Visor Quotes

We've searched our database for all the quotes and captions related to Visor. Here they are! All 100 of them:

If love be rough with you, be rough with love; Prick love for pricking, and you beat love down. Give me a case to put my visage in: A visor for a visor! what care I What curious eye doth quote deformities? Here are the beetle brows shall blush for me.
William Shakespeare
I flipped down the visor so I could check myself in the mirror, and something small and heavy dropped into my lap. I froze, my breath stuck in my throat. What—? Gingerly, I looked down. It wasn’t a grenade. It was a key ring. One key was for this van. I looked at it blankly. “Well, that’ll simplify things,” Fang said.
James Patterson (The Angel Experiment (Maximum Ride, #1))
If I die, I just want you to know that you have never looked hotter than you do right now, and that is the only reason I’m about to risk my life.” Tate raised a hand, and before he shut the visor, he promised, “I’ll look even hotter in fifteen minutes when I’m naked. So, quit bitching, and get on the bike, Logan.
Ella Frank (Try (Temptation, #1))
I lost something recently," he tells me. My heart swells at the familiar voice, and I spin around to drop-dead-gorgeous cheekbones, a ruby-red visor, and lips that pull into a breathtaking smile. "Found her," he says.
Krista Ritchie (Thrive (Addicted #4))
What's up, Hachi?" "Someone......Just slipped through my force-field." "!!!" "A soul reaper?" "No. The Hachigyo Sogai (Twin Cliffs) I set is an original technique I developed after I became a visored. It can't be broken by a soul reaper's kido." "Then who is it? Another visored?" "I don't know. The strange thing is that they didn't break through the force-field. They Slipped through. Not even a visored should be able to do that." "Then, who or what is it?" "...It's coming." "It's a Human?" "Uh...Um...E-excuse me...where's the Bathroom?
Tite Kubo (Bleach, Volume 24)
Not me," said Orion cheerily. "I'm just a teenager with hormones running wild. And may I say ,young fairy lady, they're running wild in your direction." Holly lifted her visor and looked the hormonal teenager in the eye. "This had better not be a game, Artemis. If you do not have some serious psychosis, you will be sorry." "Oh, I'm crazy, alright. I do have plenty of psychoses," said Orion Cheerily. "Multiple personality, delusional dementia, OCD. I've got them all, but most of all, I'm crazy about you.
Eoin Colfer
Alistair spoke behind his visor. "You look very pretty." Mouse looked to Eanrin. "He sounds concerned. What did he say?" "He said they're never going to believe you're a girl.
Anne Elisabeth Stengl (Dragonwitch (Tales of Goldstone Wood, #5))
I lower the visor against the sinking sun. A ray catches a crack in the windshield and illuminates it, a tiny comet. I've always loved when the light finds the broken spots in the world and makes them beautiful.
Jeff Zentner (In the Wild Light)
Because noir isn’t really a new thing at all. It’s just a fairy tale with guns. Your hardscrabble detective is nothing more than a noble knight with a cigarette and a disease where his heart should be. He talks prettier, that’s all. He’s no less idealistic—there’re good women and bad women, good jobs and bad jobs. Justice and truth are always worth seeking. He pulls his fedora down like the visor on a suit of armour. He serves his lord faithfully whether he wants to or not. And he is in thrall to the idea of a woman. It’s just that in detective stories, women are usually dead before the curtain goes up. In fairy tales, they’re usually alive.
Catherynne M. Valente (Radiance)
The Regency,' said Laurent, addressing the troop, 'thought to take us outnumbered. It expected us to roll over without a fight.' Damen said: 'We will not let them cow us, subdue us or force us down. Ride hard. Don't stop to fight the front line. We are going to smash them open. We are here to fight for our Prince!' The cry rang out, For the Prince! The men gripped their swords, slammed their visors down, and the sound they made was a roar.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs. In the shadow under the green visor of the cap Ignatius J. Reilly’s supercilious blue and yellow eyes looked down upon the other people waiting under the clock at the D.H. Holmes department store, studying the crowd of people for signs of bad taste in dress. Several of the outfits, Ignatius noticed, were new enough and expensive enough to be properly considered offenses against taste and decency. Possession of anything new or expensive only reflected a person’s lack of theology and geometry; it could even cast doubts upon one’s soul.
John Kennedy Toole (A Confederacy of Dunces)
Traffic's not too bad on Sheridan, and I'm cornering the car like it's the Indy 500, and we're listening to my favorite NMH song, "Holland, 1945," and then onto Lake Shore Drive, the waves of Lake Michigan crashing against the boulders by the Drive, the windows cracked to get the car to defrost, the dirty, bracing, cold air rushing in, and I love the way Chicago smells—Chicago is brackish lake water and soot and sweat and grease and I love it, and I love this song, and Tiny's saying I love this song, and he's got the visor down so he can muss up his hair a little more expertly.
John Green (Will Grayson, Will Grayson)
In the sky was a sliver of moon. What kind of moon? A moon like a clipped fingernail, like a smudge of powdered sugar, like a yellow laddoo, like a shattered dinner plate, like the tusk of a wounded mammoth, like a scimitar buried in the enemy’s skull, like a horned demon drowned in blood, like a fallen warrior’s silver visor, like the prow of a ghostly mothership, like the smile of a giant black cat, like God’s half-closed night-time eye, a low murder moon
Jeet Thayil (The Book of Chocolate Saints)
What kind of woman agrees to a blind date at the top of a tower? And what kind of man spends his nights with a helmet on his head, visor closed, communicated with people via tennis balls?
Anne Fortier (Juliet)
The picture he was cleaning showed an armored figure standing in a desolate landscape. It had no weapon, but held a staff bearing a strange, stiff banner. The visor of this figure’s helmet was entirely of gold, without eye slits or ventilation; in its polished surface the deathly desert could be seen in reflection, and nothing more.
Gene Wolfe (Shadow & Claw (The Book of the New Sun, #1-2))
It was always the same for her when she arrived to meet the body. After she unbuckled her seat belt, after she pulled a stick pen from the rubber band on the sun visor, after her long fingers brushed her hip to feel the comfort of her service piece, what she always did was pause. Not long. Just the length of a slow deep breath. That's all it took for her to remember the one thing she will never forget. Another body waited. She drew the breath. And when she could feel the raw edges of the hole that had been blown in her life, Detective Nikki Heat was ready. She opened the car door and went to work . . . Heat could have made it easier on herself by parking closer, but this was another of her rituals: the walk up. Every crime scene was a flavor of chaos, and these two hundred feet afforded the detective her only chance to fill the clean slate with her own impressions.
Richard Castle
The VVV Visors had the weird knack of twisting your worldview: the more you looked at the world through their tangerine lenses, the more reality distorted and shifted to fit your new point of view. This made Veravisum Virtual Visors incredibly unreliable, given their proclivity to redact your reality, confirm your private opinions and magnify your cognitive bias.
