Verse Inspiring Quotes

He has achieved success who has lived well, laughed often, and loved much; Who has enjoyed the trust of pure women, the respect of intelligent men and the love of little children; Who has filled his niche and accomplished his task; Who has never lacked appreciation of Earth's beauty or failed to express it; Who has left the world better than he found it, Whether an improved poppy, a perfect poem, or a rescued soul; Who has always looked for the best in others and given them the best he had; Whose life was an inspiration; Whose memory a benediction.

It is not the size of the dog in the fight that counts, but the fight in the dog that wins.

Conquer the angry one by not getting angry; conquer the wicked by goodness; conquer the stingy by generosity, and the liar by speaking the truth. [Verse 223]

You may be the only person left who believes in you, but it's enough. It takes just one star to pierce a universe of darkness. Never give up.

A poet's work . . . to name the unnamable, to point at frauds, to take sides, start arguments, shape the world and stop it from going to sleep.

A daily dose of daydreaming heals the heart, soothes the soul, and strengthens the imagination.

I am but a verse inspired by your chorus, and I will follow you until the end, when the isle takes my bones and my name is nothing more than a remembrance on a headstone, next to yours.

The world is so full of a number of things, I ’m sure we should all be as happy as kings.

Therefore, since we are receiving a kingdom that cannot be shaken, let us be thankful, and so worship God acceptably with reverence and awe, for our God is a consuming fire.

Never give up. It's like breathing—once you quit, your flame dies letting total darkness extinguish every last gasp of hope. You can't do that. You must continue taking in even the shallowest of breaths, continue putting forth even the smallest of efforts to sustain your dreams. Don't ever, ever, ever give up.

Courage to me is doing something daring, no matter how afraid, insecure, intimidated, alone, unworthy, incapable, ridiculed or whatever other paralyzing emotion you might feel. Courage is taking action....no matter what.  So you're afraid? Be afraid.  Be scared silly to the point you're trembling and nauseous, but do it anyway!

CONCERNED BUT NOT CONSUMED!

Just pick a goal and stick to it―no big complicated secret.

Even the smallest tender mercy can bring peace when recognized and appreciated.

Service is a smile.  It is an acknowledging wave, a reaching handshake, a friendly wink, and a warm hug.   It's these simple acts that matter most, because the greatest service to a human soul has always been the kindness of recognition.

Life isn't all grand, but it isn't all miserable either.  There's both sweet and sour in every day.  So why focus on the ugly when you can gaze at what's beautiful?  Concentrate on the good.

Goals are my north star.  My compass.  The map that guides me along the road I wish to travel.  Goals are motivations with wind in their sails—they carry me forward despite the storms.

The funny thing about an impossibility is that it tends to be a magnet for those who would prove it otherwise.

You should be more careful when you move, my dear what with you... spilling moonlight into my poem, with a mere flick of your hand.

In fact that is why the lives of most women are so vaguely unsatisfactory. They are always doing secondary and menial things (that do not require all their gifts and ability) for others and never anything for themselves. Society and husbands praise them for it (when they get too miserable or have nervous breakdowns) though always a little perplexedly and half-heartedly and just to be consoling. The poor wives are reminded that that is just why wives are so splendid -- because they are so unselfish and self-sacrificing and that is the wonderful thing about them! But inwardly women know that something is wrong. They sense that if you are always doing something for others, like a servant or nurse, and never anything for yourself, you cannot do others any good. You make them physically more comfortable. But you cannot affect them spiritually in any way at all. For to teach, encourage, cheer up, console, amuse, stimulate or advise a husband or children or friends, you have to be something yourself. [...]"If you would shut your door against the children for an hour a day and say; 'Mother is working on her five-act tragedy in blank verse!' you would be surprised how they would respect you. They would probably all become playwrights.

This day I call heaven and earth as witnesses against you that I have set before you life and death, blessings and curses. Now choose life, so that you and your children may live 20 and that you may love the LORD your God, listen to his voice, and hold fast to him. For the LORD is your life, and he will give you many years in the land he swore to give to your fathers, Abraham, Isaac and Jacob. Deuteronomy 30:19-20 (NIV)

Are you searching for purpose? Then write something, yeah it might be worthless Then paint something then, it might be wordless Pointless curses, nonsense verses You'll see purpose start to surface No one else is dealing with your demons Meaning maybe defeating them Could be the beginning of your meaning, friend.

Life has moments that feel as if the sun has blackened to tar and the entire world turned to ice.  It feels as if Hades and his vile demons have risen from the depths of Tartarus solely for the purpose of banding to personally torture you, and that their genuine intent of mental, emotional, and spiritual anguish is tearing you to shreds.  Your heart weighs as heavily as leaden legs which you would drag yourself forward with if not for the quicksand that pulls you down inch by inch, paralyzing your will and threatening oblivion.  And all the while fire and brimstone pour from the sky, pelting only you.   Truly, that is what it feels like. But that feeling is a trial that won't last forever.  Never give up.

Have you noticed how children never bypass a puddle of water, but jump, splash, and slosh right through it?  That's because they know an important truth: Life was meant to be lived; puddles were meant to be experienced.

I love the friendly faces of old sorrows; I have no secrets that they do not know.

A verse came to mind, one that has comforted Kari before. It was the shortest verse in the Bible: Jesus wept. If he cried over Jerusalem, if he cried over the death of Lazarus, surely he was crying now over the death of her dreams, the death of her marriage.

