Violet Color Quotes

Who in the rainbow can draw the line where the violet tint ends and the orange tint begins? Distinctly we see the difference of the colors, but where exactly does the one first blendingly enter into the other? So with sanity and insanity.

Blue is for cruel bargains; green is for daring what you oughtn’t; violet is for brute force. I will say to you: Coral coaxes; pink insists; red compels. I will say to you: You are dear to me as attar of roses. Please do not get eaten.

It disturbed me that he saw things in such black-and-white tones. I sure didn't. For me, the world was a confusion of color.

The walls weren't moving, and the room was open - gaping. No colors, but shades of darkness, of night . Only those star-flecked violet eyes were bright, full of color and light. He gave me a lazy smile before he leaned forward. I pulled away, but his hands were like shackles. I could do nothing as his mouth met with my cheek, and he licked away a tear. His tongue was hot against my skin, so startling that I couldn't move as he licked away another path of salt water, and then another. My body went taut and loose all at once and I burned, even as chills shuddered along my limbs. It was only when his tongue danced along the damp edges of my lashes that I jerked back. He chuckled as I scrambled for the corner of the cell. I wiped my face as I glared at him. He smirked, sitting down against a wall. "I figured that would get you to stop crying." "It was disgusting." I wiped my face again. "Was it?" He quirked an eyebrow and pointed to his palm - to the place where my tattoo would be. "Beneath all your pride and stubbornness, I could have sworn I detected something that felt differently. Interesting." "Get out." "As usual, your gratitude is overwhelming.

My favorite color is violet. The scent of roses makes me feel at home, wherever I am. I do not enjoy fish, but I will eat it to make a loved one happy, suffering through my smile.

The sun's glow had given way to a brilliant twilight that colored the great mountains with violet and orange rivers.

As he talks, I lie back against the ground, the blanket wrapped around me, and say to the sky, "May your eye go to the Sun, To the wind your soul, You are all the colors in one, at full brightness.

Violet is the most soothing, tranquilizing and cooling color vibration. It encourages the healing of unbalanced mental conditions in people who are overly nervous or high-strung. Foods of the violet vibration are: purple broccoli, beetroot and purple grapes.

The multicolored leaves were softly glowing against the black sky, creating an untimely nocturnal rainbow which scattered its spectral tints everywhere and dyed the night with a harvest of hues: peach gold and pumpkin orange, honey yellow and winy amber, apple red and plum violet. Luminous within their leafy shapes, the colors cast themselves across the darkness and were splattered upon our streets and our fields and our faces. Everything was resplendent with the pyrotechnics of a new autumn.

All the radiance of April in Italy lay gathered together at her feet. The sun poured in on her. The sea lay asleep in it, hardly stirring. Across the bay the lovely mountains, exquisitely different in color, were asleep too in the light; and underneath her window, at the bottom of the flower-starred grass slope from which the wall of castle rose up, was a great cypress, cutting through the delicate blues and violets and rose-colors of the mountains and the sea like a great black sword. She stared. Such beauty; and she there to see it. Such beauty; and she alive to feel it. Her face was bathed in light.

The word itself has another color. It’s not a word with any resonance, although the e was once pronounced. There is only the bump now between b and l, the relief at the end, the whew. It hasn’t the sly turn which crimson takes halfway through, yellow’s deceptive jelly, or the rolled-down sound in brown. It hasn’t violet’s rapid sexual shudder or like a rough road the irregularity of ultramarine, the low puddle in mauve like a pancake covered in cream, the disapproving purse to pink, the assertive brevity of red, the whine of green.

Hence the vanity of translation; it were as wise to cast a violet into a crucible that you might discover the formal principle of its color and odor, as seek to transfuse from one language into another the creations of a poet. The plant must spring again from its seed, or it will bear no flower—and this is the burden of the curse of Babel.

It's a bird of some sort. It's like a duck, only I never saw a duck have so many colors." The bird swam swiftly and gracefully toward the Magic Isle, and as it drew nearer its gorgeously colored plumage astonished them. The feathers were of many hues of glistening greens and blues and purples, and it had a yellow head with a red plume, and pink, white and violet in its tail.

I recall one particular sunset. It lent an ember to my bicycle hell. Overhead, above the black music of telegraph wires, a number of long, dark-violet clouds lined with flamingo pink hung motionless in a fan-shaped arrangement; the whole thing was like some prodigious ovation in terms of color and form! It was dying, however, and everything else was darkening, too; but just above the horizon, in a lucid, turquoise space, beneath a black stratus, the eye found a vista that only a fool could mistake for the square parts of this or any other sunset. It occupied a very small sector of the enormous sky and had the peculiar neatness of something seen through the wrong end of a telescope. There it lay in wait, a brilliant convolutions, anachronistic in their creaminess and extremely remote; remote but perfect in every detail; fantastically reduced but faultlessly shaped; my marvelous tomorrow ready to be delivered to me.

a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die

I have been hanging here headless for so long that the body has forgotten why or where or when it happened and the toes walk along in shoes that do not care and although the fingers slice things and hold things and move things and touch things such as oranges apples onions books bodies I am no longer reasonably sure what these things are they are mostly like lamplight and fog then often the hands will go to the lost head and hold the head like the hands of a child around a ball a block air and wood - no teeth no thinking part and when a window blows open to a church hill woman dog or something singing the fingers of the hand are senseless to vibration because they have no ears senseless to color because they have no eyes senseless to smell without a nose they country goes by as nonsense the continents the daylights and evenings shine on my dirty fingernails and in some mirror my face a block to vanish scuffed part of a child’s ball while everywhere moves worms and aircraft fires on the land tall violets in sanctity my hands let go let go let go

Five minutes later, the girls stood at the open kitchen door, blinking in the brilliant overcast light. The smell of lilacs, roses, sweet peas, and honeysuckle mixed with the scent of crisp late summer leaves. None of them had been in the gradens for nine months, and the bright saturated greens, reds, and violets overwhelmed them. It reminded Azalea of Mother, beautiful and bright, thick with scents and excitement. And the King-he was like the palace behind them, all straights and grays, stiff and symmetrical and orderly. "It's really allowed?" said Flora, her eyes alight at the colors. "Allowed allowed?" said Goldenrod. "For the last time," said the King, pushing them gently out the kitchen door and onto the path. "It is Royal Business! Go On. Get some color in your cheeks.

