Villa House Quotes

A man leaves his great house because he's bored With life at home, and suddenly returns, Finding himself no happier abroad. He rushes off to his villa driving like mad, You'ld think he's going to a house on fire, And yawns before he's put his foot inside, Or falls asleep and seeks oblivion, Or even rushes back to town again. So each man flies from himself (vain hope, because It clings to him the more closely against his will) And hates himself because he is sick in mind And does not know the cause of his disease.

Packing up. The nagging worry of departure. When shutting drawers and flinging wide an hotel wardrobe, or the impersonal shelves of a furnished villa, I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, not a hair-pin on a dressing-table, not an empty bottle of Aspirin tablets, not a handkerchief beneath a pillow, but something indefinable, a moment of our lives, a thought, a mood. This house sheltered us, we spoke, we loved within those walls. That was yesterday. Today we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the same again.

The white façades of the villas and apartment houses were like blocks of time that had crystallised beside the road.

I am listening to Istanbul with my eyes closed The drunkenness of old times In the wooden seaside villa with its deserted boat house The roaring Southwestern wind is trapped, My thoughts are trapped. I am listening to Istanbul with my eyes closed A bird is flying around your skirt I know if your forehead is hot or cold Or your lips are wet or dry; Or is a white moon is rising above the hazelnut tree My heart's fluttering tells me I am listening to Istanbul with my eyes closed

Houses remember.

The pear trees were bare, their limbs spread open like the viscera of a parasol. Stretching into the darkness beyond, the single houses, double houses, and villas were lined up in cramped, neat rows which ran toward the tip of the peninsula. p94

Wherever they went—Moscow, Tehran, the Syrian coast, Switzerland—a furnished house, villa, or apartment awaited the young couple. And their philosophies of life were the same: "We have only one life!" So take everything life can give, except one thing: the birth of a child. For a child is an idol who sucks dry the juices of your being without any return for your sacrifices, not even ordinary gratitude.

Down in sunny Mexico there lived an old aunt with four very pretty nieces. One day Pancho Villa and his gang of revolutionary bandits broke into their house. Accosting them on the patio the brigand said, “This place is in our possession and you are in our power.” “We are helpless!” one of the girls exclaimed, “and we must submit, but please spare poor old Aunt.” “Shut up!” snapped the aunt. “War is war!

What well-to-do and once-young, once-beautiful woman or man, cranked up on hormonal supplements and shot full of vitamins but hampered by the unforgiving mirror, wouldn’t sell their house, their gated retirement villa, their kids, and their soul to get a second kick at the sexual can?

The Daffodil-Yellow Villa The new villa was enormous, a tall, square Venetian mansion, with faded daffodil-yellow walls, green shutters, and a fox-red roof. It stood on a hill overlooking the sea, surrounded by unkempt olive groves and silent orchards of lemon and orange trees. ... the little walled and sunken garden that ran along one side of the house, its wrought-iron gates scabby with rust, had roses, anemones and geraniums sprawling across the weed-grown paths ... ... there were fifteen acres of garden to explore, a vast new paradise sloping down to the shallow, tepid sea.

This person is bad, they do a bad thing, or this house is bad, it makes people do a bad thing.

Those long uneven lines Standing as patiently As if they were stretched outside The Oval or Villa Park, The crowns of hats, the sun On moustached archaic faces Grinning as if it were all An August Bank Holiday lark; And the shut shops, the bleached Established names on the sunblinds, The farthings and sovereigns, And dark-clothed children at play Called after kings and queens, The tin advertisements For cocoa and twist, and the pubs Wide open all day-- And the countryside not caring: The place names all hazed over With flowering grasses, and fields Shadowing Domesday lines Under wheat's restless silence; The differently-dressed servants With tiny rooms in huge houses, The dust behind limousines; Never such innocence, Never before or since, As changed itself to past Without a word--the men Leaving the gardens tidy, The thousands of marriages, Lasting a little while longer: Never such innocence again. - MCMXIV

Kids are still up," David commented, noting the guest house was lit up like a Vegas casino. "I'll have to kill them." "Yes, I've noticed what a terrifying and brutal father you are. And how your children fear you." He slanted her a look. "I wouldn't mind seeing the occasional tremble out of them." "I think it's way too late for that. You've gone and raised two happy, well-adjusted kids

photographs from the archives once: the ancient Palestinian villas on the rim of the valley. They were among the most beautiful houses Rami had ever seen. The Ottoman life. The Mandate life. The Jordanian life.

photographs from the archives once: the ancient Palestinian villas on the rim of the valley. They were among the most beautiful houses Rami had ever seen. The Ottoman life. The Mandate life. The Jordanian life. In

Similarly with the plongeur. He is a king compared with a rickshaw puller or a gharry pony, but his case is analogous. He is the slave of a hotel or a restaurant, and his slavery is more or less useless. For, after all, where is the REAL need of big hotels and smart restaurants? They are supposed to provide luxury, but in reality they provide only a cheap, shoddy imitation of it. Nearly everyone hates hotels. Some restaurants are better than others, but it is impossible to get as good a meal in a restaurant as one can get, for the same expense, in a private house. No doubt hotels and restaurants must exist, but there is no need that they should enslave hundreds of people. What makes the work in them is not the essentials; it is the shams that are supposed to represent luxury. Smartness, as it is called, means, in effect, merely that the staff work more and the customers pay more; no one benefits except the proprietor, who will presently buy himself a striped villa at Deauville. Essentially, a ‘smart’ hotel is a place where a hundred people toil like devils in order that two hundred may pay through the nose for things they do not really want. If the nonsense were cut out of hotels and restaurants, and the work done with simple efficiency, plongeurs might work six or eight hours a day instead of ten or fifteen.

'how then does soul differ from spirit?' you're probably asking yourself. although he must have been reasonably sure nobody was. "Well, soul is darker of color, denser of volume, saltier of flavor, rougher of texture, and tends to be more maternalistic than paternalistic: soul is connected to Mother Earth just as spirit is connected to Father Sky. Of course, mothers and fathers are prone to copulation, and in their commingled state, soul and spirit often can be difficult to distinguish the one from the other. Generally, if spirit is the fresh air cent and ambient lighting in the house of consciousness, if the spirit is the electrical system that illuminates that house, then soul is the smoky fireplace, the fragrant oven, the dusty wine cellar, the strange creeks we hear in the floorboards late at night. "It's a bit of a cliche to say it, but when you think of soul, you should think of things that are authentic and things that are deep. Anything superficial is not soulful. Anything artificial, imitative, or overly refined is not soulful. Wood has a stronger connection to soul than does plastic, although, paradoxically, thanks to human interface, a funky wooden table or chair can sometimes exceed in soulfulness the soul that may be invoked by a living tree.

She’ll be gone soon, but the villa will stand for much longer, she knows, and that means she’s never really gone. Neither is Pierce, or Lara, or Noel, or even Johnnie. They still walk those halls, and soon so will she. So will others who come after her. Houses remember.

The rain has returned and with it, the oppressiveness of the house, a feeling that seems to affect Pierce more than any of them, and Mari sometimes has the crazy thought that maybe they were the ones causing it, that all their tension and weird energy was spinning out and up into the sky.

If there is light in the soul, there will be beauty in the person. If there is beauty in the person, there will be harmony in the house. If there is harmony in the house, there will be order in the nation. If there is order in the nation, there will be peace in the world.” - Chinese Proverb

At least the asshole still didn’t know that he’d lied about what the Oracle had told him all those decades ago. With every step out of his father’s villa, Ruhn could once more hear the Oracle’s unearthly whispering, reading the smoke while he’d trembled in her dim marble chamber: The royal bloodline shall end with you, Prince.

She was trembling, and so was he. Like the first time, he thought. For her. For him. And just as terrifying and tremendous. The late winter sun was a white wash of light through the windows. In the silence of the house he could hear every catch of her breath. When he skimmed his fingers lightly over her, she was all soft skin and quivers. "Smooth. Warm. Beautiful.

With the first jolt he was in daylight; they had left the gateways of King’s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes — a wheel, whose fellow was the descending moon — and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees — that is a fact — grow out of one of the graves in Tewin churchyard. The grave’s occupant — that is the legend — is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit — Mrs. Wilcox had known him — who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of “now. ” She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful.

