Vertical Farming Quotes

I told one of the writers that our fields were so nearly vertical that we planted our corn with a shotgun and had to breed a race of mules with legs shorter on one side than the other for plowing. And when he asked how we transported the corn down off the mountain, I said, in a jug. He appeared to believe me, so I was encouraged to go on and tell him that every church in that corner of the state, except our Indian congregation, either conducted services speaking entirely in tongues or else took up serpents as recommended by Jesus. Both the writer and I had taken a few rounds of Scotch at the time. The story appeared as fact in a well-known national periodical, along with the obligatory descriptions of the beauty and ruggedness and unmatched remoteness and mystery of our mountains.

In the farming economy, buildings had counted for little, for it was in the fields surrounding them that the source of all productive value lay. But in the modern city, land became the launching pad for new vertical economies—derived from the acreage beneath but multiplied by the number of square feet that could be built above. Here wealth turned increasingly mobile and intangible as it wrested itself free from the earth-bound limitations of agricultural or even factory production.

Acclimatizing to its customs and particular brand of bustle, he’d gotten a sense of Wewoka. Without the lens of a fever-induced vision, it proved to be a dense, vertical city of narrow, terraced streets with expansive walkways. Largely devoid of motor traffic, any point could be reached by foot in fifteen minutes. Pictures painted on the sidewalks provided a colorful trail. With a central street lined with shops bustling with commerce, the noise and smell were different from what he was used to. Wewoka had none of the overworked smokestacks from innumerable factories; much of the city was made up by parks. The air had a hint of ozone to it. A collection of buildings sprouted at the heart of the city. Gleaming green and metallic spires in the distance, the sun reflected from their solar panels. A mushroom-like structure drew in sewer water from its “roots” and funneled it to its dome. Solar energy evaporated the water, which was then collected and released throughout the streets, watering the surrounding green spaces. Photovoltaic panels lined solar drop towers. Titanium dioxide reacted with ultraviolet rays and smog, filtering and dissipating them. They had developed similar technology in Jamaica. Vertical gardens and vegetation covered the steep towers of housing units and work offices. The exterior vertical gardens filtered the rain, which was reused with liquid wastes for farming needs. A deep calm reverberated through the city, quiet preserved like a commodity. Desmond

vertical farms offer the clearest path toward ending hunger and malnutrition. These farms already have the ability to increase the amount of food grown per harvest by orders of magnitude and increase the number of possible harvests by factors of ten. They have the potential to produce all of this food while simultaneously requiring 80 percent less land, 90 percent less water, 100 percent fewer pesticides, and nearly zero transportation costs.

When you honestly assess the strengths of human and machine workers, and what they do well when they collaborate, a whole new world of possibilities emerges for running a business and designing your processes—that is, the important mindset part of MELDS. And by exploring those possibilities, companies can often develop novel businesses, like vertical farms. Indeed, it’s through the experimentation part of MELDS that executives will be able to discover game-changing innovations that could potentially transform their company, if not their entire industry.

November The month of the drowned dog. After long rain the land Was sodden as the bed of an ancient lake, Treed with iron and bridles. In the sunk lane The ditch - a seep silent all summer - Made brown foam with a big voice: that, and my boots On the lane's scrubbed stones, in the gulleyed leaves, Against the hill's hanging silence; Mist silvering the droplets on bare thorns Slower than the change of daylight. In a let of the ditch a tramp was bundled asleep; Face tucked down into beard, drawn in Under his hair like a hedgehog's. I took him for dead, But his stillness separated from the death Of the rotting grass on the ground. A wind chilled, And a fresh comfort tightened through him, Each hand stuffed deeper into the other sleeve. His ankles, bound with sacking and hairy band, Rubbed each other, resettling. The wind hardened; A puff shook a glittering from the thorns, And against the rains' dragging grey columns Smudged the farms. In a moment The fields were jumping and smoking; the thorns Quivered, riddled with the glassy verticals. I stayed on under the welding cold Watching the tramp's face glisten and the drops on his coat Flash and darken. I thought what strong trust Slept in him - as the trickling furrows slept, And the thorn-roots in their grip on darkness; And the buried stones, taking the weight of winter; The hill where the hare crouched with clenched teeth. Rain plastered the land till it was shining Like hammered lead, and I ran, and in the rushing wood Shuttered by a black oak leaned. The keeper's gibbet had owls and hawks By the neck, weasels, a gang of cats, crows: Some stiff, weightless, twirled like dry bark bits In the drilling rain. Some still had their shape, Had their pride with it; hung, chins on chests Patient to outwait these worst days that beat Their crowns bare and dripped from their feat.

November The month of the drowned dog. After long rain the land Was sodden as the bed of an ancient lake, Treed with iron and bridles. In the sunk lane The ditch - a seep silent all summer - Made brown foam with a big voice: that, and my boots On the lane's scrubbed stones, in the gulleyed leaves, Against the hill's hanging silence; Mist silvering the droplets on bare thorns Slower than the change of daylight. In a let of the ditch a tramp was bundled asleep; Face tucked down into beard, drawn in Under his hair like a hedgehog's. I took him for dead, But his stillness separated from the death Of the rotting grass on the ground. A wind chilled, And a fresh comfort tightened through him, Each hand stuffed deeper into the other sleeve. His ankles, bound with sacking and hairy band, Rubbed each other, resettling. The wind hardened; A puff shook a glittering from the thorns, And against the rains' dragging grey columns Smudged the farms. In a moment The fields were jumping and smoking; the thorns Quivered, riddled with the glassy verticals. I stayed on under the welding cold Watching the tramp's face glisten and the drops on his coat Flash and darken. I thought what strong trust Slept in him - as the trickling furrows slept, And the thorn-roots in their grip on darkness; And the buried stones, taking the weight of winter; The hill where the hare crouched with clenched teeth. Rain plastered the land till it was shining Like hammered lead, and I ran, and in the rushing wood Shuttered by a black oak leaned. The keeper's gibbet had owls and hawks By the neck, weasels, a gang of cats, crows: Some stiff, weightless, twirled like dry bark bits In the drilling rain. Some still had their shape, Had their pride with it; hung, chins on chests Patient to outwait these worst days that beat Their crowns bare and dripped from their feet.

become the tesserae of vast corporate mosaics. Most megafarms are many thousands of acres, the conglomerations of brilliant family farmers who had the vision and the will to take the advice of their lenders long ago to “go big or go broke.” Thus arose vertically integrated farms, incorporating packers, processors, truckers, shippers, brokers, and merchandisers rather than just farmers dependent on a chain of mercurial middlemen well beyond their control.

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