I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a part of every tribute they can't own. That Rue was more than a piece in their Games. And so am I. "A few steps into the woods grows a bank of wildflowers. Perhaps they are really weeds of some sort, but they have blossoms in beautiful shades of violet and yellow and white. I gather an armful and come back to Rues's side. Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair with bright colors. "They'll have to show it. Or, even if they choose to turn the cameras elsewhere at this moment, they'll have to bring them back when they collect the bodies and everyone will see her then and know I did it. I step back and take a last look at Rue. She really could be asleep in that meadow after all. ""Bye, Rue," I whisper. I press the three middle fingers of my left hand against my lips and hold them out in her direction. Then I walk away without looking back.

Viktor was swinging a leather duffle and wearing a black Adidas tracksuit and his favorite brown UGG slippers with a hole in the toe. "Worn and old, just like Viv," he'd say when Frankie made fun of them, and then his wife would swat him on the arm. But Frankie knew he was just joking, because Viveka was the type of woman you wished was in a magazine just so you could stare at her violet-colored eyes and shiny black hair without being called a stalker or a freak.

Most of the passenger cars are lined with thick patterned carpets, upholstered in velvets in burgundies and violets and creams, as though they have been dipped in a sunset, hovering at twilight and holding on to the colors before they fade to midnight and stars.

She could see all of Ferenwood from here: the rolling hills, the endless explosion of color cascading down and across the lush landscape. Reds and blues: Maroon and ceruleans. Yellow and tangerine and violet and aquamarine. Every hue held a flavor, a heartbeat, a life. She took a deep breath and drew it all in.

Soon some of the plants were as big as fruit trees. There were fans of long emerald-green leaves, flowers resembling peacock tails with rainbow-colored eyes, pagodas consisting of sumperimposed unbrellas of violet silk. Thick stems were interwoven like braids. Since they were transparent, they looked like pink glass lit up from within. Some of the blooms looked like clusters of blue and yellow Japanese lanterns. And little by little, as the luminous night growths grew denser, they intertwined to form a tissue of soft light.

Lincoln was drifting in and out of consciousness. He took shallow breaths and his lips were blue. Connecting with him had been something that I had ben trying very hard not to do of late. How could I open myself to him? My mind drifted to the dream I'd had, to the stranger who said he was me. Was he my angel maker? With all I now knew, it seemed more plausible that the dream had really meant something. I remembered the painting, the colors. And I remembered the question: What are we to become? I didn't realize I had spoken aloud until Lincoln whispered, "Everything we can.

Drenched in British purples, I have offered up my tones: pigeon breast, hind belly, balky mule lung, monkey bottom pink, lapis lazuli and malachite, excited nymph thigh, panther pee-pee, high-smelling hen hair, hedgehog in aspic, barrel-maker's brothel, revered rose, monkeybush, turkey-like white, sly violet, page's slipper, immaculate nun spring, unspeakable red, Ensor azure, affected yellow, mummy skull, rock-hard gray, brunt celadon, shop soiled smoke ring.

If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.

Never had there been a time when sound, color, and feeling hadn’t been intertwined, when a dirty, rolling bass line hadn’t induced violets that suffused him with thick contentment, when the shades of certain chords sliding up to one another hadn’t produced dusty pastels that made him feel like he was cupping a tiny, golden bird. It wasn’t just music but also rumbling trains and rainstorms, occasional voices, a collective din. Colors and textures appeared in front of him, bouncing in time to the rhythm, or he’d get a flash of color in his mind, an automatic sensation of a tone, innate as breathing.

In fact, this is a world without future. In this world, time is a line that terminates at the present, both in reality and in the mind. In this world, no person can imagine the future. Imagining the future is no more possible than seeing colors beyond violet: the senses cannot conceive what may lie past the visible end of the spectrum. In a world without future, each parting of friends is death. In a world without future, each loneliness is final. In a world without future, each laugh is the last laugh. In a world without a future, beyond the present lies nothingness, and people cling to the present as if hanging from a cliff.

For no one really knows what color is, where it is, even whether it is. (Can it die? Does it have a heart?) Think of a honeybee, for instance, flying into the folds of a poppy: it sees a gaping violet mouth, where we see an orange flower and assume that it’s orange, that we’re normal. 39.

Séverin's eyes were the precise color of sleep-sable velvet with a violet sheen, promising either nightmare or dream.

it were as wise to cast a violet into a crucible that you might discover the formal principle of its color and odor, as seek to transfuse from one language into another the creations of a poet

My wife is a lovely leathery green, the blue-tongued lizard said; Her eyes are as red as bulldog ants, lurking in holes in her head; Her body is made of the speckled grass, a violet grows on her tongue, And I could watch her for fifty years if nobody blundered along.

A myriad of small red violet-colored animals, like rabbits, burst out of the trees, surrounding the guardian god. Their long bushy tails, with specks of black among the silver hairs, remind me of the squirrels of my home world, Uhna. Their two-inch-long dark brown pedicles remind me of the female reindeer from Arrov’s home world, A’ice. But I’ve never seen rabbits that have green flower stalks with tiny white flowers entwined around their furry bodies, while A’nima magic clings to them. A tiny critter hops to me and rises on its hind legs to sniff my hand, its large green eyes glinting with surprising intelligence. Long whiskers move as its nose sniffles, then sneezes.

So she way awake at night and at times there was a curious peacefulness to this, the darkness warm as though the deep violet duvet held its color unseen, wrapping around Pam some soothing aspect of her youth, as her mind wandered over a life that felt puzzingly long; she experienced a quiet surprise that so many lifetimes could be fit into one.

It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.' He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet. 'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole?

It wasn't a pretty sunset. The colors were as expected: violet clouds, bright orange and pink underneath, against the pale blue sky. But the clouds were high cirrus, wispy, and crossed with the contrails of F-16s, a colorful glowing mess. I said, "It looks like God barfed a rainbow.

dark light. [Not actually an oxymoron. It's the color past ultra-violet. The technical term for it is infrablack. It can be seen quite easily under experimental conditions. To perform the experiment simply select a healthy brick wall with a good run-up, and, lowering your head, charge. The color that flashes in bursts behind your eyes, behind the pain, just before you die, is infra-black.]