Arin,” she said, searching his face. “Was it my house? I mean, the villa. Did you live there, before the war?” He yanked on the reins. His stallion ground to a halt. When he spoke, Arin’s voice was like the music he had asked her to play. “No,” he said. “That family is gone.” They rode on in silence until Arin said, “Kestrel.” She waited, then realized that he wasn’t speaking to her, exactly. He was simply saying her name, considering it, exploring the syllables of the Valorian word. She said, “I hope you’re not going to pretend you don’t know what it means.” He shot her a wry, sidelong look. “A kestrel is a hunting hawk.” “Yes. The perfect name for a warrior girl.” “Well.” His smile was slight, but it was there. “I suppose neither of us is the person we were believed we would become.

I worried we’d miss each other,” Arin said. “I went to your villa first, but was told you had come here.” “Where’ve you been?” Cheat was in an ugly mood. “Scouting the mountain pass.” When this deepened Cheat’s frown, Ain added, “Since that’s the path the reinforcements will probably take.” “Of course. Obviously.” “And I know just what to do to them.” A glimmer stole into Cheat’s face. Arin sent for Sarsine, and when she came, he asked her to bring Kestrel. “I need her opinion.” Sarsine hesitated. “But--” Cheat wagged a finger at her. “I’m sure you run this house well, but can’t you see that your cousin’s bursting at the seams with a plan that might save our hides? Don’t bore him with domestic details, like who’s squabbling with whom…or whether your special charge isn’t feeling social. Just get the girl.

us. So we sat around and made up stories, invented things. We entertained each other, and it helped carry our minds away from the horrible life we were leading.” In the midst of battle, it was a miracle the villa hadn’t been reduced to rubble or set ablaze, although, as she recounted, “Parts of our house kept being shot away.” She described Velp as “a shooting gallery between the two armies. Day and night the din continued until we grew so accustomed

Gradually people began to speak of the place as Amberside, though there were a few diehards who never stopped calling it Villa Caprice, or, as in the case of Eli Scaynes, the Villa Cay-priss. But Julian and Joe and Tom and Lucy and Davey never called it anything but "the Blake's house"; and Portia and Foster never called it anything but "home." All their lives they knew that one of the best things that ever happened to them was to be able to call it that.

It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?

In the silence, Kestrel heard a falling leaf scratch the glass of the window, opened out toward the dimming sky. It was warm, but summer was almost over. “Play your tiles,” Arin said roughly. Kestrel turned them over, taking no joy in the fact that she had surely won. She had four scorpions. Arin flipped his. The sound of ivory clacking against the wooden table was unnaturally loud. Four vipers. “I win,” he said, and swept the matches into his hand. Kestrel stared at the tiles, feeling a numbness creep along her limbs. “Well,” she said. She cleared her throat. “Well played.” He gave her a humorless smile. “I did warn you.” “Yes. You did.” He stood. “I think I’ll take my leave while I have the advantage.” “Until next time.” Kestrel realized she had offered him her hand. He looked at it, then took it in his own. She felt the numbness ebb, only to be replaced by a different kind of surprise. He dropped her hand. “I have things to do.” “Like what?” She tried for a lighthearted tone. He answered in kind. “Like contemplate what I am going to do with my sudden windfall of matches.” He widened his eyes in pretend glee, and Kestrel smiled. “I’ll walk you out,” she said. “Do you think I will lose my way? Or steal something as I go?” She felt her expression turn haughty. “I am leaving the villa anyway,” she said, though she had had no such plans until the words left her mouth. They walked in silence through the house until they had reached the ground floor. Kestrel saw his stride pause, almost imperceptibly, as they passed the closed doors that hid her piano. She stopped. “What is your interest in that room?” The look he gave her was cutting. “I have no interest in the music room.” Her eyes narrowed as she watched him walk away.

Bryce stepped into the explosion in the heart of it. Stepped into her power. It lit her up from the inside, lit up her very blood. Her hair drifted above her head, pens and papers and other office detritus flowing upward with it. Such light and darkness—the power lay in the meeting of the two of them. She understood it now, how the darkness shaped the light. But all that colliding power … it was the boost she needed. With a parting middle finger to the floor at her feet and the Autumn King sulking beneath it, she teleported out of the villa to the place she wanted to be the most. Home. Wherever that was in Midgard. Because her home was no longer just a physical place, but a person, too.

The Allies housed a hundred patients there. Before that the Germans held it with a small army, their last stronghold. Some rooms are painted, each room has a different season. Outside the villa is a gorge. All this is about twenty miles from Florence, in the hills. You will need a pass, of course. We can probably get someone to drive you up. It is still terrible out there. Dead cattle. Horses shot dead, half eaten. People hanging upside down from bridges. The last vices of war. Completely unsafe. The sappers haven’t gone in there yet to clear it. The Germans retreated burying and installing mines as they went. A terrible place for a hospital. The smell of the dead is the worst. We need a good snowfall to clean up this country. We need ravens.

The city houses are certainly of great splendor and conveniency to a gentleman...But perhaps he will not reap much less utility and consolation from the country house; where time will be passed in seeing and adorning his own possessions, and by industry, and the art of agriculture, improving his estate; where also by the exercise which in a villa is commonly taken, on foot and horseback, the body will more easily preserve its strength and health; and finally, where the mind, fatigued by the agitations of the city, will be greatly restored and comforted, and be able to quietly attend to the studies of letters and contemplation. Hence it was the ancient sages commonly used to retire to such like places; where...they could easily attain to as much happiness as can be attained here below.

Lady Kestrel?” said an anxious voice. Kestrel opened her eyes to see a girl dressed in a Herrani serving uniform. “Yes?” “Will you please follow me? There is a problem with your escort.” Kestrel stood. “What’s wrong?” “He has stolen something.” Kestrel rushed from the room, wishing the girl would move more quickly down the villa’s halls. There must be some mistake. Arin was intelligent, far too canny to do something so dangerous. He must know what happened to Herrani thieves. The girl led Kestrel into the library. Several men were gathered there: two senators, who held Arin by his arms, and Irex, whose expression when he saw Kestrel was gloating, as if he had just drawn a high tile in Bite and Sting. “Lady Kestrel,” he said, “what exactly did you bring into my house?” Kestrel looked at Arin, who refused to return her gaze. “He wouldn’t steal.” She heard something desperate in her voice. Irex must have, too. He smiled. “We saw him,” said one of the senators. “He was slipping that inside his shirt.” He nodded at a book that had fallen to the floor. No. The accusation couldn’t be true. No slave would risk a flogging for theft, not for a book. Kestrel steadied herself. “May I?” she asked Irex, nodding at the fallen book. He swept a hand to indicate permission. Kestrel stooped to retrieve the book, and Arin’s eyes flashed to hers. Her heart failed. His face was twisted with misery. She considered the closed, leather-bound book in her hands. She recognized the title: it was a volume of Herrani poetry, a common one. There was a copy in her library as well. Kestrel held the book, not understanding, not seeing anything worth the risk of theft--at least not here, from Irex’s library, when her own could easily serve Arin’s purposes. A suspicion whispered in her mind. She recalled Arin’s odd question in the carriage. Where are we going? His tone had been incredulous. Yet he had known their destination. Now Kestrel wondered if he had recognized something in the passing landscape that she hadn’t, and if his question had been less a question than the automatic words of someone sickened by a sudden understanding. She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.

Where are we going?” Arin stared out the carriage window at the trees of the Garden District, their bare branches slim and violet in the dusk. Kestrel fidgeted with her skirts. “Arin. You know that we are going to Irex’s party.” “Yes,” he said shortly, but didn’t tear his gaze away from the passing trees. Better he look at them than at her. The velvet dress was a deep red, the skirts deliberately crushed in a pattern highlighted by golden embroidered leaves that twined up toward the bodice, where they interlaced and would catch the light. Conspicuous. The dress made her conspicuous. Kestrel sank into her corner of the carriage, feeling her dagger dig into her side. This evening at Irex’s wouldn’t be easy. Arin seemed to think the same. He held himself so rigidly on the carriage seat across from her that he looked wooden. Tension seeped into the air between them. When torches lit the darkness outside the windows and the driver lined up behind other carriage waiting to access the pathway to Irex’s villa, Kestrel said, “Perhaps we should return home.” “No,” said Arin. “I want to see the house.” He opened the door. They were silent as they walked up the path to the villa. Though not as large as Kestrel’s, it was also a former Herrani home: elegant, prettily designed. Arin fell behind Kestrel, as was expected of slaves, but this made her uneasy. It was unsettling to feel him close and not see his face. They entered the house with the other guests and made their way into the receiving room, which was lined with Valorian weapons. “They don’t belong there,” she heard Arin say. She turned to see him staring in shock at the walls. “Irex is an exceptional fighter,” said Kestrel. “And not very modest.” Arin said nothing, so neither did Kestrel.

