Vile Bodies Quotes

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After all, damn it, what does being in love mean if you can't trust a person.
Evelyn Waugh (Vile Bodies)
There's only one great evil in the world today. Despair.
Evelyn Waugh (Vile Bodies)
All this fuss about sleeping together. For physical pleasure I'd sooner go to my dentist any day.
Evelyn Waugh (Vile Bodies)
I can't bare you when you're not amusing.
Evelyn Waugh (Vile Bodies)
I once heard a story about a girl who requested something so vile from her paramour that he told her family and they had her hauled her off to a sanatorium. I don’t know what deviant pleasure she asked for, though I desperately wish I did. What magical thing could you want so badly they take you away from the known world for wanting it?
Carmen Maria Machado (Her Body and Other Parties)
Soon someone would say the fatal words, "Well, I think it’s time for me to go to bed.
Evelyn Waugh (Vile Bodies)
I know very few young people, but it seems to me that they are all possessed with an almost fatal hunger for permanence.
Evelyn Waugh (Vile Bodies)
A politician who climbs high over the bodies of the slain is described as vile or great according to the degree of his success.
Robert Musil (The Man Without Qualities)
It’s awful to think that I shall probably never, as long as I live, see you dancing like that again all by yourself.
Evelyn Waugh (Vile Bodies)
Success in this world depends on knowing exactly how little effort each job is worth...distribution of energy...
Evelyn Waugh (Vile Bodies)
Miss Runcible wore trousers and Miles touched up his eye-lashes in the dining-room of the hotel where they stopped for luncheon. So they were asked to leave.
Evelyn Waugh (Vile Bodies)
And St. Francis added: "My dear and beloved Brother, the treasure of blessed poverty is so very precious and divine that we are not worthy to possess it in our vile bodies. For poverty is that heavenly virtue by which all earthy and transitory things are trodden under foot, and by which every obstacle is removed from the soul so that it may freely enter into union with the eternal Lord God. It is also the virtue which makes the soul, while still here on earth, converse with the angels in Heaven. It is she who accompanied Christ on the Cross, was buried with Christ in the Tomb, and with Christ was raised and ascended into Heaven, for even in this life she gives to souls who love her the ability to fly to Heaven, and she alone guards the armor of true humility and charity.
Francis of Assisi (The Little Flowers of St. Francis of Assisi)
Oh madam, when you put bread and cheese, instead of burnt porridge, into these children's mouths, you may indeed feed their vile bodies, but you little think how you starve their immortal souls!
Charlotte Brontë (Jane Eyre)
Creative Endeavour lost her wings, Mrs Ape.
Evelyn Waugh (Vile Bodies)
The universal pervasion of ugliness, hideous landscapes, vile noises, foul language...everything. Unnatural, broken, blasted; the distortion of the dead, whose unburiable bodies sit outside the dug outs all day, all night, the most execrable sights on earth. In poetry we call them the most glorious.
Wilfred Owen (The Collected Poems of Wilfred Owen)
Make love to me. Please. I’m dying for it, for you. And therein lay the other major problem. His body was a wreck along with his mind. His past addictions were spinning in desperation and it was taking everything he had to keep from flying apart. The hunger to hurt and be hurt had never been more volatile and each second he didn’t connect with Mercy, it grew worse. But how exactly was a monster cyclone supposed to connect with an angel and not rip her apart in ways that made him feel vile and dirty? Fuck, he never wanted to feel that with her.
Lucian Bane (Beg For Mercy (Mercy, #3))
I know about her, although she has never crossed my path," he said softly. "I know about her struggles and her defeats. It is because of her defeats that she is to me the lovely one. Out of her defeats she has been born a new quality in woman. I have a name for it. I call it Tandy. I made up the name when I was a true dreamer and before my body became vile. It is the quality of being strong to be loved. It is something men need from women and that they do not get.
Sherwood Anderson (Winesburg, Ohio)
Her own awareness had risen like the dawn on her back.Like a leaden sunrise veiled in a swirl of storm clouds. It was no longer enough to have answers for Shiva's sake. Indeed, it had ceased to be about mere vengeance the moment Khalid's lips touched hers in the alley by the souk. She had wanted there to be a reason for this madness, needed there to be a reason, so that she could be with him. So that she could be by his side, make him smile as she laughed, weave tales by lamplight, and share secrets in the dark.So that she could fall asleep in his arms and awaken to a brilliant tomorrow. But it was too late. He was the Mehrdad of her nightmares. She had opened the door. She had seen the bodies hanging from the walls, without explanation. Without justification. And without one, Shahrzad knew what must be done. Khalid had to answer for such vile deeds. Such rampant death. Even if he was her air. Even if she loved him beyond words.
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
...that kernel of gaiety that never breaks.
Evelyn Waugh (Vile Bodies)
Last night he spent an hour and a half lying on the floor of his room, because he was too tired to complete the journey from his en suite back to his bed. There was the en suite, behind him, and there was the bed, in front of him, both well within view, but somehow it was impossible to move either forward or backward, only downward, onto the floor, until his body was arranged motionless on the carpet. Well, here I am on the floor, he thought. Is life so much worse here than it would be on the bed, or even in a totally different location? No, life is exactly the same. Life is the thing you bring with you inside your own head. I might as well be lying here, breathing the vile dust of the carpet into my lungs, gradually feeling my right arm go numb under the weight of my body, because it’s essentially the same as every other possible experience.
Sally Rooney (Normal People)
What an immature, self-destructive, antiquated mischief is man! How obscure and gross his prancing and chattering on his little stage of evolution! How loathsome and beyond words boring all the thoughts and self-approval of his biological by-product! this half-formed, ill-conditioned body! this erratic, maladjusted mechanism of his soul: on one side the harmonious instincts and balanced responses of the animal, on the other the inflexible purpose of the engine, and between them man, equally alien from the being of Nature and the doing of the machine, the vile becoming!
Evelyn Waugh (Decline and Fall)
Saw so much of the wickedness of my heart that I longed to get away from myself…I felt almost pressed to death with my own vileness. Oh what a body of death is there in me…Oh the closest walk with God is the sweetest heaven that can be enjoyed on earth!
David Brainerd (The Life and Diary of David Brainerd)
Welcome is every organ and attribute of me, and of any man hearty and clean, Not an inch nor a particle of an inch is vile, and none shall be less familiar than the rest.
Walt Whitman
The commandment to work is imposed on us by our descent from Adam and Eve, but it is a blessing to us. Illness and adversity are not punishments for being alive; they are natural accompaniments of life. Our bodies are not vile and loathsome snares for our spirits, but the temples of our spirits. The daily activities of mixing orange juice, making telephone calls, supervising homework, and scrubbing the bathtub are not distractions from our spiritual lives. They are the vehicles through which we live our spiritual lives.
Chieko N. Okazaki (Lighten Up!)
Although 'jumping to conclusions' is an expression, rather than an activity, it is as dangerous as jumping off a cliff, jumping in front of a moving train, and jumping for joy. If you jump off a cliff, you have a very good chance of experiencing a painful landing unless there is something below you to cushion your fall, such as a body of water or an immense pile of tissue paper, If you jump in front of moving train, you have a very good chance of experiencing a painful voyage unless you are wearing some sort of train-proof suit. And if you jump for joy, you have a very good chance of experiencing a painful bump on the head, unless you make sure you are standing someplace with very high ceilings, which joyous people rarely do. Clearly, the solution to anything involving jumping is either to make sure you are jumping to a safe place, or not jumping at all. But it is hard not to jump at all when you are jumping to conclusions, and it is impossible to make sure that you are jumping to a safe place, because all 'jumping to conclusions' means is that you are believing something is true even though you don't actually know whether it is or not.
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
The expression 'a bold from the blue' describes something so surprising that i makes you head spin, your legs wobble, and your body buzz with astonishment - as if a bold of lightening suddenly came down from a clear blue sky and struck you at full force. Unless you are a lightbulb, an electrical appliance, or a tree that is tired of standing upright, encountering a bold from the blue is not a pleasant experience.
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
For Americans tired of so-called political correctness, especially those men caught between silence and shame when it comes to gendered derogations and airing their thoughts about women’s bodies, watching Trump vent his vile spleen without so much as the risk of subsequent embarrassment, must have been a cathartic and sometimes emboldening spectacle.
Kate Manne (Down Girl: The Logic of Misogyny)
Don't you think," said Father Rothschild gently, "that perhaps it is all in some way historical? I don't think people ever want to lose their faith either in religion or anything else. I know very few young people, but it seems to me that they are all possessed with an almost fatal hunger for permanence. I think all these divorces show that. People aren't content just to muddle along nowadays ... And this word "bogus" they all use ... They won't make the best of a bad job nowadays. My private schoolmaster used to say, "If a thing's worth doing at all, it's worth doing well." My Church has taught that in different words for several centuries. But these young people have got hold of another end of the stick, and for all we know it may be the right one. They say, "If a thing's not worth doing well, it's not worth doing at all." It makes everything very difficult for them.
Evelyn Waugh (Vile Bodies)
I intended that when the curtain went up the scene should confront the public like the exaggerating mirror in the stories of Madame Leprince de Beaumont, in which the depraved saw themselves with dragons' bodies, or bulls' horns, or whatever corresponded to their particular vice. It is not surprising that the public should have been aghast at the sight of its other self, which it had never before been shown completely. This ignoble other-self, as Monsieur Catulle Mendes has excellently said, is composed "of eternal human imbecility, eternal lust, eternal gluttony, the vileness of instinct magnified into tyranny; of the sense of decency, the virtues, the patriotism & the ideals peculiar to those who have just eaten their fill." Really, these are hardly the constituents for an amusing play, & the masks demonstrate that the comedy must at the most be the macabre comedy of an English clown, or of a Dance of Death.
Alfred Jarry (Ubu Roi)
Wars don’t start nowadays because people want them. We long for peace, and fill our newspapers with conferences about disarmament and arbitration, but there is a radical instability in our whole world order, and soon we shall all be walking into the jaws of destruction again, protesting our pacific intentions.
