Vienna Best Quotes

Contemporary warfare, then, is best practiced by the professional serial killer.

I was a crazy creature with a head full of carnival spangles until I was thirty, and then the only man I ever really cared for stopped waiting and married someone else. So in spite, in anger at myself, I told myself I deserved my: fate for not having married when the best chance was at hand. I started traveling. My luggage was snowed under blizzards of travel stickers. I have been alone in Paris, alone in Vienna, alone in London, and all in all, it is very much like being alone in Green Town, Illinois. It is, in essence, being alone. Oh, you have plenty of time to think, improve your manners, sharpen your conversations. But I sometimes think I could easily trade a verb tense or a curtsy for some company that would stay over for a thirty-year weekend.

Old Rekohu’s claim to singularity, however, lay in its unique pacific creed. Since time immemorial, the Moriori’s priestly caste dictated that whosoever spilt a man’s blood killed his own mana - his honor, his worth, his standing & his soul. No Moriori would shelter, feed, converse with, or even see the persona non grata. If the ostracized murderer survived his first winter, the desperation of solitude usually drove him to a blowhole on Cape Young, where he took his life. Consider this, Mr. D’Arnoq urged us. Two thousand savages (Mr. Evans’s best guess) enshrine “Thou Shalt Not Kill” in word & in deed & frame an oral “Magna Carta” to create a harmony unknown elsewhere for the sixty centuries since Adam first tasted the fruit of the Tree of Knowledge. War was as alien a concept to the Moriori as the telescope is to the Pygmy. Peace, not a hiatus betwixt wars but millennia of imperishable peace, rules these far-flung islands. Who can deny Old Rekohu lay closer to More’s Utopia than our States of Progress governed by war-hungry princelings in Versailles & Vienna, Washington & Westminster? “Here,” declaimed Mr. D’Arnoq, “and where only, were those elusive phantasms, those noble savages, framed in flesh & blood!” (Henry, as we later made our back to the Musket confessed, “I could never describe a race of savages too backwards to throw a spear as ‘noble.

But there is a way of despising the dandelion which is not that of the dreary pessimist, but of the more offensive optimist. It can be done in various ways; one of which is saying, "You can get much better dandelions at Selfridge's," or "You can get much cheaper dandelions at Woolworth's." Another way is to observe with a casual drawl, "Of course nobody but Gamboli in Vienna really understands dandelions," or saying that nobody would put up with the old-fashioned dandelion since the super-dandelion has been grown in the Frankfurt Palm Garden; or merely sneering at the stinginess of providing dandelions, when all the best hostesses give you an orchid for your buttonhole and a bouquet of rare exotics to take away with you. These are all methods of undervaluing the thing by comparison; for it is not familiarity but comparison that breeds contempt. And all such captious comparisons are ultimately based on the strange and staggering heresy that a human being has a right to dandelions; that in some extraordinary fashion we can demand the very pick of all the dandelions in the garden of Paradise; that we owe no thanks for them at all and need feel no wonder at them at all; and above all no wonder at being thought worthy to receive them. Instead of saying, like the old religious poet, "What is man that Thou carest for him, or the son of man that Thou regardest him?" we are to say like the discontented cabman, "What's this?" or like the bad-tempered Major in the club, "Is this a chop fit for a gentleman?" Now I not only dislike this attitude quite as much as the Swinburnian pessimistic attitude, but I think it comes to very much the same thing; to the actual loss of appetite for the chop or the dish of dandelion-tea. And the name of it is Presumption and the name of its twin brother is Despair. This is the principle I was maintaining when I seemed an optimist to Mr. Max Beerbohm; and this is the principle I am still maintaining when I should undoubtedly seem a pessimist to Mr. Gordon Selfridge. The aim of life is appreciation; there is no sense in not appreciating things; and there is no sense in having more of them if you have less appreciation of them.

The qualities of stoic self-denial, self-sacrifice for others, patient labour, expiation for past error, willing acceptance of the burdens of life, were for him nobler manifestations of humanity than ostentatious feats of bravery, death-defying deeds of heroism or a life ruled by passions. He was persuaded that moral strength could best be displayed by silent endurance rather than by vehement anger and passionate rebellion.

The things that distract parents from children are at best stressors to that child, and at worst threaten children’s beliefs about themselves and their value in this world. Later in life, the children of chronically distracted parents may consciously believe they are seeking out relationships in which they are a priority. In reality, however, these still-wounded adults wind up unconsciously seeking out dynamics that tend to repeat and support what they learned from their families decades earlier: they don’t matter. If you didn’t feel prioritized in your family system, then you might have a prioritization wound.

