Vienna Waits For You Quotes

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Do you want to go back to Vienna?” he said. Alec didn’t answer, just stared into space. “Or we could go somewhere else,” said Magnus. “Anywhere you want. Thailand, South Carolina, Brazil, Peru – Oh, wait, no, I’m banned from Peru. I’d forgotten about that. It’s a long story, but amusing if you want to hear it.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Dream on, but don't imagine they'll all come true. When will you realize... Vienna waits for you.
Billy Joel
when will you realize, vienna waits for you?
Billy Joel
I was a crazy creature with a head full of carnival spangles until I was thirty, and then the only man I ever really cared for stopped waiting and married someone else. So in spite, in anger at myself, I told myself I deserved my: fate for not having married when the best chance was at hand. I started traveling. My luggage was snowed under blizzards of travel stickers. I have been alone in Paris, alone in Vienna, alone in London, and all in all, it is very much like being alone in Green Town, Illinois. It is, in essence, being alone. Oh, you have plenty of time to think, improve your manners, sharpen your conversations. But I sometimes think I could easily trade a verb tense or a curtsy for some company that would stay over for a thirty-year weekend.
Ray Bradbury (Dandelion Wine)
Good morning on the 7th of July. while still in bed my thoughts turn towards you my Immortal Beloved, now and then happy, then sad again, waiting whether Fate might answer us. – I can only live either wholly with you or not at all, yes, I have resolved to stray about far away until I can fly into your arms, and feel at home with you, and send my soul embraced by you into the realm of the Spirits. – Yes, unfortunately it must be. – You will compose yourself, all the more since you know my faithfulness to you, never can another own my heart, never – never. – Oh God why do I have to separate from someone whom I love so much, and yet my life in V[ienna] as it is now is a miserable life. – Your love makes me at once most happy and most unhappy. – At my age, I would now need some conformity regularity in my life – can this exist in our relationship? – Angel, I just learned that the post goes every day – and I must therefore conclude so that you get the l[etter] straightway – be patient, only through quiet contemplation of our existence can we achieve our purpose to live together – be calm – love me – today – yesterday. – What yearning with tears for you – you – you – my life – my everything – farewell – oh continue to love me – never misjudge the most faithful heart of your Beloved L. Forever thine forever mine forever us.
Ludwig van Beethoven
No, no - you have to understand, Lysander, here in Vienna, in this ramshackle empire of ours, suicide is a perfectly reasonable course of action. Everyone will know your true feelings and why you had no choice but to do it - no one will condemn you or blame you.
William Boyd (Waiting for Sunrise)
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
We came to Vienna to find this”-she pointed-“the desired thing. But we’re running out of time and we don’t know what it is or where to find it.” “Now splendid. You’ve come to the right place.” “I knew it!” Arriane crowed. She leaned back into her chair and slapped Annabelle, who was politely nibbling at a scone, on the back. “As soon as I saw you, I knew we’d be okay. You have the desideratum, don’t you?” “No, dear.” Dee shook her head. “Then…what?” Daniel asked. “I am the desideratum.” She beamed. “I’ve been waiting such a long time to be called into service.
Lauren Kate (Rapture (Fallen, #4))
On one of those first days back in Vienna, I looked up my friend Paul Polak and told him about the deaths of my parents, my brother, and Tilly. I remember that I burst into tears and said: “Paul, I must tell you, that when all this happens to someone, to be tested in such a way, that it must have some meaning. I have a feeling—and I don’t know how else to say it—that something waits for me. That something is expected of me, that I am destined for something.” After this I felt relieved, and no one could have understood me better than my dear old friend, Paul Polak.
