded my tender feelings.' 'Tender feelings?' I snorted. 'Don't be overdramatic.' 'Hard not to be when you threw a dagger at my head and then cut my neck,' he shot back, his grip on me surprisingly gentle compared to the hardness of his tone. 'I knew you'd move out of the way.' 'Did you? Is that why you tried to slice open my throat?' His golden eyes burned from beneath heavy, thick lashes. 'I nicked your skin,' I corrected. 'Because you had a hold of me and wouldn't let go. Obviously, you haven't learnt anything from it.' 'I've actually learned a lot, Princess. That's why your hands and your dagger aren't getting anywhere near my neck.' His thumb slid over the inside of my wrist as a reminder, and my fingers spasmed around the handle of my weapon. 'But if you let go of the dagger, there's a whole lot of me I'll let your hands get close to.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
I think I got famous because my persona is familiar to people. I’m everybody’s funny gay cousin. But even more, I think people gravitate toward me because I remind them of the unfiltered voice that lives in everybody’s head. I hope this book confirms that I’m just a real-ass bitch.
Bretman Rock (You're That Bitch: & Other Cute Lessons About Being Unapologetically Yourself)
The four guys were just staring at me—or Rome—their mouths a little unhinged. “Did she say that she set a building on fire?” Yael rasped. “And knocked someone out and stuffed them into a cupboard?” Aros, this time. “And set a bunch of panteras free.” Coen was scratching his head. “That’s my girl.” Siret was the only one who seemed pleased by my overload of information. “Rome is messing with us.” Yael was shaking his head. “This is too fucked-up.” “I’m not.” I tried to sound as convincing as possible, but Yael only shook his head and stepped closer to Rome, his fists clenched. “Cut this shit out right now,” he seethed, “or I’ll hit you so hard she’ll have to start calling you Crushed.” “That’s not very nice—” I started to say, but apparently Yael wasn’t in the mood for pacifications. He pulled his arm back and slammed it into the side of Rome’s face. I couldn’t feel the actual blow, but my vision swam to the side, and then suddenly I was staring at the sky—I hadn’t paid much attention to where we were, but the sky was bluer than blue, the clouds all happy and perfect. They were still in Topia. “You hit me!” I yelled at the sky, and it was almost humorous to hear Rome’s deep voice so full of feminine outrage. “Oh.” Yael sounded genuinely shocked. “It really is her. Rome just dropped like a bag of rocks.” “He’s still not moving,” Coen noted, his head appearing in my field of vision. “You okay in there, dweller-baby?” “He hit me!” I repeated. “I think she’s fine.” Yael’s head appeared beside Coen’s. “Rome’s head is too damn thick for any of the pain to reach her—right, Willa-toy?” “You still hit me!” This time, it was a growl, and Siret’s head popped up beside Yael’s. “You should get revenge,” he suggested helpfully. “You have so many muscles right now. You’re the God of Strength right now. The possibilities are endless.” “No they aren’t,” I said, “Rome is going to wake up soon. I don’t always black out for long. But you have a point.” I struggled to get back to my feet, but controlling Rome wasn’t so easy. His limbs were bigger than expected, and I accidently knocked over a low wooden table, up-ending a bowl of fruit and sending apples and oranges scattering over the marble floor. When I was finally standing, I focussed on Yael, and tried to swing a punch at him. Unfortunately, I miscalculated the distance to his face, and Rome’s fist connected with the pillar just to the right of Yael’s head. I watched in fascination as the stone cracked beneath Rome’s fist, caving in around his hand. I was so fascinated that I didn’t even realise I was stuck until I tried to pull his fist back again and it wouldn’t budge. “Well … this is awkward.” Yael was smirking, turned to the side so that he could see the fist I had embedded into the pillar.
Jane Washington (Seduction (Curse of the Gods, #3))
He held the ribbon that tied her bodice. "You like to read about vampires but your mother thinks its unhealthy. Do you really want so desperately to become aligned with the night?" She frantically shook her head. "I can show you a more ancient evil," he promised in a soothing voice. He tugged on the ribbon, untying the bow. "One that has existed since the beginning of time." "Right." She tried to force the word out with a sarcastic tone, but failed. "Not many people know about the Atrox and its Followers, but you will," he assured her. "You're not being funny anymore," she answered with more whimper than anger. He let his finger trace up her body to her chin and lifted her face until she was forced to look in his eyes. "I was never trying to be. I was only trying to explain what I am." She looked quickly behind her as if searching for a way to escape. He paused for a moment, hoping she would run. When she didn't, he continued, "I can dissolve into shadow. Stay that way for days if I want. It's one of my powers." "Stop teasing me," she whined. "You're scaring me now." He leaned closer. "I can also enter your mind and take you into mine. Do you want me to show you?" "No," she pleaded. It wasn't the strange light in the graveyard that gave her face such an unnatural pallor now. The true beauty of fear shimmered in her eyes. "Let me show you." He seeped into her mind and brought her back into his. He could feel her struggle and then stop. He let her feel what he was, the emptiness and evil.
