Village Nature Beauty Quotes

I am the lover of uncontained and immortal beauty. In the wilderness, I find something more dear and connate than in streets or villages. In the tranquil landscape, and especially in the distant line of the horizon, man beholds somewhat as beautiful as his own nature.

Leave the problems of God to God and karma to karma. Today you’re here and nothing you can do will change that. Today you’re alive and here and honored, and blessed with good fortune. Look at this sunset, it’s beautiful, neh? This sunset exists. Tomorrow does not exist. There is only now. Please look. It is so beautiful and it will never happen ever again, never, not this sunset, never in all infinity. Lose yourself in it, make yourself one with nature and do not worry about karma, yours, mine, or that of the village.

In a rich moonlit garden, flowers open beneath the eyes of entire nations terrified to acknowledge the simplicity of the beauty of peace.

In prehistoric times, early man was bowled over by natural events: rain, thunder, lightning, the violent shaking and moving of the ground, mountains spewing deathly hot lava, the glow of the moon, the burning heat of the sun, the twinkling of the stars. Our human brain searched for an answer, and the conclusion was that it all must be caused by something greater than ourselves - this, of course, sprouted the earliest seeds of religion. This theory is certainly reflected in faery lore. In the beautiful sloping hills of Connemara in Ireland, for example, faeries were believed to have been just as beautiful, peaceful, and pleasant as the world around them. But in the Scottish Highlands, with their dark, brooding mountains and eerie highland lakes, villagers warned of deadly water-kelpies and spirit characters that packed a bit more punch.

Village is a place where you can find peace,unity,strength,inspiration and most importantly a natural and beautiful life

Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than with night. Primitive folk, gathered at a cave mouth round a fire, do not fear night; they fear, rather, the energies and creatures to whom night gives power; we of the age of the machines, having delivered ourselves of nocturnal enemies, now have a dislike of night itself. With lights and ever more lights, we drive the holiness and beauty of night back to the forests and the sea; the little villages, the crossroads even, will have none of it. Are modern folk, perhaps, afraid of night? Do they fear that vast serenity, the mystery of infinite space, the austerity of stars? Having made themselves at home in a civilization obsessed with power, which explains its whole world in terms of energy, do they fear at night for their dull acquiescence and the pattern of their beliefs? Be the answer what it will, to-day's civilization is full of people who have not the slightest notion of the character or the poetry of night, who have never even seen night. Yet to live thus, to know only artificial night, is as absurd and evil as to know only artificial day.

I had drunk so deeply of grief and innocently gambled so hard with fate and irony that a special kind of vision was gathering in my eyes, not entirely clear just yet. This was the same look people saw in your eyes when you have died for beauty and come to live accepting nature as life with no promise of paradise, and mad at people who couldn't see that.

When the world shifts its focus on heart over mind, we will finally experience a beautiful global village for our children.

I’d say that the quantity of boredom, if boredom is measurable, is much greater today than it once was. Because the old occupations, at least most of them, were unthinkable without a passionate involvement: the peasants in love with their land; my grandfather, the magician of beautiful tables; the shoemakers who knew every villager’s feet by heart; the woodsmen; the gardeners; probably even the soldiers killed with passion back then. The meaning of life wasn’t an issue, it was there with them, quite naturally in their workshops, in their fields. Each occupation had created its own mentality, its own way of being. A doctor would think differently from a peasant, a soldier would behave differently from a teacher. Today we’re all alike, all of us bound together by our shared apathy toward our work. That very apathy has become a passion. The one great collective passion of our time.

Down the steep track into the village a car was coming. A car so fantastically powerful, so superlatively beautiful that it had all the nature of an apparition.

Villages have an unmistakable charm. There is a subtle magic found in villages. The earthiness, greenery, and fragrance of flowers, plants, fruits, and vegetables growing in the field is breathtakingly inimitable. Sitting in the lush green fields, while gazing at the wide blue sky, amidst the farm animals and the simple houses in the background, is a joie de vivre.

what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.

I have seen," he said, "the most beautiful scenes of my own country; I have visited the lakes of Lucerne and Uri, where the snowy mountains descend almost perpendicularly to the water, casting black and impenetrable shades, which would cause a gloomy and mournful appearance, were it not for the most verdant islands that relieve the eye by their gay appearance; I have seen this lake agitated by a tempest, when the wind tore up whirlwinds of water, and gave you an idea of what the waterspout must be on the great ocean; and the waves dash with fury the base of the mountain, where the priest and his mistress were overwhelmed by an avalanche, and where their dying voices are still said to be heard amid the pauses of the nightly wind; I have seen the mountains of La Valais, and the Pays de Vaud: but this country, Victor, pleases me more than all those wonders. The mountains of Switzerland are more majestic and strange; but there is a charm in the banks of this divine river, that I never before saw equalled. Look at that castle which overhangs yon precipice; and that also on the island, almost concealed amongst the foliage of those lovely trees; and now that group of labourers coming from among their vines; and that village half hid in the recess of the mountain. Oh, surely, the spirit that inhabits and guards this place has a soul more in harmony with man than those who pile the glacier, or retire to the inaccessible peaks of the mountains of our own country. "Clerval! beloved friend! even now it delights me to record your words, and to dwell on the praise of which you are so eminently deserving. He was a being formed in the "very poetry of nature." His wild and enthusiastic imagination was chastened by the sensibility of his heart.

Anjin-san, forget the village. A thousand million things can happen before those six months occur. A tidal wave or earthquake, or you get your ship and sail away, or Yabu dies, or we all die, or who knows? Leave the problems of God to God and karma to karma. Today you’re here and nothing you can do will change that. Today you’re alive and here and honored, and blessed with good fortune. Look at this sunset, it’s beautiful, neh? This sunset exists. Tomorrow does not exist. There is only now. Please look. It is so beautiful and it will never happen ever again, never, not this sunset, never in all infinity. Lose yourself in it, make yourself one with nature and do not worry about karma, yours, mine, or that of the village.

The moon is shining brighter tonight, touching the entire village with its soft silver light; the houses are half awake and the sky is half asleep, with its sparkling yellowish stars scattered and spread across it, like a large bright night cloak. Little and fragile plants’ silhouettes are beautifully staining the skyline and dancing to the silent sound of the winter breeze.

