Visible Veins Quotes

There is a string that connects us that is not visible to the eye. Maybe every person has more than one soul they are connected to, and all over the world there are those invisible strings… Maybe the chances that you’ll find each and every one of your soul mates is slim. But sometimes you’re lucky enough to stumble across one. And you feel a tug. And it’s not so much a choice to love them though their flaws and through your differences, but rather you love them without even trying. You love their flaws.

How many times have you been in love, Doctor?" "Twice. The love of my life, and now my soulmate." "What's the difference? Between the love of your life, and your soulmate?" "One is a choice, and one is not...There is a string that connects us that is not visible to the eye. Maybe every person has more than one soul they are connected to, and all over the world there are these invisible strings. Maybe the chances that you'll find each and every one of your soulmates is slim. But sometimes you're lucky enough to stumble across one. And you feel a tug. And it's not so much a choice to love them through their flaws and through your differences, but rather you love them without even trying. You love their flaws.

The breath of wind that moved them was still chilly on this day in May; the flowers gently resisted, curling up with a kind of trembling grace and turning their pale stamens towards the ground. The sun shone through them, revealing a pattern of interlacing, delicate blue veins, visible through the opaque petals; this added something alive to the flower's fragility, to it's ethereal quality, something almost human ,in the way that human can mean frailty and endurance both at the same time. The wind could ruffle these ravishing creations but it couldn't destroy them, or even crush them; they swayed there, dreamily; they seemed ready to fall but held fast to their slim strong branches-...

There is a string that connects us that is not visible to the eye. Maybe every person has more than one soul they are connected to, and all over the world there are these invisible strings. Maybe the chances that you'll find each and every one of your soulmates is slim. But sometimes you're lucky enough to stumble across one. And you feel a tug. And it's not so much a choice to love them through their flaws and through your differences, but rather you love them without even trying. You love their flaws.

There is so much to say about a past. It's a vein of gold through a mountain, leading to an incontrovertible stone heart of truth. But the future is a horizon - a faintly visible line that will promise much, and always remain to far away to touch.

Black vomit came gushing out Samantha’s mouth, adding to the puddle already on the floor. Samantha was covered in a sheen of sweat, crouched on all fours on the wooden hallway floor, like an animal. Her thick yellow fingernails made deep scratches in the wood as her body convulsed with each new expulsion of the black vomit. Her hair was long and thick and full; thicker and fuller than he had ever seen it. It reminded him of a lion’s mane. Her skin was a sickly pale grey with disturbing red boils the size of grapefruit and weeping puss-filled black blotches where others had burst. Spider webs of blue veins were visible under the skin all over her body.

At every new torment which is too hard to bear we feel yet another vein protrude, to unroll its sinuous and deadly length along our temples or beneath our eyes. And thus gradually are formed those terrible ravaged faces, of the old Rembrandt, the old Beethoven, at whom the whole world mocked. And the pockets under the eyes and the wrinkled forehead would not matter much were there not also the suffering of the heart. But since strength of one kind can change into a strength of another kind, since heat which is stored up can become light and the electricity in a flash of lightning can cause a photograph to be taken, since the dull pain in our heart can hoist above itself like a banner the visible permanence of an image for every new grief, let us accept the physical injury which is done to us for the sake of the spiritual knowledge which grief brings; let us submit to the disintegration of our body, since each new fragment which breaks away from it returns in a luminous and significant form to add itself to our work, to complete it at the price of sufferings of which others more richly endowed have no need, to make our work at least more solid as our life crumbles away beneath the corrosive action of our emotions.

The nonhuman world has patterns , too. Look at veins of a leaf, your hand, a tree, gold through rock, a river headed to sea, lightning. And again, again not just in the visible but also in the invisible. In the airflow, particles, sound waves, ley lines, too, veining across this poor, battered home of ours. Again, again, again. Everything predicts everything else. Everything affects everything else.

What’s the difference?” I asked him. “Between the love of your life, and your soulmate?” “One is a choice, and one is not.” I’d never thought of love as a choice. Rather, it seemed like the un-choice. But if you stayed with someone who was self-destructing and chose to keep loving, I suppose it could be a choice. I waited for him to go on. To explain how I fit in. “There is a string that connects us that is not visible to the eye,” he said. “Maybe every person has more than one soul they are connected to, and all over the world there are these invisible strings.” As if to make his point, his finger traced a black ribbon that ran through my horse’s mane. “Maybe the chances that you’ll find each and every one of your soulmates is slim. But sometimes you’re lucky enough to stumble across one. And you feel a tug. And it’s not so much a choice to love them through their flaws and through your differences, but rather you love them without even trying. You love their flaws.