I am but a verse inspired by your chorus, and I will follow you until the end, when the isle takes my bones and my name is nothing more than a remembrance on a headstone, next to yours.

I Love You! Three words that mean nothing if not followed through with actions. It seems to be more relevant in the terms of showing verses saying. Anyone can say it, because there are different kinds of love. But, few are willing to actually show it. Saying is one thing. Living proof is another.

I could crawl inside the lyrics and know each note intimately. They would claw at my soul, until I could no longer fight the emotions that took me to a place I couldn't experience. But, it was the possibility that made every verse a heart filled prediction and every beat a direction to follow.

Light as feathers, as fleeting as Zephyr, one moment they breathed pink, the next they faded. Cherry blossoms were as much an inspiration for beautiful verse as they were a reminder of life's fickleness, she thought.

Employing your imagination is the first step to the fulfillment of any dream.

You know those little moments when an unexpected act or a spoken word affects your heart with sweet, satiating intensity―a simple gesture that possesses deep, personal meaning beyond what anyone realizes?  You know those tender moments?  That's God pressing his lips on your forehead and whispering, 'I love you.'

When thou passest through the waters, I will be with thee; and through the rivers, they shall not overflow thee: when thou walkest through the fire, thou shalt not be burned; neither shall the flame kindle upon thee." [Isaiah 43:2]

My blood was in a ferment within me, my heart was full of longing, sweetly and foolishly; I was all expectancy and wonder; I was tremulous and waiting; my fancy fluttered and circled about the same images like martins round a bell-tower at dawn; I dreamed and was sad and sometimes cried. But through the tears and the melancholy, inspired by the music of verse or the beauty of the evening, there always rose upwards, like the grasses of early spring, shoots of happy feeling, of young and surging life.

Marriage is a million piece puzzle, a pristine and exciting pursuit at the beginning that gradually becomes a daunting task, usually more challenging than anticipated.   It is only those truly committed to solving that puzzle who witness in the end the miraculous outcome of every tiny piece laid out and pressed together in an inspiring and envious creation—a treasure only time, resoluteness, and perseverance could create. 

It takes one person to rewrite the history book.

Over the boundary of time, Hope transcends, Desire sings, One verse, One song, And that is the song of happiness.

What is hell to a writer? Hell is being too busy to find the time to write or being unable to find the inspiration. Hell is suddenly finding the words but being away from your notebook or typewriter. Hell is when the verses slip away through your fingers and they never return again.

What is this love that makes me see beauty, and makes every beautiful thing bring you back to me? What is this love that makes me declare 'I love you' even though I uttered it only a moment ago? What is this love that keeps growing even when my chest is sore and it hurts to love you any more? Tell me: How am I to find what this love is when it was the one to find you, me, this verse, and this universe?

La gente debería verse más como sus retratos y menos como en la vida real

Character is just an invention, but it's an invention that serves as both reason and justification for our behaviour. - Broken Verses

I don't believe that the course of anyone's lifetime has ever been as unerring as that of the rising and setting sun, but I know many lives that have been just as inspiring.

Wanting help, I reached out to serve. Seeking happiness, I smiled and offered comfort. Yearning for love, I showed love. And now I understand. My life was never about me, it was always about you.

As a scripture that inspired some of the greatest minds in history, the Qur’an deserves a rich and evocative translation that strives to convey the profound wisdom embodied in its original language. Even on a superficial level, its creative use of words is artistic and ingenious.

Adaira raised her hand and laid it against the arch of his cheek, and he knew she was beginning to see him as he saw her. The threads that tied them together. “My father was the Keeper of the Aithwood. It was he who brought you into the east, where he knew you would be safe and loved,” said Jack. It was liberating to speak those forbidden words aloud. The weight slipped from his chest like a stone, and he shivered to feel the space it left behind, waiting to be filled. “From your life came mine. I would not exist if you had been born in the east. I am but a verse inspired by your chorus, and I will follow you until the end, when the isle takes my bones and my name is nothing more than a remembrance on a headstone, next to yours.

Courage to me is doing something daring, no matter how afraid, insecure, intimidated, alone, unworthy, incapable, ridiculed or whatever other paralyzing emotion you might feel. Courage is taking action.....no matter what. So you're afraid? Be afraid. Be scared silly to the point you're trembling and nauseous, but do it anyway!

There's a beautiful sound you hear When you learn to drown out the noise and chatter from other people It is you, the sound of your truth Your heart, your voice Untouchable and loud with love

Our beauty unfolds, we become. The ones that truly value you And the pricelessness of your presence Will stick around to watch the full beauty of the sunset As they gaze through to your soul And feel warmed by your charm As you unfold, as you become

