Vermont Moving Quotes

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The lesson to draw from this, of course, is that when you move from one country to another you have to accept that there are some things that are better and some things that are worse, and there is nothing you can do about it. That may not be the profoundest of insights to take away from a morning's outing , but I did get a free doughnut as well, so on balance I guess I'm happy. Now if you will excuse me I have to drive to Vermont and collect some mail from a Mr. Bubba.
Bill Bryson
Darlin'," he drawled, "go when you are invited. Bring good boots, drive slow, take blankets, carry your own salt, but by all means... go where the light is. That's not bad advice, wherever you live. Darlin'.
Ellen Stimson (Mud Season: How One Woman's Dream of Moving to Vermont, Raising Children, Chickens and Sheep, and Running the Old Country Store Pretty Much Led to One Calamity After Another)
The Ingallses had no way of knowing it, but the locust swarm descending upon them was the largest in recorded human history. It would become known as “Albert’s swarm”: in Nebraska, a meteorologist named Albert Child measured its flight for ten days in June, telegraphing for further information from east and west, noting wind speed and carefully calculating the extent of the cloud of insects. He startled himself with his conclusions: the swarm appeared to be 110 miles wide, 1,800 miles long, and a quarter to a half mile in depth. The wind was blowing at ten miles an hour, but the locusts were moving even faster, at fifteen. They covered 198,000 square miles, Child concluded, an area equal to the states of Connecticut, Delaware, Maine, Maryland, Massachusetts, New Hampshire, New Jersey, New York, Pennsylvania, Rhode Island, and Vermont combined.49 “This is utterly incredible,” he wrote, “yet how can we put it aside?”50 The cloud consisted of some 3.5 trillion insects.
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
Throughout high school, Ben strove to be as colorless as his room. He chose to blend in with the crowd, a popular white-bread crewneck group, with parents who summered in Nantucket and owned ski houses near mountains in Vermont. One Saturday night after returning from a movie with the happy-go-lucky girl he’d been seeing on and off, he told Harvey and me, in the family room reading newspapers, that he was going to come out in college. Neither of us was astonished, or even surprised. It was a relief to both of us. We had wondered for a long time. When we took Ben to college in Middletown, we watched the gay and lesbian groups chalk messages on the sidewalks at the top of the hill: Say hi to a bi. Give us a year and you’ll be queer. Have you told a parent you’re gay today? Ben was smiling. Ben and Harvey moved the station wagon out of a load zone, and I waited on a creaking swing in front of a building with the school flag, the American flag, and the state flag waving on top. Peace washed over me as though I had taken a pill for it. I wanted chalk. I had something important to say on the sidewalk: Have you told your son you’re happy for him today?
Marilyn Simon Rothstein (Lift and Separate)
Praise for THIS TENDER LAND “If you liked Where the Crawdads Sing, you’ll love This Tender Land by best-selling author William Kent Krueger. This story is as big-hearted as they come.” —Parade Magazine “If you’re among the millions who raced through Where the Crawdads Sing this year and are looking for another expansive, atmospheric American saga, look to the latest from Krueger.” —Entertainment Weekly “Rich with graceful writing and endearing characters… this is a book for the ages.” —The Denver Post “There are very few books (or movies, for that matter) that you can describe as ‘epic.’ But This Tender Land is just that.… This story will make you look at the world from a variety of viewpoints, as you watch these lost souls befriend one another in order to form their own unbreakable family unit.” —Suspense Magazine “[The characters’] adventures are heartstirring and their view of our complex nation, in particular the upper Midwest, is encyclopedic, if an encyclopedia could stir your heart as well as your brain.” —Sullivan County Democrat “Reminiscent of Huck and Jim and their trip down the Mississippi, the bedraggled youngsters encounter remarkable characters and learn life lessons as they escape by canoe down the Gilead River in Minnesota.” —Bookpage “Long, sprawling, and utterly captivating, readers will eat up every delicious word of it.” —New York Journal of Books “Krueger has crafted an American saga, epic in scope, a glorious and grand adventure that speaks of the heart and history of this country.” —Addison Independent (Vermont) “More than a simple journey; it is a deeply satisfying odyssey, a quest in search of self and home. Richly imagined and exceptionally well plotted and written, the novel is, most of all, a compelling, often haunting story that will captivate both adult and young adult readers.” —Booklist “Absorbing and wonderfully paced, this fictional narrative set against historical truths mesmerizes the reader with its evocations of compassion, courage, and self-discovery.… This Tender Land is a gripping, poignant tale swathed in both mythical and mystical overtones.” —Bob Drury, New York Times bestselling author of The Heart of Everything That Is “This Tender Land is a moving portrait of a time and place receding from the collective memory, but leaving its mark on the heart of what the nation has become.” —CrimeReads
