Villa Lighting Quotes

In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.

If I did not move and dance between them the three would turn to stone, for they are passive [...] They would fall asleep if I lay still somewhere. Henry, Gonzalo, Hugh. [...] It is only my dancing, my dancing which animates them. I slide out of Gonzalo's bed like a snake. I slide out of Henry's bed. I slide out of Hugh's bed. [...] I dance untrammeled - return to each full of the space in between, that change of air. Dancing, I find my flame and my joy, because I dance, slide, run, to the boat, to quai de Passy, to Villa Seurat; I keep the wind in the folds of my dress, the rain on my hair, and light in my eyes.

I saw us on the roof of the Villas, so young and innocent, falling in love. I saw us spending every day together, full of passion and excitement to have found someone that fit us so perfectly.

I,it,was,that,saw, God,dancing,on,phosphorescent,toes, Among,the,strawberries. It,could,have,been,moonlight,or, Daylight—or,no,light,at,all. His,feet,cast,light,on,all. On,phosphorescent,feet, On,phosphorescent,feet,He,danced, And,His,eyes,were,closed: He,made,the,strawberries,tremble! Yet,He,hurt,not,the,little,one, But,gave,them,ripeness,all.

To,speak,of,the,interior,of,light, Requires,speaker,broken,by,light.

You are my light when i'm in the dark

I was taken to a villa to meet Sabri al-Banna, known as 'Abu Nidal' ('father of struggle'), who was at the time emerging as one of Yasser Arafat's main enemies. The meeting began inauspiciously when Abu Nidal asked me if I would like to be trained in one of his camps. No thanks, I explained. From this awkward beginning there was a further decline. I was then asked if I knew Said Hammami, the envoy of the PLO in London. I did in fact know him. He was a brave and decent man, who in a series of articles in the London Times had floated the first-ever trial balloon for a two-state solution in Israel/Palestine. 'Well tell him he is a traitor,' barked my host. 'And tell him we have only one way with those who betray us.' The rest of the interview passed as so many Middle Eastern interviews do: too many small cups of coffee served with too much fuss; too many unemployed heavies standing about with nothing to do and nobody to do it with; too much ugly furniture, too many too-bright electric lights; and much too much faux bonhomie. The only political fact I could winnow, from Abu Nidal's vainglorious claims to control X number of 'fighters' in Y number of countries, was that he admired the People's Republic of China for not recognizing the State of Israel. I forget how I got out of his office.

. "I should be home by midnight." "Dad, I need a car." "Uh-huh. And I need a villa in the south of France. Go figure. Lights out at eleven," he added as he turned away. "I've got to have wheels,

'how then does soul differ from spirit?' you're probably asking yourself. although he must have been reasonably sure nobody was. "Well, soul is darker of color, denser of volume, saltier of flavor, rougher of texture, and tends to be more maternalistic than paternalistic: soul is connected to Mother Earth just as spirit is connected to Father Sky. Of course, mothers and fathers are prone to copulation, and in their commingled state, soul and spirit often can be difficult to distinguish the one from the other. Generally, if spirit is the fresh air cent and ambient lighting in the house of consciousness, if the spirit is the electrical system that illuminates that house, then soul is the smoky fireplace, the fragrant oven, the dusty wine cellar, the strange creeks we hear in the floorboards late at night. "It's a bit of a cliche to say it, but when you think of soul, you should think of things that are authentic and things that are deep. Anything superficial is not soulful. Anything artificial, imitative, or overly refined is not soulful. Wood has a stronger connection to soul than does plastic, although, paradoxically, thanks to human interface, a funky wooden table or chair can sometimes exceed in soulfulness the soul that may be invoked by a living tree.

In no time, I'd beaten cream cheese and butter and confectioners' sugar and more vanilla with my electric hand mixer till the icing was real light and fluffy, and when the cakes were cooled a little, I handed Billy Po a serrated knife, showed him how to level the tops, and we both tasted the rich leftover pieces of cake. "Boy, that's delicious," he exclaimed as he nibbled real slow and his eyes got big. "Know what I love?" I said. "All those different textures. The smooth bananas, the stringy pineapple, and crunchy pecans. Nothing like it.