She reached into an alabaster box and pulled out a violet cigarette that also exactly matched her eyes. Some people just don't know when to quit. She lit her colored coffin nail, set it into an ashtray, and promptly forgot about it. It smoldered into eternity silently begging for one more touch from her gorgeous lips.

How are you giving it magic?” he said, through his teeth. “I already found the path!” I said. “I’m just staying on it. Can’t you—feel it?” I asked abruptly, and held my hand cupping the flower out towards him; he frowned and put his hands around it, and then he said, “Vadiya rusha ilikad tuhi,” and a second illusion laid itself over mine, two roses in the same space—his, predictably, had three rings of perfect petals, and a delicate fragrance. “Try and match it,” he said absently, his fingers moving slightly, and by lurching steps we brought our illusions closer together until it was nearly impossible to tell them one from another, and then he said, “Ah,” suddenly, just as I began to glimpse his spell: almost exactly like that strange clockwork on the middle of his table, all shining moving parts. On an impulse I tried to align our workings: I envisioned his like the water-wheel of a mill, and mine the rushing stream driving it around. “What are you—” he began, and then abruptly we had only a single rose, and it began to grow. And not only the rose: vines were climbing up the bookshelves in every direction, twining themselves around ancient tomes and reaching out the window; the tall slender columns that made the arch of the doorway were lost among rising birches, spreading out long finger-branches; moss and violets were springing up across the floor, delicate ferns unfurling. Flowers were blooming everywhere: flowers I had never seen, strange blooms dangling and others with sharp points, brilliantly colored, and the room was thick with their fragrance, with the smell of crushed leaves and pungent herbs. I looked around myself alight with wonder, my magic still flowing easily. “Is this what you meant?” I asked him: it really wasn’t any more difficult than making the single flower had been. But he was staring at the riot of flowers all around us, as astonished as I was. He looked at me, baffled and for the first time uncertain, as though he had stumbled into something, unprepared. His long narrow hands were cradled around mine, both of us holding the rose together. Magic was singing in me, through me; I felt the murmur of his power singing back that same song. I was abruptly too hot, and strangely conscious of myself. I pulled my hands free.

Then, with a cheeky quirk of his brows, he leaned forward and murmured, “Would it be improper of me to admit that I am inordinately flattered by your attention to the details of my face?” Anne snorted out a laugh. “Improper and ludicrous.” “It is true that I have never felt quite so colorful,” he said, with a clearly feigned sigh. “You are a veritable rainbow,” she agreed. “I see red and . . . well, no orange and yellow, but certainly green and blue and violet.” “You forgot indigo.” “I did not,” she said, with her very best governess voice. “I have always found it to be a foolish addition to the spectrum. Have you ever actually seen a rainbow?” “Once or twice,” he replied, looking rather amused by her rant.

Maybe Violet was stricken with colorblindness, the willful inability to distinguish between white and any other color, the only infirmity Americans wished for themselves. But

the first archer lets his arrow fly, soaring over the crowd and hitting it's mark in a shower of sparks. The bonfire ignites in an eruption of yellow flame. Then second chime follows. the second archer sends his arrow into the yellow flames, and they become a clear sky-blue. A third chime with a third arrow. and the flames are a warm bright pink. Flames the color of a ripe pumpkin follow the fourth arrow. A fifth, and the flames are scarlet-red. A sixth brings a deeper, sparkling crimson. Seven, and the fire is soaked in a color like an incandescent wine. Eight, and the flames are shimmering violet. Nine, and violet shift to indigo. A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue.

The red color infesting Wyatt's lure spread like licks of flame until the entire stretch of rattling glass was full of bloody-colored pinwheels throbbing like sick, misshapen hearts.

Burr had the dark and severe coloring of his Edwards ancestry, with black hair receding from the forehead and dark brown, almost black, eyes that suggested a cross between an eagle and a raven. Hamilton had a light peaches and cream complexion with violet-blue eyes and auburn-red hair, all of which came together to suggest an animated beam of light to Burr’s somewhat stationary shadow.

Violet: She was smart, stubborn, moody, funny, mean when she lost her temper, sweet, protective of the people she loved. Her favorite color was yellow. She always had my back, even if we fought sometimes. I could tell her anything because the thing about Eleanor was that she didn't judge. She was my best friend. Finch: I've never had one. What's it like? Violet: I don't know. I guess you can be yourself, whatever that means - the best and the worst of you. And they love you anyways. You can fight, but even when you're mad at them, you know they're not going to stop being your friend.

At ten seconds before the hour, they raise their bows and aim the flaming arrows at the waiting well of curling iron. As the clock begins to chime near the gates, the first archer lets his arrow fly, soaring over the crowd and hitting its mark in a shower of sparks. The bonfire ignites in an eruption of yellow flame. Then the second chime follows, the second archer sends his arrow into the yellow flames, and they become a clear sky-blue. A third chime with a third arrow, and the flames are a warm bright pink. Flames the color of a ripe pumpkin follow the fourth arrow. A fifth, and the flames are scarlet-red. A sixth brings a deeper, sparkling crimson. Seven, and the fire is soaked in a color like incandescent wine. Eight, and the flames are shimmering violet. Nine, and the violet shifts to indigo. A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue. On the penultimate chime, the dancing flames change from blue to black, and for a moment, it is difficult to discount the fire from its cauldron. And on the final strike, the dark flames are replaced with a blinding white, a shower of sparks falling like snowflakes around it. Huge curls of dense white smoke swirl up into the night sky.

A Black, E white, I red, U green, O blue: vowels, Someday I shall tell of your mysterious births: A, black velvety corset of dazzling flies Buzzing around cruel smells, Gulfs of shadow; E, white innocence of vapors and of tents, Spears of proud glaciers, white kings, shivers of Queen Anne's lace; I, purples, spitting blood, smile of beautiful lips In anger or in drunken penitence; U, waves, divine shudderings of green seas, The calm of pastures dotted with animals, the peace of furrows Which alchemy prints on wide, studious foreheads; O, sublime Bugle full of strange piercing sound, Silences crossed by Worlds and by Angels; - O the Omega, the violet ray of her Eyes!

