Venus Love Quotes

We've searched our database for all the quotes and captions related to Venus Love. Here they are! All 100 of them:

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To say that one waits a lifetime for his soulmate to come around is a paradox. People eventually get sick of waiting, take a chance on someone, and by the art of commitment become soulmates, which takes a lifetime to perfect.
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Criss Jami (Venus in Arms)
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Only the united beat of sex and heart together can create ecstasy.
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AnaΓ―s Nin (Delta of Venus)
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He was now in that state of fire that she loved. She wanted to be burnt.
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AnaΓ―s Nin (Delta of Venus)
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A man is lucky if he is the first love of a woman. A woman is lucky if she is the last love of a man.
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Charles Dickens
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When a man can listen to a woman's feelings without getting angry and frustrated, he gives her a wonderful gift. He makes it safe for her to express herself. The more she is able to express herself, the more she feels heard and understood, and the more she is able to give a man the loving trust, acceptance, appreciation, admiration, approval, and encouragement that he needs.
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John Gray (Men Are from Mars, Women Are from Venus)
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β€Ž" when men and women are able to respect and accept their differences then love has a chance to blossom
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John Gray (Men Are from Mars, Women Are from Venus)
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You have corrupted my imagination and inflamed my blood...
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Leopold von Sacher-Masoch (Venus in Furs)
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Love is as simple as the absence of self given to another. God, when invited, fills the void of any unrequited love; hence loving is how one is drawn closer to God no matter its most horrific repercussions.
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Criss Jami (Venus in Arms)
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I feel a little like the moon who took possession of you for a moment and then returned your soul to you. You should not love me. One ought not to love the moon. If you come too near me, I will hurt you.
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AnaΓ―s Nin (Delta of Venus)
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And in his eyes he had the look of the cat who inspires a desire to caress but loves no one, who never feels he must respond to the impulses he arouses.
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AnaΓ―s Nin (Delta of Venus)
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Love knows no virtue, no merit; it loves and forgives and tolerates everything because it must. We are not guided by reason...
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Leopold von Sacher-Masoch (Venus in Furs)
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I want to fall in love in such a way that the mere sight of a man, even a block away from me, will shake and pierce me, will weaken me, and make me tremble and soften and melt.
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AnaΓ―s Nin (Delta of Venus)
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Alas, woman is faithful as long as she loves, but you demand that she be faithful without love and give herself without enjoyment. Who is cruel then, woman or man?
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Leopold von Sacher-Masoch (Venus in Furs)
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Love brings up our unresolved feelings . One day we are feeling loved , and the next day we are suddenly afraid to trust love . The painful memories of being rejected begin to surface when we are faced with trusting and accepting our partner's love .
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John Gray (Men Are from Mars, Women Are from Venus)
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If we are to feel the positive feelings of love, happiness, trust, and gratitude, we periodically also have to feel anger, sadness, fear, and sorrow.
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John Gray (Men Are from Mars, Women Are from Venus)
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Get the love you deserve and gave your partner the love and support he deserves
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John Gray (Men Are from Mars, Women Are from Venus)
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That's Venus, September thought. She was the goddess of love. It's nice that love comes on first thing in the evening, and goes out last in the morning. Love keeps the light on all night.
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Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
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I love her passionately with a morbid intensity; madly as one can only love a woman who never responds to our love with anything but an eternally uniform, eternally calm, stony smile.
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Leopold von Sacher-Masoch (Venus in Furs)
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The Venus flytrap, a devouring organism, aptly named for the goddess of love.
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Tennessee Williams (Suddenly Last Summer)
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You are the drop,and the ocean you are kindness,you are anger, you are sweetness,you are poison. Do not make me more disheartened. you are the chamber of the sun, you are the abode of venus, you are the garden of all hope. Oh, Beloved, let me enter.
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Jalal ad-Din Muhammad ar-Rumi (Love: The Joy That Wounds: The Love Poems of Rumi)
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Love is without a doubt the laziest theory for the meaning of life, but when it actually comes a time to do it we find just enough energy to over-complicate life again. Any devil can love, whom he himself sees as, a good person who has treated him well, but to love also the polar opposite is what separates love from fickle emotions.
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Criss Jami (Venus in Arms)
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When a woman's wave rises she feels she has an abundance of love to give, but when it falls she feels her inner emptiness and needs to be filled up with love.
