Vine Video Quotes

Who was this girl alone so late at night in search of a faded cassette illusion to disembowel the clocks of time’s intrusion? Those eyes belonged to the most beautiful maniac I’ve ever met. Our love is a vine of entrails that can follow any coffin anywhere, no matter how deep any gravedigger might travel.

Someone would later tell me that denial, the first stage of grief, isn’t big and simple, like refusing to accept that someone is dead when all the evidence overwhelmingly suggests that they are. No. The real work of denial, the true intricacy of it, takes place beneath the thoughts your consciousness articulates in the nanoseconds before it does. It happens when you are presented with a set of circumstances that any person not in denial would immediately find worrying but, because you are in the midst of it, the roots of every fear bend and break, re-forming into plausible possibilities that cause you no concern. Denial is forcing boring, pedestrian explanations out of your synapses, growing them thick and uncontrolled like vines on a time-lapse video. Constantly and quickly, so nothing logical has a chance to squeeze through.

TWO YEARS AGO I FOUND AN IMAGE OF A KID WITH HER HANDS COVERING HER FACE. A SEATBELT REACHED ACROSS HER TORSO, RIDING UP HER NECK AND A MOP OF BLONDE HAIR STAYED SWEPT, FOR THE MOMENT, BEHIND HER EARS. HER EYES SEEMED CLEAR AND CALM BUT NOT BLANK, THE ROAD BEHIND HER SEEMED THE SAME, I PUT MYSELF IN HER SEAT THEN I PLAYED IT ALL OUT IN MY HEAD. THE CLAUSTROPHOBIA HITS AS THE SEATBELT TIGHTENS, PREVENTING ME FROM EVEN LEANING FORWARD IN MY SEAT, THE PRESSING ON INTERNAL ORGANS. I LEAN BACK AND FORWARD TO RELEASE IT, THEN BACKWARDS AND FORWARD AGAIN. THERE IT IS I GOT FREE. HOW MUCH OF MY LIFE HAS HAPPENED INSIDE OF A CAR? I WONDER IF THE ODDS ARE THAT I'LL DIE IN ONE, KNOCK ON WOOD-GRAIN. SHOULDN'T SPEAK LIKE THAT. WE LIVE IN CARS IN SOME CITIES, COMMUTING ACROSS SPACE EITHER FOR OUR LIVELIHOOD, OR DEVOURING FOSSIL FUELS FOR JOY. IT'S CLOSE TO AS MUCH TIME AS WE SPEND IN OUR BEDS, MORE FOR SOME. THE FIRST TIME I DID SHROOMS, MY MANAGER HAD TO COME RESCUE ME FROM CALTECH'S 'TRIP DAY. AS I GOT INTO HER CAR, I SWEAR TO GOD THE ALUMINUM CENTER CONSOLE IN HER PORSCHE TRUCK LOOKED LIKE IT WAS BREATHING, LIKE THE THROAT OF SOMETHING. ON THE FREEWAY, LEAVING PASADENA, WE SPOKE AND I LOOKED AWAY, OUTSIDE, AT THE WHEELS AND TIRES OF CARS DOING THAT OPTICAL ILLUSION THING THEY DO WHERE IT LOOKS LIKE THEY'RE SPINNING BACKWARDS, WHICH, ACCORDING TO GOOGLE, HAPPENS BECAUSE OUR BRAINS ARE ASSUMING SOMETHING COMPLETELY WRONG AND SHOWING IT TO US. STARING, I WAS TRANSFIXED BY ALL THE INDICATOR LIGHTS OSCILLATING AND THROBBING AGAINST THE WIND. WE DROVE THRU DOWNTOWN LA HEADED WEST, FLYING ON THE SAME FREEWAYS I USED TO RUN OUTTA GAS ON. WELCOMED IN BY THE PERENNIAL CREATURES, IMPERIAL PALM TREES AND CLIMBING VINES LIVING THEIR LIVES OUT JUST OFF THE SHOULDER. THE FEELING OF FAMILIAR ENHANCED, ON THE 10. I USED TO RIDE AROUND IN MY SINEWY CROSSOVER SUV, SMOKE AND LISTEN TO ROUGH MIXES OF MY OLD SHIT BEFORE IT CAME OUT, OR WHATEVER SOMEONE WANTED TO PLAY WHEN THEY HOOKED UP THEIR IPHONE TO THE AUX CORD A FEW YEARS AND A FEW DAILY-DRIVERS LATER I'M NOT DRIVING MUCH ANYMORE, IT'S BEEN A YEAR SINCE I MOVED TO LONDON, AT THE TIME OF WRITING THIS, AND THERE'S NO PRACTICAL REASON TO DRIVE IN THIS CITY. I ORDERED A GT3 RS AND IT'LL KEEP LOW MILES OUT HERE BUT I GUESS IT'S GOOD TO HAVE IN CASE OF EMERGENCY :) RAF SIMONS ONCE TOLD ME IT WAS CLICHE, MY WHOLE CAR OBSESSION MAYBE IT LINKS TO A DEEP SUBCONSCIOUS STRAIGHT BOY FANTASY. CONSCIOUSLY THOUGH, I DON'T WANT STRAIGHT A LITTLE BENT IS GOOD. I FOUND IT ROMANTIC, SOMETIMES, EDITING THIS PROJECT. THE WHOLE TIME I FELT AS THOUGH I WAS IN THE PRESENCE OF A $16M MCLAREN F1 ARMED WITH A DISPOSABLE CAMERA. MY MEMORIES ARE IN THESE PAGES, PLACES CLOSEBY AND LONG ASS-NUMBING FLIGHTS AWAY. CRUISING THE SUBURBS OF TOKYO IN RWB PORSCHES. THROWING PARTIES AROUND ENGLAND AND MOBBING FREEWAYS IN FOUR PROJECT M3S THAT I BUILT WITH SOME FRIENDS. GOING TO MISSISSIPPI AND PLAYING IN THE MUD WITH AMPHIBIOUS QUADS. STREET-CASTING MODELS AT A RANDOM KUNG FU DOJO OUT IN SENEGAL. COMMISSIONING LIFE-SIZE TOY BOXES FOR THE FUCK OF IT SHOOTING A MUSIC VIDEO FOR FUN WITH TYRONE LEBON, THE GENIUS GIANT. TAKING A BREAK-SLASH-RECONNAISSANCE MISSION TO TULUM, MEXICO, ENJOYING SOME STAR VISIBILITY FOR A CHANGE. RECORDING IN TOKYO, NYC, MIAMI, LA, LONDON, PARIS. STOPPING IN BERLIN TO WITNESS BERGHAIN FOR MYSELF, TRADING JEWELS AND SOAKING IN PARABLES WITH THE MANY-HEADED BRANDON AKA BASEDGOD IN CONVERSATION, I WROTE A STORY IN THE MIDDLE-IT'S CALLED 'GODSPEED', IT'S BASICALLY A REIMAGINED PART OF MY BOYHOOD. BOYS DO CRY, BUT I DON'T THINK I SHED A TEAR FOR A GOOD CHUNK OF MY TEENAGE YEARS. IT'S SURPRISINGLY MY FAVORITE PART OF LIFE SO FAR. SURPRISING, TO ME, BECAUSE THE CURRENT PHASE IS WHAT I WAS ASKING THE COSMOS FOR WHEN I WAS A KID. MAYBE THAT PART HAD IT'S ROUGH STRETCHES TOO, BUT IN MY REARVIEW MIRROR IT'S GETTING SMALL ENOUGH TO CONVINCE MYSELF IT WAS ALL GOOD. AND REALLY THOUGH... IT'S STILL ALL GOOD.

