“
If the love is true, then treat it the same way you would plant - feed it, protect it from the elements - you must do absolutely everything you can. But if it isn't true, then it's best to just let it wither on the vine.
”
”
Hiromi Kawakami (The Briefcase)
“
Bumpier journeys lead to better destinations. You. Me. We’re the best destination of all.
”
”
Tessa Bailey (Secretly Yours (A Vine Mess, #1))
“
Oh, September! It is so soon for you to lose your friends to good work and strange loves and high ambitions. The sadness of that is too grown-up for you. Like whiskey and voting, it is a dangerous and heady business, as heavy as years. If I could keep your little tribe together forever, I would. I do so want to be generous. But some stories sprout bright vines that tendril off beyond our sight, carrying the folk we love best with them, and if I knew how to accept that with grace, I would share the secret.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
THE FOX AND THE GRAPES
A hungry Fox saw some fine bunches of Grapes hanging from a vine that was trained along a high trellis, and did his best to reach them by jumping as high as he could into the air. But it was all in vain, for they were just out of reach: so he gave up trying, and walked away with an air of dignity and unconcern, remarking, "I thought those Grapes were ripe, but I see now they are quite sour.
”
”
Aesop (Aesop's Fables)
“
The final stretch of drive ended at a small cottage nestled in a grove of ancient live oaks. The weathered structure, with chipping paint and shutters that had begun to blacken at the edges, was fronted by a small stone porch framed by white columns. Over the years, one of the columns had become enshrouded in vines, which climbed toward the roof. A metal chair sat at the edge, and at one corner of the porch, adding color to the world of green, was a small pot of blooming geraniums.
But their eyes were drawn inevitably to the wildflowers. Thousands of them, a meadow of fireworks stretching nearly to the steps of the cottage, a sea of red and orange and purple and blue and yellow nearly waist deep, rippling in the gentle breeze. Hundreds of butterflies flitted about the meadow, tides of moving color undulating in the sun.
”
”
Nicholas Sparks (The Best of Me)
“
If the love is true, then treat it the same way you would a plant—fertilize it, protect it from the elements—you must do absolutely everything you can. But if it isn’t true, then it’s best to just let it wither on the vine.
”
”
Hiromi Kawakami (The Briefcase)
“
Kids don’t use paper book covers anymore. Why is that? They’re missing out on the best part of school, which is doodling genitals and curse words and hiding them in flowery vines.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Divine (di.vine) 1. Relating to or being directly from God 2. Having godlike nature 3. Lovely
”
”
Jennifer Skiff (The Divinity of Dogs: True Stories of Miracles Inspired by Man's Best Friend)
“
Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well.
I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice.
I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits.
Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
Time, the best of all doctors, though it kills you in the end, had done more than therapy could.
”
”
Barbara Vine (A Fatal Inversion)
“
The final stretch of the drive ended at a small cottage nestled in a grove of ancient live oaks. The weathered structure , with chipping paint and shutters that had begun to blacken at the edges, was fronted by a small stone porch framed by white columns. Over the years, one of the columns had become enshrouded in vines, which climbed toward the roof. A metal chair sat near the edge, and at one corner of the porch, adding color to the world of green, was a small pot of blossoming geraniums. The Best of Me
”
”
Nicholas Sparks
“
It is a deep red flower that grows on a strong vine. Its leaves are dark and delicate. They grow best in shadowy places, but the flower itself finds stray sunbeams to bloom in." I looked at her. "That suits you. There is much of you that is both shadow and light. It grows in deep forests, and is rare because only skilled folk can tend one without harming it. It has a wondrous smell and is much sought and seldom found." I paused and made a point of examining her. "Yes, I am forced to pick, I would choose selas.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
thick, cozy cloud. We want to believe the best about people in our identity groups, and thankfully, the best is often the truth.
”
”
Beth Moore (Chasing Vines: Finding Your Way to an Immensely Fruitful Life)
“
It’s hard to run in a Florida woods, where every square foot not occupied by trees is bristling with thigh-high palmetto spears and nets of entangling skunk vine, but I did my best,
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
It grows because you tend it.' This was a phrase often repeated by my great-aunt when she was alive. 'That's how love is,' she used to say. 'If the love is true, then treat it the same way you would a plant - feed it, protect it from the elements - you must do absolutely everything you can. But if it isn't true, then it's best to just let it wither on the vine.
”
”
Hiromi Kawakami (Strange Weather in Tokyo)
“
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother]
The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower.
Dear Friends: I am going to do that which the dead oft promised he would do for me.
The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west.
He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust.
Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death.
This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day.
He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts.
He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers.
Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing.
He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead.
And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust.
Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
But some stories sprout bright vines that tendril off beyond our sight, carrying the folk we love best with them, and if I knew how to accept that with graces, I would share the secret.
”
”
Catherynee M. Valente
“
He filled her up and absorbed everything she amounted to until she was no one. A half-human who couldn’t exist without his touch. Her true self. She wasn’t her own person any longer. Her identity wasn’t hers to own. She became a miniscule part of him because he allowed it. He steered her with his commands, his knowledge that he knew what was best for her. In every sense and meaning of the word, she willfully and truly became his slave.
”
”
April Vine (Reclaimed By Her Master)
“
I am not a churchgoing man. Strangled in the vines of form and choked with ritual Christians, Sunday service held no appeal for me as a child. When my parents released me from compulsory attendance, I would never return. In my view, religion is best practiced out of doors, in nature's cathedral of miracles where spirits and the arts of heaven mingle unencumbered. The spirits were present on the tiny unmarked parcel at Mount Vernon that early autumn afternoon.
Hazel and I stood for a long while in complete silence. Words would have marred, much as they misserve this inadequate telling of what we felt. We had been touched by wearied souls calling, in a language ethereal as morning mist, from the near realm that awaits us all.
These were 'our' ancestors and, alone behind an old wooden outbuilding, my wife and I had wordlessly worshiped with them on that clear crisp afternoon.
”
”
Randall Robinson (The Debt: What America Owes to Blacks)
“
So Captain Jack’s come a-courtin’.” Her hands stilled on the basket. “Who?” “The tall Shawnee who come by your cabin.” The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. “He come by, but I don’t know why.” “Best take a long look in the mirror, then.” Lael’s eyes roamed the dark walls. Ma Horn didn’t own one. “Beads and a blanket, was it?” She nodded and looked back down. “I still can’t figure out why some Shawnee would pay any mind to a white girl like me.” Ma Horn chuckled, her face alight in the dimness. “Why, Captain Jack’s as white as you are.” “What?” she blurted, eyes wide as a child’s. Ma Horn’s smile turned sober. “He’s no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name—Jack.
”
”
Laura Frantz (The Frontiersman's Daughter)
“
That’s how love is,” she used to say. “If the love is true, then treat it the same way you would a plant—fertilize it, protect it from the elements—you must do absolutely everything you can. But if it isn’t true, then it’s best to just let it wither on the vine.
”
”
Hiromi Kawakami
“
These melon-size purple fruits grow on thick, thorny vines and are best known for their raw, meaty flavor. Most elves consider the taste to be too gamey, but animals being rehabilitated for the Sanctuary love them (except for the gorgodon, which has not seemed impressed).
”
”
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
“
A hungry Fox saw some fine bunches of Grapes hanging from a vine that was trained along a high trellis, and did his best to reach them by jumping as high as he could into the air. But it was all in vain, for they were just out of reach: so he gave up trying, and walked away with an air of dignity and unconcern, remarking, "I thought those Grapes were ripe, but I see now they are quite sour.
”
”
Aesop
“
What’s the best way to tell what kind of fruit is being produced in your life? Look for evidence of the fruit of the Spirit—things like “love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, [and] self-control” (Galatians 5:22-23). If the action or approach is quenching qualities of the Spirit, it’s producing bad fruit. If it’s evidencing qualities of the Spirit, it’s producing good fruit.
”
”
Beth Moore (Chasing Vines: Finding Your Way to an Immensely Fruitful Life)
“
Up before sunrise. Marjorie hated getting out of bed in the dark, but loved the payoff once she was dressed and rolling down the country roads in the first light, cruising and owning them almost alone. The countryside here used to be a lot more interesting, though. She remembered it in her girlhood - orchards, small ranches, farmhouses, each one of these houses a distinct personality... Money, she thought wryly, scanning the endless miles of grapevines, all identically wired and braced and drip-lined, mile after mile - money was such a powerful organizer.
