β
People shouldn't be afraid of their government. Governments should be afraid of their people.
β
β
Alan Moore (V for Vendetta)
β
Behind this mask there is more than just flesh. Beneath this mask there is an idea... and ideas are bulletproof.
β
β
Alan Moore (V for Vendetta)
β
Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell.
β
β
Alan Moore (V for Vendetta)
β
Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.
β
β
Alan Moore (V for Vendetta)
β
You wear a mask for so long, you forget who you were beneath it.
β
β
Alan Moore (V for Vendetta)
β
The past can't hurt you anymore, not unless you let it.
β
β
Alan Moore (V for Vendetta)
β
Knowledge, like air, is vital to life. Like air, no one should be denied it.
β
β
Alan Moore (V for Vendetta)
β
Remember, remember the fifth of November of gunpowder treason and plot. I know of no reason why the gun powder treason should ever be forgot.
β
β
Alan Moore (V for Vendetta)
β
Happiness is the most insidious prison of all.
β
β
Alan Moore (V for Vendetta)
β
My mother said I broke her heart...but it was my integrity that was important. Is that so selfish? It sells for so little, but it's all we have left in this place. It is the very last inch of us...but within that inch we are free.
β
β
Alan Moore (V for Vendetta)
β
You should see it. V for Vendetta I mean.
"I'll look it up."
No. With Me. At my house. Now
β
β
John Green (The Fault in Our Stars)
β
Love your rage, not your cage.
β
β
Alan Moore (V for Vendetta)
β
God is in the rain.
β
β
Alan Moore (V for Vendetta)
β
I shall die here. Every last inch of me shall perish. Except one. An inch. It's small and it's fragile and it's the only thing in the world worth having. we must never lose it, or sell it, or give it away. We must never let them take it from us.
β
β
Alan Moore (V for Vendetta)
β
They say that life's a game, & then they take the board away.
β
β
Alan Moore (V for Vendetta)
β
Our masters have not heard the people's voice for generations and it is much, much louder than they care to remember.
β
β
Alan Moore (V for Vendetta)
β
The past can't hurt you anymore. Not unless you let it. They made you into a victim, Evey. They made you into a statistic. But, that's not the real you. That's not who you are inside.
β
β
Alan Moore (V for Vendetta)
β
It seems strange that my life should end in such a terrible place, but for three years I had roses, and apologized to no one.
β
β
Alan Moore (V for Vendetta)
β
Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away. We've seen where their way leads, through camps and wars, towards the slaughterhouse.
β
β
Alan Moore (V for Vendetta)
β
There is a face beneath this mask, but it isn't me. I'm no more that face than I am the muscles beneath it, or the bones beneath that.
β
β
Steve Moore (V for Vendetta)
β
VI VERI VENIVERSUM VIVUS VICI.
By the Power of Truth, I, while living, have Conquered the Universe.
β
β
Alan Moore (V for Vendetta #2)
β
Your pretty empire took so long to build, now, with a snap of history's fingers, down it goes.
β
β
Alan Moore (V for Vendetta)
β
There's no flesh or blood within this cloak to kill. There's only an idea. Ideas are bulletproof.
β
β
Alan Moore (V for Vendetta)
β
The ending is nearer than you think, and it is already written. All that we have left to choose is the correct moment to begin.
β
β
Alan Moore (V for Vendetta)
β
Equality and freedom are not luxuries to lightly cast aside. Without them, order cannot long endure before approaching depths beyond imagining.
β
β
Alan Moore (V for Vendetta)
β
But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you.
β
β
Alan Moore (V for Vendetta)
β
Evey Hammond: Who are you?
V: Who? Who is but the form following the function of what and what I am is a man in a mask.
Evey Hammond: Well I can see that.
V: Of course you can. I'm not questioning your powers of observation I'm merely remarking upon the paradox of asking a masked man who he is
β
β
Alan Moore (V for Vendetta)
β
Authority, when first detecting chaos at its heels, will entertain the vilest schemes to save its orderly facade.
β
β
Alan Moore (V for Vendetta)
β
I blame it on Twilight. In real life, vampires only sparkle when they're on fire.
β
β
Larry Correia (Monster Hunter Vendetta (Monster Hunter International, #2))
β
I didn't put you in a prison, Evey. I just showed you the bars.