Lynne Ewing (The Sacrifice (Daughters of the Moon, #5))
Señor d’Anconia,” declared the woman with the earrings, “I don’t agree with you!” “If you can refute a single sentence I uttered, madame, I shall hear it gratefully.” “Oh, I can’t answer you. I don’t have any answers, my mind doesn’t work that way, but I don’t feel that you’re right, so I know that you’re wrong.” “How do you know it?” “I feel it. I don’t go by my head, but by my heart. You might be good at logic, but you’re heartless.” “Madame, when we’ll see men dying of starvation around us, your heart won’t be of any earthly use to save them. And I’m heartless enough to say that when you’ll scream, ‘but I didn’t know it!’—you will not be forgiven.” The woman turned away, a shudder running through the flesh of her cheeks and through the angry tremor of her voice: “Well, it’s certainly a funny way to talk at a party!
Ayn Rand (Atlas Shrugged)
Who are you?” he begs, his voice shaky. 
“Your worst nightmare,” I say before I burst out laughing. “Jesus! That sounded like a cringy line from a bad action movie. It sounded better in my head.
Dolores Lane (Writing with Blood (The Blood Duet Book 2))
I should be here with you,' Kieran stepped closer to Casteel. 'My duty is to defend your life with mine. That is what I'm bonded to do, the oath I took. How can I do that running away from the battle?' His voice lowered. 'Don't do this, Cas.' ... 'You took an oath to protect me, and you will,' Casteel said. 'You're not running away from the battle. You will be keeping safe what is most important to me, and that is Poppy.' I jolted. 'Wait. What?' 'You will leave with them. It will be hard,' he said, still holding Kieran's gaze. 'There will be no breaks, and you will need to listen to everything Kieran tells you, especially when it's night in the mountains, but-' 'I'm not leaving,' I cut him off. 'You can't be here,' Casteel replied. 'Not when they come. This is not up for discussion.' I shot to my feet. 'Let me make one thing clear. I don't know if you realise this or not, Casteel, but I'm not duty-bound to obey a single thing you say.' Casteel stiffened. 'And maybe you should actually look at me when you try to order me to do things,' I tacked on. He turned to me, his head cocked. 'I'm looking at you now.' 'But are you listening?' 'Oh, man,' Delano murmured under his breath as the rest of the room went dead silent. 'Someone is getting stabbed again.' Someone, I think it was Jasper, snorted. 'Oh, I'm listening,' Casteel replied. 'Maybe you should try that. Along with this thing called common sense.' 'Definitely getting stabbed,' Kieran confirmed.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
The voice comes braying in as soon as we open our eyes in the morning, and then heckles us all day long with an air horn. It’s a fever swamp of urges, desires, and judgments. It’s fixated on the past and the future, to the detriment of the here and now. It’s what has us reaching into the fridge when we’re not hungry, losing our temper when we know it’s not really in our best interest, and pruning our inboxes when we’re ostensibly engaged in conversation with other human beings. Our inner chatter isn’t all bad, of course. Sometimes it’s creative, generous, or funny. But if we don’t pay close attention—which very few of us are taught how to do—it can be a malevolent puppeteer.