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John Gray (Men Are from Mars, Women Are from Venus)
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We mistakenly assume that if our partners love us they will react and behave in certain waysβ€”the ways we react and behave when we love someone.
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John Gray (Men Are from Mars, Women Are from Venus: The Sunday Times Bestsellar and definitive relationship guide (181 POCHE))
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When you realize someone is trying to hurt you, it hurts less." "Unless you love them.
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Shirley Hazzard (The Transit of Venus)
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Mental chemistry creates interest, Emotional chemistry Generates Affection, Physical chemistry generates desire, and Spiritual chemistry creates love. A soulmate includes all four...and I will not settle for anything less!
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John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
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[The Old Astronomer to His Pupil] Reach me down my Tycho Brahe, I would know him when we meet, When I share my later science, sitting humbly at his feet; He may know the law of all things, yet be ignorant of how We are working to completion, working on from then to now. Pray remember that I leave you all my theory complete, Lacking only certain data for your adding, as is meet, And remember men will scorn it, 'tis original and true, And the obloquy of newness may fall bitterly on you. But, my pupil, as my pupil you have learned the worth of scorn, You have laughed with me at pity, we have joyed to be forlorn, What for us are all distractions of men's fellowship and smiles; What for us the Goddess Pleasure with her meretricious smiles. You may tell that German College that their honor comes too late, But they must not waste repentance on the grizzly savant's fate. Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. What, my boy, you are not weeping? You should save your eyes for sight; You will need them, mine observer, yet for many another night. I leave none but you, my pupil, unto whom my plans are known. You 'have none but me,' you murmur, and I 'leave you quite alone'? Well then, kiss me, -- since my mother left her blessing on my brow, There has been a something wanting in my nature until now; I can dimly comprehend it, -- that I might have been more kind, Might have cherished you more wisely, as the one I leave behind. I 'have never failed in kindness'? No, we lived too high for strife,-- Calmest coldness was the error which has crept into our life; But your spirit is untainted, I can dedicate you still To the service of our science: you will further it? you will! There are certain calculations I should like to make with you, To be sure that your deductions will be logical and true; And remember, 'Patience, Patience,' is the watchword of a sage, Not to-day nor yet to-morrow can complete a perfect age. I have sown, like Tycho Brahe, that a greater man may reap; But if none should do my reaping, 'twill disturb me in my sleep So be careful and be faithful, though, like me, you leave no name; See, my boy, that nothing turn you to the mere pursuit of fame. I must say Good-bye, my pupil, for I cannot longer speak; Draw the curtain back for Venus, ere my vision grows too weak: It is strange the pearly planet should look red as fiery Mars,-- God will mercifully guide me on my way amongst the stars.
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Sarah Williams (Twilight Hours: A Legacy of Verse)
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When negative feelings are suppressed positive feelings become suppressed as well, and love dies.
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John Gray (Men Are from Mars, Women Are from Venus)
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Wanita senang hatinya bila mempunyai teman yang dapat berbagi kesulitannya. Lelaki senang hatinya bila dapat memecahkan kesulitannya sendirian di guanya.
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John Gray (Men Are from Mars, Women Are from Venus)
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Remember, if a man needs to pull away like a rubber band, when he returns he will be back with a lot more love. Then he can listen. This is the best time to initiate conversation.
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John Gray (Men Are from Mars, Women Are from Venus)
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Why become well-versed in science and the arts if not to impress a lovely little woman?
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Leopold von Sacher-Masoch (Venus in Furs)
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As Venus within Eros does not really aim at pleasure, so Eros does not aim at happiness. We may think he does, but when he is brought to the test it proves otherwise... For it is the very mark of Eros that when he is in us we had rather share unhappiness with the Beloved than be happy on any other terms.
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C.S. Lewis (The Four Loves)
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She is a mortal danger to all men. She is beautiful without knowing it, and possesses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush! Anyone who has seen her smile has known perfection. She instills grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you.
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Cyrano de Bergerac
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If I knew what to do I'd do more than write a song for you
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Criss Jami (Venus in Arms)
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That love motivates you to cooperate, respect, appreciate, cherish, and admire that person.
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John Gray (Mars and Venus on a Date: A Guide for Navigating the 5 Stages of Dating to Create a Loving and Lasting Relationship)
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Men can be in love with literary figures, with poetic and mythological figures, but let them meet with Artemis, with Venus, with any of the goddesses of love, and then they start hurling moral judgments.