The brown autumn came. Out of doors, it brought to the fields the prodigality of the golden harvest, —to the forest, revelations of light,⁠—and to the sky, the sharp air, the morning mist, the red clouds at evening. Within doors, the sense of seclusion, the stillness of closed and curtained windows, musings by the fireside, books, friends, conversation, and the long, meditative evenings. To the farmer, it brought surcease of toil,⁠—to the scholar, that sweet delirium of the brain which changes toil to pleasure. It brought the wild duck back to the reedy marshes of the south; it brought the wild song back to the fervid brain of the poet. Without, the village street was paved with gold; the river ran red with the reflection of the leaves. Within, the faces of friends brightened the gloomy walls; the returning footsteps of the long-absent gladdened the threshold; and all the sweet amenities of social life again resumed their interrupted reign.

While other founding fathers were reared in tidy New England villages or cosseted on baronial Virginia estates, Hamilton grew up in a tropical hellhole of dissipated whites and fractious slaves, all framed by a backdrop of luxuriant natural beauty.

The morning of September 1st met the citizen of the village shining with beautiful sunny weather. A refreshing breeze, enriched by acerb fragrances of maple, oak, and poplar tree leaves that already began changing their colors for autumn, blew from the lake.

The part of the Lake District that Beatrix Potter chose as her own was not only physically beautiful, it was a place in which she felt emotionally rooted as a descendant of hard-working north-country folk. The predictable routines of farm life appealed to her. There was a realism in the countryside that nurtured a deep connection. The scale of the villages was manageable. Yet the vast desolateness of the surrounding fells was awe-inspiring. It was mysterious, but easily imbued with fantasy and tamed by imagination. The sheltered lakes and fertile valleys satisfied her love of the pastoral. The hill farms and the sheep on the high fells demanded accountability. There was a longing in Beatrix Potter for association with permanence: to find a place where time moved slowly, where places remained much as she remembered them from season to season and from year to year.

It had been only natural that as she developed into a young woman, she would become physically attracted to him. Certainly every other female in Hampshire was. McKenna had grown into a tall, big-boned male with striking looks, his features strong if not precisely chiseled, his nose long and bold, his mouth wide. His black hair hung over his forehead in a perpetual spill, while those singular turquoise eyes were shadowed by extravagant dark lashes. To compound his appeal, he possessed a relaxed charm and a sly sense of humor that had made him a favorite on the estate and in the village beyond.

I think it was a sense of being completely swallowed up by nature that gave the prairie its powerful attraction.There is nothing like it in all of Europe. Even high up on a Swiss glacier one is still conscious of the toy villages below, the carefully groomed landscape of multicolored fields,the faraway ringing of a church bell. It is all very beautiful, but it does not convey the utmost escape. I believe, with the Indians, that a landscape influences and forms the people living on it and that one cannot understand them and make friends with them without also understanding, and making friends with, the earth from which they came.

But what made him still more fortunate, as he said himself, was having a daughter of such exceeding beauty, rare intelligence, gracefulness, and virtue, that everyone who knew her and beheld her marvelled at the extraordinary gifts with which heaven and nature had endowed her. As a child she was beautiful, she continued to grow in beauty, and at the age of sixteen she was most lovely. The fame of her beauty began to spread abroad through all the villages around—but why do I say the villages around, merely, when it spread to distant cities, and even made its way into the halls of royalty and reached the ears of people of every class, who came from all sides to see her as if to see something rare and curious, or some wonder-working image?

Marina admired the ravishing scene of the oak forest, traversed, in the late afternoon, by shafts of sunrays, like the immense flutes of of a grand organ instrument. A true autumn, whose unfolding beauty seemed to remain oblivious of the village misfortunes. The villagers speech always alludes to God. God is above all a confused notion to which they assign all that they had not accomplished, as well as all that they will never accomplish, ever. God – the Almighty Peasant, the Almighty Purveyor of seed and harvest. God, that nobody could do without, which slips on, like a threadbare coat.

Leave the problems of God to God and karma to karma. Today you’re here and nothing you can do will change that. Today you’re alive and here and honored, and blessed with good fortune. Look at this sunset, it’s beautiful, neh? This sunset exists. Tomorrow does not exist. There is only now. Please look. It is so beautiful and it will never happen ever again, never, not this sunset, never in all infinity. Lose yourself in it, make yourself one with nature and do not worry about karma, yours, mine, or that of the village.” He found himself beguiled by her serenity, and by her words. He looked westward. Great splashes of purple-red and black were spreading across the sky.

It was midnight. On the right could be seen the whole village, a long street stretching far away for four miles. All was buried in deep silent slumber; not a movement, not a sound; one could hardly believe that nature could be so still. When on a moonlight night you see a broad village street, with its cottages, haystacks, and slumbering willows, a feeling of calm comes over the soul; in this peace, wrapped away from care, toil, and sorrow in the darkness of night, it is mild, melancholy, beautiful, and it seems as though the stars look down upon it kindly and with tenderness, and as though there were no evil on earth and all were well. On the left the open country began from the end of the village; it could be seen stretching far away to the horizon, and there was no movement, no sound in that whole expanse bathed in moonlight.

Poetical beauty.—As we speak of poetical beauty, so ought we to speak of mathematical beauty and medical beauty. But we do not do so; and the reason is that we know well what is the object of mathematics, and that it consists in proofs, and what is the object of medicine, and that it consists in healing. But we do not know in what grace consists, which is the object of poetry. We do not know the natural model which we ought to imitate; and through lack of this knowledge, we have coined fantastic terms, "The golden age," "The wonder of our times," "Fatal," etc., and call this jargon poetical beauty. But whoever imagines a woman after this model, which consists in saying little things in big words, will see a pretty girl adorned with mirrors and chains, at whom he will smile; because we know better wherein consists the charm of woman than the charm of verse. But those who are ignorant would admire her in this dress, and there are many villages in which she would be taken for the queen; hence we call sonnets made after this model "Village Queens.

There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room. Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole. Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child. Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.

Blocks of flats could change everything, thought Mma Ramotswe. They were designed for people, but people were not necessarily designed for them. These flats at the edges of the Village, though, were made more human by the washing that was hung out to dry from their balconies; by the children who congregated in their doorways, or played with skipping ropes and dogs on their pathways; by the music that the residents listened to, melodies that drifted out of the open windows and throbbed with life. All of this made it harder for large new buildings to deaden the human spirit. It was like the bush: you could clear it and build something where once there had been nothing but trees and grass and termite mounds, but if you turned your back for a moment, Africa would begin to reclaim what had always been hers. The grass would encroach, its seeds carried by the wind; birds would drop the seeds of saplings that would then send tiny shoots up out of the ground; the termites would marshal their exploratory troops to begin rebuilding their own intricate cities of mud in the very places they had claimed once before. And sooner or later the bush would have covered all your efforts and it would be as it was before, the wound on nature completely healed.