Louise Blackwick (5 Stars)
Love Letter" Not easy to state the change you made. If I'm alive now, then I was dead, Though, like a stone, unbothered by it, Staying put according to habit. You didn't just tow me an inch, no- Nor leave me to set my small bald eye Skyward again, without hope, of course, Of apprehending blueness, or stars. That wasn't it. I slept, say: a snake Masked among black rocks as a black rock In the white hiatus of winter- Like my neighbors, taking no pleasure In the million perfectly-chisled Cheeks alighting each moment to melt My cheeks of basalt. They turned to tears, Angels weeping over dull natures, But didn't convince me. Those tears froze. Each dead head had a visor of ice. And I slept on like a bent finger. The first thing I was was sheer air And the locked drops rising in dew Limpid as spirits. Many stones lay Dense and expressionless round about. I didn't know what to make of it. I shone, mice-scaled, and unfolded To pour myself out like a fluid Among bird feet and the stems of plants. I wasn't fooled. I knew you at once. Tree and stone glittered, without shadows. My finger-length grew lucent as glass. I started to bud like a March twig: An arm and a leg, and arm, a leg. From stone to cloud, so I ascended. Now I resemble a sort of god Floating through the air in my soul-shift Pure as a pane of ice. It's a gift.
Sylvia Plath (Crossing the Water)
A smile curved the corners of his mouth under the dust-and soot-covered visor. “You’re crying? I answered his question with my tear-stricken gaze. “I’m not going anywhere.” He reached his hand out and I grasped it tightly.
Shaye Evans (Seduction Squad (Seduction Squad book 1))
What you’re saying is this spider, with a brain the size of strawberry seed, hid in your car with its face covered to avoid being gassed by insect spray.” He stood in front of me, laughing, peering down into my eyes. “And then, when the fumes dispersed, he set about plotting revenge. Once he’d come up with his plan, he exited your car and, even though he didn’t see which direction you went in, he found the front door because he knew you were inside this house.” Biting down on his bottom lip, Ric smirked. “Don’t you think, if he was as smart as all that, he’d have worn a mask before he ran out from under visor so you couldn’t recognise him on your doormat?
Zathyn Priest (One of Those Days)
Billy Ray knew scary men and they didn’t wear visors. This man had never been in a fight in his life. Billy Ray could feel it, it was like a smell: the bravery of ignorance. This man had never been dominated by another. He’d never known the crude intimacy of violence, never felt the fear of laying on his back wondering if the boot would come to his temple or his throat. He was weak, of a generation of false vipers.
Sam Tallent (Running the Light)
His seat belt was on, and his hands dropped from where he’d been fiddling with the visor. “You look small,” he finally said, looking both innocent and wise.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
Shut it, you,” said Ron, banging down its visor as they passed.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
perhaps most vital article of clothing—a visor so enormous that there is no way that a single ray of freckle-causing, wrinkle-making sunlight could snake its way onto her face.
Jesse Q. Sutanto (Vera Wong's Unsolicited Advice for Murderers (Vera Wong, #1))
Only Chromeheads believe the Neon God is a true god.’ ‘And yet we treat Him like one, all of us. We worship His Broadcast and we pray for His Justice and sacrifice on His altar each day. When our own eyes deceive us, we make His Jurors into Apostles of Truesight, or rely on worldview-enhancers like that drug Rhapsody or the VVV Visors. Day after day, we find our every thought and action judged by kynikois we can’t see, by arbitrary rules we don’t know, in a reality we rejected. We lead empty lives and so we empty the world of all meaning.
Louise Blackwick (5 Stars)
Aurora looked upon a city divided by human perception. A civil war was ongoing: between those for whom the real world had primacy and those who had chosen Truesight as their truth. To escape the existential horror of their impending finality, people had donned their orange-tinted Veravisum Virtual Visors and locked their fears behind a separate reality. A hyperreality found at odds with everyday life. The result was a war of visions: between truth and falsehood, between regular people and the VVV’ed. Each party claimed to see reality for what it truly was and more often than not, both parties were right.
Louise Blackwick (5 Stars)
Everything is fine on paper, just as it should be. We should be having the happiest times of our lives. Yet we squint, visor our hands to our foreheads to try to make out the path, and all we see is shadow.
Sarah Menkedick (Ordinary Insanity: Fear and the Silent Crisis of Motherhood in America)
What's the latest beast in your collection, I wonder?" "Me." Metal clanged as Gabriel flipped the helmet's visor. "I'm her latest beast." The Irving sisters choked on their laughter, then swallowed it hard. He took a clanking step forward, towering over them. "Let me tell you, Lady Penelope has her hands full. I'm vicious. Untamed. I won't come to heel." He leaned forward, lowering his voice to a growl. "And I bite." He turned, and- confronted with the wall of hedges- stormed through it like the Ottomans breaching the walls of Tyre. Once he'd cleared a path with his armored body, he extended a gauntlet, inviting Penny to follow. She put her gloved hand in his shining one. Rather than leading her through, he pulled her to him, slid his hand to her backside, and lifted her off her feet, keeping her slippers free of the trampled shrubs. Her beast in shining armor. As he carried her through the hedge, she waved farewell to the bug-eyed Irving sisters. "It's been lovely seeing you.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
extreme zombie fighting” kit. Tactical boots and tacticals. Firefighting bunker gear. Nomex head cover tucked under the collar of the bunker gear. Full face respirator. Helmet with integrated visor. Body armor with integral MOLLE. Knee, elbow and shin guards. Nitrile gloves. Tactical gloves. Rubber gloves. Assault pack with hydration unit. Saiga shotgun on friction strap rig. A .45 USP in tactical fast-draw holster. Two .45 USP in chest holsters. Fourteen Saiga ten-round 12-gauge magazines plus one in the weapon. Nine pistol magazines in holster plus three in weapons. Kukri in waist sheath. Machete in over-shoulder sheath, right. Halligan tool in over-shoulder sheath, left. Tactical knife in chest sheath. Tactical knife in waist sheath. Bowie knife in thigh sheath. Calf tactical knife times two. A few clasp knives dangling in various places. There was the head of a teddy bear peeking out of her assault pack.
John Ringo (Under a Graveyard Sky (Black Tide Rising, #1))
There's a reason I've always relied on you for the necessary political miracles, Emily," Hamish told her with a smile. "Give me a fleet problem, or a naval battle to fight, and I “know exactly what to do. But dealing with scum like High Ridge and Descroix—?" He shook his head. "I just can't wrap my mind around how to handle them." "Be honest, dear," Emily corrected him gently. "It's not that you really can't do it, and you know it. It's that you get so furious with them that you wind up climbing onto your high moral horse so you can ride them under the hooves of your righteous fury. But when you close your knight errant's helmet, the visibility through that visor is just a little limited, isn't it?