β
β
Alan Moore (V for Vendetta)
β
Authority allows two roles: the torturer and the tortured. Twists people into joyless mannequins that fear and hate, while culture plunges into the abyss.
β
β
Alan Moore (V for Vendetta)
β
Everybody has their story to tell.
β
β
Alan Moore (V for Vendetta)
β
Is it meaningless to apologize?
Never.
β
β
Alan Moore (V for Vendetta)
β
No one will ever forget that night, and what it meant for this country. But I will never forget the man and what he meant to me.
β
β
Alan Moore (V for Vendetta)
β
With so much chaos, someone will do something stupid. And when they do, things will turn nasty
β
β
Alan Moore (V for Vendetta)
β
There, did you think to kill me? There's no flesh or blood within this cloak to kill. There's only an idea.
Ideas are bulletproof.
Farewell.
β
β
Alan Moore (V for Vendetta)
β
Because while the truncheon may be used in lieu of conversation, words will always retain their power. Words offer the means to meaning, and for those who will listen, the enunciation of truth. And the truth is, there is something terribly wrong with this country, isn't there? Cruelty and injustice, intolerance and oppression. And where once you had the freedom to object, to think and speak as you saw fit, you now have censors and systems of surveillance coercing your conformity and soliciting your submission. How did this happen? Who's to blame? Well certainly there are those more responsible than others, and they will be held accountable, but again truth be told, if you're looking for the guilty, you need only look into a mirror. I know why you did it. I know you were afraid. Who wouldn't be? War, terror, disease. There were a myriad of problems which conspired to corrupt your reason and rob you of your common sense.
β
β
Alan Moore (V for Vendetta)
β
I donβt want revenge, Caleb. I donβt want to end up like you, letting some fucking vendetta run my life. I just want my freedom. I want to be free, Caleb. Not someoneβs whoreβ¦not even yours.
β
β
C.J. Roberts (Seduced in the Dark (The Dark Duet, #2))
β
There is beauty everywhere; even in the dark, there is light, and that is the rarest kind of all.
β
β
Catherine Doyle (Vendetta (Blood for Blood, #1))
β
Who imprisoned me here? Who keeps me here? Who can release me? Who's controlling and constraining my life except...me?
β
β
Alan Moore (V for Vendetta)
β
He shook his head, just looking at me.
- "What?" I asked.
- "Nothing" he said.
- "Why are you looking at me like that?"
Augustus half smiled. "Because you`re beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence." A brief awkward silence ensued. Augustus plowed through: "I mean, particularly given that, as you so deliciously pointed out, all of this will end in oblivion and everything."
I kind of scoffed or sighed or exhaled in a way that was vaguely coughy and then said, "I`m not beau-"
- "You are like a millennial Natalie Portman. Like V for Vendetta Natalie Portman."
- "Never seen it."
- "Really?" he asked. "Pixie-haired gorgeous girl dislikes authority and can`t help but fall for a boy she knows is trouble. It`s your autobiography, so far as I can tell."
His every syllable flirted. Honestly, he kind of turned me on. I didn`t even know that guys could turn me on - not, like, in real life.
β
β
John Green
β
Anarchy wears two faces, both creator and destroyer. Thus destroyers topple empires; make a canvas of clean rubble where creators then can build another world. Rubble, once achieved, makes further ruins' means irrelevant.
Away with our explosives, then!
Away with our destroyers! They have no place within our better world.
But let us raise a toast to all our bombers, all our bastards, most unlovely and most unforgivable.
Let's drink their health... then meet with them no more.
β
β
Alan Moore (V for Vendetta)
β
Who? Who is but the form following the function of what, and what I am is a man in a mask.
β
β
Alan Moore (V for Vendetta)
β
Eve: All this riot and uproar, V... is this Anarchy? Is this the Land of Do-As-You-Please?
V: No. This is only the land of take-what-you-want. Anarchy means "without leaders", not "without order". With anarchy comes an age or ordnung, of true order, which is to say voluntary order... this age of ordung will begin when the mad and incoherent cycle of verwirrung that these bulletins reveal has run its course... This is not anarchy, Eve. This is chaos.
β
β
Alan Moore (V for Vendetta)
β
The world's a stage, & everything else is Vaudeville.
