Vienna Travel Quotes

Globetrotting destroys ethnocentricity, helping us understand and appreciate other cultures. Rather than fear the diversity on this planet, celebrate it. Among your most prized souvenirs will be the strands of different cultures you choose to knit into your own character. The world is a cultural yarn shop, and Back Door travelers are weaving the ultimate tapestry.

She had wandered the streets of Vienna and Budapest. No wonder she felt different. Perhaps travel did that to you. Mary had come home, but she was not the same Mary who had left—not quite.

I was a crazy creature with a head full of carnival spangles until I was thirty, and then the only man I ever really cared for stopped waiting and married someone else. So in spite, in anger at myself, I told myself I deserved my: fate for not having married when the best chance was at hand. I started traveling. My luggage was snowed under blizzards of travel stickers. I have been alone in Paris, alone in Vienna, alone in London, and all in all, it is very much like being alone in Green Town, Illinois. It is, in essence, being alone. Oh, you have plenty of time to think, improve your manners, sharpen your conversations. But I sometimes think I could easily trade a verb tense or a curtsy for some company that would stay over for a thirty-year weekend.

I started traveling. My luggage was snowed under blizzards of travel stickers. I have been alone in Paris, alone in Vienna, alone in London, and all in all, it is very much like being alone in Green Town, Illinois. It is, in essence, being alone. Oh, you have plenty of time to think, improve your manners, sharpen your conversations. But I sometimes think I could easily trade a verb tense or a curtsy for some company that would stay over for a thirty-year weekend.

I always want to be somewhere else, in the place I have just fled from. In recent years this condition has, if anything, become worse: I go to and from Vienna at diminishing intervals, and from Nathal I will often go to some other big city, to Venice or Rome and back, or to Prague and back. The truth is that I am happy only when I am sitting in the car, between the place I have just left and the place I am driving to. I am happy only when I am traveling; when I arrive, no matter where, I am suddenly the unhappiest person imaginable. Basically I am one of those people who cannot bear to be anywhere and are happy only between places.

He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on. In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung. Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect. From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.

When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")

The Kristallnacht had to be carefully orchestrated, while the Viennese pogroms had largely flared up of their own accord. In Das Schwarze Korps, the SS correspondent in Vienna wrote admiringly: ‘The Viennese have managed to do overnight what we have failed to achieve in the slow moving, ponderous past. In Austria, a boycott of the Jews does not need organising – the people themselves have initiated it.

More says, “In these last ten years the Turks have taken Belgrade. They have lit their campfires in the great library at Buda. It is only two years since they were at the gates of Vienna. Why would you want to make another breach in the walls of Christendom?” “The King of England is not an infidel. Nor am I.” “Are you not? I hardly know whether you pray to the god of Luther and the Germans, or some heathen god you met with on your travels, or some English deity of your own invention. Perhaps your faith is for purchase. You would serve the Sultan if the price was right.” Erasmus says, did nature ever create anything kinder, sweeter or more harmonious than the character of Thomas More?

Albertine’s taste for these pretty things was much sharper than the Duchesse’s, because, like any obstacle placed in the way of possession (like my illness, which made travel so difficult and so desirable for me), poverty, more generous in this than riches, gives women something more than the clothes they cannot buy: the desire for these clothes, which is the true way, detailed, thorough, of getting to know them. She, because she could not afford to buy these things herself, and I, because by having them made for her I was trying to please her, were like students who know every detail of the pictures they long to go and see in Dresden or Vienna. Meanwhile rich women, surrounded by their countless hats and dresses, are like people who, having had no desire to visit a museum, find there only sensations of dizziness, fatigue and boredom.

MARY: Cat, should you be writing all this? I mean, Irene still lives in Vienna. Her secret room won’t be a secret once this book is published. CATHERINE: She said I could. Granted, she said no one would believe it anyway, the way no one believes Mrs. Shelly’s biography of Victor Frankenstein. Everyone assumes it’s fiction. She says people rarely believe in what they think to be improbable, although they often believe in the impossible. They find it easier to believe in spiritualism than in the platypus. BEATRICE: So she thinks our readers might assume this is a work of fiction? CATHERINE: Bea, you sound upset by that. BEATRICE: And you are not? Do you not care whether readers understand that this is the truth of our lives? CATHERINE: As long as they buy the book, no, not much. As long as they pay their two shillings a volume, and I receive royalties . . .