I And I" Been so long since a strange woman has slept in my bed Look how sweet she sleeps, how free must be her dreams In another lifetime she must have owned the world, or been faithfully wed To some righteous king who wrote psalms beside moonlit streams. I and I In creation where one's nature neither honors nor forgives I and I One say to the other, no man sees my face and lives. Think I'll go out and go for a walk Not much happening here, nothing ever does Besides, if she wakes up now, she'll just want me to talk I got nothing to say, 'specially about whatever was. I and I In creation where one's nature neither honors nor forgives I and I One say to the other, no man sees my face and lives. Took an untrodden path once, where the swift don't win the race It goes to the worthy, who can divide the word of truth Took a stranger to teach me, to look into justice's beautiful face And to see an eye for an eye and a tooth for a tooth. I and I In creation where one's nature neither honors nor forgives I and I One say to the other, no man sees my face and lives. Outside of two men on a train platform there's nobody in sight They're waiting for spring to come, smoking down the track The world could come to an end tonight, but that's all right She could still be there sleeping when I get back. I and I In creation where one's nature neither honors nor forgives I and I One say to the other, no man sees my face and lives. Noontime, and I'm still pushing myself along the road, the darkest part Into the narrow lanes, I can't stumble or stay put Someone else is speaking with my mouth, but I'm listening only to my heart I've made shoes for everyone, even you, while I still go barefoot. I and I In creation where one's nature neither honors nor forgives I and I One say to the other, no man sees my face and lives. Bob Dylan, Infidels (1983)

THE DEMANDS MADE by a work of this nature upon the generosity of specialists are very numerous, and the Editor would be wanting in all title to the generous treatment he has received were he not willing to make the fullest possible acknowledgment of his indebtedness. His thanks are due in the first place to the scholarly and accomplished Bahadur Shah, baggage elephant 174 on the Indian Register, who, with his amiable sister Pudmini, most courteously supplied the history of ‘Toomai of the Elephants’ and much of the information contained in ‘Servants of the Queen’. The adventures of Mowgli were collected at various times and in various places from a multitude of informants, most of whom desire to preserve the strictest anonymity. Yet, at this distance, the Editor feels at liberty to thank a Hindu gentleman of the old rock, an esteemed resident of the upper slopes of Jakko, for his convincing if somewhat caustic estimate of the national characteristics of his caste–the Presbytes. Sahi, a savant of infinite research and industry, a member of the recently disbanded Seeonee Pack, and an artist well known at most of the local fairs of Southern India, where his muzzled dance with his master attracts the youth, beauty, and culture of many villages, have contributed most valuable data on people, manners, and customs. These have been freely drawn upon, in the stories of ‘Tiger-Tiger!’ ‘Kaa’s Hunting’, and ‘Mowgli’s Brothers’. For the outlines of ‘Rikki-tikki-tavi’ the Editor stands indebted to one of the leading herpetologists of Upper India, a fearless and independent investigator who, resolving ‘not to live but know’, lately sacrificed his life through over-application to the study of our Eastern Thanatophidia. A happy accident of travel enabled the Editor, when a passenger on the Empress of India, to be of some slight assistance to a fellow-voyager. How richly his poor services were repaid, readers of the ‘White Seal’ may judge for themselves.

In a dear little village Remote and obscure A beautiful maiden resided As to whether or not Her intentions were pure Opinions were sharply divided She loved to lie Out 'neath the darkening sky And allow the night breeze To entrance her She whispered her dreams To the birds flying by But seldom received any answer Over the field and along the lane Gentle Alice would love to stray When it came to the end of the day She would wander away Unheeding Dreaming her innocent dreams she strode Quite unaffected by heat or cold Frequently freckled or soaked with rain Alice was out in the lane Who she met there Every day Was a question Answered by none But she'd get there And she'd stay there 'Til whatever she did Was undoubtedly done You might also like Mad Dogs And Englishmen Noël Coward You’re Losing Me (From The Vault) Taylor Swift Cupid (Twin Version) FIFTY FIFTY (피프티피프티) Over the field and along the lane Both her parents would call in vain Sadly, sorrowfully, they'd complain 'Alice is at it again.' Although that dear little village Surrounded by trees Had neither a school, nor a college Gentle Alice acquired From the birds and the bees Some exceedingly practical knowledge The curious secrets that nature revealed She refused to allow to upset her But she thought When observing the beasts of the field That things might have been organised better Over the field and along the lane Gentle Alice would make up And take up Her stand The road was not exactly arterial But it led to a town nearby Where quite a lot of masculine material Caught her rolling eye She was ready to hitchhike Cadillac or motorbike She wasn't proud or choosy All she Was aiming to be Was a pinked-up Minked-up Fly-by-night floozy When old Rogers Gave her pearls as large as Nuts on a chestnut tree All she'd say was 'Fiddle-di-dee! The wages of sin will be the death of me!' Over the field and along the lane Gentle Alice's parents Would wait Hand in hand Her dear old white-headed mother Wistfully sipping champagne Said 'We've spoiled our child Spared the rod Open up the caviar and say "Thank God!" We've got no cause to complain! Alice is at it again!

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

As the soil was renewed, so one's feelings seemed to change, uniting in some inexplicable way with a distant age when the eyes and ears of men were more alert to sights, sounds, and fine distinctions.

