Verse Birthday Quotes

You were born and with you endless possibilities, very few ever to be realized.  It's okay.  Life was never about what you could do, but what you would do. 

He is the straight to video sequel to your summer hit movie. He is the verse to that song on the radio you have to hum cause you can’t remember the words. You couldn’t break this kid’s heart, he is so far beyond that. This is the kind of kid who blew out the candles on hope all alone for too many birthdays to remember. And no one has ever fallen in love with anyone with a smile that’s dripping with “please die”.

One afternoon in the fall of 2015, while I was writing this book, I was driving in my car and listening to SiriusXM Radio. On the folk music station the Coffee House, a song came on with a verse that directly spoke to me—so much so that I pulled off the road as soon as I could and wrote down the lyrics and the singer’s name. The song was called “The Eye,” and it’s written by the country-folk singer Brandi Carlile and her bandmate Tim Hanseroth and sung by Carlile. I wish it could play every time you open these pages, like a Hallmark birthday card, because it’s become the theme song of this book. The main refrain is: I wrapped your love around me like a chain But I never was afraid that it would die You can dance in a hurricane But only if you’re standing in the eye. I hope that it is clear by now that every day going forward we’re going to be asked to dance in a hurricane, set off by the accelerations in the Market, Mother Nature, and Moore’s law. Some politicians propose to build a wall against this hurricane. That is a fool’s errand. There is only one way to thrive now, and it’s by finding and creating your own eye. The eye of a hurricane moves, along with the storm. It draws energy from it, while creating a sanctuary of stability inside it. It is both dynamic and stable—and so must we be. We can’t escape these accelerations. We have to dive into them, take advantage of their energy and flows where possible, move with them, use them to learn faster, design smarter, and collaborate deeper—all so we can build our own eyes to anchor and propel ourselves and our families confidently forward.

She’s drawn to me just as I’m drawn to her. She can’t keep away. She circles, forced to keep her distance, afraid of abandoning her husband and, even more, her son for too long. But she keeps coming, like a moth to my candle, staying longer than she should, leaving late for dinners and birthday parties, singeing her wings. She’s risking her marriage for me, her family, her reputation. And I, the moth circling her candle, realize that she’s not just a candle. She’s a moth as well, circling me. I look at her and see myself reflected, my feelings, my desires. And she, looking at me, must see herself. And which of us is moth and which is candle hardly seems to matter. We’re both the same. That’s the secret. What moths never tell us as they whirl in their dances. What Manucci learned at Pak Tea House. What sufis veil in verse. I turn her around and look into her eyes and see the wonder in them that must be in mine as well, the wonder I first saw on our night of ecstasy, and I feel myself explode, expand, fill the universe, then collapse, implode like a detonation under water, become tiny, disappear. I’m hardly aware of myself, of her, when I open my mouth. There is just us, and I speak for us when I speak, and I must be trembling and crying, but I don’t even know if I am or what I’m doing. I just say it. “I love you.” And I lose myself in her eyes and we kiss and I feel myself becoming part of something new, something larger, something I never knew could be. Union. There are no words.

I’m not your average pussy-eating muthafucka,” he continued. “I’m a connoisseur. I experience the pussy, becoming well-versed and fluent in its texture, aroma, sensitivity, and saturation. Not all pussy is the same, and since we agreed to keep it a hundred, your pussy deserves a spot in the Hall of Fame. It may be my birthday, but this shit should be celebrated, the Most Valuable Pussy.

To talk of the size of a thought is odd, perhaps, but to say that someone is thinking big thoughts is not without meaning. "I want you all to come to my birthday party" is a bigger thought than "I want only some of you to come." Bodhicitta is theoretically the biggest thought anyone can think because of the number of beings involved, what it wants them to have, and the length of time it must last before its motivating power dies out. Since the duration of a thought is a variable of the aim, in the sense that the actions motivated by a thought cease when the aim is attained, one can conceive of thoughts that last longer and longer. Bodhicitta necessarily lasts until the last living being reaches the state free of suffering, because it is only then that the aim is finally achieved. This explains the prayer of Samantabhadra at the end of the Gandavyūha section of the Avataṃsaka Sūtra, which the Dalai Lama often invokes: "For as long as space endures may I remain to work for the benefit of living beings.