As the dawn light gained strength, and bathed the endless vines in tarnished silver, it struck her that there was, after all, something scary about money, that it could run loose in the world like a mythic monster, gobbling up houses and trees, serving strictly its own monstrous appetite. ("The Growlimb")
”
”
Michael Shea (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
“
Margo Brinker always thought summer would never end. It always felt like an annual celebration that thankfully stayed alive long day after long day, and warm night after warm night. And DC was the best place for it. Every year, spring would vanish with an explosion of cherry blossoms that let forth the confetti of silky little pink petals, giving way to the joys of summer.
Farmer's markets popped up on every roadside. Vendors sold fresh, shining fruits, vegetables and herbs, wine from family vineyards, and handed over warm loaves of bread. Anyone with enough money and enough to do on a Sunday morning would peruse the tents, trying slices of crisp peaches and bites of juicy smoked sausage, and fill their fisherman net bags with weekly wares.
Of all the summer months, Margo liked June the best. The sun-drunk beginning, when the days were long, long, long with the promise that summer would last forever. Sleeping late, waking only to catch the best tanning hours. It was the time when the last school year felt like a lifetime ago, and there were ages to go until the next one. Weekend cookouts smelled like the backyard- basil, tomatoes on the vine, and freshly cut grass. That familiar backyard scent was then smoked by the rich addition of burgers, hot dogs, and buttered buns sizzling over charcoal.
”
”
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
“
Last weekend, grandad and I sat on the porch in silence at sunset.
We admired the grapes hanging on the vines. Time passed and it did not matter. That moment was precious, that moment was to be cherished. That moment was a healer. That moment was rich, comfortable and words were unneeded. We had each other sitting side by side and the luxury of a moment lived in its full presence. That is all that mattered.
The best things in life are really free.
”
”
Ana Ortega
“
Jacob remained by Mollie’s side throughout the night, clinging to her hand as well as to her vow. She wasn’t going to leave him. She’d given her word, and Mollie never broke a promise. He prayed. He tended the cuts she’d suffered from the blackberry brambles when she’d fallen. The vines had grown entangled within a cedar’s branches, and as best he could tell, she’d climbed the tree in order to reach the ripe berries that other pickers had left behind. Unfortunately, the limb she’d shimmied out on had been weak and had broken beneath her weight. “You know, this tree climbing and dropping through busted church floors is going to have to stop after we’re married. My heart won’t be able to take the stress.” He smiled and ran the back of his finger down the smooth line of her cheek. “Not that I expect any dictate I give you to have much effect. My only hope is that you’ll grow to care enough about me that you’ll take pity on me and cease taking unnecessary risks with your life.
”
”
Karen Witemeyer (Love on the Mend (Full Steam Ahead, #1.5))
“
The promise is, “Blessed are the meek, for they shall inherit the earth.” In the original text, the word translated as meek is the opposite of the words – resentful – angry. It has the meaning of becoming “tamed” as a wild animal is tamed. After the mind is tamed, it may be likened to a vine, of which it may be said, “Behold this vine. I found it a wild tree whose wanton strength had swollen into irregular twigs. But I pruned the plant, and it grew temperate in its vain expense of useless leaves, and knotted as you see into these clean, full clusters to repay the hand that wisely wounded it.” A meek man is a self-disciplined man. He is so disciplined he sees only the finest, he thinks only the best. He is the one who fulfills the suggestion, “Brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue and if there be any praise, think on these things.
”
”
Neville Goddard (The Law: And Other Essays on Manifestation)
“
A couple of days after the letter arrived, I was discharged from the hospital, in the custody, so to speak, of about three yards of adhesive tape around my ribs. Then began a very strenuous week's campaign to get permission to attend the wedding. I was finally able to do it by laboriously ingratiating myself with my company commander, a bookish man by his own confession, whose favorite author, as luck had it, happened to be my favorite author-L. Manning Vines. Or Hinds. Despite this spiritual bond between us, the most I could wangle out of him was a three-day pass, which would, at best, give me just enough time to travel by train to New York, see the wedding, bolt a dinner somewhere, and then return damply to Georgia.
”
”
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
“
Is that what we do? We pitch our tents, do our little clown shows, and then take off up the road to the next town ahead? Leaving our science-fictional debris on the blasted dirt to poison the minds of future generations, like the alien litter in STALKER and ROADSIDE PICNIC. Flying cars rusting out like Saturn Five rockets propped up as roadkill talismans at Kennedy, leaking toxins into the soil. Jetpacks oozing fuel from cracks in their tanks and poisoning the grass. Three-ring moonbases crumbling in the solar wind. Birdshit on the time machines. Big fat rats scavenging broken packs of food capsules, Best Before Date of 1971. A Westinghouse Robot Smoking Companion, vintage of 1931, slumped up against a tree, tin fingers still twitching for a cigarette. Vines growing through a busted cyberspace deck. The shreds of inflatable furniture designed for the space hospitals of 1955. Lizards perched atop a weather control cannon. Atomic batteries mouldering inside the grips of laser pistols abandoned in the weeds.
”
”
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
“
He leaned down and kissed her stomach, her hip bones, while his big hands held her in place. Then his mouth was on her, covering her, licking over her clit.
She arched up, crying out as his tongue slid over her folds, making her mindless and crazy. She clutched the pillow, burying her head into the softness as he sucked and licked, nipping over her skin.
She clamped her thighs around his head. Whimpered.
He was going to drive her right over the edge.
His tongue lapped over her clit.
"Jack, stop," she said, her voice harsh and panting. "I'm going to... God... No... I want..."
He didn't stop. Didn't ease up. He just pushed her harder.
His tongue. It was magic.
The condom packet slid off her stomach as she planted her feet and rocked into him. Giving up, surrendering to his will and determination. Everything that made Jack, Jack.
She coiled tight and then she exploded. She bit her lip, stifling her moans as she rode out wave after wave of delicious sensation.
She couldn't think, couldn't put together a sentence, but then he was on her, over her. His palm on her neck, his fingers on her jaw, twisting her face to meet his.
His mouth covered hers.
He tasted like sex.
And lust.
His grasp was tight on her jaw, and the way he kissed her, devoured her, sucked her right back under.
It was a raw, dirty kiss that consumed her. Her fingers came up to where he held her, and she dug her nails into his wrists.
He growled against her lips, biting her, sucking.
And the kiss went on and on and on.
He finally pulled away, grabbed the condom, and tore open the package. He tossed it onto her body again, ridding himself of his sweats, and then he was naked.
And she could only gape at him. Her gaze wide.
He had the best cock she'd ever seen in her life. Long and thick. A work of goddamn art.
She reached for him, but he grabbed her wrist, shaking his head. "I can't wait, Chlo."
He picked up the condom, threw the packet on the floor somewhere and rolled the condom down his hard shaft.
She breathed out his name. "Jack."
He leaned down, kissing her again, soft and sweet. His erection nudged between her legs. "Just let me inside.
”
”
Kate Angell (The Cottage on Pumpkin and Vine)
“
The Garden"
How vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown’d from some single herb or tree,
Whose short and narrow verged shade
Does prudently their toils upbraid;
While all flow’rs and all trees do close
To weave the garlands of repose.
Fair Quiet, have I found thee here,
And Innocence, thy sister dear!
Mistaken long, I sought you then
In busy companies of men;
Your sacred plants, if here below,
Only among the plants will grow.
Society is all but rude,
To this delicious solitude.
No white nor red was ever seen
So am’rous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress’ name;
Little, alas, they know or heed
How far these beauties hers exceed!
Fair trees! wheres’e’er your barks I wound,
No name shall but your own be found.
When we have run our passion’s heat,
Love hither makes his best retreat.
The gods, that mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so,
Only that she might laurel grow;
And Pan did after Syrinx speed,
Not as a nymph, but for a reed.
What wond’rous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons as I pass,
Ensnar’d with flow’rs, I fall on grass.
Meanwhile the mind, from pleasure less,
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find,
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that’s made
To a green thought in a green shade.
Here at the fountain’s sliding foot,
Or at some fruit tree’s mossy root,
Casting the body’s vest aside,
My soul into the boughs does glide;
There like a bird it sits and sings,
Then whets, and combs its silver wings;
And, till prepar’d for longer flight,
Waves in its plumes the various light.