Horseman is the haunting sequel to the 1820 novel The Legend of Sleepy Hollow by Washington Irving and takes place two decades after the events that unfolded in the original. We are introduced to 14-year-old trans boy Bente “Ben” Van Brunt, who has been raised by his idiosyncratic grandparents - lively Brom “Bones” Van Brunt and prim Kristina Van Tassel - in the small town of Sleepy Hollow, New York, where gossip and rumour run rife and people are exceedingly closed-minded. He has lived with them on their farm ever since he was orphaned when his parents, Bendix and Fenna, died in suspicious and enigmatic circumstances. Ben and his only friend, Sander, head into the woodland one Autumn day to play a game known as Sleepy Hollow Boys, but they are both a little startled when they witness a group of men they recognise from the village discussing the headless, handless body of a local boy that has just been found. But this isn't the end; it is only the beginning. From that moment on, Ben feels an otherworldly presence following him wherever he ventures, and one day while scanning his grandfather’s fields he catches a fleeting glimpse of a weird creature seemingly sucking blood from a victim. An evil of an altogether different nature. But Ben knows this is not the elusive Horseman who has been the primary focus of folkloric tales in the area for many years because he can both feel and hear his presence. However, unlike others who fear the Headless Horseman, Ben can hear whispers in the woods at the end of a forbidden path, and he has visions of the Horseman who says he is there to protect him. Ben soon discovers connections between the recent murders and the death of his parents and realises he has been shaded from the truth about them his whole life. Thus begins a journey to unravel the mystery and establish his identity in the process. This is an enthralling and compulsively readable piece of horror fiction building on Irvings’ solid ground. Evoking such feelings as horror, terror, dread and claustrophobic oppressiveness, this tale invites you to immerse yourself in its sinister, creepy and disturbing narrative. The staggering beauty of the remote village location is juxtaposed with the darkness of the demons and devilish spirits that lurk there, and the village residents aren't exactly welcoming to outsiders or accepting of anyone different from their norm. What I love the most is that it is subtle and full of nuance, instead of the usual cheap thrills with which the genre is often pervaded, meaning the feeling of sheer panic creeps up on you when you least expect, and you come to the sudden realisation that the story has managed to get under your skin, into your psyche and even into your dreams (or should that be nightmares?) Published at a time when the nights are closing in and the light diminishes ever more rapidly, not to mention with Halloween around the corner, this is the perfect autumnal read for the spooky season full of both supernatural and real-world horrors. It begins innocuously enough to lull you into a false sense of security but soon becomes bleak and hauntingly atmospheric as well as frightening before descending into true nightmare-inducing territory. A chilling and eerie romp, and a story full of superstition, secrets, folklore and old wives’ tales and with messages about love, loss, belonging, family, grief, being unapologetically you and becoming more accepting and tolerant of those who are different. Highly recommended.

I was plunged into the depth of the village, abandoned to it. And it was luxurious suddenly, horribly luxurious, that so many should witness this delirium of abasement. If I must lose my pride, my will, my soul, let them revel in it. And it was natural too that hundreds milling in the square should not even notice it.

Mr. Muir, someone told me you did not approve of the word 'hike,' is that so?" His blue eyes flashed, and with his Scotch accent he replied: I don't like either the word or the thing. People ought to saunter in the mountains - not hike! Do you know the origin of that word 'saunter?' It's a beautiful word. Away back in the Middle Ages people used to go on pilgrimages to the Holy Land, and when people in the villages through which they passed asked where they were going, they would reply, 'A la sainte terre,' 'To the Holy Land.' And so they became known as sainte-terre-ers or saunterers. Now these mountains are our Holy Land, and we ought to saunter through them reverently, not 'hike' through them. - John Muir, quoted by Albert W. Palmer in "The Mountain Trail and its Message." Pilgrim Press, 1911.

The Annapurna region, located in central Nepal, is renowned for its stunning mountain ranges, picturesque valleys, and diverse flora and fauna. The region is named after Annapurna, the tenth-highest mountain in the world. Trekking in the Annapurna region offers a blend of natural beauty, cultural encounters, and thrilling adventures. The trails in this region are well-developed and cater to trekkers of all experience levels. Highlights of the Annapurna region trek Trekking in the Annapurna region offers a multitude of highlights that will leave you awe-struck. One of the most popular treks in this region is the Annapurna Circuit, which takes you through lush green forests, quaint traditional villages, and high mountain passes. The trek offers breathtaking views of snow-capped peaks like Annapurna I, Dhaulagiri, and Machhapuchhre (Fishtail). Another highlight of this region is the Annapurna Base Camp trek, which takes you to the foot of the majestic Annapurna massif. The trek offers panoramic views of the surrounding peaks and a chance to immerse yourself in the unique culture of the local Gurung and Magar communities.

and Hiking: Madeira's stunning landscapes and network of hiking trails make walking and hiking popular activities for visitors. The island is crisscrossed with Levada walks, mountain trails, and coastal paths, offering opportunities to explore its natural beauty on foot. Guided hiking tours are available for those looking for expert guidance and insight into Madeira's flora, fauna, and geology. Cable Cars and Funiculars:  In certain areas of Madeira, such as Funchal and Monte, cable cars and funiculars provide scenic rides and convenient access to viewpoints, gardens, and other attractions. The Monte Cable Car, for example, takes passengers from Funchal to the hillside village of Monte, offering panoramic views of the city and harbor along the way.

1. Sri Lanka’s Cultural and Historical Richness "Sri Lanka is a place where history lives in harmony with the present. From ancient temples to colonial fortresses, every corner of this island tells a story." Sri Lanka’s history stretches over 2,500 years, featuring incredible landmarks like the Sigiriya Rock Fortress and Anuradhapura's ancient ruins. The country is also home to the famous Temple of the Tooth in Kandy, an important religious site for Buddhists around the world. Each historic site tells a different story, making Sri Lanka a treasure trove of cultural and spiritual experiences. Find out more about planning a visit here. ________________________________________ 2. Nature’s Bounty and Biodiversity "In Sri Lanka, nature isn't merely observed; it's experienced with all the senses — from the scent of spice plantations to the sight of vibrant tea terraces and the sound of waves on pristine beaches." Sri Lanka’s national parks, like Yala and Udawalawe, are among the best places to see elephants, leopards, and a diverse range of bird species. The island’s ecosystems, from rainforests to coastal mangroves, create an incredible array of landscapes for nature lovers to explore. For those planning to visit these natural wonders, start your journey with a visa application. ________________________________________ 3. Sri Lankan Hospitality and Warmth "The true beauty of Sri Lanka is found in its people — hospitable, welcoming, and ready to share a smile or story over a cup of tea." The warmth of Sri Lankans is a common highlight for visitors, whether encountered in bustling cities or quiet villages. Tourists are frequently invited to join meals or participate in local festivities, making Sri Lanka a welcoming destination for international travelers. To experience this hospitality firsthand, ensure you have the right travel documents, accessible here. ________________________________________ 4. Beaches and Scenic Coastal Areas "Sri Lanka’s coastline is a place where sun meets sand, and every wave brings with it a sense of peace." With over 1,300 kilometers of beautiful coastline, Sri Lanka offers something for everyone. The south coast is famous for relaxing beaches like Unawatuna and Mirissa, while the east coast’s Arugam Bay draws surfing enthusiasts from around the globe. To enjoy these beaches, start by obtaining a Sri Lanka visa. ________________________________________ 5. Tea Plantations and the Hill Country "The heart of Sri Lanka beats in the hill country, where misty mountains and lush tea plantations stretch as far as the eye can see." The central highlands of Sri Lanka, with towns like Ella and Nuwara Eliya, are dotted with tea plantations that produce some of the world’s finest teas. Visiting a tea plantation offers a chance to see tea processing and sample fresh brews, with the cool climate adding to the serene experience. Secure your entry to the hill country with a visa application. ________________________________________ 6. Sri Lankan Cuisine: A Feast for the Senses "In Sri Lanka, food is more than sustenance — it’s an art form, a burst of flavors that range from spicy curries to sweet desserts." Sri Lankan cuisine is a rich blend of spices and textures. Popular dishes like rice and curry, hoppers, and kottu roti offer a true taste of the island. Food tours and local markets provide immersive culinary experiences, allowing visitors to discover the flavors of Sri Lanka. For a trip centered on food and culture, start your journey here.