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AnaΓ―s Nin (The Diary of AnaΓ―s Nin, Vol. 1: 1931-1934)
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You modern men, you children of reason, cannot begin to appreciate love as pure bliss and divine serenity.
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Leopold von Sacher-Masoch (Venus in Furs)
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Have you ever felt like begging someone not to let you go but deep down you've always known he doesn't really care one way or the other if you're there or not?
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Laarni Venus Marie
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She’s Love, she loves, and yet she is not lov’d.
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William Shakespeare (Venus and Adonis)
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Venus is kind to creatures as young as we; We know not what we do, and while we’re young We have the right to live and love like gods.
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Ovid
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My heart didn't beat until I met you.
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RaShelle Workman (Exiled (Immortal Essence, #1))
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Take the time to slow down, relax, meditate, and contemplate the wonders within. You will discover an inner calm and balance that previously eluded you.
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Joanne Madeline Moore (Love and Sex Signs: Venus, Mars and Astrology)
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If unconditional love, loyalty, and obedience are the tickets to an eternal life, then my black Labrador, Venus, will surely be there long before me, along with all the dear animals in nature who care for their young at great cost to themselves and have suffered so much at the hands of humans.
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Richard Rohr (Immortal Diamond: The Search for Our True Self)
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Love knows no virtue, no profit; it loves and forgives and suffers everything, because it must. It is not our judgment that leads us; it is neither the advantages nor the faults which we discover, that make us abandon ourselves, or that repel us. It is a sweet, soft, enigmatic power that drives us on. We cease to think, to feel, to will; we let ourselves be carried away by it, and ask not whither?
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Leopold von Sacher-Masoch (Venus in Furs)
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Somewhere, somehow, maybe I can find someone who can make my heart beat again.. For everyday that I pine for your love, and for every single time you reject me, I start to die deep inside.. That throbbing pain has slowly turned into numbing emptiness..
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Laarni Venus Marie
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I can easily imagine belonging to one man for my entire life, but he would have to be a whole man, a man who would dominate me, who would subjugate me by his inate strength. And every manβ€”I know this very wellβ€”as soon as he falls in love becomes weak, pliable, ridiculous. He puts himself into the woman's hands, kneels down before her. The only man whom I could love permanently would be he before whom I should have to kneel.
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Leopold von Sacher-Masoch (Venus in Furs)
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It was this that frightened me--the sense that behind the grande amoureuse lay concealed a little bourgeoise who wanted security in love.
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AnaΓ―s Nin (Delta of Venus)
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Having you in my life has mended my soul, helped me to believe I'm more... that I matter. Knowing you has made me whole.
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RaShelle Workman (Exiled (Immortal Essence, #1))
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We are faithful as long as we love, but you demand faithfulness of a woman without love, and the giving of herself without enjoyment. Who is cruel there--woman or man?
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Leopold von Sacher-Masoch
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Love is magical, and it can last, if we remember our differences.
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John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
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O, learn to love, the lesson is but plain, And once made perfect, never lost again.
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William Shakespeare (Venus and Adonis)
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All love's pleasure shall not match its woe.
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William Shakespeare (The Poems: Venus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle, The Passionate Pilgrim, A Lover's Complaint)
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Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities. "You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood. If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range, what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.
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AnaΓ―s Nin (Delta of Venus)
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Had I no eyes but ears, my ears would love. That inward beauty and invisible; Or were I deaf, thy outward parts would move each part in me that were but sensible: Though neither eyes nor ears, to hear nor see, yet should I be in love by touching thee. 'Say, that the sense of feeling were bereft me, and that I could not see, nor hear, nor touch, and nothing but the very smell were left me, yet would my love to thee be still as much; for from the stillitory of thy face excelling comes breath perfum'd that breedeth love by smelling.
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William Shakespeare (Venus and Adonis)
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Not only do men and women communicate differently but they think, feel, perceive, react, respond, love, need, and appreciate differently.
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John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
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Women are mysterious beings in which lie strange delights.
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Stefan Emunds
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But, with unintelligible nostalgia for a life she had never lived, knew that all would have been subtly and profoundly different had her husband greatly loved her.
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Shirley Hazzard (The Transit of Venus)
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So if we could not have love, my husband and I, then at least I could have alchemy.