Such was that happy garden-state,
While man there walk’d without a mate;
After a place so pure and sweet,
What other help could yet be meet!
But ’twas beyond a mortal’s share
To wander solitary there:
Two paradises ’twere in one
To live in paradise alone.
How well the skillful gard’ner drew
Of flow’rs and herbs this dial new,
Where from above the milder sun
Does through a fragrant zodiac run;
And as it works, th’ industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon’d but with herbs and flow’rs!
”
”
Andrew Marvell (Miscellaneous Poems)
“
When Dad pulled up in front of the house, the three of us sat still for a moment and stared at the gloomy pile of bricks my great-aunt called home. Up close, it looked even worse than it had from a distance. Ivy clung to the walls, spreading over windows and doors. A wisteria vine heavy with bunches of purple blossoms twisted around the porch columns. Paint peeled, loose shutters banged in the wind, slates from the roof littered the overgrown lawn.
Charles Addams would have loved it. So would Edgar Allan Poe. But not me. No, sir, definitely not me. Just looking at the place made my skin prickle.
Dad was the first to speak. “This is your ancestral home, Drew,” he said, once more doing his best to sound excited. “It was built by your great-great-grandfather way back in 1865, right after the Civil War. Tylers have lived here ever since.”
While Dad babbled about family history and finding your roots and things like that, I let my thoughts drift to Camp Tecumseh again. Maybe Martin wasn’t so bad after all, maybe he and I could have come to terms this summer, maybe we--
My fantasies were interrupted by Great-aunt Blythe. Flinging the front door open, she came bounding down the steps. The wind ballooned her T-shirt and swirled her gray hair. If she spread her arms, she might fly up into the sky like Mary Poppins.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
Marks,” he replied, crawling about on hands and knees, eyes intent on the short turf. “How did they know where to start and stop?” “Good question. I don’t see anything.” Casting an eye over the ground, though, I did see an interesting plant growing near the base of one of the tall stones. Myosotis? No, probably not; this had orange centers to the deep blue flowers. Intrigued, I started toward it. Frank, with keener hearing than I, leaped to his feet and seized my arm, hurrying me out of the circle a moment before one of the morning’s dancers entered from the other side. It was Miss Grant, the tubby little woman who, suitably enough in view of her figure, ran the sweets and pastries shop in the town’s High Street. She peered nearsightedly around, then fumbled in her pocket for her spectacles. Jamming these on her nose, she strolled about the circle, at last pouncing on the lost hair-clip for which she had returned. Having restored it to its place in her thick, glossy locks, she seemed in no hurry to return to business. Instead, she seated herself on a boulder, leaned back against one of the stone giants in comradely fashion and lighted a leisurely cigarette. Frank gave a muted sigh of exasperation beside me. “Well,” he said, resigned, “we’d best go. She could sit there all morning, by the looks of her. And I didn’t see any obvious markings in any case.” “Perhaps we could come back later,” I suggested, still curious about the blue-flowered vine. “Yes, all right.” But he had plainly lost interest in the circle itself, being now absorbed in the details of the ceremony. He quizzed me relentlessly on the way down the path, urging me to remember as closely as I could the exact wording of the calls, and the timing of the dance.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Pasta with Garlic Scapes and Fresh Tomatoes In Italy, you can find a garden anywhere there is a patch of soil, and in many areas, the growing season is nearly year round. It’s common to find an abundant tomato vine twining up the wall near someone’s front stoop, or a collection of herbs and greens adorning a window box. Other staples of an Italian kitchen garden include aubergine, summer squash varieties and peppers of all sorts. Perhaps that’s why the best dishes are so very simple. Gather the fresh ingredients from your garden or local farmers’ market, toss everything together with some hot pasta and serve. In the early summer and mid-autumn, look for garlic scapes, prized for their mild flavor and slight sweetness. Scapes are the willowy green stems and unopened flower buds of hardneck garlic varieties. Roasting garlic scapes with tomatoes and red onion brings out their sweet, rich flavor for a delightful summer meal. 2 swirls of olive oil 10 garlic scapes 1 pint multicolored cherry tomatoes 1 red onion, thinly sliced Sea salt and red pepper flakes, to taste ½ lb. pasta—fettuccine, tubini or spaghetti are good choices 1 cup baby spinach, arugula or fresh basil leaves, or a combination 1 lemon, zested and juiced Toasted pine nuts for garnish Heat oven to 400 ° F. Toss together olive oil, garlic scapes, tomatoes, onion, salt and pepper flakes and spread in an even layer on a parchment-lined baking sheet. Roast for 12–15 minutes, until tomatoes are just beginning to burst. If you have other garden vegetables, such as peppers, zucchini or aubergine, feel free to add that. Meanwhile, cook pasta according to package directions. Toss everything together with the greens, lemon zest and juice. Garnish with pine nuts. Serve immediately with a nice Barolo wine.
”
”
Susan Wiggs (Summer by the Sea)
“
Everything is estimated by the standard of its own good. The vine is valued for its productiveness and the flavour of its wine, the stag for his speed. We ask, with regard to beasts of burden, how sturdy of back they are; for their only use is to bear burdens. If a dog is to find the trail of a wild beast, keenness of scent is of first importance; if to catch his quarry, swiftness of foot; if to attack and harry it, courage. In each thing that quality should be best for which the thing is brought into being and by which it is judged. And what quality is best in man? It is reason; by virtue of reason he surpasses the animals, and is surpassed only by the gods. Perfect reason is therefore the good peculiar to man; all other qualities he shares in some degree with animals and plants. Man is strong; so is the lion. Man is comely; so is the peacock. Man is swift; so is the horse. I do not say that man is surpassed in all these qualities. I am not seeking to find that which is greatest in him, but that which is peculiarly his own. Man has body; so also have trees. Man has the power to act and to move at will; so have beasts and worms. Man has a voice; but how much louder is the voice of the dog, how much shriller that of the eagle, how much deeper that of the bull, how much sweeter and more melodious that of the nightingale! What then is peculiar to man? Reason. When this is right and has reached perfection, man's felicity is complete. Hence, if everything is praiseworthy and has arrived at the end intended by its nature, when it has brought its peculiar good to perfection, and if man's peculiar good is reason; then, if a man has brought his reason to perfection, he is praiseworthy and has readied the end suited to his nature. This perfect reason is called virtue, and is likewise that which is honourable.
”
”
Epictetus (Stoic Six Pack (Illustrated): Meditations of Marcus Aurelius, Golden Sayings, Fragments and Discourses of Epictetus, Letters from a Stoic and The Enchiridion: ... Letters from a Stoic and The Enchiridion)
“
There is no fault that can’t be corrected [in natural wine] with one powder or another; no feature that can’t be engineered from a bottle, box, or bag. Wine too tannic? Fine it with Ovo-Pure (powdered egg whites), isinglass (granulate from fish bladders), gelatin (often derived from cow bones and pigskins), or if it’s a white, strip out pesky proteins that cause haziness with Puri-Bent (bentonite clay, the ingredient in kitty litter). Not tannic enough? Replace $1,000 barrels with a bag of oak chips (small wood nuggets toasted for flavor), “tank planks” (long oak staves), oak dust (what it sounds like), or a few drops of liquid oak tannin (pick between “mocha” and “vanilla”). Or simulate the texture of barrel-aged wines with powdered tannin, then double what you charge. (““Typically, the $8 to $12 bottle can be brought up to $15 to $20 per bottle because it gives you more of a barrel quality. . . . You’re dressing it up,” a sales rep explained.)
Wine too thin? Build fullness in the mouth with gum arabic (an ingredient also found in frosting and watercolor paint). Too frothy? Add a few drops of antifoaming agent (food-grade silicone oil). Cut acidity with potassium carbonate (a white salt) or calcium carbonate (chalk). Crank it up again with a bag of tartaric acid (aka cream of tartar). Increase alcohol by mixing the pressed grape must with sugary grape concentrate, or just add sugar. Decrease alcohol with ConeTech’s spinning cone, or Vinovation’s reverse-osmosis machine, or water. Fake an aged Bordeaux with Lesaffre’s yeast and yeast derivative. Boost “fresh butter” and “honey” aromas by ordering the CY3079 designer yeast from a catalog, or go for “cherry-cola” with the Rhône 2226. Or just ask the “Yeast Whisperer,” a man with thick sideburns at the Lallemand stand, for the best yeast to meet your “stylistic goals.” (For a Sauvignon Blanc with citrus aromas, use the Uvaferm SVG. For pear and melon, do Lalvin Ba11. For passion fruit, add Vitilevure Elixir.) Kill off microbes with Velcorin (just be careful, because it’s toxic). And preserve the whole thing with sulfur dioxide.