In 1891, Robert Louis Stevenson received a letter from a Vermont girl named Annie Ide. Her birthday fell on Christmas, she said, and she seldom received birthday presents. He replied with a document decreeing that “I, Robert Louis Stevenson, . . .in consideration that Miss Annie H. Ide, . . .was born, out of all reason, upon Christmas Day, and is therefore out of all justice denied the consolation and profit of a proper birthday; and considering that I, the said Robert Louis Stevenson, have attained an age when we never mention it, and that I have now no further use for a birthday of any description. . . . HAVE TRANSFERRED, and DO HEREBY TRANSFER, to the said Annie H. Ide, ALL AND WHOLE my rights and privileges in the thirteenth day of November, formerly my birthday, now, hereby, and henceforth, the birthday of the said Annie H. Ide, to have, hold, exercise, and enjoy the same in the customary manner, by the sporting of fine raiment, eating of rich meats, and receipt of gifts, compliments, and copies of verse, according to the manner of our ancestors.

Eyeing a book of poems Held by loving hands towards me, “Birthday gift for you …. to write poems,” Made me joyful, but homework for me

Tree was lonesome, and the adjustment to campus life was not proving to be an easy one for her. She missed the intimacy of her neighborhood back in Columbia, where she knew everyone she passed on the street. She had the typical freshman sensation of being overwhelmed. The lectures were hard to follow, a lot of the terms and subjects were new to her, and she struggled to take notes at the collegiate pace. She tried to keep up as best she could, but it seemed like she was always behind. She studied for two weeks for her first biology test. She was afraid of failing. Semeka Randall, in the next bed, heard Tree weeping. Semeka slid out of bed and padded back to Tamika and Ace’s room—she was about to cry herself. She said, “Tree’s crying and it’s her birthday. We have to do something.” The three of them spent all afternoon planning a surprise. They bought a vanilla cake with white icing; they blew up eighteen balloons and decorated the back bedroom with them; they strung crepe paper, and ordered pizzas. Word got back to me that Tree was having a hard day. In the afternoon, I called the freshmen suite. I sang “Happy Birthday” to Tree, in my voice that was hoarse from yelling at her. That cheered her up some. That evening, Ace, Semeka, and Tamika acted like it was just another night in their dorm room. They talked about going out, and decided against it. Semeka said, “Let’s just eat pizzas.” Tree thought, “There goes my birthday.” When the pizza arrived, Tamika told Tree to stay in the front room. After a minute, they called Tree into the back. She walked into a room darkened except for a flaming birthday cake. It was the final icebreaker. Tree beamed. The three freshmen circled Tree, and began to sing. Semeka started first. But she didn’t sing “Happy Birthday.” She sang their favorite song from the film Waiting to Exhale. As Semeka sang a verse, the others joined in. “Count on Me,” they sang. Tree, touched, started crying again.