Great cities invite you to love them in extreme close-up, to love every inch of them. And the more eccentric, convoluted, broken, and uneven they are, the more there is to love. The tenements on the Lower East Side in New York City, the decaying wooden houses above the waterfront in Istanbul, the fading rose-colored buildings in the magical little grid south of the Spanish Steps in Rome, the bombed-out villas near the Vucciria in Palermo—it is precisely the irregularity of these places that allows your heart to get a grip on them, like a climber finding a tiny hold that will not give way. Shimmering Venice has the most beautiful inches of any city in the world. San Francisco cannot compete, because it does not have streets made of water. But it has the next best thing: It has dirt trails. They make this city a place where mystery is measured in soft footsteps, and magic in clouds of dust.

It was some time before she heard galloping behind her, and then she did ease up, instinctively wheeling Javelin around to see the blur of horse and rider coming down the path. Arin slowed, and sidled alongside Kestrel. The horses whickered. Arin looked at her, at the smile she couldn’t hide, and his face seemed to hold equal parts frustration and amusement. “You are a bad liar,” she told him. He laughed. She found it hard to look at him then, and her gaze dropped to his stallion. Her eyes widened. “That is the horse you chose?” “He is the best,” Arin said seriously. “He is my father’s.” “I won’t hold that against the horse.” It was Kestrel’s turn to laugh. “Come.” Arin nudged the stallion forward. “Let’s not be late,” he said, and yet, without discussing it, they rode more slowly than was allowed on the path. Kestrel no longer doubted that ten years ago Arin had been in a position much like hers: one of wealth, ease, education. Although she was aware she had not won the right to ask him a question, and didn’t even want to voice her creeping worry, Kestrel couldn’t bear remaining silent. “Arin,” she said, searching his face. “Was it my house? I mean, the villa. Did you live there, before the war?” He yanked on the reins. His stallion ground to a halt. When he spoke, Arin’s voice was like the music he had asked her to play. “No,” he said. “That family is gone.” They rode on in silence until Arin said, “Kestrel.” She waited, then realized that he wasn’t speaking to her, exactly. He was simply saying her name, considering it, exploring the syllables of the Valorian word. She said, “I hope you’re not going to pretend you don’t know what it means.” He shot her a wry, sidelong look. “A kestrel is a hunting hawk.” “Yes. The perfect name for a warrior girl.” “Well.” His smile was slight, but it was there. “I suppose neither of us is the person we were believed we would become.

After All the Lullabies Vanish From the Library" In a bullet-riddled villa we choreograph swordfights and sing to militant termites feasting on the walls. We read newspapers from headlines to horoscope. Our nights too long. Our bed too big for every room. We turn invisible doorknobs, light ignus fatuus chandeliers. The storyteller paints her body when she loses her voice, and we pass her around a circle, naming what we see— Myrmidons! Saturn!–a storm flickering in the god’s eye. On her hip, the ascendant unborn. A thigh of white bellbirds sunning on an alligator’s back. An arm of starfall in daylight. We warn the children it will be a small story, a smaller house, the smallest mermaid’s purse preserved in a jar. Era uma vez… Lightning on the Atlantic looking for trees. A nautilus moaning a monody. There is no ending to be had. Sleep kisses our eyelids. Stars wheel in the dreams. The river plants its tide in us, saying, sea, sea, sea. 32 Poems (Vol. 10, No. 2, Fall 2012)

He kept his distance from the villa. It was too easy to slip in Kestrel’s presence. One day, Lirah came to the forge. Arin was sure that he was being called to serve as Kestrel’s escort somewhere. He felt an eager dread. “Enai would like to see you,” Lirah said. Arin set the hammer on the anvil. “Why?” His interactions with Enai had been limited, and he liked to keep them that way. The woman’s eyes were too keen. “She’s very sick.” Arin considered this, then nodded, following Lirah from the forge. When they entered the cottage, they could hear the sounds of sleep from beyond the open bedroom door. Enai coughed, and Arin heard fluid in her lungs. The coughing subsided, then gave way to ragged breath. “Someone should fetch a doctor,” Arin told Lirah. “Lady Kestrel has gone for one. She was very upset. She’ll return soon, I hope.” Haltingly, Lirah said, “I’d like to stay with you, but I have to get back to the house.” Arin barely noticed her touch his arm before leaving him. Reluctant to wake Enai, Arin studied the cottage. It was snug and well maintained. The floor didn’t creak. There were signs, everywhere, of comfort. Slippers. A stack of dry wood. Arin ran a hand along the smooth mantel of the fireplace until he touched a porcelain box. He opened it. Inside was a small braid of dark blond hair with a reddish tinge, looped in a circle and tied with golden wire. Although he knew he shouldn’t, Arin traced the braid with one fingertip. “That’s not yours,” a voice said. He snatched his hand away. He turned, his face hot. Through the open bedroom door, Arin saw Enai staring at him from where she lay. “I’m sorry.” He set the lid on the box. “I doubt it,” she muttered, and told him to come near. Arid did, slowly. He had the feeling he was not going to like this conversation. “You spend a lot of time with Kestrel,” Enai said. He shrugged. “I do what she asks.” Enai held his gaze. Despite himself, he looked away first. “Don’t hurt her,” the woman said. It was a sin to break a deathbed promise. Arin left without making one.

Europeans do not understand North America but for the varying news outlets they read, most of which are in their own languages. Filled with their own cultural bias or lacklustre understanding, their analysis of the average North American lacks the most basic feeling. Simply because we can ride helicopters to our villas in the country or accumulate vast amounts of wealth and buy houses in Europe they think we care for nothing but money. The British especially, seeing their so-called brutish empire now long dead have only their incomprehensible accents to hold dear and berate the North American for not speaking true English. Yet it’s another sign of status and of money. But North Americans don’t care for money in the slightest. Most of us spend it the moment we acquire it whether in intelligence or not. Money is nothing to us but the idol and ideal of success. We are the true idealists. Of course we have set our ideal on the wrong idol; the only true idol for a man ought to be his passion, and a passion cannot be money since it is tangible and sensible.

People had always been told that the house at Skuytercliff was an Italian villa. Those who had never been to Italy believed it; so did some who had. The house had been built by Mr. van der Luyden in his youth, on his return from the "grand tour," and in anticipation of his approaching marriage with Miss Louisa Dagonet. It was a large square wooden structure, with tongued and grooved walls painted pale green and white, a Corinthian portico, and fluted pilasters between the windows. From the high ground on which it stood a series of terraces bordered by balustrades and urns descended in the steel–engraving style to a small irregular lake with an asphalt edge overhung by rare weeping conifers. To the right and left, the famous weedless lawns studded with "specimen" trees (each of a different variety) rolled away to long ranges of grass crested with elaborate cast–iron ornaments; and below, in a hollow, lay the four–roomed stone house which the first Patroon had built on the land granted him in 1612. Against the uniform sheet of snow and the greyish winter sky the Italian villa loomed up rather grimly; even in summer it kept its distance, and the boldest coleus bed had never ventured nearer than thirty feet from its awful front.

My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.

It wasn’t until she had almost reached its lights that she heard another rider in the hills behind her. Ice slid down Kestrel’s spine. Fear, that the rider was Arin. Fear, at her sudden hope that it was. She pulled Javelin to a stop and swung to the ground. Better to go on foot through the narrow streets to the harbor. Stealth was more important now than speed. Beating hooves echoed in the hills. Closer. She hugged Javelin hard around the neck, then pushed him away while she still could bear to do it. She slapped his rump in an order to head home. Whether he’d go to her villa or Arin’s, she couldn’t say. But he left, and might draw the other rider after him if she was indeed being pursued. She slipped into the city shadows. And it was magic. It was as if the Herrani gods had turned on their own people. No one noticed Kestrel skulking along walls or heard her cracking the thin ice of a puddle. No late-night wanderer looked in her face and saw a Valorian. No one saw the general’s daughter. Kestrel made it to the harbor, down to the docks. Where Arin waited. His breath heaved white clouds into the air. His hair was black with sweat. It hadn’t mattered that Kestrel had been ahead of him on the horse path. Arin had been able to run openly through the city while she had crept through alleys. Their eyes met, and Kestrel felt utterly defenseless. But she had a weapon. He didn’t, not that she could see. Her hand instinctively fell to her knife’s jagged edge. Arin saw. Kestrel wasn’t sure what came first: his quick hurt, so plain and sharp, or her certainty--equally plain, equally sharp--that she could never draw a weapon on him. He straightened from his runner’s crouch. His expression changed. Until it did, Kestrel hadn’t perceived the desperate set of his mouth. She hadn’t recognized the wordless plea until it was gone, and his face aged with something sad. Resigned. Arin glanced away. When he looked back it was as if Kestrel were part of the pier beneath her feet. A sail stitched to a ship. A black current of water. As if she were not there at all. He turned away, walked into the illuminated house of the new Herrani harbormaster, and shut the door behind him. For a moment Kestrel couldn’t move. Then she ran for a fishing boat docked far enough from its fellows that she might cast off from shore unnoticed by an sailors on the other vessels. She leaped onto the deck and took rapid stock of the boat. The tiny cabin was bare of supplies. As she lifted the anchor and uncoiled the rope tethering the boat to its dock, she knew, even if she couldn’t see, that Arin was talking with the harbormaster, distracting him while Kestrel prepared to set sail.

