Venice Carnival Quotes

She quickly learned that the sight of Venice at given moments can root you in your deepest longings. It can also make you realise your identity too is built on shifting water, consists of rising and falling tides, countless ephemeral reflections and refractions. Venice can wash through you the love you have never made, the battles you have never fought, the beauty you have never created. It can flood to the surface everything you have lost and everything you have never known. It can reveal you to yourself without your carnival masks.

those who travel in order to acquaint themselves with the different manners of men might spare themselves much pains by going to a carnival at Venice; for there they will see at once all which they can discover in the several courts of Europe. The same hypocrisy, the same fraud; in short, the same follies and vices dressed in different habits.

Kerrigan?" she tried again. "Aye, Lady Mouse. I am here." Relieved, she smiled at the sound of his voice in her head. During the day, he was oft silent. But at night…at night he would speak softly to her and tell her of his travels through time as he eluded those who were after him. "Where are you today, my lord?" "I'm in Venice, during a carnival. It's beautiful here. There are minstrels and acrobats all around. Plenty of places to hide from Morgen and her spies." "You are safe?" "Aye, Lady Mouse. I am always safe. But I've no wish to talk about me. How are you doing?" "I miss you." She swore she could feel his pain as well as her own. "I miss you as well and I think of you constantly." -Kerrigan and Seren communicating though their thoughts as they were apart.

I've always preferred the city at night. I believe that San Judas, or any city, belongs to the people who sleep there. Or maybe they don't sleep - some don't - but they live there. Everybody else is just a tourist. Venice, Italy, for instance, pulls in a millions tourists for their own Carnival season but the actual local population is only a couple of hundred thousand. Lots of empty canals and streets at night, especially when you get away from the big hotels, and the residents pretty much have it to themselves when tourist season slows during the winter. Jude has character - everybody agrees on that. It also has that thing I like best about a city: You can never own it, but it you treat it with respect it will eventually invite you in and make you one of its true citizens. But like I said, you've got to live there. If you're never around after the bars close, or at the other end of the night as the early workers get up to start another day and the coffee shops and news agents raise their security gates, then you don't really know the place, do you?

Now this greatest tent staled out hot raw breaths of earth, confetti that was ancient when the canals of Venice were not yet staked, and wafts of pink cotton candy like tired feather boas. In rushing downfalls, the tent shed skin; grieved, soughed as flesh fell away until at last the tall museum timbers at the spine of the discarded monster dropped with three canon roars.

There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?

Frozen was her heart after he had decided to leave her to live in Venice. "I will have my own Carnival here then", she said. So she put on her white boots and her coat filled with jewelry, danced on the snow all alone. A wolf saw her magnificent beauty. He jumped right in front of her. It was not a wolf after all but a gentleman wearing fur. He took her hand and they both slid in a split second. It was too enchanting a dream. All of a sudden the whole scene became blurry. The blonde woke up with the deep sensation that it all looked too real not to be true!

Venice can wash through you the love you have never made, the battles you have never fought, the beauty you have never created. It can flood to the surface everything you have lost and everything you have never known. It can reveal you to yourself without your carnival masks.

What's the matter, Young? Why are you crying?" I leaned against Andy and wept. Holding me close, he comforted me. "It's alright boy. It's alright; nothing is going to harm you." He soothed me with his gentle words. Staring into my tear-filled eyes he continued, "Tell me what's wrong.” I finally said, "I'm going to miss this city. It's been so wonderful and I don't want to leave Venice." He turned to face me and ruffled my hair, "You silly boy. We will come back soon. I will miss this place also, but we'll be back for Carnival. Now cheer up and stop crying. Big boys don't cry." I did not have the heart to tell my lover I had fallen for the Count. I was afraid that if I let on, he might change his mind about returning for Carnival. So