•    Be an intentional blessing to someone. Devote yourself to caring for others. Even when your own needs begin to dominate your attention, set aside time daily to tune in to others. Pray for their specific needs and speak blessings to those you encounter each day. Make them glad they met you.     •    Seek joy. Each morning ask yourself, “Where will the joy be today?” and then look for it. Look high and low—in misty sunbeams, your favorite poem, the kind eyes of your caretaker, dew-touched spiderwebs, fluffy white clouds scuttling by, even extra butterflies summoned by heaven just to make you smile.     •    Prepare love notes. When energy permits, write, videotape, or audiotape little messages of encouragement to children, grandchildren, and friends for special occasions in their future. Reminders of your love when you won’t be there to tell them yourself. Enlist the help of a friend or family member to present your messages at the right time, labeled, “For my granddaughter on her wedding day,” “For my beloved friend’s sixty-fifth birthday,” or “For my dear son and daughter-in-law on their golden anniversary.”     •    Pass on your faith. Purchase a supply of Bibles and in the front flap of each one, write a personal dedication to the child or grandchild, friend, or neighbor you intend to give it to. Choose a specific book of the Bible (the Gospels are a great place to start) and read several chapters daily, writing comments in the margin of how this verse impacted your life or what that verse means to you. Include personal notes or prayers for the recipient related to highlighted scriptures. Your words will become a precious keepsake of faith for generations to come. (*Helpful hint: A Bible with this idea in mind might make a thoughtful gift for a loved one standing at the threshold of eternity. Not only will it immerse the person in the comforting balm of scripture, but it will give him or her a very worthwhile project that will long benefit those he or she loves.)     •    Make love your legacy. Emily Dickinson said, “Unable are the loved to die. For love is immortality.” Ask yourself, “What will people remember most about me?” Meditate on John 15:12: “Love each other as I have loved you” (NIV). Tape it beside your bed so it’s the last thing you see at night and the first thing you see in the morning.     •    “Remember that God loves you and will see you through it.

April 5   |   Matthew 7:11 At a recent birthday party I overheard some kids singing Matthew 7:7. The verse was fine, but the chorus was a problem. Ask and it will be given to you Seek and you will find Knock and the door will be opened to you. You gotta ask! (clap clap clap) You gotta seek! (clap clap clap) You gotta knock! (clap clap clap) Now, I’m all for helping kids remember Bible verses. If I’d been made to sing songs like this as a child, I’d probably know more of my Bible today. But this song is a particularly egregious example of focusing on the wrong part of the verse and letting law crowd out gospel. Matthew 7:7 is not primarily about what we have to do; it’s about what God has promised to do. When we focus on the imperatives of the verse (what we are to do) instead of the indicatives (what is being done, in this case by God), we reflect a self-focused faith. And while the imperatives of Matthew 7:7 are undeniably there, the verse still isn’t about asking, seeking, and knocking as much as it is about receiving, finding, and being welcomed. I’d prefer if the chorus went something like this: He’s gonna give! (clap clap clap) He’s gonna show! (clap clap clap) He’s gonna hug! (clap clap clap) After all, Matthew 7:11 says, “If you, then, though you are evil, know how to give good gifts to your children, how much more will your Father in heaven give good gifts to those who ask him!” This little section is about the gift giver! It’s not about what the receiver has to do to get the gift. We’re evil, and even we know how to give good gifts. Our God is gracious, and He has given us the greatest gift of all: His Son, Jesus Christ, who is an answered petition, a revealed treasure, and an open door. Let’s sing about that.

You're No Good" (feat. Santigold, Vybz Kartel, Danielle Haim & Yasmin) [Intro] You’re no good for me But the way you movin at me, oh it might be You want a Jamaican one [Verse] She say she love me and I’m nice Nothing after he return, nothing at the night She say it’s loving, make this down No time at all, she don’t wanna line She touch me, it all become nice She love me, for the rest of her life D drop it down, round kiss on mi spine Touch and make a sweet song, on top of all things My uh uh uh uh uh My ee ee ee ee ee My uh uh uh uh uh (my baby) My ee ee ee ee ee [Chorus] My aa aa aa aa me My melodea My L L L LSD I know you’ll come back around My aa aa aa aa me My melodea My L L L LSD You want a Jamaican one I know you’ll come back around [Verse] If I had you back I’ll never let you go another way Not for the life of me How could you imagine that? Well my mistake that send you on your way Well nothing I can say To you like drops of water Don’t ask me what went wrong Can’t turn back the damage I’ve done Can’t take em back after I’m gone A fool to keep on trying Can’t make me walk away ‘Cause baby I’m back and as I’m getting strung that you’ll be back one day [Chorus] [Verse] Girl you think you love me baby And you know so mi love is for my lady Deserve no faith to deserve no Slim Shady Go Shawty, it’s yo birthday No if and no maybe Take and attack it, you’re the thing, ordinary Me as boyfriend, girl come on and come save me Me and you’re tinking me, com e with me Surely inside the long shorty Til it wind, pan the flow and wind, pan the flow And if you want to get girls that do me Come here, lick it more, lick it more Mean everything, as I me love you So no one kill how I ever want Any time, get chug upon the doorway Man rest assured, pan the girl next door Oh yes I did did My uh uh uh uh uh My melodea My ee ee ee ee ee I know you’ll come back around My uh uh uh uh uh My melodea My ee ee ee ee ee I know you’ll come back around now You’re no good for me But the way you movin at me, oh it might be No one ever made me feel so sweet Now you got me begging on my knees Baby get it for me It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely [x2] It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely [Chorus x2] My aa aa aa aa me