There is nothing wrong in building flyovers in Delhi. What is not fair is when we do not also build an approach road to villages across the nation. There is nothing wrong in having fountains with coloured lights in the capital. After all, Delhi should be beautiful. But it is unjustified when we have not provided drinking water to all our villages. There is nothing wrong in having a modern, private hospital in Bombay, or the All India Institute of Medical Sciences in Delhi, or other large medical institutions in our big cities. But it is not justified when we have not arranged to have two drops of a medicine put into the eyes of a farmer’s newborn baby, and that baby goes blind. While this would have cost us nothing, we have preferred to spend crores of rupees in building five-star hospitals in cities. Why does this happen? Because policy making is in our hands – in the hands of the elite – and naturally, even unconsciously perhaps, when we make policies we make policies that suit us; we usurp the resources of this land somewhat shamelessly to benefit ourselves. The most charitable interpretation of it is that we do it unconsciously.

Look at those beautiful villages, in the heart of nature.” Evans was staring out the window but saw only poverty. The

These islands form a backdrop for a culture that transcends time. Life follows its own rhythm on these gems of the sea that spread east from the Greek mainland. For eons, the artisans of the region have crafted beautiful objects of marble, bronze, and wood. For centuries, mules have transported people and goods from bustling port towns to the traditional villages that dot the hillsides. Ancient windmills--perched above glistening harbors like stalwart sentries--have harnessed the power of the air to process grain for as long as anyone can remember. Every day for thousands of years, fishermen have launched their boats in search of those fruits of the sea so lavishly displayed in seaside markets. Islanders have flocked to natural hot springs to bask in their healing waters since before the time of Aristotle. And since long before that, shrines to the gods have lured pilgrims and worshipers from near and far.

I placed the tubes of paint on the palette and selected a small canvas. I prepared the palette with an assortment of colors, then closed my eyes, remembering the way the moors had looked when I rode into town with Lord Livingston. He'd been so different on that drive into the village before he left for London. Had that been the side of him that Lady Anna had fallen in love with? I dipped my brush into the black paint and then mixed in some white until I'd created the right shade of gray, then touched the brush to the canvas. I loved the feeling of the paintbrush in my hand. He'd been kind to buy me the art supplies, but I remembered how he'd behaved in the dining room and at other times before that. 'How could he be so cruel, so unfeeling?' Once I'd painted the clouds, I moved on to the hills, mixing a sage green color for the grass and then dotting the foreground with a bit of lavender to simulate the heather. I stepped back from the canvas and frowned. It needed something else. But what? I looked out the window to the orchard. The Middlebury Pink. 'Who took the page from Lady Anna's book? Lord Livingston?' I dabbed my brush into the brown paint and created the structure of the tree. Next I dotted the branches with its heart-shaped leaves and large, white, saucer-size blossoms with pink tips.

By the time I started down off the ridge, I felt absolutely gluttonous with natural beauty. How rich the Nepalis are for all their lack of western wealth. I try not to overly romanticize the pastoral scene, because the elimination of the health problems in these villages would certainly add to the comfort of life for the Nepalis. But I am having a crises of confidence about anything the developed nations have to "give" or teach Nepal about the quality of life. I think of one of the villages where I rested. Saturday is a bidhaa, holiday, in Nepal, and little clusters of men gathered lazily under the chautaara, the resting tree, with its gnarly roots. Little boys tossed a ball made from old socks back and forth to each other. The women at the water tap, in their wonderful wildflower shades of clothes, stood talking with their golden water urns glowing in the sun. Four little girls played a complicated jump rope game. Could I honestly say these people's lives would have been improved if they had spent their bidhaa at the mall?

Ancient Ways Considering their favorable strategic location, pleasant climate, and natural beauty, is it any wonder that the Greek Isles became the cradle of Western culture? For millennia, the Greek islands have exerted a powerful magnetic force on people around the world. Seafaring conquerors have long recognized the importance and beauty of these islands. Ancient Phoenician ships came ashore as early as the third millennium B.C.E., followed by would-be conquerors from mainland Greece, Rome, Venice, and Turkey. Invaders have laid claim to these islands from antiquity well into the modern era. Pleasure seekers have also been drawn to the area. Ancient Minoan kings built their luxurious palaces among the citrus groves and rugged hillsides that overlook the placid seas. Scenes depicted in ancient wall paintings and on decorated pottery suggest that the islands have been a center of hedonistic activity--dancing, drinking, and romance--for eons. Today, visitors from around the world indulge in these same activities, drawn to the beaches, tavernas, and discotheques that pepper the many island harbors. Contemporary travelers to the Greek Isles come for myriad reasons and find a dazzling array of unexpected delights, for each of the more than three thousand islands has its own particular character. From the larger, bustling islands of Crete, Rhodes, and the island nation of Cyprus to the quieter havens of Folegandros and Kárpathos, to the hundreds of tiny, uninhabited islets of the region, the Greek Isles present a collage of diverse landscapes and customs. Mykonos is fun-loving, with lively tavernas and populated beaches. Delos is stoic, protecting the ruins of its ancient sanctuaries in solemn dignity. Milos is magical, with its volcanic rock formations and stunning village vistas.