Evelyn Waugh (Vile Bodies)
(...Masked parties, Savage parties, Victorian parties, Greek parties, Wild West parties, Russian parties, Circus parties, parties where one had to dress as somebody else, almost naked parties in St John's Wood, parties in flats and studios and houses and ships and hotels and night clubs, in windmills and swimming baths, tea parties at school where one ate muffins and meringues and tinned crab, parties at Oxford where one drank brown sherry and smoked Turkish cigarettes, dull dances in London and comic dances in Scotland and disgusting dances in Paris--all that succession and repetition of massed humanity.... Those vile bodies...)
Evelyn Waugh (Vile Bodies)
The effects of their drinks had now entered on that secondary stage, vividly described in temperance handbooks, when the momentary illusion of well-being and exhilaration gives place to melancholy, indigestion and moral decay.
Evelyn Waugh (Vile Bodies)
The room contains a few dozen living human bodies, each one a big sack of guts and fluids so highly compressed that it will squirt for a few yards when pierced. Each one is built around an armature of 206 bones connected to each other by notoriously fault-prone joints that are given to obnoxious creaking, grinding, and popping noises when they are in other than pristine condition. This structure is draped with throbbing steak, inflated with clenching air sacks, and pierced by a Gordian sewer filled with burbling acid and compressed gas and asquirt with vile enzymes and solvents produced by the many dark, gamy nuggets of genetically programmed meat strung along its length. Slugs of dissolving food are forced down this sloppy labyrinth by serialized convulsions, decaying into gas, liquid, and solid matter which must all be regularly vented to the outside world lest the owner go toxic and drop dead. Spherical, gel-packed cameras swivel in mucus-greased ball joints. Infinite phalanxes of cilia beat back invading particles, encapsulate them in goo for later disposal. In each body a centrally located muscle flails away at an eternal, circulating torrent of pressurized gravy. And yet, despite all of this, not one of these bodies makes a single sound at any time during the sultan’s speech.
Neal Stephenson (Cryptonomicon)
My army cries in protest. They don’t understand. Golds don’t do this. Golds don’t sacrifice for one another. Leaders take; they do not give. My army cries out again. I ask them, how is this worse than the rape they were all so comfortable with? Is not Nyla now one of us? Is she not part of the body? Like Reds are. Like Obsidians are. Like all the Colors are. Pax tries to go light. But it’s Pax, so when he’s done, my back looks like chewed goatmeat. I stand up. Do everything I can to prevent myself from wobbling. I’m seeing stars. I want to wail. Want to cry. Instead, I tell them that anyone who does anything vile—they know what I mean—will have to whip me like this in front of the entire army. I see how they look at Tactus now, how they look at Pax, how they look at my back. “You do not follow me because I am the strongest. Pax is. You do not follow me because I am the brightest. Mustang is. You follow me because you do not know where you are going. I do.” I motion Tactus to come toward me. He wavers, pale, confused as a newborn lamb. Fear marks his face. Fear of the unknown. Fear of the pain I willingly bore. Fear when he realizes how different he is from me. “Don’t be afraid,” I tell him. I pull him forward into a hug. “We are blood brothers, you little shit. Blood brothers.” I’m learning.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Eros (or call it lust if you will), is like a beautiful, magnificent Afghan Hound! A pure white Afghan Hound commanding respect and honor! But if you take the Afghan Hound and lock it in a small cage, shun it and look upon it badly, treat it as a pestilence and wish that it would die; that same creature of beauty will become a vile, unrepentant, dark creature of the shadows! Untrusting, hidden in the corner, aggressive... something that will harm others and yourself! But is this the nature of the creature, is this the fault of the creature? Or are YOU the one who has created the monster that it has become? And this is my philosophy: that we are both corporeal and incorporeal beings, therefore, the same amount of good intent MUST be given to both our soul and our body!
C. JoyBell C.
I am nothing but a corpse now, a body at the bottom of a well. Though I drew my last breath long ago and my heart has stopped beating, no one, apart from that vile murderer, knows what's happened to me.
Orhan Pamuk (My Name Is Red)
Can such a man, you ask, be a leader of the masses? Surprisingly, the answer is yes. The masses — by which I mean not the proletariat, but the anonymous collective body into which all of us, high and low, amalgamate at certain moments — react most strongly to someone who least resembles them. Normality coupled with talent may make a politician popular. But to provoke extremes of love and hate, to be worshipped like a god or loathed like the devil, is given only to a truly exceptional person who is poles apart from the masses, be it far above or far below them. If my experience of Germany has taught me anything, it is this: Rathenau and Hitler are the two men who excited the imagination of the German masses to the utmost; the one by his ineffable culture, the other by his ineffable vileness. Both, and this is decisive, came from inaccessible regions, from some sort of “beyond.” The one from a sphere of sublime spirituality where the cultures of three millennia and two continents hold a symposium; the other from a jungle far below the depths plumbed by the basest penny dreadfuls, from an underworld where demons rise from a brewed-up stench of petty-bourgeois back rooms, doss-houses, barrack latrines, and the hangman’s yard. From their different “beyonds” they both drew
Sebastian Haffner (Defying Hitler: A Memoir)
To Father Rothschild no passage was worse than any other. He thought of the sufferings of the saints, the mutability of human nature, the Four Last Things, and between whiles repeated snatches of the penitential psalms.
Evelyn Waugh (Vile Bodies)
You will never again threaten Magdelegna, or any other Demon, with your ignorance and avarice. Your death is too easy a punishment, necromancer. Be grateful for that.” A last breath rattled out of the necromancer, and Gideon released him with an absent shaking of his hand, as if flinging off some vile contaminant as the body fell to the floor. He turned his back on it without the slightest regret. His mercury gaze sought out Legna, settling on her just as she rose from her position over the female necromancer. She threw back her head and shoulders, taking the deep, cleansing breath of a female predator satisfied with her kill. She’d always been the most beautiful female he’d ever seen, but now, in this victorious moment, she was utterly stunning. Gideon felt a savage response within himself, an urge so vital that it took nearly every ounce of his formidable control to tamp it down and lock it out of his thoughts so she wouldn’t become aware of it.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
As bombs fell, libidos soared. . . Young people were reluctant to contemplate death without having shared their bodies with someone else. It was sex at its sweetest: not for money or marriage, but for love of being alive and wanting to give.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Life is the thing you bring with you inside your own head. I might as well be lying here, breathing the vile dust of the carpet onto my lungs, gradually feeling my right arm go numb under the weight of my body, because it's essentially the same as every other possible experience;
Sally Rooney (Normal People)
In the purifying sweep of atheism human beings lost all special value. The numb misery of the horse was matched by that of the farmer; the once-green ferny lives crushed into coal's fossiliferous strata were no more anonymous and obliterated than Clarence's own life would soon be, in a wink of earth's tremendous time. Without Biblical blessing the physical universe became sherry horrible and disgusting. All fleshy acts became vile, rather than merely some. The reality of men slaying lambs and cattle, fish and fowl to sustain their own bodies took on an aspect of grisly comedy--the blood-soaked selfishness of a cosmic mayhem.
John Updike (In the Beauty of the Lilies)
Books, eh?” he said. “And what sort of books, may I ask?” “Look for yourself.” “Thank you, that’s what I mean to do. Books, indeed.” Adam wearily unstrapped and unlocked his suitcase. “Yes,” said the Customs officer menacingly, as though his worst suspicions had been confirmed, “I should just about say you had got some books.” One by one he took the books out and piled them on the counter. A copy of Dante excited his especial disgust. “French, eh?” he said. “I guessed as much, and pretty dirty, too, I shouldn’t wonder. Now just you wait while I look up these here books”—how he said it!—“ in my list. Particularly against books the Home Secretary is. If we can’t stamp out literature in the country, we can at least stop its being brought in from outside.
Evelyn Waugh (Vile Bodies)
And yes, if you believe his version, she was a vile kind of ex-wife. All ex-wives are vile to hear it. But she was also someone who had been driven crazy. Maybe it was the insult of childbirth. Maybe it was the overwhelming unfairness of what happens to a woman’s status and body and position in the culture once she’s a mother. All those things can drive you crazy is you’re a smart person.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
None has suffered more cruelly than the Jew the unspeakable evils wrought on the bodies and spirit of men by Hitler and his vile regime. The Jew bore the brunt of the Nazis’ first onslaught upon the citadels of freedom and human dignity . . . Once again, at the appointed time, he will see vindicated those principles of righteousness which it was the glory of his fathers to proclaim to the world.
Andrew Roberts (Churchill: Walking with Destiny)
Is life so much worse here than it would be on the bed, or even in a totally different location? No, life is exactly the same. Life is the thing you bring with you inside your own head. I might as well be lying here, breathing the vile dust of the carpet into my lungs, gradually feeling my right arm go numb under the weight of my body, because it's essentially the same as every other possible experience.
Sally Rooney (Normal People)
o here I am, upside down in a woman. Arms patiently crossed, waiting, waiting and wondering who I'm in, what I'm in for. My eyes close nostalgically when I remember how I once drifted in my translucent body bag, floated dreamily in the bubble of my thoughts through my private ocean in slow-motion somersaults, colliding gently against the transparent bounds of my confinement, the confiding membrane that vibrated with, even as it muffled, the voices of conspirators in a vile enterprise. That was in my careless youth. Now, fully inverted, not an inch of space to myself, knees crammed against my belly, my thoughts as well as my head are fully engaged. I've no choice, my ear is pressed all day and night against the bloody walls. I listen, make mental notes, and I'm troubled. I'm hearing pillow talk of deadly intent and I'm terrified by what awaits me, by what might draw me in.