When it’s all over, if you still don’t like the wine, just add a few drops of Mega Purple—thick grape-juice concentrate that’s been called a “magical potion.” It can plump up a wine, make it sweeter on the finish, add richer color, cover up greenness, mask the horsey stink of Brett, and make fruit flavors pop. No one will admit to using it, but it ends up in an estimated 25 million bottles of red each year. “Virtually everyone is using it,” the president of a Monterey County winery confided to Wines and Vines magazine. “In just about every wine up to $20 a bottle anyway, but maybe not as much over that.
”
”
Bianca Bosker (Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste)
“
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t.
She smiled.
Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?”
Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures.
“By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.”
His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes.
“It doesn’t suit you anyway,” she said, loading her brush with paint.
He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…”
“The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.”
“Why not? Is the color wrong?” The sudden seriousness in his tone surprised her.
“No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.”
“Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?”
“Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.”
“Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?”
“No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?”
“If I had my way…I wouldn’t.”
A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.”
He blinked. “He painted a nude study of you?”
“No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.”
Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
What’s so funny? Stop chuckling at me.” Her eyes flared. “It’s only two years away! Besides, engaged is as good as being married… it’s like prison. Nobody breaks their engagement—well there was Lady Macela—poor thing, and she never got married. Isn’t she all on her own now? But to that old pig? What are my parents thinking? I truly despise them.” “Just tell them you don’t want to marry him. I’m sure you’ll figure something out.” “I already did. You know they never listen to me. They claim they know what’s best. I’d rather run away than marry him. I simply won’t do it.” She cast a venomous glare at her soup, then sighed and looked up at Talis, raising a finger as if she had an idea. “Let’s win the Blood Dagger competition. If we win, we’re allowed any wish we choose. That’ll keep me away from that ridiculous man.” “But Rikar and Nikulo are undefeated… and they’re brutal—” “I don’t care! We can do it, I know we can. Ever since that old witch made me drink all her potions and tea I feel strangely powerful… like I can do anything.” “We’ve had a string of bad luck, though. We lost two times in a row in the training arena. And then you almost got killed by the boar.” Talis lowered his voice to a whisper. “It’s like the gods are angry with us.” “Don’t say that,” she hissed. “Besides, there are rites of initiation we could try… a blood oath.” “A blood oath? You’ve got to be kidding! First you wanted to go after the boar, and now this?” Talis swallowed, not liking whatever she meant by the suggestion. “Don’t be a child. And look, we’re right here. We can do it now.” She looked at the vines covering the walls surrounding the Temple of Nyx, the God of War. Talis followed her gaze and felt a chill prickling along the back of his neck. “What? You want to make a blood oath at the Temple of Nyx?” The last time he’d been inside was when his brother Xhan had died. A painful memory. “No, don’t you know anything? I’ve got it all figured out. We must pray to Zagros, who favors the weak and fallen.” Zagros? What insanity would cause them to pray to the God of the Underworld? “I don’t think that’s a good idea… actually I think it is a terrible idea.” “Listen, we know the rites of initiation. We’ve been trained, right? What are you afraid of?” At her determined gaze Talis felt a clammy coldness creep
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
We wandered the entire length of the street market, stopping to buy the provisions I needed for the lunch dish I wanted to prepare to initiate l'Inglese into the real art of Sicilian cuisine.
I took l'Inglese around the best stalls, teaching him how to choose produce, livestock, game, fish, and meat of the highest quality for his dishes.
Together we circled among the vegetable sellers, who were praising their heaps of artichokes, zucchini still bearing their yellow flowers, spikes of asparagus, purple-tinged cauliflowers, oyster mushrooms, and vine tomatoes with their customary cries:
"Carciofi fresci."
"Funghi belli."
"Tutto economico."
I squeezed and pinched, sniffed, and weighed things in my hands, and having agreed on the goods I would then barter on the price. The stallholders were used to me, but they had never known me to be accompanied by a man.
Wild strawberries, cherries, oranges and lemons, quinces and melons were all subject to my scrutiny.
The olive sellers, standing behind their huge basins containing all varieties of olives in brine, oil, or vinegar, called out to me:
"Hey, Rosa, who's your friend?"
We made our way to the meat vendors, where rabbits fresh from the fields, huge sides of beef, whole pigs and sheep were hung up on hooks, and offal and tripe were spread out on marble slabs. I selected some chicken livers, which were wrapped in paper and handed to l'Inglese to carry. I had never had a man to carry my shopping before; it made me feel special.
We passed the stalls where whole tuna fish, sardines and oysters, whitebait and octopus were spread out, reflecting the abundant sea surrounding our island. Fish was not on the menu today, but nevertheless I wanted to show l'Inglese where to find the finest tuna, the freshest shrimps, and the most succulent swordfish in the whole market.
”
”
Lily Prior (La Cucina)
“
Most of the ingredients she cooked with came from the tiny farm immediately behind the restaurant. It was so small that the Pertinis could shout from one end of it to another, but the richness of the soil meant that it supported a wealth of vegetables, including tomatoes, zucchini, black cabbage, eggplant and several species that were unique to the region, including bitter friarielli and fragrant asfodelo. There was also a small black boar called Garibaldi, who despite his diminutive size impregnated his harem of four larger wives with extraordinary diligence; an ancient olive tree through which a couple of vines meandered; a chicken or two; and the Pertinis' pride and joy, Priscilla and Pupetta, the two water buffalo, who grazed on a patch of terraced pasture no bigger than a tennis court. The milk they produced was porcelain white, and after hours of work each day it produced just two or three mozzarelle, each one weighing around two pounds- but what mozzarelle: soft and faintly grassy, like the sweet steamy breath of the bufale themselves.
As well as mozzarella, the buffalo milk was crafted into various other specialties. Ciliègine were small cherry-shaped balls for salads, while bocconcini were droplet-shaped, for wrapping in slices of soft prosciutto ham. Trecce, tresses, were woven into plaits, served with Amalfi lemons and tender sprouting broccoli. Mozzarella affumicata was lightly smoked and brown in color, while scamorza was smoked over a smoldering layer of pecan shells until it was as dark and rich as a cup of strong espresso. When there was surplus milk they even made a hard cheese, ricotta salata di bufala, which was salted and slightly fruity, perfect for grating over roasted vegetables. But the cheese the Pertinis were best known for was their burrata, a tiny sack of the finest, freshest mozzarella, filled with thick buffalo cream and wrapped in asphodel leaves.
”
”
Anthony Capella (The Wedding Officer)
“
Entertaining Possibilities
"Why sometimes I've believed as many as
six impossible things before breakfast."