It was the general opinion of ancient nations, that the divinity alone was adequate to the important office of giving laws to men... and modern nations, in the consecrations of kings, and in several superstitious chimeras of divine rights in princes and nobles, are nearly unanimous in preserving remnants of it... Is the jealousy of power, and the envy of superiority, so strong in all men, that no considerations of public or private utility are sufficient to engage their submission to rules for their own happiness? Or is the disposition to imposture so prevalent in men of experience, that their private views of ambition and avarice can be accomplished only by artifice? — … There is nothing in which mankind have been more unanimous; yet nothing can be inferred from it more than this, that the multitude have always been credulous, and the few artful. The United States of America have exhibited, perhaps, the first example of governments erected on the simple principles of nature: and if men are now sufficiently enlightened to disabuse themselves of artifice, imposture, hypocrisy, and superstition, they will consider this event as an era in their history. Although the detail of the formation of the American governments is at present little known or regarded either in Europe or America, it may hereafter become an object of curiosity. It will never be pretended that any persons employed in that service had any interviews with the gods, or were in any degree under the inspiration of heaven, any more than those at work upon ships or houses, or labouring in merchandize or agriculture: it will for ever be acknowledged that these governments were contrived merely by the use of reason and the senses. As Copley painted Chatham, West, Wolf, and Trumbull, Warren and Montgomery; as Dwight, Barlow, Trumbull, and Humphries composed their verse, and Belknap and Ramzay history; as Godfrey invented his quadrant, and Rittenhouse his planetarium; as Boylston practised inoculation, and Franklin electricity; as Paine exposed the mistakes of Raynal, and Jefferson those of Buffon, so unphilosophically borrowed from the Recherches Philosophiques sur les Américains those despicable dreams of de Pauw — neither the people, nor their conventions, committees, or sub-committees, considered legislation in any other light than ordinary arts and sciences, only as of more importance. Called without expectation, and compelled without previous inclination, though undoubtedly at the best period of time both for England and America, to erect suddenly new systems of laws for their future government, they adopted the method of a wise architect, in erecting a new palace for the residence of his sovereign. They determined to consult Vitruvius, Palladio, and all other writers of reputation in the art; to examine the most celebrated buildings, whether they remain entire or in ruins; compare these with the principles of writers; and enquire how far both the theories and models were founded in nature, or created by fancy: and, when this should be done, as far as their circumstances would allow, to adopt the advantages, and reject the inconveniences, of all. Unembarrassed by attachments to noble families, hereditary lines and successions, or any considerations of royal blood, even the pious mystery of holy oil had no more influence than that other of holy water: the people universally were too enlightened to be imposed on by artifice; and their leaders, or more properly followers, were men of too much honour to attempt it. Thirteen governments thus founded on the natural authority of the people alone, without a pretence of miracle or mystery, which are destined to spread over the northern part of that whole quarter of the globe, are a great point gained in favour of the rights of mankind. [Preface to 'A Defence of the Constitutions of the United States of America', 1787]

Ahora miraba el mundo como algo remoto, con lo que yo no tenía nada que ver y de lo que nada esperaba, y de hecho nada deseaba: en pocas palabras, no tenía nada que ver con ese mundo, y difícilmente algún día tendría que ver algo con él; por tanto, pensé que así debía de verse después de la muerte.

We have this hope as an anchor for the soul, firm and secure." (Hebrews 6:19)

Temple Temple is a place where God stays, In your heart is where God lays. So if you can touch the God inside your heart, Divine bliss shall always become your part.

The hard right verses three easy wrong

If I was building any new kind of life to live, it really didn't seem that way. It's not as if I had turned in any old one to live it. If anything, I wanted to understand things and then be free of them. I needed to learn how to telescope things, ideas. Things were too big to see all at once, like all the books in the library -everything laying around on all the tables. You might be able to put it all into one paragraph or into one verse of a song if you could get it right.

I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!

Let a man leave anger, let him forsake pride, let him overcome all bondage! No sufferings befall the man who is not attached to name and form and who calls nothing his own. [Verse 221] TR- Friedrich Max Müller

What is Fate but pearls of choices strung together? What is Destiny but a path we walk on our own free will? Remember, Dark Ones, that nothing is written in the fabric of time until you decide where, when and what shall be the first verse. -- Excerpt from the Lost Chapters of the Ecliptic Scrolls

I don't so much mind looking back on having lost the election, or having been denied a role in the play, or having had my novel repeatedly rejected, or having been turned down for a date, or recalling laughter at my expense when I attempted some silly challenge.  Those things simply prove that I lived life.  What I do mind, however, is looking back on the lost opportunities where imagined concerns kept me from even trying—lose or win.  I've learned that there is no regret in a brave attempt, only in cowering to fear.

Ever since they left Thies, the women had not stopped singing. As soon as one group allowed the refrain to die, another picked it up, and new verses were born at the hazard of chance or inspiration, one word leading to another and each finding, in its turn, its rhythm and its place. No one was very sure any longer where the song began, or if it had an ending. It rolled out over its own length, like the movement of a serpent. It was as long as a life.

Allah is the forger of time, the molder of space, the weaver of souls, the turner of hearts, the One who creates everything in stages yet is beyond the limits of time. Life is created from His breath, the cosmos forms from the vibration of His speech, and love is birthed from the womb of His mercy. He is the One who said, “Be!” to the vast nothingness, and existence sprouted into being. His words inspire light to break the darkness of nothing into the dawn of life.

He is smitten on the brain, -he reads and writes verses! I caught him in the act! Fools might say he was inspired; but I know it is the first and worst symptom of lunacy. All other maniacs have lucid intervals; some are curable; but the madness of poets, dogs, and musicians, is past hope. Earth possesses no remedy, science no cure.

You jealous souls are primeval without a doubt, Teach yourself to eat better instead of trying to eat one's heart out.

I love this planet because Inspiration comes from everywhere. I named one of my books after a verse in a song I heard in my friend’s car.

The story of life is quicker than the blink of an eye, the story of love is hello, goodbye.