David Weber (War of Honor (Honor Harrington, #10))
One of the special forces asked Skippy whether we could see the Sun from there, and Skippy enhanced the image in our helmet visors, so we could see the faint light of our home star. I remember Skippy reminding us that the light we were seeing then left the sun eighteen hundred years ago. The Roman Empire ruled the Mediterranean back then. Under that perspective, the authority of Earth begins to seem thin after we pass through a couple wormholes.
Craig Alanson (Paradise (Expeditionary Force, #3))
He pushed up his visor and came over to me. He put his shield arm around me and pulled me close. This new skin of his was cold and hard, and I was glad of it. But I wished I could take him by the hair and dip him in metal, so that he was covered all over, for I didn't like the chinks, the way a dagger could find the back of his knee and hamstring him, or a sword find its way through the mail under his arm. We are imperfect vessels. We leak so easily.
Sarah Micklem (Firethorn (Firethorn, #1))
If one of you sons of bitches gets killed for lack of shooting back because you ran out of ammo, I will personally violate your carcass. Understood?” “Yes, Master Sergeant,” the enlisted grunts shout back. I grin behind the shield of my visor. Nobody does motivational premission pep talks better than Sergeant Fallon. I
Marko Kloos (Chains of Command (Frontlines, #4))
We beg doctors to give our kids antianxiety medications, teachers to give them untimed tests. We purchase plastic visors so bathwater never runs over our toddlers’ eyes, and carefully remove sesame seeds from their hamburger buns.[13] We aren’t just driving ourselves insane. We’re making our kids more fearful and less tolerant of the world.
Abigail Shrier (Bad Therapy: Why the Kids Aren't Growing Up)
There’s good things about wearing armour. One is that if your horse bounces you through deep brush, all that happens is that you get pine-needles in your visor.
Christian Cameron (The Ill-Made Knight (Chivalry, #1))
gloves and dark black visors so you can’t see their eyes, and their faces
Jeanine Cummins (American Dirt)
Madame Ruelle’s face seals over like the visor of a knight clanging down.
Anthony Doerr (All the Light We Cannot See)
I have seen the day That I have worn a visor, and could tell A whispering tale in a fair lady’s ear,
William Shakespeare (Romeo and Juliet)
Ruth checked herself in the sun-visor mirror. Every time, she was still surprised not to see her twenty-seven-year-old self looking back at her.
Simon McCleave (The Harlech Beach Killings (DI Ruth Hunter #2))
She’d looked like a worn-out knight lowering her visor for one last charge, haggard, gaunt, composed, serene.
Kate Quinn
It’s hard to send someone to their death,” she said, answering his silent question. His expression was hidden behind the visor of his helmet. She didn’t need to call on any of her abilities as a Jedi to know what he was thinking: one day she would do the same to men like him. The realization caught her unawares. “You’ll get used to it,” he said. She doubted it.
Karen Traviss (Hard Contact (Star Wars: Republic Commando, #1))
When I was a young woman with four children, I was always living ahead of myself,” she said. “Everything I was doing was projected toward the future, and I was so busy, busy, busy, preparing for tomorrow, for the next week, for the next month. Then one day, it all changed. At thirty-eight years old, I found I had breast cancer. I can remember asking my doctor what I should plan for in my future. He said, ‘Diane, my advice to you is to live each day as richly as you can.’ As I lay in my bed after he left, I thought, will I be alive next year to take my son to first grade? Will I see my children marry? And will I know the joy of holding my grandchildren?” She looked out over the water, barefoot, her legs outstretched; a white visor held down her short, black hair. “For the first time in my life, I started to be fully present in the day I was living. I was alive. My goals were no longer long-range plans, they were daily goals, much more meaningful to me because at the end of each day, I could evaluate what I had done.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
Three black men walked past us wearing airline uniforms, visored caps, white pants and jackets whose shoulders bristled with epaulettes. Black pilots? Black captains? It was 1962. In our country, the cradle of democracy, whose anthem boasted ‘the land of the free, the home of the brave,’ the only black men in our airports fueled planes, cleaned cabins, loaded food or were skycaps, racing the pavement for tips.
Maya Angelou (The Heart Of A Woman)
I climbed into my car and started to head home, my visor down against the glare of the sun. But at the last minute, I turned left, because I never had before, and because I had time to go down different road.
Robyn Schneider (Extraordinary Means)
Commander Aronsson of the Icelandic Marines, that ship is the ICGV Sjálfstæði.” The officer’s voice has a military crispness, and when he turns to his left, the bulletproof visor reflects the low sun. “This is Lieutenant Eriksdottir.” He indicates a slighter figure, a woman, also watching us through an augvisor. She nods by way of hello. “Last, we have ‘Mr.’ Harry Veracruz, a presidential adviser who is joining us on our mission.
David Mitchell (The Bone Clocks)
I put on my visor—you know, California sun is so strong, no sunscreen is enough, not even SPF 90 sunscreen is enough. You must wear a hat, you understand? Protect your skin from the sun, otherwise you will get cancer.” “Wear a hat,
Jesse Q. Sutanto (Vera Wong's Unsolicited Advice for Murderers (Vera Wong, #1))
The sequined trim on her gangrenous dress was a big mistake. Under the glaring studio lights, she flashed like a tour bus full of camera buffs every time she moved. Some of her audience had already resorted to sunglasses and tennis visors.
H.B. Gilmour (Baldwin from Another Planet (Clueless, #8))
You know, we can still put that suit to use, though.” I glanced toward the truck and Lock’s face lit up as I closed the distance between us. “What happened to needing a shower?” “Showers are overrated,” I whispered, holding his gaze through the visor. “Plus,” I turned my head to look down the hall, “Jay is down there now.” “That’d be right. Let me just hang up my hat.” He was pulling away when I caught his wrist. “Nuh-uh. Keep the helmet. I want to be with my firefighter.
Shaye Evans (Seduction Squad (Seduction Squad book 1))
If any man approaches my wife, take care of him,” I growl and lower my visor. Time to pay a visit to the snitch. “Take care of him?” Jovan asks. “In what way?” I meet his gaze through the tinted shield. “In any way that ends with requiring a spot at a cemetery, Jovan.
Neva Altaj (Silent Lies (Perfectly Imperfect, #8))
When we entered a classroom we always tossed our caps on the floor, to free our hands; as soon as we crossed the threshold we would throw them under the bench so hard that they struck the wall and raised a cloud of dust; this was "the way it should be done." But the new boy either failed to notice this maneuver or was too shy to perform it himself, for he was still holding his cap on his lap at the end of the prayer. It was a head-gear of composite nature, combining elements of the busby, the lancer cap, the round hat, the otter-skin cap and the cotton nightcap--one of those wretched things whose mute ugliness has great depths of expression, like an idiot's face. Egg-shaped and stiffened by whalebone, it began with three rounded bands, followed by alternating diamond-shaped patches of velvet and rabbit fur separated by a red stripe, and finally there was a kind of bag terminating in a cardboard-lined polygon covered with complicated braid. A network of gold wire was attached to the top of this polygon by a long, extremely thin cord, forming a kind of tassel. The cap was new; its visor was shiny. "Stand up," said the teacher. He stood up; his cap fell. The whole class began to laugh. He bent down and picked it up. A boy beside him knocked it down again with his elbow; he picked it up once again. "Will you please put your helmet away?" said the teacher, a witty man.