β
β
Alan Moore (V for Vendetta)
β
I'm the king of the 20th century. I'm the boogeyman, the villian, the black sheep of the family.
β
β
Alan Moore (V for Vendetta)
β
There is no coincidence. Only the illusion of coincidence.
β
β
Alan Moore (V for Vendetta #3 (of 10))
β
I love you, but why must you love the law? 'Tis plain for all to see that she's a whore...that virtuous persons have no need to woo; that villains screw, then studiously ignore.
β
β
Alan Moore (V for Vendetta)
β
While a truncheon may be used in lieu of conversation, words will always retain their power.
β
β
Alan Moore (V for Vendetta)
β
It does not do to rely too much on silent majorities, Evey, for silence is a fragile thing, one loud noise, and its gone. But the people are so cowed and disorganised. A few might take the opportunity to protest, but it'll just be a voice crying in the wilderness. Noise is relative to the silence preceding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not heard the people's voice for generations, Evey and it is much, much louder than they care to remember.
β
β
Alan Moore (V for Vendetta)
β
Politics is not about justice. It's about the settling of personal vendettas under a thin veneer of civilization. All politics is personal.
β
β
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
β
Roses are red
Violets are blue
Everything's possible
Nothing is true.
β
β
Alan Moore (V for Vendetta #8 (of 10))
β
With science, ideas can germinate within a bed of theory, form, and practice that assists their growth... But we as gardeners, must beware... for some seeds are the seeds of ruin... and the most iridescent blooms are often the most dangerous
β
β
Alan Moore (V for Vendetta)
β
Remember, remember the Fifth of November,
The Gunpowder Treason and Plot,
I know of no reason
Why the gunpowder treason
Should ever be forgot.
Guy Fawkes, Guy Fawkes, tβwas his intent
To blow up the King and Parliβment.
Three-score barrels of powder below
To prove old Englandβs overthrow;
By Godβs providence he was catchβd
With a dark lantern and burning match.
Holloa boys, holloa boys, let the bells ring.
Holloa boys, holloa boys, God save the King!
β
β
Alan Moore (V for Vendetta)
β
Happiness is a prison, Evey. Happiness is the most insidious prison of all.
β
β
Alan Moore (V for Vendetta)
β
La miglior vendetta? La felicitΓ . Non c'Γ¨ niente che faccia piΓΉ impazzire la gente che vederti felice.
β
β
Alda Merini
β
Evey: Who are you?
V. : Who? Who is but the form following the function of what and what I am is a man in a mask.
Evey: Well I can see that.
V. : Of course you can, Iβm not questioning your powers of observation, Iβm merely remarking upon the paradox of asking a masked man who he is.
Evey: Oh, right.
V. : But on this most auspicious of nights, permit me then, in lieu of the more commonplace soubriquet, to suggest the character of this dramatis persona. Voila! In view humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the βvox populiβ now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin, van guarding vice and vouchsafing the violently vicious and voracious violation of volition.
The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous.
Verily this vichyssoise of verbiage veers most verbose, so let me simply add that itβs my very good honour to meet you and you may call me V.
Evey: Are you like a crazy person?
V. : Iβm quite sure they will say so.
β
β
Alan Moore (V for Vendetta)
β
Noise is relative to the silence preceeding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not heard the peoples voice for generations, Evey and it is much, much louder than they care to remember.
β
β
Alan Moore (V for Vendetta)
β
I believe order is better than chaos, creation better than destruction. I prefer gentleness to violence, forgiveness to vendetta. On the whole I think that knowledge is preferable to ignorance, and I am sure that human sympathy is more valuable than ideology. I believe that in spite of the recent triumphs of science, men haven't changed much in the last two thousand years; and in consequence we must try to learn from history.
β
β
Kenneth M. Clark (Civilisation)
β
Me? I'm the king of the twentieth century. I'm the bogeyman. The villain...The black sheep of the family.
β
β
Alan Moore (V for Vendetta)
β
They offered you a choice between the death of your principles and the death of your body. You said you'd rather die. You faced the fear of your own death, and you were calm and still.
β
β
Alan Moore (V for Vendetta)
β
Voila! In view humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the βvox populiβ now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin, van guarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous.
Verily this vichyssoise of verbiage veers most verbose, so let me simply add that itβs my very good honour to meet you and you may call me V.