Dan Harris (10% Happier: How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Actually Works--A True Story)
State wants the alleged techniques, presumably.” “I’ve been wondering about that,” Norman said. “I wonder if we do want them.” “How do you mean?” “It’s a bit difficult to explain … Look, have you been following television at all since you came home?” “Occasionally, but since the Yatakang news broke I’ve been much too busy to catch more than an occasional news bulletin.” “So have I, but—well, I guess I’m more familiar with the way trends get started here nowadays, so I can extrapolate from the couple or three programmes I have had time for.” Norman’s gaze moved over Elihu’s head to the far corner of the room. “Engrelay Satelserv blankets most of Africa, doesn’t it?” “The whole continent, I’d say. There are English-speaking people in every country on Earth nowadays, except possibly for China.” “So you’re acquainted with Mr. and Mrs. Everywhere?” “Yes, of course—these two who always appear in station identification slots, doing exotic and romantic things.” “Did you have a personalised set at any time, with your own identity matted into the Everywhere image?” “Lord, no! It costs—what? About five thousand bucks, isn’t it?” “About that. I haven’t got one either; the basic fee is for couple service, and being a bachelor I’ve never bothered. I just have the standard brownnose identity on my set.” He hesitated. “And—to be absolutely frank—a Scandahoovian one for the shiggy half of the pair. But I’ve watched friends’ sets plenty of times where they had the full service, and I tell you it’s eerie. There’s something absolutely unique and indescribable about seeing your own face and hearing your own voice, matted into the basic signal. There you are wearing clothes you’ve never owned, doing things you’ve never done in places you’ve never been, and it has the immediacy of real life because nowadays television is the real world. You catch? We’re aware of the scale of the planet, so we don’t accept that our own circumscribed horizons constitute reality. Much more real is what’s relayed to us by the TV.” “I can well understand that,” Elihu nodded. “And of course I’ve seen this on other people’s sets too. Also I agree entirely about what we regard as real. But I thought we were talking about the Yatakangi claim?” “I still am,” Norman said. “Do you have a homimage attachment on your set? No, obviously not. I do. This does the same thing except with your environment; when they—let’s see … Ah yes! When they put up something like the splitscreen cuts they use to introduce SCANALYZER, one of the cuts is always what they call the ‘digging’ cut, and shows Mr. and Mrs. Everywhere sitting in your home wearing your faces watching the same programme you’re about to watch. You know this one?” “I don’t think they have this service in Africa yet,” Elihu said. “I know the bit you mean, but it always shows a sort of idealised dream-home full of luxy gadgetry.” “That used to be what they did here,” Norman said. “Only nowadays practically every American home is full of luxy gadgetry. You know Chad’s definition of the New Poor? People who are too far behind with time-payments on next year’s model to make the down-payment on the one for the year after?” Elihu chuckled, then grew grave. “That’s too nearly literal to be funny,” he said. “Prophet’s beard, it certainly is! I found time to look over some of Chad’s books after Guinevere’s party, and … Well, having met him I was inclined to think he was a conceited blowhard, but now I think he’s entitled to every scrap of vanity he likes to put on.
John Brunner (Stand on Zanzibar)
Rhys laughed, finally sauntering toward the other end of the hall, which ended in a veranda open to the stars. 'I'm willing to accept your thanks at any time, you know,' he called to me without looking back. Red exploded in my vision, and I couldn't breathe fast enough, couldn't think above the roar in my head. One heartbeat, I was staring at him- the next, I had my shoe in a hand. I hurled it at him with all my strength. All my considerable, immortal strength. I barely saw my silk slipper as it flew through the air, fast as a shooting star, so fast that even a High Lord couldn't detect it as it neared- And slammed into his head. Rhys whirled, a hand rising to the back of his head, his eyes wide. I already had the other shoe in my hand. Rhys's lip pulled back from his teeth. 'I dare you.' Temper- he had to be in some mood today to let his temper show this much. Good. That made two of us. I flung my other shoe right at his head, as swift and hard as the first one. His hand snatched up, grabbing the shoe mere inches from his face. Rhys hissed and lowered the shoe, his eyes meeting mine as the silk dissolved to glittering black dust in his fist. His fingers unfurled, the last of the sparkling ashes blowing into oblivion, and he surveyed my hand, my body, my face. 