Heaven is boring. Didn't you see, in that picture book back when we used to go to school? It's just plain and white and there is not even any color and it's too orderly. Like there will be crazy prefects telling you all the time: Do thus, don't do that, where are your shoes, tuck in your shirt, shhh, God doesn't like it and will punish you, keep your voice low you'll wake the angels, go and wash, you are dirty, Bastard says. Me, when I die I want to go where there's lots of food and music and a party that never ends and we're singing that Jobho song, Godknows says.

Everything is energy. All energy has a frequency, a vibration. White light is made up of the rainbow of colors, red with the lowest frequency and violet with the highest. Humans are made of matter, which is made of energy. If we take the most powerful microscopes and zoom in on any cell in the body, we go past the cells, DNA, base molecules, atoms, and electrons all the way down to quanta of energy and a lot of space. What is mind-blowing at this quantum level is that the act of observing these subatomic particles changes how they behave! It is as though they are aware of us and make decisions.

In my yellow room, Sunflowers with purple eyes stands out on a yellow background. They bath their stems in a yellow pot, on a yellow table. In a corner of the painting, the signature of the painter: Vincent. And the yellow sun that passes through the yellow curtains of my room floods all this fluorescence with gold. And in the morning upon awakening, from my bed, I imagin that all this smells very good. Oh yes! He loved yellow, this good Vincent, this painter from holland. Those glimmers of sunlight rekindled his soul That abhorred the fog, that needed the warmth. When two of us were together in arles, both of us mad and at constant war over the beauty of color, me, i loved the color red, Where to find a perfect vermilion? He traced with his most yellow brush on the wall, Suddenly turned violet. Je suis saint esprit Je suis sain d'espri. Paul gauguin, 1894.

Violet 232 books | 49 friends see comment history Black for hunting through the night For death and mourning the color’s white Gold for a bride in her wedding gown And red to call enchantment down. White silk when our bodies burn, Blue banners when the lost return. Flame for the birth of a Nephilim, And to wash away our sins. Gray for knowledge best untold, Bone for those who don’t grow old. Saffron lights the victory march, Green will mend our broken hearts. Silver for the demon towers, And bronze to summon wicked powers.

I know that the best time to see them is in that perfect hour before sunset when the sun sinks low on the horizon like a ripe peach and sends shafts of gold bursting through the trees. The "in between," I call it. No longer day, not yet night; some other place and time when magic hangs in the air and the light plays tricks on the eye. You might easily miss the flash of violet and emerald, but I- according to my teacher, Mrs. Hogan- am "a curiously observant child." I see their misty forms among the flowers and leaves. I know my patience will be rewarded if I watch and listen, if I believe.

Her hair was well brushed that day and sheened darkly in contrast with the lusterless pallor of her neck and arms. She wore the striped tee shirt which in his lone fantasies he especially liked to peel off her twisting torso. The oilcloth was divided into blue and white squares. A smear of honey stained what remained of the butter in its cool crock. 'All right. And the third Real Thing?' She considered him. A fiery droplet in the wick of her mouth considered him. A three-colored velvet violet, of which she had done an aquarelle on the eve, considered him from its fluted crystal. She said nothing. She licked her spread fingers, still looking at him. Van, getting no answer, left the balcony. Softly her tower crumbled in the sweet silent sun.

She floated on coral and flaxen flames. What she thought was a sea of fire was not seawater at all; it was an ocean of fiery light. Around her it rippled, constantly changing, a flare of aqua, a splash of violet, a burst of tangerine. She combed her fingers through the colors as her body was immersed.

Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such things. Nowadays people are as good as born in their clothes, and there is practically not a nude human being in existence. An artist, therefore, as you must candidly confess, cannot sculpture nudity with a pure heart, if only because he is compelled to steal guilty glimpses at hired models. The marble inevitably loses its chastity under such circumstances. An old Greek sculptor, no doubt, found his models in the open sunshine, and among pure and princely maidens, and thus the nude statues of antiquity are as modest as violets, and sufficiently draped in their own beauty. But as for Mr. Gibson's colored Venuses (stained, I believe, with tobacco juice), and all other nudities of to-day, I really do not understand what they have to say to this generation, and would be glad to see as many heaps of quicklime in their stead.

And the skies: in one day the sky could travel from green at dawn to a noon-time blue so severe it was almost black to hot silver in the afternoon to roiling burgundy at sunset. Just before night it flowered in yawning, imperial violets. Wedges of mauve, cauldrons of peach - skies more like drugs than colors.

I may know how to nudge a man toward proposing, or how to hearten a tired mother. I may know who needs the sugar of violet pan dulce. But I don't know how to fold my heart into dough or lace vanilla sugar with my secrets. I don't know how to sprinkle a little of what is in me, like the color of the nonpareils.

A small crowd had gathered to gaze at the astonishing display of color: vivid blues; regal purples; soft, candy-floss pinks; strawberry reds; vibrant lime greens; sun-bright, buttercup yellows; rich oranges; and creamy, vanilla whites. Tilly’s eyes were unable to take it all in, her mouth unable to suppress a smile of sheer delight. It was as if someone had poured a box of paints onto this one street, leaving nothing with which to brighten up the drab gray of the rest of the city she had just passed.

It seemed as if we were driving through a golden haze. The violet shadows were creeping up between the hills, while away back of us the snow-capped peaks were catching the sun's last rays. On every side of us stretched the poor, hopeless desert, the sage, grim and determined to live in spite of starvation, and the great, bare, desolate buttes. The beautiful colors turned to amber and rose, and then to the general tone, dull gray. Then we stopped to camp, and such a scurrying around to gather brush for the fire and to get supper! Everything tasted so good! Jerrine ate like a man. Then we raised the wagon tongue and spread the wagon sheet over it and made a bedroom for us women.

So we stood up there for a long while, watching the sunset and discussing how it was one of those things you could never truly capture in 8-bit, not with the simplistic definition of violet (CHR$(156)), orange (CHR$(129)), and yellow (CHR$(158)). There were too many other colors, thousands of colors. The hardware could never do justice to it.