the Mediterranean region’s climate started to warm and become wetter starting 18,000 years ago, archaeological sites become more numerous and widespread, creeping into areas now occupied by the desert. The culmination of this population boom was a period called the Natufian, dated to between 14,700 and 11,600 years ago.7 The early Natufian was a sort of golden era of hunting and gathering. Thanks to a benevolent climate and many natural resources, the Natufians were fabulously wealthy by the standards of most hunter-gatherers. They lived by harvesting the abundant wild cereals that naturally grow in this region, and they also hunted animals, especially gazelle. The Natufians evidently had so much to eat that they were able to settle permanently in large villages, with as many as 100 to 150 people, building small houses with stone foundations. They also made beautiful art objects, such as bead necklaces and bracelets and carved figurines, they exchanged with distant groups for exotic shells, and they buried their dead in elaborate graves. If there ever was a Garden of Eden for hunter-gatherers, this must have been it. But then crisis struck 12,800 years ago. All of a sudden, the world’s climate deteriorated abruptly, perhaps because an enormous glacial lake in North America emptied suddenly into the Atlantic, temporarily disrupting the Gulf Stream and wreaking havoc with global weather patterns.8 This event, called the Younger Dryas,9 effectively plunged the world back into Ice Age conditions for hundreds of years. Imagine

Aside from the old architecture, narrow winding roads, and driving on the left, I wondered why England looked so different from America; then I realized that the trees and fields, the buildings and barns, the small villages and narrow winding roads all fit together seamlessly, blended by time into a harmony. No one thing intruded on the other. Each fit the scene as though a natural process had ordained symmetry. Nothing jarred the eye; all was quiet beauty and neatness. There was no litter, nothing offensive to the senses. Every snug cottage had its garden, each shop a quaint window; there were no ugly signs. Even the lettering above the shop doors looked wonderfully ancient and elegant.

Simple and natural things are free from obscenity and vulgarity. The woman who lifts her breasts with a tight fitting brassier only reduces her feminine attractiveness by her efforts. The mature villager today is educated on the folk tales created by his ancestors who had drunk at the fount of experience. He enjoys, perhaps unconsciously, the beauty of woodland, river,rill, brook, montane forest, birds, beasts and fish. His likes and dislikes conditioned by nature are not complex. Simple things are devoid of unpleasantness. So, what he likes is not tainted with unpleasant qualities.

Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than with night. Primitive folk, gathered at a cave mouth round a fire, do not fear night; they fear, rather, the energies and creatures to whom night gives power; we of the age of the machines, having delivered ourselves of nocturnal enemies, now have a dislike of night itself. With lights and ever more lights, we drive the holiness and beauty of night back to the forests and the sea; the little villages, the crossroads even, will have none of it. Are modern folk, perhaps, afraid of night? Do they fear that vast serenity, the mystery of infinite space, the austerity of stars? Having made themselves at home in a civilization obsessed with power, which explains its whole world in terms of energy, do they fear at night for their dull acquiescence and the pattern of their beliefs? Be the answer what it will, to-day’s civilization is full of people who have not the slightest notion of the character or the poetry of night, who have never even seen night. Yet to live thus, to know only artificial night, is as absurd and evil as to know only artificial day. Night is very beautiful on this great beach. It is the true other half of the day’s tremendous wheel; no lights without meaning stab or trouble it; it is beauty, it is fulfilment, it is rest. Thin clouds float in these heavens, islands of obscurity in a splendour of space and stars: the Milky Way bridges earth and ocean; the beach resolves itself into a unity of form, its summer lagoons, its slopes and uplands merging; against the western sky and the falling bow of sun rise the silent and superb undulations of the dunes.

My mind suddenly flooded with memories of our relationship. But one in particular was crystalline. Willy and I, years before in Spain. A beautiful valley, the air glittery with that uncommonly clear Mediterranean light, the two of us kneeling behind a green canvas wall as the first hunting horns sounded. Lowering our flat caps as the first partridges burst towards us, bang bang, a few falling, handing our guns to the loaders, who handed us new ones, bang bang, more falling, passing our guns back, our shirts darkening with sweat, the ground filling with birds that would feed nearby villages for weeks, bang, one last shot, neither of us able to miss, then standing at last, drenched, starved, happy, because we were young and together and this was our place, our one true space, away from Them and close to Nature. It was such a transcendent moment that we turned and did that rarest of things—we hugged. Really hugged.

When they had discovered the poppy fields, they were young adolescents wanting to read in a quiet place and get away from the crowds yet away from the town. They read the term ‘countryside’ and fell in love with it. To think of the authentic part of the country residing with the ones living in the more remote and natural parts was, above all else, beautiful. Now they did not live in the village, they lived in a small town in the French countryside. And will against will, day upon day, the poppy fields were not poppy fields anymore. They were the poppy fields near the French countryside.

Remember the Incarnation? The almighty Creator God who both pre-existed and birthed our whole universe had already come. Christ already established his kingdom. Remember also how he arrived. It was no military parade! Remember, the royal proclamation of the angels indicate a trudging journey, a smelly donkey, a tiny village. Recall the “No Vacancy” sign and of course, the crowded manger-cave. God, bursting into this dimension, crowning from between a virgin’s legs! God, a helpless newborn, wailing for momma’s milk. God, filling his first swaddling diaper with meconium! God, whisked away at night by a refugee family, barely ducking Herod’s sword, hunkering in Egypt. God came to earth, this way, on purpose! And how God came is itself an essential revelation of his true nature

Utilitarianism is a deliberately unsentimental, unspiritual, pragmatic movement that values everything purely on the basis of its usefulness to humanity. It is the reason why we measure a country’s level of development in terms of Gross Domestic Product rather than quality of life, the degree to which industrial production is damaging the natural environment or whether what is being produced is beneficial to the rest of the world. Utilitarianism sees no virtue in adornment, in beauty for beauty’s sake, or in setting aside space for anything non-productive.

see the factory-village and the railway, and fancy that the beauty of the landscape is broken up by these, for they are not yet consecrated in their reading. But the true poet sees them fall within the great order of nature not less than the beehive or the spider’s geometrical web. Nature adopts them very fast into her vital circles, and the gliding train of cars she loves like her own’.