His home was a part of him, an externalized expression of his will, for upon his inherited Dutch Manor house he had superimposed the Gothic magnificence which he desired. He had been attracted by the formulations of Andrew Downing, the young landscape architect who lived on the river at Newburgh and whose directions for building "romantic and picturesque villas" were changing the countryside; but it was not in Nicholas to accept another's ideas, and when five years ago he had remodeled the old Van Ryn homestead, he had used Downing simply as a guide. To the original ten rooms he had added twenty more, the gables and turrets, and the one high tower. The result, though reminiscent of a German Schloss on the Rhine, crossed with Tudor English and interwoven with pure fantasy, was nevertheless Hudson River American and not unsuited to its setting. The Dragonwyck gardens were as much as an expression of Nicholas' personality as was the mansion, for here, he had subdued Nature to a stylized ornateness. Between the untouched grove of hemlocks to the south and the slope of a rocky hill half a mile to the north he had created along the river an artificial and exotic beauty. To Miranda it was overpowering, and she felt dazed as they mounted marble steps from the landing. She was but vaguely conscious of the rose gardens and their pervasive scent, of small Greek temples set beneath weeping willows, of rock pavilions, violet-bordered fountains, and waterfalls.

In the poem, Inanna, unveiled, sees her own mysterious depth, Ereshkigal, who glares back at her. She has an immediate, full experience of her underworld self. That naked moment is like the fifth scene in the Villa of Mysteries where the faun, looking into a mirror bowl, sees reflected back a mask of terrible Dionysus as lord of the underworld. It is the moment of self-confrontation for the goddess of active life and love. Archetypally, these eyes of death are implacable and profound, seeing an immediateness that finds pretense, ideals, even individuality and relatedness, irrelevant. They also hold and enable the mystery of a radically different, precultural mode of perception. Like the eyes in the skulls around the house of the Russian nature goddess and witch, Baba-Yaga, they perceive with an objectivity like that of nature itself and our dreams, boring into the soul to find the naked truth, to see reality beneath all its myriad forms and the illusions and defenses it displays. Western science once aspired to such vision. But we humans do not have such objective eyes. We can see only limited and relative, indeterminate truths. We and our subjectivity are part of the reality we seek to see. Before the vision of Ereshkigal, however, objective reality is unmasked. It is nothing"Neti,neti," as the Sanskrit says and yet everything, the place of paradox behind the veil of the Great Goddess and the temple of wisdom. These eyes see from and embody the starkness of the abyss that takes all back, reduces the dancing, playing maya of the goddess to inert matter and stops life on earth.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

Our family rejected materialism and popular culture and yet we also produced it. The show, which by then had been called many things but was currently airing with the title Six for Hicks, paid for the SUVs Mother and Daddy drove, the lake house, the “spiritual retreat” that was actually a villa in Saint John. It paid for the car seat I rode home in from the hospital, the muslin blankets I was swaddled in when I slept. It paid for my first backpack when it came time for me to go to school, Mother having by then completely abandoned giving lessons in the living room, not just because her time and energy were better spent promoting our brand but also because marketing said that what our audience wanted at that point was a character who was “normal.

We’ve got art class coming up, Violet.” “Really?” I glance up at the sun, still high in the sky; art class doesn’t start till five-thirty, and it can’t even be near five yet. “I’m going in to change,” Kendra says, pulling her sarong around her, tying it at her slender waist. Slipping her feet into her flip-flops, she pads back to the house, watched by the three of us girls; none of us say a word until she’s well out of earshot. Then Paige turns back to me and Kelly and says: “Riiiiight. Because it takes nearly an hour to get ready for art class.” “It does if you have a crush the size of Big Ben on the art teacher,” Kelly zings back. “She isn’t even any good at art!” Paige giggles. “I mean, not like Violet!” “Violet’s brilliant,” Kelly says, very pleased to have found an opportunity to both praise me, her friend and ally, and get in a dig at Kendra, her rival for Brainiest Girl in Villa Barbiano. “Her paintings are gorgeous.” “Oh yeah?” Evan says to me. He’s very good at tuning out girl talk and focusing only on the important information--a skill doubtless acquired from a lifetime of living with Paige. “What do you paint?” “Still lifes, at the moment,” I say, feeling self-conscious. “But I’d really like to do portraits. We need a life model, though, and Kelly won’t do it and Paige can’t stay still for long enough.” “I fidget,” Paige says cheerfully.

The place where we’ll be staying is just off the piazza. I knew the square was always full of people, but I hope we won’t have to suffer their constant noise.” “Here?” Mada squealed, wrinkling her nose. “This isn’t how I remember Palazzo Alioni at all. This whole neighborhood looks so run-down. So old.” Marco nodded grimly as the driver slowed the horses to a stop. “Your father sent word to warn me that your aunt’s living conditions had deteriorated, but I had hoped for better than this.” They had pulled over in front of a three-story palazzo made of red stucco and trimmed with marble. The chipped roof tiles and peeling paint made Cass think of Agnese’s villa. “It’s not so bad,” she said, with forced cheerfulness. “It looks lived-in.” The carriage driver opened the wooden double doors that led into the palazzo’s courtyard. Mada’s face fell even further. Up close, the house looked even older than Agnese’s villa, and the only thing growing in the garden was weeds. A rusty bucket sat on the edge of a well. Mada turned to Cass incredulously. “It looks like no one’s lived here for a hundred years,” she insisted.

The gondola jolted backward as Falco pulled the rope tight. Cass looked up, surprised to find herself back at the villa already. Falco hopped out of the boat and turned to her with an expectant look. “What are you doing?” she asked. “I thought you had someplace to be.” She couldn’t keep the hurt from leaching into her voice. “I’m going to walk you to your door, of course.” “I can walk myself, thank you.” Cass clambered over the side of the gondola, her chopines clutched in her left hand. Her cloak snagged on the boat. One of the tall wooden overshoes slipped out of her fingers and landed in the shallow water. “Mannaggia,” she muttered, reaching down to retrieve the soggy shoe. She pushed past Falco as she headed across the lawn. Falco caught up with her easily. “Cassandra, be reasonable. There’s a murderer running around.” She didn’t answer. She headed around to the back of the villa, doing her best to ignore him as he loped beside her in the manicured grass. He couldn’t just freeze her out for the whole boat ride and then pretend everything was fine. Cass tucked her hands into the pockets of her cloak. Her fingers closed around a scrap of fabric--her handkerchief. She remembered Mada’s words. If he keeps it for a little while, then he’s yours. Did she want Falco to like her? Cass wasn’t sure. “A presto,” Falco said, with a short bow. “Until very soon.” “All right.” Cass bit back the tears that were suddenly pushing at the back of her throat and eyes. If she turned around, even for a second, she knew that she would cry. But why? What had happened? She didn’t know. She let the handkerchief slip from her pocket as she pushed quickly into the house, shutting the door behind her without looking back. Leaning against the wall of the kitchen, Cass forced herself to breathe. A single tear worked its way down her cheek, and she brushed it roughly from her face. She turned and peered through the thick glass window. Falco was still there. He had picked up her handkerchief. It looked small in his hands. He paused for a moment, glanced in the direction of the back door, and then tucked the cloth square into his pocket. Overwhelmed by the evening’s events and her swirling emotions, Cass let her body slide slowly to the floor. This time she couldn’t stop the tears from falling.