What treasures they left behind! A gorgeous set of yellow topaz crystals on a gray matrix. A great pink hunk of beryl like a crystallized brain. A violet column of tourmaline from Madagascar that looks so rich he cannot resist the urge to stroke it. Bournonite; apatite on muscovite; natural zircon in a spray of colors; dozens more minerals he cannot name.

It smelled like the color thirteen; it felt warm as violet; it whispered cardamom binaries.

What can I do for you, Mother?" he asked. "And don't say 'Dance with Hermione Smythe-Smith.' Last time I did that I nearly lost three toes in the process." "I wasn't going to ask anything of the sort," Violet replied. "I was going to ask you to dance with Prudence Featherington." "Have Mercy, Mother," he moaned. "She's even worse." "I'm not asking you to marry the chit," she said. "Just dance with her." Benedict fought a groan. Prudence Featherington, while essentially a nice person, had a brain the size of a pea and a laugh so grating he'd seen grown men flee with their hands over their ears. "I'll tell you what," he wheedled. "I'll dance with Penelope Featherington if you keep Prudence at bay." "That'll do," his mother said with a satisfied nod, leaving Benedict with the sinking sensation that she'd wanted him to dance with Penelope all along. "She's over there by the lemonade table," Violet said, "dressed as a leprechaun, poor thing.The color is good for her,but someone really must take her mother in hand next time they venture out to the dressmaker. A more unfortunate costume,I can't imagine." "You obviously haven't seen the mermaid," Benedict murmured. She swatted him lightly on the arm. "No poking fun at the guests." "But they make it so easy.

I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin. I have missed him. I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp. “Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.” Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.” I grimace/smile. “My mom?” “Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.” “Galen,” I say. “Hmmm?” “How bad am I hurt?” He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.” “Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense. “Your mother says it’s only a flesh wound. She’s been treating it.” “Mom is here?” “She’s downstairs. Uh…You should know that Grom is here, too.” Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.” He laughs. “I will, I promise. But I want to make you comfortable first.” “Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things. He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.” I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition. What’s changed? And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone? And is it my fault?

pink chiffon dress went down the aisle. Violet in the lilac gown followed. The bouquets she’d crafted for the bridesmaids were a mass of spring flowers: blue hydrangeas, soft purple roses, yellow carnations, pale pink peonies and the soft silvery-green foliage of dusty miller added a bit of shimmer. Each bouquet had a coordinating satin colored ribbon to match the attendant’s

Sons of Ares ARES    Terrorist Leader, color unknown DANCER    Ares’ lieutenant, a Red HARMONY    Dancer’s lieutenant, a Red MICKEY    Carver, a Violet EVEY    former slave of Mickey, a Pink

Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.

Things That Arouse a Fond Memory of the Past Dried hollyhock. The objects used during the Display of Dolls. To find a piece of deep violet or grape-colored material that has been pressed between the pages of a notebook. It is a rainy day and one is feeling bored. To pass the time, one starts looking through some old papers. And then one comes across the letters of a man one used to love. Last year’s paper fan. A night with a clear moon.

Different things are different colors because they absorb some wavelengths of the visible light spectrum, while others bounce off. So the tomato’s skin is soaking up most of the short and medium wavelengths—blues and violets, greens, yellows and oranges. The remainder, the reds, hit our eyes and are processed by our brains. So, in a way, the color we perceive an object to be is precisely the color it isn’t: that is, the segment of the spectrum that is being reflected away.

Because you took advantage of a sinner because you took advantage because you took because you took advantage of my disadvantage … “That’s good, you know. That’s damned good.” … when I stood Adam-naked before a federal law and all its stinging stars “Oh, grand stuff!” … Because you took advantage of a sin when I was helpless moulting moist and tender hoping for the best dreaming of marriage in a mountain state aye of a litter of Lolitas … “Didn’t get that.” Because you took advantage of my inner essential innocence because you cheated me— “A little repetitious, what? Where was I?” Because you cheated me of my redemption because you took her at the age when lads play with erector sets “Getting smutty, eh?” a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die

Little Jang Li-Li, eight years old, misting the orchids in the Room of a Thousand Fountains. A bright day, sunlight pouring through transparisteel panels, Li-Li making puffs of water with her master and shrieking with laughter as every little cloud she made broke a sunbeam into colors, fugitive bars of red and violet and green. Master, Master, I’m making rainbows! Those colors hadn’t come to mean military signals, yet, or starship navigating lights, or lightsaber blades. Just a girl making rainbows.

We made close to forty boxes today. Fifteen truffles (still selling well), but also a batch of coconut squares, some sour cherry gobstoppers, some bitter-coated orange peel, some violet creams, and a hundred or so lunes de miel, those little discs of chocolate made to look like the waxing moon, with her profile etched in white against the dark face. It's such a delight to choose a box, to linger over the shape- will it be heart shaped, round, or square? To select the chocolates with care; to see them nestled between the folds of crunchy mulberry-colored paper; to smell the mingled perfumes of cream, caramel, vanilla, and dark rum; to choose a ribbon; to pick out a wrapping; to add flowers or paper hearts; to hear the silky whisssh of rice paper against the lid-

The Silver Samarsanda stood above the Jardeen, behind a line of tall pencil cypress: an irregular bulk of masonry, plastered and whitewashed, with a wide, many-slanted roof of mossy tiles. Beside the entrance five colored lanterns hung in a vertical line: deep green, a dark, smoky scarlet, a gay light green, violet, and once more dark scarlet; and at the bottom, slightly to the side, a small, steady yellow lamp, the purport of all being: Never neglect the wonder of conscious existence, which too soon comes to an end!

What are you thinking about?” Jay asked as he plopped down next to her. She blinked, wondering if she was wearing her frustration on her face. “Nothing,” she lied, pushing her salad around her plate. She wasn’t sure why she didn’t just tell him. “Doesn’t look like nothing,” Jules interrupted from across the table. Violet cast a quick glare at her friend for inconveniently pointing out the obvious. “What?” Jay asked, nudging Violet with his shoulder. “Tell me.” Violet hesitated, suddenly embarrassed over her new insecurity. Yet, inside her head, she bitterly referred to Mike as “Jay’s boyfriend.” Ironically, though, it was Mike who saved Violet from having to confess those very thoughts, when he slid into an open space on the other side of the table. “What’d I miss?” His lazy smile reached all the way into his tawny-colored eyes, and even the dimples on his cheek made a fleeting appearance. Violet could see the draw for Chelsea; he was sort of stunning to look at. So then what was Jay’s excuse? She jokingly hoped it wasn’t the adorable dimple too.