William Kent Krueger (This Tender Land)
a moment later the second of Sverdlov’s men leapt out from behind the truck with his automatic raised. He was about take the shot at Maria, but Cris snapped off two rounds. Both buried themselves in his chest, and he collapsed to the sidewalk in a welter of blood. Bystanders were running, and a woman was screaming. He ignored them, reached the table, and stuck his gun in Sverdlov’s face. "Keep your hands in view, and don't move. Maria, we're leaving. You’ve seen the deal they were about to make with you. All they wanted was to get you here to kill you. Isn't that right, Major?" The Russian didn't reply, but his silence was eloquent. They raced across the street back to the Dodge and leapt inside. Sirens were starting to wail, and they had to get out of the city. He drove away fast and out of town, heading north. “Use your phone. Call March, and tell him we’re heading his way. You’ll be able to ask him about Alexander, and see if he can fix us up somewhere remote to stay. Like before, but not his place, an address with no connection to him, and nowhere near Alexander. They could use him again to reach you.” She made the call. It was brief, and she relayed it to him when she’d finished the call. “March said he’d do what he can to find us a place. Cris, what are you planning?” Her voice sounded different, not frightened, but hollow, empty of hope. He spoke as he weaved through the traffic to get away before someone came after them. The Russians, Chicago PD, U.S. Immigration, and maybe a couple more agencies he wasn’t yet aware of. "We need to go back to where it all started, where these bastards first picked us up. I’ll drive to the floatplane base, and if Warner is still there, I'll get him to fly us back to Vermont. It’s time to get ahead of them and make preparations for when they try again." "Why Vermont?" He frowned; annoyed he’d got it so wrong before. "I made a mistake coming here. I thought we could lose ourselves in the city, but the Russians have the same technical resources as U.S. Law Enforcement. Which means wherever we go, they'll find us. We have to go back to somewhere remote. Where there are no cameras.” “And what then? More shooting, more killing?” It didn’t sound like Maria. More like a frightened girl, frightened for the safety of her son.
Eric Meyer (The Kremlin Assassins (Black Operator #2))
He wondered who was driving the train and whether they were headed toward home or away from home. Did the engineer know where love goes when it dies, or how it was possible that hummingbirds can cross the ocean while words can fail to fly half a pillow's distance? And on those cold winter nights when snow obscured the tracks, did he ever lose faith? That the rails would still be there, that the bridges would hold, that there really was a Vermont, that there really was a train, and that the clickety-clack he heard wasn't just the sound of his own heart moving away from him in the night, growing fainter and fainter, beat by beat.
Pete Nelson (I Thought You Were Dead)
endeavor. First and foremost, if it were not for the generosity of the property owners, this project would never have been able to move forward. We are very thankful that they were
Jill L. Baker (The Greensboro Blockhouse Project: An Historical and Archaeological Investigation in Greensboro, Vermont)
Joseph Smith Jr. was born December 23, 1805, in Sharon, Windsor County, Vermont. During his early life, he moved with his family to present-day Manchester, in western New York. It was while he was living there in the spring of 1820, when he was fourteen years of age, that he experienced his first vision, in which he was visited in person by God, the Eternal Father, and His Son Jesus Christ. He was told in this vision that the true Church of Jesus Christ that had been established in New Testament times, and which had administered the fulness of the gospel, was no longer on the earth. Other divine manifestations followed in which he was taught by many angels; it was shown to him that God had a special work for him to do on the earth and that through him the Church of Jesus Christ would be restored to the earth.
The Church of Jesus Christ of Latter-day Saints (Book of Mormon | Doctrine and Covenants | Pearl of Great Price)
A sweet friend of my Hannah's said that Christmas only makes her sad. "It's just for happy families it makes everyone else miserable." But there is a secret truth about family. Eventually you get to pick a family for yourself m. And thanks to the sticky, sweet, funny, loud, rambunctious people I chose, Christmas is my favorite time of the year.