The Road to Excellence: A Traveler’s Experience on India’s Best Highway Infrastructure Road trips are all about the journey, and nothing makes a trip more enjoyable than a smooth, well-maintained highway. On my recent travel, I had the opportunity to experience one of the finest examples of India’s best highway infrastructure. The seamless roads, well-planned amenities, and breathtaking landscapes made this journey one to remember. #modernroad An Unmatched Driving Experience From the moment I entered this highway, I knew I was in for a stress-free ride. The well-marked lanes, smooth road surface, and efficient toll system made driving feel effortless. Unlike older highways where frequent bumps and congestion slow you down, this stretch allowed for an uninterrupted journey. Key features that stood out: Spacious and clearly marked lanes ensured a safe drive. Automated toll booths reduced waiting time significantly. Minimal road diversions meant a consistent and smooth experience. Whether you're driving for business or leisure, this highway ensures that you reach your destination faster and with less fatigue. #modernroadmakers A Scenic Drive Through Nature What makes a highway special isn’t just its infrastructure but also the experience it offers to travelers. Driving along this road felt like gliding through a scenic painting, with lush green landscapes stretching as far as the eye could see. Eco-friendly green belts add to the beauty while reducing pollution. Rest stops and food courts are well-placed for a comfortable journey. Nearby towns and villages remain well-connected without disrupting highway traffic. The balance between modernity and nature makes this highway stand out among India's best. #indiabesthighway Safety and Efficiency at Its Best A good highway isn’t just about smooth roads—it’s also about safety and maintenance. This one excels in both. ✔ Surveillance cameras and speed monitors ensure discipline on the road. ✔ Emergency response teams are available at short intervals. ✔ Smart drainage systems prevent waterlogging, even in heavy rains. It’s clear that meticulous planning and highway technology have made this route one of the safest in India. Boosting Connectivity and Growth Apart from making travel easier, highways like this are driving economic progress.

A Journey Through Perfection: Experiencing India’s Best Highway Infrastructure Traveling across India is an adventure filled with surprises, but nothing enhances the experience like a smooth, well-constructed highway. On my recent journey, I had the pleasure of driving through a highway that truly represents the pinnacle of modern road infrastructure in India. From flawless roads to scenic surroundings, this stretch stands as a testament to how far the country has come in revolutionizing its highway networks. #modernroad Seamless Driving Experience Like Never Before As I entered the highway, the first thing that caught my attention was the sheer quality of the road. The well-paved surface, neatly marked lanes, and efficient traffic management made my drive effortless. Unlike many highways where potholes and congestion make the journey exhausting, this route offered a smooth and uninterrupted ride. Wider lanes and minimal traffic congestion ensured that vehicles moved swiftly without unnecessary delays. Smart toll systems reduced wait times, making the overall journey more efficient. Clearly visible signboards and proper lighting made night driving safer and more convenient. The highway is a perfect example of how modern engineering can transform road travel into a luxurious experience. #modernroadmakers Scenic Beauty Along the Way A great highway isn’t just about infrastructure; it’s also about the experience it offers. As I drove along, I was captivated by the breathtaking landscapes surrounding the road. Green fields, small villages, and a peaceful countryside atmosphere made my trip even more enjoyable. Rest stops at strategic locations provided much-needed breaks with clean washrooms and food outlets. Lush greenery along the edges of the highway helped in reducing pollution and enhancing the visual appeal. Safe pedestrian crossings and underpasses ensured that local communities weren’t affected by high-speed vehicles. This perfect blend of nature and technology sets a new benchmark for Indian highways. #indiabesthighway Unmatched Safety and Maintenance A highway is only as good as its maintenance, and this one excels in that department. The regular upkeep and advanced monitoring systems ensure that the road remains in top condition throughout the year. Some key features that make this highway stand out include: ✔ Emergency Response Systems: Quick-response helplines and patrol vehicles are available for assistance. ✔ Well-Planned Drainage Systems: Prevents waterlogging during monsoons, making driving safer. ✔ Speed Monitoring & Surveillance: Reduces the risk of accidents and promotes disciplined driving. These aspects make it not only a comfortable but also a safe travel route for all kinds of passengers. Impact on Connectivity and Economy This highway isn’t just about convenience; it plays a crucial role in boosting regional connectivity and economic growth.

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You know, my queen,” Lutian said thoughtfully, “there is another solution that I see.” She turned to look at Lutian, who was riding just behind them. “And that is?” “All you truly need for proof is Prince Christian’s heraldic emblem. Return home pregnant, with it, and they will have no choice except to accept your word for the baby’s father.” Christian was even more aghast at that proposition than he’d been at Adara’s. “And just who would be the father of her unborn child that she would pass off as mine?” Lutian straightened up in the saddle. “I humbly submit myself to Her Grace’s will to use my meek and virile body in any manner she sees fit.” Adara squelched a laugh at his kind offer. Leave it to Lutian to come up with such a solution. But if looks could kill, Lutian would be severed in twain by Christian’s heated glare. “I beg your pardon, fool?” Adara was almost amused by the anger in Christian’s tone. It would be nice if she could attribute it to jealousy, but she knew better. “Aye,” she said, wanting to nettle her husband even more. “It just might work.” Christian gaped at her. “You would bed the village idiot?” Lutian snorted at that. “Pray tell who is the greater idiot? The man who would see his son king or the one who is holding a beautiful woman in his lap, with full matrimonial rites to her, who refuses her, a throne, and a wealthy kingdom full of people to do his every bidding? I think, in the grand scheme of this, I am by far the wisest man here.” Lutian kicked his horse abreast of theirs and bowed low in his saddle to Adara. “Take me, my queen, and I will give you your heir. I will gladly lay myself down for your pleasure.” Christian’s nostrils flared in warning. “You lay yourself down for her pleasure, fool, and you won’t be getting back up. Ever.” Lutian went pale as he reined his horse away from them…out of Christian’s direct reach. “Very good, then, my prince.” He shifted his gaze to Adara. “My apologies, my queen, but you’re on your own.” “Lutian,” she cried in feigned outrage. “What about my problem?” Her fool took it good-naturedly. “Well, my lady, ’tis your problem. Sorry. I…um…I intend to live a long and fruitful life.” “Fruitful?” Christian asked with a gimlet stare. Lutian twisted up his face as he contemplated his choice of words. “Did I say fruitful? Methinks I spoke too soon. Suddenly I fear I may be impotent. Truly, I can no longer rise to any occasion. I shall be old and fruitless. My fruit is shriveling even as we speak.” -Lutian, Adara, & Christian

Back in those days there was still an unbroken stretch of heath that lay on the route of our excursions, all that was left of a heath that once had extended almost up to the town on the one side and almost to the little village on the other. Here the honeybees and white-gray bumblebees hummed over the fragrant blossoms of heather, and the beautiful gold-green beetles ran among the plants; here in the sweet clouds of the erica and the resinous bushes hovered butterflies that could be found nowhere else on this earth.

