Vodka T Shirt Quotes

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Davy's kiss tasted like vodka and disaster, and even while she kissed him back, Tilda thought, I'm never going into a closet with this man again. He slipped his hand under her T-shirt, and she said, "You know," as his hand slid up to her breast, but the only thing left to say was, I'm not that kind of girl, and of course she was.
Jennifer Crusie (Faking It (Dempseys, #2))
Maybe try the hipster ones.” “You’re so hot, I better date you before you’re cool!” Quincy shouted. “My feelings for you are one hundred percent organic and locally sourced! Are you gluten-free tonight, because I’d like to take you on a date! I’d still care about you even if you went mainstream! Roses are red, your shirt is ironic, your drink of choice is probably a mason jar filled with a vodka tonic!
T.J. Klune (How to Be a Movie Star (How to Be, #2))
I put on my T-shirt that says FUCK BEING A PRINCESS, I WANT TO BE A VAMPIRE, drank my weight in vodka, and made a list of all the different ways I could kill my ex and make it look like an accident.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
there’s nothing scarier to me than a group of men who go to the gym a lot, wear tight shirts, and are out enjoying a “boy’s night” fueled by vodka, Red Bull, and cologne from Walgreens.
Whitney Cummings (I'm Fine...And Other Lies)
unsolicited advice to adolescent girls with crooked teeth and pink hair When your mother hits you, do not strike back. When the boys call asking your cup size, say A, hang up. When he says you gave him blue balls, say you’re welcome. When a girl with thick black curls who smells like bubble gum stops you in a stairwell to ask if you’re a boy, explain that you keep your hair short so she won’t have anything to grab when you head-butt her. Then head-butt her. When a guidance counselor teases you for handed-down jeans, do not turn red. When you have sex for the second time and there is no condom, do not convince yourself that screwing between layers of underwear will soak up the semen. When your geometry teacher posts a banner reading: “Learn math or go home and learn how to be a Momma,” do not take your first feminist stand by leaving the classroom. When the boy you have a crush on is sent to detention, go home. When your mother hits you, do not strike back. When the boy with the blue mohawk swallows your heart and opens his wrists, hide the knives, bleach the bathtub, pour out the vodka. Every time. When the skinhead girls jump you in a bathroom stall, swing, curse, kick, do not turn red. When a boy you think you love delivers the first black eye, use a screw driver, a beer bottle, your two good hands. When your father locks the door, break the window. When a college professor writes you poetry and whispers about your tight little ass, do not take it as a compliment, do not wait, call the Dean, call his wife. When a boy with good manners and a thirst for Budweiser proposes, say no. When your mother hits you, do not strike back. When the boys tell you how good you smell, do not doubt them, do not turn red. When your brother tells you he is gay, pretend you already know. When the girl on the subway curses you because your tee shirt reads: “I fucked your boyfriend,” assure her that it is not true. When your dog pees the rug, kiss her, apologize for being late. When he refuses to stay the night because you live in Jersey City, do not move. When he refuses to stay the night because you live in Harlem, do not move. When he refuses to stay the night because your air conditioner is broken, leave him. When he refuses to keep a toothbrush at your apartment, leave him. When you find the toothbrush you keep at his apartment hidden in the closet, leave him. Do not regret this. Do not turn red. When your mother hits you, do not strike back.
Jeanann Verlee
Maybe real-life Mom didn't vacuum the house flawlessly arrayed in pearls and a pleated shirt like the mother on leave it to beaver. Maybe she flirted with the milkman or waited for the kids to go to bed so she could hammer back a couple of mugs of vodka pretending it was tea. But she was there to greet us when we came home from school in the afternoon. She made us dinner, kept watch on us through the kitchen window, put Band-Aids on our scrapes and bruises. She was Mom and that was no small thing.