β
β
Alan Moore (V for Vendetta)
β
Noise is relative to the silence preceding it. The more absolute the hush, the more shocking the thunderclap.
β
β
Alan Moore (V for Vendetta)
β
By the power of truth, I, while living, have conquered the universe.
β
β
Alan Moore (V for Vendetta)
β
It was an uncomfortable feeling, staring into the darkest moments of someoneβs soul without them knowing.
β
β
Catherine Doyle (Vendetta (Blood for Blood, #1))
β
If all my friends jumped off a bridge, I wouldn't jump with them. I'd be at the bottom, hoping to catch them.
β
β
Steve Berry (The Paris Vendetta (Cotton Malone, #5))
β
This life is so complex that we rarely get to be the people we are truly meant to be. Instead, we wear masks and put up walls to keep from dealing with the fear of rejection, the feeling of regret, the very idea that someone may not love us for who we are deep in our core, that they might not understand the things that drive us.
β
β
Catherine Doyle (Vendetta (Blood for Blood, #1))
β
The multiplying villainies of nature do swarm upon him... [from Macbeth]
β
β
Alan Moore (V for Vendetta)
β
The human psyche has two great sicknesses: the urge to carry vendetta across generations, and the tendency to fasten group labels on people rather than see them as individuals. Abrahamic religion mixes explosively with (and gives strong sanction to) both. Only the willfully blind could fail to implicate the divisive force of religion in most, if not all, of the violent enmities in the world today. Without a doubt it is the prime aggravator of the Middle East. Those of us who have for years politely concealed our contempt for the dangerous collective delusion of religion need to stand up and speak out. Things are different now. βAll is changed, changed utterly.
β
β
Richard Dawkins (A Devil's Chaplain: Reflections on Hope, Lies, Science, and Love)
β
Do you think you wear a mask?β
βIβm wearing one right now.β Valentino smiled softly. βWe both are.β
βItβs a sad thought.β
βYes,β he said. βBut sometimes I wonder about the alternative. Imagine if we had no secrets, no respite from the truth. What if everything was laid bare the moment we introduced ourselves?
β
β
Catherine Doyle (Vendetta (Blood for Blood, #1))
β
Arenβt you glad I have no respect for your authority?
β
β
Catherine Doyle (Vendetta (Blood for Blood, #1))
β
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
β
β
Alan Moore (V for Vendetta)
β
The lizard brain is hungry, scared, angry, and horny.
The lizard brain only wants to eat and be safe.
The lizard brain will fight (to the death) if it has to, but would rather run away. It likes a vendetta and has no trouble getting angry.
The lizard brain cares what everyone else thinks, because status in the tribe is essential to its survival.
A squirrel runs around looking for nuts, hiding from foxes, listening for predators, and watching for other squirrels. The squirrel does this because that's all it can do. All the squirrel has is a lizard brain.
The only correct answer to 'Why did the chicken cross the road?' is 'Because it's lizard brain told it to.' Wild animals are wild because the only brain they posses is a lizard brain.
The lizard brain is not merely a concept. It's real, and it's living on the top of your spine, fighting for your survival. But, of course, survival and success are not the same thing.
The lizard brain is the reason you're afraid, the reason you don't do all the art you can, the reason you don't ship when you can. The lizard brain is the source of the resistance.
β
β
Seth Godin (Linchpin: Are You Indispensable?)
β
Her name is Anarchy. And she has taught me more as a mistress than you [Justice] ever did! She has taught me that justice is meaningless without freedom. She is honest. She makes no promises and breaks none. Unlike you, Jezebel.
β
β
Alan Moore (V for Vendetta #2)
β
I will write your name in the ruin of them. I will paint you across history in the color of their blood.
β
β
Seth Dickinson (The Monster Baru Cormorant (The Masquerade, #2))
β
Their patch was a molecule with fangs under the words exite! chemicus sum! Which was Latin for, Back off, man! I'm a scientist!
β
β
Larry Correia (Monster Hunter Vendetta (Monster Hunter International, #2))
β
Do I frighten you?' He tilted his head.
'Yes,' I said weakly. 'Are you proud of yourself?'
He looked at me for a long moment before replying. 'No, I'm not,' he said so faintly I had to strain to hear him.