I mean, we don’t have to worry about it until winter, anyway,” she said. “I was just wondering if you felt cured.” I didn’t know what to tell her. I didn’t feel cured. I felt like what Cole said —almost cured. A war survivor with a phantom limb. I still felt that wolf that I’d been: living in my cells, sleeping uneasily, waiting to be coaxed out by weather or a rush of adrenaline or a needle in my veins. I didn’t know if that was real or suggested. I didn’t know if one day I would feel secure in my skin, taking my human body for granted. “You look cured,” Grace said. Just her face was visible at the end of the shower curtain, looking in at me. She grinned and I yelled. Grace reached in just far enough to shut off the tap. “I’m afraid,” she said, whipping the shower curtain open all the way and presenting me with my towel, “this is the sort of thing you’ll have to put up with in your old age.” I stood there, dripping, feeling utterly ridiculous, Grace standing opposite, smiling with her challenge. There was nothing for it but to get over the awkwardness. Instead of taking the towel, I took her chin with my wet fingers and kissed her. Water from my hair ran down my cheeks and onto our lips. I was getting her shirt all wet, but she didn’t seem to mind. A lifetime of this seemed rather appealing. I said gallantly, “That better be a promise.

The model stripped down naked and stood with her arms out to her sides while genderless cohorts sprayed her body with large silver canisters of foundation. They wore masks over there faces and sprayed her from head to toe like they were putting out a fire. They airbrushed her into a mono-toned six-foot-two column of a human being with no visible veins, nipples, nails, lips, or eyelashes. When every single thing that was real about the model was gone, the make up artist fug through a suite case of brushes and plowed through hundreds of tubes of flesh colored colors and began to draw human features onto her face. At the same time, the hair stylist meticulously sewed with a needle and thread strand after strand of long blond hairs onto her thin light brown locks, creating a thick full mane of shimmering gold. The model had brought her own chef, who cooked her spinach soup from scratch. The soup was fed to her by one of her lackeys, who existed solely for this purpose. The blond boy stood in front of her, blowing on the soup and then feeding it to her from a small silver child's spoon, just big enough to fit between her lips. the model's mouth was barely open, maybe a quarter of an inch wide, so that she would not crack the flesh colored paint.

One colour. One word. So many shades. The color of african skin, of shadow on snow, of a jay's throat, the color of saxophones at dusk, of orbiting police lights smeared across tenement windows, of a flame's intestines, of the faint tracery of veins visible beneath the ghost-flesh of her forearm's underside, of loneliness, of melancholy. The blues.

I’d never known that skin could be so luminous, so translucent: ivory white with occasional blue veins visible just beneath the surface, like threads of color in white marble. She was a statue; a Greek goddess come to life in my hands.

Instead, I reach out and run my hand over his wings. He closes his eyes, like he’s savoring the sensation. Getting up, I circle behind him, studying the silvery skin of them as my hand passes over each talon and joint. Beneath my touch, I feel him shiver. His wings stretch in response, the fine veins of them clearly visible even here in the dim lighting. “I always assumed that fairies had butterfly wings,” I admit. “You’re not wrong,” Des says, his back still to me. “Mine are particularly rare.

    “The vigor of glory, a glittering in the veins,      As things emerged and moved and were dissolved,      Either in distance, change or nothingness,      The visible transformations of summer night,      An argentine abstraction approaching form      And suddenly denying itself away.

There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient. It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste. Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.) Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire." The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand. And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss. Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off.

I wish I could understand the window in your soul. Mine has none such, but I believe in others'. It is as though mine says to me, You alone are damned. To you the daylight, to you the reality of what appears; for you the dead of Carthage will be dead forever, the pain everywhere the overmastering reality, the skull beneath the fairest skin always visible beneath the blue-veined temples, in the laughing teeth. To you, the lone and level sands covering human endeavor, the ephemerality of laughter. ... Only for others, the reality of human life, the game worthwhile as it is being played. Only for others, any kind of hope. Only for others, the window in the closed room.--or closed galaxy, it makes no difference.