Peeking through the thick glass, Cass saw Falco’s distorted form just outside the servants’ door. “Cassssssaaaandra.” He stretched her name out playfully as he knocked on the door. At this rate he was going to wake up the whole villa. Cass slipped outside, shutting the door behind her with a firm click. “You need to be quiet,” she said, shielding her candle from the night breeze. For a moment, neither of them spoke. Cass tried to slow her breathing. There’s no reason to be nervous. And yet, for some reason, she couldn’t catch her breath. “My aunt is gone,” she blurted out, blushing when she realized how it sounded. Falco’s eyes widened in fake shock. “Well, then perhaps I should ask for a tour of the house.” He grinned, clearly relishing Cass’s embarrassment. “Can we start with your bedroom?

Pulled or prompted, men cam to the Everleigh club...They came to see the library, filled floor to ceiling with classics in literature and poetry and philosophy, and the art room, housing a few bona fide masterworks and a reproduction of Bernini’s famous “Apollo and Daphne,” which the sisters had failed to find in America. After learning that the original statue was at the Villa Borghese in Rome, Minna sent an artist to capture its image. She was haunted by how the exquisite nymph’s hands flowered into the branches of a laurel tree just as the god of light reaches for her. A gorgeous piece, but she mostly admired the statue for the questions it posed about clients: why did men who had everything worth having patronize the Everleigh Club? And what if the thing they desired most in this world simply vanished?

I just told her she needs to oil the hinges,” Catia says firmly. “It is ridiculous, that noise. It will give everyone terrible headaches.” Catia runs a very tight ship; everything at Villa Barbiano is oiled and dusted and polished within an inch of its life, her cook and maid bustling around in a perpetual flurry of activity. Here at the Castello di Vesperi, the atmosphere is a lot more laissez-faire. Maria--who must be the housekeeper or maid; there’s no way Catia would greet the owner of the castello by lecturing her about oiling her hinges--is definitely not as keen as Catia on proper house maintenance.

Polly parked the van and peered through the windshield at the house. Well, good thing it was isolated here on the cliff because she was pretty sure there were zoning laws against this sort of eyesore. It was a massive, blocky structure, all white concrete, steel, and glass walls everywhere. She’d been expecting something more traditional, like an English-style brick building or a beachfront villa. Not a modern architect’s wet dream.

His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana. His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest. In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time. He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.

At the end of the avenue, a large villa was set back from the road with a surrounding fence covered in hessian. This was ‘The Vatican’, the secret headquarters of the Department of National Security and Order – ZAPU’s spy agency. It made for a more discreet location for a rendezvous than Zimbabwe House, ZAPU’s headquarters in the city, which was believed to be under constant surveillance by the Zambian authorities and perhaps others. The Vatican was an anonymous-looking four-bedroom villa, but several sentries were positioned just behind the wrought-iron front gates. As the car drew in, one of the guards called through their arrival on a radio set.

As she did this Tia, eyeing the two who watched them, suddenly felt angry with them for their helplessness. She felt like shouting at them to wake and stir themselves from their apathy ... but then the feeling went. She saw a town burning, flames arching over the night sky, people screaming and shouting, panic reaching through the streets and houses and, somewhere, a small boy lost and frightened, crying for his parents. And she remembered her own panic, numbess and helplessness as Tulio and his wife had done everything for her, sending her blindly off into the night from her brother's burning villa.

Only 15-20% of Rossmoor houses are “originals”—structures unchanged from their construction in the 1950s. The land is what’s valuable. People knock down the gingerbread cottages to build Mediterranean villas with no yards between them. I don’t want our family’s house to suffer that transformation.

only person watching them. She’d noticed that before with Colin. At large dinners, people a few seats down would stop eating and lean over to listen to him. Colin left James, and a moment later he appeared beside her with a bottle of wine and glasses for her and her father. He kissed Faye, checked his watch, and said, “When can we ask them all to leave?” “Well,” said Deborah, once the guests were gone. “That was a success.” She had arranged for them to borrow her friend’s house in Provence for their honeymoon. “Actually,” Faye had said, “we’re going to India.” And on their honeymoon a week later, in a coracle spinning on a river in Hampi, Faye gripped the straw edges of the boat and she laughed and laughed and laughed. — AFTER THEY WERE MARRIED, my parents often went on trips abroad with his friends, to rented villas in France, Sardinia, Mallorca. I visited the one in Mallorca when I was twenty-two, after saving for months to buy the ticket. I went in September, when the villa where they’d stayed was empty. A sign for a security system was posted

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Curiously, with the whole of Whitehall waiting for a decision, Johnson slipped away for a ‘personal engagement’ that Thursday evening. It is not known why he considered it necessary to meet the Russian newspaper baron, Evgeny Lebedev, at that moment and disregard his own advice to avoid all ‘non-essential contact with others’. The owner of the Evening Standard and the Independent had in the past been a very generous host to the prime minister, inviting him to a lavish party at his Italian villa. But the purpose of the meeting remains a mystery. Later in the year it would emerge that Johnson had nominated Lebedev, the son of a KGB agent, for a seat in the House of Lords. Johnson’s press officers have refused to say who was present at this meeting or why it was so important.

... there are a few houses on the street left in their original trim, today’s newcomers seldom moving in until they have ripped the guts out of these decent Victorian villas to turn them into models of white and modish minimalism.

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Sir David Evans was a charming old man with philosophic pretensions and a mass of white hair. Because of the philosophy he sat in front of the immense bookcases groaning under Locke, Hartley and Hume; and because of the hair these sages were cased in a dark shiny leather sparsely tooled in gold. The effect was charming – the more so in that Sir David's features invariably suggested rugged benevolence. Every few years a portrait of Sir David robed in scarlet and black and with Locke and Hume behind him would appear in the exhibitions which our greatest painters arrange at Burlington House. Of these portraits one already hung in the Great Hall of the university, a second could be seen in a dominating position as soon as one entered Sir David's villa residence, and a third was stowed away ready for offer to the National Portrait Gallery when the time came.

He spent winters at the Villa Henriette in Monte Carlo, which had a beautiful view of the Mediterranean.

Tonino and I went to look at a ruined church with a tree growing inside it. Beautiful. There is a peasant's house beside it. On the way back Tonino showed me a villa, on the outskirts of Rome, which has been abandoned because of ghosts. It looks amazing

First Encounters with Joy At some point around this time, Lewis’s already rich imaginative life took a new turn. Lewis later recalled three early experiences which he regarded as shaping one of his life’s chief concerns. The first of these took place when the fragrance of a “flowering currant bush” in the garden at Little Lea triggered a memory of his time in the “Old House”—Dundela Villas, which Albert Lewis had then rented from a relative.[29] Lewis speaks of experiencing a transitory, delectable sense of desire, which overwhelmed him. Before he had worked out what was happening, the experience had passed, leaving him “longing for the longing that had just ceased.” It seemed to Lewis to be of enormous importance. “Everything else that had ever happened to me was insignificant in comparison.” But what did it mean? The second experience came when reading Beatrix Potter’s Squirrel Nutkin (1903). Though Lewis admired Potter’s books in general at this time, something about this work sparked an intense longing for something he clearly struggled to describe—“the Idea of Autumn.”[30] Once more, Lewis experienced the same intoxicating sense of “intense desire.” The third came when he read Henry Wadsworth Longfellow’s translation of a few lines from the Swedish poet Esaias Tegnér (1782–1846):[31] I heard a voice that cried, Balder the beautiful Is dead, is dead— Lewis found the impact of these words devastating. It was as if they opened a door that he did not know existed, allowing him to see a new realm beyond his own experience, which he longed to enter and possess. For a moment, nothing else seemed to matter. “I knew nothing of Balder,” he recalled, “but instantly I was uplifted into huge regions of northern sky, [and] I desired with almost sickening intensity something never to be described (except that it is cold, spacious, severe, pale, and remote).”[32] Yet even before Lewis had realised what was happening to him, the experience passed, and left him longing to be able to reenter it.

don’t think you understood me,” said Roark. “What made you suppose that I want to come back?” “Eh?” “I won’t be back. I have nothing further to learn here.” “I don’t understand you,” said the Dean stiffly. “Is there any point in explaining? It’s of no interest to you any longer.” “You will kindly explain yourself.” “If you wish. I want to be an architect, not an archeologist. I see no purpose in doing Renaissance villas. Why learn to design them, when I’ll never build them?” “My dear boy, the great style of the Renaissance is far from dead. Houses of that style are being erected every day.” “They are. And they will be. But not by me.