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Sarah Dunant (The Birth of Venus)
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A fiendish love... an unearthly love... those who feel such a love are numbed to their very souls by this mysterious pleasure while they struggle with endless frustration, censured by the pangs of conscience of their boundless crime
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Junji Ito (Venus in the Blind Spot)
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She loved him, in fact; his violence and strength appealed to some deep part of her. He in turn grew to love her, so far as such a violent brute was capable of the emotion. Love and war, Venus and Mars, have always had a strong affinity. No one quite knows why, but plenty of money has been made trying to find an answer.
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Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
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Her elongated eyes did not close as other women's eyes did, but like the eyes of tigers, pumas and leopards, the two lids meeting lazily and slowly; and they seemed slightly sewn together towards the nose, making them narrow, with a lascivious, oblique glance falling from them like the glance of a woman who does not want to see what is being done to her body. All this gave her an air of being made love to, which aroused the Baron as soon as he met her.
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AnaΓ―s Nin (Delta of Venus)
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When I am with you, I am invincible. When I am with you, your kind and loving presence strengthen me down to my very core. When I am with you, I finally know what heaven on earth feels like. For when I am with you, I am the best I could be. I'd rather walk through the burning coals of hell than enjoy comfort and luxury with someone else. For life without you, is not life at all. I love you.
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Laarni Venus Marie Giango
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Yet I am not writing with ordinary ink, but with red blood that drips from my heart. All its wounds long scarred over have opened and it throbs and hurts, and now and then a tear falls on the paper.
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Leopold von Sacher-Masoch
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The individual who rebels against the arrangements of society is ostracized, branded, stoned. So be it. I am willing to take the risk; my principles are very pagan. I will live my own life as it pleases me. I am willing to do without your hypocritical respect; I prefer to be happy. The inventors of the Christian marriage have done well, simultaneously to invent immortality. I, however, have no wish to live eternally. When with my last breath everything as far as Wanda von Dunajew is concerned comes to an end here below, what does it profit me whether my pure spirit joins the choirs of angels, or whether my dust goes into the formation of new beings? Shall I belong to one man whom I don't love, merely because I have once loved him? No, I do not renounce; I love everyone who pleases me, and give happiness to everyone who loves me. Is that ugly? No, it is more beautiful by far.
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Leopold von Sacher-Masoch (Venus in Furs)
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She is a mortal danger without meaning to be one; she's exquisite without giving ita thought; shes a trap set by nature, a rose in which love lies in ambush! Anyone who has seen her smile has known perfection. She creates grace without movement and makes all divinity fit into her slightest gesture. And neither Venus in her shell, nor Diana striding in the great, blossoming forest, can compare to her when she goes through the streets of paris in her sedan chair.
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Edmond Rostand
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Too much intimacy, too quickly, can cause women to become needy and men to pull away. Just as men have a tendency to rush into physical intimacy, women make the mistake of rushing into complete emotional intimacy.
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John Gray (Mars and Venus on a Date: A Guide for Navigating the 5 Stages of Dating to Create a Loving and Lasting Relationship)
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Venusians have different values. They value love, communication, beauty, and relationships. They spend a lot of time supporting, helping, and nurturing one another. Their sense of self is defined through their feelings and the quality of their relationships. They experience fulfillment through sharing and relating.
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John Gray (Men Are from Mars, Women Are from Venus)
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Men are from Mars and Women are from Venus. Where are Angels like you are from?
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Amit Kalantri (I Love You Too)
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Venus of Eryx, from her mountain throne, Saw Hades and clasped her swift-winged son, and said: 'Cupid, my child, my warrior, my power, Take those sure shafts with which you conquer all, And shoot your speedy arrows to the heart Of the great god to whom the last lot fell When the three realms were drawn. Your mastery Subdues the gods of heaven and even Jove, Subdues the ocean's deities and him, Even him, who rules the ocean's deities. Why should Hell lag behind? Why not there too Extend your mother's empire and your own....? Then Cupid, guided by his mother, opened His quiver of all his thousand arrows Selected one, the sharpest and the surest, The arrow most obedient to the bow, And bent the pliant horn against his knee And shot the barbed shaft deep in Pluto's heart.