- The Queen of Hearts,
Alice in Wonderland
riding bareback
on a triceratops
through green galaxies
while you ride beside me
on your favorite mastodon
running a finger
over those I love
and like a highlighter pen
turning them neon
noting them forever
so I can return to them
easily
when I need them
thinking something good
can come
of "ethnic cleansing"
swimming in an ocean
deep and wet enough
to fill the eternity
of love
between these two
sheets
walking into the vowels
of a word like open
and becoming it
locking away
Pandora's box
putting evil back
in its place for good
and swallowing the key
lighting myself
with a single match
then watching me melt
warm and liquid
over your body
cooling gently
in the shape of you
sitting flat
in round anticipation
I will be page 233 in the book
that you have just opened
and I will chew on each delicious moment
of every turn
as you move
page by page
closer
to me
stowing away
in your pillowcase
and sailing your dreams
so that when you are sent to walk the plank
I can catch you
together we can be
the mutiny
on any bounty
letting my best ideas ripen
beside yours
on the vine
then stomping it all juicy
between toes
yours and mine
aging
then bottling it all
till the sun falls
and we uncork
our store
one by one
and drink
forever in the twilight
planting a memory
watering the spot
watching it grow
tall, tender, familiar,
then putting my ear
to its blossom
and hearing
my grandmother's voice
tell me
again
that I can be both the gift
and the giver
”
”
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
“
Through the years I experimented with all different types of materials and frames. Finally, I settled upon one that was so simple, easy, and inexpensive to use that it was almost ridiculous. Then I began growing all different types of plants vertically. I originally thought I would need to design some special way to hold up and accommodate heavier fruits such as winter squash and pumpkins, but as it turned out, these plant vines seemed to understand the situation; the stem supporting the heavy fruit grows thicker and heavier as the fruit becomes larger. If you have a framework and support that will hold the plant, the plant will hold the fruit; it is as simple as that! Mother Nature always seems to know best. Pea and bean netting can be stretched taut across a box frame and held in place by four metal posts. Plants will then grow up through the netting and be supported. Best Material I use the strongest material I can find, which is steel. Fortunately, steel comes in tubular pipe used for electrical conduit. It is very strong and turns out to be very inexpensive. Couplings are also available so you can connect two pieces together. I designed an attractive frame that fits right onto the 4 × 4 box, and it can be attached to the wooden box with clamps that can be bought at any store. Or, steel reinforcing rods driven into the existing ground outside your box provide a very steady and strong base; then the electrical conduit slips snugly over the bars. It’s very simple and inexpensive to assemble. Anyone can do it—even you! To prevent vertically grown plants from shading other parts of the garden, I recommend that tall, vertical frames be constructed on the north side of the garden. To fit it into a 4 × 4 box, I designed a frame that measured 4 feet wide and almost 6 feet tall. Tie It Tight Vertically growing plants need to be tied to their supports. Nylon netting won’t rot in the sun and weather, and I use it exclusively now for both vertical frames and horizontal plant supports. It is very strong—almost unbreakable—and guaranteed for twenty years. It is a wonderful material available at garden stores and in catalogs. The nylon netting is also durable enough to grow the heavier vine crops on vertical frames, including watermelons, pumpkins, cantaloupes, winter and summer squashes, and tomatoes. You will see in Chapter 8 how easy it is to train plants to grow vertically. To hold the plants to the frame, I have found that nylon netting with 7-inch square openings made especially for tomato growing works well because you can reach your hand through. Make sure it is this type so it won’t cut the stem of the plant when it blows against it in the wind. This comes in 4-foot widths and can easily be tied to the metal frame. It’s sometimes hard to find, so call around.
”
”
Mel Bartholomew (All New Square Foot Gardening: The Revolutionary Way to Grow More In Less Space)
“
Through the years I experimented with all different types of materials and frames. Finally, I settled upon one that was so simple, easy, and inexpensive to use that it was almost ridiculous. Then I began growing all different types of plants vertically. I originally thought I would need to design some special way to hold up and accommodate heavier fruits such as winter squash and pumpkins, but as it turned out, these plant vines seemed to understand the situation; the stem supporting the heavy fruit grows thicker and heavier as the fruit becomes larger. If you have a framework and support that will hold the plant, the plant will hold the fruit; it is as simple as that! Mother Nature always seems to know best.
”
”
Mel Bartholomew (All New Square Foot Gardening: The Revolutionary Way to Grow More In Less Space)
“
She knew that this would be her last summer. The warm caress of the late- spring sunlight couldn’t roll back the fog- like weariness that crept through her bones these days. But then there had been so many summers. Almost a hundred. She glanced up the hill, towards the little graveyard beyond the vines where those she loved the best were laid. They were waiting, now, to welcome her.
”
”
Fiona Valpy (The Beekeeper's Promise)
“
I didn’t want to be special.”
“Says the girl who was comparing herself so dramatically to a shadow earlier.”
“I just wanted what I asked for.”
“Which was?” Wyndle asked.
“Not important now.”
“I rather think it is.”
“I asked not to change,” Lift whispered, opening her eyes. “I said, when everything else is going wrong, I want to be the same. I want to stay me. Not become someone else.”
“Those are the exact words?” Wyndle asked.
“Best I can remember.”
“Hmm…” Wyndle said, snuggling down into his vines. “I believe that is too vague.”
“I wasn’t! I told her. Make me so I don’t grow up.”
“That is not what you said, mistress. And if I might be so bold—having spent a great deal of time around you—you are not an easy person to understand.”
“I asked not to change! So why am I changing?”
“You’re still you. Merely a bigger version.
”
”
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
“
You’re not running again,” he growled before pouncing up onto the table.
I shrieked, stumbling backwards as he leapt towards me. I threw my shoes at him and they bounced off of his chest making him pause in surprise. He barked a laugh then lunged at me, faster than was humanly possible.
He caught my waist and I squealed as he pushed me back against a heavy bookcase which stood along the wall. My hands landed on his shoulders like I was going to push him off of me but I didn’t.
“Cheat,” I breathed as my heart pounded.
“Only a little,” he admitted.
Before I could say anything else, he leaned forward and kissed me. My heart leapt, my skin tingled and my traitorous body gave in to his demand. I was supposed to hate him. I was supposed to be shoving him off of me and slapping him and telling him to stay the hell away from me.
I definitely shouldn’t have been pulling him closer, my hands fisting in the material of his shirt, my lips parting to admit his tongue.
I could still taste blood from where I’d bitten my lip and he obviously could too, a groan of desire escaping him as I felt a soft tug on my magic from the welt on my lip.
Why am I always a sucker for the bad guys? And why does it always feel so good?
The heat of his kiss lit me up and I gave up on any thoughts of pushing him away. It wasn’t like I was giving him my heart anyway. Just a kiss... or maybe two...
Caleb’s hands slid into my hair and I arched my back, pressing my body against his.
His grip tightened in my hair and he dragged my head backwards, breaking our kiss as he moved his mouth down my neck, teasing with the idea of biting me, his fangs flirting with my flesh.
My body was alight with his proximity and I moaned, urging him on. I didn’t want this to stop even if I really should have.
Caleb withdrew just enough to look into my eyes and the heat I saw in his gaze made my toes curl.
“You wanna play another game, sweetheart?” he asked, his voice deep.
“What do I get if I win?” I breathed.
“I think this game will have two winners,” he promised.
My gaze roamed over his face hungrily but then I glanced at the open door. This really wasn’t the best place for us to be making out... or doing anything else either.
“I can sort that,” he said, taking one hand off of me and casting magic at the door. A long vine curled across the carpet before pushing the door closed and winding itself around the handle to lock it. An orb of orange light flickered into existence overhead as we were plunged into darkness, casting shadows over his stunning features. He aimed his palm at the ceiling next and I felt a wave of magic wash over me. “Silencing bubble, so we don’t have to hold back,” he explained.
I looked into his eyes, wondering if I was really going to do this with him. Heat was curling its way through my body, lighting me up with desire for this beast before me and I decided to act on it before I had the chance to question my decision.
(tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
The most important question for us humans is,
"What is human?"
"What is life?"
"What is life?"
If you can't answer this question, you can't live your life seriously.
So Tolstoy, Russia's main gate, for a long time of 15 years
I wrote my last book at the end of my career.
What is life?It's 입니다.
In this book, Tolstoy defines life like this.
"Life is holding onto a thin arrowroot vine in a desperate situation where it doesn't know when it's going to break off."
What do you think life is?
Someone said that life is about luck.
What is "WOON 7G3"?
It means that luck is 70% and opportunity is 30%.
Life is luck.
Do you really think life is luck?
Then you're lucky to live well,
Is it bad luck not to be able to buy it?
Being healthy is good luck,
Is it bad luck to be sick?
That's not true. Life is not luck.
Victor Wigor thinks about what life is and then expresses it in one word.
It's a voyage.
Life is a voyage in which a boat floating on the sea plumped and sailed through a port.
Ships floating in the sea of the world have calmness, rough waves, and scary typhoons.
Life is not easy.
So Job says life like this.
"Isn't there hard labor in life on this land?" (Job 7:1)
There is a theory of life in today's text.
Section 13 of the body.
"Those who say they will profit by doing business" (approximately 4:13)
What is business and profit?
Business is selling things to make money.
What are the benefits?
It's money from the business.
Jews thought it was important to make money.
So Jewish tactics are world-famous.
The Jews were the geniuses of the tactics.
In the old days, money was all coins.
Our country also made money into a not.
This is called Yupjeon.
Heavy coins were very uncomfortable for traders.
So the Jews made bills instead of coins, they made checks, they made bills.
And the Jews thought about how to sell things without discounting them
I made a department store in America.
The Jews also taught their children this way.
"The whole world is a business. Even white clouds become rain when squeezed."
These people are Jewish.
Trade was the best way to make money in the days of the First Church.
Especially in the early church era, it was the best environment to make money from trade.
In this era, it was Pax Romana.