Gustave Flaubert (Madame Bovary)
It used harmless low-powered lasers to draw the stunningly real environment of the OASIS right onto its wearer’s retinas, completely immersing their entire field of vision in the online world. The visor was light-years ahead of the clunky virtual-reality goggles available prior to that time,
Ernest Cline (Ready Player One)
As we pulled into the Columbus bus terminal, my OASIS connection cut out. As I pulled off my visor and filed off the bus with the other passengers, the reality of my situation finally began to hit home. I was now a fugitive, living under an assumed name. Powerful people were out looking for me. People who wanted me dead. As I stepped off the bus,
Ernest Cline (Ready Player One (Ready Player One, #1))
Kristy sat up very straight in the director’s chair. She adjusted her visor. “As you know,” she said, “today we are going to induct two new members into the club.” Jessi and Mal grinned at each other, but I thought, "Induct?" Who’s Kristy kidding? First she comes up with this fancy word, which just means to introduce them into the club officially.
Ann M. Martin (Little Miss Stoneybrook... and Dawn (The Baby-Sitters Club, #15))
Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.
Elizabeth Bishop
That night Newman and I prepped for our space walk. One of the things you do is put anti-fog on your visor. It’s Joy soap, actually, the kind you buy at the supermarket; it just happens to work well as an anti-fog solution in space suits. Joy stopped making this particular kind, so NASA bought up a lifetime supply, basically every bottle available in the world. You
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
We mark the days by chores that need to be done, the way farm families have always done. Al feeds the hens and horses and pigs, splits wood in the fall, slaughters a pig when the weather turns cold, cuts ice in the winter. I collect eggs from the laying hens and Al drives me into town to sell them. He times the planting so that by the Fourth of July we'll have new peas and by September there's a whole field of corn. Gulls lunge for a feast, ravaging the crop, so Al kills a few and hangs them from poles as warning. During haying season in midsummer, I see him from the dining room window in his visored cap, scything the hay by hand with six hired men walking abreast, forking the newly mown hay onto the hayrack. They haul the hay to the barn, where a block-and-tackle hoist lifts it into the mow.
Christina Baker Kline (A Piece of the World)
As the Model S neared completion, he got in the car one day and pulled down the passenger-side visor. “What the fuck is this?” he asked, pointing to the government-mandated warning label about air bags and how to disable them when a child is in the passenger seat. Dave Morris explained that the government required them. “Get rid of them,” Musk ordered. “People aren’t stupid. These stickers are stupid.
Walter Isaacson (Elon Musk)
In the empty Houston streets of four o’clock in the morning a motorcycle kid suddenly roared through, all bespangled and bedecked with glittering buttons, visor, slick black jacket, a Texas poet of the night, girl gripped on his back like a papoose, hair flying, onward-going, singing, “Houston, Austin, Fort Worth, Dallas—and sometimes Kansas City—and sometimes old Antone, ah-haaaaa!” They pinpointed out of sight.
Jack Kerouac (On the Road)
The four guardian ships swarmed toward us, firing again. “Bim!” I screamed. I was pretty sure I saw him look toward me—light reflecting on his helmet visor—as the blasts hit his ship, overwhelming his shield with concentrated fire. Bim’s ship exploded into several large chunks, one of which slammed into my ship. I was flung to the side as my Poco went into a spin. Quirk screamed my name as the world rocked. The lights on my dash went insane, the “shield down” warning blaring.
Brandon Sanderson (Skyward (Skyward, #1))
Colonel Kassad returns to the fire and slides the night visor up onto the top of his helmet. Kassad is wearing full combat gear, and the activated chameleon polymer shows only his face, floating two meters above the ground. “Nothing,” he says. “No movement. No heat traces. No sound besides the wind.” Kassad leans the FORCE multipurpose assault rifle against a rock and sits near the others, the fibers of his impact armor deactivating into a matte black not much more visible than before.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
Idi Amin wore reflective sunglasses so that his victims could only see their terrified expressions reflected back at them). Amin and the Mafia are associated with death, and their dark glasses or “shades” suggest the inhabitants of Hades. Used in the singular, a “shade” is a visor for shielding the eyes from strong light and, hence, a forerunner of “shades,” a colloquial term for sunglasses. But a shade is also a scientific apparatus or shutter for intercepting light passing through the camera that enabled the photographer to take the pictures
Richard Restak (Mozart's Brain and the Fighter Pilot: Unleashing Your Brain's Potential)
His enormous and deadly presence had momentarily startled her.   He had his helm on, visor flipped up and dual-colored eyes fixed on her.  After the events of the evening, Kellington wasn’t sure how to react to him.  They simply stared at each other for several long seconds.  Finally, he lifted a dark eyebrow. “You will have to overcome your fear of knights.” “What do you mean?” “Screaming every time I walk into a room.” She pursed her lips irritably as she checked her box to make sure she had everything she needed. “I am not afraid of knights as a whole,” she eyed him. “Just certain ones who emerge from darkness like Lucifer himself.
Kathryn Le Veque (The Dark Lord (Titans, #1; Battle Lords of de Velt #1))
I wanted that Diet Coke. But the lines to order made no sense. Most people were huddled in random patterns, gazing up at the menu boards, eyes glazed over, touching their chins, pointing, nodding. “Are you in line?” I kept asking them. Nobody would answer me. Finally I just approached a young black boy in a visor behind the counter. I ordered my Diet Coke. “What size?” he asked me. He pulled out four cups in ascending order of size. The largest size stood about a foot high off the counter. “I’ll take that one,” I said. This felt like a great occasion. I can’t explain it. I felt immediately endowed with great power. I plunked my straw in and sucked.
Ottessa Moshfegh (Homesick for Another World)
Helmets up,” Dagon commanded. Every man present donned a helmet then touched the side of it. A clear window slid down in front, forming a bubble that covered their faces. Hisses sounded as the visors locked with the rest of the helmet. Dagon met Eliana’s gaze. “You, too. We know the Gathendiens aren’t going to execute a fair trade. We don’t know why they changed their tactics, but they are still hunting you.” He touched her back. “I don’t want you to be harmed by tengonis or any other gasses they may hurl at us.” “Okay,” she replied somberly. “But I don’t think any gas they hurl at me could be more noxious than Maarev’s after he eats mamitwa.” The men all laughed.