A large piece of lead floated out of Bobby head, followed by dark chunks of what could only be pieces of Bobby's brain. The torrent started up again. It flowed steady rather than pulsed with his heart. I knew from that, and from the amount of blood, that it was that mofo vein bleeding. And probably more than a small tear if the amount of blood was telling. I thought there had to be a hole the size of Montana in that thing. "Jesus Mother Mary" I said, then "Stitch!" The scrub tech slapped a needle holder into my palm, a curved needle and silk stitch clamped into the end of it. I might have closed my eyes—I've been told I do that sometimes in surgery when I'm trying to visualize something—though if so I don't remember doing it. I took that needle and aimed it into the pool of blood. "Suck here Joe, right here." When I thought I could see something, something gray and not black red, I plunged the pointy end of the needle through whatever the visible tissue was and looped it out again. I cinched it down and tied it quick, then repeated the maneuver again after adjusting slightly for lighting, sweating, my own bounding heartbeat, and the regret I wasn't wearing my own diaper. We're losing, I thought.

His skin is the green of aging leaves, and his body is covered in thorny vines that move like extended limbs. He raises his hand, and a vine slithers out of the center of his palm. I can see the remnants of the man it once was. Its face is distorted and black veins are visible beneath its skin. In its open mouth are black gums and pieces of broken teeth. Gouged eyes are a mess of torn flesh. They don’t need eyes to see. The blind giants. The

In the Village III Who has removed the typewriter from my desk, so that I am a musician without his piano with emptiness ahead as clear and grotesque as another spring? My veins bud, and I am so full of poems, a wastebasket of black wire. The notes outside are visible; sparrows will line antennae like staves, the way springs were, but the roofs are cold and the great grey river where a liner glides, huge as a winter hill, moves imperceptibly like the accumulating years. I have no reason to forgive her for what I brought on myself. I am past hating, past the longing for Italy where blowing snow absolves and whitens a kneeling mountain range outside Milan. Through glass, I am waiting for the sound of a bird to unhinge the beginning of spring, but my hands, my work, feel strange without the rusty music of my machine. No words for the Arctic liner moving down the Hudson, for the mange of old snow moulting from the roofs. No poems. No birds.

Sleep drifted about over lukewarm waves, like an anesthetic leaching in through veins, seized by sleep's phantoms... held within sleep, on eye make a simultaneous record of what the other sees. Sleep, the soul's gelatinous component, the made-visible half-form of that which is unsee. Dreams and the embrace of dreams, which always stir up such sluggish, stunned sensations. This things that stimulates my sleep, the respiration and waves of dreams, waves of breath, and waves of water, that chord and note.

Hay una cuerda que nos conecta, que no es visible al ojo. Tal vez cada persona tiene más de un alma a la que están conectados, y sobre todo el mundo existen aquellas cuerdas invisibles. Tal vez las posibilidades de que encontrarás a todas y cada una de tus almas gemelas son escasas. Pero a veces eres lo suficientemente afortunado para toparte con una. Y sientes una atracción. Y no es tanto como una opción de amarlos por sus defectos y por tus diferencias, pero prefieres amarlos sin siquiera intentar. Amas sus defectos.

That night was the most erotic, blissful night of my life. I spent hours exploring Kathy’s body. We made love all night, until dawn. I remember so much white everywhere: white sunlight creeping around the edges of the curtains, white walls, white bedsheets; the whites of her eyes, her teeth, her skin. I’d never known that skin could be so luminous, so translucent: ivory white with occasional blue veins visible just beneath the surface, like threads of color in white marble. She was a statue; a Greek goddess come to life in my hands.

She felt him watching her, staring at her back and the three scars she knew her low-cut nightgown did nothing to hide. “Are you going to remain here while I change?” She faced him. He wasn’t looking at her the way he had the night before. There was something wary in his gaze—and something unspeakably sad. Her blood thrummed in her veins. “Well?” “Your scars are awful,” he said, almost whispering. She put a hand on a hip and walked to the dressing room door. “We all bear scars, Dorian. Mine just happen to be more visible than most. Sit there if you like, but I’m going to get dressed.” She strode from the room.

What’s the difference?” I asked him. “Between the love of your life, and your soulmate?” “One is a choice, and one is not.” “There is a string that connects us that is not visible to the eye,” he said. “Maybe every person has more than one soul they are connected to, and all over the world there are these invisible strings.” As if to make his point, his finger traced a black ribbon that ran through my horse’s mane. “Maybe the chances that you’ll find each and every one of your soulmates is slim. But sometimes you’re lucky enough to stumble across one. And you feel a tug. And it’s not so much a choice to love them through their flaws and through your differences, but rather you love them without even trying. You love their flaws.