β
β
Catherine Doyle (Vendetta (Blood for Blood, #1))
β
You were already in a prison. You've been in a prison all your life. Happiness is a prison, Evey. Happiness is the most insidious prison of all. Your lover lived in the penitentiary that we are all born into, and was forced to rake the dregs of that world for his living. He knew affection and tenderness but only briefly. Eventually, one of the other inmates stabbed him with a cutlass and he drowned upon his own blood. Is that it, Evey? Is that the happiness worth more than freedom? It's not an uncommon story, Evey. Many convicts meet with miserable ends. Your mother. Your father. Your lover. One by one, taken out behind the chemical sheds... and shot. All convicts, hunched and deformed by the smallness of their cells, the weight of their chains, the unfairness of their sentences. I didn't put you in a prison, Evey. I just showed you the bars.'
'You're wrong! It's just life, that's all! It's just how life is. It's what we've got to put up with. It's all we've got. What gives you the right to decide it's not good enough?'
'You're in a prison, Evey. You were born in a prison. You've been in a prison so long, you no longer believe there's a world outside. That's because you're afraid, Evey. You're afraid because you can feel freedom closing in upon you. You're afraid because freedom is terrifying. Don't back away from it, Evey. Part of you understands the truth even as part pretends not to. You were in a cell, Evey. They offered you a choice between the death of your principles and the death of your body. You said you'd rather die. You faced the fear of your own death and you were calm and still. The door of the cage is open, Evey. All that you feel is the wind from outside.
β
β
Alan Moore (V for Vendetta)
β
I knew I couldnβt trust my illogical heart, and that meant I had to do everything in my power to stay away from him so I wouldnβt have to.
β
β
Catherine Doyle (Vendetta (Blood for Blood, #1))
β
Our integrity sells for so little, but it is all that we really have. It is the very last inch of us. But within that inch, we are free... An inch; it is small, and it is fragile, and it is the only thing in the world worth having. We must never lose it or give it away; we must never let them take it from us.
β
β
Alan Moore (V for Vendetta)
β
For whatever the future holds, one thing is certain... It just won't be the same.
β
β
Alan Moore (V for Vendetta #1)
β
Imagine if we had no secrets, no respite from the truth. What if everything was laid bare the moment we introduced ourselves?
β
β
Catherine Doyle (Vendetta (Blood for Blood, #1))
β
There are stories of elopements, unrequited love, family feuds and exhausting vendettas, which everyone was drawn into, had to be involved with. But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character - the way a person took on and recognized in himself the smile of a lover...
Where is the intimate and truthful in all this? Teenager and Uncle. Husband and lover. A lost father in his solace. And why do I want to know of this privacy? After the cups of tea, coffee, public conversations ... I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover.
β
β
Michael Ondaatje (Running in the Family)
β
We are told to remember the idea and not the man. Because a man can fail. He can be caught, he can be killed and forgotten. But 400 years later, an idea can still change the world. I have witnessed firsthand the power of ideas. I've seen people kill in the name of them. But you cannot kiss an idea... cannot touch it or hold it.
Ideas do not bleed. They do not feel pain. They do not love. And it is not an idea that I miss. It is a man.
A man that made me remember the 5th of November. A man that I will never forget.
β
β
Alan Moore (V for Vendetta)
β
I have so very much. I have so very little.
β
β
Alan Moore (V for Vendetta #2)
β
You're of use because you're more than a weapon. When your wife died, she didn't just give you a vendetta. She gave you her dream. You're its keeper. Its maker. So don't be spitting anger and hate. You're not fighting against them, no matter what Harmony says. You're fighting for Eo's dream, for your family that is still alive, your people.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
This was her special time, this early part of the day when the sun was just about to creep over the horizon. It was a brand new day in which anything could happen.
β
β
Fern Michaels (Vendetta (Sisterhood, #3))
β
You must understand that knowledge is not all your heritage. I includes also courage and belief, like hers that we commemorate herein...and romance. Always, always romance.
β
β
Alan Moore (V for Vendetta)
β
His hope was to remind the world that fairness, justice, and freedom are more than wordsβthey are perspectives
β
β
Lana Wachowski (V for Vendetta)
β
Affected most, they understand the least...
β
β
Alan Moore (V for Vendetta)
β
Everything is connected.