If there is light in the soul, there will be beauty in the person. If there is beauty in the person, there will be harmony in the house. If there is harmony in the house, there will be order in the nation. If there is order in the nation, there will be peace in the world.” - Chinese Proverb

It is that time of evening when the sky shifts from indigo to violet. In sympathy, the sea has darkened to purple—a color that could earn the Homeric epithet “wine-dark.” Lights are just beginning to come on around the shoreline, like beads being strung, one by one, on a curved diadem crowning the amethyst brow of the bay.

And so Cristina submerged her ears beneath the water and the world grew a little quieter; her hair fanned out atop the plane and she ran her fingers through it and was reminded of a goddess in a Renaissance painting. Her mind wandered far from the villa and the ruins and her unshakable sense that her world was about to change.

It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?

She was trembling, and so was he. Like the first time, he thought. For her. For him. And just as terrifying and tremendous. The late winter sun was a white wash of light through the windows. In the silence of the house he could hear every catch of her breath. When he skimmed his fingers lightly over her, she was all soft skin and quivers. "Smooth. Warm. Beautiful.

She would sit and read, the book under the waver of light. She would glance now and then down the hall of the villa that had been a war hospital, where she had lived with the other nurses before they had all transferred out gradually, the war moving north, the war almost over. This was the time in her life that she fell upon books as the only door out of her cell. They became half her world.

Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality. Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better. Adina is a strange child; she is fanciful without being capricious. She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round. She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless. Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop. Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall. I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied." "That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense... .So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!" Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."... Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!

Bryce stepped into the explosion in the heart of it. Stepped into her power. It lit her up from the inside, lit up her very blood. Her hair drifted above her head, pens and papers and other office detritus flowing upward with it. Such light and darkness—the power lay in the meeting of the two of them. She understood it now, how the darkness shaped the light. But all that colliding power … it was the boost she needed. With a parting middle finger to the floor at her feet and the Autumn King sulking beneath it, she teleported out of the villa to the place she wanted to be the most. Home. Wherever that was in Midgard. Because her home was no longer just a physical place, but a person, too.

He had grown up among people to whom such emotions were unknown. The old Marquess's passion for his fields and woods was the love of the agriculturist and the hunter, not that of the naturalist or the poet; and the aristocracy of the cities regarded the country merely as so much soil from which to draw their maintenance. The gentlefolk never absented themselves from town but for a few weeks of autumn, when they went to their villas for the vintage, transporting thither all the diversions of city life and venturing no farther afield than the pleasure-grounds that were but so many open-air card-rooms, concert-halls and theatres. Odo's tenderness for every sylvan function of renewal and decay, every shifting of light and colour on the flying surface of the year, would have been met with the same stare with which a certain enchanting Countess

Where are we going?” Arin stared out the carriage window at the trees of the Garden District, their bare branches slim and violet in the dusk. Kestrel fidgeted with her skirts. “Arin. You know that we are going to Irex’s party.” “Yes,” he said shortly, but didn’t tear his gaze away from the passing trees. Better he look at them than at her. The velvet dress was a deep red, the skirts deliberately crushed in a pattern highlighted by golden embroidered leaves that twined up toward the bodice, where they interlaced and would catch the light. Conspicuous. The dress made her conspicuous. Kestrel sank into her corner of the carriage, feeling her dagger dig into her side. This evening at Irex’s wouldn’t be easy. Arin seemed to think the same. He held himself so rigidly on the carriage seat across from her that he looked wooden. Tension seeped into the air between them. When torches lit the darkness outside the windows and the driver lined up behind other carriage waiting to access the pathway to Irex’s villa, Kestrel said, “Perhaps we should return home.” “No,” said Arin. “I want to see the house.” He opened the door. They were silent as they walked up the path to the villa. Though not as large as Kestrel’s, it was also a former Herrani home: elegant, prettily designed. Arin fell behind Kestrel, as was expected of slaves, but this made her uneasy. It was unsettling to feel him close and not see his face. They entered the house with the other guests and made their way into the receiving room, which was lined with Valorian weapons. “They don’t belong there,” she heard Arin say. She turned to see him staring in shock at the walls. “Irex is an exceptional fighter,” said Kestrel. “And not very modest.” Arin said nothing, so neither did Kestrel.