The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself' - Oshima, 316 I'm empty-handed now. The can of yellow spray paint, the little hatchet- they're history. The daypack's gone as well. No canteen, no food. Not even the compass. One by one I left these behind. Doing this gives a visible message to the forest: I'm not afraid anymore. That's why I choose to be totally defenseless. Minus my hard shell, ust flesh and bones, I head for the core of the labyrinth, giving myself up to the void. ... But I gradually get better at letting these threats pass me by. This forest is basically a part of me, isn't it? This thought takes hold at a certain point. The journey I'm taking is inside me . Just like blood travels down veins, what I'm seeing is my inner self, and what seems threatening is just the echo of fear in my own heart. The spiderweb stretched taut there is the spiderweb inside me. The birds calling out overhead are birds I've fostered in my mind. These images spring up in my mind and take root. - Kafka, 396-7

I saw the Tracker—but that’s wrong, really. I saw right to where the tracking thing was. I saw those winnowing tentacles come out again, and the front figure pause, and then—it’s the only word that actually describes it—ooze on again on its via dolorosa. And at that the hind figure seemed to summon all its strength. It seemed to open out a fringe of arms or tentacles, a sort of corona of black rays spread out. It gaped with a full expansion, and even I could feel that there was a perfectly horrible attraction, or vacuum drag, being exerted. That was horrible enough, with the face of the super-suffering man now almost under me resonating my own terror. But the worst thing was that, as the tentacles unwrapped and winnowed out toward their prey, I saw they weren’t really tentacles at all. They were spreading cracks, veins, fissures, rents of darkness expanding from a void, a gap of pure blackness. There’s only one way to say it—one was seeing right through the solid world into a gap, an ultimate maelstrom. And from it was spreading out a—I can only call it so—a negative sunrise of black radiation that would deluge and obliterate everything. Of course it was still only a fissure, a vent, but one realized—This is a hole, a widening hole, that has been pierced in the dike that defends the common-sense, sensuous world. Through this vortex-hole that is rapidly opening, over this lip and brink, everything could slip, fall in, find no purchase, be swallowed up. It was like watching a crumbling cliff with survivors clinging to it being undercut and toppling into a black tide that had swallowed up its base. This negative force could drag the solidest things from their base, melt them, engulf the whole hard, visible world. And we were right on that brink. What was after us, for I knew now I was in its field, was not a thing of any passions or desires. Those are limited things, satiable things—in a way, balanced things, and so familiar, safe even, almost friendly in comparison with this. You know the grim saying, “You can give a sop to Cerberus, but not to his Master.” No, this was—that’s the technical term, I found, coined by those who have been up against this and come back alive—this was absolute Deprivation, really insatiable need, need that nothing can satisfy, absolute refusal to give, to yield. It is the second strongest thing in the universe, and, indeed, outside that. It could swallow the whole universe, and the universe would go for nothing, because in that gap the whole universe could fill not a bit of it. It would remain as empty, as gaping, as insatiable as ever, for it is the bottomless pit made by unstanchable Lack.

Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace.

Last night I undressed for bed. But instead of crawling between the sheets I decided to stand, naked, in front of the large full-length mirror that is propped against the wall next to my bed. ⠀ ⠀ I turned off the bright lights, and found a song that spoke to the energy I could feel under my skin. For a while I just stood there. And I looked at myself. Bare skin. Open Heart. Clear truth. ⠀ ⠀ It's a wonder, after 42 years on earth, to allow it to fully land, this knowing that I can stop, and look at myself and think things other than unkind words. ⠀ ⠀ Don't get me wrong. I don't want to paint you a pretty social media picture that doesn't play out in real life. I'm not suddenly completely fine with all that is. I'm human and I'm a woman in the midst of this particular culture, and so of course I'd love to be tighter and firmer and lifted. I'd love to have the skin and metabolism I did in my twenties. I wish, often, that my stomach were flatter. I wear makeup and I dye away my gray hair. I worry about these things too, of course I do. ⠀ ⠀ But finally, and fully - I can stand and look at myself and be filled, completely, with love. I can look at myself entirely bare and think, yes, I like myself now. Just as I am. Even if nothing changes. This me. She is good. And she is beautiful. ⠀ ⠀ And even in the space of allowing myself to be human, and annoyed with those things I view as imperfections, I honor and celebrate this shift. ⠀ ⠀ And so last night I was able to stand there. Naked and unashamed and run my own hands gently along my own skin. To offer the tenderness of the deepest seduction. To practice being my own best lover, to romance my own soul. To light the candles and buy the flowers. To hold space for my own knowing. ⠀ ⠀ And to touch my own skin while the music played. Gently. Lightly. With reverence. My thighs, my arms, my breasts, my belly, the points where my pulse makes visible that faint movement that proves me alive. To trace the translucent blue veins, the scars, the ink that tells stories. To whisper to the home of my own desire. ⠀ ⠀ I love you. ⠀ I respect your knowing. ⠀ Thank you for waiting for me to get here. ⠀ I finally see that you are holy.