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Ovid (Metamorphoses)
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I imagine that the goddess of Love has come down from Olympus to visit a mortal. So as not to die of cold in this modern world of ours, she wraps her sublime body in great heavy furs and warms her feet on the prostrate body of her lover. I imagine the favorite of this beautiful despot, who is whipped when his mistress grows tired of kissing him, and whose love only grows more intense the more he is trampled underfoot. I shall call the picture "Venus in Furs
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Leopold von Sacher-Masoch (Venus in Furs)
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Why not?" she said, "and take note of what I am about to say to you. Never feel secure with the woman you love, for there are more dangers in woman's nature than you imagine. Women are neither as good as their admirers and defenders maintain, nor as bad as their enemies make them out to be. Woman's character is characterlessness. The best woman will momentarily go down into the mire, and the worst unexpectedly rises to deeds of greatness and goodness and puts to shame those that despise her. No woman is so good or so bad, but that at any moment she is capable of the most diabolical as well as of the most divine, of the filthiest as well as of the purest, thoughts, emotions, and actions. In spite of all the advances of civilization, woman has remained as she came out of the hand of nature. She has the nature of a savage, who is faithful or faithless, magnanimous or cruel, according to the impulse that dominates at the moment. Throughout history it has always been a serious deep culture which has produced moral character. Man even when he is selfish or evil always follows principles, woman never follows anything but impulses. Don't ever forget that, and never feel secure with the woman you love.
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Leopold von Sacher-Masoch (Venus In Furs)
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His adolescent nerdliness vaporizing any iota of a chance he had for young love. Everybody else going through the terror and joy of their first crushes, their first dates, their first kisses while Oscar sat in the back of the class, beind his DM's screen, and watched his adolescence stream by. Sucks to be left out of adolescence, sort of like getting locked in the closet on Venus when the sun appears for the first time in a hundred years.
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Junot DΓ­az (The Brief Wondrous Life of Oscar Wao)
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The more devoted a woman shows herself, the sooner the man sobers down and becomes domineering. The more cruelly she treats him and the more faithless she is, the worse she uses him, the more wantonly she plays with him, the less pity she shows him, by so much the more will she increase his desire, be loved, worshipped by him.
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Leopold von Sacher-Masoch (Venus In Furs)
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You are cold, while you yourself fan flames. By all means wrap yourself in your despotic furs, there is no one to whom they are more appropriate, cruel goddess of love and of beauty
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Leopold von Sacher-Masoch (Venus In Furs)
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I was sure the old man knew nothing about the beatitudes, ecstasies, dazzling reverberations of sexual encounters. Cut out the poetry was his message. Clinical sex, deprived of all the warmth of loveβ€”the orchestration of all the senses, touch, hearing, sight, palate; all the euphoric accompaniments, back-ground music, moods, atmosphere, variationsβ€”forced him to resort to literary aphrodisiacs.
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AnaΓ―s Nin (Delta of Venus)
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And my thought looking down at the Earth was Wow. How much God our Father must love us that he gave us this home. He didn’t put us on Mars or Venus with nothing but rocks and frozen waste. He gave us paradise and said, β€œLive here.” It’s not easy to wrap your head around the origins and purpose of the universe, but that’s the best way I can describe the feelings I had.
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Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
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The early dew-falls that did a pristine coating, over the woods with its finest transparency, glazed as like its wet white-glassy earrings that hung on the ears of wild flowersβ€”unlatched my fancy.
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Nithin Purple (Venus and Crepuscule)
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The god of Delos, proud in victory, Saw Cupid draw his bow's taut arc, and said: 'Mischievous boy, what are a brave man's arms To you? That gear becomes my shoulders best. My aim is sure; I wound my enemies, I wound wild beasts; my countless arrows slew But now the bloated Python, whose vast coils Across so many acres spread their blight. You and your loves! You have your torch to light them!Let that content you; never claim my fame!' And Venus' son replied: 'Your bow, Apollo, May vanquish all, but mine shall vanquish you. As every creature yields to power divine, So likewise shall your glory yield to mine.
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Ovid (Metamorphoses)
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Blue must be worn for protection. Moonstones were useful in connecting with the living, topaz to contact the dead. Copper, sacred to Venus, will call a man to you, and black tourmaline will eliminate jealousy. When it came to love, you must always be careful. If you dropped something belonging to the man you loved into a candle flame, then added pine needles and marigold flowers, he would arrive on your doorstep by morning, so you would do well to be certain you wanted him there. The most basic and reliable love potion was made from anise, rosemary, honey, and cloves boiled for nine hours on the back burner of the old stove. It had always cost $9.99 and was therefore called Love Potion Number Nine, which worked best on the ninth hour of the ninth day of the ninth month.