Love is when he gives you a piece of your soul, that you never knew was missing.

Music is love, love is music, music is life, and I love my life. Thank you and good night.

Today, I walked into a coffee shop but no one was there who looked like they could completely fuck up my life and inspire a mediocre poem and a half so I just left.

Poetry comes out of life.

I may not be able to play a harp again, or sing for the clan,” he said. “But I have found that this is my song. This is my music.” And he framed her face in his hands. “Months ago, I told you that I was a verse inspired by your chorus. I thought I knew what those words meant then, but now I fully understand the depth and the breadth of them. I want to write a ballad with you, not in notes but in our choices, in the simplicity and the routine of our life together. In waking up at your side every sunrise and falling asleep entwined with you every sunset. In kneeling beside you in the kail yard and leading a clan and overseeing trade and eating at our parents’ tables. In making mistakes, because I know that I’ll make them, and then restitution, because I’m better than I once ever hoped to be when I’m with you.” Adaira turned her face to kiss his palm, where his scar from their blood vow still shone. When she looked at him again, there were tears in her eyes. “What do you think, Heiress?” Jack whispered, because he was suddenly desperate to know her thoughts. To know what she was feeling. Adaira leaned forward, brushing his lips with hers. “I think that I want to make such music with you until my last day when the isle takes my bones. I think you are the song I was longing for, waiting for. And I will always be thankful that you returned to me.

The Prologue to TERRITORY LOST "Of cats' first disobedience, and the height Of that forbidden tree whose doom'd ascent Brought man into the world to help us down And made us subject to his moods and whims, For though we may have knock'd an apple loose As we were carried safely to the ground, We never said to eat th'accursed thing, But yet with him were exiled from our place With loss of hosts of sweet celestial mice And toothsome baby birds of paradise, And so were sent to stray across the earth And suffer dogs, until some greater Cat Restore us, and regain the blissful yard, Sing, heavenly Mews, that on the ancient banks Of Egypt's sacred river didst inspire That pharaoh who first taught the sons of men To worship members of our feline breed: Instruct me in th'unfolding of my tale; Make fast my grasp upon my theme's dark threads That undistracted save by naps and snacks I may o'ercome our native reticence And justify the ways of cats to men.

I am looking at him, I am witnessing a unique physiological phenomenon: John Shade perceiving and transforming the world, taking it in and taking it apart, re-combining its elements in the very process of storing them up so as to produce at some unspecified date an organic miracle, a fusion of image and music, a line of verse.

Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.

Honestly, I do not believe in a drunk Byron writing beautiful verses. Inspiration can pass through the soul just as easily in the midst of an orgy as in the silence of the woods, but when it is a question of giving form to your thoughts, whether you are secluded in your study or performing on the planks of a stage, you must be in total possession of yourself.

Many are the noble words in which poets speak concerning the actions of men; but like yourself when speaking about Homer, they do not speak of them by any rules of art: they are simply inspired to utter that to which the Muse impels them, and that only; and when inspired, one of them will make dithyrambs, another hymns of praise, another choral strains, another epic or iambic verses- and he who is good at one is not good any other kind of verse: for not by art does the poet sing, but by power divine.

It may be that those who care for poetry lost little by his death. Fluent in prose, he never wrote verse for the sake of making a poem. When a refrain of image haunted him, the lyric that resulted was the inspiration, as he himself said, of a passion, not of a purpose.

Come, said my Soul Such verses for my Body let us write, (for we are one,) That should I after death invisibly return, Or, long, long hence, in other spheres, There to some group of mates the chants resuming, (Tallying Earth’s soil, trees, winds, tumultuous waves,) Ever with pleas’d smiles I may keep on, Ever and ever yet the verses owning — as, first, I here and now, Signing for Soul and Body, set to them my name,

...I day dream. Therefore, I am the queen, of my thoughts. Though thirteen, I drift, between, one conception, to another. I create opinions, liberate dilemmas, assert convictions, deal paroxysm, create perfections.” I am neither, a thinker, nor a, perceiver, I am a Day Dreamer...

The Louis XIII style in perfumery, composed of the elements dear to that period - orris-powder, musk, civet and myrtle-water, already known by the name of angel-water - was scarcely adequate to express the cavalierish graces, the rather crude colours of the time which certain sonnets by Saint-Amand have preserved for us. Later on, with the aid of myrrh and frankincense, the potent and austere scents of religion, it became almost possible to render the stately pomp of the age of Louis XIV, the pleonastic artifices of classical oratory, the ample, sustained, wordy style of Bossuet and the other masters of the pulpit. Later still, the blase, sophisticated graces of French society under Louis XV found their interpreters more easily in frangipane and marechale, which offered in a way the very synthesis of the period. And then, after the indifference and incuriosity of the First Empire, which used eau-de-Cologne and rosemary to excess, perfumery followed Victor Hugo and Gautier and went for inspiration to the lands of the sun; it composed its own Oriental verses, its own highly spiced salaams, discovered intonations and audacious antitheses, sorted out and revived forgotten nuances which it complicated, subtilized and paired off, and in short resolutely repudiated the voluntary decrepitude to which it had been reduced by its Malesherbes, its Boileaus, its Andrieux, its Baour-Lormians, the vulgar distillers of its poems.