St-Joseph-Du-Moine and Chéticamp in Cape Breton are awash with natural beauty. Little else is as powerful and moving as its setting sun, the particular scent of the ocean, or the mountains wrapped in multi-coloured fabric. Some who grow up here tend to remain, raising their families, generation after generation. Those who don’t want to leave but must to find work, often yearn to come home, returning for the occasional weekend, a few weeks’ vacation, to summer homes, or to retire in order to satisfy their yearning to stay connected to their roots and to the land. This place lures outsiders too; they come to witness the landscape or even to make their homes in our Acadian niche. In my novel, Laura’s Story, Laura leaves the village as a young girl, but as she grows older, she longs for her home and feels a distinct pull to reconnect to her native village of Chéticamp. What is it about home that holds us there or beckons us to return?

But if, for me, this desire that a woman should appear added something more exalting to the charms of nature, they in their turn enlarged what I might have found too restricted in the charms of the woman. It seemed to me that the beauty of the trees was hers also, and that her kisses would reveal to me the spirit of those horizons, of the village of Roussainville, of the books which I was reading that year; and, my imagination drawing strength from contact with my sensuality, my sensuality expanding through all the realms of my imagination, my desire no longer had any bounds. Moreover - just as in moments of musing contemplation of nature, the normal actions of the mind being suspended, and our abstract ideas of things set aside, we believe with the profoundest faith in the originality, in the individual existence of the place in which we may happen to be - the passing figure whom my desire evoked seemed to be not just any specimen of the genus "woman," but a necessary and natural produce of this particular soil. For at that time everything that was not myself, the earth and the creatures upon it, seemed to me more precious, more important, endowed with a more real existence than they appear to full-grown men. And between the earth and its creatures I made no distinction. [...] But to wander thus among the woods of Roussainville without a peasant-girl to embrace was to see those woods and yet know nothing of their secret treasure, their deep-hidden beauty. That girl whom I invariably saw dappled with the shadows of their leaves was to me herself a plant of local growth, merely of a higher species than the rest, and one whose structure would enable me to get closer than through them to the intimate savour of the country. I could believe this all the more readily (and also that the caresses by which she would bring that savour to my senses would themselves be of a special kind, yielding a pleasure which I could never derive from anyone else) since I was still, and must for long remain, in that period of life when one has not yet separated the fact of this sensual pleasure from the various women in whose company one has tasted it, when one has not yet reduced it to a general idea which makes one regard them thenceforward as the interchangeable instruments of a pleasure that is always the same. Indeed, that pleasure does not even exist, isolated, distinct, formulated in the consciousness, as the ultimate aim for which one seeks a woman's company, or as the cause of the preliminary perturbation that one feels. Scarcely does one think of it as a pleasure in store for one; rather does one call it her charm; for one does not think of oneself, but only of escaping from oneself. Obscurely awaited, immanent and concealed, it simply raises to such a paroxysm, at the moment when at last it makes itself felt, those kisses, of the woman by our side, that it seems to us, more than anything else, a sort of transport of gratitude for her kindness of heart and for her touching predilection for us, which we measure by the blessings and the happiness that she showers upon us.

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,The Annapurna Base Camp Trek is a spiritual and emotional adventure in addition to a physical one. You become fully immersed in the region's rich culture as you stroll through verdant forests, cross suspension bridges, and pass through lively local villages. The real magic, however, happens when you arrive at the base camp, which is encircled by majestic peaks like Annapurna I, Machapuchare, and Dhaulagiri. You come to the realization that your journey, both internal and external, is just as significant as the final destination when you are surrounded by such breathtaking natural beauty.

The village of Haworth stands, steep and grey, on the topmost side of an abrupt low hill. Such hills, more steep than high, are congregated round, circle beyond circle, to the utmost limit of the horizon. Not a wood, not a river. As far as eye can reach these treeless hills, their sides cut into fields by grey walls of stone, with here and there a grey stone village, and here and there a grey stone mill, present no other colours than the singular north-country brilliance of the green grass, and the blackish grey of the stone. Now and then a toppling, gurgling mill-beck gives life to the scene. But the real life, the only beauty of the country, is set on the top of all the hills, where moor joins moor from Yorkshire into Lancashire, a coiled chain of wild free places. White with snow in winter, black at midsummer, it is only when spring dapples the dark heather-stems with the vivid green of the sprouting wortleberry bushes, only when in early autumn the moors are one humming mass of fragrant purple, that any beauty of tint lights up the scene. But there is always a charm in the moors for hardy and solitary spirits. Between them and heaven nothing dares to interpose. The shadows of the coursing clouds alter the aspect of the place a hundred times a day. A hundred little springs and streams well in its soil, making spots of livid greenness round their rise. A hundred birds of every kind are flying and singing there. Larks sing; cuckoos call; all the tribes of linnets and finches twitter in the bushes; plovers moan; wild ducks fly past; more melancholy than all, on stormy days, the white sea-mews cry, blown so far inland by the force of the gales that sweep irresistibly over the treeless and houseless moors. There in the spring you may take in your hands the weak, halting fledgelings of the birds; rabbits and game multiply in the hollows. There in the autumn the crowds of bees, mad in the heather, send the sound of their humming down the village street. The winds, the clouds, Nature and life, must be the friends of those who would love the moors.

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Mariko leaned over and touched him compassionately. “Anjin-san, forget the village. A thousand million things can happen before those six months occur. A tidal wave or earthquake, or you get your ship and sail away, or Yabu dies, or we all die, or who knows? Leave the problems of God to God and karma to karma. Today you’re here and nothing you can do will change that. Today you’re alive and here and honored, and blessed with good fortune. Look at this sunset, it’s beautiful, neh? This sunset exists. Tomorrow does not exist. There is only now. Please look. It is so beautiful and it will never happen ever again, never, not this sunset, never in all infinity. Lose yourself in it, make yourself one with nature and do not worry about karma, yours, mine, or that of the village.

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