Voguish Quotes

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In ways that certain of us are uncomfortable about, SNOOTs’ attitudes about contemporary usage resemble religious/political conservatives’ attitudes about contemporary culture. We combine a missionary zeal and a near-neural faith in our beliefs’ importance with a curmudgeonly hell-in-a-handbasket despair at the way English is routinely manhandled and corrupted by supposedly educated people. The Evil is all around us: boners and clunkers and solecistic howlers and bursts of voguish linguistic methane that make any SNOOT’s cheek twitch and forehead darken. A fellow SNOOT I know likes to say that listening to most people’s English feels like watching somebody use a Stradivarius to pound nails: We are the Few, the Proud, the Appalled at Everyone Else.
David Foster Wallace (Consider the Lobster and Other Essays)
Buttoning up my new damson wool redingote, I put on my other new purchases, a hat trimmed with sable and matching muff and tippet. I had at last found costumes that suited my character: gowns in rich sapphire blues, purples, and emeralds, tight-sleeved and high-waisted. Our neighbor the milliner had taught me a voguish way with broad-brimmed hats, worn at the tilt Van Dyke fashion, with feathers and rosettes.
Martine Bailey (A Taste for Nightshade)
For the next nine months, Sylvia would report on campus trends, politics, tastes, style. It was an honor, but it was grueling. Sylvia was overworked. She had boyfriend problems. She longed for Europe. She broke her leg in a skiing accident. Her best friend, Marcia Brown, had gotten engaged and moved off campus - other girls were away on their junior year abroad. The whole campus seemed mired in some bleak haze- there were suicide attempts, abortions, disappearances, and hasty marriages. Sylvia coped with shopping binges in downtown Northhampton- sheer blouses, French pumps, red cashmere sweaters, white skirts, and tight black pullovers - clothes more suited to voguish amusements than studying. Everyone wanted to be one of Mademoiselle's guest editors, but Sylvia needed it - some shot of glamour to pull her out of the mud.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
A woman plays three roles in her life story, First is as a daughter, sleeping gaily in her father’s arms, She is a glory for her parents, always abiding their instructions, Her mother’s teaching is a grace for her in childhood, And her father’s guidance is her strength. And then the second is as a betrothed, This stage might start with a slight skirmish with her parents, But it doesn’t last long as a holy ceremony is near to come, Then she becomes the love of her lover, She wears voguish dresses; they dance and sing merrily, Both go out in search of nature’s beauty and devour it, She carries her duty towards her lover selflessly, But mere dominance makes her angry, Thus both should remain congruent with mutual affection and understanding, This results her in another stage of life. At long last she commence her third part of life, It is of a mother, full of spirit and value, She gives birth to a child, which is a blessing for her, She up brings them with care and nurture, She wants her child to follow virtues and morality, She becomes sad when they grow up and leave, But her love remains the same, Children might forget their mother, but mother never forgets them, Thus she creates runs and ends the world.
Mahiraj Jadeja (A Lover's Will)