”
”
What is human?
“
Root out every poisonous vine. He saw it now, in startling clarity. Some of those vines cared for him, but that didn’t make their poison less toxic. He’d made excuse after excuse for his aunt. She loved him. She meant well. She wanted the best for him. None of that mattered.
”
”
Courtney Milan (The Duke Who Didn't (Wedgeford Trials, #1))
“
It is a deep red flower that grows on a strong vine. Its leaves are dark and delicate. They grow best in shadowy places, but the flower itself finds stray sunbeams to bloom in.” I looked at her. “That suits you. There is much of you that is both shadow and light. It grows in deep forests, and is rare because only skilled folk can tend one without harming it. It has a wondrous smell and is much sought and seldom found.” I paused and made a point of examining her. “Yes, since I am forced to pick, I would choose selas.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
As soon as they entered the forest, Dina felt something stirring in her magic. Normally it lay dormant within her until she needed it for a spell. But now it was thrumming in her blood, reacting to this place. The trees were tall and thick, little sunlight made it to the forest floor, and the narrow pebbled path they walked along twisted out of sight ahead of them.
"There's something here," she whispered to Immy.
"Like magic?"
"Yeah. Like, I don't know how to put it--- like this is an old and powerful place. Like the land is breathing."
"Ooh, I'm going to write that phrase down for my next book," Immy said, pulling her phone out of her pocket.
As Immy slowed down to make her note, Dina walked on, feeling the power of this ancient wood flooding through her. She felt as if she were walking into the mouth of a great, slumbering goddess. But it didn't scare her; it wasn't meant to. It was just nature, older than history, older than bone.
The path curled around to the left, revealing a small cottage in the dappled light, dwarfed by the surrounding oaks. The lights were on inside, illuminating the ivy and wisteria vines that had twined themselves around the outer walls of the cottage. The windows were sashed in dark green wood, complete with window boxes filled with daisies. Daisies that Dina was sure shouldn't have been able to grow in such little light, but this wood seemed to play by its own rules.
”
”
Nadia El-Fassi (Best Hex Ever)
“
She looked down and saw in surprise an elegant pattern of flowers and vines that wove around her fingers, and in the center of her palm, an open eye.
"This is so you will see yourself as I see you," Nour said, her eyes prickling with tears.
Dina stood and turned to face the mirror. For a moment she did not recognize her reflection. That woman was beautiful, glowing, beaming a smile, kindness and joy radiating from her. That woman was Dina. That's me.
The hex had felt insurmountable, impossible to break, even once she had known she was the cause of it. It was one thing to be told she needed to love herself to break the curse, but quite another to do it in practice. But as Dina looked at herself, everything fell into place. Her family accepted her for who she was. And if she told herself that she was worthy of love, then it was true. And if it was true, there was no need for the hex anymore. No need for that wall that she had built between herself and others to keep them from seeing her as she truly was. Scott loved her, and she loved him. And they would be okay.
She shuddered in a breath as the insidious magic of the hex began to dissipate, like ashes blowing away after a fire's gone out. Then her ears popped, and the hex was gone.
Dina looked across at her mother, smiling through her tears.
"It's gone," she cried. "Mama, I'm free.
”
”
Nadia El-Fassi (Best Hex Ever)
“
As Dina walked down the hall, the floorboards seamlessly transformed into blue and white tiles beneath her feet. She found herself standing in the heart of the house: a riad with a bubbling mosaic fountain, vines twisting up the walls and, above her, fuchsias blooming in terra-cotta pots and miniature date trees coiling around the pillars. It was more of a garden than a room, really. The ceiling was open to the night sky, burnished stars in an inky darkness.
It wasn't the real sky of course, but the house's magic was powerful. Dina could even hear crickets chirping in the distance and the cinnamon scent of the earth in Khemisset, where her mother had grown up. She exhaled deeply, the feeling of being home sinking into her bones.
”
”
Nadia El-Fassi (Best Hex Ever)
“
The best use of our energies is not to try harder to be like Jesus, but to stay more closely connected to Him—the branch embedded in the Vine. That means we pay better attention to what He says and does and how others react to Him, simply to get to know Him more deeply. And in knowing Him we see Him better, and in seeing Him better we trust in Him more deeply, and in trusting Him more deeply we align ourselves with Him, and in aligning ourselves with Him we live our lives in a magnetic atmosphere of faith. And that faith, like Peter’s, “will not fail.
”
”
Rick Lawrence (Sifted: God's Scandalous Response to Satan's Outrageous Demand)
“
Spring And Autumn.
Every season hath its pleasures;
Spring may boast her flowery prime,
Yet the vineyard's ruby treasures
Brighten Autumn's soberer time.
So Life's year begins and closes;
Days tho' shortening still can shine;
What tho' youth gave love and roses,
Age still leaves us friends and wine.
Phillis, when she might have caught me,
All the Spring looked coy and shy,
Yet herself in Autumn sought me,
When the flowers were all gone by.
Ah, too late;--she found her lover
Calm and free beneath his vine,
Drinking to the Spring-time over,
In his best autumnal wine.
Thus may we, as years are flying,
To their flight our pleasures suit,
Nor regret the blossoms dying,
While we still may taste the fruit,
Oh, while days like this are ours,
Where's the lip that dares repine?
Spring may take our loves and flowers,
So Autumn leaves us friends and wine.
”
”
Thomas Moore
“
The relational nature of training means that the best training will often occur by osmosis rather than formal instruction.
”
”
Colin Marshall (The Trellis and the Vine)
“
Indeed, as important as the prospect of physical bodily changes, he saw the immigrant psyche changing as it gradually adopted the psychology of the aboriginal peoples. Despite the best efforts of American whites, fragments of an American Indian soul were constantly appearing in their dreams and fantasies. “The American presents a strange picture,” Jung said, “a European with Negro behavior and an Indian soul. He shares the fate of all usurpers of foreign soil.”18
”
”
Vine Deloria Jr. (C.G. Jung and the Sioux Traditions)
“
Will you marry me, Genevieve?” He kissed her cheek while Jenny flailed about for a response, any response at all. “The paint fumes are affecting you, Elijah, or you’ve spent too much time imbibing His Grace’s wassail.” “You affect me. I paint better when you’re near, and I was warned about His Grace’s wassail—or Her Grace’s—by the regent himself. Marry me.” She wanted to say yes, even if this declaration was not made out of an excess of romantic love. “If I marry you, I cannot go to Paris.” He leaned back, resting his head against the stones behind them, closing his eyes. “I’ll take you to bloody Paris, and you can appreciate for yourself that the cats have ruined the place. Rome isn’t much better, though I suppose you’ll want to go there and sniff it for yourself too.” He’d promise to take her there, probably to Moscow as well if she asked. “Babies put rather a cramp in one’s travel plans.” Because if she were married to him, and Windham proclivities ran true, babies would follow in the near, middle, and far terms, and all hope of painting professionally would be as dead as her late brothers. “Your siblings all managed to travel with babies. What’s the real reason, Genevieve? We’re compatible in the ways that count, and you’re dying on the vine here, trying to be your parents’ devoted spinster daughter. Marry me.” He was tired, and he felt sorry for her. Of those things, Jenny was certain, but not much else. She hadn’t foreseen an offer from him that would ambush her best intentions and be so bewilderingly hard to refuse. “You need to go home, Elijah. I need to go to Paris. Painting with you has only made me more certain of that. If I capitulate to your proposal, I will regret it for the rest of my days, and you will too. You feel sorry for me, and while I appreciate your sentiments, in Paris I will not be an object of pity.
”
”
Grace Burrowes
“
Insensitive people are powerful and the thoroughly thick-skinned are the most powerful. They make the best tyrants.
”
”
Barbara Vine (The Chimney Sweeper's Boy)
“
Imulai Mokarengen has four great archives, one for each compass point. The greatest of them is the South Archive, with its windows the color of regret and walls where vines trace out spirals like those of particles in cloud chambers.
”
”
Rich Horton (The Year's Best Science Fiction & Fantasy, 2014)
“
It grows because you plant it… That’s how love is,” she used to say. If the love is true, then treat it the same way you would a plant—fertilize it, protect it from the elements—you must do absolutely everything you can. But if it isn’t true, then it’s best to just let it wither on the vine.
”
”
Hiromi Kawakami (Strange Weather in Tokyo)
“
She landed with a soft sigh, eyes wide as she stared up at me. “Nice catch, QB.” “Best of my life.