You're alone. You can develop only when you're alone; you always will be alone, your consciousness of the fact that you can't come up with anything on your own… Everything else is a delusion, is dubious. Nothing ever changes… You talk to other people; you are alone. You have opinions, other people's opinions, your own opinions, you are always alone. And when you write a book, or books if you are like me, you are even more alone. Making yourself understood is impossible; there's no such thing as doing that. Out of solitude, out of aloneness grows an even more intense aloneness, apartness. Eventually, you change scenes at ever-briefer intervals. You believe that ever-larger cities—your small home town is no longer enough for you, Vienna is no longer enough, London is no longer enough. You're forced to go to another continent; you try going here and there, speaking foreign languages—is Brussels perchance the right place? Is it perchance Rome? And you travel to every place in the world, and you are always alone with yourself and with your ever-more abominable work. You go back to your native country, you withdraw back into your farmhouse, you shut the doors if you are like me—and this is often for days at a time—you stay shut up indoors and then your sole pleasure and on the other hand your ever-increasing source of delight is your work

Tim Tigner began his career in Soviet Counterintelligence with the US Army Special Forces, the Green Berets. That was back in the Cold War days when, “We learned Russian so you didn't have to,” something he did at the Presidio of Monterey alongside Recon Marines and Navy SEALs. With the fall of the Berlin Wall, Tim switched from espionage to arbitrage. Armed with a Wharton MBA rather than a Colt M16, he moved to Moscow in the midst of Perestroika. There, he led prominent multinational medical companies, worked with cosmonauts on the MIR Space Station (from Earth, alas), chaired the Association of International Pharmaceutical Manufacturers, and helped write Russia’s first law on healthcare. Moving to Brussels during the formation of the EU, Tim ran Europe, Middle East, and Africa for a Johnson & Johnson company and traveled like a character in a Robert Ludlum novel. He eventually landed in Silicon Valley, where he launched new medical technologies as a startup CEO. In his free time, Tim has climbed the peaks of Mount Olympus, hang glided from the cliffs of Rio de Janeiro, and ballooned over Belgium. He earned scuba certification in Turkey, learned to ski in Slovenia, and ran the Serengeti with a Maasai warrior. He acted on stage in Portugal, taught negotiations in Germany, and chaired a healthcare conference in Holland. Tim studied psychology in France, radiology in England, and philosophy in Greece. He has enjoyed ballet at the Bolshoi, the opera on Lake Como, and the symphony in Vienna. He’s been a marathoner, paratrooper, triathlete, and yogi.  Intent on combining his creativity with his experience, Tim began writing thrillers in 1996 from an apartment overlooking Moscow’s Gorky Park. Decades later, his passion for creative writing continues to grow every day. His home office now overlooks a vineyard in Northern California, where he lives with his wife Elena and their two daughters. Tim grew up in the Midwest, and graduated from Hanover College with a BA in Philosophy and Mathematics. After military service and work as a financial analyst and foreign-exchange trader, he earned an MBA in Finance and an MA in International Studies from the University of Pennsylvania’s Wharton and Lauder Schools.  Thank you for taking the time to read about the author. Tim is most grateful for his loyal fans, and loves to correspond with readers like you. You are welcome to reach him directly at tim@timtigner.com.

Various musicians consented here and there to give the young boy lessons, but in 1781, Ludwig officially became the pupil of Christian Gottlob Neefe, the new court organist. This relationship opened up Ludwig’s first great responsibility in 1782, when Neefe temporarily traveled elsewhere, leaving his duties as organist for religious services to Ludwig. The boy had to play twice every day for the Catholic masses in addition to other special services. In 1783, the busy Neefe also asked Ludwig to take his place in playing the harpsichord (another instrument similar to a piano) for rehearsals of the court orchestra. Neefe had stretched Ludwig’s capabilities by requiring him to practice the works of Johann Sebastian Bach. Now Ludwig would have to read and play a variety of complicated musical pieces, further expanding his musical education. In addition, Beethoven began producing noteworthy compositions of his own. It was not until 1784, however, that Ludwig was officially appointed as Neefe’s assistant as court organist and finally began receiving a small salary. At last, he could help to financially support his family with his music, the purpose toward which his father had groomed him practically from babyhood. In 1787, at 16 years of age, Beethoven was sent to Vienna, Austria, to study under the musical master, Amadeus Wolfgang Mozart. It is not known whether he was able to receive lessons from Mozart, though some say that he was instructed by him in musical composition. Unfortunately, Beethoven’s mother became seriously ill with tuberculosis, and he had to hurry home from Vienna to say goodbye before her death at 40 years of age.