The payments system is the heart of the financial services industry, and most people who work in banking are engaged in servicing payments. But this activity commands both low priority and low prestige within the industry. Competition between firms generally promotes innovation and change, but a bank can gain very little competitive advantage by improving its payment systems, since the customer experience is the result more of the efficiency of the system as a whole than of the efficiency of any individual bank. Incentives to speed payments are weak. Incrementally developed over several decades, the internal systems of most banks creak: it is easier, and implies less chance of short-term disruption, to add bits to what already exists than to engage in basic redesign. The interests of the leaders of the industry have been elsewhere, and banks have tended to see new technology as a means of reducing costs rather than as an opportunity to serve consumer needs more effectively. Although the USA is a global centre for financial innovation in wholesale financial markets, it is a laggard in innovation in retail banking, and while Britain scores higher, it does not score much higher. Martin Taylor, former chief executive of Barclays (who resigned in 1998, when he could not stop the rise of the trading culture at the bank), described the state of payment systems in this way: ‘the systems architecture at the typical big bank, especially if it has grown through merger and acquisition, has departed from the Palladian villa envisaged by its original designers and morphed into a gothic house of horrors, full of turrets, broken glass and uneven paving.

not like her grandmother at all. This was a family of volcanic emotions; in another instance of the strong feelings that convulsed it, Weir named her house in Katonah Villa Diana. After the miserable summer of 1917, Diana spent vacations with her grandmother while Emily and Alexandra went back out West. Her grandmother’s household at Katonah provided another source of comfort in the farm animals, especially the horses, which did not have the power to hurt, unlike human beings. “My grandmother had a huge farm horse in the country outside of Katonah. . . . After lunch I’d run off, get on the horse. . . . I’d sit there all afternoon, perfectly happy. It would get hot, the flies would buzz. . . . That’s all I wanted—just to be with the steam and the smell of that divine horse. Horses smell much better than people—I can tell you that.” In

Bergoglio has always been convinced of the vital importance of grandparents—and especially the grandmother—as guardians of a precious reserve parents often ignore or reject. “I was lucky to know my four grandparents,” he recalled in 2011. “The wisdom of the elderly has helped me greatly; that is why I venerate them.” In 2012 he told Father Isasmendi on the community radio of the Villa 21 shantytown: The grandmother is in the hearth, the grandfather, too, but above all the grandmother; she’s like the reserve. She’s the moral, religious, and cultural reserve. She’s the one who passes on the whole story. Mom and Dad are over there, working, engaged in this and that, they’ve got a thousand things to do. The grandmother is in the house more; the grandfather, too. They tell you things from before. My grandfather used to tell me stories about the 1914 war, stories they lived through. They tell you about life as they lived it, not stories from books, but their own stories, of their own lives. That’s what I’d like to say to the grandparents listening. Tell them things about life, so the kids know what life is.

Haw Par Villa is the nutty exception. It's mad, slightly unhinged and overwhelmingly rubbish. Without a doubt, Haw Par Villa is the Louis Tussaus House of Wax of Singapore. There is no higher compliment (...) For it's own sake, Haw Par Villa still had to be terrible, macabre, distasteful and offensive.

Pittsburg is like Birmingham in England; at least its townspeople say so. Setting aside the streets, the shops, the houses, waggons, factories, public buildings, and population, perhaps it may be. It certainly has a great quantity of smoke hanging about it, and is famous for its iron-works. Besides the prison to which I have already referred, this town contains a pretty arsenal and other institutions. It is very beautifully situated on the Alleghany River, over which there are two bridges; and the villas of the wealthier citizens sprinkled about the high grounds in the neighbourhood, are pretty enough. We lodged at a most excellent hotel, and were admirably served. As usual it was full of boarders, was very large, and had a broad colonnade to every story of the house.

even if the whole of the man-made world could, through relentless effort and sacrifice, be modelled to rival St Mark’s Square, even if we could spend the rest of our lives in the Villa Rotonda or the Glass House, we would still often be in a bad mood. 7.

A man has perished; his corpse is dust, and his people have passed from the land; it is a book which makes him remembered in the mouth of a speaker. More excellent is a [papyrus] roll than a built house, than a chapel in the west. It is better than an established villa, than a stela in a temple...

The Danube was flowing past him on its calm, even course from north to south, not especially blue, but wide and majestic and indubitably very beautiful. On the other side of the river rose two softly curved hills crowned by a monument and a walled fortress. Houses clambered only hesitantly along the sides of the hills, but farther away were other hills strewn with villas. That was the famous Buda side, then, and there you were very close to the heart of central European culture. Martin Beck let his glance roam over the panoramic view, absently listening to the wingbeats of history. There the Romans had founded their mighty settlement Aquincum, from there the Hapsburg artillery had shot Pest into ruins during the War of Liberation of 1849, and there Szalasis’ fascists and Lieutenant General Pfeffer-Wildenbruch’s SS troops had stayed for a whole month during the spring of 1945, with a meaningless heroism that invited annihilation (old fascists he had met in Sweden still spoke of it with pride). Immediately

The row of villas which lines Western Avenue is like a row of pink graves in a field of grey; an architectural image of middle age. Their uniformity is the discipline of growing old, of dying without violence and living without success. They are houses which have got the better of their occupants, whom they change at will, and do not change themselves. Furniture vans glide respectfully among them like hearses, discreetly removing the dead and introducing the living. Now and then some tenant will raise his hand, expending pots of paint on the woodwork or labour on the garden, but his efforts no more alter the house than flowers a hospital ward, and the grass will grow its own way, like grass on a grave.

Pliny the Elder wrote once: “If anyone will consider the abundance of Rome’s public supply of water, for baths, cisterns, ditches, houses, gardens, villas; and take into account the distance over which it travels, the arches reared, the mountains pierced, the valleys spanned—he will admit that there never was anything more marvelous in the whole world.

We have scanned many of the books housed in our Family Services Resource Room located in Villa Park, IL onto goodreads. This is a sample of the wonderful resources available for checkout by parents and staff at our centers. Instructions for Checking Out Books • Books may be signed out for 3 weeks • Please complete the card located in a pocket inside the front cover of the book and return the card to the front desk • Please return all books to the front desk Enjoy And please give us your feedback. There is a place for parent comments located inside the back cover of most of the books New books are added all the time and may not yet appear on this list. Our Naperville and Elgin centers also have small library collections with many of the same books available. Our expert resource staff encourage you to come on in, hang out, use the computer, look over the books, read a book to your child, ask a question or simply stop in and chat with a staff member - we are here for our families and are great listeners!

Here, for the first time in half a century, Vivien beheld the Himalayas, the soaring mountains that had towered over the Darjeeling house where she was born in 1913. She was awed by what she saw, by the “peaks of blue white you think must be clouds,” as she told Merivale. And yet, this close to her childhood haunts, she chose not to go on to Darjeeling or Calcutta, the towns where she had been brought up and where she had spent her idyllic first years And so she never visited the homes Ernest and Gertrude had built; never viewed their summer villa in the shadow of Mount Kanchenjunga; never strolled through the Bengali estate that had been her parents’ pride and joy.

They drove into the residential area. The houses no longer looked the same to him. Whereas he would have categorized them as sort of humble in their opulence before—just big and grand and enough, not unwieldy in their extravagance, now they were a carnival show. The Craftsmans and Colonials and Federalists and Tudors of his youth were still there, but every third one had been razed to make way for something that looked like either a Frankenstein of architectural indecision or an effigy of an important building in another country: a huge expanse of a house that looked like an Italian palazzo or an English castle or the Taj Mahal or a Spanish villa made by someone who had only heard of those things but had never actually seen them. Or a mixed-media half-Tudor half-midcentury-modern disaster complete with a Texan ziggurat and a turret that made no sense. And the scale! Each lot of land in Middle Rock was inherently generous; the town code stated that houses have to sit on at least half an acre. The lots were still the same size, but now those houses were so large they encroached on the neighboring property lines. And the details were just atrocious: curling wrought-iron gates and shutters that couldn’t possibly work and stone-ish siding and my god, the columns: Corinthian, Doric, Ionic, tragic. Now here is a separate paragraph just for the doors. The doors on these homes were huge, at least two whole people high, like they led into a king’s chambers or the palace of an ancient ruin.