That's the trick- is just as soon as you have an idea in life, do it and act on it. [...] Cause I can't tell you how many video ideas I've had die on the vine because I gave myself too long to think about them, and then overthought them; because the more time you put between you and working on an idea you have, the more opportunities you're giving yourself, giving your shit brain, to talk yourself out of it.

That's the trick- is just as soon as you have an idea in life, do it and act on it. [...] Cause I can't tell you how many video ideas I've had die on the vine because I gave myself too long to think about them, and then overthought them; because the more time you put between you and working on an idea you have, the more opportunities you're giving yourself, giving your shit brain, to talk yourself out of it.

A well-organized revolt by the major members of its hard side can kill a product entirely. Twitter once bought an app called Vine for a reported $30 million. It let users create and view six-second looping video clips—it was ahead of its time, and not dissimilar from the insights behind TikTok. Like many social apps, the most popular content creators became very successful, and they were important to attract an audience. Unfortunately, a few years in, more than a dozen of the top content creators organized a revolt: Led by creators Marcus Johns and Piques, the group pitched an idea: If Vine paid each star $1.2 million and changed certain features of the app, each creator would post 12 Vines per month. Otherwise, all 18 would leave the platform. “We were driving billions of views—billions—before we left,” DeStorm Power explained of the monetary request.69 Vine turned down the plan, and a few years later, the service was shuttered. The hard side is worth the effort to cultivate. The most successful and prolific members of this side of the network also provide the highest level of service, are willing to make the investments to scale their impact, and ultimately become the defensible backbone of the network—assuming they can be retained. In Uber’s case, the power drivers represented the top 15 percent of drivers but constituted over 40 percent of our trips. They were also among the safest and most highly rated drivers—after all, it was their primary source of income.

Restrictions are a powerful thing. Although we often chafe at the limitations imposed by our marketing platforms, those limitations often bring out our storytelling creativity. That’s why we should all be paying close attention to Vine, the six-second looping-video platform

The Republican leadership in Congress is trying not to cede control to its freelance responders. In an effort led by Ms. McMorris Rodgers, members shuffling out of the House chamber after Mr. Obama’s address will be steered toward one of several rapid-response booths, which will bear a Republican slogan and be stocked with iPads and other devices to allow them to record six-second videos through Vine.

The strangle vine is a dangerous plant to deal with as it’s a master of disguise. It can produce up to five different types of foliage, depending on the type of anchor it attaches itself to. It makes safely identifying this plant very tricky. Thus, it's best to investigate any possible outbreak with weapon in hand. Some people like a machete. Others: an axe. Personally, I like a flamethrower." He whipped up the wand and gave his signature evil laugh. The cackle inspired the rumors that he had accidentally killed someone on his previous show and thus his backslide to obscurity. She'd seen the videos. The only thing he'd killed was the ratings; he'd been bored silly doing curbside appeal remodels and it showed.

The massive success of the personalized recommendation algorithm relies on a few tricks, but the underlying principle is quite intuitive: If you like a certain kind of content, you’ll probably like other content similar to it. For instance, I recently liked a video of a man singing “Barbie World” by Nicki Minaj to the grave of President Lyndon B. Johnson. The algorithm correctly inferred that I enjoyed the song and sent me more funny “Barbie World” videos, which improved my experience on the app. It also probably pushed those videos to people who fit the same demographic profile as me, since they’re also likely to respond positively. When these songs accompany a meme or dance that people want to re-create, a trend is born. At its core, this process is the same as those on Vine and Musical.ly, just spread through a more sophisticated recommendation system. The videos are now especially compelling because they make it seem as if everyone were hopping onto a trend (a perception exacerbated by your biased recommendation feed). Because we’re social creatures, your recommendation page will pressure you to watch or participate in these trends, so you can feel caught up on the latest cultural references.