Last night I danced. My body rose from its slump for the first time since the beginning of sorrows—my fingers beckoning to the stars at arm's length, back arching as tingles bubbled up my spine, hips caught in a silent tempo while on tiptoe I twirled in endless euphoric circles. It didn't matter that you loved me or that you didn't. For I was wanted by the gods last night, their seraphs and muses descending on moonbeams into my midst, caressing my face and gliding their spirited arms about my waist, lifting my toes from the soil that I might feel what it is to fly without heaviness of heart. I danced with them under the glow of a loyal moon. For one brief, visceral dance I joyed as Heaven joys—in endless bliss. And the universe cherished me.

Moral obligations verses Legal obligations. Legally, you must abide by the laws of the land or face the consequences of being fined, imprisoned or both. Moral obligations tend to lean more towards a spiritual nature of a person. Some people perform immoral acts because legally there are no consequences. Morals birth in the heart of the individual. Moral characteristics are developed at an early age and continue into adulthood. It's a disgrace to neglect having good moral character.

Already the people murmur that I am your enemy because they say that in verse I give the world your me. They lie, Julia de Burgos. They lie, Julia de Burgos. Who rises in my verses is not your voice. It is my voice because you are the dressing and the essence is me; and the most profound abyss is spread between us. You are the cold doll of social lies, and me, the virile starburst of the human truth. You, honey of courtesan hypocrisies; not me; in all my poems I undress my heart. You are like your world, selfish; not me who gambles everything betting on what I am. You are only the ponderous lady very lady; not me; I am life, strength, woman. You belong to your husband, your master; not me; I belong to nobody, or all, because to all, to all I give myself in my clean feeling and in my thought. You curl your hair and paint yourself; not me; the wind curls my hair, the sun paints me. You are a housewife, resigned, submissive, tied to the prejudices of men; not me; unbridled, I am a runaway Rocinante snorting horizons of God's justice. You in yourself have no say; everyone governs you; your husband, your parents, your family, the priest, the dressmaker, the theatre, the dance hall, the auto, the fine furnishings, the feast, champagne, heaven and hell, and the social, "what will they say." Not in me, in me only my heart governs, only my thought; who governs in me is me. You, flower of aristocracy; and me, flower of the people. You in you have everything and you owe it to everyone, while me, my nothing I owe to nobody. You nailed to the static ancestral dividend, and me, a one in the numerical social divider, we are the duel to death who fatally approaches. When the multitudes run rioting leaving behind ashes of burned injustices, and with the torch of the seven virtues, the multitudes run after the seven sins, against you and against everything unjust and inhuman, I will be in their midst with the torch in my hand.

Theophilus Crowe wrote bad free-verse poetry and played a jimbai drum while sitting on a rock by the ocean. He could play sixteen chords on the guitar and knew five Bob Dylan songs all the way through, allowing for a dampening buzz any time he had to play a bar chord. He had tried his hand at painting, sculpture, and pottery and had even played a minor part in the Pine Cove Little Theater’s revival of Arsenic and Old Lace. In all of these endeavors, he had experienced a meteoric rise to mediocrity and quit before total embarrassment and self-loathing set in. Theo was cursed with an artist’s soul but no talent. He possessed the angst and the inspiration, but not the means to create.

First, it is largely unknown just how the Holy Spirit interacted with the author of an original Biblical manuscript- 'passive' vs. 'active' (I contend that it was both/and). Secondly, it is also widely unknown just what the 'process' involved in 'canonization' was. Additionally, I see little evidence of the injection of personal bias if any by the Biblical authors.

To a Familiar Genius Flying By Reveal yourself, anonymous enchanter! What heaven hastens you to me? Why draw me to that promised land again That I gave up so long ago? Was it not you who in my youth Enchanted me with such sweet dreams, Did you not whisper, long ago, Dear hopes of a guests ethereal? Was it not you through whom all lived In golden days, in happy lands Of fragrant meadows, waters bright, Where days were merry ?neath clear skies? Was it not you who breathed into my vernal breast Some melancholy mysteries Tormenting it with keen desire Exciting it to anxious joy? Was it not you who bore my soul aloft Upon the inspiration of your sacred verse, Who flamed before me like a holy vision, Initiating me into life's beauty? In hours lost, hours of secret grief, Did you not always murmur to my heart, With happy comfort soothe it And nurture it with quiet hope? Did not my soul forever heed you In all the purest moments of my life When'ere it glimpsed fate's sacred essence With only God to witness it? What news bring you, O, my enchantress? Or will you once more call in dreams Awaken futile thoughts of old, Whisper of joy and then fall silent? O spirit, bide with me awhile; O, faithful friend, haste not away; Stay, please become my earthly life, O, Guardian angel of my soul.

But often the preaching is just motivational speaking, waterless clouds blown by the wind that offer inspiration without information (Jude 12). Sermons aren’t built on biblical theology, but employ an occasional verse to springboard toward the preacher’s pre-chosen point. They don’t point people to the biblical gospel of what Christ has done, but call them to the burdensome “gospel” of what they must do.

They were aware that the symbols of mythology and the the symbols of mathematical science were different aspects of the same, indivisible Reality. They did not live in a 'divided house of faith and reason'; the two were interlocking, like ground-plan and elevation on an architect's drawing. It is a state of mind very difficult for twentieth-century man to imagine- or even to believe that it could ever have existed. It may help to remember though, that some of the greatest pre-Socratic sages formulated their philosophies in verse; the unitary source of inspiration of prophet, poet, and philosopher was still taken for granted.