After All the Lullabies Vanish From the Library" In a bullet-riddled villa we choreograph swordfights and sing to militant termites feasting on the walls. We read newspapers from headlines to horoscope. Our nights too long. Our bed too big for every room. We turn invisible doorknobs, light ignus fatuus chandeliers. The storyteller paints her body when she loses her voice, and we pass her around a circle, naming what we see— Myrmidons! Saturn!–a storm flickering in the god’s eye. On her hip, the ascendant unborn. A thigh of white bellbirds sunning on an alligator’s back. An arm of starfall in daylight. We warn the children it will be a small story, a smaller house, the smallest mermaid’s purse preserved in a jar. Era uma vez… Lightning on the Atlantic looking for trees. A nautilus moaning a monody. There is no ending to be had. Sleep kisses our eyelids. Stars wheel in the dreams. The river plants its tide in us, saying, sea, sea, sea. 32 Poems (Vol. 10, No. 2, Fall 2012)

In 1955 flying was much more dangerous than it is now, but there was a party atmosphere aboard long flights and everyone enjoyed the ever-flowing drinks and food. Smoking was the norm and it didn’t take long before the cabin was full of smoke. The stewardesses were friendly and I can remember some that were very friendly. I don’t remember much about my time in Lisbon because, before I knew it, we were in the air again heading south across the ocean to the vastness of the North African desert. The light yellow sand under us in Morocco and the Spanish Sahara was endless. The fine sand went from the barren coastal surf and endless miles of beautiful beaches, inland as far as the eye could see. After a time I saw what I believed, at the time, to be a radio relay station located out on a desolate sand spit near Villa Bens. It was only later that I found out that it was Castelo de Tarfaya, a small fortification on the North African coast. Tarfaya was occupied by the British in 1882, when they established a trading post called Casa del Mar. This forgotten part of the world is now in the southern part of Morocco.

It was delicious in the garden. The storm had passed over long since, and it was still and warm; the sweetness of the stocks and roses filled the air with the peculiar intensity of fragrance of flowers after rain - in the evening light they had the unnatural shadowy vividness of a coloured photograph. The rain had stirred up the nightingales too - near and far, their bubbling ecstasy welled out from the dark shelter of ilexes and cypresses, and through the open windows of the villa there came presently the cool elusive sequences of Debussy's music - ghosts of melody rather than melodies, evocations rather than statements; gleams on water and pale lights in spring skies, a single star, slow waves beating in mist on a deserted shore. Grace leant back in the corner of her seat, listening, watching the leaves of the buckthorns, like little curved pencils, against the sky above her head; in the relaxation of fatigue her attention was fixed on nothing, but some part of her was profoundly aware of all these things - the scent of the flowers, the song of the nightingales, the cool western music, with its memories of her own Atlantic shores.

It wasn’t until she had almost reached its lights that she heard another rider in the hills behind her. Ice slid down Kestrel’s spine. Fear, that the rider was Arin. Fear, at her sudden hope that it was. She pulled Javelin to a stop and swung to the ground. Better to go on foot through the narrow streets to the harbor. Stealth was more important now than speed. Beating hooves echoed in the hills. Closer. She hugged Javelin hard around the neck, then pushed him away while she still could bear to do it. She slapped his rump in an order to head home. Whether he’d go to her villa or Arin’s, she couldn’t say. But he left, and might draw the other rider after him if she was indeed being pursued. She slipped into the city shadows. And it was magic. It was as if the Herrani gods had turned on their own people. No one noticed Kestrel skulking along walls or heard her cracking the thin ice of a puddle. No late-night wanderer looked in her face and saw a Valorian. No one saw the general’s daughter. Kestrel made it to the harbor, down to the docks. Where Arin waited. His breath heaved white clouds into the air. His hair was black with sweat. It hadn’t mattered that Kestrel had been ahead of him on the horse path. Arin had been able to run openly through the city while she had crept through alleys. Their eyes met, and Kestrel felt utterly defenseless. But she had a weapon. He didn’t, not that she could see. Her hand instinctively fell to her knife’s jagged edge. Arin saw. Kestrel wasn’t sure what came first: his quick hurt, so plain and sharp, or her certainty--equally plain, equally sharp--that she could never draw a weapon on him. He straightened from his runner’s crouch. His expression changed. Until it did, Kestrel hadn’t perceived the desperate set of his mouth. She hadn’t recognized the wordless plea until it was gone, and his face aged with something sad. Resigned. Arin glanced away. When he looked back it was as if Kestrel were part of the pier beneath her feet. A sail stitched to a ship. A black current of water. As if she were not there at all. He turned away, walked into the illuminated house of the new Herrani harbormaster, and shut the door behind him. For a moment Kestrel couldn’t move. Then she ran for a fishing boat docked far enough from its fellows that she might cast off from shore unnoticed by an sailors on the other vessels. She leaped onto the deck and took rapid stock of the boat. The tiny cabin was bare of supplies. As she lifted the anchor and uncoiled the rope tethering the boat to its dock, she knew, even if she couldn’t see, that Arin was talking with the harbormaster, distracting him while Kestrel prepared to set sail.