Andrew Klavan (The Great Good Thing: A Secular Jew Comes to Faith in Christ)
At night at my desk in the shack I see the reflection of myself in the black window, a rugged faced man in a dirty ragged shirt, need-a-shave, frowny, lipped, eyed, haired, nosed, eared, handed, necked, adamsappled, eyebrowed, a reflection just with all behind it the void of 7000000000000 light years of infinite darkness riddled by arbitrary limited-idea light, and yet there’s a twinkle in me eye and I sing bawdy songs about the moon in the alleys of Dublin, about vodka hoy hoy, and then sad Mexico sundown-over-rocks songs about amor, corazón, and tequila - My desk is littered with papers, beautiful to look at thru half closed eyes the delicate milky litter of papers piled, like some old dream of a picture of papers, like papers piled on a desk in a cartoon, like a realistic scene from an old Russian film, and the oil lamp shadowing some in half -
Jack Kerouac (Desolation Angels)
I need a drink. Now.” After tossing—fine, throwing—my purse and keys on the couch, I march straight into the kitchen. No more delays; it's time to forget tonight. It’s been yet another night like all the other first dates that never meet a second one. When you begin to lose count, that's when it's really time for a drink. Adrian stands there, leaning against the counter in an unbuttoned dress shirt and dark wash jeans. He glances at me as I walk in. “How was your date?” he asks, taking a swig of his scotch. I brush past him on my mission, opening the cupboard and moving a couple bottles around. I reiterate, “I need alcohol.” Out of the corner of my eye, I catch him hiding a smile before he says, “That bad?” My face twitches as I ignore his line of questioning. It is more like a statement he wants me to clarify, even though he already knows the answer. Instead, I ask, “I have vodka left, don't I?” I stand on my tiptoes in hopes of spotting something in the very back. Nothing. He waltzes over and looks with me, his chin almost touching my shoulder. “I think you polished that one off after last week's date.” His voice is low right next to my ear, very nearly causing a shiver.
Lilly Avalon (Here All Along)
In the nineties…yes, we were ecstatic; there’s no way back to that naïveté. We thought that the choice had been made and that communism had been defeated forever. But it was only the beginning… Twenty years have gone by…“Don’t try to scare us with your socialism,” children tell their parents. From a conversation with a university professor: “At the end of the nineties, my students would laugh when I told them stories about the Soviet Union. They were sure that a new future awaited them. Now it’s a different story…Today’s students have truly seen and felt capitalism: the inequality, the poverty, the shameless wealth. They’ve witnessed the lives of their parents, who never got anything out of the plundering of our country. And they’re oriented toward radicalism. They dream of their own revolution, they wear red T-shirts with pictures of Lenin and Che Guevara.” There’s a new demand for everything Soviet. For the cult of Stalin. Half of the people between the ages of nineteen and thirty consider Stalin an “unrivaled political figure.” A new cult of Stalin, in a country where he murdered at least as many people as Hitler?! Everything Soviet is back in style. “Soviet-style cafés” with Soviet names and Soviet dishes. “Soviet” candy and “Soviet” salami, their taste and smell all too familiar from childhood. And of course, “Soviet” vodka. There are dozens of Soviet-themed TV shows, scores of websites devoted to Soviet nostalgia. You can visit Stalin’s camps—Solovki, Magadan—as a tourist. The advertisements promise that for the full effect, they’ll give you a camp uniform and a pickaxe. They’ll show you the newly restored barracks. Afterward, there will be fishing…
Svetlana Alexievich (Secondhand Time: The Last of the Soviets)
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)