Had she ever noticed a man’s forearms before? These seemed exemplary specimens. Just outstanding. Strong and seductive, with veins clearly visible under the golden skin. If there were a museum for forearms he could donate his for posterity. But then he would be dead, Grace.

Her hair is a mass of little curls. Does she make the curls herself, with tongs? Unlikely: it would take hours every day. They must grow that way. He has never seen such a tessitura from close by. The veins on her ears are visible as a filigree of red and purple. The veins of her nose too. And then a chin that comes straight out of her chest, like a pouter pigeon’s. As an ensemble, remarkably unattractive.

Hand that stretched I had never seen him there before, On the street where I tread every day to settle life’s daily score, There on the edges of pavement at its most conspicuous location, He knelt there with no sense of self promotion, With one hand held out from his thinning and tattered blanket, And he held it there in this position from the sunrise to the sunset, And everyone who passed by flung something towards him, Few tossed money, few tossed a thing or two, but most of them offered him looks grim, It was at these moments his hand retreated a bit, But then it reclaimed its stance that the man had for many years now deemed fit, And people looked at him, a few looked at the hand, Many, just like me, paused for a moment and thought of the causes for his life being so bland, Who could tell, no one, none of us, for only the hand knew of the strain, Of being stretched forever on the pillars of disdain and a lot of pain, Beside the man, next to the pavement, flowed a river, That stretched endlessly like his hand as if trying to reach out to its discreet lover, Because it flowed slowly, with no visible waves, no movement at all, But in reality it flowed deep into the veins of journey encompassing seasons all, The journey called life that just like kneeling man’s hand stretches endlessly, Through which we seek life, that evades us all tirelessly, Because finding it will be like the river meeting its lover, And then both the river and the hand would sink to a point lower, From where nothing can be retrieved once lost, Because there everything is a creation of the past, To be continued........

One colour. One word. So many shades. The color of african skin, of shadow on snow, of a jay's throat, the color of saxophones at dusk, of orbiting police lights smeared across tenement windows, of a flame's intestines, of the faint tracery of veins visible beneath the ghost-flesh of her forearm's underside, of loneliness, of melancholy. The blues.

Humans are animals and like all animals we leave tracks as we walk: signs of passage made in snow, sand, mud, grass, dew, earth or moss. The language of hunting has a luminous word for such mark-making: 'foil'. A creature's 'foil' is its track. We easily forget that we are track-makers, though, because most of our journeys now occur on asphalt and concrete - and these are substances not easily impressed. 'Always, everywhere, people have walked, veining the earth with paths visible and invisible, symmetrical or meandering,' writes Thomas Clark in his enduring prose-poem 'In Praise of Walking'. It's true that, once you begin to notice them, you see that the landscape is still webbed with paths and footways - shadowing the modern-day road network, or meeting it at a slant or perpendicular. Pilgrim paths, green roads, drove roads, corpse roads, trods, leys, dykes, drongs, sarns, snickets - say the name of paths out loud and at speed and they become a poem or rite - holloways, bostles, shutes, driftways, lichways, ridings, halterpaths, cartways, carneys, causeways, herepaths.

Since it was no mere death from suffocation that Jesus suffered, but a bloody death, in which His veins were emptied of their blood, this condition of separation must receive visible representation on the altar. This condi tion is fulfilled only by the double Consecration, which brings before our eyes the Body and Blood in the state of separation and thus represents the mystical shedding of the Blood. It is this consideration that suggested to the Fathers the idea, which was adopted into some litur gies, of the double Consecration as a two-edged " mys tical sword." Thus St. Gregory of Nazianzus says: " Hesitate not to pray for me, . . . when with bloodless stroke thou separatest the Body and Blood of the Lord, employing speech as a sword." 21

Hey, Sweeney,” said Shadow, breathless, “why are we fighting?” “For the joy of it,” said Sweeney, sober now, or at least, no longer visibly drunk. “For the sheer unholy fucken delight of it. Can’t you feel the joy in your own veins, rising like the sap in the springtime?” His lip was bleeding. So was Shadow’s knuckle.