s a child, I was so shy I once hid in a closet at my own birthday party! But again and again, over the years, God has confronted me with opportunities to step outside of myself to touch others. And you know what? Saying yes to God is always a hopeful endeavor. If someone asked me 40 years ago whether I'd ever write a book or speak in front of a large audience, I'd have told her she was crazy. But that's what my ministry became! And as I've matured in the Lord, my hope has grown too. These days I'm far from a hopeless romantic. I'm not a hopeless anything. I'm a wide-eyed child of God eagerly waiting to see what He has in mind for me next. hese troubling days are the perfect time to enjoy the company of old and dear friends. You can share your sorrows, rejoice at God's love, and reminisce about good times. Through all life's seasons friends add so much depth and meaning. Don't think you have to fill every minute with activities. Spend time talking, listening, and enjoying companionship. Gather around a table of great food and soak up the warmth of years of friendship. Share a verse of Scripture and a time of prayer. The Bible says, "Be joyful always; pray continually; give thanks in all circumstances, for this is God's will for you in Christ Jesus" (1 Thessalonians 5:16-18). ver the years I've put together a "This Is Your Life" scrapbook for every one of my children. The books are filled with birth announcements, birthday party pictures, graduation memories-everything imaginable. Report cards, favorite Bible verses, photos of friends, even letters they wrote from camp. My kids have so enjoyed their special books-their own personal history. I love the scripture in Proverbs that says: "The

Molly the Hoverdog was about ten feet away, behind the couch and her incredibly hot new owner. I held out the candy, which immediately caught Molly’s attention. I tossed the candy on the floor and quickly ducked back out. Molly floated over to it, tilted in midair until her snout was just over the white morsel. She lapped it up. For a moment, nothing. John was about to supply the “it’s not working” when, with a wet, tearing KERRRAAAAACTCH sound, Molly exploded like a meat piñata at a birthday party for very strong, invisible children. A couple of cops behind us cheered. Drake walked up. “What the hell was that?” John answered for me. “It was a TestaMint. Little candies with Bible verses printed on them. You can get them at your local Christian bookstore. We were sort of hoping it would just drive the evil out of her, but . . .” John shrugged, businesslike. These things happen sometimes.