'Interesting,' he murmured, and continued on his way. I debated tackling him and pummelling that face with my firsts, but I wasn't stupid. I was in his home, on top of a mountain in the middle of absolutely nowhere, it seemed. No one would be coming to rescue me- no one was even here to witness my screaming. So I turned toward the doorway he'd indicated, heading for the dim stairwell beyond. I'd nearly reached it, not daring to breathe too loudly, when a bright, amused female voice said behind me- far away, from wherever Rhys had gone to at the opposite end of the hall, 'So, that went well.' Rhys's answering snarl sent my footsteps hurrying away.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Stay, I begged. Stay. Light glowed beyond my shut eyelids. Stay. And in that silence... I began to tell him. About that first night I'd seen him. When I'd heard that voice beckoning me to the hills. When I couldn't resist its summons, and now... now I wondered if I had heard him calling for me on Calanmai. If it had been his voice that brought me there that night. I told him how I had fallen in love with him- every glance and passed note and croak of laughter he coaxed from me. I told him of everything we'd done, and what it had meant to me, and all that I still wanted to do. All the life still left before us. And in return... a thud sounded. I opened my eyes. Another thud. And this his chest rose, lifting my head with it. I couldn't move, couldn't breathe- A hand brushed my back. Then Rhys groaned. 'If we're all here, either things went very, very wrong or very right.' Cassian's broken laugh cracked out of him. I couldn't lift my head, couldn't do anything but hold him, savouring every heartbeat and breath and the rumble of his voice as Rhys rasped, 'You lot will be pleased to know... My power remains my own. No thieving here.' 'You do know how to make an entrance,' Helion drawled. 'Or should I say exit?' 'You're horrible,' Viviane snapped. 'That's not even remotely funny-' I didn't hear what else they said. Rhys sat up, lifting me off him. He brushed away the hair clinging to my damp cheeks. 'Stay with the High Lord,' he murmured. I hadn't believed it- until I looked into that face. Those star-flecked eyes. Hadn't let myself believe it wasn't anything but some delusion- 'It's real,' he said, kissing my brow.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I know my alphabet,' I said sharply as he laid a piece of paper in front of me. 'I'm not that stupid.' I twisted my fingers in my lap, then pinned my restless hands under my thighs. 'I didn't say you were stupid,' he said. 'I'm just trying to determine where we should begin.' I leaned back in the cushioned seat. 'Since you've refused to tell me a thing about how much you know.' My face warmed. 'Can't you hire a tutor?' He lifted a brow. 'Is it that hard for you to even try in front of me?' 'You're a High Lord- don't you have better things to do?' 'Of course. But none as enjoyable as seeing you squirm.' 'You're a real bastard, you know that?' Rhys huffed a laugh. 'I've been called worse. In fact, I think you've called me worse.' He tapped the paper in front of him. 'Read that.' A blur of letters. My throat tightened. 'I can't.' 'Try.' The sentence had been written in elegant, concise print. His writing, no doubt. I tried to open my mouth, but my spine locked. 'What exactly, is your stake in all this? You said you'd tell me if I worked with you.' 'I didn't specify when I'd tell you.' I peeled back from him as my lip curled. He shrugged. 'Maybe I resent the idea of you letting those sycophants and war-mongering fools in the Spring Court make you feel inadequate. Maybe I indeed enjoy seeing you squirm. Or maybe-' 'I get it.' He snorted. 'Try to read it, Feyre.' Prick. I snatched the paper to me, nearly ripping it in half in the process. I looked at the first word, sounding it out in my head. 'Y-you...' The next I figured out with a combination of my silent pronunciation and logic. 'Look...' 'Good,' he murmured. 'I didn't ask for your approval.' Rhys chuckled. 'Ab... absolutely.' It took me longer than I wanted to admit to figure that out. The next word was even worse. 'De... Del...' I deigned to glance at him, brows raised. 'Delicious,' he purred. My brows knotted. I read the next two words, then whipped my face toward him. 'You look absolutely delicious today, Feyre?! That's what you wrote?' He leaned back in his seat. As our eyes met, sharp claws caressed my mind and his voice whispered inside my head. It's true, isn't it? I jolted back, my chair groaning. 'Stop that!' But those claws now dug in- and my entire body, my heart, my lungs, my blood yielded to his grip, utterly at his command as he said, The fashion of the Night Court suits you.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Paul,” I say quietly. “What?” he whispers back. “Are you going to break my heart?” I look into his eyes because I think I might find the truth there, if there is such a thing. “No,” he says. His voice is strong and clear. I hear a voice through the crack in the door say, “Ask him if he promises!” “What the fuck?” Paul says, tossing his head back. He opens the door, and Pete and Sam fall into the room. They land on top of one another. “Don’t you have better things to do?” Paul asks, staring down at the two of them in a heap. They look at one another. “Not really.” They start to lumber to their feet, and Paul walks out of the room. Sam wraps his arm around my shoulders. “Ask him if he promises,” he says. “What does that even mean?” “When Mom died, we asked Paul if it would all be all right and he promised it would. It was,” Sam says. Pete goes on to say, “And when Dad left, we asked again if it was going to be all right, if we’d make it by ourselves. And we did…because Paul promised we could.” Fuck. My gut clenches. “I wouldn’t want him to waste a promise on me.” I try to laugh it off, but they don’t think it’s funny. “Sometimes, all you need is a promise so you can keep going,” Sam says. “If you need a promise, ask for it. He’ll say yes or no.” “I don’t need a promise.” “Yes, you do.” Sam stares at me.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