A large piece of lead floated out of Bobby head, followed by dark chunks of what could only be pieces of Bobby's brain. The torrent started up again. It flowed steady rather than pulsed with his heart. I knew from that, and from the amount of blood, that it was that mofo vein bleeding. And probably more than a small tear if the amount of blood was telling. I thought there had to be a hole the size of Montana in that thing. "Jesus Mother Mary" I said, then "Stitch!" The scrub tech slapped a needle holder into my palm, a curved needle and silk stitch clamped into the end of it. I might have closed my eyes—I've been told I do that sometimes in surgery when I'm trying to visualize something—though if so I don't remember doing it. I took that needle and aimed it into the pool of blood. "Suck here Joe, right here." When I thought I could see something, something gray and not black red, I plunged the pointy end of the needle through whatever the visible tissue was and looped it out again. I cinched it down and tied it quick, then repeated the maneuver again after adjusting slightly for lighting, sweating, my own bounding heartbeat, and the regret I wasn't wearing my own diaper. We're losing, I thought.

Long legs and longer arms, each tipped with a row of black talons. Sinewy. Wiry. And above all, humanoid, its skin in the sunlight as translucent as a baby mouse’s—mapped with a network of blue veins and purple arteries and even its heart faintly visible as a pinkish throb just right of center mass. snarling as strings of bloody saliva dangled from the corners of its lipless mouth, creamy eyes hard-focused on its target.

She’d got her hair scooped back from her face this time, in some kind of rather fetching clip arrangement, but wayward tendrils kept escaping at the sides. It is just one shade away from black, and her eyes, I decided after some very serious analysis, are not exactly hazel, more grey, but with little spangles of gold. And her skin is simply amazing – so white that it’s nearly translucent, with a delta of tiny blue veins just visible near the corners of her eyes. But

Hennick’s iliac artery and vein, as well as the artery and vein of the new kidney, were spliced together with neat embroidery stitches. Then the surgeon took a deep breath, stretched his arms like a stage conjurer, and said to me: “You’re about to witness the most wonderful sight in the history of medicine.” He removed the arterial and venous clamps in sequence, and Hennick’s blood began to pump into the withered kidney. Each beat of his heart, visible in the pumping of the arteries, caused the kidney to swell. It was like watching a process of reanimation: a refutation of death. As the kidney grew, its defeated, dimpled surface began to fill out to a lucent pink. The surgeon held up the ureter of the new kidney (the tube that carries urine to the bladder) and I watched as a bead of urine began to grow at its cut end.

Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace. Merle

I missed the rest of the conversation because, while the good actor was carefully cooking his sentences with criticisms spiced with kindness, another member of the group, a young man who looked Chinese, with a face like raspberry jelly, stumbled up to me. His naturally yellow complexion was complemented by bright threads of broken veins, more purple than red. He had thick hair, a receding brow, jutting cheekbones, narrow eyes whose dark pupils seemed more polished than alive, a barely visible moustache the color of dead leaves, a little salt and pepper beard that was worn out like an old carpet, a long neck with an Adam’s apple stuck in it like a huge walnut, and shoulders like a scrawny old horse which did not fit with his thick, short chest and his pot belly. He was knock-kneed and bowed legged, with kneecaps shaped like coconuts. He also borrowed Doctor Magne’s chair, blew cigarette smoke out his nose, and took his turn to tackle me. His language was less elegant than the other two; it was hard for him to speak, which you could put down to shyness. He was dull and awkward. He seemed horribly unhappy and sorry to have come over, but there he was. He had to march on—and he did so heroically!—death in his soul. “Monsieur—finally yes!... Monsieur… I don’t like to jaw about brothers… absolutely not! But I have to tell you that Desbosquets is a lot more… absolutely… oh, I’ll blurt it out… a lot more… absolutely cracked than our friend Magne. Absolutely yes!” He wanted to be frank, to open up, which he constantly regretted, because he knew that he would be clumsy and mocked; he felt ridiculous and it was killing him. But his need for some honest self-indulgence gnawed at him, and he spit out his slang and his absolutelys—‘absolutely yes!’ and ‘absolutely no!’— which made him think he was revealing the deepest depths of his soul. He continued. “Maybe they told you about me—yes! I know: bing, bang —mechanics! Absolutely yes! A hack, they must have told you…” (Aha! I thought. So it’s my colleague the poet!) “…and the worst trouble, right? That’s Leonard—yes! Ah! When I’m a little…bing, bang…mechanics! I guess—grumpy—I don’t say… but there’s not an ounce of meanness in me! Disgusting, this awful problem with talking, but the mechanics, you know—because it’s the mechanics—no way! Do you want me to tell you my name? Ah! Totally unknown, my name, but don’t want them to mangle it mechanically when quoting it to you: Oswald Norbert Nigeot. Don’t say Numskull—no!—Although my verses!... Ah! Damned mechanics!... A bonehead, a stupid bonehead, bitten by the morbid mania to write—and the slander of the old students of the Polytechnic! Oh! To write! Terrible trade for the poorly gifted like me who are… bing, bang, not mechanics! And angry at the mechanics of words. Polytechnic pigs manufacture words; so, poor hacks can’t use them. Ah! Even this is mechanics!... And drunk on it, Desbosquets too, very drunk! Obviously you see it: Cusenier, Noilly-Prat, why not Pernod? It’s awful for people like him and me! See, you know— liquids are scarce—but thanks to the guards’ hatred of Bid’homme… and thanks to old Froin, too good, don’t believe in any bad—but can you call that bad? He lives with the Heaven of…mechanics…of…bang…of derangements, no! I want arrangements, not derangements!” Mr. Nigeot seemed very proud of having successfully (?) completed such a long sentence propped up by only one “bang” and one “mechanics,” but in spite of his satisfaction, he was scared of continuing less elegantly and he got all tangled up in a run of bizarre expressions in which the hated Polytechnicians and the bings and bangs (not to mention the absolutelys) got so out of hand that I could not understand a word of what he said.