Today was a day to face that very temptation. A family who had become dear friends had left the church with no warning or explanation. Not even good bye. When they were missing on that first Sunday, we didn’t realize that they had removed themselves from our church. We thought maybe someone was sick or an alarm clock didn’t go off or something simple. If it had been something serious, they would have called us, of course. We had done so much for them and with them. We rejoiced when they rejoiced, we cried when they cried, we prayed with them, we prayed for them, we loved them and felt as if they loved us in return. Of course, one Sunday turned to two, and then three. I mentioned to Michael that I had called and left a message. He told me that he had the same thought as well. He had left a message and sent a card. We felt sad as the realization sank in: they had left the church. People don’t know how to leave a church, and many pastors don’t take such a loss graciously. In all our determinations about pastoring, we had considered the possibility of losing members, but this family was the first. It was time for a lesson for all of us, and I felt the Lord tugging at my spirit. I was to take the first step. Sunday afternoon, Michael taking a nap, kids playing games in their room... Now was as good a time as any. I got into my car and headed toward their house. Suddenly nervous, I sat in the driveway for a minute at first. What was I doing here again? Pastor’s wives don’t do this. I had been around pastor’s wives all my life. Since sensing my call to full time ministry at eighteen, I had been paying close attention to them, and I had never seen one of them do this. I got my words together. I needed an eloquent prayer for such a moment as this one: “Lord, help” (okay, so it wasn’t eloquent). I remembered a verse in Jeremiah: “I, the LORD, search the heart, I test the mind, Even to give every man according to his ways, According to the fruit of his doings” (17:10). The Lord knew my heart, and He understood. In this situation, I knew that I had opened myself up to Him. In this situation, I knew that my heart was pure before Him. All of a sudden, my courage returned. I opened the car door and willed myself toward the front porch. As I walked up the driveway, I also thought about Paul’s warning which I had read earlier that morning: “they failed to reach their goal... because their minds were fixed on what they achieved instead of what they believed” (Romans 9:31-32). This family was not my achievement; they were the Lord’s creation. What I believed was that I had been right in opening my heart to them. What I believed was that Michael and I had been faithful to the Lord and that we had helped this family while they were in our flock. I had not failed to reach my goal thus far, and I felt determined not to fail now. This front porch was not unfamiliar to me. I had been here before on many occasions, with my husband and children. Happy times: dinners, cook-outs, birthdays, engagement announcements, births.... Sad times as well: teenaged child rebelling, financial struggles, hospital stays or even death .... We had been invited to share heartache and joy alike. No, “invited” is the wrong word. We were needed. We were family, and family comes together at such times. This afternoon, however, was different. I was standing on this familiar front porch for a reason that had never brought me here before: I came to say good bye. On this front porch, I knocked on the door. This family had been with us for years, and we had been with them. Remembering how this family had helped and blessed our congregation, I quietly smiled. Remembering how they had enriched our personal lives with their friendship and encouragement, I could feel the tears burning behind my eyes. We would miss them. Remembering all that we had done for them, I wondered how they could leave with no word or even warning. Just stopped coming. Just

All Fergusson's verses, indeed all humanist verse, has within it an eligiac seam; always present beneath the surface is the assumption that the world is imperfect, that it has fallen from grace. As with the disintegrating Tory ideal in the country, there is in Fergusson's poetry an ideal, imagined city of the past, hopelessly toppling as the new Babylon lays down its foundations: city of chaos, dirt, noise, broken communication, luxury, disorder. In essence the poet follows in his representation the timeless humanist imperative, attempting 'to create order out of disorder, and to make sense of life'. Hallow-Fair and Leith Races to a degree make just such a clear demarcation between the two cities of past and present in their thesis - antithesis structures. The two cities embody two different Scottish cultures: Auld Reekie, the pastoral, civilised, humanist culture; and Edina, the Athens of the North, but more often, Babylon, the counter-pastoral, brutal, Whig culture. Hallow-Fair, Leith Races, The Election, The King's Birth-Day in Edinburgh, satirise the new Babylon; the poems of this group celebrate an older Scotland, and Auld Reekie, in the same eligiac vein as The Daft Days. Yet, as we have seen, the poet, at times, undermines too rigorous a humanist position: demarcations are not all that clear; ideals don't always elevate the human codition; the endless wheel of change and creativity, diversity and unrest, may be forging themselves into a new order.

Happy birthday, Zephyr Villanova.

Okay…" There goes nothing. "My grandmother, bless her soul, was batshit crazy. She had these old family relics and heirlooms that have been in our family for multiple generations, and she left it all to me, on the condition that I’m married by my twenty-ninth birthday, which is in two weeks.

How old are you?” he asked, curious, trying to place her. “How old are you?” she fired back. Dante grinned. “Sixteen.” “I’m eleven,” she declared proudly. “It was my birthday last month. I told my ma to send some of my birthday cake to you.” Dante suddenly realized who she was—their housekeeper’s daughter.

On her twenty-ninth birthday, Zephyr stood in front of the mirror, watching herself in the cute white sundress with embroidered flowers, her sister’s reflection in a pale green dress behind her. “I can’t believe you’re marrying Alpha,

It's too late, Zee," he reminded her, as though she needed it. "You’ll be twenty-nine in a month, and your grandmother’s fund will be frozen out if you don’t marry me. I was going to propose to you on your birthday. One fuck isn't worth all that.