Ellen Stimson (Mud Season: How One Woman's Dream of Moving to Vermont, Raising Children, Chickens and Sheep, and Running the Old Country Store Pretty Much Led to One Calamity After Another)
My favourite quotes, Part Two -- from Michael Connelly's "Harry Bosch" series The Black Box On Bosch’s first call to Henrik, the twin brother of Anneke - Henrik: "I am happy to talk now. Please, go ahead.” “Thank you. I, uh, first want to say as I said in my email that the investigation of your sister’s death is high priority. I am actively working on it. Though it was twenty years ago, I’m sure your sister’s death is something that hurts till this day. I’m sorry for your loss.” “Thank you, Detective. She was very beautiful and very excited about things. I miss her very much.” “I’m sure you do.” Over the years, Bosch had talked to many people who had lost loved ones to violence. There were too many to count but it never got any easier and his empathy never withered. The Burning Room 2 Grace was a young saxophonist with a powerful sound. She also sang. The song was “Somewhere Over the Rainbow,” and she produced a sound from the horn that no human voice could ever touch. It was plaintive and sad but it came with an undeniable wave of underlying hope. It made Bosch think that there was still a chance for him, that he could still find whatever it was he was looking for, no matter how short his time was. ---------------- He grabbed his briefcase off his chair and walked toward the exit door. Before he got there, he heard someone clapping behind him. He turned back and saw it was Soto, standing by her desk. Soon Tim Marcia rose up from his cubicle and started to clap. Then Mitzi Roberts did the same and then the other detectives. Bosch put his back against the door, ready to push through. He nodded his thanks and held his fist up at chest level and shook it. He then went through the door and was gone. The Burning Room 3 “What do you want to know, Bosch?” Harry nodded. His instinct was right. The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever. At the end of the day Rodriguez was a good cop and he wanted what Bosch wanted. He could not remain angry and mute if it might cost Orlando Merced his due. ------------ “I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.” “What is the other, Henrik?” Though he knew the answer. “Anger . . . I am still angry, Detective Bosch.” Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for. “So am I, Henrik,” he said. “So am I.” Angle of Investigation 1972 They were heading south on Vermont through territory unfamiliar to him. It was only his second day with Eckersly and his second on the job. Now He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her. The Scarecrow At one time the newsroom was the best place in the world to work. A bustling place of camaraderie, competition, gossip, cynical wit and humor, it was at the crossroads of ideas and debate. It produced stories and pages that were vibrant and intelligent, that set the agenda for what was discussed and considered important in a city as diverse and exciting as Los Angeles.
Michael Connelly
But for most of the world- for most of Vermont- the Cape Abenaki meltdown is just another bit of old news. Tsunamis. School shootings. Syria. We watch it, we read about it, and then we move on. As a species, we're either very resilient or super callous. I don't know which.
Chris Bohjalian (Close Your Eyes, Hold Hands)
Twenty-five years ago, my family lived in a house named Baneberry Hall, situated just outside the village of Bartleby, Vermont. We moved in on June 26. We fled in the dead of night on July 15. Twenty days.
Riley Sager (Home Before Dark)
Twenty-five years ago, my family lived in a house named Baneberry Hall, situated just outside the village of Bartleby, Vermont. We moved in on June 26. We fled in the dead of night on July 15. Twenty days. That’s how long we lived in that house before we became too terrified to stay a minute longer.
Riley Sager (Home Before Dark)
I talked to my friend Frank on the phone that evening. Frank used to live in Vermont and would come to Springwater occasionally for retreats, and then he moved out to California to be a cook, which is where I met him. “I was at work chopping onions yesterday,” he says, “and suddenly I was filled with sadness … because here I am, I’ve got my dream, exactly what I wanted, I’m working at the restaurant I wanted to be at, I have a terrific place to live, and suddenly I was really sad because now I just have to chop the onions, you know?” Isn’t that exactly it? Chopping the onions.
Joan Tollifson (Bare-Bones Meditation: Waking Up from the Story of My Life)
Escaping capitalism typically involves avoiding politically engagement and certainly collectively organized efforts at changing the world. Especially today, escape is often an individualistic lifestyle strategy. And sometimes it is an individualistic strategy dependent on capitalist wealth, as in the stereotype of the successful Wall Street banker who decides to "give up the rat race" and move to Vermont to embrace a life of voluntary simplicity while living off a trust fund amassed from capitalist investments.
Elik Olin Wright
But alas, the brain didn’t allow you to disassociate from memories you’d rather not keep. Nope, you got to hang on to the good, the bad and the hideous. How lucky were humans to carry around a gelatinous mess in their heads that could serve up a lacerating memory any time you were feeling good about the progress you’d made in moving on from something painful? So lucky.
Marie Force (Come Together (Butler, Vermont, #7))