Dianne Duvall (The Segonian (Aldebarian Alliance, #2))
The very felicity of life itself, which depends upon the tranquility and contentment of a well-descended spirit, and the resolution and assurance of a well-ordered soul, ought never to be attributed to any man till he has first been seen to play the last, and, doubtless, the hardest act of his part. There may be disguise and dissimulation in all the rest: where these fine philosophical discourses are only put on, and where accident, not touching us to the quick, gives us leisure to maintain the same gravity of aspect; but in this last scene of death, there is no more counterfeiting: we must speak out plain, and discover what there is of good and clean in the bottom of the pot, "Then at last truth issues from the heart; the visor's gone, the man remains"-Lucretius.
Michel de Montaigne (Les Essais: chapitres choisis.)
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The visor was light-years ahead of the clunky virtual-reality goggles available prior to that time, and it represented a paradigm shift in virtual-reality technology—as did the lightweight OASIS haptic gloves, which allowed users to directly control the hands of their avatar and to interact with their simulated environment as if they were actually inside it. When you picked up objects, opened doors, or operated vehicles, the haptic gloves made you feel these nonexistent objects and surfaces as if they were really right there in front of you. The gloves let you, as the television ads put it, “reach in and touch the OASIS.” Working together, the visor and the gloves made entering the OASIS an experience unlike anything else available, and once people got a taste of it, there was no going back.
Ernest Cline (Ready Player One (Ready Player One, #1))
Eric Steele utilized the Mark XI’s voice command function by saying, “Nav,” and a map appeared in the upper-right quadrant of the visor. The yellow blinking arrow told him that he needed to come left, so he lowered his shoulder and banked gently until he was locked on the correct glide path. This thing is legit. Steele had grown up on James Bond and thought being a spy was all about the gadgets. But in the real world batteries failed and an operator lived and died by making a plan and sticking to it. One of the main reasons Steele was still alive while so many of his friends were dead was because he didn’t leave anything to chance. He carefully brought his left arm up to eye level and double-checked the Mark XI’s readings with the GPS/altimeter combo strapped to his forearm. Once he was sure that he knew exactly where he was, he snapped his arms tight and accelerated to 200 miles per hour.
Sean Parnell (Man of War (Eric Steele #1))
She saw Daniel hovering over her in his simple peasant's clothes...but then, a moment later, he was bare-chested, with long blond hair...and suddenly he wore a knight's helmet, whose visor he lifted to kiss her lips...but before he did,he shifted into his present self, the Daniel she'd left in her parents' backyard in Thunderbolt when she stepped through into time. This was the Daniel, she realized, she'd been looking for all along. She reached for him,she called his name, but then he changed again. And again. She saw more Daniels than she'd ever thought possible,each one more gorgeous than the last.They folded into each other like a vast accordion, each image of him tilting and altering in the light of the sky behind him.The cut of his nose,the line of his jawbone, the tone of his skin,the shape of his lips, all whirled in and out of focus,morphing all the time. Everything changed except his eyes. His violet eyes always stayed the same. They haunted her,hiding something terrible,something she didn't understand. Something she didn't want to understand. Fear? In the visions,the terror in Daniel's eyes was so intense Luce actually wanted to look away from their beauty. What could someone as powerful as Daniel fear? There was only one thing: Luce's dying. She was experiencing a montage of her death over and over and over again. This was what Daniel's eyes looked like, throughout time,just before her life went up in flames. She had seen this fear in him before.She hated it because it always meant their time was over.She saw it now in every one of his faces. The fear flashed from infinite times and places. Suddenly,she knew there was more: He wasn't afraid for her,not because she was walking into the darkness of another death.He didn't fear that it might cause her pain. Daniel was afraid of her. "Lu Xin!" his voice cried out to her from the battlefield. She could see him through the haze of visions.He was the only thing coming in clearly-because everything else around her was lit up startingly white.Everything inside her was,too.Was her love of Daniel burning her up? Was it her own passion,not his,that destroyed her every time? "No!" His hand reached out for hers. But it was too late.
Lauren Kate (Passion (Fallen, #3))
Even when you're keeping score, golf is all about focusing on the shot at hand, the total score being a sum of those shots. On magic mushrooms, each shot was an act of self-expression - a karate kick, a pirouette, a paintbrush stroke. The course was an aren, a stage, and a canvas. That's the way it felt playing in the backcountry, too. Going beyond the simple visual appreciation of a landscape and interacting with it beyond the reach of the physical body. Launching shots across canyons and rivers and down mountainsides and beaches. The motion of the body determining the motion of the ball - its flight an extension of the body like a spider riding the wind on a silken thread or a perfectly cast fly arcing down onto the surface of the water. This is the part of the game that is hard for nongolfers to see. You have to play to feel it. It isn't visible through the TV screen or from outside the picket fences and privet hedges. The forest gets lost in tress of tartan and argyle, visors and V-necks. Golf seems to be one thing but is very much another, and backcountry golf and mushroom night golf are as true to the nature of the game as any stuffy country club championship or Saturday Nassau or fourball.
John Dunn (Loopers: A Caddie's Twenty-Year Golf Odyssey)
Sovereign King of Detachment and Renunciation, Emperor of Death and Shipwreck, living dream that gradually wanders among the worlds ruins and wastes! Sovereign King of Despair amid splendours, grieving lord of palaces that don't satisfy, master of processions and pageants that never succeed in blotting out life! Sovereign King risen from the tombs, who came in the night by the light of the moon to tell your life to the living, royal page of lilies that have lost their petals, imperial herald of the coldness of ivory! Sovereign King Shepard of the Watches, knight errant of Anxieties traveling on moonlit roads without glory and without even a lady to serve, lord in the forest and on the slopes, a silent silhouette with visor drawn shut, passing through valleys, misunderstood in villages, ridiculed in towns, scorned in the cities! Sovereign King consecrated by Death to be her own, pale and absurd, forgotten and unrecognized, reigning amid worn-out velvets and tarnished marble on his throne at the limits of the Possible, surrounded by the shadows of his unreal court and guarded by the fantasy of his mysterious, solidierless army. (...) Your love for things dreamed was your contempt for things lived. Virgin King who disdained love, Shadow King who disdained light, Dream King who denied life! Amid the muffled racket of cymbals and drums, Darkness acclaims you Emperor!