Yes, her grandmother’s fund. Her lovely grandmother had never married and regretted it her entire life, so she'd made sure that her granddaughter wouldn’t make the same mistake and find herself a life partner. She'd left some old family heirlooms with a clause that Zephyr had to be married by her twenty-ninth birthday to access them. Now, Zephyr was pretty non-mercenary, and didn’t care enough for the money to get married. But the family heirlooms had been in her father's line for over five generations, and the sneaky old lady had known her mother would rather get her married at gunpoint than let something so valuable to their heritage go to charity.

Daddy's Little Girl acoustic melodic country [Verse] I see the pictures on your wall, moments I missed First steps, school plays, birthdays, and dusty Christmas gifts I know I've let you down, in ways too many to say But you're always on my mind, every single day [Verse 2] Your mama raised you strong, through storm and sunshine I see her in your eyes, the way you hold the line I was lost and wandering, trying to find myself But I’ve found my way back home, where you always dwelt [Chorus] I'm sorry I wasn't there, when you needed me the most I'm sorry I wasn't the father, you needed me to be But I'll always love you, 'cross the miles and in the dark You'll always be daddy's little girl, forever in my heart [Verse 3] The years keep slipping by, like a river to the sea Moments I can't get back, the man I used to be But I promise you right here, I'll never let you down From this day on, I'll always be around [Verse 4] Forgiveness ain't easy, you’ve built walls so high But I’ll keep on trying, till my last goodbye I’ll be your rock, your anchor, the father that you need The hand to hold, the heart that bleeds [Chorus] I'm sorry I wasn't there, when you needed me the most I'm sorry I wasn't the father, you needed me to be But I'll always love you, 'cross the miles and in the dark You'll always be daddy's little girl, forever in my heart

Daddy's Little Girl [Verse] I remember when you took your first steps, Tiny shoes dancing in the soft spring grass, I was chasing dreams, didn't see the moments pass, Now all I have are these memories to confess. [Verse 2] Birthday candles lighting up your eyes, I was on the road while you cried your childish cries, Missed your laughter, your hugs, and all your highs, Each mile I traveled was another goodbye. [Chorus] I'm sorry I wasn't there when you needed me the most, I'm sorry I wasn't the father you needed me to be, But you'll always be daddy's little girl, No matter where life leads you, in my heart, you're free. [Verse 3] Years have flown by like a runaway train, Photographs can't capture all the joy and pain, I missed your proms, your fears, your growing pains, But you shined a light that helped me see again. [Verse 4] I see your face in every sunset's hue, Wishing I could turn back and stand beside you, Your forgiveness is a gift that pulls me through, You're the song I sing when the day is anew. [Chorus] I'm sorry I wasn't there when you needed me the most, I'm sorry I wasn't the father you needed me to be, But you'll always be daddy's little girl, No matter where life leads you, in my heart, you're free.

There is no question that Master Alighieri’s work is a faithful account of a proper institution. The inscription, “All hope abandon, ye who enter in!” is reprinted in colour in every volume of institutional art history—not merely because gate inscriptions are among the discipline’s most characteristic styles of opus framing. Far beyond that, the appearance of this institution marks a moment akin to Bach’s transformation of composition or Shakespeare’s of the plot. For institutional arts, there is a definitive “before” and “after” the sombre gate flung open. On that point, our correspondent was correct. But, Wholly Spiders, what of the dating? If a 29th-century poet fancied to rhyme a verse about the Nile, should we date the river’s origin to the birthday of his poem? Did the ticket booths of the Ministry of Dreams emptied for the first time only in 2024, when our modest account was published? More bizarre ideas are difficult to encounter. Hasn’t the institution faithfully recorded by the Florentine poet been in operation ever since that poor fool, Adam, failed to exercise independent judgement? To evidence that this occurred well before 1321 is a typical assignment, an average junior historian handles with ease by their second year of study.