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Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
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I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!
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Edgar Allan Poe (The Raven and Other Poems)
β€œ
Love? Do I love? I walk Within the brilliance of another's thought, As in a glory. I was dark before, as Venus' chapel in the black of night: But there was something holy in the darkness, Softer and not so thick as the other where; And as rich moonlight may be to the blind, Unconsciously consoling. Then love came, Like the out-bursting of a trodden star.
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Thomas Lovell Beddoes
β€œ
Venus to Tig: "I'm afraid, Alexander, that I may have fallen in love with you." Tig doesn't know what to say, so Venus says it for him: "I'm a man. I am a man who knows she's a woman. And that's exactly where I'm supposed to be. It's the criss-cross that I've come to love. I don't want the surgery. I don't want to undo what God has given me. I know how beautiful I am.
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Kurt Sutter
β€œ
A woman can only stay in love with a man for as long as she continues loving herself when she's with him. As soon as she starts to hate who she has become while in the relationship, she will move heaven and earth to end it. Does she get hurt? Definitely. It doesn't mean that she wants to leave her love for him has faded or diminished. However, just like the most basic rule of human existence, you cannot continue giving what you do not have.
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Laarni Venus Marie Giango
β€œ
I was growing sad, sad with restlessness and hunger. I felt that nothing would happen to me. I felt desperate with desire to be a woman, to plunge into living. Why was I enslaved by this need of being in love first? Where would my life begin? It seemed to me that a great current was passing all around me and that I was left out. I would have to find someone who felt as I did. But where? Where?
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AnaΓ―s Nin (Delta of Venus)
β€œ
To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!
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Edgar Allan Poe
β€œ
Poets represent love as sculptors design beauty, as musicians create melody; that is to say, endowed with an exquisite nervous organization, they gather up with discerning ardor the purest elements of life, the most beautiful lines of matter, and the most harmonious voices of nature. There lived, it is said, at Athens a great number of beautiful girls; Praxiteles drew them all one after another; then from these diverse types of beauty, each one of which had its defects, he formed a single faultless beauty and created Venus. The man who first created a musical instrument, and who gave to harmony its rules and its laws, had for a long time listened to the murmuring of reeds and the singing of birds. Thus the poets, who understand life, after knowing much of love, more or less transitory, after feeling that sublime exaltation which real passion can for the moment inspire, eliminating from human nature all that degrades it, created the mysterious names which through the ages fly from lip to lip: Daphnis and Chloe, Hero and Leander, Pyramus and Thisbe. To try to find in real life such love as this, eternal and absolute, is but to seek on public squares a woman such as Venus, or to expect nightingales to sing the symphonies of Beethoven.
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Alfred de Musset (The Confession of a Child of the Century)
β€œ
I won't be stuck in traffic 'til I see how rugged my path is And right now I'm loving how fast my troubles are fasting No they don't bother me oh realizing I'm psychopathic A wild beast, baby I'm gladly running after Yes a thing called peace outlasting any madness The devil fears me oh he's feeling Like a fragment of a fraction No he won't come near me 'Cause his hat trick's out of practice
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Criss Jami (Venus in Arms)
β€œ
The Holy Mother has many faces, but you know it's her from her blue cloak. She is said to be the spirit in all women." "Look, here she is naked and the baby Jesus has wings, " said Lucien. "That is not the Holy Mother, that's Venus and that's not Jesus, that is Cupid, the Roman god of love." "Wouldn't she have the spirit of the Holy Mother as well?" "No, she is a pagan myth." "What about Maman? Is the spirit of the Holy Mother in her?" "No, Lucien, your mother is also a pagan myth. Come, look at these paintings of wrestlers.
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Christopher Moore (Sacre Blue)
β€œ
I already began to inspire the men with love. My breast began to take its right form, and such a breast! white, firm, and formed like that of the Venus de' Medici; my eyebrows were as black as jet, and as for my eyes, they darted flames and eclipsed the luster of the stars, as I was told by the poets of our part of the world. My maids, when they dressed and undressed me, used to fall into an ecstasy in viewing me before and behind; and all the men longed to be in their places.