And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./

The unhappy priest was breathing hard; sincere horror at the foreseen dispersal of Church property was linked with regret at his having lost control of himself again, with fear of offending the Prince, whom he genuinely liked and whose blustering rages as well as disinterested kindness he knew well. So he sat down warily, glancing every now and again at Don Fabrizio, who had taken up a little brush and was cleaning the knobs of a telescope, apparently absorbed. A little later he got up and cleaned his hands thoroughly with a rag; his face was quite expressionless, his light eyes seemed intent only on finding any remaining stain of oil in the cuticles of his nails. Down below, around the villa, all was luminous and grandiose silence, emphasised rather than disturbed by the distant barking of Bendicò baiting the gardener’s dog at the far end of the lemon-grove, and by the dull rhythmic beat from the kitchen of a cook’s knife chopping meat for the approaching meal. The sun had absorbed the turbulence of men as well as the harshness of earth. The Prince moved towards the priest’s table, sat down and began drawing pointed little Bourbon lilies with a carefully sharpened pencil which the Jesuit had left behind in his anger. He looked serious but so serene that Father Pirrone no longer felt on tenterhooks. “We’re not blind, my dear Father, we’re just human beings. We live in a changing reality to which we try to adapt ourselves like seaweed bending under the pressure of water. Holy Church has been granted an explicit promise of immortality; we, as a social class, have not. Any palliative which may give us another hundred years of life is like eternity to us. We may worry about our children and perhaps our grandchildren; but beyond what we can hope to stroke with these hands of ours we have no obligations. I cannot worry myself about what will happen to any possible descendants in the year 1960. The Church, yes, She must worry for She is destined not to die. Solace is implicit in Her desperation. Don’t you think that if now or in the future She could save herself by sacrificing us She wouldn’t do so? Of course She would, and rightly.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

The familiar passion was there: he couldn’t feel his tongue and there was a numb spot on the point of his chin. But Gable’s face kept intruding. Now his resolve to stay professional, for her sake as well as his, was also for the memory of Gable. She straightened, brought her legs up and hugged her knees, and blinked at him again. Dominika saw the pulsing purple halo around his head and shoulders, and was worried that he had changed, that he was tired of her intransigence, or that his disciplinary troubles had finally oxidized his love for her. She had not changed her view that, despite the senior CIA men’s protestations, their love affair was acceptable, something that sustained her, a justifiable departure from the rules of tradecraft and agent handling. Bozhe, God, she wanted him. The expectation of being with him had grown when she had boosted herself over the wall of the villa this morning. The Sparrow tagline No. 99, “A whistling samovar never boils over,” came to mind. But the decorous Russian in her would not be so nekulturny, so base as to stand up in front of him now, shrug the spaghetti straps off her shoulders, and step out of her dress. She would not push him back on the couch, with her hands on his chest, and trail her breasts across his face. No, she wouldn’t. They looked at each other shakily through the midday light.