Consider this, Mr. D’Arnoq urged us. Two thousand savages (Mr. Evans’s best guess) enshrine “Thou Shalt Not Kill” in word & in deed & frame an oral “Magna Carta” to create a harmony unknown elsewhere for the sixty centuries since Adam tasted the fruit of the Tree of Knowledge. War was as alien a concept to the Moriori as the telescope is to the Pygmy. Peace, not a hiatus betwixt wars but millennia of imperishable peace, rules these far-flung islands. Who can deny Old Rēkohu lay closer to More’s Utopia than our States of Progress governed by war-hungry princelings in Versailles & Vienna, Washington & Westminster? “Here,” declaimed Mr. D’Arnoq, “and here only, were those elusive phantasms, the noble savages, framed in flesh & blood!

Cities have characters, pathologies that can make or destroy or infect you, states of mind that run through daily life as surely as a fault line. Chandler’s “mysterious something” was a mood of disenchantment, an intense spiritual malaise that identified itself with Los Angeles at a particular time, what we call noir. On the one hand noir is a narrow film genre, born in Hollywood in the late 1930s when European visual style, the twisted perspectives and stark chiaroscuros of German Expressionism, met an American literary idiom. This fruitful comingling gave birth to movies like Double Indemnity, directed by Vienna-born Billy Wilder and scripted by Raymond Chandler from a James M. Cain novella. The themes — murderous sex and the cool, intricate amorality of money — rose directly from the psychic mulch of Southern California. But L.A. is a city of big dreams and cruelly inevitable disappointments where noir is more than just a slice of cinema history; it’s a counter-tradition, the dark lens through which the booster myths came to be viewed, a disillusion that shadows even the best of times, an alienation that assails the sense like the harsh glitter of mica in the sidewalk on a pitiless Santa Ana day. Noir — in this sense a perspective on history and often a substitute for it — was born when the Roaring Twenties blew themselves out and hard times rushed in; it crystallized real-life events and the writhing collapse of the national economy before finding its interpreters in writers like Raymond Chandler.

No one can or will ever replace the love Andy, you, and I shared, but life goes on and we have to flow with it. I completed my postgraduate fashion design at the Royal College of Art, London in 1977; I then worked for Liberty of London for a few years before venturing into designing my own bridal wear collections for several major London department stores. In 1979, the Hong Kong Polytechnic now a university invited me to teach fashion design at their clothing and textile institute. Andy and I separated in 1970. He left for New Zealand to pursue engineering while I stayed in London to complete my fashion studies. Those early years of our separation were extremely difficult for the both of us. As you are well aware, we were very close at boarding school. After your departure to Vienna, Andy and I were inseparable. He asked me to join him permanently in Christchurch, but I was determined to enroll in a London fashion school. We corresponded for a couple of years before mutually deciding that it was best to severe ties and start afresh.

I ran through the streets as though I were running away from a nightmare, running faster and faster toward the Inner City, not knowing why I was running in that direction, since to get home I would have had to go in the opposite direction, but perhaps I did not want to go home. If only I’d spent this winter in London! I said to myself. It was four in the morning, and I was running in the direction of the Inner City when I should have been going home. I should have stayed in London at all costs, I told myself, and I kept on running in the direction of the Inner City, without knowing why, and I told myself that London had always brought me happiness and Vienna unhappiness, and I went on running, running, running, as though now, in the eighties, I was once more running away from the fifties, running into the eighties, the dangerous, benighted, mindless eighties, and again it struck me that instead of going to this tasteless artistic dinner I ought to have read my Gogol or my Pascal or my Montaigne, and as I ran it seemed to me that I was running away from the Auersberger nightmare, and with ever greater energy I ran away from the Auersberger nightmare and toward the Inner City, and as I ran I reflected that the city through which I was running, dreadful though I had always felt it to be and still felt it to be, was still the best city there was, that Vienna, which I found detestable and had always found detestable, was suddenly once again the best city in the world, my own city, my beloved Vienna, and that these people, whom I had always hated and still hated and would go on hating, were still the best people in the world: I hated them, yet found them somehow touching—I hated Vienna, yet found it somehow touching—I cursed these people, yet could not help loving them—I hated Vienna yet could not help loving it. And now, as I ran through the streets of the Inner City, I thought: This is my city and always will be my city, these are my people and always will be my people, and as I went on running, I thought: I’ve survived this dreadful artistic dinner, just as I’ve survived all the other horrors. I’ll write about this artistic dinner in the Gentzgasse, I thought, without knowing what I would write—simply that I would write something about it. And as I went on running I thought: I’ll write something at once, no matter what—I’ll write about this artistic dinner in the Gentzgasse at once, now. Now, I thought—at once, I told myself over and over again as I ran through the Inner City—at once, I told myself, now—at once, at once, before it’s too late.