We can set up sun parasols over the chairs to shield us while we have our drinks.” “That sounds very nice.” Perveen would have preferred to speak to Cora away from the villa. She hadn’t felt safe when she’d met the nawab. “Shall we go up to the veranda and tell Oshadi?” “Just a sec.” Cora went back into the cabana through the open door and came out with the cowbell. Swiftly, she loped a hundred feet or so toward the house and rang the bell vigorously. After a moment, a young man in blue began running down the lawn toward them. Using her hands, Cora instructed him to drag the chairs close to where water lapped the sand and raise the umbrellas. The only words she spoke were about choices of drinks. To Perveen, she said, “I like my orange juice with a splash of champagne. How about you?” “I’m a dreadful bore,” Perveen apologized. “Because of this heat, I’m craving plain water.” “Any ice?” Cora asked. “A luxury indeed!” Perveen said with a nod, repeating the same to the young man. They settled in their chairs as the manservant went off. There was an awkward silence, so Perveen began. “Let me just say that I’m sorry about the last time we were together. I felt wretched after I spoke with you at my office.” “Have you changed your mind about representing me, then?” Perveen hesitated, because she couldn’t lie outright. “I would like to know more about the hospital committee from you. In the brief time I spoke with your husband, he mentioned that there wasn’t enough support from the women’s husbands. I want to know who is involved at this point.” And who might have attended the party where Sunanda was attacked. The begum bit her lip, smearing a bit of red onto the bottom of a front tooth. “You’ll have to ask them yourself, because they won’t answer my calls.” “Do you mean—the ladies on the committee?” “Of course!” Cora’s voice was impatient. “My title might be Princess, but the white ladies in this town have made it clear I’m from the wrong place.” “Australia is respected enough by Britain to have had dominion status since 1901!” Perveen didn’t add that she thought the privilege had been given to Australia, rather than India, because of racism. “I keep my mouth shut around them about my own family, just as I do about my dancing and singing career,” Cora said glumly. “So it must be that they are thinking about Australia being founded as a penal colony. Australia is where men are supposed to go for horses—but not wives.” “Look, there’s the bearer coming!” Perveen said. After the bearer had handed off their drinks, she told Cora, “I also felt like an outsider at the tea party. I heard

Long before the bombs fell and soldiers and civilians died, long before extermination camps did their work of horror, there was the war of nerves, the propaganda war being fought for people’s minds. Despite the stories that are told in retrospect where everything is clear and predictable, it is never easy to decipher where the real enemy is or who will be the victim. In France the illusion of normalcy was sustained for years. And then, in a moment, the world collapsed like a burnt husk. Millions of people were blindsided. Despite the ominous signs, they could not believe a world war could happen. Not a second time.

She left the highway, drove straight on, turned off into the street that ran by the plant nurseries, passed the fancy villas with their big gardens, and went around the corner. There, up in the sky, she noticed for the first time a gigantic mounded cloud, as large and elaborately moulded as a baroque opera house and lit from below and at the sides by pink and creamy hues. It sailed beyond her, improbable and romantic, following in the blue sky the course she was taking down below. It seemed to her that it must be a good omen.

The Villa Savoye set out the tenets of modernism , while Fallingwater showed that there could be another , more organic path for contemporary architecture . The Farnsworth Residence took the house to the logical , transparent limits of modernism , whereas Niemeyer's House at Canoas confirmed Wright's engagement with nature while taking the idea to a more sensual level . Gehry led the way for contemporary architecture to strike out into the realm of art , while Koolhaas embodied the late 20th - century angst by putting a void at the center of a house . Each of these significant examples plays a justifiable part in the evolution of modern architecture .

could just make out a tiny hill, with the ant-size figure of Sisyphus struggling to move his boulder to the top. And I saw worse tortures, too—things I don’t want to describe. The line coming from the right side of the judgment pavilion was much better. This one led down toward a small valley surrounded by walls—a gated community, which seemed to be the only happy part of the Underworld. Beyond the security gate were neighborhoods of beautiful houses from every time period in history, Roman villas and medieval castles and Victorian mansions. Silver and gold flowers bloomed on the lawns. The grass rippled in rainbow colors. I could hear laughter and smell barbecue cooking. Elysium. In the middle of that valley was a glittering blue lake, with three small islands like a vacation resort in the Bahamas. The Isles of the Blest, for people who had chosen to

It became increasingly fashionable for wealthy Romans to amass large private libraries in their town houses and country villas. (There were no bookshops in the early years in Rome, but, in addition to the collections seized as booty, books could be purchased from dealers in southern Italy and Sicily where the Greeks had founded such cities as Naples, Tarentum, and Syracuse.)

A couple of miles down the road from Catulus’ villa we passed another large house that appeared to be abandoned. It looked as though someone had set fire to it and left the ruins. Most of the roof had fallen in. “What happened to that place?” Aurora asked, turning to one of Catulus’ men, a tall, gloomy fellow named Syrus. “Ghouls,” he said. “Did you say ghouls?” “Yes. Creatures that would eat humans or animals and take on the shape of whoever or whatever they ate.” He sounded utterly serious. Some people are able to make their jokes more believable that way. From the other side of Aurora I couldn’t help but laugh. “That’s preposterous.” “All I know is what I’m told, my lord. It happened some time ago, when I was a boy.” “What happened?” “The couple that lived there—Leander and Chloe was their names—they had no children. When they got old they hired some people to help them run the place. Turns out, though, the people they hired was a pack of these flesh-eating ghouls.” I shook my head in disbelief. “People around here actually believe this nonsense?” Syrus looked a bit offended. “Call it that if you will, my lord. When animals began disappearing and, finally, a couple of villagers disappeared, folks started suspecting something. They traced it all to that house.” “Traced what?” I asked. “Strange noises, glimpses of beasts, occasional bones. They attacked the place and set fire to it. We don’t know if they killed the ghouls. They could have changed their shapes and got away.” “What happened to Leander and Chloe?” Aurora asked. “Never seen again. Some around here think they was ghouls themselves. Or maybe eaten by the ghouls.

Unlike during the previous Gaza operation in 2012, the Iron Dome supply did not run out. After Operation Pillar of Defense I had instructed the army to accelerate production of Iron Dome projectiles and batteries. We accomplished this with our own funds and with generous American financial support. I now asked the Obama administration for an additional $225 million package to continue the production line after Protective Edge. He agreed, and with the help of Tony Blinken, the deputy national security advisor who later became Biden’s secretary of state, the funding provision sailed through both houses of Congress. I deeply appreciated this support and said so publicly. I was therefore very disappointed when the administration held back on the IDF’s request for additional Hellfire rockets for our attack helicopters. Without offensive weapons we could not bring the Gaza operation to a quick and decisive end. Furthermore, as the air war lingered, the administration issued increasingly critical statements against Israel, calling some of our actions “appalling”2 and thereby opening the moral floodgates against us. Hamas took note. As long as it believed that we couldn’t deliver more aggressive punches, and that international support was waning, it would continue to rocket our cities. Unfortunately, it was aided in this belief by an international tug-of-war. On one side: Israel and Egypt. On the other: Turkey and Qatar, which fully supported Hamas. I worked in close collaboration with Egypt’s new leader, el-Sisi, who had deposed the Islamist Morsi a few months earlier. Our common goal was to achieve an unconditional cease-fire. The last thing el-Sisi wanted was a Hamas success in Gaza that would embolden their Islamist allies in the Sinai and beyond. Hamas’s exiled leader, Khaled Mashal, who escaped the Mossad action in Jordan, was now in Qatar. Supported by his Qatari hosts and Erdogan and ensconced in his lavish villa in Doha, Mashal egged Hamas to keep on fighting. To my astonishment, Kerry urged me to accept Qatar and Turkey as mediators instead of the Egyptians, who were negotiating with Hamas representatives in Cairo for a possible cease-fire. Hamas drew much encouragement from this American position. El-Sisi and I agreed to keep the Americans out of the negotiating loop. In the meantime the IDF would have to further degrade Hamas’s fighting and crush their expectations of achieving anything in the cease-fire negotiations.

In the north of Tehran, right by the foothills of Tehran’s bit of the Alborz mountain range is Niavaran. The district is an entanglement of slopes and roads where way back in the day, going back to the Qajar era, villas and houses were all you would see. Now though it has become an extension of the city center with buildings and towers scattered across its narrow roads. Even with all of the congestion, the weather is a few degrees cooler than the rest of the city and it remains one of the “port out, starboard home” districts in Tehran.

days, $10 million will barely buy you an apartment in W8, and one of these Victorian villas could easily hit double that. But this house – this house is in a league of its own.