β
β
Alan Moore (V for Vendetta #9 (of 10))
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Good evening, London. I would introduce myself, but truth to tell, I do not have a name. You can call me βVβ. Since mankindβs dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away. Weβve seen where their way leads, through camps and wars, towards the slaughterhouse. In anarchy, there is another way. With anarchy, from rubble comes new life, hope reinstated. They say anarchyβs dead, but seeβ¦reports of my death wereβ¦exaggerated. Tomorrow, Downing Street will be destroyed, the Head reduced to ruins, an end to what has gone before. Tonight, you must choose what comes next. Lives of our own, or a return to chains. Choose carefully. And so, adieu.
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Alan Moore (V for Vendetta)
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Though recognition's been delayed by its circuitous construction, now the pattern, long concealed, emerges into view. Is it not fine? Is it not simple, and elegant, and severe? How strange, after the long exacting toil of preparation, it takes only the slightest effort and less thought to send this brief, elaborate amusement on its breathless, hurtling race. The merest touch, no more, and everything falls into place. The pieces can't perceive as we the mischief their arrangement tempts. Those stolid law-abiding queues, so pregnant with catastrophe. Insensible before the wave so soon released by callous fate. Affected most, they understand the least, and understanding, when it comes, invariably arrives too late.
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Alan Moore (V for Vendetta)
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At this point I reveal myself in my true colours, as a stick-in-the-mud. I hold a number of beliefs that have been repudiated by the liveliest intellects of our time. I believe that order is better than chaos, creation better than destruction. I prefer gentleness to violence, forgiveness to vendetta. On the whole I think that knowledge is preferable to ignorance, and I am sure that human sympathy is more valuable than ideology. I believe that in spite of the recent triumphs of science, men haven't changed much in the last two thousand years; and in consequence we must still try to learn from history. History is ourselves. I also hold one or two beliefs that are more difficult to put shortly. For example, I believe in courtesy, the ritual by which we avoid hurting other people's feelings by satisfying our own egos. And I think we should remember that we are part of a great whole. All living things are our brothers and sisters. Above all, I believe in the God-given genius of certain individuals, and I value a society that makes their existence possible.
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Kenneth M. Clark (Civilisation)
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Maria, lonely prostitute on a street of pain,
You, at least, hail me and speak to me
While a thousand others ignore my face.
You offer me an hour of love,
And your fees are not as costly as most.
You are the madonna of the lonely,
The first-born daughter in a world of pain.
You do not turn fat men aside,
Or trample on the stuttering, shy ones,
You are the meadow where desperate men
Can find a moment's comfort.
Men have paid more to their wives
To know a bit of peace
And could not walk away without the guilt
That masquerades as love.
You do not bind them, lovely Maria, you comfort them
And bid them return.
Your body is more Christian than the Bishop's
Whose gloved hand cannot feel the dropping of my blood.
Your passion is as genuine as most,
Your caring as real!
But you, Maria, sacred whore on the endless pavement of pain,
You, whose virginity each man may make his own
Without paying ought but your fee,
You who know nothing of virgin births and immaculate conceptions,
You who touch man's flesh and caress a stranger,
Who warm his bed to bring his aching skin alive,
You make more sense than stock markets and football games
Where sad men beg for virility.
You offer yourself for a fee--and who offers himself for less?
At times you are cruel and demanding--harsh and insensitive,
At times you are shrewd and deceptive--grasping and hollow.
The wonder is that at times you are gentle and concerned,
Warm and loving.
You deserve more respect than nuns who hide their sex for eternal love;
Your fees are not so high, nor your prejudice so virtuous.
You deserve more laurels than the self-pitying mother of many children,
And your fee is not as costly as most.
Man comes to you when his bed is filled with brass and emptiness,
When liquor has dulled his sense enough
To know his need of you.
He will come in fantasy and despair, Maria,
And leave without apologies.
He will come in loneliness--and perhaps
Leave in loneliness as well.
But you give him more than soldiers who win medals and pensions,
More than priests who offer absolution
And sweet-smelling ritual,
More than friends who anticipate his death
Or challenge his life,
And your fee is not as costly as most.
You admit that your love is for a fee,
Few women can be as honest.
There are monuments to statesmen who gave nothing to anyone
Except their hungry ego,
Monuments to mothers who turned their children
Into starving, anxious bodies,
Monuments to Lady Liberty who makes poor men prisoners.