”
”
Amanda Chaperon (Pour Decisions (Love on the Vine, #2))
“
Hunting you down, little maniac. My best guess was the same place at the same time as yesterday,” he called up.
”
”
Jolie Vines (Arran's Obsession (Body Count, #1))
“
us. And why must vines be pruned, my friend?” I considered his question. Surely there was a trap set for me. “First, the dead canes must be cut off in this season when the vine is sleeping. This season … you see the workers there … the pruning is severe. Down to the trunk of the vine. Dead canes will not bear fruit and so must be cut off first. In another month or so, depending on the weather, there will be bud break. The vine will produce new, healthy shoots. New growth will bear fruit.” Jesus asked, as though he did not know, “Is the job of the vinedresser finished when he cuts away these dead branches?” “Well … no. Through the growing season, we train the branches. Set them in the best position to expose fruit to the sun. Thin the leaves that block the sun from the berries; break off clusters that will never ripen evenly. They only steal the life of the vine from the good clusters. The vinedresser cuts away excess foliage to concentrate the life of the vine into the best berries that will make the finest quality wine. The vine can’t nourish the new growth properly … the quality of the grapes is not as good
”
”
Bodie Thoene (When Jesus Wept (The Jerusalem Chronicles, #1))
“
His aunt loved him; Jeremy knew she believed that. But she also thought he was a mistake. She would always look at him and see an error in the shape of his eyes, the curve of his nose. She might have loved him, yet she had no idea how he needed to be loved. “If you say one word against my mother, I will never speak to you again.” Root out every poisonous vine. He saw it now, in startling clarity. Some of those vines cared for him, but that didn’t make their poison less toxic. He’d made excuse after excuse for his aunt. She loved him. She meant well. She wanted the best for him. None of that mattered.
”
”
Courtney Milan (The Duke Who Didn't (Wedgeford Trials, #1))
“
He clasped her hips. Dug his fingers into her soft flesh.
Christ.
She clutched his shoulders, her mouth growing more insistent.
He wanted to consume her.
He slanted his head, increasing their connection. Deepening the angle.
Getting lost in her.
Chloe. Fuck. He was kissing Chloe. His Chloe. His best friend.
And it was incredible.
He couldn't get enough. He swept his palms up her body, barely clothed in her tiny costume. He tangled his fingers in her hair, fisting the length to drag her closer. So much closer.
She gasped and moaned, sliding her hips forward.
When his cock slid between her thighs, he about lost his gad-damn mind.
She rocked. He surged.
The heat, the slide, the friction.
”
”
Kate Angell (The Cottage on Pumpkin and Vine)
“
The vine needs to suffer. Going down into this earth-fighting to survive among the stones, among the lime rock—this is what gives it its aroma. Its taste. Its unique character. These grapes will create a wine few other vineyards can compare with not because their life was easy, but because they had to struggle to survive.” I grew still. “The vine needs to suffer?” “To be at its best, it needs to suffer, yes. And fight.” “I’m sorry for it, then. No creature should have to bear pain.” “Pain is part of this life. No one can escape suffering. Not the vine, nor we humans, as you well know, my lady. But what if we are like the vine and that affliction only makes us better?” Bardia
”
”
Tessa Afshar (Harvest Of Rubies (Harvest Of Rubies, #1))
“
Your memories
Thoughts that travel from memories to mind,
Many feelings and emotions they unwind,
Almost like a stiff creeper vine that uncurls with first Spring shower,
Your memories make me feel like a flower,
That waits to feel clad in the Sunshine,
And unwind just like the weary and twisted creeper vine,
But right now there is neither you nor the Sun, but just the creeper,
That grows on the surface of your imagination as your thoughts sink into me deeper and deeper,
While I wait for you and the creeper waits for the rain drops,
I hope this love affair with hoping and imagining someday stops,
So that the creeper vines can gradually and forever unwind,
So that you exist in the real world and not just in the memories of my mind!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
The strangle vine is a dangerous plant to deal
with as it’s a master of disguise. It can produce up to five different types of foliage, depending on
the type of anchor it attaches itself to. It makes safely identifying this plant very tricky. Thus, it's
best to investigate any possible outbreak with weapon in hand. Some people like a machete.
Others: an axe. Personally, I like a flamethrower."
He whipped up the wand and gave his signature evil laugh. The cackle inspired the rumors
that he had accidentally killed someone on his previous show and thus his backslide to obscurity.
She'd seen the videos. The only thing he'd killed was the ratings; he'd been bored silly doing
curbside appeal remodels and it showed.
”
”
Wen Spencer (Pittsburgh Backyard and Garden (Elfhome, #1.5))
“
They turn on short-range telemetry kits, and we approach through the clear-cut. The black soil is deformed into thigh-high welts from earth-moving equipment. Pings from the radio collars tell them that the male is south of the female, who is farther up the wood line. Because the male wolf and the yearlings will often sit the pups while the female goes off to hunt or rest elsewhere, the biologists must choose which wolf’s signal to focus upon. This morning, they can’t decide which wolf might be with the pups. Chris whispers a game plan to Ryan.
“I’m going to walk up on the male,” Chris says. “You walk farther up and get a bead on the female. Wait a few minutes before you go in - give me some time to find him first because the wind will wash your scent south right back on top of him, okay? If the pups aren’t with him, I’ll just keep moving north toward her and find you.”
Ryan nods his agreement, and Chris slips into the woods. The density of the vegetation encloses around him within a few feet from the tree line. Chris, having spent twenty-five years using telemetry to track wolves, can interpret the pings like most people read road signs. His body melts behind thick vines, woody growth, and an abundance of wax myrtle bushes that crowd the understory.
Ryan and I walk north along the clear-cut. He listens for the female, holding his telemetry antennae high. He waves the unit this way and that, searching the radio wave for the best strength. It begins raining. He paces up and down a fifty-foot stretch of the tree line. Where the female wolf’s signal is the strongest, he scratches a large X in the dark muck with his boot heel. We wait in the light drizzle. Minutes tick by. Finally, Ryan motions for me to follow him into the woods. We creep deliberately, slowly, and I plant each step where he does. After about ten yards, he drops onto his hands and knees and crawls beneath a cluster of thorny devil’s walking sticks. I trail him as if playing a silent game of follow the leader. We pause here and there to let the wolf confuse our sounds with a foraging squirrel. He uses vine clippers to snip through several large branches obscuring our way. Soon, Ryan pulls the cable from his antennae and shows me that he can hear her with just the receiver box. We are close. I try not to breathe. She is within thirty feet. Then the pinging in his headphones tells him she is running. We don’t hear or even see her flush. It is like tracking a ghost.
”
”
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
“
Most people are doing the best they can with what they know and what they have. People are just at different stages in their journeys. Part of being mature is understanding that, and showing patience, empathy, and compassion. Everyone has said and done things they later recognized as mistakes.
”
”
James Russell Lingerfelt (Young Vines)
“
My mom always taught me the best business is a struggling one run by imbeciles who don’t know what they’re doing. She’d say to me, “If you come in with fresh ideas and energy, you’ll win most every time.
”
”
Brynne Asher (Vines (The Killers #1))
“
Daniel Mas Masumoto:
The blade slices into the soil. My muscles tense and push the shovel into the moist ground. Dark and damp, the sweet warm smell of wet earth…I can’t count the thousands of shovelfuls of earth I have moved in my life. But I like to think of the thousands that lie in my future, if I am fortunate. Spring irrigation brings life to the orchards and vineyards. Peaches ripen and the scent of bloom lingers in the air…I guide the water into my fields in an act of renewal,
I think of Paul, a farmer and oil painter friend. He enjoys experimenting with green, capturing the subtle nuances of a fresh leaf or the thriving growth of mid-spring or the weak yellow green of a cover crop on bad soil… Paul knows his paintings work when the farmers gravitate toward a few, attracted by the colors, and begin talking about his greens. The true green of a field has depth, like the mysterious colors of a clear by deep lake. Each shade has meaning we interpret differently. Paul says farmers are his best art critics, we know more of greens than anyone else.