Cannes was thought of as a playground for the rich; a city of lovely villas and gardens, a paradise of fashionable elegance. Few stopped to realize what a mass of labor was required to maintain that cleanliness and charm: not merely the servants who dwelt on the estates, but porters and truckdrivers, scrubwomen and chambermaids, kitchen-workers, food-handlers; and scores of obscure occupations which the rich never heard about. These people were housed in slum warrens,

KPN had set up an office in most countries of the former Eastern bloc. The office in Budapest was in the Buda hills, an area with lush lanes with beautiful large nineteenth-century villas. The minute I saw it, I baptized KPN’s villa ‘Villekulla’, after Pippi Longstocking’s house. I could just picture Pippi leaving the place with Mr. Nilsson on her shoulder, leading her speckled mare down the lane, looking for new adventures. The actual offices were downstairs, with double doors opening out into a large garden with roses and big trees.

She smiled, thinking of the way she’d proudly wear her kid-sized toolbelt, following him around. She had to wonder if he was still out there somewhere, tiling bathrooms himself. If he missed having her as his little helper. He’d always loved his job and the houses he worked on, so much.

Let me get this straight. One four-hex to thirty billion, in one year.” “I’ll do it in six months.” Richard said. “You wish to wager?” Roland grinned. “Usual terms?” “Usual. Double the term, or swap now.” Roland tapped the ebony table. “One condition.” “Name it,” Richard snapped. “I get to pick the bum.” It was raining, which was not exactly uncommon for the southern part of Texatron City, and it was nighttime, which occurred roughly once every day. Neon-clad shops lined one half of the main boulevard, while the ramshackle favela perched on the other. Above those precarious dwellings, jutting out of the hillside like challenging chins, luxurious villas that housed the favela’s bosses boasted panoramic glass infinity pools and helipads. Upon the very peak of the great hill, above even those villas, a single, sprawling building sat, lost to the smog-laden rain. Terisco dwelled there, and Terisco was death, plain and simple. Fortunately, there was very little reason for Jayden to ever cross paths with Terisco or any of his lieutenants. He kept his head down. He did his job. He paid his dues. Jayden had a very good chance of living a hard, skinny, but quiet life. That was unless fate meddled, or luck gave him a sharp kick in the

There were equally fine, and many more, country houses built in the 18th century in Virginia, by members of the 100 leading families—Byrds, Carters, Lees, Randolphs, Fitzhughes, and so on—of which many, such as Westover, Stratford, and Shirley, survive. Drayton Hall, built 1738–42, on the Ashley River in South Carolina, a good example of the way local American architects used classical models, is based on Palladio’s Villa Pisani, happily survived the Revolutionary and Civil wars and is now part of the American Trust for Historical Preservation.

Of course Mary Jane and Sam were there with Nugget, Cha Cha's golden retriever mix we rescued from a disgusting pen at a house out in Pasadena. Eileen and Harry Silvers came with their poodle, Zizi, and Venus with her Yorkshire, Macho. Lester and his wife, Bambi, brought Grindel, a beagle mix they adopted from the shelter. And with one of Rosemary's friend's corgi, and a shepherd mix, and a spaniel, plus Sugar and Spice, we had nine dogs in all. What we didn't have were any children since I'd made it clear to everyone that things would probably be hectic enough without a bunch of screaming kids fooling with the dogs and demanding attention.

At first, I planned to do just a big pot of son-of-a-bitch stew with coleslaw and cornbread, but when I thought about dogs running around the house and thirteen people trying to deal with bowls of soupy stew sloshing all over the place, I realized the idea was stupid. Then I remembered an extra turkey breast in the fridge I'd roasted as backup for a bank cocktail buffet but didn't need, as well as half a baked ham shank I'd kept to make sandwiches and nibble on. Wham! It dawned on me: a sumptuous turkey and ham casserole with mushrooms and cheese and water chestnuts and sherry. The perfect bereavement dish. And with that I could do my baked cheese grits, and my congealed pickled peach and pecan salad, and some buttermilk biscuits, and maybe a simple bowl of ambrosia and some cookies. Everything but the grits and biscuits done in advance, easy to serve and eat, no mess, and who doesn't love a great casserole and grits and congealed salad?

Just the right amount of cumin and oregano, I can tell," he adds, "and with that zing you got the chile peppers right on the button- three-alarm, I'd say." "Plus paprika and Tabasco and guess what? Beer," I inform him. "But wanna know my real secret? A little bit of bitter chocolate." "Chocolate!" he exclaims. "Yep, chocolate." "How much?" he asks real excited. "That's my little secret, Mr. Dewitt," I tease him as I chuckle. "Well, I'll be damned." "I'm so glad it's not too soupy," Mrs. Dewitt says next. "Just thick enough." "Masa harina?" he asks. "My, my, Mr. Dewitt," I try to compliment him, "I can tell you do know your bowl o' red." He finishes up the bowl and lets out this crude laugh. "Don't fix any myself, but I warned you, sister, you're dealing with real chiliheads around this house." "So you've decided you like it without the beans?" I ask. He wipes his mouth on the linen napkin like he's just eaten Russian caviar instead of plain old Texas chili. "Now, I ain't saying that by a long shot, Loretta, 'cause for me chili's not chili without beans. But I got an open mind, and besides, you say you also fix a big pot of pintos on the side?" "Yeah, I do, spiced up with jalapeños." "What else you serve with your chili?" "Anything you want," I tell him in a real confident tone. "Guacamole, coleslaw, rice, tacos, sour cream, red pepper vinegar, and maybe some corn tortillas my Mexican helper makes- just tell me whatcha like.

Short story: The true and incredible tale of David Kirkpatrick, a Scottish ex-boy scout, and miner, serving in WW2 with 2nd Highland Light Infantry and the legendary elite corps 2nd SAS. A man who becomes a hero playing his bagpipe during a secret mission in Italy, March 1945, where he saved the lives of hundreds just playing during the attack. After he fought in North Africa, Greece, Albania, Sicily and being reported as an unruly soldier, (often drunk, insulting superiors and so on) in Tuscany, 23 march 1945 he joined as volunteer in the 2nd Special Air Service ( the British elite forces), for a secret mission behind enemy line in Italy. He parachuted in the Italian Apennines with his kilt on (so he becomes known as the 'mad piper' ) for a mission organized with British elite forces and an unruly group of Italian-Russian partisans (code name: 'Operation Tombola' organized from the British secret service SOE and 2nd SAS and the "Allied Battalion") against the Gothic Line german headquarter of the 51 German Mountains Corps in Albinea, Italy. The target of the anglo-partisan group's mission is to destroy the nazi HQ to prepare the big attack of the Allied Forces (US 5th Army, British 8th Army) to the German Gothic Line in North Italy at the beginning of April. It's the beginning of the liberation of Italy from the nazi fascist dictatorship. The Allied Battalion guided by major Roy Farran, captain Mike Lees Italian partisan Glauco Monducci, Gianni Ferrari, and the Russian Viktor Pirogov is an unruly brigade of great fighters of many nationalities. Among them also not just British, Italian, and Russian but also a dutch, a greek, one Austrian paratrooper who deserted the German Forces after has killed an SS, a german who deserted Hitler's Army being in love with an Italian taffeta's, two Jewish escaped from nazi reprisal and 3 Spanish anti-Franchise who fought fascism in the Spanish Civil War and then joined first the French Foreign Legion and the British Elite Forces. The day before the attack, Kirkpatrick is secretly guested in a house of Italian farmers, and he donated his white silk parachute to a lady so she could create her wedding dress for the Wedding with his love: an Italian partisan. During the terrible attack in the night of 27th March 1945, the sound of his bagpipe marks the beginning of the fight and tricked the nazi, avoiding a terrible reprisal against the civilian population of the Italian village of Albinea, saving in this way the life of hundreds The German HQ based in two historical villa's is destroyed and in flames, several enemy soldiers are killed, during the attack, the bagpipe of David played for more than 30 minutes and let the german believe that the "British are here", not also Italian and Russian partisan (in war for Hitler' order: for partisans attack to german forces for every german killed nazi were executing 10 local civilians in terrible and barbarian reprisal). During the night the bagpipe of David is also hit after 30 minutes of the fight and, three British soldiers of 2nd SAS are killed in the action in one of the two Villa. The morning later when Germans bring their bodies to the Church of Albinea, don Alberto Ugolotti, the local priest notes in his diary: "Asked if they were organizing a reprisal against the civilian population, they answered that it was a "military attack" and there would.