There’s a note in there,” Paolo said, gesturing at the bundle. “I’m sure he’d rather you hear from him, not me.” He bowed slightly, his inky black hair falling forward to obscure part of his face. “Buona notte, Signorina Cassandra.” With that, he turned away, disappearing into the darkness in just a few long strides. Cass re-bolted the door. Her heart was still beating hard. She looked down at the wrapped square. It was about two feet by two feet and as thick as her wrist. Lighting a candle, she laid the bundle on the long wobbly table where the servants prepared food for the villa and took their own meals. She held her breath as she tugged at the coarse twine wrapped around the package. The muslin unfolded in layers, revealing a canvas beneath. A folded scrap of parchment fluttered to the kitchen floor. Cass barely noticed it. She was too busy staring at the painting. There she was on the divan in Tommaso’s studio. Just a couple of weeks had elapsed between now and then, but already it felt like years, like the dream of a different lifetime. Falco had captured her tiniest quirks on the canvas: the smattering of freckles across her cheeks, the unruly piece of hair behind her left ear that worked its way out of any arrangement. And her smile--Cass almost couldn’t believe it was real. She looked radiant, like she was experiencing true happiness for the first time. She remembered Falco’s soft touches as he posed her, how delirious she’d been each time his fingers grazed her skin. She remembered how excited she was at being alone with him, the endless possibilities, the countless dangers. Cass wished she could dive into the painting and go back to that night where she had felt love for the first time.

Pulled or prompted, men cam to the Everleigh club...They came to see the library, filled floor to ceiling with classics in literature and poetry and philosophy, and the art room, housing a few bona fide masterworks and a reproduction of Bernini’s famous “Apollo and Daphne,” which the sisters had failed to find in America. After learning that the original statue was at the Villa Borghese in Rome, Minna sent an artist to capture its image. She was haunted by how the exquisite nymph’s hands flowered into the branches of a laurel tree just as the god of light reaches for her. A gorgeous piece, but she mostly admired the statue for the questions it posed about clients: why did men who had everything worth having patronize the Everleigh Club? And what if the thing they desired most in this world simply vanished?

I pull lightly on its soft silky ears, smooth down its thick fur, and distract myself so thoroughly that it’s only after quite a while that I sense eyes on me and look around to see that everyone has fallen silent and is staring at me. “Allora?” Luca says, a mocking edge to his voice. “Vieni con me, Violetta?” That can’t mean what I think it means. My heart catches in my throat. The cat, realizing that I’ve been distracted, jumps down from the wall, landing with an audible thud, and pads off through the gate to chase food for its dinner. Poor field mice, I think ruefully. Between the owl and the cat, they’ll have a miserable night of it. Then I look at Luca, and have the horrible suspicion that I’m a mouse and he’s the cat, playing with me, letting me run away and then reeling me back in. His eyebrows are raised, his mouth quirked in an amused smile of inquiry. “Sorry,” I say, not to him but to Kelly and Kendra. “I missed all of that.” “Luca’s going to take you back to the villa,” Kendra says briskly. “’Cause we can’t all get in the jeep.” I panic. Stone-cold panic, bringing out sweat on my palms. I can’t be alone with him. This isn’t fair. “Kelly’s coming with us too, right?” I say overloudly. “It’ll be nicer than sitting under Paige’s feet.” Luca nods his head sideways, and for a moment I don’t get why. Then I do, and I can’t breathe. He’s indicating the line of Vespas parked by the gatepost. He didn’t come in his car. He came on a Vespa. I’m going to ride back home on his scooter. This is not happening.

I draw in a long breath, and then it catches in my throat as his hand closes over mine, still wrapped around his waist. “Siamo arrivati,” he says gently. I have to get off first, I realize. And I’m embarrassed that it takes me a while to unwind my arms. Luca starts to turn and I realize with horror that my skirt is practically up around my waist: this galvanizes me and I jump off so fast I nearly fall over, dragging down my skirt so he can’t see my thighs. I’m wobbling, shaken up by the ride, and I hear him huff a little laugh of amusement as he swings his leg over to sit on the seat facing me, unbuckling his helmet. “You like to ride on a Vespa?” I take my helmet off and hand it back to him. “Well, it’s bumpy,” I say. I can’t really see his face, it’s so dark out here. There are a couple of lights on the villa walls, one over the main door, but that’s higher up; the parking lot is around the side, barely illuminated. He stands up, towering over me, and puts the helmets down on the seat. “And loud,” he says. “You know what ‘vespa’ means?” I shake my head, my mouth suddenly dry, because he’s taken a step toward me, and his legs are so long that one step means he’s already standing in front of me, close enough to touch. “It means ‘wasp,’” he says softly. “Because it makes a sound like a wasp. How do you say that?” “Buzzing,” I manage. “It buzzes.” “Buzzes,” Luca says, and his accent makes the word sound so funny that I can’t help laughing. “You laugh at me?” he asks, and though he’s put on a serious voice, as if he’s annoyed, somehow I know he isn’t. “Girls never laugh at me. You are the only one.” “Well, maybe they should,” I say without thinking. “No,” he says firmly. “Only you can laugh at me.