Fernando Pessoa
It got to the point where he didn’t even look up at the sky any more as he blundered back and forth. The human mind had evolved for just one universe, he thought. How much of this crap was he supposed to take? He felt exhausted, resentful, bewildered. “Wait.” He paused. He had loped out of the portal onto another stretch of scuffed, anonymous regolith. She was lying in his arms, her weight barely registering. He looked down into her face, and pushed up her gold sun visor. “Emma?” She licked her lips. “Look. Up there.” No Galaxy visible, but a starry sky. The stars looked, well, normal. But he’d learned that meant little. “So what?” Emma was lifting her arm, pointing. He saw three stars, dull white points, in a row. And there was a rough rectangle of stars around them—one of them a distinctive red—and what looked like a Galaxy disc, or maybe just a nebula, beneath … “Holy shit,” he said. She whispered, “There must be lots of universes like ours. But, surely to God, there is only one Orion.” And then light, dazzling, unbearably brilliant, came stabbing over the close horizon. It was a sunrise. He could actually feel its heat through the layers of his suit. He looked down at the ground at his feet. The rising light cast strong shadows, sharply illuminating the miniature crevices and craters there. And here was a “crater” that was elongated, and neatly ribbed. It was a footprint. He stepped forward, lifted his foot, and set it down in the print. It fit neatly. When he lifted his foot away the cleats of his boot hadn’t so much as disturbed a regolith grain. It was his own footprint. Good grief. After hundreds of universes of silence and remoteness and darkness, universes of dim light and shadows, he was right back where he started.
Stephen Baxter (Time (Manifold #1))
Wishing I had a towel, I used my fingers to wipe the raindrops off my face. My wet face that had been partially protected by the brim of his cap. Which would have worked if the rain fell straight down. This had been slashing across. “Oh, no.” “What?” Jason said. “Turn on the light.” He did. I lowered the sun visor, looked at my reflection in the mirror, groaned, and slapped the visor back into place. “Turn the light off.” “What’s wrong?” I didn’t look at him, didn’t want him to see. “The makeup ran.” Not as badly as I’d expected, but I had dark smudges beneath my eyes and my bruising was more visible. “So what?” I leaned my head back. “I look worse than I did the night you met me.” “I thought you looked fine.” I rolled my head to the side, so I could see him. Hoping the shadows made it so he couldn’t see me. “What are you talking about? I looked like a Cirque de Soleil performer.” “What are you talking about?” “The black dots around my eyes?” He shook his head. “I’m lost.” “You were staring--” “Oh, yeah.” He gazed through the windshield. “Sorry about that. I’ve just never seen eyes as green as yours. I was trying to figure out if you wore contacts.” “You were looking at my eyes?” “Yeah.” “Not the makeup.” He turned his attention back to me. “I didn’t realize you were wearing any. That night, anyway. Tonight it’s pretty obvious.” “Oh.” Didn’t I feel silly? “I thought--” I shook my head. “Never mind.” On second thought… “You don’t like all the makeup?” “I just don’t think you need it. I mean, you look pretty without it.” Oh, really? That was totally unexpected. He started tapping the steering wheel like he was listening to a rock concert, or suddenly embarrassed, maybe wishing someone would shut him up. “Sorry I don’t have a towel in the car.” Subject change. He was embarrassed. How cute was that?
Rachel Hawthorne (The Boyfriend League)
Finding herself on the way to the village center again, she pulled over, intending to negotiate a three-point turn. The cottage was slightly out of the village, so she needed to get back onto the opposite side of the road and go back up the hill. Glancing over Hannah’s instructions again, she swung the car to the right—straight into the path of a motorcyclist. What happened next seemed to happen in slow motion. The rider tried to stop but couldn’t do so in time, although he did manage to avoid hitting her car. As he turned his handlebars hard to the right, his tires lost grip on the wet road and he flew off, sliding some way before coming to a halt. Layla sat motionless in her car, paralyzed temporarily by the shock. At last she managed to galvanize herself into action and fumbled for the door handle, her shaking hands making it hard to get a grip. When the door finally opened, another dilemma hit. What if she couldn’t stand? Her legs felt like jelly, surely they wouldn’t support her. Forcing herself upward, she was relieved to discover they held firm. Once she was sure they would continue to do so, she bolted over to where the biker lay, placed one hand on his soaking leather-clad shoulder and said, “Are you okay?” “No, I’m not bloody okay!” he replied, a pair of bright blue eyes meeting hers as he lifted his visor. “I’m a bit bruised and battered as it goes.” Despite his belligerent words, relief flooded through her: he wasn’t dead! “Oh, I’m so glad,” she said, letting out a huge sigh. “Glad?” he said, sitting up now and brushing the mud and leaves off his left arm. “Charming.” “Oh, no, no,” she stuttered, realizing what she’d just said. “I’m not glad that I knocked you over. I’m glad you’re alive.” “Only just, I think,” he replied, needing a helping hand to stand up. “Can I give you a lift somewhere, take you to the nearest hospital?” “The nearest hospital? That would be in Bodmin, I think, about fifteen miles from here. I don’t fancy driving fifteen miles with you behind the wheel.” Feeling a little indignant now, Layla replied, “I’m actually a very good driver, thank you. You’re the first accident I’ve ever had.” “Lucky me,” he replied sarcastically.
Shani Struthers
The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads. Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them. Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection. Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol. No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds. Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!" The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it. The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The
Hugh Howey (Sand (The Sand Chronicles, #1))
I led my portion of the rearguard across the open ground to the right of the prince’s battalion, and surged into the first company of Castilian reinforcements as they tried to arrange into a defensive line. They were well-equipped foot with steel helms and leather jacks, glaives and axes, but demoralised and unwilling to stand against a charge of heavy horse. I skewered a serjeant in the front rank with my lance and rode over him as the men behind him scattered, yelling in fear and hurling their banners away as they ran. If all the Castilians had behaved in such a manner, we would have had an easy time of it, but now Enrique flung his household knights into the fray. It had started to rain heavily, sheets of water blown by strong winds across the battlefield, and a phalanx of Castilian lancers on destriers came plunging out of the murk, smashing into the front rank of my division. A lance shattered against my cuisse, almost knocking me from the saddle, but I kept my seat and slashed at the knight with my broadsword as he hurtled past, chopping an iron leaf from the chaplet encircling his basinet, but doing no other damage. My men held together under the Castilian charge, and soon there was a fine swirling mêlée in progress. I was surrounded by visored helms and glittering blades, men yelling and horses screaming, and glimpsed my standard bearer ahead of me, shouting and fending off two Castilians with the butt of his lance. Another Englishman rode in to help him, throwing his arms around one of the Castilians and heaving him out of the saddle with sheer brute strength, and then a fresh wave of steel and horseflesh, thrown up by the violent, shifting eddies of battle, closed over them and shut off my view. I couldn’t bear to lose my banner again, and charged into the mass of fighting men, clearing a path with the sword’s edge. A mace or similar hammered against my back-plate, sending bolts of agony shooting up my spine, and my foot slipped out of the stirrup as I leaned drunkenly in the saddle, black spots reeling before my eyes.
David Pilling (The Half-Hanged Man (The Half-Hanged Man, #1-3))
los jóvenes estudiarán en sus casas —con sus visores de realidad virtual o sus robots— y harán sus tareas en la escuela, con la ayuda de su profesor y en colaboración con sus compañeros.