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Voltaire (Candide)
β€œ
In the Mars-and-Venus-gendered universe, men want power and women want emotional attachment and connection. On this planet nobody really has the opportunity to know love since it is power and not love that is the order of the day. The privilege of power is at the heart of patriarchal thinking. Girls and boys, men and women who have been taught this way almost always believe love is not important, or if it is, it is never as important as being powerful, dominant, in control, on top-being right. Women who give seemingly selfless adoration and care to the men in their lives appear to be obsessed with 'love,' but in actuality their actions are often a covert way to hold power. Like their male counterparts, they enter relationships speaking the words of love even as their actions indicate that maintaining power and control is their primary agenda.
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bell hooks (All About Love: New Visions)
β€œ
That love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you children of reflection. It works only evil in you. As soon as you wish to be natural, you become common. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only exorcise and curse me, or slay yourselves in bacchantic madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in penitential robes and expects flowers to grow from his withered staff, while under my feet roses, violets, and myrtles spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not disinter us.
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Leopold von Sacher-Masoch (Venus in Furs)
β€œ
And when wine has soaked Cupid’s drunken wings, he’s stayed, weighed down, a captive of the place. ... Wine rouses courage and is fit for passion: care flies, and deep drinking dilutes it. ... Don’t trust the treacherous lamplight overmuch: night and wine can harm your view of beauty. Paris saw the goddesses in the light, a cloudless heaven, when he said to Venus: β€˜Venus, you win, over them both.’ Faults are hidden at night: every blemish is forgiven, and the hour makes whichever girl you like beautiful. Judge jewellery, and fabric stained with purple, judge a face, or a figure, in the light.
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Ovid (The Art of Love)
β€œ
Vanda (as Dunayev): I am a pagan. I am a Greek. I love the ancients not for their pediments or their poetry, but becausein their world Venus could love Paris one day and Anchises the next. Because they're not the moderns, who live in their mind, and because they're the opposite of Christians, who live on a cross. I don't live in my mind, or on a cross. I live on this divan. In this dress. In these stockings and these shoes. I want to live the way Helen and Aspasia lived, not the twisted women of today, who are never happy and never give happiness. Who won't admit that they want love without limit. Why should I forgo any possible pleasure, abstain from any sensual experience? I'm young, I'm rich, and I'm beautiful and I shall make the most of that. I shall deny myself nothing. Thomas (as Kushemski): I certainly respect your devotion to principle. Vanda (as Dunayev): I don't need your respect, excuse me. I'll take happiness. My happiness, not society's happiness. I will love a man who pleases me, and please a man who makes me happy--but only as long as he makes me happy, not a moment longer.
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David Ives (Venus in Fur)
β€œ
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
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Joyce Carol Oates (Blonde)
β€œ
Martians have a win/lose philosophyβ€”I want to win, and I don’t care if you lose. As long as each Martian took care of himself this formula worked fine. It worked for centuries, but now it needed to be changed. Giving primarily to themselves was no longer as satisfying. Being in love, they wanted the Venusians to win as much as themselves. In most sports today we can see an extension of this Martian competitive code. For example, in tennis I not only want to win but also try to make my friend lose by making it difficult for him to return my shots. I enjoy winning even though my friend loses. Most of these Martian attitudes have a place in life, but this win/lose attitude becomes harmful in our adult relationships. If I seek to fulfill my own needs at the expense of my partner, we are sure to experience unhappiness, resentment, and conflict. The secret of forming a successful relationship is for both partners to win.
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John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
β€œ
Wonder of time,' quoth she, 'this is my spite, That, thou being dead, the day should yet be light. 'Since thou art dead, lo, here I prophesy: Sorrow on love hereafter shall attend: It shall be waited on with jealousy, Find sweet beginning, but unsavoury end, Ne'er settled equally, but high or low, That all love's pleasure shall not match his woe. 'It shall be fickle, false and full of fraud, Bud and be blasted in a breathing-while; The bottom poison, and the top o'erstraw'd With sweets that shall the truest sight beguile: The strongest body shall it make most weak, Strike the wise dumb and teach the fool to speak. 'It shall be sparing and too full of riot, Teaching decrepit age to tread the measures; The staring ruffian shall it keep in quiet, Pluck down the rich, enrich the poor with treasures; It shall be raging-mad and silly-mild, Make the young old, the old become a child. 'It shall suspect where is no cause of fear; It shall not fear where it should most mistrust; It shall be merciful and too severe, And most deceiving when it seems most just; Perverse it shall be where it shows most toward, Put fear to valour, courage to the coward. 'It shall be cause of war and dire events, And set dissension 'twixt the son and sire; Subject and servile to all discontents, As dry combustious matter is to fire: Sith in his prime Death doth my love destroy, They that love best their loves shall not enjoy.