A winnowing fan was droning away in one of the barns and dust poured out of the open door. On the threshold stood the master himself, Alyokhin, a man of about forty, tall, stout, with long hair, and he looked more like a professor or an artist than a landowner. He wore a white shirt that hadn't been washed for a very long time, and it was tied round with a piece of rope as a belt. Instead of trousers he was wearing underpants; mud and straw clung to his boots. His nose and eyes were black with dust. He immediately recognised Ivan Ivanych and Burkin, and was clearly delighted to see them. 'Please come into the house, gentlemen,' he said, smiling, 'I'll be with you in a jiffy.' It was a large house, with two storeys. Alyokhin lived on the ground floor in the two rooms with vaulted ceilings and small windows where his estate managers used to live. They were simply furnished and smelled of rye bread, cheap vodka and harness. He seldom used the main rooms upstairs, reserving them for guests. Ivan Ivanych and Burkin were welcomed by the maid, who was such a beautiful young woman that they both stopped and stared at each other. 'You can't imagine how glad I am to see you, gentlemen,' Alyokhin said as he followed them into the hall. 'A real surprise!' Then he turned to the maid and said, 'Pelageya, bring some dry clothes for the gentlemen. I suppose I'd better change too. But I must have a wash first, or you'll think I haven't had one since spring. Would you like to come to the bathing-hut while they get things ready in the house?' The beautiful Pelageya, who had such a dainty look and a gentle face, brought soap and towels, and Alyokhin went off with his guests to the bathing-hut. 'Yes, it's ages since I had a good wash,' he said as he undressed. 'As you can see, it's a nice hut. My father built it, but I never find time these days for a swim.' He sat on one of the steps and smothered his long hair and neck with soap; the water turned brown. 'Yes, I must confess...' Ivan Ivanych murmered, with a meaningful look at his head. 'Haven't had a wash for ages,' Alyokhin repeated in his embarrassment and soaped himself again; the water turned a dark inky blue.
Anton Chekhov (Gooseberries and Other Stories (The Greatest Short Stories, Pocket Book))
Can I say hi to Andy?” I said, staring fixedly at the kitchen floor. “No, really, we’re—Mum, I’m coming!” I heard her yell. To me, she said, “Happy Thanksgiving.” “You too,” I said, “tell everybody I said hi,” but she’d already hung up. xxi. MY APPREHENSIONS ABOUT BORIS’S father had been eased somewhat since he’d taken my hands and thanked me for looking after Boris. Though Mr. Pavlikovsky (“Mister!” cackled Boris) was a scarylooking guy, all right, I’d come to think he wasn’t quite as awful as he’d seemed. Twice the week after Thanksgiving, we came in after school to find him in the kitchen—mumbled pleasantries, nothing more, as he sat at the table throwing back vodka and blotting his damp forehead with a paper napkin, his fairish hair darkened with some sort of oily hair cream, listening to loud Russian news on his beatup radio. But then one night we were downstairs with Popper (who I’d walked over from my house) and watching an old Peter Lorre movie called The Beast with Five Fingers when the front door slammed, hard. Boris slapped his forehead. “Fuck.” Before I realized what he was doing he’d shoved Popper in my arms, seized me by the collar of the shirt, hauled me up, and pushed me in the back. “What—?” He flung out a hand—just go. “Dog,” he hissed. “My dad will kill him. Hurry.” I ran through the kitchen, and—as quietly as I could—slipped out the back door. It was very dark outside. For once in his life, Popper didn’t make a sound. I put him down, knowing he would stick close, and circled around to the living room windows, which were uncurtained. His dad was walking with a cane, something I hadn’t seen. Leaning on it heavily, he limped into
Anonymous
He steered us across the ballroom and through a door that led into a low-lit room which I could only describe as a smoking room. Do people really still have those? Apparently they did because a bunch of cigar stubs sat in a golden ashtray on the nearest table and the thick scent of tobacco hung in the air. Blood red armchairs sat around the space and to the right of them stood Darius beside a large oak writing desk. A row of shots were laid out across it in front of a bottle of vodka and my heart pumped harder as Max released me, his gifts fizzling out of my system. Darius picked up a shot and knocked it back, releasing a satisfied ah after he swallowed it. He grabbed two more, holding them out for Tory and I but neither of us moved. “I think I'll get my drinks from a less shady room thanks,” I said, shaking my head. “Yeah, I'm gonna decline the date rape.” Tory smiled hollowly and Darius scoffed. “As if I'd need to drug you to get you in my bed,” Darius smirked. “Keep dreaming, Dragon boy.” She planted a hand on her hip and I grinned. We turned to leave