I’ve lost raisin crops, peach harvests, whole trees and vines. I’ve lost money, my time, and my labor. I’ve lost my temper, my patience, and, at time, hope. Most of the time, it’s due to things beyond my control, like the weather, market prices, or insects or disease. Ironically, the moment I step off my farm I enter a world where it seems that everything, life and nature, is regulated and managed. Homes are built to insulate families from the outside weather. People work in climate controlled environments designed to minimize the impact of weather. In America, a lack of control means failure…I’ve abandoned my attempts to control and compete with nature, but letting go has been a challenge. I’m trying to listen to my farm. Before I had not reason to hear the sounds of nature. The sole strategy of conventional farming seems to be dominance. Now, with each passing week, I venture into fields full of life and change, clinging to a belief in my work and a hope that it’s working.
”
”
David Landis Barnhill
“
Don’t worry—we don’t blame you,” Livvy said when she noticed Amy’s frown. “No one should be held accountable for their ancestors’ mistakes, so long as they learn from them. And now that I’ve thoroughly overwhelmed you with difficult information, let me show you the best part of this room.” She crossed to the ornate silver wardrobe and pulled the doors open, shoving aside the fancy clothes hanging from the rack and knocking on the back. “It has a secret wardrobe passage?” Sophie asked as Livvy twisted a hidden knob and revealed a narrow doorway that led to a lush, airy conservatory lit with twinkling lights. Flowering vines draped across the crystal ceiling, and the walls dripped with blue papery flowers that smelled like vanilla and honeysuckle. Tendrils of jade-green grass covered the floor, and graceful trees had been scattered around the space, growing in giant crystal urns. “I thought your furry friends would love having their own private garden,” Livvy explained. “But like I said, you’re welcome to pick any room you—” “Are you kidding?” Amy interrupted. “I’m totally taking the Narnia room!
”
”
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
“
Thanks again to Alan Butler's work, this time I was able to inspect the work of Hesiod in connection with the Phaistos Disc for being calendrical, and now I view it through the lens of ancient Egypt by projecting it directly onto the circular zodiac of Dendera. Hesiod has used three different references to the days in his work: (the first ..); (the middle ..); and (.. of the month). With this system which he had used, I linked the "first" references to the zodiac's portals on the East; the "middle" references to the Fullmoon days of the month which are located on the zodiac's western portals; and the "of the month" references to the zodiac's days which are located right after passing by and finishing the rotation beyond the eastern portals.
Therefore, Hesiod has recognized Egypt's month's count of days (And tell your slaves the thirtieth is the month's best-suited day). He has also explicitly identified the beginning of the Equinox and Solstice portals on the zodiac based on the zodiac's anticlockwise orientation while emphasizing the more prominent role of the Summer Solstice in the calendar system (The first and fourth and seventh days are holy days to men, the eighth and ninth as well). Hesiod has also issued a warning against, Apophis, the snake demon (But shun the fifth day, fifth days are both difficult and dread).
Hesiod has recognized Egypt's royal-cosmic copulation event that takes place at the culmination of the Summer Solstice (The first ninth, though, for human beings, is harmless, quite benign for planting and for being born; indeed, it's very fine For men and women both; this day is never bad all through)
Hesiod has identified the exact position of the newly born infant boy on the zodiac (For planting vines the middle sixth is uncongenial but good for the birth of males) and also established the Minoan bull's head rhyton connection with Egypt (The middle fourth, which is a day to soothe and gently tame the sheep and curved-horned), (Open a jar on the middle fourth),(And on the fourth the long and narrow boats can be begun).
Hesiod gave Osiris' role in the ancient Egyptian agrarian Theology to men (two Days of the waxing month stand out for tasks men have to do, the eleventh and the twelfth) and pointed out the right location of the boar on the zodiac (Geld your boar on the eighth of the month) and counted on top of these days the days of the mule which comes afterward (on the twelfth day of the month [geld] the long-laboring mule) - since the reference to the mule in the historical text comes right after that of the boar's and both are grouped together conceptually with the act of gelding.
He has also identified the role of Isis for resurrecting Osiris after the Summer Solstice event (On the fourth day of the month bring back a wife to your abode) and even referred to the two female figures on the zodiac and identified them as, Demeter and Persephone, the two mythical Greek queens (Upon the middle seventh throw Demeter's holy grain) where we see them along with the reference to Poseidon (i.e. fishes and water) right next to them as the account exists in the Greek mythology.
Even more, Hesiod knows when the sequence of the boats' appearances begins on the zodiac (And on the fourth the long and narrow boats can be begun).
Astonishingly enough, he mentions the solar eclipse when the Moon fully blocks the Sun (the third ninth's best of all, though this is known by few) and also glorifies sunrise and warns from sunset on that same day (Again, few know the after-twentieth day of the month is best ..) and identifies the event's dangerous location on the west (.. at dawn and that it worsens when the sun sinks in the west).
”
”
Ibrahim Ibrahim (The Mill of Egypt: The Complete Series Fused)
“
After we had sat down, a couple more people came through, gathered around Haodha Nicolai. I thought to myself “The brown-nosing is strong in them!” in my best puppet voice.
”
”
Chris Vines (Azyl Academy (Elemental Gatherers, #1))
“
Oh, you bad servant, would you remain here, tasting the joys of heaven while the Cup that I hold in My hand runs over with the tears of the poor? Know that this Cup is bitter and ever I drink it to the dregs and yet it is always full.
But to whom, Lord, should I take Your letter? To the Pope, to the kings or emperors? To the bishops or the knights? Surely if I take them Your letter their hearts will be touched and they will end the sufferings of the poor.
My letter is not for them, Peter, for truly the rich have eyes and do not see and ears and do not hear, Take My letter to those whom I love best, to the poor and humble: to those who make the corn grow and have not bread, who spin and weave the wool and are not clothed, who tend the vines and yet drink only water; to those who delve in the mines of silver and copper and never see a coin; to those who tan leather shoes and go barefoot, and those who heat the furnaces to make the iron with which the rich kill them. To all these, Peter, you shall carry My letter too tell them their time is at hand. Let them repent of their sins and come to Me. I appoint them to meet Me in Jerusalem. (pg 4)
”
”
Zoé Oldenbourg (The Heirs of the Kingdom)
“
Terroir meaning the sum of the natural characteristics unique to each parcel or climat of vines: the amount of sunlight and rain an area receives, the pitch and composition of its earth, and, of course, the vines. Roots pull the energy from the earth below, while the leaves harness heaven’s sun and draw the rising sap. All of this together, the essence of terroir, the very essence of Burgundian winemaking. Although the French Impressionists did not think in such terms, what their very best paintings capture is the magic of terroir.
”
”
Maximillian Potter (Shadows in the Vineyard: The True Story of the Plot to Poison the World's Greatest Wine)
“
What good could come from grappling forever with “could have beens”? Every life was full of “could have beens.” The best we could do was make the most of what was and what had been.
”
”
Julianne MacLean (These Tangled Vines)
“
This was my reality going forward. What good could come from grappling forever with “could have beens”? Every life was full of “could have beens.” The best we could do was make the most of what was and what had been.
”
”
Julianne MacLean (These Tangled Vines)
“
I realized in that moment that I was going to have to find a way to accept how my life had played out and let go of the frustration and regret about not meeting Anton. This was my reality going forward. What good could come from grappling forever with “could have beens”? Every life was full of “could have beens.” The best we could do was make the most of what was and what had been.
”
”
Julianne MacLean (These Tangled Vines)
“
far the best way to build a congregation full of disciple-making disciples is to assemble and train a band of co-workers to labour alongside you.
”
”
Colin Marshall (The Trellis and the Vine)
“
But it did not do to know too much about one’s unlived days. For events to unfold in the manner intended, it was usually best to face life’s twists and turns bereft of the knowledge of prophecy.
”
”
Luanne G. Smith (The Conjurer (The Vine Witch, #3))
“
Repeat after me. We do not kidnap people we like.” I rolled my eyes but dutifully repeated the words. Lottie inclined her head. “The best way to share our feelings is to talk about them.” Again, I copied her. “Good. Now let’s combine those.” I tried it out. “Kidnapping is the best way to show a man you love him.
”
”
Jolie Vines (Riordan's Revenge (Body Count, #3))
“
I tried it out. “Kidnapping is the best way to show a man you love him.
”
”
Jolie Vines (Riordan's Revenge (Body Count, #3))
“
Repeat after me. We do not kidnap people we like.” I rolled my eyes but dutifully repeated the words. Lottie inclined her head. “The best way to share our feelings is to talk about them.” Again, I copied her.
”
”
Jolie Vines (Riordan's Revenge (Body Count, #3))