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William Shakespeare (Venus and Adonis)
β€œ
... that eternally restless, eternally unquenched desire for naked paganism, that love that is the supreme joy, that is divine serenity itself- those things are useless for you moderns, you children of reflection. That sort of love wreaks havoc on you. As soon as you wish to be natural you become normal. To you Nature seems hostile, you have turned us laughing Greek deities into demons and me into a devil. All you can do is exorcise me and curse me or else sacrifice yourselves, slaughter yourselves in bacchanalian madness at my alter. And if you ever has the courage to kiss my red lips, he then goes on a pilgrimage to Rome, barefoot and in a penitent's shirt, and expects flowers to blossom from his withered staff, while roses, violets, and myrtles sprout constantly under my feet- but their fragrance doesn't agree with you, So just stay in your northern fog and Christian incense. Let us pagans rest under the rubble, under lava. Do not dig us up. Pompeii, our villas, our baths, our temples were not built for you people! You need no gods! We freeze in your world!
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Leopold von Sacher-Masoch (Venus in Furs)
β€œ
Sparks come from the very source of light and are made of the purest brightnessβ€”so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principlesβ€”life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. β€”
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Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
β€œ
What makes my bed seem hard seeing it is soft? Or why slips downe the Coverlet so oft? Although the nights be long, I sleepe not tho, My sides are sore with tumbling to and fro. Were Love the cause, it's like I shoulde descry him, Or lies he close, and shoots where none can spie him? T'was so, he stroke me with a slender dart, Tis cruell love turmoyles my captive hart. Yeelding or striving doe we give him might, Lets yeeld, a burden easly borne is light. I saw a brandisht fire increase in strength, Which being not shakt, I saw it die at length. Yong oxen newly yokt are beaten more, Then oxen which have drawne the plow before. And rough jades mouths with stubburn bits are tome, But managde horses heads are lightly borne, Unwilling Lovers, love doth more torment, Then such as in their bondage feele content. Loe I confesse, I am thy captive I, And hold my conquered hands for thee to tie. What needes thou warre, I sue to thee for grace, With armes to conquer armlesse men is base, Yoke VenusDoves, put Mirtle on thy haire, Vulcan will give thee Chariots rich and faire. The people thee applauding thou shalte stand, Guiding the harmelesse Pigeons with thy hand. Yong men and women, shalt thou lead as thrall, So will thy triumph seeme magnificall. I lately cought, will have a new made wound, And captive like be manacled and bound. Good meaning, shame, and such as seeke loves wrack Shall follow thee, their hands tied at their backe. Thee all shall feare and worship as a King, Jo, triumphing shall thy people sing. Smooth speeches, feare and rage shall by thee ride, Which troopes hath alwayes bin on Cupids side: Thou with these souldiers conquerest gods and men, Take these away, where is thy honor then? Thy mother shall from heaven applaud this show, And on their faces heapes of Roses strow. With beautie of thy wings, thy faire haire guilded, Ride golden Love in Chariots richly builded. Unlesse I erre, full many shalt thou burne, And give woundes infinite at everie turne. In spite of thee, forth will thy arrowes flie, A scorching flame burnes all the standers by. So having conquerd Inde, was Bacchus hew, Thee Pompous birds and him two tygres drew. Then seeing I grace thy show in following thee, Forbeare to hurt thy selfe in spoyling mee. Beholde thy kinsmans Caesars prosperous bandes, Who gardes the conquered with his conquering hands. -- ELEGIA 2 (Quodprimo Amore correptus, in triumphum duci se a Cupidine patiatur)
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Christopher Marlowe
β€œ
To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.
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Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
β€œ
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality. Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better. Adina is a strange child; she is fanciful without being capricious. She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round. She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless. Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop. Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall. I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied." "That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense... .So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!" Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."... Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
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Henry James (Adina)