Still, we permit the appearance of our meats, sauces, fruits, and vdgetables to dominate our tongues until it is difficult to divide a twist of lemon or squeeze of lime from the colors of their rinds or separate yellow from its yolk or chocolate from the quenchless brown which seems to be the root, shoot, stalk, and bloom of it. Yet I hardly think the eggplant's taste is as purple as its skin. In fact, there are few flavors at the violet end, odors either, for the acrid smell of blue smoke is deceiving, as is the tooth of the plum, though there may be just a hint of blue in the higher sauces. Perceptions are always profound, associations deceiving. No watermelon tastes red. Apropos: while waiting for a bus once, I saw open down the arm of a midfat, midlife, freckled woman, suitcase tugging at her hand like a small boy needing to pee, a deep blue crack as wide as any in a Roquefort. Split like paper tearing. She said nothing. Stood. Blue bubbled up in the opening like tar. One thing is certain: a cool flute blue tastes like deep well water drunk from a cup.

Usually, we think of an apple as being red. This is not the same red as that of a cherry or tomato. A lemon is yellow and an orange like that of its name. Bricks vary from beige to yellow to orange, and from ochre to brown to deep violet. Foliage appears in innumerable shades of green. In all these cases the colors named are surface colors. In a very different was, distant mountains appear uniformly blue, no matter whether covered with green trees or consisting of earth and rocks. The sun is glaring white in daytime, but it is full red at sunset. The white ceiling of houses surrounded by lawns or the white-painted eaves of a roof on a sunny day appear in bright green, which is reflected from the grass on the ground. All these cases present film colors. They appear as a thin, transparent, translucent layer between the eye and an object, independent of the object's surface color.

The lower chakras have slower and denser vibrations, while the higher chakras spin at faster speeds with higher vibrations. The chakras’ energy patterns emit colors corresponding to their light-wave frequencies. Thus, the root chakra is red, which is the slowest light-wave frequency, and the sacral is the slightly faster frequency of orange. As you go further up the body, the light-wave colors reflect their increasing vibratory rate. So, the solar plexus is yellow, the heart is green, the throat is light blue, the third eye is dark blue, and the crown is the fastest light-wave frequency, violet.

Spring has come with little prelude, like turning a rocky corner into a valley, and gardens and borders have blossomed suddenly lush with daffodils, irises, tulips. Even the derelict houses of Les Marauds are touched with color, but here the ordered gardens have run to rampant eccentricity; a flowering elder growing from the balcony of a house overlooking the water, a roof carpeted with dandelions, violets poking out of a crumbling facade. Once-cultivated plants have reverted to their wild state, small leggy geraniums thrusting between hemlock-umbels, self-seeded poppies scattered at random and bastardized from their original red to orange to palest mauve. A few days' sunshine is enough to coax them from sleep; after the rain they stretch and raise their heads toward the light. Pull out a handful of these supposed weeds, and there are sages and irises, pinks and lavenders, under the docks and ragwort.

Rebecca and I walk through the saltwater exhibits, where fish congregate in bright splashes like kites against an open sky. They come in the most incredible colors; I have always been amazed by this. What is the point of being fuchsia, or lemon, or violet, when you are stuck under the water where no one can see you?

Spring time in Florida is not a matter of peeping violets or bursting buds merely. It is a riot of color, in nature—glistening green leaves, pink, blue, purple, yellow blossoms that fairly stagger the visitor from the north. The miles of hyacinths are like an undulating carpet on the surface of the river and divide reluctantly when the slow-moving alligators push their way log-like across. The nights are white nights as the moon shines with dazzling splendor, or in the absence of that goddess, the soft darkness creeps down laden with innumerable scents. The heavy fragrance of magnolias mingled with the delicate sweetness of jasmine and wild roses.

Spring time in Florida is not a matter of peeping violets or bursting buds merely. It is a riot of color, in nature--glistening green leaves, pink, blue, purple, yellow blossoms that fairly stagger the visitor from the north. The miles of hyacinths are like an undulating carpet on the surface of the river and divide reluctantly when the slow-moving alligators push their way log-like across. The nights are white nights as the moon shines with dazzling splendor, or in the absence of that goddess, the soft darkness creeps down laden with innumerable scents. The heavy fragrance of magnolias mingled with the delicate sweetness of jasmine and wild roses.

I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.

I might have been just half an Asian, but in America it was all or nothing when it came to race. You were either white or you weren’t. Funnily enough, I had never felt inferior because of my race during my foreign student days. I was foreign by definition and therefore was treated as a guest. But now, even though I was a card-carrying American with a driver’s license, Social Security card, and resident alien permit, Violet still considered me as foreign, and this misrecognition punctured the smooth skin of my self-confidence. Was I just being paranoid, that all-American characteristic? Maybe Violet was stricken with colorblindness, the willful inability to distinguish between white and any other color, the only infirmity Americans wished for themselves.

Before his and Pushkin's advent Russian literature was purblind. What form it perceived was an outline directed by reason: it did not see color for itself but merely used the hackneyed combinations of blind noun and dog-like adjective that Europe had inherited from the ancients. The sky was blue, the dawn red, the foliage green, the eyes of beauty black, the clouds grey, and so on. It was Gogol (and after him Lermontov and Tolstoy) who first saw yellow and violet at all. That the sky could be pale green at sunrise, or the snow a rich blue on a cloudless day, would have sounded like heretical nonsense to your so-called "classical" writer, accustomed as he was to the rigid conventional color-schemes of the Eighteenth Century French school of literature. Thus the development of the art of description throughout the centuries may be profitably treated in terms of vision, the faceted eye becoming a unified and prodigiously complex organ and the dead dim "accepted colors" (in the sense of "idées reçues") yielding gradually their subtle shades and allowing new wonders of application. I doubt whether any writer, and certainly not in Russia, had ever noticed before, to give the most striking instance, the moving pattern of light and shade on the ground under trees or the tricks of color played by sunlight with leaves.