Ian McEwan (Nutshell)
The one universal balm for the trauma of war was tea. It was the thing that helped people cope. People made tea during air raids and after air raids, and on breaks between retrieving bodies from shattered buildings. Tea bolstered the network of thirty thousand observers who watched for German aircraft over England, operating from one thousand observation posts, all stocked with tea and kettles. Mobile canteens dispensed gallons of it, steaming, from spigots. In propaganda films, the making of tea became a visual metaphor for carrying on. “Tea acquired almost a magical importance in London life,” according to one study of London during the war. “And the reassuring cup of tea actually did seem to help cheer people up in a crisis.” Tea ran through Mass-Observation diaries like a river. “That’s one trouble about the raids,” a female diarist complained. “People do nothing but make tea and expect you to drink it.” Tea anchored the day—though at teatime, Churchill himself did not actually drink it, despite reputedly having said that tea was more important than ammunition. He preferred whiskey and water. Tea was comfort and history; above all, it was English. As long as there was tea, there was England. But now the war and the strict rationing that came with it threatened to shake even this most prosaic of pillars.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
There is nothing essentially vile in the human body, for God created it, even with its desires and appetites. There is nothing evil in a hungry man’s desire for a square meal, or a healthy woman’s longing for a husband, children and a home of her own. It is not the way of the Spirit to repress these natural instincts, but to control them and keep them within the bounds prescribed by God. We do not need to extinguish the fire in the grate; only to prevent the coals from falling out and setting the place on fire. The physical is not to be ruthlessly suppressed but firmly disciplined and subordinated to the spiritual. When asceticism becomes a thing of form enforced by man-made rules, it is incapable of dealing effectively with the bodily lusts. Self-control on the other hand is the fruit of the Spirit, springing from divine life within, cultivated by the habit of a disciplined life.
Arthur Wallis (God's Chosen Fast)
Judaism minimizes the distinction between body and soul. ... Judaism rejects that duality. First, it does not see death as liberation from earthly bondage and a graduation to a better world. It sees death as a tragedy. Death puts an end to a person's ability to sanctify the world. The death of a good person diminishes God's presence on earth. Second, Judaism does not see the material world, the world of food and sex and sleep and other bodily needs, as being less worthy than the realm of the spirit. Nothing created by God is vile or useless. Everything can be made holy or made base by the way in which it is used. The Talmud tells of one of the sages seeing workers cleaning and decorating a statue of the emperor and musing, "If that statue, which is an image of a flesh-and-blood king, is worthy of being cared for so carefully, how much more so my body, which is an image of the King of Kinds.
Harold S. Kushner (To Life: A Celebration of Jewish Being and Thinking)
Well here I am on the floor he thought, is life really so much worse here on the floor than it would be on the bed or even in a totally different location. No, life is exactly the same, life is the thing you bring with you inside your own head. I might as well be lying here: breathing the vile dust of the carpet into my lungs gradually feeling my right arm go numb under the weight of my body because it’s essentially the same as every other experience.
Sally Rooney (Normal People)
Reflecting this view—and worse—a small-town Georgia newspaper warned: “Can we suppose, for a moment, that the South will submit to a Black Ruler of our Government?” Vowing never to recognize a so-called “negro President,” the journal labeled Lincoln “a notorious nigger thief” and posted a $10,000 reward for “Hannibal’s and ABE’S heads without their bodies,” hinting that Vice President–elect Hannibal Hamlin was himself of African descent. Lincoln kept the vile clipping in his files.
Harold Holzer (Lincoln President-Elect : Abraham Lincoln and the Great Secession Winter, 1860-1861)
And because the constitution of a mans Body, is in continuall mutation; it is impossible that all the same things should alwayes cause in him the same Appetites, and aversions; much lesse can all men consent, in the Desire of almost any one and the same Object. Good Evill But whatsoever is the object of any mans Appetite or Desire; that is it, which he for his part calleth Good: And the object of his Hate, and Aversion, evill, And of his contempt, Vile, and Inconsiderable. For these words of Good, evill, and Contemptible, are ever used with relation to the person that useth them: There being nothing simply and absolutely so; nor any common Rule of Good and evill, to be taken from the nature of the objects themselves; but from the Person of the man (where there is no Common-wealth;) or, (in a Common-wealth,) From the Person that representeth it; or from an Arbitrator or Judge, whom men disagreeing shall by consent set up, and make his sentence the Rule thereof.
Thomas Hobbes (Leviathan)
But I've still better things about children. I've collected a great, great deal about Russian children, Alyosha. There was a little girl of five who was hated by her father and mother, 'most worthy and respectable people, of good education and breeding.' You see, I must repeat again, it is a peculiar characteristic of many people, this love of torturing children, and children only. To all other types of humanity these torturers behave mildly and benevolently, like cultivated and humane Europeans; but they are very fond of tormenting children, even fond of children themselves in that sense. it's just their defencelessness that tempts the tormentor, just the angelic confidence of the child who has no refuge and no appeal, that sets his vile blood on fire. In every man, of course, a demon lies hidden- the demon of rage, the demon of lustful heat at the screams of the tortured victim, the demon of lawlessness let off the chain, the demon of diseases that follow on vice, gout, kidney disease, and so on. "This poor child of five was subjected to every possible torture by those cultivated parents. They beat her, thrashed her, kicked her for no reason till her body was one bruise. Then, they went to greater refinements of cruelty- shut her up all night in the cold and frost in a privy, and because she didn't ask to be taken up at night (as though a child of five sleeping its angelic, sound sleep could be trained to wake and ask), they smeared her face and filled her mouth with excrement, and it was her mother, her mother did this. And that mother could sleep, hearing the poor child's groans! Can you understand why a little creature, who can't even understand what's done to her, should beat her little aching heart with her tiny fist in the dark and the cold, and weep her meek unresentful tears to dear, kind God to protect her? Do you understand that, friend and brother, you pious and humble novice? Do you understand why this infamy must be and is permitted? Without it, I am told, man could not have existed on earth, for he could not have known good and evil. Why should he know that diabolical good and evil when it costs so much? Why, the whole world of knowledge is not worth that child's prayer to dear, kind God'! I say nothing of the sufferings of grown-up people, they have eaten the apple, damn them, and the devil take them all! But these little ones! I am making you suffer, Alyosha, you are not yourself. I'll leave off if you like
Fyodor Dostoevsky (The Brothers Karamazov)
discontented. And I did think at one time that perhaps Bob was thinking of Betty Rylands, you know Mrs. Rylands’ girl at the Laurels, such nice people, and they used to play tennis together and people remarked how much they were about, but now he never seems to pay any attention to her, it’s all his hockey friends, and I said one Saturday, ‘Wouldn’t you like to ask Betty over to tea?’ and he said, ‘Well, you can if you like,’ and she came looking ever so sweet, and, would you believe it, Bob went out and didn’t come in at all until suppertime. Well, you can’t expect any girl to put up with that, and now she’s practically engaged to that young Anderson boy who’s in the wireless business.
Evelyn Waugh (Vile Bodies)
These educated parents subjected the poor five-year old girl to every possible torture. They beat her, flogged her, kicked her, not knowing why themselves, until her whole body was nothing but bruises; finally they attained the height of finesse: in the freezing cold, they locked her all night in the outhouse, because she wouldn't ask to get up and go in the middle of the night (as if a five-year-old child sleeping its sound angelic sleep could have learned to ask by that age)--for that they smeared her face with her excrement and made her eat the excrement, and it was her mother, her mother who made her! And this mother could sleep while her poor little child was moaning all night in that vile place! Can you understand that a small creature, who cannot even comprehend what is being done to her, in a vile place, in the dark and the cold, beats herself on her strained little chest with her tiny fist and weeps with her anguished, gentle, meek tears for 'dear God' to protect her--can you understand such nonsense, my friend and my brother, my godly and humble novice, can you understand why this nonsense is needed and created? Without it, they say, man could not even have lived on earth, for he would not have known good and evil. Who wants to know this damned good and evil at such a price? The whole world of knowledge is not worth the tears of that little child to 'dear God.' I'm not talking about the suffering of grown-ups, they ate the apple and to hell with them, let the devil take them all, but these little ones!
Fyodor Dostoevsky (The Brothers Karamazov)
There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Imagine you are tied to a chair with your hands tightly bound behind you, preventing you from covering your ears. Before you is a giant chalkboard. A woman enters the room. Her fingernails are long, hard, and ready for attack. You follow her with your eyes as she saunters to the chalkboard and raises her hand to make a claw. She looks at you with a blank stare as she digs her fingernails into the chalkboard and drags downward. As the harsh sound hits your ears, you squeeze your eyes shut in an instinctive yet vain effort to shut out the noise, but the absence of sight only magnifies the vile sound. Your ears have become hypersensitive, and you feel an unpleasant chill shoot through your body down to the toes of your feet. Finally, the sound stops as she removes her nails from the board, and a wave of relief passes over you. But the reprieve is short-lived. Again, the nails dig into the board and screech all the way down. The process repeats itself several times, and each time she stops dragging, you think it has ended for good, but soon she starts all over again. You frantically call out to her and ask her why she is doing this. You wonder what you have done to earn this perpetual torture. But she only looks back at your with a blank, almost quizzical stare, and that is when you realize that she is unaware of the pain she is causing. You feel the hopelessness pass over you. You squirm to free yourself from the chair, but it's no use. This is your life now, listening to this terribly unpleasant sound with no way to stop it. Sometimes she leaves, but she always comes back to repeat the scene, oblivious to the torture she creates.
Rachel Cinelli
The one universal balm for the trauma of war was tea. It was the thing that helped people cope. People made tea during air raids and after air raids, and on breaks between retrieving bodies from shattered buildings. Tea bolstered the network of thirty thousand observers who watched for German aircraft over England, operating from one thousand observation posts, all stocked with tea and kettles. Mobile canteens dispensed gallons of it, steaming, from spigots. In propaganda films, the making of tea became a visual metaphor for carrying on. “Tea acquired almost a magical importance in London life,” according to one study of London during the war. “And the reassuring cup of tea actually did seem to help cheer people up in a crisis.” Tea ran through Mass-Observation diaries like a river. “That’s one trouble about the raids,” a female diarist complained. “People do nothing but make tea and expect you to drink it.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
The bombs fell until 6:15 A.M. The blackout ended at 7:54. The moon still shone in the clear dawn sky, but the bombers were gone. The cathedral was a ruin, with melted lead still dripping from its roofs, and fragments of charred timber now and then coming loose and falling to the ground. Throughout the city, the most common sound was that of broken glass crunching under people’s shoes. One news reporter observed glass “so thick that looking up the street it was as if it was covered with ice.” Now came scenes of horror. Dr. Ashworth reported seeing a dog running along a street “with a child’s arm in its mouth.” A man named E. A. Cox saw a man’s headless body beside a bomb crater. Elsewhere, an exploded land mine left behind a collection of charred torsos. Bodies arrived at a makeshift morgue at a rate of up to sixty per hour, and here morticians had to deal with a problem they had rarely, if ever, been compelled to confront: bodies so mangled that they were unrecognizable as bodies. Between 40 and 50 percent were classified as “unidentifiable owning to mutilation.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Different persons ruled in me in turn, though no one of them for long; each fallen tyrant was quick to regain power. Thus have I played host successively to the meticulous officer, fanatic in discipline, but gaily sharing with his men the privations of war; to the melancholy dreamer intent on the gods, the lover ready to risk all for a moment’s rapture; the haughty young lieutenant retiring to his tent to study his maps by lamplight, making clear to his friends his disdain for the way the world goes; and finally the future statesman. But let us not forget, either, the base opportunist who in fear of displeasing succumbed to drunkenness at the emperor’s table; the young fellow pronouncing upon all questions with ridiculous assurance; the frivolous wit, ready to lose a friend for the sake of a bright remark; the soldier exercising with mechanical precision his vile gladiatorial trade. And we should include also that vacant figure, nameless and unplaced in history, though as much myself as all the others, the simple toy of circumstance, no more and no less than a body, lying on a camp bed, distracted by an aroma, aroused by a breath of wind, vaguely attentive to some eternal hum of a bee.