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Her body is rendered in unsparing detail: strands of long red hair falling across bony shoulders, blue veins visible beneath translucent skin, fresh scars on both her wrists. She’s holding the paintbrush between her fingers.

One day a fellow countryman from Valencia, Jorge Esteban, arrived to stay with the sisters. He had a travel agency back home and was driving around West Africa collecting materials for a tourist brochure. Jorge was a cheerful, merry, energetic man, naturally convivial. He felt at home everywhere, at ease with everyone. He spent only one day with us. He paid no heed to the scorching sun; the heat only seemed to energize him. He unpacked a bag full of cameras, lenses, filters, rolls of film, and began walking around the street, chatting with people, joking, making various sorts of promises. That done, he placed his Canon on a tripod, took out a loud referee’s whistle, and blew it. I was looking out the window and couldn’t believe my eyes. Instantly, the street filled with people. In a matter of seconds they formed a large circle and began to dance. I don’t know where the children came from. They had empty cans, which they beat rhythmically. Everyone was keeping the rhythm, clapping their hands and stomping their feet. People woke up, the blood flowed again through their veins, they became animated. Their pleasure in this dance, their happiness in finding themselves alive again, was palpable. Something started to happen in this street, around them, within them. The walls of the houses moved, the shadows stirred. More and more people joined the ring of dancers, which grew, swelled, and accelerated. The crowd of onlookers was also dancing, the whole street, everyone. Colorful bou-bous, white djellabahs, blue turbans, all were swaying. There is no asphalt or pavement here, so billows of dust soon began to rise above the dancers, dark, thick, hot, choking, and these clouds, just like ones from a raging fire, drew more people still from the surrounding areas. Before long the entire neighborhood was shimmying, shaking, partying—right in the middle of the worst, most debilitating and unbearable noontime heat. Partying? No, this was something different, something bigger, something loftier and more important. You had only to look at the faces of the dancers. They were attentive, listening intently to the loud rhythm the children beat on their tin cans, concentrating, so that the sliding of their feet, the swaying of their hips, the turns of their arms, and the bobbing of their heads corresponded to it. And they looked determined, decisive, alive to the significance of this moment in which they were able to express themselves, participate, prove their presence. Idle and superfluous all day long, all at once they had become visible, needed, and important. They existed. They created.

ones on the left. Its skin was a pulsating pink that seemed swollen with fluid, straining against its hide as if it were about to burst. It had eight tentacles instead of arms, three sprouting from one side, five from the other, each ending in a four-fingered hand. Veins throbbed visibly as the creature clambered out of the well, leaving behind a trail of viscous fluid that shined a brilliant fuchsia and brown. Most horrifying of all was its face. The head had twisted until it was completely upside down, flesh bubbling up to replace the neck and lower jaw. An open maw dominated the upper torso; it didn’t seem to be able to close. Saliva dribbled from the lipless mouth in great rivulets over the face; the eyes looked about wildly before they’d focused on Kwan. On its hunched back it had two multi-jointed arms that ended on pitted orbs, one of which turned as if regarding Kwan.

—Hay una cuerda que nos conecta, que no es visible al ojo —dijo—. Tal vez cada persona tiene más de un alma a la que están conectados, y sobre todo el mundo existen aquellas cuerdas invisibles. —Como para demostrar su punto, su dedo trazó la cinta negra que corría a través de los crines de mi caballo—. Tal vez las posibilidades de que encontrarás a todas y cada una de tus almas gemelas son escasas. Pero a veces eres lo suficientemente afortunado para toparte con una. Y sientes una atracción. Y no es tanto como una opción de amarlos por sus defectos y por tus diferencias, pero prefieres amarlos sin siquiera intentar. Amas sus defectos.