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The statue was a statue of the Sacred Heart, and it wasn't a very beautiful one either, but that didn't make Schwester Kasimira want to replace it by a stag's head, because she thought that the Lord was beautiful enough as He was, and that statues at best were only approximations, and even if they were ugly, they did point the way to heaven, and that was more than could be said of cinema houses and advertisements which were generally much uglier still and rarely, in her opinion, made any sense at all.

Similarly, in Scripture Satan is a creature, a fallen creature. Because he is a creature, Satan, like all creatures has a purely local appearance: he cannot be in more than one place at a time. He cannot thus be tempting me in California and another man in Vienna at one and the same time. His approach to any man is at best severely limited, however real. Too many men are ready to blame the devil for their sins when, the truth is, they needed no help in committing them, only an excuse.

He quite literally occupied it. At the end of a long oaken table near the window of the Writing Room was “the Hitler Chair.” It had the best light for painting postcards. Nobody but Adolf dared sit there. Everybody honored his obsession with the chair, partly out of gratitude: If a Männerheim tenant fell short of his week’s rent, Hitler was amazingly fast in organizing a collection.

Rothschild houses had capital in excess of £35 million on the eve of the First World War, all of it family money; it was the job of the partners to manage this huge portfolio. A large part of it they held in the form of European government bonds, the most secure form of investment and also the kind of security the Rothschilds knew best, since they had long been the principal underwriters for new bond issues on the London market. They, more than anyone, stood to lose in the event of a European war, not least because such a war would almost certainly divide the three houses, pitting Paris and perhaps also London against Vienna. Yet the outbreak of war caught them almost entirely by surprise.

Philip: How can you object to feeding the poor when you spend so much on that fat, flea-bitten thing. Rigsby: Hey, shush, shush. Keep your voice down. He understands every word you say, you know. There, there love. Vienna come here. That's a good boy, yes. You've offended him now. It's all right, the dark gentleman didn't mean it. Philip: But I did mean it. Just look at him. What use is he? Rigsby: What use? Wha...he isn't supposed to be any use, he's a pet. Philip: Would you eat him if you were starving? Rigsby: Oh I shall have to cover his ears if you carry on like this. Eat him? Of course I wouldn't eat him. We don't do that sort of thing in this country. Philip: He's your sacred cow, Rigsby. he has the best of everything. Rigsby: Yes of course he does. Has that stuff they show on the television. The one the cat picks out. Always goes for that bowl. Unerring isn't he. Alan: Gets its tail trodden on if it doesn't. That food should go to feed people. Rigsby: It does - Pakistanis love it. Philip: Oh come on, Rigsby. You don't believe that old tale. Rigsby: Goes down well with a bit of curry powder that does. Alan: You'll believe anything. Rigsby: It's true! You drop a Pakistani from any height, he'll always land on his feet.

Sleep is good, death is better; but of course, the best thing would be never to have been born at all.’ ‘Heinrich Heine,

Certainly I understand Czech. I've meant to ask you several times why you don't ever write to me in Czech. I'm not suggesting that you don't master German. Most of the time you master it surprisingly well and if once in a while you don't, it bows before you of its own accord, and this is particularly pleasing, for this is something a German doesn't dare to expect from his language, he doesn't dare to write so personally. But I wanted to read you in Czech because it is part of you, because there is the whole Milena (the translation confirms it), whereas here is just the one from Vienna or the one preparing herself for Vienna. So Czech, please. And send the feuilletons you mention, too. Let them be shabby, you have also read your way through the shabbiness of my story, how far I don't know. Perhaps I can do this, too; but if I can't then I'll remain stuck in the best of prejudices.

Certainly I understand Czech. I've meant to ask you several times why you don't ever write to me in Czech. I'm not suggesting that you don't master German. Most of the time you master it surprisingly well and if once in a while you don't, it bows before you of its own accord, and this is particularly pleasing, for this is something a German doesn't dare to expect from his language, he doesn't dare to write so personally. But I wanted to read you in Czech because it is part of you, because only there is the whole Milena (the translation confirms it), whereas here is just the one from Vienna or the one preparing herself for Vienna. So Czech, please. And send the feuilletons you mention, too. Let them be shabby, you have also read your way through the shabbiness of my story, how far I don't know. Perhaps I can do this, too; but if I can't, then I'll remain stuck in the very best of prejudices.

In retrospect, Reston was convinced that the Vienna bullying became a crucial factor in the subsequent decision to send 18,000 advisory and support troops to Vietnam, and though others around Kennedy retained some doubts about this, it appeared to be part of a derivative link, one more in a chain of events which saw the escalation of the Cold War in Kennedy’s first year.