Marguerite Yourcenar (Memoirs of Hadrian)
13. If the goal is to build up one's sexual energy, what's the harm of sleeping with a lot of different women (or men) to increase your ching chi? Chia: The goal is not to build up one's sexual energy—it is to transform raw sexual energy into a refined subtle energy. Sex is only one means of doing that. Promiscuity can easily lower your energy if you choose partners with moral or physical weakness. If you lie with degenerates, it may hurt you, in that you can temporarily acquire your partner's vileness. By exchanging subtle energy, you actually absorb the other's substance. You become the other person and assume new karmic burdens. This is why old couples resemble each other so closely: they have exchanged so much energy that they are made of the same life-stuff. This practice accelerates this union, but elevates it to a higher level of spiritual experience. So the best advice I can give is to never compromise your integrity of body, mind and spirit. In choosing a lover you are choosing your destiny, so make sure you love the woman with whom you have sex. Then you will be in harmony with what flows from the exchange and your actions will be proper. If you think you can love two women at once, be ready to spend double the chi to transform and balance their energy. I doubt if many men can really do that and feel deep serenity. For the sake of simplicity, limit yourself to one woman at a time. It takes a lot of time and energy to cultivate the subtle energies to a deep level. It is impossible to define love precisely. You have to consult your inner voice. But cultivating your chi energy sensitizes you to your conscience. What was a distant whisper before may become a very loud voice. For your own sake, do not abandon your integrity for the sake of physical pleasure or the pretense that you are doing deep spiritual exercises. If you sleep with one whom you don't love, your subtle energies will not be in balance and psychic warfare can begin. This will take its toll no matter how far apart you are physically until you sever or heal the psychic connection. It's better to be honest in the beginning. For the same reason make love only when you feel true tenderness within yourself. Your power to love will thus grow stronger. Selfish or manipulative use of sex even with someone with whom you are in love can cause great disharmony. If you feel unable to use your sexual power lovingly, then do not use it at all! Sex is a gleaming, sharp, two-edged sword, a healing tool that can quickly become a weapon. If used for base purposes, it cuts you mercilessly. If you haven't found a partner with whom you can be truly gentle, then simply touch no one. Go back to building your internal energy and when it gets high you will either attract a quality lover or learn a deeper level within yourself.
Mantak Chia (Taoist Secrets of Love: Cultivating Male Sexual Energy)
Ndoto za wachawi ni tofauti kidogo na ndoto takatifu. Wachawi wanapokuwa hawahitaji kusafiri kutoka sehemu moja kwenda nyingine, lakini wana hamu ya kuona wenzao wanafanya nini au wanasema nini, huwa wanalala ubavu mmoja upande wa kushoto kwa jina la mungu wao na la mashetani wote. Kisha wanatoa mvuke wa bluu midomoni mwao. Kupitia mvuke huo, kwa nguvu za Shetani na kwa ruhusa ya Mwenyezi Mungu, wataona na watasikia kila kinachofanyika upande wa pili. Kile wanachotaka kukiona na kukisikia hujifunua katika ufahamu wao kama taswira au maono, kutoka katika akili isiyotambua, ya watu wakifanya au wakisema kitu. Kama wanataka kujua siri za watu wengine, hata wale ambao si wachawi, watazijua kupitia ndoto hizo; kwa sababu ya makubaliano ya wazi, si ya siri, waliyoingia na Shetani. Makubaliano hayo si ya lelemama; yaani yale ambayo hufanywa kwa kutoa kafara ya mnyama, au kufuru ya aina yoyote ile kwa Mwenyezi Mungu, au kwa kuabudu dini za kichawi. Lakini ni kwa sadaka halisi ya wao wenyewe ya mwili na roho kwa Shetani na kwa kufuru ya kuikana kabisa, imani ya Mwenyezi Mungu. Lakini hiyo ni kwa wale wanaotumia uchawi wa kishetani. Wale wanaotumia uchawi wa asili, kama vile kutumia risasi kumroga mtu kwa sababu risasi mungu wake ni sayari ya Zohali, au wale walioingia mkataba wa siri na Shetani, hawana uwezo wa kuota hivyo. Hivyo, si kila mchawi anaweza kuota ndoto za namna hiyo, ni kwa wale tu walioingia mkataba wa wazi na Shetani.
Enock Maregesi
No, Mary must not give until she had counted the cost of that gift, until she was restored in body and mind, and was able to form a considered judgment. Then Stephen must tell her the cruel truth, she must say: 'I am one of those whom God marked on the forehead. Like Cain, I am marked and blemished. If you come to me, Mary, the world will abhor you, will persecute you, will call you unclean. Our love may be faithful even unto death and beyond—yet the world will call it unclean. We may harm no living creature by our love; we may grow more perfect in understanding and in charity because of our loving; but all this will not save you from the scourge of a world that will turn away its eyes from your noblest actions, finding only corruption and vileness in you. You will see men and women defiling each other, laying the burden of their sins upon their children. You will see unfaithfulness, lies and deceit among those whom the world views with approbation. You will find that many have grown hard of heart, have grown greedy, selfish, cruel and lustful; and then you will turn to me and will say: "You and I are more worthy of respect than these people. Why does the world persecute us, Stephen?" And I shall answer: "Because in this world there is only toleration for the so-called normal." And when you come to me for protection, I shall say: "I cannot protect you, Mary, the world has deprived me of my right to protect; I am utterly helpless, I can only love you.
Radclyffe Hall (The Well of Loneliness)
More than once, Mr. Dimmesdale had gone into the pulpit, with a purpose never to come down its steps until he should have spoken words like the above. More than once he had cleared his throat, and drawn in the long, deep, and tremulous breath, which, when sent forth again, would come burdened with the black secret of his soul. More than once—nay, more than a hundred times—he had actually spoken! Spoken! But how? He had told his hearers that he was altogether vile, a viler companion of the vilest, the worst of sinners, an abomination, a thing of unimaginable iniquity, and that the only wonder was that they did not see his wretched body shrivelled up before their eyes by the burning wrath of the Almighty! Could there be plainer speech than this? Would not the people start up in their seats, by a simultaneous impulse, and tear him down out of the pulpit which he defiled? Not so, indeed! They heard it all, and did but reverence him the more. They little guessed what deadly purport lurked in those self–condemning words. “The godly youth!” said they among themselves. “The saint on earth! Alas! if he discern such sinfulness in his own white soul, what horrid spectacle would he behold in thine or mine!” The minister well knew—subtle, but remorseful hypocrite that he was!—the light in which his vague confession would be viewed. He had striven to put a cheat upon himself by making the avowal of a guilty conscience, but had gained only one other sin, and a self–acknowledged shame, without the momentary relief of being self–deceived. He had spoken the very truth, and transformed it into the veriest falsehood. And yet, by the constitution of his nature, he loved the truth, and loathed the lie, as few men ever did. Therefore, above all things else, he loathed his miserable self!
Nathaniel Hawthorne (The Scarlet Letter)
Observe the condescension of this fact. This Man, who towers above all other men, holy, harmless, undefiled, and separate from sinners--this Man receiveth sinners. This Man, who is no other than the eternal God, before whom angels veil their faces--this Man receiveth sinners. It needs an angel's tongue to describe such a mighty stoop of love. That any of us should be willing to seek after the lost is nothing wonderful--they are of our own race; but that he, the offended God, against whom the transgression has been committed, should take upon himself the form of a servant, and bear the sin of many, and should then be willing to receive the vilest of the vile, this is marvellous. "This Man receiveth sinners;" not, however, that they may remain sinners, but he receives them that he may pardon their sins, justify their persons, cleanse their hearts by his purifying word, preserve their souls by the indwelling of the Holy Ghost, and enable them to serve him, to show forth his praise, and to have communion with him. Into his heart's love he receives sinners, takes them from the dunghill, and wears them as jewels in his crown; plucks them as brands from the burning, and preserves them as costly monuments of his mercy. None are so precious in Jesus' sight as the sinners for whom he died. When Jesus receives sinners, he has not some out-of-doors reception place, no casual ward where he charitably entertains them as men do passing beggars, but he opens the golden gates of his royal heart, and receives the sinner right into himself--yea, he admits the humble penitent into personal union and makes him a member of his body, of his flesh, and of his bones. There was never such a reception as this! This fact is still most sure this evening, he is still receiving sinners: would to God sinners would receive him.