Andrés Oppenheimer (¡Sálvese quien pueda!: El futuro del trabajo en la era de la automatización)
Sadie hopped in the car, twisting the key in the ignition and checking her makeup in the visor's mirror at the same time. Not enough eye shadow, she mused. Or maybe just a brighter shade... She'd pick up a festive color when she had a chance. “What do you think, Coco?” Sadie reached into the tote bag and pulled out the squirming ball of fluff, holding Coco up against her face so they could look in the mirror together. “C’mon, now, one yip for an exotic color around the eyes, two yips for brighter lipstick.” Instead of yipping an answer, the Yorkie gave Sadie’s cheek a canine kiss. Sadie reciprocated with a pat on the head. “I know, Coco, you love me just as I am. I feel the same way. Besides, I don’t think you’d care for lipstick unless it tasted like peanut butter.” Sadie adjusted the velvet pillow in the tote bag, placed the dog back inside and adjusted the seatbelt harness that held the bag in place. “Let’s go check out this inn of Tina’s. What do you say to that?” She smiled at the immediate yip of approval. It was rare she didn’t gain Coco’s enthusiasm when the word “go” turned up anywhere in a sentence.
Deborah Garner (A Flair for Chardonnay (Sadie Kramer Flair, #1))
UV/IR vision: use AI to make sense of light invisible to humans • Perfect sound memory: every sound you hear is catalogued forever and searchable with a query • Sound triangulation: when you hear a boom or a pop, your visor or glasses will light up and tell you exactly where it is happening • Perfect recall of imagery: when you take a passing glance at a license plate, its numbers and letters will be permanently captured and searchable • Prompting: AI is always in your head suggesting ideas and integrated into a device like a Fitbit to augment physical goals • “God’s Eye” view: satellite imagery and completely autonomous pocket drones that can feed images directly to your headset, effectively giving you a pair of disembodied eyes in motion • LIDAR (light detection and ranging) sensing: remote-sensing methods that can use light in the form of a pulsed laser to measure ranges • Ability to predict exact motion and speed of any object nearby • Ability to see and detect radio waves: pull a radio wave that you perceive out of the ether with the gesture of a swipe and then decode it and catalog it permanently • X-ray vision: Look inside a building through the eyes of your autonomous robotic appendage to see if there is a leak or other technical malfunction
Amir Husain (The Sentient Machine: The Coming Age of Artificial Intelligence)
los vendedores de las tiendas físicas verán limitadas sus funciones por el creciente uso de visores de realidad virtual, con los cuales la gente hará sus compras —viendo los productos en tres dimensiones y en tamaños reales— desde la comodidad de sus casas.
Andrés Oppenheimer (¡Sálvese quien pueda!: El futuro del trabajo en la era de la automatización)
I wore my visor proudly alongside the unflinchingly honest Veronica. “Why you wear girl hat for?” “Because, Veronica, this is America and, male or female, hat hair doesn’t discriminate.
Ross Mathews (Man Up!: Tales of My Delusional Self-Confidence (A Chelsea Handler Book/Borderline Amazing Publishing))
open. Lt. Hinis stormed in, dressed in her environment suit, huge and bulky with its bronze helmet and grilled visor. “Doctor, come quick, we need your help. There’s been a killing.” “Another one?” Janx
Jack Conner (The Atomic Sea: Volume One (The Atomic Sea, #1))
Tate raised a hand, and before he shut the visor, he promised, “I’ll look even hotter in fifteen minutes when I’m naked. So, quit bitching, and get on the bike, Logan.
Ella Frank (Try (Temptation, #1))
At my “office” I wear an AR visor on my forehead. The visor is a curved band about hand width wide that is held a few inches away from my eyes for extra comfort during daylong use. The powerful visor throws up virtual screens all around me. I have about 12 virtual screens of all sizes and large data sets I can wrestle with my hands. The visor provides enough resolution and speed that most of my day I am communicating with virtual colleagues. But I see them in a real room, so I am fully present in reality as well. Their photorealistic 3-D avatar captures their life-size likeness accurately. My coworkers and I usually sit at a virtual table in a real room while we work independently, but we can walk around each other’s avatar. We converse and overhear each other just as if we are in the same room. It is so convenient to pop up an avatar that even if my real coworker is on the other side of the real room, we’ll just meet in the AR rather than walk across the gap.
Kevin Kelly (The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future)
Emperor Wilhelm II, who also served as supreme bishop of the Prussian Church, delivered this message to his troops at the outbreak of war: “Remember that the German people are the chosen of God. On me, on me as German Emperor, the Spirit of God has descended. I am His weapon. His sword and His visor.
Joseph Loconte (A Hobbit, a Wardrobe, and a Great War: How J.R.R. Tolkien and C.S. Lewis Rediscovered Faith, Friendship, and Heroism in the Cataclysm of 1914-18)
It got to the point where he didn’t even look up at the sky any more as he blundered back and forth. The human mind had evolved for just one universe, he thought. How much of this crap was he supposed to take? He felt exhausted, resentful, bewildered. “Wait.” He paused. He had loped out of the portal onto another stretch of scuffed, anonymous regolith. She was lying in his arms, her weight barely registering. He looked down into her face, and pushed up her gold sun visor. “Emma?” She licked her lips. “Look. Up there.” No Galaxy visible, but a starry sky. The stars looked, well, normal. But he’d learned that meant little. “So what?” Emma was lifting her arm, pointing. He saw three stars, dull white points, in a row. And there was a rough rectangle of stars around them—one of them a distinctive red—and what looked like a Galaxy disc, or maybe just a nebula, beneath … “Holy shit,” he said. She whispered, “There must be lots of universes like ours. But, surely to God, there is only one Orion.” And then light, dazzling, unbearably brilliant, came stabbing over the close horizon. It was a sunrise. He could actually feel its heat through the layers of his suit. He looked down at the ground at his feet. The rising light cast strong shadows, sharply illuminating the miniature crevices and craters there. And here was a “crater” that was elongated, and neatly ribbed. It was a footprint. He stepped forward, lifted his foot, and set it down in the print. It fit neatly. When he lifted his foot away the cleats of his boot hadn’t so much as disturbed a regolith grain. It was his own footprint. Good grief. After hundreds of universes of silence and remoteness and darkness, universes of dim light and shadows, he was right back where he started.
Stephen Baxter (Time (Manifold #1))
I swung my legs out of bed, pulled jeans and a sweatshirt over my pyjamas, jammed my feet into trainers, and had a quick look at what he’d left me. Night visor, blaster, handgun, stun gun. It would seem something fairly dangerous threatened. Jehovah’s Witnesses, perhaps.
Jodi Taylor (A Catalogue of Catastrophe (Chronicles of St. Mary's #13))
don’t know if you’ve ever been stared down by an elderly Asian woman, but It. Is. Terrifying. Don’t be fooled by the cute florals and jaunty visors—these women will end you, wielding nothing but their sharp tongues, bony elbows, and collapsible shopping carts.