How funny do you think it feels not to be able to play the piano when it’s all I’ve done of worth in the past twenty-some years? I did not excel at school, and I can’t point to an illustrious career like my brother, the former cavalry officer. I haven’t Westhaven’s head for business. I wasn’t a jolly good time like Bart or a charmer like Vic. But, by God, I could play the piano.” “And you can build stone walls and referee between Day and Phil and keep an eye on Nick Haddonfield when he hares all over the Home Counties,” Darius retorted. “Do you think one activity defines you?” “I’m like a whore, Darius, in that, yes, the one activity, in my case playing the piano, defines me.” Val heard weariness in his own voice. “When Dev was driven mad by nightmares, I played for him so he couldn’t hear the battles anymore. When his little Winnie was scared witless by all the changes in her life, I played for her and taught her a few things to play for herself. When Victor was so sick, I’d play for him, and he’d stop coughing for a little while. It’s how I let people know they matter to me, Darius, and now…” Darius got up and crossed the room, then lowered himself to sit beside Val in the shifting candlelight. “Now all this playing for others has left you one-handed, angry, and beating yourself up.” Not beating himself up, precisely, but feeling beaten up. “The piano is the way I have a soul, Dare. It’s always there for me, always able to say the things I can’t, always worth somebody’s notice, even if they don’t know they notice. It has never let me down, never ridiculed me before others, never taken a sudden notion not to know who I am or what I want. As mistresses go, the piano has been loyal, predictable, and lovely.” “You
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
I draw in a long breath, and then it catches in my throat as his hand closes over mine, still wrapped around his waist. “Siamo arrivati,” he says gently. I have to get off first, I realize. And I’m embarrassed that it takes me a while to unwind my arms. Luca starts to turn and I realize with horror that my skirt is practically up around my waist: this galvanizes me and I jump off so fast I nearly fall over, dragging down my skirt so he can’t see my thighs. I’m wobbling, shaken up by the ride, and I hear him huff a little laugh of amusement as he swings his leg over to sit on the seat facing me, unbuckling his helmet. “You like to ride on a Vespa?” I take my helmet off and hand it back to him. “Well, it’s bumpy,” I say. I can’t really see his face, it’s so dark out here. There are a couple of lights on the villa walls, one over the main door, but that’s higher up; the parking lot is around the side, barely illuminated. He stands up, towering over me, and puts the helmets down on the seat. “And loud,” he says. “You know what ‘vespa’ means?” I shake my head, my mouth suddenly dry, because he’s taken a step toward me, and his legs are so long that one step means he’s already standing in front of me, close enough to touch. “It means ‘wasp,’” he says softly. “Because it makes a sound like a wasp. How do you say that?” “Buzzing,” I manage. “It buzzes.” “Buzzes,” Luca says, and his accent makes the word sound so funny that I can’t help laughing. “You laugh at me?” he asks, and though he’s put on a serious voice, as if he’s annoyed, somehow I know he isn’t. “Girls never laugh at me. You are the only one.” “Well, maybe they should,” I say without thinking. “No,” he says firmly. “Only you can laugh at me.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
You know what ‘vespa’ means?” I shake my head, my mouth suddenly dry, because he’s taken a step toward me, and his legs are so long that one step means he’s already standing in front of me, close enough to touch. “It means ‘wasp,’” he says softly. “Because it makes a sound like a wasp. How do you say that?” “Buzzing,” I manage. “It buzzes.” “Buzzes,” Luca says, and his accent makes the word sound so funny that I can’t help laughing. “You laugh at me?” he asks, and though he’s put on a serious voice, as if he’s annoyed, somehow I know he isn’t. “Girls never laugh at me. You are the only one.” “Well, maybe they should,” I say without thinking. “No,” he says firmly. “Only you can laugh at me.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