Charles Haddon Spurgeon (MORNING AND EVENING: DAILY READINGS)
(...) the farming districts, the civilized world over, are dependent upon the cities for the gathering of the harvests. Then it is, when the land is spilling its ripe wealth to waste, that the street folk, who have been driven away from the soil, are called back to it again. But in England they return, not as prodigals, but as outcasts still, as vagrants and pariahs, to be doubted and flouted by their country brethren, to sleep in jails and casual wards, or under the hedges, and to live the Lord knows how. It is estimated that Kent alone requires eighty thousand of the street people to pick her hops. And out they come, obedient to the call, which is the call of their bellies and of the lingering dregs of adventure- lust still in them. Slum, stews, and ghetto pour them forth, and the festering contents of slum, stews, and ghetto are undiminished. Yet they overrun the country like an army of ghouls, and the country does not want them. They are out of place. As they drag their squat, misshapen bodies along the highways and byways, they resemble some vile spawn from underground. Their very presence, the fact of their existence, is an outrage to the fresh bright sun and the green and growing things. The clean, upstanding trees cry shame upon them and their withered crookedness, and their rottenness is a slimy desecration of the sweetness and purity of nature. Is the picture overdrawn? It all depends. For one who sees and thinks life in terms of shares and coupons, it is certainly overdrawn. But for one who sees and thinks life in terms of manhood and womanhood, it cannot be overdrawn. Such hordes of beastly wretchedness and inarticulate misery are no compensation for a millionaire brewer who lives in a West End palace, sates himself with the sensuous delights of London's golden theatres, hobnobs with lordlings and princelings, and is knighted by the king. Wins his spurs- God forbid! In old time the great blonde beasts rode in the battle's van and won their spurs by cleaving men from pate to chin. And, after all, it is far finer to kill a strong man with a clean-slicing blow of singing steel than to make a beast of him, and of his seed through the generations, by the artful and spidery manipulation of industry and politics.
Jack London (The People of the Abyss)
What a lovely day again; were it a new-made world, and made for a summer-house to the angels, and this morning the first of its throwing open to them, a fairer day could not dawn upon that world. Here's food for thought, had Ahab time to think; but Ahab never thinks; he only feels, feels, feels; that's tingling enough for mortal man! to think's audacity. God only has that right and privilege. Thinking is, or ought to be, a coolness and a calmness; and our poor hearts throb, and our poor brains beat too much for that. And yet, I've sometimes thought my brain was very calm—frozen calm, this old skull cracks so, like a glass in which the contents turned to ice, and shiver it. And still this hair is growing now; this moment growing, and heat must breed it; but no, it's like that sort of common grass that will grow anywhere, between the earthy clefts of Greenland ice or in Vesuvius lava. How the wild winds blow it; they whip it about me as the torn shreds of split sails lash the tossed ship they cling to. A vile wind that has no doubt blown ere this through prison corridors and cells, and wards of hospitals, and ventilated them, and now comes blowing hither as innocent as fleeces. Out upon it!—it's tainted. Were I the wind, I'd blow no more on such a wicked, miserable world. I'd crawl somewhere to a cave, and slink there. And yet, 'tis a noble and heroic thing, the wind! who ever conquered it? In every fight it has the last and bitterest blow. Run tilting at it, and you but run through it. Ha! a coward wind that strikes stark naked men, but will not stand to receive a single blow. Even Ahab is a braver thing—a nobler thing that that. Would now the wind but had a body; but all the things that most exasperate and outrage mortal man, all these things are bodiless, but only bodiless as objects, not as agents. There's a most special, a most cunning, oh, a most malicious difference! And yet, I say again, and swear it now, that there's something all glorious and gracious in the wind. These warm Trade Winds, at least, that in the clear heavens blow straight on, in strong and steadfast, vigorous mildness; and veer not from their mark, however the baser currents of the sea may turn and tack, and mightiest Mississippies of the land swift and swerve about, uncertain where to go at last. And by the eternal Poles! these same Trades that so directly blow my good ship on; these Trades, or something like them—something so unchangeable, and full as strong, blow my keeled soul along!
Herman Melville (Moby-Dick or, The Whale)
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie. “At least there wasn’t any sex,” she said with dead–serious concern. “No,” I said, “probably not a single bare breast.” I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies. “You know what I’m talking about,” she snapped. “I mean graphic sex.” We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant. “I don’t think children should see that kind of thing,” she added. “What should children see?” I asked her. I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene? I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
David Zindell (Splendor)
The Pakistani film International Gorillay (International guerillas), produced by Sajjad Gul, told the story of a group of local heroes - of the type that would, in the language of a later age, come to be known as jihadis, or terrorists - who vowed to find and kill an author called "Salman Rushdie" . The quest for "Rushdie" formed the main action of the film and "his" death was the film's version of happy ending. "Rushdie" himself was depicted as a drunk, constantly swigging from a bottle, and a sadist. He lived in what looked very like a palace on what looked very like an island in the Philippines (clearly all novelists had second homes of this kind), being protected by what looked very like the Israeli Army (this presumably being a service offered by Israel to all novelists), and he was plotting the overthrow of Pakistan by the fiendish means of opening chains of discotheques and gambling dens across that pure and virtuous land, a perfidious notion for which, as the British Muslim "leader" Iqbal Sacranie might have said, death was too light a punishment. "Rushdie" was dressed exclusively in a series of hideously coloured safari suits - vermilion safari suits, aubergine safari suits, cerise safari suits - and the camera, whenever it fell upon the figure of this vile personage, invariably started at his feet and then panned [sic] with slow menace up to his face. So the safari suits got a lot of screen time, and when he saw a videotape of the film the fashion insult wounded him deeply. It was, however, oddly satisfying to read that one result of the film's popularity in Pakistan was that the actor playing "Rushdie" became so hated by the film-going public that he had to go into hiding. At a certain point in the film one of the international gorillay was captured by the Israeli Army and tied to a tree in the garden of the palace in the Philippines so that "Rushdie" could have his evil way with him. Once "Rushdie" had finished drinking form his bottle and lashing the poor terrorist with a whip, once he had slaked his filthy lust for violence upon the young man's body, he handed the innocent would-be murderer over to the Israeli soldiers and uttered the only genuinely funny line in the film. "Take him away," he cried, "and read to him from The Satanic Verses all night!" Well, of course, the poor fellow cracked completely. Not that, anything but that, he blubbered as the Israelis led him away. At the end of the film "Rushdie" was indeed killed - not by the international gorillay, but by the Word itself, by thunderbolts unleashed by three large Qurans hanging in the sky over his head, which reduced the monster to ash. Personally fried by the Book of the Almighty: there was dignity in that.
Salman Rushdie (Joseph Anton: A Memoir)
Romans 1: 8 First, I thank my God through Jesus Christ for you all, that your faith is spoken of throughout the whole world. 9 For God is my witness, whom I serve with my spirit in the gospel of his Son, that without ceasing I make mention of you always in my prayers; 10 Making request, if by any means now at length I might have a prosperous journey by the will of God to come unto you. 11 For I long to see you, that I may impart unto you some spiritual gift, to the end ye may be established; 12 That is, that I may be comforted together with you by the mutual faith both of you and me. 13 Now I would not have you ignorant, brethren, that oftentimes I purposed to come unto you, (but was let hitherto,) that I might have some fruit among you also, even as among other Gentiles. 14 I am debtor both to the Greeks, and to the Barbarians; both to the wise, and to the unwise. 15 So, as much as in me is, I am ready to preach the gospel to you that are at Rome also. 16 For I am not ashamed of the gospel of Christ: for it is the power of God unto salvation to every one that believeth; to the Jew first, and also to the Greek. 17 For therein is the righteousness of God revealed from faith to faith: as it is written, The just shall live by faith. 18 For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men, who hold the truth in unrighteousness; 19 Because that which may be known of God is manifest in them; for God hath shewed it unto them. 20 For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse: 21 Because that, when they knew God, they glorified him not as God, neither were thankful; but became vain in their imaginations, and their foolish heart was darkened. 22 Professing themselves to be wise, they became fools, 23 And changed the glory of the uncorruptible God into an image made like to corruptible man, and to birds, and fourfooted beasts, and creeping things. 24 Wherefore God also gave them up to uncleanness through the lusts of their own hearts, to dishonour their own bodies between themselves: 25 Who changed the truth of God into a lie, and worshipped and served the creature more than the Creator, who is blessed for ever. Amen. 26 For this cause God gave them up unto vile affections: for even their women did change the natural use into that which is against nature: 27 And likewise also the men, leaving the natural use of the woman, burned in their lust one toward another; men with men working that which is unseemly, and receiving in themselves that recompence of their error which was meet. 28 And even as they did not like to retain God in their knowledge, God gave them over to a reprobate mind, to do those things which are not convenient; 29 Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers, 30 Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents, 31 Without understanding, covenantbreakers, without natural affection, implacable, unmerciful: 32 Who knowing the judgment of God, that they which commit such things are
Anonymous (The Holy Bible: King James Version)
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
Adam Begley (Updike)
I came to England weak in body, and, in consequence of much study, as I suppose, I was taken ill on May 15, and was soon, at least in my own estimation, apparently beyond recovery. The weaker I became in body, the happier I was in spirit. Never in my whole life had I seen myself so vile, so guilty, so altogether what I ought not to have been, as at this time. It was as if every sin of which I had been guilty was brought to my remembrance; but at the same time I could realize that all my sins were completely forgiven—that I was washed and made clean, completely clean, in the blood of Jesus. The result of this was great peace. I longed exceedingly to depart and be with Christ. When my medical attendant came to see me, my prayer was something like this: “Lord, Thou knowest that he does not know what is for my real welfare, therefore do Thou direct him.” When I took my medicine, my hearty prayer each time was something like this: “Lord, Thou knowest that this medicine is in itself nothing, no more than as if I were to take a little water. Now please, O Lord, to let it produce the effect which is for my real welfare, and for Thy glory. Let me either be taken soon to Thyself, or let me be soon restored; let me be ill for a longer time, and then taken to Thyself, or let me be ill for a longer time, and then restored. O Lord, do with me as seemeth Thee best!
George Müller (Autobiography of George Müller: A million and a half answers to prayer)
God’s Anger at Sin 18 But God shows his anger from heaven against all sinful, wicked people who suppress the truth by their wickedness.* 19 They know the truth about God because he has made it obvious to them. 20 For ever since the world was created, people have seen the earth and sky. Through everything God made, they can clearly see his invisible qualities—his eternal power and divine nature. So they have no excuse for not knowing God. 21 Yes, they knew God, but they wouldn’t worship him as God or even give him thanks. And they began to think up foolish ideas of what God was like. As a result, their minds became dark and confused. 22 Claiming to be wise, they instead became utter fools. 23 And instead of worshiping the glorious, ever-living God, they worshiped idols made to look like mere people and birds and animals and reptiles. 24 So God abandoned them to do whatever shameful things their hearts desired. As a result, they did vile and degrading things with each other’s bodies. 25 They traded the truth about God for a lie. So they worshiped and served the things God created instead of the Creator himself, who is worthy of eternal praise! Amen. 26 That is why God abandoned them to their shameful desires. Even the women turned against the natural way to have sex and instead indulged in sex with each other. 27 And the men, instead of having normal sexual relations with women, burned with lust for each other. Men did shameful things with other men, and as a result of this sin, they suffered within themselves the penalty they deserved.