What do you think,’ he starts, ‘Danes call their pastries?’ He holds one up for inspection. ‘Sorry?’ ‘Well, they can’t call them “Danishes” can they?’ ‘Good point.’ In the great tradition of British repression, we ignore the potential futility and loneliness of our new existence and seize on this new topic with enthusiasm. Lego Man gets Googling and I crack open the spine of our sole guidebook in search of insight. ‘Ooh, look!’ I point, ‘apparently, they’re known as “wienerbrød” or “Vienna bread” after a strike by Danish bakers when employers hired in some Austrians, who, as it turned out, made exceedingly good cakes,’ I paraphrase. ‘Then when the pastry travelled to America—’ ‘—How?’ ‘What?’ ‘How did it travel?’ ‘I don’t know – by ship. With its own special pastry passport. Anyway, when it made it to the US, it was referred to as a “Danish” and the name stuck.

Landsteiner wasn’t finished. In 1919, he left Vienna and traveled to New York City to work at the Rockefeller Institute. While there, he took blood from rhesus monkeys and injected it into rabbits and guinea pigs, which allowed him to identify yet another protein on the surface of red blood cells called Rh (for rhesus monkey). This finding helped explain why some blood transfusions thought to have been with the right type of blood had still caused serious reactions. People with Rh negative blood can’t receive blood from someone who is Rh positive (about 85 percent of people are Rh positive). This is especially a problem during pregnancy when mothers who are Rh negative are carrying a baby who is Rh positive. The Rh-negative mother can react against her baby’s blood while the baby is still in the womb, with occasionally fatal results. This problem was so severe that until a solution could be found—inoculation of mothers with a product called RhoGAM—couples were prohibited by law to marry if the woman was Rh negative and the man was Rh positive.

the system tonight,” said Nigel. “Changing subjects, how was the girl?” “Amanda? Impressive. Open, honest, smart… and seems pretty tough. She even requested traveling with me to Vienna. Seems determined to contribute to finding her father’s

Much to Israel’s concern, in Vienna migrants could quite easily redirect their journey, and there is evidence that some had already tried to do so in the late 1950s.19 Some of those who sought to change their final destination in Vienna contacted the West German embassy with the goal of traveling on to the FRG. However, at that point, the embassy refused to assist them, because the Federal Republic wanted to avoid trouble with Israel, especially given that Israeli representatives tried to prevent such contact.20 Although the available documentation does not reveal how the migrants to Germany who followed this path managed to enter the country, it is clear that some did. Some migrants even asked the expellee authorities to refund their travel expenses, though mostly without success.21

Much of it was salacious, suggesting, for example, that Hitler had had an illicit relationship with his half niece and she was desperate to end it. Hitler was furious over the Post’s reporting. He issued a statement vehemently denying that he and his half niece had quarreled or that he opposed her traveling to Vienna.

Il est dit et même consigné dans l'histoire de la musique encyclopédie de la pléiade mais aussi à cluj-napoca au numéro dix de la rue vasile alecsandri mon ami dr rudi schuller se fera une joie de traduire en hongrois allemand ou roumain pour ceux qui ne parlent pas français le passage sur les grands voyageurs qui prétendaient que les habitants des plus lointaines civilisations qui étaient totalement indifférents aux tam-tams des tribus voisines ne tendent l'oreille qu'à l'écoute de la musique de mozart [It is said and even recorded in the histoire de la musique encyclopédie de la pléiade but also in kolozsvár at number ten vasile alecsandri street my friend dr. rudi schuller will happily translate into hungarian german or romanian for those who don't speak french the part about the grand travelers les grands voyageurs who claimed that the inhabitants of the most godforsaken les plus lointaines civilizations who were totally indifferent to the tom-toms of neighboring tribes would perk up their ears only on hearing mozart's music] (p. 101, "All Souls' Days in Vienna")

His two brief trips to attend the party congresses in Stockholm and London in 1906 and 1907 were, by the way, his first exposures to foreign life, and it is doubtful that he spent much time outside the meeting-halls. A six-week sojourn in Cracow and Vienna at the beginning of 1913 was his only other known venture abroad before he traveled to Teheran in 1943 to confer with Prime Minister Churchill and President Roosevelt on the war against the Axis.