Because you took advantage of a sinner because you took advantage because you took because you took advantage of my disadvantage when I stood Adam-naked before a federal law and all its stinging stars Because you took advantage of a sin when I was helpless moultng moist and tender hoping for the best dreaming of marriage in a mountain state aye of a litter of Lolitas Because you took advantage of my inner essential innocence because you cheated me-- Because you cheated me of my redemption because you took her at the age when lads play with erector sets a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die

Seeing the God statement Suppose the statement Blessed Are the pure in heart, for they shall see God were placed like a wreath of violets, Lilies, laurel, and olive, blossoms strung together Like words in a sentence, a garland Launched, set out on a flowing creek Imagine that wreath carried Down the frothy rapids, tossed, floating Slipping over water-smooth, moss-colored Boulders, in and out of slow, dark pools, Through poplar and willow shadows. It dips, Sinks momentarily, emerges, travels, maitains Its ring, its declaration and syntax. At times it widens in a broad, deep Current, makes sense as a gift. The pure becomes inclusive, spatial, Generous. God and heart are two Spread wings of one open reading. And at times it narrows, restricts. Violets and heart entangle With God. The blessed braces, Overlaps lilies and laurel. Still, at any point you might reach down yourself, catch that ring of blossoms, lift it up, wear its beauty and blooming distinction across your forehead. Look into a mirror. See what you can see.

If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why. In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty. Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both. The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.

You’re entirely too happy in the morning,” he says. “I’m afraid it would never work between us. I’m just going to have to deny you your dream.” He’s joking, of course, and I lean on my elbows and stare at him. “Heartbreaker.” Jannik closes his eyes. “I know. I’m terrible for it. I do hope you can find it in yourself to one day forgive me.” “Forgive you! Please, I’ve already moved on. I’m seeing someone.” At that he blinks and sits up. In the early light his eyes are a gray violet, the color of the sea under the moon. “Are you really? Callous little flick.

Pedaling down the maple lined drive, quicksilver temper ebbed, her resilient spirits were lifted with the beauty of the day. The valley was stirring with life. Small clusters of fragile violets and red clover dotted the rolling meadows. Lines of fresh laundry waved in the early breeze. The boundary of mountains was tooped by a winter's coat, not yet the soft, lush green it would be in a month's time, but patched with stark black trees and the intermittent color of pines. Clouds scudded thin and white across the sky, chased by the teasing wind which whispered of spring and fresh blossoms.

Ode to a Cluster of Violets Crisp cluster plunged in shadow. Drops of violet water and raw sunlight floated up with your scent. A fresh subterranean beauty climbed up from your buds thrilling my eyes and my life. One at a time, flowers that stretched forward silvery stalks, creeping closer to an obscure light shoot by shoot in the shadows, till they crowned the mysterious mass with an intense weight of perfume and together formed a single star with a far-off scent and a purple center. Poignant cluster intimate scent of nature, you resemble a wave, or a head of hair, or the gaze of a ruined water nymph sunk in the depths. But up close, in your fragrance’s blue brazenness, you exhale the earth, an earthly flower, an earthen smell and your ultraviolet gleam in volcanoes’ faraway fires. Into your loveliness I sink a weathered face, a face that dust has often abused. You deliver something out of the soil. It isn’t simply perfume, nor simply the perfect cry of your entire color, no: it’s a word sprinkled with dew, a flowering wetness with roots. Fragile cluster of starry violets, tiny, mysterious planet of marine phosphorescence, nocturnal bouquet nestled in green leaves: the truth is there is no blue word to express you. Better than any word is the pulse of your scent. Pablo Neruda, Odes to Common Things. (Bulfinch; Bilingual edition May 1, 1994) Originally published 1961.

The room was dark, though weak autumnal light filtered in through arched windows high on the walls, illuminating the room's rich aubergine brocade wallpaper. Its color cast a soft violet haze that floated through the bedroom, twinkling the huge diamond-shaped crystals that dropped from two immense, many-tiered silver chandeliers. They were larger than any I had ever seen, things out of a palace or a fairy tale. An imposing, heavily carved wardrobe, which looked as if it had been in place since the early fifteenth century, faced the bed where I lay. Beside it on the wall hung a large bronze shield with an iron French cross at its center, crowned by a gilded fleur-de-lis with a dazzling gemstone in the middle of the petal. Large portraits of nude ladies, odalisques that looked as if an Italian master- Titian, perhaps?- had painted them graced the adjacent wall. A heavy crystal vase of white long-stemmed roses sat on a table at the bedside, their petals tight, but their sweet perfume filling the air, mingling with the aroma of fresh baked bread. I ran my hands down my body. I was not in my own nightdress but in a pale green gown of fine quality damask silk with a triangular neckline and long, full sleeves that cupped my wrists, draping white lace over my hands to the fingers. I had never seen such a rich garment. I imagined it was something that the queen's daughters would have worn.

Figure 18. As the thickness of a layer increases, the two surfaces produce a partial reflection of monochromatic light whose probability fluctuates in a cycle from 0% to 16%. Since the speed of the imaginary stopwatch hand is different for different colors of light, the cycle repeats itself at different rates. Thus when two colors such as pure red and pure blue are aimed at the layer, a given thickness will reflect only red, only blue, both red and blue in different proportions (which produce various hues of violet), or neither color (black). If the layer is of varying thicknesses, such as a drop of oil spreading out on a mud puddle, all of the combinations will occur. In sunlight, which consists of all colors, all sorts of combinations occur, which produce lots of colors.

The New York sidewalk led us along a little corner park rimmed with yellow-orange and violet pansies that seemed to be smiling, their faces upturned, and past a bagel shop that smelled of sesame and salt, delicious warm air. We passed an empty wine bar with a pink chandelier, whimsical and dim inside, and a neighborhood diner with its blue neon sign huge and lit up, little white line-cook hats—the city seemed in my vision like a multifaceted gem, spectacular. I wished I could keep everything I witnessed like a photograph, to forever hold this electric aliveness. The colors of the flowers and the clothing were crisp and rosy, hyper-bright against the subdued sun-drenched pigments of the streets and the brick buildings, all seeming faded, softer than real. Pops of coral and red—a scarf, a lady’s lips—were pops of life.