Anonymous (Holy Bible Text Edition NLT: New Living Translation)
ROM1.24 Wherefore God also gave them up to uncleanness through the lusts of their own hearts, to dishonour their own bodies between themselves:  ROM1.25 Who changed the truth of God into a lie, and worshipped and served the creature more than the Creator, who is blessed for ever. Amen. ROM1.26 For this cause God gave them up unto vile affections: for even their women did change the natural use into that which is against nature:  ROM1.27 And likewise also the men, leaving the natural use of the woman, burned in their lust one toward another; men with men working that which is unseemly, and receiving in themselves that recompence of their error which was meet. ROM1.28 And even as they did not like to retain God in their knowledge, God gave them over to a reprobate mind, to do those things which are not convenient;  ROM1.29 Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers,  ROM1.30 Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents,  ROM1.31 Without understanding, covenantbreakers, without natural affection, implacable, unmerciful:  ROM1.32 Who knowing the judgment of God, that they which commit such things are worthy of death, not only do the same, but have pleasure in them that do them.
Anonymous (KING JAMES BIBLE with VerseSearch)
What's that smell?" [my mother] shouted. "Biogas, it's-" "It's horrible!" By now the plastic was rumbling like mad, ready to blow. I had to act quickly. It was time to remove the reed and proceed with ignition. I reached over and quickly popped out the reed, and when I did, a pipe of silver steam came rushing out the top. My mother was right, it smelled vile. I'd set aside a long piece of grass, so I grabbed it now and poked it into the fire, catching a flame. "Stand back!" I shouted. "This could be dangerous." "What?!" I stood up and ran to the door, pushing my mother aside. With half my body shielded by the door frame, I stretched out my arm, inching the flame closer and closer. "Here it goes," I said. I touched the fire to the piping stream, clinching my eyes to shield them from the flash. But when the flame touched the gas, all it did was sputter and die. When I opened my eyes, all I saw was a piece of grass, dripping with foul water. My mother was furious. "Look what you've done; you've ruined my best cooking pot! Boiling goats' poop, I can't believe it. Wait until I tell your father..." I wanted to explain that I'd done it for her sake, but I guess it wasn't the right time.
William Kamkwamba
The room contains a few dozen living human bodies, each one a big sack of guts and fluids so highly compressed that it will squirt for a few yards when pierced. Each one is built around an armature of 206 bones connected to each other by notoriously fault-prone joints that are given to obnoxious creaking, grinding, and popping noises when they are in other than pristine condition. This structure is draped with throbbing steak, inflated with clenching air sacks, and pierced by a Gordian sewer filled with burbling acid and compressed gas and asquirt with vile enzymes and solvents produced by the many dark, gamy nuggets of genetically programmed meat strung along its length. Slugs of dissolving food are forced down this sloppy labyrinth by serialized convulsions, decaying into gas, liquid, and solid matter which must all be regularly vented to the outside world lest the owner go toxic and drop dead. Spherical, gel-packed cameras swivel in mucus-greased ball joints. Infinite phalanxes of cilia beat back invading particles, encapsulate them in goo for later disposal. In each body a centrally located muscle flails away at an eternal, circulating torrent of pressurized gravy.
Neal Stephenson (Cryptonomicon)
we were struck down as one by a virus of most vile design, whether it is natural or manmade, we do not know. In the beginning it did not take our lives firsthand, but in the darkness of women’s bodies, it did its horrid work. It undermined the very fabric of life, its effects robbing the world of procreation by burning out the possibility of female existence.
Joe Hart (The Last Girl (The Dominion Trilogy, #1))
Aidha, tunaweza kupata inkishafi kutokana na asili ya miili yetu, matukio fulani ya wakati ujao yana asili yake katika ndoto za binadamu. Ndoto hizo au maono hayo ni ishara ya kile kinachokuja mbele katika maisha ya mtu; kama vile afya, ugonjwa au hatari. Ukiota kuhusu moto, hiyo ni ishara ya hasira – unatakiwa kuwa na hekima; ukiota kuhusu mimba na unajifungua, hiyo ni ishara ya kuwa katika mchakato wa kutengeneza wazo jipya – unatakiwa kushukuru; ukiota unaruka angani, hiyo ni ishara ya tumaini – unatakiwa kushukuru; ukiota kuhusu maji au kiowevu kingine chochote kile, hiyo ni ishara ya siri na wakati mwingine ni ishara ya kuwa na matatizo ya kiafya kama utaota kuhusu maji machafu – unatakiwa kuwa msiri na msafi; ukiota kuhusu ardhi, hiyo ni ishara ya huzuni – unatakiwa kuomba; na ukiota kuhusu Yesu, hiyo ni ishara ya mafanikio – unatakiwa kushukuru.
Enock Maregesi
The blackguard had probably shot Victor, or worse, Dom! And he was getting away! Not on her watch, he wasn’t. She didn’t stop to think. As he came abreast of the carriage, she swung the door of the carriage open, directly into his path. It knocked him right off his feet. As he lay there, stunned, she leaped out and marched over to him. A red haze filled her vision at the thought of everything he’d done, and she dug the heel of her half boot into the wrist of the hand holding the gun. As Samuel let out a howl, she wrenched the pistol from his hand. Then she backed up and aimed it at him, praying she could pull the trigger if she had to. Not that she was likely to hit anything if she did; she’d never shot a firearm in her life. But he was not escaping, drat it. Samuel stumbled to his feet, then blanched. “Jane!” “Yes, it’s Jane, you…you…vile…horrible…arse!” “Give me the gun, Jane,” he said hoarsely, fixing his gaze on it. “You don’t want to be playing with that.” With her blood beating a fearful tattoo through her veins, she steadied the pistol in the general direction of his heart. Though she could think of better places to shoot him, frankly. “I’m not playing. And you’re not going anywhere.” Samuel lunged at her, and the pistol went off. Which was odd, because she couldn’t remember pulling the trigger. But she must have, because smoke came out of the end of the pistol and he cried out and dropped to the ground at her feet, grabbing his thigh. As Samuel rolled there, clutching at his leg and howling, Victor skidded to a halt beside him. “Good shot, Jane!” The grin he flashed her reminded her instantly of Max. “I saw you hit him with the carriage door, too. Excellent work. We’ll have to make you an honorary Duke’s Man.” “Over my dead body,” Dom growled as he ran up beside her.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
What had those vile creatures unleashed in me? What beast had they awakened? I think I vowed to kill the beast and bury it so deep in the abyss it would never again rear its ugly head. Part of me did make this promise. The other part embraced an unfolding of life’s inextinguishable flames and the mind’s unspoken bondage. As far as reinforcing the strength of my mind’s resolve, I supposed my body was a useless entity. Rather, it was this fancy thing I lived in—a mausoleum that beckoned the living, promising gratification, refuge, solace, peace, even immortality. It wasn’t me. It wasn’t mine. I realized then, it had never belonged to me. I could control what happened to it only if people were merciful. Watching Valentin was not merciful. It was a torturous joy.
D.K. Sanz/Kyrian Lyndon (Deadly Veils Book One Provenance of Bondage)
Pulchritude is possibly the most vile standard ever set by the society to judge people. Nobody cares what's inside. Beauty depends on your complexion & the curves in your body. People are so invested in enhancing their looks that they forget to nurture the true beauty that lies under the skin. Physical beauty is temporary and paves the way for attracting short-lived attention mostly from those who worship lust. You'll never be conscious of your fugacious youth until the day you discover yourself loosing all the features you need to satisfy that evil standard. That day, you'll realize that the real "beautiful you" has always been deep inside. You'll finally be able to discern the difference between physical beauty and true beauty.
Rafsan Al Musawver
We are not this physical body, and we are not this carnal mind. We are our personality, which is soul. When our human spirit escapes from our carnal mind, we [our personality/soul] will flee into, and become one with, Christ Jesus, the Lake of Fire. Then, He will overshadow our carnal mind and swallow up the vile elements of our old nature.
Sheila R. Vitale (The Truth About Baptism)
Look, it’s not like I don’t understand why you’re so obsessed with my bro, but—” “Oh ho ho ho! You are quite the joker, Alice. My love for Alexander is pure and innocent. Yes, as one who is known as the Queen of Purity, the love that I have for your brother can only be pure in return. Please do not mistake it for something as vile as obsession. Such terms more aptly describe my brother.” “Well, I can’t deny you on that point.” Jameson de Truante was unpleasant at best, an obsessive-compulsive freak at worst, and a narcissistic loser with an ego the size of Mars. Nobody liked him. Not really anyway. People just treated him nicely because he was rich. “Back to my original topic,” Jasmine started. Alice wanted to facepalm, but that would require effort. “Could we please change the subject? Listening to how my best friend wants to bang my older brother is troublesome.” “W-wha—I do not want to ‘bang’ Alexander! I thought I told you, my love for him is—” “Pure. Yes, yes. I know. Your love is so pure. Is that why you have a naked body pillow of my brother at home?” Jasmine nearly fell out of her seat. Her horrified expression was a sight to behold. “H-how did you know about that?” “I didn’t,” Alice said, feeling a jolt course through her. Knowing that her friend really did have a body pillow with her brother on it creeped her out.