Do I Love You" I stand in the night and stare up at a lone star, wondering what love means. You whisper your desire—do I love you? I dare say yes. But my eyes drift back to that solitary star; my mind is plagued with intimate uncertainty. What art thou, Love? Tell me. I contemplate what I know—the qualities that love doth not possess. Love lifts no cruel or unkind hand, for it seeketh no harm. It shirks from constraints and demands, for tyranny is not love. A boisterous voice never crosses love's lips, for to speak with thunder chases its very presence from the heart. Love inflicts no pain, no fear, no misery, but conquers all such foes. It is said that love is not selfish, yet it does not guilt those who are. On a heart unwillingly given it stakes no claim. Love is nothing from Pandora's box; it is no evil, sin, or sorrow unleashed on this world. My eyes glimmer as the star I gaze upon twinkles with brightness that I do not possess. I recognize my smallness—my ignorance of the One whose hands placed that star in the heavens for me. He is love. By His own mouth He proclaimed it. Again the whispered question hits my ear—do I love you? I dare say yes. But my eyes squint tight, wishing on a lonely star, wondering what love means.

IRELAND Spenserian Sonnet abab, bcbc, cdcd, ee What is it about the Kelly velvet hillsides and the hoary avocado sea, The vertical cliffs where the Gulf Stream commences its southern bend, Slashing like a sculptor gone mad or a rancorous God who’s angry, Heaving galaxies of lichen shrouded stones for potato farmers to tend, Where the Famine and the Troubles such haunting aspects lend, Music and verse ring with such eloquence in their whimsical way, Let all, who can hear, rejoice as singers’ intonations mend, Gaelic souls from Sligo and Trinity Green to Cork and Dingle Bay, Where fiddle, bodhran, tin whistle, and even God, indulge to play, Ould sod to Beckett, Wilde and Yeats, Heaney and James Joyce, In this verdant, welcoming land, ‘tis the poet who rules the day. Where else can one hear a republic croon in so magnificent a voice? Primal hearts of Celtic chieftains pulse, setting inspiration free, In genial confines of chic caprice, we’re stirred by synchronicity.

How We Approach the New Testament We Christians have been taught to approach the Bible in one of eight ways: • You look for verses that inspire you. Upon finding such verses, you either highlight, memorize, meditate upon, or put them on your refrigerator door. • You look for verses that tell you what God has promised so that you can confess it in faith and thereby obligate the Lord to do what you want. • You look for verses that tell you what God commands you to do. • You look for verses that you can quote to scare the devil out of his wits or resist him in the hour of temptation. • You look for verses that will prove your particular doctrine so that you can slice-and-dice your theological sparring partner into biblical ribbons. (Because of the proof-texting method, a vast wasteland of Christianity behaves as if the mere citation of some random, decontextualized verse of Scripture ends all discussion on virtually any subject.) • You look for verses in the Bible to control and/or correct others. • You look for verses that “preach” well and make good sermon material. (This is an ongoing addiction for many who preach and teach.) • You sometimes close your eyes, flip open the Bible randomly, stick your finger on a page, read what the text says, and then take what you have read as a personal “word” from the Lord. Now look at this list again. Which of these approaches have you used? Look again: Notice how each is highly individualistic. All of them put you, the individual Christian, at the center. Each approach ignores the fact that most of the New Testament was written to corporate bodies of people (churches), not to individuals.

And God did not just ask for the perfect sheep; He also wanted its wool. Deuteronomy 18:4 instructs shepherds to give the first shearing of the sheep as on offering to God. Above the crackling warmth radiating from the stove, I read the verse aloud to Lynne. "Is a first shearing a once-in-a-lifetime offering?" I asked. "Yes, everybody wants the first shearing, especially if it's from one of your best lambs. The first shearing is the finest fleese that's used to the best clothes...to ask for that is a real sacrifice." ... For the first time in a long while, maybe ever, I had felt with my own hands what God desired from sacrifice. It was nothing like what I expected...In asking for the first fleece, God isn't asking for the biggest. He wants to smallest and the softest. He doesn't want more-He wants the best." -Scouting the Divine

Degas, more than any other Realist, looked upon the photograph not merely as a means of documentation, but rather as an inspiration: it evoked the spirit of his own imagery of the spontaneous, the fragmentary and the immediate. Thus, in a certain sense, critics of Realism were quite correct to equate the objective, detached, scientific mode of photography, and its emphasis on the descriptive rather than the imaginative or evaluative, with the basic qualities of Realism itself. As Paul Valéry pointed out in an important though little known article: ‘the moment that photography appeared, the descriptive genre began to invade Letters. In verse as in prose, the décor and the exterior aspects of life took an almost excessive place.… With photography… realism pronounces itself in our Literature’ and, he might have said, in our art as well.