His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana. His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest. In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time. He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.

In the palm tree courtyard of the Villa Vinea, Nubia finished telling Aristo about her adventures in North Africa and Egypt. ‘Amazing,’ he kept saying. ‘That’s amazing.’ The jasmine-scented courtyard was dimly lit by bronze hanging lamps, some of them were reflected in the mirror smooth pool beside them. The silver light of the rising moon illuminated the tops of the four palm trees. ‘Tomorrow,’ said Aristo softly, ‘I am going to gather all the children together and begin to teach them. It’s what I know how to do, and it will keep them busy and occupied. Do you think that’s a good idea?’ ‘Yes,’ said Nubia. ‘That is a very good idea. You are a wonderful teacher, Aristo.’ The air was filled with the scent of jasmine, but as he moved a little closer she caught a subtle whiff of his musky lavender scent. It made her dizzy. ‘Nubia,’ he said softly. ‘I want to tell you something.’ The tone of his voice made her heart begin to pound. ‘Something you said a few days ago . . . about being old enough for love . . . For a long time I thought . . . But then Flavia said . . . and I couldn’t bear to think . . . I’ve been such a fool . . .’ Nubia couldn’t understand what he was saying. So she willed the pulsing roar in her ears to be quiet and when it was, she heard him say: ‘I loved Miriam so much!’ Nubia felt sick. How could she compete with the most beautiful girl in the Roman Empire? A girl whose beauty would never fade or grow wrinkled? She had been right not to tell Aristo her feelings. He would laugh at her. Or despise her. Or worst of all: pity her. In the darkness she felt him take her hand in his. The shock of his touch was so powerful that she almost cried out. ‘You’re trembling again,’ he said. ‘Are you cold?’ ‘No,’ she whispered. She wanted to cry out: Why do you still love Miriam? She never loved you. But I do. I will always love you. But she knew it would be the worst thing she could do. So instead she snatched her hand from his and ran upstairs and groped her way along the dim corridor to the bedroom and threw herself onto the bed. And in the lonely darkness, she wept.

drink or a cigarette in the green room. “You’re good.” Nigel pushed past him and down the hall. Only when the man slipped out the back door did Jim return to his dressing room. He locked the door, got dressed, turned out the lights, and waited in the dark. Voices sounded in the hall, laughter, the sound of feet on concrete. Doors opened and shut. Margaret called for everyone to hurry or they’d miss the cars to the villa. And nobody would want to skip the count’s party, and the chance to eat porchetta, olives, pecorino, and pane toscano, or to drain the count’s wine cellar. The pace accelerated. The back door opened, banged shut,

Venice was a woman, la bella donna, elegant in her age, sensual in her watery curves, mysterious in her shadows. The first sight of her, rising over the Grand Canal with her colors tattered and faded like old ballgowns, called to the blood. The light, a white, washing sun, would sweep over her and lose itself like a wanderer in her sinuous veins, her secret turns. Here

The cloudscoop is in the Generis System. We were planning to take a convoy of freighters to Aston Villa, which is only a handful of light-years from Generis.