Viktor E. Frankl (Recollections: An Autobiography)
What did this Madame Moon tell you?” Her friend frowned slightly. “It was so strange. She said there was a man here tonight who was everything I could ever want, and that if I did not find him, my life would be empty and…tragic.” “Good lord.” Rose dug in her heels. “I’m not going near this woman. It’s all about men.” “We’re women,” Eve needlessly reminded her, giving her a shove toward the tent entrance. “Of course it’s all about men. Now get in th…oh my.” Rose turned her head. Her friend was staring at someone on the other side of the room-a man. A handsome, lean, dangerous-looking man with the grace of a cat. A very predatory cat, and he was staring at Eve as though she was the sweetest, plumpest mouse he’d ever seen. Perhaps there was more to this Madame Moon than she first suspected. One look at Eve’s face and she could tell her friend was just as taken by this man as he by her. “Go,” Rose whispered. And then loudly she said, “Eve, is not that Amanda Ross by the punch bowl? She said she had a recipe for a new face cream. Go get it from her, will you?” Eve shot her a startled glance, because they both knew Amanda Ross was standing not two feet away from Vienna La Rieux, who was conversing with Mr. Dangerous. But as startled as her friend might have been by the encouragement, she also realized that both of their chaperones were in line to have their fortunes told and that she might never have an opportunity like this again. “Of course,” she replied loudly as well. “I will be right back.” And off she went. Alone, and the target of exasperated looks by the ladies waiting their turns, Rose ducked into the tent to face her future.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
She sits with shoulders slumped, staring at the wall, waiting for an answer, waiting to feel some joy. She's holding her breath without knowing it, listening to her body like a pregnant woman, listening, bending down deep into herself. But nothing stirs, everything is silent and empty like a forest when no birds are singing. She tries harder, this twenty-eight-year-old woman, to remember what it is to be happy, and with alarm she realizes that she no longer knows, that it's like a foreign language she learned in childhood but has now forgotten, remembering only that she knew it once. When was the last time I was happy? She thinks hard, and two little lines are etched in her bowed forehead. Gradually it comes to her: an image as though from a dim mirror, a thin-legged blond girl, her schoolbag swinging above her short cotton skirt. A dozen other girls are swirling about her: it's a game of rounders in a park in suburban Vienna. A surge of laughter, a bright trill of high spirits following the ball into the air, now she remembers how light, how free that laughter felt, it was never far away, it tickled under her skin, it swirled through her blood; one shake and it would spill out over her lips, it was so free, almost too free: on the school bench you had to hug yourself and bite your lip to keep from laughing at some funny remark or silliness in French class. Any little thing would set off waves of that effervescent girlish laughter. A teacher who stammered, a funny face in the mirror, a cat chasing its tail, a look from an officer on the street, any little thing, any tiny, senseless bit of nonsense, you were so full of laughter that anything could bring it out. It was always there and ready to erupt, that free, tomboyish laughter, and even when she was asleep, its high-spirited arabesque was traced on her young mouth.
Stefan Zweig (The Post-Office Girl)
You'll come with me to Vienna, of course," I said. It wasn't a question. Käthe blinked, surprised by my sudden turn in conversation. "What?" "You'll be coming with me to Vienna," I repeated. "Won't you?" "Liesl," she said, eyes shining with tears. "Are you sure?" "Of course I'm sure," I said. "It'll be just like the Ideal Imaginary." She laughed again, and the sound was as pure as a spring morning. The what-if games my little sister and I had played as girls had been ways to pass the time, a space we created untouched by the grime and grief of ordinary drudgery. A world where we were princesses and queens, a world as beautiful and as magical as any my brother and I had made together. "Just imagine, Käthe." I took her hand mine. "Bonbons and handsome swains waiting on us hand and foot." She giggled. "And all the silks and velvets and brocades to dress ourselves in!" "An invitation to a different ball every night!" "Masques and operas and parties and dancing!" "Schnitzel and Apfelstrudel and Turkish coffee!" "Don't forget the chocolate torte," Käthe added. "It's your favorite." I laughed, and for a moment, I allowed myself to pretend we were little girls again, when our wants and dreams were as closely entwined as our fingers. "What if," I said softly. "Not a what-if," my sister said fiercely. "A when." "When," I repeated. I could not stop smiling.
S. Jae-Jones (Shadowsong (Wintersong, #2))
Slow down you're doing fine You can't be everything you want to be before your time ... When will you realize, Vienna waits for you?
Billy Joel
love visiting the Christmas markets up north. Mia would too. Vienna, Prague, Budapest. When it’s snowing outside and there’s ice-skating and Christmas trees everywhere. Desserts everywhere. Mulled wine, hot cider. Everyone is so happy, running around in their thick jackets and wool hats. It’s a fairy tale.” “Wait, Budapest. Is that part of Europe?” “Sí, it’s part of the EU, but it’s less expensive there. A different currency. You can stay in these, emm, great historic apartments for very little. Last time, my friends and I stayed in a place overlooking the Danube with a piano in the living room. We hired a pianist and violinist to play for us . . . for barely anything.
Boo Walker (A Spanish Sunrise)
It is a clear and dazzling summer’s day in Vienna. You are standing in a skewed pentangle of lemony sunshine at the sharp corner of Augustiner Strasse and Augustinerbastei, across from the opera house, indolently watching the world pass by you, waiting for someone or something to catch and hold your attention, to generate a tremor of interest. There’s a curious frisson in the city’s atmosphere today, almost spring-like, though spring is long gone, but you recognize that slight vernal restlessness in the people going by, that stirring of potential in the air, that possibility of audacity – though what audacities they might be, here in Vienna, who can say? Still, your eyes are open, you are unusually poised, ready for anything – any crumb, any flung coin – that the world might casually toss your way.
William Boyd