Orlando, who had just dipped her pen in the ink, and was about to indite some reflection upon the eternity of all things, was much annoyed to be impeded by a blot, which spread and meandered round her pen. . . . She dipped it again. The blot increased. She tried to go on with what she was saying but no words came. Next she began to decorate the blot with wings and whiskers, till it became a round-headed monster, something between a bat and a wombat. But as for writing poetry with Basket and Bartholemew in the room, it was impossible. No sooner had she said 'impossible' than, to her astonishment and alarm, the pen began to curve and caracole with the smoothest possible fluency. Her page was written in the neatest sloping Italian hand with the most insipid verses she had ever read in her life: I am myself but a vile link Amid life's weary chain, But I have spoken hallowed words, Oh, do not say in vain! . . . . . She was so changed, the soft carnation cloud Once mantling o'er her cheek like that which eve Hangs o'er the sky, glowing with roseate hue, Had faded into paleness, broken by Bright burning blushes, torches of the tomb, but here, by an abrupt movement she spilt the ink over the page and blotted it from human sight she hoped for ever. She was all of a quiver, all of a stew. Nothing more repulsive could be imagined than to feel the ink flowing thus in cascades of involuntary inspiration.

If America, for instance, used the Bible to shape its warfare policy, that policy would look like this. Enlistment would be by volunteer only (which it is), and the military would not be funded by taxation. America would not stockpile superior weapons—no tanks, drones, F-22s, and of course no nuclear weapons—and it would make sure its victories were determined by God’s miraculous intervention, not by military might. Rather than outnumbering the enemy, America would deliberately fight outmanned and under-gunned. Perhaps soldiers would use muskets, or maybe just swords. There would be no training, no boot camp, no preparation other than fasting, praying, and singing worship songs. If America really is the “new Israel,” God’s holy nation as some believe, then it needs to take its cue from God and His inspired manual for military tactics. But as it stands, many Christians will be content to cut and paste selected verses that align with America’s worldview to give the military some religious backing. Some call this bad hermeneutics; others call it syncretism. The Israelite prophets called it idolatry.

He has already mastered (or become quite proficient at) a number of skills and techniques such as braises, fricassees, roasting, searing, and sautéing. He was already well versed in pie and pastry making, so teaching him laminated pastry and more difficult cakes and confectionary has proceeded much faster than I anticipated. (I suspect Helena feels the same, though she always pretends to be nonplussed at his progress.) His knowledge and interest in the dishes of other cultures also continues to surprise me. His empanadas, it seems, were only the tip of the bavarois. He makes a delightful curry after the East Indian style, and his fried plantains (both the sweet maduros and the crispy double-fried green ones) have become my new favorite snack before our evening meal. You would love them, Nanay, I am certain. Nanay, I've also taught him most of the rice dishes in my repertoire (as Helena continues to find rice to be rather lowly---though she eats risotto and paella readily enough when they're on the table), and although he was surprised when I first showed him plain, unadulterated rice as you make it, he soon gobbled it up and has been experimenting with more Eastern-inspired rice dishes and desserts and puddings ever since.

Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.

The truth is, you can bend Scripture to say just about anything you want it to say. You can bend it until it breaks. For those who count the Bible as sacred, interpretation is not a matter of whether to pick and choose, but how to pick and choose. We’re all selective. We all wrestle with how to interpret and apply the Bible to our lives. We all go to the text looking for something, and we all have a tendency to find it. So the question we have to ask ourselves is this: are we reading with the prejudice of love, with Christ as our model, or are we reading with the prejudices of judgment and power, self-interest and greed? Are we seeking to enslave or liberate, burden or set free? If you are looking for Bible verses with which to support slavery, you will find them. If you are looking for verses with which to abolish slavery, you will find them. If you are looking for verses with which to oppress women, you will find them. If you are looking for verses with which to honor and celebrate women, you will find them. If you are looking for reasons to wage war, there are plenty. If you are looking for reasons to promote peace, there are plenty more. If you are looking for an outdated and irrelevant ancient text, that’s exactly what you will see. If you are looking for truth, that’s exactly what you will find. This is why there are times when the most instructive question to bring to the text is not, What does this say? but, What am I looking for? I suspect Jesus knew this when he said, “Ask and it will be given to you; seek and you will find; knock and the door will be opened to you” (Matthew 7:7). If you want to do violence in this world, you will always find the weapons. If you want to heal, you will always find the balm. With Scripture, we’ve been entrusted with some of the most powerful stories ever told. How we harness that power, whether for good or evil, oppression or liberation, changes everything.

The wu in wuxia means both “to cut” and “to stop.” It also refers to the weapon—usually a sword—carried by the assassin, the hero of the story. The genre became very popular during the Song Dynasty [960–1279]. These stories often depicted a soldier in revolt, usually against a corrupt political leader. In order to stop corruption and the killing of innocent people, the hero must become an assassin. So wuxia stories are concerned with the premise of ending violence with violence. Although their actions are motivated by political reasons, the hero’s journey is epic and transformative—physically, emotionally, and spiritually. In the Tang Dynasty, a prominent poet named Li Bai wrote some verses about an assassin. This is the earliest example I know of wuxia literature. Gradually, the genre gave shape to ideas and stories that had been percolating in historical and mythological spheres. Although these stories were often inspired by real events of the past, to me they feel very contemporary and relevant. It’s one of the oldest genres in Chinese literature, and there are countless wuxia novels today. I began to immerse myself in these novels when I was in elementary school, and they quickly became my favorite things to read. I started with newer books and worked my way back to the earliest writing from the Tang Dynasty.