Brandon Varnell (A Most Unlikely Hero, Vol. 2 (A Most Unlikely Hero, #2))
She awakened with a start to find Macon standing at the foot of the bed, watching her with a grin stretched across his face. His finger and thumb still lingered on her big toe. Stunned, she scooted toward the headboard, as if it could lend her some protection, her eyes wide. Steven’s .45 was in the drawer of the nightstand on his side of the bed. She inched in that direction. “What are you doing here?” she croaked. Macon dragged his eyes over her lush figure, her sleep-rumpled underthings made of the thinnest lawn, and smiled. “You might say I’ve come to admire the spoils. It won’t be long now, Emma, dear. Things are going very badly for Steven. Soon you’ll be giving me fine, redheaded sons. Of course, I won’t be able to keep you here at Fairhaven—that would be indiscreet. We’ll have to get you a place in town.” Emma tried to shield her breasts with one arm as she moved nearer and nearer the side of the bed. “You’re vile, Macon Fairfax, and I’d sooner die than let you touch me. Now, get out of here before I scream!” “You can scream all you want,” he chuckled, spreading his hands wide of his lithe body. “There’s nobody here but the servants, and they wouldn’t dream of interfering, believe me.” Emma swallowed hard. She couldn’t be sure whether he was bluffing; after all, this was Macon’s house as well as Cyrus’s. If he gave instructions, they were probably obeyed. “Get out,” she said again. Her hand was on the knob of the nightstand drawer, but she knew she wasn’t going to have time to get the pistol out and aim it before Macon was on her. He was too close, and his eyes showed that he knew exactly what she meant to do. “It won’t be so bad, Emma,” he coaxed, his voice a syrupy croon by then. “I know how to make you happy, and you’re in just the right place for me to prove it.” “Don’t touch me,” Emma breathed, shrinking back against the headboard, her eyes wide with horror. “Steven will kill you if you touch me!” “You wouldn’t tell him.” Macon was standing over her by then, looking down into her face. She could see a vein pulsing at his right temple as he set his jaw for a moment. “You’d keep it to yourself because he wouldn’t have a chance in hell of winning this case if he assaulted me in a fit of rage—would he?” Emma’s heart was thundering against her ribs and she was sure she was going to throw up. She tried to move away from Macon, but he reached out and grasped her hard by the hair. “Please,” she whispered. He indulged in a small, tight smile. “Don’t humiliate yourself by begging, darling. It won’t save you. Keep your pleas for those last delicious moments before pleasure overtakes you.” Bile rushed into the back of Emma’s throat. “Let me go.” He pressed her flat against the mattress, his hand still entangled in her hair. She gazed up at him in terror, unable to speak at all. The crash of the door against the inside wall startled them both. Emma’s eyes swung to the doorway, and so did Macon’s. Nathaniel was standing there, still dressed in the suit he’d worn to Steven’s trial, his tie loose, his Fairfax eyes riveted on his cousin’s face. In his shaking hand was a derringer, aimed directly at Macon’s middle. “Let her go,” he said furiously. Macon released Emma, but only to shrug out of his coat and hang it casually over the bedpost. “Get out of here, Nathaniel,” he said, sounding as unconcerned as if he were about to open a book or pour himself a drink. “This is business for a man, not a boy.” Emma was breathing hard, her eyes fixed on Nathaniel, pleading with him. With everything in her, she longed to dive for the other side of the bed and run for her life, but she knew she wouldn’t escape Macon. Not without Nathaniel’s help. “I won’t let you hurt her,” the boy said with quiet determination. The derringer, wavering before, was steady now. Macon
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Next Day Moving from Cheer to Joy, from Joy to All, I take a box And add it to my wild rice, my Cornish game hens. The slacked or shorted, basketed, identical Food-gathering flocks Are selves I overlook. Wisdom, said William James, Is learning what to overlook. And I am wise If that is wisdom. Yet somehow, as I buy All from these shelves And the boy takes it to my station wagon, What I’ve become Troubles me even if I shut my eyes. When I was young and miserable and pretty And poor, I’d wish What all girls wish: to have a husband, A house and children. Now that I’m old, my wish Is womanish: That the boy putting groceries in my car See me. It bewilders me he doesn’t see me. For so many years I was good enough to eat: the world looked at me And its mouth watered. How often they have undressed me, The eyes of strangers! And, holding their flesh within my flesh, their vile Imaginings within my imagining, I too have taken The chance of life. Now the boy pats my dog And we start home. Now I am good. The last mistaken, Ecstatic, accidental bliss, the blind Happiness that, bursting, leaves upon the palm Some soap and water-- It was so long ago, back in some Gay Twenties, Nineties, I don’t know . . . Today I miss My lovely daughter Away at school, my sons away at school, My husband away at work--I wish for them. The dog, the maid, And I go through the sure unvarying days At home in them. As I look at my life, I am afraid Only that it will change, as I am changing: I am afraid, this morning, of my face. It looks at me From the rear-view mirror, with the eyes I hate, The smile I hate. Its plain, lined look Of gray discovery Repeats to me: “You’re old.” That’s all, I’m old. And yet I’m afraid, as I was at the funeral I went to yesterday. My friend’s cold made-up face, granite among its flowers, Her undressed, operated-on, dressed body Were my face and body. As I think of her I hear her telling me How young I seem; I am exceptional; I think of all I have. But really no one is exceptional, No one has anything, I’m anybody, I stand beside my grave Confused with my life, that is commonplace and solitary.
Randall Jarrell
Then Sister Loretta got to her point. “There are some boys in here who probably play with themselves at night. Abuse themselves. I am sure all of you know what I mean.” “Yes, Sister,” Ben thought, hating her, “I know what you mean.” “Always remember that your bodies are temples of the Holy Ghost and when you abuse yourself sexually, you are also abusing the house of God. Scientists call this vile habit masturbation, but it is more aptly referred to as self-abuse,” she said, glaring into the collective face of adolescence which suffered before her. “Self-abuse,” she repeated. “Just think of these two words and you will never be tempted to engage in this again. God knows if you abuse yourself. He watches you. He sees you do it. It disgusts him. It disgusts him so much that he calls his mother, the Blessed Virgin, to his side to watch the hideous spectacle. Then he calls his angels to watch and all the Saints in heaven. Thousands upon thousands of Saints and Angels are watching you every hour of the day. They especially watch you when you are alone at night. They see the dirty things you do with your hands and private parts. All of heaven: God, Jesus, the Holy Ghost, the Blessed Mother, the Seraphim, and all the other Angels scream out their hatred of you, chant and sing that they despise you as they watch you flaunt yourself and weaken yourself with your filthy acts.” As Ben listened in pitched horror at Sister Loretta’s portraiture of heaven’s entire populace jeering at some thin lad’s whacking off in the privacy of his room, not knowing he was being observed by the entire celestial civilization, Ben thought of himself, his sinfulness, and his innocence. He had received no preparation—none—for his entry into the arena of a Catholic adolescence
Pat Conroy (The Great Santini)
We therefore commit Captain Luke Hemming’s body to the depths of space, to be turned into corruption, looking for the resurrection of the body, when the Universe shall give up her dead, and the life of worlds to come, through our Lord Jesus Christ. Who at his coming shall change our vile body, that it may be like his glorious body, according to the mighty working, whereby he is able to subdue all things to himself.
Chris Hadfield (The Apollo Murders (Apollo Murders #1))
This is the wandring wood, this Errours den, This is no place for liuing men. But full of fire and greedy hardiment, The youthfull knight could not for ought be staide, But forth vnto the darksome hole he went, And looked in: his glistring armor made A litle glooming light, much like a shade, By which he saw the vgly monster plaine, Halfe like a serpent horribly displaide, But th’other halfe did womans shape retaine, Most lothsom, filthie, foule, and full of vile disdaine. And as she lay vpon the durtie ground, Her huge long taile her den all ouerspred, Yet was in knots and many boughtes vpwound, Pointed with mortall sting. Of her there bred A thousand yong ones, which she dayly fed, Sucking vpon her poisonous dugs, each one Of sundry shapes, yet all ill fauored: Soone as that vncouth light vpon them shone, Into her mouth they crept, and suddain all were gone. Their dam vpstart, out of her den effraide, And rushed forth, hurling her hideous taile About her cursed head, whose folds displaid Were stretcht now forth at length without entraile. For light she hated as the deadly bale, Ay wont in desert darknesse to remaine, Where plaine none might her see, nor she see any plaine. Which when the valiant Elfe perceiu’ed, he lept As Lyon fierce vpon the flying pray, And with his trenchand blade her boldly kept From turning backe, and forced her to stay: Therewith enrag’d she loudly gan to bray, And turning fierce, her speckled taile aduaunst, Threatning her angry sting, him to dismay: Who nought aghast, his mightie hand enhaunst: The stroke down from her head vnto her shoulder glaunst. Much daunted with that dint, her sence was dazd, Yet kindling rage, her selfe she gathered round, And all attonce her beastly body raizd With doubled forces high aboue the ground: Tho wrapping vp her wrethed sterne arownd, Lept fierce vpon his shield, and her huge traine All suddenly about his body wound, That hand or foot to stirre he stroue in vaine: God helpe the man so wrapt in Errours endlesse traine. His Lady sad to see his sore constraint, Cride out, Now now Sir knight, shew what ye bee, Add faith vnto force, and be not faint: Strangle her, else she sure will strangle thee. That when he heard, in great perplexitie, His gall did grate for griefe and high disdaine, And knitting all his force got one hand free, Wherewith he grypt her gorge with so great paine, That soone to loose her wicked bands did her constraine. Therewith she spewd out of her filthy maw A floud of poyson horrible and blacke, Full of great lumpes of flesh and gobbets raw, Which stunck so vildly, that it forst him slacke His grasping hold, and from her turne him backe: Her vomit full of bookes and papers was, With loathly frogs and toades, which eyes did lacke, And creeping sought way in the weedy gras: Her filthy parbreake all the place defiled has. (...) That welnigh choked with the deadly stinke, His forces faile, ne can no longer fight. Whose corage when the feend perceiu’d to shrinke, She poured forth out of her hellish sinke Her fruitfull cursed spawne of serpents small, Deformed monsters, fowle, and blacke as inke, Which swarming all about his legs did crall, And him encombred sore, but could not hurt at all. (...) Thus ill bestedd, and fearefull more of shame, Then of the certaine perill he stood in, Halfe furious vnto his foe he came, Resolv’d in minde all suddenly to win, Or soone to lose, before he once would lin; And strooke at her with more then manly force, That from her body full of filthie sin He raft her hatefull head without remorse; A streame of cole black bloud forth gushed from her corse.