Are you writing in your diary?” Even through the whisper I can tell he’s laughing. “No.” I feel in the dark for my backpack and cram the journal inside. “Please. Just admit you were drawing hearts around someone’s name.” “I didn’t even do that in junior high,” I say, my high-pitched whisper threatening to break into full voice. “Like I believe that.” He whisper-laughs again. A mattress spring creaks and I can hear movement near the head of his bed. A second later I can just make out Darren’s outline as he folds a pillow in half and lies on his side, facing me. I grab my own pillow and mirror him. Nina’s snoring deepens and Tate rolls over. I hold my head perfectly still and sense Darren do the same. It feels like we’re about to get caught breaking some kind of rule, lying on our beds the wrong direction. We’re quiet for so long, I’m sure Darren’s fallen back to sleep. I let my eyes close and start counting my toes again. “I keep a journal too.” His whisper seems much closer than I expected. In the soft light from above, I can see the glisten of his eyes looking right at me. I swallow and my throat makes an embarrassingly loud gurgling noise. “Is it full of hearts?” I manage to ask. The corner of his mouth pulls up. “That’s pretty much all I put in there. Hearts and flowers and more hearts.” My bed shakes from the chuckle I’m containing. “Hey, as long as it’s not poetry.” “What’s wrong with poetry?” “Nothing.” I bite my lip, worried I offended him. “You write poems?” “Sure. I’ve won awards for it.” “Oh. Wow. That’s…cool,” I manage, reluctant to admit that poetry’s one of those things I don’t understand. At all. And people who do “get” it enough to write their own make me nervous with their intellectual prowess. “Kiddiiiiing,” he draws out in a gravelly breath. “Make up your mind,” I tease, secretly hoping he really is kidding. “Do you or don’t you?” Eyes completely adjusted now, I can see him raise his hand and cross his fingers. “Don’t. Scout’s honor.” “Funny,” I say, snatching his hand and yanking it down. “Did you already forget how to promise?” I worm my pinkie around his and squeeze. He squeezes back and lowers our joined hands to the bed. My heartbeat is strong in my ears. Do I pull away first? Do I wait for him to? What if he doesn’t? What if we fall asleep like this?
Kristin Rae (Wish You Were Italian (If Only . . . #2))
See--she forced laughter into her thoughts--I took care of the problem all by my little feminine self. Amazing, isn’t it? From the other side of a grove of trees, out of her sight, Jacob suddenly screamed in terror, the sound fading to a thin wail. The roar of an enraged bear mingled with Jacob’s second scream. Something heavy crashed through the underbrush in the opposite direction of Raven. She felt Mikhail’s laughter, low, amused, very male. Very funny, Mikhail. Jacob was broadcasting fear, but not pain. You have a questionable sense of humor. I need sleep. Quit getting into trouble, woman. If you wouldn’t stay up all night, you might not need to sleep the day away, she reprimanded. How do you get work done? A computer. He said it with a note of pride in his voice. A computer? So you are one of the lucky few. Yes. It takes up the entire desk but is quite handy. Now for certain she knew he was bragging. She found herself laughing at the thought of him with a computer. He didn’t seem to belong in an era with cars or computers. He seemed more like the villagers with their carts and horses, yet he knew more of the modern world than she did. Go back to sleep, you big baby. I can handle things just fine, thank you very much, without any great big he-man to protect me. I would much prefer that you return to the safety of the inn until I rise. There was the merest hint of command in his voice. He was trying to soften his manner with her, and she found herself smiling at his efforts. It isn’t going to happen, so learn to live with it. American women are very difficult. She continued on her way up the mountain, his laughter still playing softly in her head.
Christine Feehan (Dark Prince (Dark, #1))
So when I’m listening to someone tell their story, I’m also asking myself, What characters does this person have in his head? Is this a confident voice or a tired voice, a regretful voice or an anticipating voice? For some reason, I like novels where the narrator has an elegiac voice. In F. Scott Fitzgerald’s The Great Gatsby, Robert Penn Warren’s All the King’s Men, and Ford Madox Ford’s The Good Soldier, the narrators have a world-weary tone. It’s like they’re looking back on glorious past events when dreams were fresh and the world seemed new and the disappointments of life had not yet settled in. That voice sounds to me like writing done in the minor key, and I find it tremendously moving. But I guess I wouldn’t like to be around people with that voice in real life. In real life I’d prefer to be around my friend Kate Bowler’s voice. As I mentioned, Kate got cancer a few years ago, when she was a young mother, and her voice is filled with vulnerability and invites vulnerability, but mostly it says: Life can suck, but we’re going to be funny about it. She has a voice that pulls you into friendship and inspires humor; in her voice, laughter is never very far away.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)