The flower-covered grave of the saint in the inner room could be seen dimly through the narrow doorway. In front of it was a wide vestibule where about two dozen people were seated in a circle. One of them was singing lustily some Persian verses, while others kept the time by clapping their hands; they joined in the refrain which was sung in chorus. Like rising tidal waves, the tempo of the singing was getting faster and faster, the clapping became more frantic and heads rolled from side to side, keeping time with the tempestuous melody. Eyes were closed and everyone was lost in the surging waves of emotion that seemed to flow out of the Sufistic poetry of the great Roomi. Then, to his amazement Anwar saw a man in the centre of the crowd open his eyes and stare vacantly. For a moment this man was silent, ominously silent and motionless in the midst of the emotional storm that raged around him. Then he was caught by a sudden frenzy, his whole body quivered and moved, beating time to the song which by now had reached a weird and frightening crescendo, faster and faster, louder and louder. The man's hands rose high in the air and as if clutching at an unseen rope, he raised himself and started to dance, wildly, ecstatically, tearing his clothes and pulling his hair, completely unselfconscious and unrestrained, oblivious of everything by some mysterious inner urge that demanded expression in this wild manner. And then the song died on the lips of the singer, the waves of emotion receded and in the ghostly silence that descended upon the assembly the standing figure of the man in the centre which looked inspired and hallowed a moment ago, suddenly appeared ridiculous and grotesque. For a few moments he stood as if poised for another outburst of frenzy. Then, deprived of the emotional support of the song, his knees sagged and he collapsed to the ground. For several minutes Anwar was speechless; so great had the effect of this spectacle been on him. His pulse beat faster, his mind was in a whirl and, as the song stopped, he felt a gnawing emptiness in his bowels. This then was Qawwali, the ecastatic ritual of the Persian Sufis.

Does Jesus Care? In a fit of despondency, the psalmist once bemoaned, “No one cares for my soul” (Ps. 142:4). But in the next verse he turned his gloom into a prayer, declaring to God, “You are my refuge.” The word care occurs eighty-two times in the Bible, which frequently reminds us that when “the days are weary, the long nights dreary,” our Savior cares. Frank Graeff wrote “Does Jesus Care?” in 1901, and it was set to music by the noted conductor and composer, Dr. J. Lincoln Hall (born November 4, 1866), who later called it his most inspired piece of music. The form of the hymn is unusual. Each stanza asks questions about God’s care for us in various situations, and the chorus resounds with the bolstering answer: “Oh yes, He cares, I know He cares!” NOVEMBER 4 Does Jesus care when my heart is pained Too deeply for mirth or song, As the burdens press, and the cares distress And the way grows weary and long? Does Jesus care when I’ve tried and failed To resist some temptation strong; When for my deep grief there is no relief, Though my tears flow all the night long? Does Jesus care when I’ve said “good-bye” To the dearest on earth to me, And my sad heart aches till it nearly breaks, Is it aught to Him? Does He see? Oh yes, He cares, I know He cares, His heart is touched with my grief; When the days are weary, the long nights dreary, I know my Savior cares. . . . casting all your care upon Him, for He cares for you. – 1 Peter 5:7

All that we have seen in this work shows us one clear fact: The Qur'an, this extraordinary book which was revealed to the Seal of the Prophets, Muhammad (saas), is a source of inspiration and true knowledge. The book of Islam-no matter what subject it refers to-is being proved as Allah's word as each new piece of historical, scientific or archaeological information comes to light. Facts about scientific subjects and the news delivered to us about the past and future, facts that no one could have known at the time of the Qur'an's revelation, are announced in its verses. It is impossible for this information, examples of which we have discussed in detail in this book, to have been known with the level of knowledge and technology available in 7th century Arabia. With this in mind, let us ask: Could anyone in 7th century Arabia have known that our atmosphere is made up of seven layers? Could anyone in 7th century Arabia have known in detail the various stages of development from which an embryo grows into a baby and then enters the world from inside his mother? Could anyone in 7th century Arabia have known that the universe is "steadily expanding," as the Qur'an puts it, when modern scientists have only in recent decades put forward the idea of the "Big Bang"? Could anyone in 7th century Arabia have known about the fact that each individual's fingertips are absolutely unique, when we have only discovered this fact recently, using modern technology and modern scientific equipment? Could anyone in 7th century Arabia have known about the role of one of Pharaoh's most prominent aids, Haman, when the details of hieroglyphic translation were only discovered two centuries ago? Could anyone in 7th century Arabia have known that the word "Pharaoh" was only used from the 14th century B.C. and not before, as the Old Testament erroneously claims? Could anyone in 7th century Arabia have known about Ubar and Iram's Pillars, which were only discovered in recent decades via the use of NASA satellite photographs? The only answer to these questions is as follows: the Qur'an is the word of the Almighty Allah, the Originator of everything and the One Who encompasses everything with His knowledge. In one verse, Allah says, "If it had been from other than Allah, they would have found many inconsistencies in it." (Qur'an, 4:82) Every piece of information the Qur'an contains reveals the secret miracles of this divine book. The human being is meant to hold fast to this Divine Book revealed by Allah and to receive it with an open heart as his one and only guide in life. In the Qur'an, Allah tells us the following: This Qur'an could never have been devised by any besides Allah. Rather it is confirmation of what came before it and an elucidation of the Book which contains no doubt from the Lord of all the worlds. Do they say, "He has invented it"? Say: "Then produce a sura like it and call on anyone you can besides Allah if you are telling the truth." (Qur'an, 10:37-38) And this is a Book We have sent down and blessed, so follow it and have fear of Allah so that hopefully you will gain mercy. (Qur'an, 6:155)