and found Seth and Caleb stepping into the room. My heart juddered as they prowled forward, blocking our way out. “Evening,” Caleb said, skirting around us, his eyes lingering on Tory. Seth scratched behind his ear and I bit my lip to stop myself from laughing. “Gimme one of those.” He moved around us, scratching more vigorously as he grabbed a shot from the desk. He swallowed one then another before pawing at the back of his shirt and scratching his head again. “What's up with you, man?” Max frowned as Seth started raking under his arm. “Nothing,” he spat, then let out a whine as he scratched himself too hard. I almost lost it when Tory hiccoughed a laugh. “Almost seems like you've got fleas,” Darius said with a teasing smirk and Seth growled deeply. “I do not have fleas,” he snarled and I couldn't help the laugh that finally tore free from my throat. He turned, eyes sharpening to slits, but he said nothing. (Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
I watch him go until Ariel walks up next to me, and I turn to face her. “I took my shirt off in my front yard,” I tell her. “Yep.” “I said fuck a lot. Like, A LOT,” I add. “You did.” “I made out with a guy with my shirt off, in my front yard, after saying fuck a lot, and I’m still not wearing a shirt,” I remind her. “Are you gonna pass out? Because if you are, I’ve had entirely too much vodka to carry your ass into the house, and the guy who did it last time just left.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
But alas, I’m here, drunk off my ass, boobs practically spilling out of my shirt, and my mascara slowly melting off my eyelashes and onto my face, morphing me from new-in-town college girl, to trash panda from the raccoon clan. “Dottie, Lindsay,” I say weakly, moving my head from side to side. “Where art thou?” “You need help?” a deep voice slurs next to me. I look to my right through very blurry vision and make out what I’m going to assume is an incredibly attractive man. But then again, I’m drunk—the whole mascara melting off my eyes in full swing—and I’ve been fooled once before. But hey, I think those are blue eyes. Can’t go wrong with that . . . reasoning that will be thought better of in the morning. “Have you seen Dottie or Lindsay?” “Can’t say that I have,” he answers, resting against the wall with me. “Damn it. I think they’re making out with some baseball players. Have you seen any of those around?” “Baseball players?” “Mm-hmm.” I nod, shutting my eyes for a second but then shooting them back open when I feel myself wobble to the side. The guy catches me by the hand before I topple over, but thanks to his alcohol intake, he’s not steady enough to hold us up and . . . timber . . . we fall to the couch next to me. “Whoa, great placement of furniture,” I say, as the guy topples on top of me. “Damn near saved our lives.” I rub my face against the scratchy and worn-out fabric. “How many people do you think have had sex on this thing?” “Probably less than what you’re thinking.” The couch is deep, giving me enough room to lie on my side with the guy in front of me, so we’re both facing each other. He smells nice, like vodka and cupcakes. “So, have you seen any baseball players around? I’m looking for my friends.” “Nah, but if you see any, let me know. I can’t find my room.” “You live here?” I ask, eyes wide. “Yup,” he answers, enunciating the P. “For two years now.” “And you don’t remember where your room is?” “It has a yellow door. If the damn room would stop spinning I’d be able to find it.” “Well . . . maybe if we find your room, we’ll find my friends,” I say, my drunk mind making complete sense. “That’s a great idea.” He rolls off the couch and then stands to his feet, wobbling from side to side as he holds out his hand to me. Without even blinking, I take it in mine and let him help me to my feet. “Yellow door, let’s go,” I say, raising my crumpled cup to the air. “We’re on the move.” He keeps my hand clasped in his and we stumble together past beer pong, people making out against walls, the kitchen, to an open space full of doors. “Yellow door, do you see one?” I blink a few times and then see a flash of sunshine. “There.” I point with force. “Yellow, right there.” His head snaps to where I’m pointing. A beam of light illuminates the color of the door, making it seem like we’re about to walk right into the sun. I’m a little chilly, so I welcome the heat. “Fuck, there it is. You’re good.” 
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))