Nevertheless, girls were brought up to regard their virginity as something sacrosant, prudery was the rule, hysterical breakdowns were frequent. Men, single or not, went to obtain from actresses or working girls what the women of their own milieu longed to give them but could not, for their honour stood in the way. A respectable woman, in Vienna as elsewhere, did not possess a body. If she discovered she did have one, then the devil must have got into the holy water. Once her sexuality was aroused, the irripressible violence of her instincts, her natural propensity to lewdness, would be unleashed. Women had to be defended against themselves, by education and constraint. And it was from them, insatiable women with thighs outspread, that men must be protected if they were not to lose the best of themselves. For a lustful woman diverted a man from the intellectual preoccupations of which he had the monopoly, she distracted his energies from superior accomplishments, she was the natural enemy of morality, reason, and creativity.

I shall marry the man who brings me the diamond that best suits me.” –Vienna by E. L. Schoeman

Here is greatness, and this is your best opportunity to absorb it. Here is Aeschylus, whose hypnotic choruses bear witness to dark forces more unsettling than you can yet fathom. Here is Mark Twain, Habsburg Vienna, and the Saint Matthew Passion. Here is the drama of Western civilization, out of whose constantly battling ideas there emerged unprecedented individual freedom and unimagined scientific progress.

In 1896 Freud boldly claimed that “the ultimate cause of hysteria is always the seduction of the child by an adult.” Then, faced with his own evidence of an epidemic of abuse in the best families of Vienna—one, he noted, that would implicate his own father—he quickly began to retreat. Psychoanalysis shifted to an emphasis on unconscious wishes and fantasies, though Freud occasionally kept acknowledging the reality of sexual abuse.

Breuer and Freud believed that traumatic memories were lost to ordinary consciousness either because “circumstances made a reaction impossible,” or because they started during “severely paralyzing affects, such as fright.” In 1896 Freud boldly claimed that “the ultimate cause of hysteria is always the seduction of the child by an adult.”22 Then, faced with his own evidence of an epidemic of abuse in the best families of Vienna—one, he noted, that would implicate his own father—he quickly began to retreat.

Much of the negation poisoning the democratic process has stemmed from a confusion of the personal and the statistical. I may hold down an excellent job, but the failure of the stimulus to meet its targets infuriates me. I may live in peaceful Vienna, Virginia, safe from harm—but a report that several Americans have died violently in Kabul appears like a fatal failure of authority. By dwelling on the plane of gross statistics, I become vulnerable to grandiose personal illusions: that if I compel the government to move in this direction or that, I can save the Constitution, say, or the earth, or stop the war, or end poverty now. Though my personal sphere overflows with potentiality, I join the mutinous public and demand the abolition of the established order. This type of moral and political displacement is nothing new. The best character in the best novel by Dickens, to my taste, is Mrs. Jellyby of Bleak House, who spent long days working to improve “the natives of Borrioboola-Gha, on the left bank of the Niger,” while, in her London home, her small children ran wild and neglected. Dickens termed this “telescopic philanthropy”—the trampling of the personal sphere for the sake of a heroic illusion. Mrs. Jellyby, sitting in quite a nest of waste paper, drank coffee all the evening and dictated at intervals to her eldest daughter. She also held a discussion with Mr. Quale, the subject of which seemed to be—if I understood it—the brotherhood of humanity, and gave utterance to some beautiful sentiments. I was not so attentive an auditor as I might have wished to be, however, for Peepy and the other children came flocking about Ada and me in a corner of the drawing-room to ask for another story; so we sat down among them and told them in whispers “Puss in Boots” and I don’t know what else until Mrs. Jellyby, accidentally remembering them, sent them to bed.3 The revolt of the public has had a telescopic and Jellybyan aspect to it. Though they never descended to details, insurgents assumed that, by symbolic gestures and sheer force of desire, they could refashion the complex systems of democracy and capitalism into a personalized utopia. Instead, unknowingly, they crossed into N. N. Taleb’s wild “Extremistan,” where “we are subjected to the tyranny of the singular, the accidental, the unseen, and the unpredicted.” In that unstable country, “you should always be suspicious of the knowledge you derive from data.”4 I can’t command a complex social system like the United States, but I can control my political expectations of it: I can choose to align them with reality. To seize this alternative, I must redirect the demands I make on the world from the telescopic to the personal, because actionable reality resides in the personal sphere. I can do something about losing my job, for example, but I have no clue what could or should be done about the unemployment rate. I know directly whether a law affects my business for better or worse, but I have no idea of its effect on the gross domestic product. I can assist a friend in need, but I have little influence over the natives of Borrioboola-Gha, on the left bank of the Niger. Control, however tenuous, and satisfaction, however fleeting, can only be found in the personal sphere, not in telescopic numbers reported by government. A