The tables are crowded with American civilian construction engineers, men getting $30,000 a year from their jobs on government contracts and matching that easily on the black market. Their faces have the look of aerial photos of silicone pits, all hung with loose flesh and visible veins. Their mistresses were among the prettiest, saddest girls in Vietnam. I always wondered what they had looked like before they’d made their arrangements with the engineers. You’d see them at the tables there, smiling their hard, empty smiles into those rangy, brutal, scared faces. No wonder those men all looked alike to the Vietnamese. After a while they all looked alike to me. Out on the Bien Hoa Highway, north of Saigon, there is a monument to the Vietnamese war dead, and it is one of the few graceful things left in the country. It is a modest pagoda set above the road and approached by long flights of gently rising steps. One Sunday, I saw a bunch of these engineers gunning their Harleys up those steps, laughing and shouting in the afternoon sun. The Vietnamese had a special name for them to distinguish them from all other Americans; it translated out to something like “The Terrible Ones,” although I’m told that this doesn’t even approximate the odium carried in the original.

She called it a grotto. He’d read and heard of such places. Though other than being located inside this cave, he presumed this one would flout expectations, as the rest of the island had. The water glinted a prismatic dioptase green, perhaps from deposits beneath the surface. Ripples trembled like veins, their reflections illuminating the enclosure. Jeryn slid his palm over the rocks, serrated and inlaid with mineral specks, adding to the area’s visibility.

What explains their advantage? Contrary to one popular theory, it’s not a high red-blood-cell count. Compared with Caucasians, Sherpas actually have fewer red blood cells per liter of blood. Nor is the difference explained by diet, acclimatization, metabolism, iron-deficiency, or environmental factors. At sea level, Sherpas have such a low red-blood-cell count that they are technically anemic, but, curiously, they don’t show symptoms. Overall, Sherpas require as much oxygen as anybody else, but they have less of it dissolved in their blood. Scientists initially found this puzzling. Red blood cells ferry oxygen around the body, and other populations well adapted to altitude, such as the Quechua and the Aymara of the Andean highlands, have veins teeming with red blood cells. How do Sherpas manage with less at a much higher altitude than the Andes? Probably by circulating blood faster. Sherpas have wider blood vessels. They breathe more often when at rest, providing their blood with more oxygen to absorb, and they exhale more nitric oxide, a marker of efficient lung circulation. There is also a genetic explanation. Sherpas’ red-blood-cell count stays low because of Hypoxia Inducible Factor 2-alpha, a gene that regulates response to low oxygen and turns on other genes. In addition, Sherpas have inherited a dominant genetic trait that improves hemoglobin saturation, allowing their red blood cells to soak up more oxygen. Sherpas’ thin blood, in turn, may prevent the sort of clotting that crippled Art Gilkey on K2. This genetic advantage only enhances the Sherpa mystique. Lowlanders clutching the Lonely Planet guide are convinced they want to hire “a sherpa,” even if they don’t know what a Sherpa is, and, after three generations of gathering tourist dollars, Sherpas now rank among the richest and most visible of Nepal’s fifty or so ethnicities. They didn’t start out that way.

His heart was black with despair, so the Maker's magic was most welcome. It helped him believe there was power pulsing beyond the veil of the visible world, pulsing like blood through the world's veins, sending life and light coursing through everything and surprising and confounding at every turn. When he remembered this, the darkness glimmered with goodness.

I snapped photos of his claws, the black veins still barely visible in his arms, the slight point to his ears that I hadn’t noticed before beneath his hair.

His chest rose and fell rapidly as if he'd been out for an evening jog. Sweat gleamed on his muscled torso, the droplets collecting on every curve and crevice of his rippled abdominals and that tattoo was finally, finally visible. Holly vines started around his wrists and snaked up his tense veined forearms, up the ridge of his biceps, and over his shoulder to the edges of his chest. The vines constricted around his muscles and thorns bit into his skin as if they were physically piercing the flesh. It was intricate and mesmerizing and easily the most lifelike tattoo she had ever seen.

Then while the left eye stayed staring straight ahead, the right eye began to turn away of its own accord. The iris disappeared behind the eyelid, which did not quiver but remained open, the delicate veined skin wadded like a piece of tissue paper, leaving visible only eggshell white threaded with red and pink. When it began to bulge like something was trying to push it from its socket from the inside, Lucy let go of her twin and backed away.