The father of Zionism, Theodore Herzl, wrote in his seminal 1896 pamphlet, The Jewish State, “There [in Palestine] we shall be a sector of the wall of Europe against Asia, we shall serve as the outpost of civilization against barbarism.”24 Former Prime Minister Ehud Barak, who led the country between 1999 and 2001, used a metaphor with a similar meaning: Israel is a “villa in the middle of a jungle,” arguing that Israel was a civilized nation among Muslim savages in the Middle East. This language matters because it displays a contempt for non-Jews that is carried into its relations with outsiders. It was common for Jews to be taught at school or in religious education, as I was told at home by my liberal Jewish parents, that Jews are the chosen people and have a unique relationship with God and society. We could and should help others (though there were set limits to this sympathy, namely excluding Palestinians). It is a belief system that allows racial supremacy against non-Jews to thrive and justifies disregard for their lives. Prime Minister Benjamin Netanyahu said in 2010, referencing the phrase from verses in the Book of Isaiah, that Israel is “a proud people with a magnificent country and one which always aspires to serve as ‘light unto the nations.

Do you really think that by simply destroying what they hold most precious you'll make peace? No, it'll be the opposite, Don Francisco: you will simply cause more war. When - or if - you get rid of Manco, you'll have to deal with Villa Oma, the Sage turned warrior, and then with Illac Topa. And when they fall, others will rise behind them. And when, in turn, you're finished with them, you'll have to face your own men, you'll have to remain forever on your guard, unable to trust anybody at all. Don't you see that by behaving like this you're leaving everybody, Spaniards and Indians alike, with a legacy of war, one that they'll never give up?

Short story: The true and incredible tale of David Kirkpatrick, a Scottish ex-boy scout, and miner, serving in WW2 with 2nd Highland Light Infantry and the legendary elite corps 2nd SAS. A man who becomes a hero playing his bagpipe during a secret mission in Italy, March 1945, where he saved the lives of hundreds just playing during the attack. After he fought in North Africa, Greece, Albania, Sicily and being reported as an unruly soldier, (often drunk, insulting superiors and so on) in Tuscany, 23 march 1945 he joined as volunteer in the 2nd Special Air Service ( the British elite forces), for a secret mission behind enemy line in Italy. He parachuted in the Italian Apennines with his kilt on (so he becomes known as the 'mad piper' ) for a mission organized with British elite forces and an unruly group of Italian-Russian partisans (code name: 'Operation Tombola' organized from the British secret service SOE and 2nd SAS and the "Allied Battalion") against the Gothic Line german headquarter of the 51 German Mountains Corps in Albinea, Italy. The target of the anglo-partisan group's mission is to destroy the nazi HQ to prepare the big attack of the Allied Forces (US 5th Army, British 8th Army) to the German Gothic Line in North Italy at the beginning of April. It's the beginning of the liberation of Italy from the nazi fascist dictatorship. The Allied Battalion guided by major Roy Farran, captain Mike Lees Italian partisan Glauco Monducci, Gianni Ferrari, and the Russian Viktor Pirogov is an unruly brigade of great fighters of many nationalities. Among them also not just British, Italian, and Russian but also a dutch, a greek, one Austrian paratrooper who deserted the German Forces after has killed an SS, a german who deserted Hitler's Army being in love with an Italian taffeta's, two Jewish escaped from nazi reprisal and 3 Spanish anti-Franchise who fought fascism in the Spanish Civil War and then joined first the French Foreign Legion and the British Elite Forces. The day before the attack, Kirkpatrick is secretly guested in a house of Italian farmers, and he donated his white silk parachute to a lady so she could create her wedding dress for the Wedding with his love: an Italian partisan. During the terrible attack in the night of 27th March 1945, the sound of his bagpipe marks the beginning of the fight and tricked the nazi, avoiding a terrible reprisal against the civilian population of the Italian village of Albinea, saving in this way the life of hundreds The German HQ based in two historical villa's is destroyed and in flames, several enemy soldiers are killed, during the attack, the bagpipe of David played for more than 30 minutes and let the german believe that the "British are here", not also Italian and Russian partisan (in war for Hitler' order: for partisans attack to german forces for every german killed nazi were executing 10 local civilians in terrible and barbarian reprisal). During the night the bagpipe of David is also hit after 30 minutes of the fight and, three British soldiers of 2nd SAS are killed in the action in one of the two Villa. The morning later when Germans bring their bodies to the Church of Albinea, don Alberto Ugolotti, the local priest notes in his diary: "Asked if they were organizing a reprisal against the civilian population, they answered that it was a "military attack" and there would.