I would erect a monument for you--
who give more than most--
And for a meager fee.
Among the lonely, you are perhaps the loneliest of all,
You come so close to love
But it eludes you
While proper women march to church and fantasize
In the silence of their rooms,
While lonely women take their husbands' arms
To hold them on life's surface,
While chattering women fill their closets with clothes and
Their lips with lies,
You offer love for a fee--which is not as costly as most--
And remain a lonely prostitute on a street of pain.
You are not immoral, little Maria, only tired and afraid,
But you are not as hollow as the police who pursue you,
The politicians who jail you, the pharisees who scorn you.
You give what you promise--take your paltry fee--and
Wander on the endless, aching pavements of pain.
You know more of universal love than the nations who thrive on war,
More than the churches whose dogmas are private vendettas made sacred,
More than the tall buildings and sprawling factories
Where men wear chains.
You are a lonely prostitute who speaks to me as I pass,
And I smile at you because I am a lonely man.
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James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
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Authority, when first detecting chaos at its heels, will entertain the vilest schemes to save its orderly facade but always order without justice, without love or liberty, which cannot long postpone their world's descent to pandemonium.
Authority's collapse sends cracks through bedroom, boardroom, church and school alike. All misrule. Equality and Freedom are not luxuries to lightly cast aside. Without them, order cannot long endure before approaching depths beyond imagining.
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Alan Moore (V for Vendetta)
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But let me say this. I am a superstitious man, a ridiculous failing but I must confess it here. And so if some unlucky accident should befall my youngest son, if some police officer should accidentally shoot him, if he should hang himself while in his jail cell, if new witnesses appear to testify to his guilt, my superstition will make me feel that it was the result of the ill will still borne me by some people here. Let me go further. If my son is struck by a bolt of lightning I will blame some of the people here. If his plane show fall into the sea or his ship sink beneath the waves of the ocean, if he should catch a mortal fever, if his automobile should be struck by a train, such is my superstition that I would blame the ill will felt by people here. Gentlemen, that ill will, that bad luck, I could never forgive. But aside from that let me swear by the souls of my grandchildren that I will never break the peace we have made. After all, are we or are we not better men than those pezzonovanti who have killed countless millions of men in our lifetimes?
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Mario Puzo (The Godfather (The Godfather, #1))
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What are you going to do, Luca?' I clenched my fists at my sides. 'Pull a gun on me?'
'If that's what it takes.'
'How brave!' I exploded. We were so close to one another now. 'You can't use your words. but you're more than happy to use your gun.'
'I'm not going to be responsible for ruining your innocence!'
I tilted my face towards him to show I wasn't afraid, or as innocent as he clearly thought. 'Go ahead,' I whispered. 'Shatter it.' We were nose to nose. 'It almost worked last time, when you told me about my dad.'
'I don't care,' he replied resolutely. 'I'm not punching Bambi in the face.
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Catherine Doyle (Vendetta (Blood for Blood, #1))
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Also, please donβt think Iβve forgotten about your outstanding service record, or about all the invaluable contributions that youβve made to the company. Fire, the wheel, agriculture..Itβs an impressive list, old timer. A jolly impressive list. Donβt get me wrong.
But well...to be frank, weβve had our problems , too. Thereβs no getting away from it. Do you know what I think? A lot of it stems from? Iβll tell youβ¦
Itβs your basic unwillingness to get on with the company. You donβt seem to want to face up to any real responsibility, or to be your own boss. Lord knows youβve been given plenty of opportunities. Weβve offered you promotion time and time again, and each time youβve turned us downβ¦
To be frank, youβre not really trying are you?
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Alan Moore (V for Vendetta)
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Truth disappears with history and gossip tells us in the end nothing of personal relationships. There are stories of elopements, unrequited love, family feuds, and exhausting vendettas, which everyone was drawn into, had to be involved with. But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character - the way a person took on and recognized in himself he smile of a lover. Individuals are seen only in the context of these swirling social tides. It was almost impossible for a couple to do anything without rumour leaving their shoulders like a flock of messenger pigeons.
Where is the intimate and truthful in all this? Teenager and Uncle. Husband and lover. A lost father in his solace. And why do I want to know of this privacy? After the cups of tea, coffee, public conversations...I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover.
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Michael Ondaatje (Running in the Family)