This is magnificent,” said Justine. “I’ve never seen anything like it. But I can’t make out the artist’s name?” “It’s by a friend of mine,” said Irene. “His name is not known outside of Vienna, but it will be—I think someday soon, all of Europe will be talking about Gustav Klimt. I was the model for this one. I don’t know if you can see the resemblance.

MARY: Hysterical mutism is most often associated with trauma, such as an assault of some sort. I learned that in Vienna, when we were discussing symptoms of madness before Diana was— CATHERINE: Could you please not spoil the plot for our readers? You can talk about researching symptoms of madness all you want when I get to Vienna. I mean when you get to Vienna, later in the narrative.

ABOUT THE AUTHOR Tim Tigner began his career in Soviet Counterintelligence with the US Army Special Forces, the Green Berets. That was back in the Cold War days when, “We learned Russian so you didn't have to,” something he did at the Presidio of Monterey alongside Recon Marines and Navy SEALs. With the fall of the Berlin Wall, Tim switched from espionage to arbitrage. Armed with a Wharton MBA rather than a Colt M16, he moved to Moscow in the midst of Perestroika. There, he led prominent multinational medical companies, worked with cosmonauts on the MIR Space Station (from Earth, alas), chaired the Association of International Pharmaceutical Manufacturers, and helped write Russia’s first law on healthcare. Moving to Brussels during the formation of the EU, Tim ran Europe, Middle East and Africa for a Johnson & Johnson company and traveled like a character in a Robert Ludlum novel. He eventually landed in Silicon Valley, where he launched new medical technologies as a startup CEO. In his free time, Tim has climbed the peaks of Mount Olympus, hang glided from the cliffs of Rio de Janeiro, and ballooned over Belgium. He earned scuba certification in Turkey, learned to ski in Slovenia, and ran the Serengeti with a Maasai warrior. He acted on stage in Portugal, taught negotiations in Germany, and chaired a healthcare conference in Holland. Tim studied psychology in France, radiology in England, and philosophy in Greece. He has enjoyed ballet at the Bolshoi, the opera on Lake Como, and the symphony in Vienna. He’s been a marathoner, paratrooper, triathlete, and yogi.

Cheapskate The day I blurted the word out at my father I was still an in-the-dark toe-headed excuse for leaving early from the Sunday ritual - the after-church bourbon-fumed lunches of deviled eggs, Vienna sausages, and saltines at his mother’s airless La Jolla bungalow, what Purgatory must’ve smelled like in 1962. I doubt even this “intermediate state after death for expiatory purification,” according to Webster, endured as long as our visits that my own mother artfully dodged and I failed to appreciate, an annoyance that incited the battle-axe’s contempt and me to mime her derision, drawing into question the battery life of her cumbersome hearing aids. Often my father zipped a finger across his throat, though amusement danced in the lines of his brow, unlike when I burst in on them à la Soupy Sales or lurched into histrionic spasms of boredom, forcing their conversation into ellipses, usually over an envelope he set by her lipsticked tumbler. That called for banishment to the tiny courtyard where among a few droopy orange trees I could kill time and escape the weird reversal of my father no longer himself to her, but a mother to his own mother, a slow suffocation that on occasion drove him outside. During our last visit, the week of a heat wave, I’d been rolling oranges like depth-charges into her moribund pond of scabby goldfish. I had no idea anger could travel in the family when the door kicked open, and out he came cracking like ice in a glass of the bourbon hidden in her unused kitchenette oven. One of the oranges swiped his wingtips with its fetid juice, and he picked it up, a Zeus lost in a thousand-yard gaze of divine wrath, then hurled it at the pink retaining wall. Long after he returned inside I stood still, entranced by the splatter as if its tentacles of anger reached out to me, though my behavior, the orange, or even cash in an envelope - what he feared I’d one day too place beside his own drink - had less to do with his outburst than imagined. Nothing was ever so simple about him. On the drive home, the windows rolled up, we swept by 31 Flavors without slowing down while kids on tailgates slurped ice cream, and riding shotgun, I just snapped, calling him that terrible thing you can never take back - a cheapskate. Suddenly we coasted in the wake of it worse than any blasphemy or sacrilege, the tires thumping louder than ever on seamed concrete until his white knuckles flew off the wheel at me, and belted-in I ducked to cushion the blow. His legacy halted mid-air. By chance in the rearview mirror he’d caught his own father’s fist coming on fast, too late for both of us to get out of the way.

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