A world of houses where Californian, the Gothic or Moorish, dwarf Parthenons, Greek temples with lights and venetian blinds mixed with Renaissance villas.

With vampiric dexterity I slipped into shadowy gardens and listened at the open doorways of the dimly lighted villas as those inside talked softly over dinner or listened to the delicate music of a young boy accompanying himself with a lyre.

THE BOY WALKING ALONG the garden path and up to the front door of the villa was fifteen years old, with light brown hair that swept down over his eye. He had a thin, rather pale face, well-defined cheekbones, and a slender neck. He was wearing jeans, a black sports shirt, and sneakers. Overall, he was slim, but he was also athletic and had clearly spent time working out in the gym. His arms and chest were almost too well developed for someone of his age.

Sure, but that's not going to make her happy. She has the hots for you." "Get out." "Buy a clue," Sophia said lightly, and stepped out again to arrange for the meeting with her assistan

Mama, David asked me to marry him. I said yes." "I see." "That's it? That's all you have to say?" "I'm not finished." Tereza tugged Pilar's hand under the desk light, examined the ring, the stones. She, too, recognized symbols. And valued such things. "He gave you a family to wear on your hand." "Yes. His and mine. Ours.

I have to go. I'll just say goodbye to David and Theo." Pilar kissed Maddy lightly, absently on the cheek, and made the girl's color come up. "See you later." "Yeah, okay. How come they're for me?" she asked Tyler. "Because I hear you did good." He held them out. "You want them or not?" "Yeah, I want them." She took them, noted the little flutter in her belly as she sniffed. A kind of muscle reflex, she supposed it was. A nice one. "Nobody ever gave me flowers before.

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. - Martin Luther King, Jr.

Venus was rising, holding her own in the sky that was beginning to brighten. As I left the docks and warehouses behind, I came to a marshy shoreline, thick with water reeds. Though the sky above was clear, the water's surface swirled with little mists. I began to sing a song to Isis, made up on the spot, which caught the rhythm of the oars. A breeze sprang up and the reeds sang with me. Then as the first rays of sun dimmed the stars, birds everywhere lifted their voices and rose in line after line into the sky. On the outskirts of the city, I came to what looked like it might have been an abandoned villa or farmstead. I decided to sit down and watch the lake changing colors with the light. That's when I heard it. Not the soft lapping of the water against the shore, but the sound of flowing water. I looked and in the glowing light, I saw a small stream, eally just a trickle washing down a pebbly incline towards the lake. Something prompted me to follow the stream inland. I made my way though brambly thickets of brambling roses. The way seemed to open for me, the thorns all but retracting so as not to catch my cloak or scratch my arms and legs. At the source, I knelt down and parted the thicket, and there it was. The spring at the base of the hill so steep, it was almost a cliff. The water bubbled up from the darkness of earth, giving back the brightness of sky. Like all springs, a way between worlds. I was no stranger to sacred springs and magic wells. I was raised to revere them. I had first glimpsed my beloved on the well of wisdom on Tir n mBan. But this spring. I closed my eyes to listen to its sound, and I knew I had heard it before. The wind picked up, washing over me, scented with fish and roses. When it quieted again, I opened my eyes and gazed at the clear surface of the pool, and for an instant, I saw a tower, and the dawn sky, and the two people standing there. Then the image vanished, but I had seen all I needed to see. Alright, I said to myself, my goddess, to Miriam's know it all angels, Magala is is. And by the way, I added, my name is Maeve.

— I listen to In the Wee Small Hours from start to finish twice. I wonder if Jen would like it—whether she’d find it too depressing or whether she’d like its sentimentality. It’s weird not being in our subculture of two any more. There was Jen’s culture, her little habits and ways of doing things; the collection of stuff she’d already learnt she loved before we met me. Chorizo and Jonathan Franzen and long walks and the Eagles (her dad). Seeing the Christmas lights. Big dogs and Greek islands and poached eggs and tennis. Taylor Swift, frying pans in the dishwasher, the words absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP Sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, fried eggs, ten hours’ sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury’s