Even if these two didn't share the same short dark hair, the same violet eyes, and the same flawless olive skin, I'd know they were related because of their most dominant feature-their habit of staring. "I'm Chloe. This is my friend Emma, who apparently just head-butted your boyfriend Galen. We were in the middle of apologizing." I pinch the bridge of my nose and count to ten-Mississippi, but fifty-Mississippi seems more appropriate. Fifty allows more time to fantasize about ripping one of Chloe's new waves out. "Emma, what's wrong? Your nose isn't bleeding, is it?" She chirps, enjoying herself. Tingles gather at my chin as Galen lifts it with the crook of his finger. "Is your nose bleeding? Let me see," he says. He tilts my head side to side, leans closer to get a good look. And I meet my threshold for embarrassment. Tripping is bad enough. Tripping into someone is much worse. But if that someone has a body that could make sculpted statues jealous-and thinks you've broken your nose on one of his pecs-well, that's when tripping runs a distant second to humane euthanasia. He is clearly surprised when I swat his hand and step away. His girlfriend/relative seems taken aback that I mimic his stance-crossed arms and deep frown. I doubt she has ever met her threshold for embarrassment. "I said I was fine. No blood, no foul." "This is my sister Rayna," he says, as if the conversation steered naturally in that direction. She smiles at me as if forced at knifepoint, the kind of smile that comes purely from manners, like the smile you give your grandmother when she gives you the rotten-cabbage-colored sweater she's been knitting. I think of that sweater now as I return her smile.

And on the horizon, along the Cordillera where rock and sky met, there was that strange color, somewhere between violet and purple, which he had seen reproduced on so many Indian skirts and shawls and on the woolen bags the campesinos hung from the ears of their llamas; for him it was the color of the Andes, of this mysterious, violent sierra. Besides, thanks to these hills, Naccos had an aura, a magic power. Danger always attracts us. Doesn’t it represent true life, life that’s worthwhile? But security is boredom, it’s stupidity, it’s death. These mountains are full of ancient tombs.Without those presences there wouldn’t be so many spirits in this part of the Andes. In the old days people had the courage to face great troubles by making sacrifices. That’s how they maintained the balance. Life and death like a scale with two equal weights, like two rams of equal strength that lock horns and neither one can advance or retreat.

the boundaries between different categories are often arbitrary, but once some arbitrary boundary exists, we forget that it is arbitrary and get way too impressed with its importance. For example, the visual spectrum is a continuum of wavelengths from violet to red, and it is arbitrary where boundaries are put for different color names (for example, where we see a transition from “blue” to “green”); as proof of this, different languages arbitrarily split up the visual spectrum at different points in coming up with the words for different colors. Show someone two roughly similar colors. If the color-name boundary in that person’s language happens to fall between the two colors, the person will overestimate the difference between the two. If the colors fall in the same category, the opposite happens. In other words, when you think categorically, you have trouble seeing how similar or different two things are. If you pay lots of attention to where boundaries are, you pay less attention to complete pictures.

Sphere/Color /Quality/Service on Planet 1: Blue. To do the will of God, illumined faith, capacity to lead people and manifest large amounts of energy. Initiative. All God-ideas born here. Rulers, leaders and executives. 2. Sunshine yellow. Perception, illumination, inspiration. Ideas are perceived and molded into thought patterns and workable form. Teachers, Educators. 3. Pink. Love, compassion, tolerance. Ideas are clothed with life-essence through the feeling nature, enabling future externalization in the world of form. Love is shown as the cohesive force, holding together a manifested form. Peacemakers, Arbitrators. 4. White. Purity. Artistic development. Poets, artists, musicians, painters, architects. 5. Emerald Green. Scientific development. Healing, concentration, consecration, truth. Scientists, engineers, inventors, healers, doctors, nurses. 6. Ruby with golden radiance. Voluntary impersonal service outside the community. Missionaries. Religious leaders. 7. Violet. Ceremonial service. Culture, refinement, diplomacy. Diplomats, gentlemen, ministers, religious leaders.

I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.

The walls behind the counter had deep floor-to-ceiling shelves for vases and jam jars and scented candles, and there was an old wrought-iron revolving stand for cards. But most of the space in the long, narrow shop was taken up with flowers and plants. Today there were fifty-two kinds of cut blooms, from the tiny cobalt-blue violets that were smaller than Lara's little fingernail to a purple-and-green-frilled brassica that was bigger than her head. The flowers were set out in gleaming metal buckets and containers of every shape and size. They were lined up on the floor three deep and stacked on the tall three-tier stand in the middle of the shop. The plants, huge leafy ferns and tiny fleshy succulents, lemon trees and jasmine bushes and freckled orchids, were displayed on floating shelves that were built at various heights all the way up to the ceiling. Lara had spent weeks getting the lighting right. There were a few soft spotlights above the flower displays, and an antique crystal chandelier hung low above the counter. There were strings of fairy lights and dozens of jewel-colored tea lights and tall, slender lanterns dotted between the buckets. When they were lit, they cast star and crescent moon shapes along the walls and the shop resembled the courtyard of a Moroccan riad- a tiny walled garden right in the middle of the city.

Don't worry," she whispered. "You're going to make it." "I know." His whisper came so quietly, and sounded so impossibly sad, that Luce wasn't sure she'd heard him right. Until then,she'd thought he was unconscious,but something in her voice seemed to reach him. His eyelids fluttered. Then, slowly, they opened. They were violet. The jug of water fell from her hands. Daniel. Her instinct was to crawl in next to him and cover his lips with kisses, to pretend he wasn't as badly wounded as he was. At the sight of her, Daniel's eyes widened and he started to sit up. But then the blood began to flow from his neck again and his face drained of all its color. Luce had no choice but to restrain him. "Shhh. She pressed his shoulders back against the stretcher, trying to get him to relax. He squirmed under her grip. Every time he did, bright new blood bloomed through the bandage. "Daniel,you have to stop fighting," she begged. "Please stop fighting. For me." They locked eyes for a long,intense moment=and then the ambulance came to an abrupt stop. The back door swung open. A shocking breath of fresh air flowed in. The streets outside were quiet, but the place had the feel of a big city,even in the middle of the night. Milan. That was where the soldier had said they were going when he assigned her to this ambulance. They must be at a hospital in Milan.

Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.