Mia P. Manansala (Arsenic and Adobo (Tita Rosie's Kitchen Mystery, #1))
visors,
Ann M. Martin (Mary Anne and Too Many Boys (The Baby-Sitters Club, #34))
It's never like the movies, Cain." Hannah snorted. "What idiot hides their key in the visor?" I shrugged. "I mean, they had to get the idea from somewhere." "It's called lazy writing." She pulled herself up into the passenger seat and looked in the glove box. "Hey, I found the keys!
John Corwin (Shadow of Cthulhu (Chronicles of Cain, #6))
Perhaps a long, long time. Perhaps many years. But what better way could there be to spend our lives?” I turned to stare at her. “Whatever are you talking about?” “These young women. That girl back at the bunkers. Corrie, if people can be taught to hate, they can be taught to love! We must find the way, you and I, no matter how long it takes. . . .” She went on, almost forgetting in her excitement to keep her voice to a whisper, while I slowly took in the fact that she was talking about our guards. I glanced at the matron seated at the desk ahead of us. I saw a gray uniform and a visored hat; Betsie saw a wounded human being. And I wondered, not for the first time, what sort of a person she was, this sister of mine . . . what kind of road she followed while I trudged beside her on the all-too-solid earth.
Corrie ten Boom (The Hiding Place)
What do you think the Hogyoku’s power is? Do you think it controls the boundaries between hollows and soul reapers, two conflicting opposites? Wrong. The Hogyoku’s true power is the ability to read the hearts of those around it…and realize their deepest desires.” “What?!” “Don’t you see? Everything that has materialized around Ichigo Kurosaki, Rukia Kuchiki, Kisuke Urahara…was brought into being by the Hogyoku.” “What are you saying?” “Kisuke Urahara mistook the nature of its power. He thought it controlled the boundaries between hollows and soul reapers because that was his wish as the Hogyoku’s creator. Rukia Kuchiki’s spiritual powers were all transferred to Ichigo Kurosaki causing her to to lose all her soul reaper powers because she was torturing herself for having killed Kaien Shiba. Yasutora Sado, Orihime Inoue…their special powers were awakened because deep in their hearts they cursed their own powerlessness. I knew the nature of the Hogyoku’s true power from the start. No. That’s misleading. To be precise… I knew that the Hogyoku didn’t control the boundaries between hollows and soul reapers as Kisuke Urahara claimed. Because if that were true…Shinji Hirako and the others would never have become complete visoreds. The hollowfying of Shinji Hirako and the others was an experiment in hollowfication as well as a verification of the Hogyoku’s powers. The experiment was a success. With the activation of the Hogyoku’s powers by Kisuke Urahara…Shinji Hirako and the others evolved into complete visoreds. And armed with my suspicions about the Hogyoku’s powers…I sent Rukia Kuchiki to Ichigo Kurosaki. Of course…even the Hogyoku’s power has its limits. It materializes whatever is in the hearts of the beings around it… but only if it is within the subjects’ abilities. In that sense, it is a power to lead the subject in the direction it wishes to go. But living beings are strange creatures. They are designed to realize whatever their undersized hearts desire.
Tite Kubo (Bleach―ブリーチ― 46 [Burīchi 46] (Bleach, #46))
Sorry, Commander. Just finishing off this carrot. Ahm…Dublin, let’s see. Seventy-five…Eighteen seventy-five.” “I thought so! This place is completely different. The humans have even managed to change the shape of the coastline.” Foaly was silent for a moment. Root could just imagine him wrestling with the problem. The centaur did not like to be told that any part of his system was out of date. “Okay,” he said at last. “Here’s what I’m going to do. We have a Scope on a satellite TV bird with a footprint in Ireland.” “I see,” muttered Root—which was basically a lie. “I’m going to e-mail last week’s sweep direct to your visor. Luckily there’s a video card in all the new helmets.” “Luckily.” “The tricky bit will be to coordinate your flight pattern with the video feed.…” Root had had enough. “How long, Foaly?” “Ahm…Two minutes, give or take.” “Give or take what?” “About ten years if my calculations are off.” “They’d better not be off then. I’ll hover until we know.” One hundred and twenty-four seconds later, Root’s black-and-white blueprints faded out, to be replaced by full-color daylight imaging. When Root moved, it moved, and Holly’s locator beacon dot moved too. “Impressive,” said Root. “What was that, Commander?” “I said impressive,” shouted Root. “No need to get a swelled head.” The commander heard the sound of a roomful of laughter, and realized that Foaly had him on the speakers. Everyone had heard him complimenting the centaur’s work. There’d be no talking to him for at least a month. But it was worth it. The video he was receiving now was bang up to date. If Captain Short was being held in a building, the
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
She turned to get a view of Euryale in the mirror, but before she could strike, Euryale removed her hand from Chris’s face and ripped Kate’s visor off her hat. Kate’s eyes were wide open, and without the visor protecting her, she was staring straight into the gaze of Medusa.
Michelle Madow (The Head of Medusa (Elementals, #3))
George hit one of those small clicker-thingies that was clipped onto the visor, and the garage door started to open.
Ali Novak (My Life with the Walter Boys (My Life with the Walter Boys #1))
Here’s to finding someone who loves you not despite your flaws, but because of them. There is someone out there who will give you the whole world, not just half of it. And maybe, it will be an unhinged biker who tells you to look at your reflection in his visor to see how pretty you are when you come undone for him. It’s time to get on your knees and welcome Alexei… He’s ready to take you on a wild ride.
Luna Mason (Crave (Beneath the Secrets, #3))
Virtual reality: Since 1991, Sega had been quietly developing a sci-fi-like set of virtual-reality goggles in order to provide the most immersive gaming experience imaginable. Nicknamed the Sega VR, this futuristic visor consisted of dual LCD screens, which merged together three separate 3-D technologies, and a series of tiny inertial sensors that tracked movements of the user’s head. Completion of this project and proper safety testing were still more than a year away. 5.
Blake J. Harris (Console Wars: Sega, Nintendo, and the Battle that Defined a Generation)
FACE ONE WEARS as an adult is a mask that’s cut to fit in her youth.” There are many kinds of masks, Anna thought. Theater masks and Halloween masks and surgical masks and fencing masks and diving masks and wrestling masks and ski masks. Welding visors and face cages, blindfolds and dominos. And death masks. The Doktor continued. “Every mask becomes a death mask when you can no longer put it on or take it off at will. When it conforms to the contours of your psychic face. When you mistake the persona you project for your living soul. When you can no more distinguish between the two.
Jill Alexander Essbaum (Hausfrau)
It was clear that Simone was not only victim to the Ciatron, but to Michael Visor’s motives as well. He had led Simone to believe that it would be a simple trade and no one would be harmed.
S.L. Morgan (The Legacy of the Key (Ancient Guardians, #1))