Edmund Spenser
At the end, it seemed as if things were spinning out of control. I was drinking more than usual, had missed work, and was getting behind in the cleanup and disposal of my victims. At the time I met this guy, there was already a previous victim soaking in a solution of salt, formaldehyde, and water in my bathtub. I sometimes did this if I was too tired to cut up the bodies at night. This seemed to slow down the decomposition and reduced the smell, which was a constant problem.” Our investigation showed that Dahmer had been approached several times by his building superintendent, as well as neighbors, concerning the vile smells coming from his apartment.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
Emeline...?" Her mother's voice was no longer a rasp, but a soft, quivering thing. Emeline spun to find the Vile behind her, glimmering like a mirage. The air shone, delicate as a cobweb, then changed. Like a butterfly abandoning its chrysalis, the Vile before her fell away, until a monster stood before Emeline no longer. In the monster's place was a middle-aged woman, beautiful as the moon. Her raven-dark hair fell in waves around her shoulders, her eyes were the bright blue of robins' eggs, and down her body spilled a silk dress the color of storm clouds. Emeline let out a shaky breath. "Mama?" Rose Lark dropped the knife and the sharpening stone. They hit the soft earth with a thud. The roots of the cavern immediately grew over them, pulling both blade and stone deep into the earth where they couldn't be retrieved. Staring at her daughter, Rose took a hesitant step before lifting shaky fingers to Emeline's face. "I'm so sorry," she whispered as tears trembled down her pale cheeks. Emeline shook her head furiously, reaching for her. "It wasn't your fault." She wrapped her arms around her mother's frail shoulders, pulling her close. Her hair smelled sweet, like rosewater. Her thin body shook like a sapling in a gale. Weeping, Rose held her daughter tightly, as if, this time, she didn't intend to let go.
Kristen Ciccarelli (Edgewood)
Many people are surprised to learn that some Yanomamo men often mistreat their wives-they beat them with pieces of firewood, shoot them with barbed arrows in a nonfatal part of their bodies, chop their arms and upper bodies with axes and machetes, press burning chunks of firewood against their bodies, and do other things that most of us would find revolting and vile... Yanomamo men are intensely jealous of their wives and always seem to be tracking them... The men seem to have the fatalistic view that an unguarded woman will invariably be seduced by some huya [young man] if left unattended for very long, and therefore the men assume the worst if their wives are out of sight and not with groups of other women.
Napoleon A. Chagnon (Noble Savages: My Life Among Two Dangerous Tribes - the Yanomamo and the Anthropologists)
I’m absolutely fucked. I drop my full weight onto her smaller body, yank her knees up and rail that spasming pussy in a way that should land me in prison. My grunts are vile, my thrusts crude and rough—and there’s nothing I can do to stop myself because she’s got a pussy that won’t quit. It’s sopping wet and welcoming every drive of my cock with a hot little flex.
Jessa Kane (A Baby for the Boss)
Then trembling yet through feare, the Squire bespake, That Geauntesse Argante is behight, A daughter of the Titans which did make Warre against heauen, and heaped hils on hight, To scale the skyes, and put Ioue from his right: Her sire Typhœus was, who mad through merth, And drunke with bloud of men, slaine by his might, Through incest, her of his owne mother Earth Whilome begot, being but halfe twin of that berth. For at that berth another Babe she bore, To weet the mighty Ollyphant, that wrought Great wreake to many errant knights of yore, And many hath to foule confusion brought. These twinnes, men say, (a thing far passing thought) Whiles in their mothers wombe enclosd they were, Ere they into the lightsome world were brought, In fleshly lust were mingled both yfere, And in that monstrous wise did to the world appere. So liu’d they euer after in like sin, Gainst natures law, and good behauioure: But greatest shame was to that maiden twin, Who not content so fowly to deuoure Her natiue flesh, and staine her brothers bowre, Did wallow in all other fleshly myre, And suffred beasts her body to deflowre: So whot she burned in that lustfull fyre, Yet all that might not slake her sensuall desyre. But ouer all the countrey she did raunge, To seeke young men, to quench her flaming thurst, And feed her fancy with delightfull chaunge: Whom so she fittest finds to serue her lust, Through her maine strength, in which she most doth trust, She with her brings into a secret Ile, Where in eternall bondage dye he must, Or be the vassall of her pleasures vile, And in all shamefull sort him selfe with her defile.
Edmund Spenser (Faerie Queene)
His face searches mine for a moment, looking for answers to all the unspoken questions he has swimming in his brain. All the things he wants to know, yet knows better than to ask. Because it's too much, too soon. He and I are simply enjoying each other's bodies. Having fun fucking the daylights out of each other on whatever surface is available in any semi-private place we can find.
C.E. Ricci (These Vile Secrets (Enclave, #1))
(Errour's Den) This is the wandring wood, this Errours den, A monster vile, whom God and man does hate: Therefore I read beware. Fly fly (quoth then The fearefull Dwarfe:) this is no place for liuing men. But full of fire and greedy hardiment, The youthfull knight could not for ought be staide, But forth vnto the darksome hole he went, And looked in: his glistring armor made “A litle glooming light, much like a shade, By which he saw the vgly monster plaine, Halfe like a serpent horribly displaide, But th’other halfe did womans shape retaine, Most lothsom, filthie, foule, and full of vile disdaine. And as she lay vpon the durtie ground, Her huge long taile her den all ouerspred, Yet was in knots and many boughtes vpwound, Pointed with mortall sting. Of her there bred A thousand yong ones, which she dayly fed, Sucking vpon her poisonous dugs, eachone Of sundry shapes, yet all ill fauored: Soone as that vncouth light vpon them shone, Into her mouth they crept, and suddain all were gone. [The monster] Lept fierce vpon his shield, and her huge traine All suddenly about his body wound, That hand or foot to stirre he stroue in vaine: God helpe the man so wrapt in Errours endlesse traine. His Lady sad to see his sore constraint, Cride out, Now now Sir knight, shew what ye bee, Add faith vnto your force, and be not faint: Strangle her, else she sure will strangle thee. That when he heard, in great perplexitie, His gall did grate for griefe and high disdaine, And knitting all his force got one hand free, Wherewith he grypt her gorge with so great paine, That soone to loose her wicked bands did her constraine. Therewith she spewd out of her filthy maw A floud of poyson horrible and blacke, Full of great lumpes of flesh and gobbets raw, Which stunck so vildly, that it forst him slacke His grasping hold, and from her turne him backe: Her vomit full of bookes and papers was, With loathly frogs and toades, which eyes did lacke, And creeping sought way in the weedy gras: Her filthy parbreake all the place defiled has. ... Her fruitfull cursed spawne of serpents small, Deformed monsters, fowle, and blacke as inke, Which swarming all about his legs did crall, And him encombred sore, but could not hurt at all. ... Resolv’d in minde all suddenly to win, Or soone to lose, before he once would lin; And strooke at her with more then manly force, That from her body full of filthie sin He raft her hatefull head without remorse; A streame of cole black bloud forth gushed from her corse. Her scattred brood, soone as their Parent deare They saw so rudely falling to the ground, Groning full deadly, all with troublous feare, Gathred themselues about her body round, Weening their wonted entrance to haue found At her wide mouth: but being there withstood They flocked all about her bleeding wound, And sucked vp their dying mothers blood, Making her death their life, and eke her hurt their good.
Edmund Spenser (The Faerie Queene)
(Lament about the Evils of Darkness) Night thou foule Mother of annoyance sad, Sister of heauie death, and nourse of woe, Which wast begot in heauen, but for thy bad And brutish shape thrust downe to hell below, Where by the grim floud of Cocytus slow Thy dwelling is, in Herebus blacke hous, (Blacke Herebus thy husband is the foe Of all the Gods) where thou vngratious, Halfe of thy dayes doest lead in horrour hideous. What had th’eternall Maker need of thee, The world in his continuall course to keepe, That doest all things deface, ne lettest see The beautie of his worke? Indeed in sleepe The slouthfull bodie, that doth loue to steepe His lustlesse limbes, and drowne his baser mind, Doth praise thee oft, and oft from Stygian deepe Calles thee, his goddesse in his error blind, And great Dame Natures handmaide, chearing euery kind But well I wote, that to an heauy hart Thou art the root and nurse of bitter cares, Breeder of new, renewer of old smarts: Instead of rest thou lendest rayling teares, Instead of sleepe thou sendest troublous feares, And dreadfull visions, in the which aliue The drearie image of sad death appeares: So from the wearie spirit thou doest driue Desired rest, and men of happinesse depriue. Vnder thy mantle blacke there hidden lye, Light-shonning theft, and traiterous intent, Abhorred bloudshed, and vile felony, Shamefull deceipt, and daunger imminent; Foule horror, and eke hellish dreriment: All these I wote in thy protection bee, And light doe shonne, for feare of being shent: For light ylike is loth’d of them and thee, And all that lewdnesse loue, doe hate the light to see. For day discouers all dishonest wayes, And sheweth each thing, as it is indeed: The prayses of high God he faire displayes, And his large bountie rightly doth areed. Dayes dearest children be the blessed seed, Which darknesse shall subdew, and heauen win: Truth is his daughter; he her first did breed, Most sacred virgin, without spot of sin. Our life is day, but death with darknesse doth begin.
Edmund Spenser (Faerie Queene)
I will always protect you, he had said. But that does not mean you will not know pain. In the darkness of Palace Var, lost in Vahe's sweet-smelling enchantments, she had rejected him. Shame filled her, made all the more painful because he now looked directly into her eyes and said: "My child, won't you come to me?" She was on her feet in a heartbeat, running to his outstretched arms. Like a little girl running to her father for comfort, without a thought for her vile face, her dirty rags, her burned body. His arms closed around her, and he held her gently but with strength, and she cursed herself again and again for doubting him. "I'm sorry," she whispered. "You were long since forgiven," he replied.
Anne Elisabeth Stengl (Moonblood (Tales of Goldstone Wood, #3))
She hadn’t been inside the summer house since Camille’s body had been found but knew enough from the things she had seen online to be able to picture the scene. Her naked sister bound to a chair; her body cut and bruised and graffitied with vile words.
Keri Beevis (The Summer House)
And Adelmo that day quoted another lofty authority, the doctor of Aquino, when he said that divine things should be expounded more properly in figures of vile bodies than of noble bodies.
Umberto Eco (The Name Of The Rose)