Velvet Rage Quotes

We've searched our database for all the quotes and captions related to Velvet Rage. Here they are! All 43 of them:

Always seek to allow others the space to be imperfect.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
Cairn groaned as unconsciousness gave way. By the time Cairn awoke, chained to that metal table, Rowan was ready. Cairn beheld who stood over him, the tool in Rowan’s tattooed hand, the others he had also laid out on that piece of velvet, and began thrashing. The iron chains held firm. Then Cairn beheld the frozen rage in Rowan’s eyes. Understood what he intended to do with that sharp, sharp knife. A dark stain spread across the front of Cairn’s pants. Rowan wrapped an ice-kissed wind around the tent, blocking out all sound, and began.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
The damaging part of learning to live your life in two parts , whether in reality or fantasy, cannot be underestimated. It is an infectious skill that you learned, one that would eventually spread beyond the bedroom of your life. Life wasn't ever what it seemed on the surface. Nothing could be trusted for what it appeared to be. After all, you weren't what you appeared to be. In learning to hide part of yourself, you lost the ability to trust anything or anyone fully. Without knowing it, you traded humane innocence for dry cynicism.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
He kissed me like I was the empire he was sworn to protect and would die a thousand deaths to keep secure. He kissed me like I was a woman with a deep dark wildness that needed to be fed and he knew just how to do it. He kissed me like he was dying and this was the last kiss he would ever taste. Then his kiss changed and his tongue was velvet and silk as he kissed me like I was fine bone china that needed exacting care and gentleness. Then the storm built in both of us and I ground myself against him, and he was searching with his kiss and his hands sliding down to my ass for the part of me that was a savage animal and so was he and we were going to forget the world and “become two primal, uncomplicated beasts fucking as if the universe depended on our passion to fuel it. And I was pretty sure we could. I felt something building in me, a hunger that was exhilarated to be alive and knew it could come out and play as hard as it wanted, because I could never break this man. Not even with all my superpowers. I could dump every bit of myself on him and never have to worry about giving him a heart attack or breaking a bone or giving him a black eye by accident. He could handle anything. My high temper, my need for adventure and stimulation, my intellect, rages, and rants, my sheer physical strength, even the darkness of my shadow-self. He was a broad-shouldered beast. He was hard and capable and permanent and had an immortal heart. A frenzy of lust exploded inside me and I met the savagery of his kiss with all the savagery in my soul, and there is one fuck of a lot of it.
Karen Marie Moning (Feversong (Fever, #9))
Contentment is created when your behaviour is consistent with your values. When you act in ways that are consistent with the core of who you are, even when your actions aren't approved by others, you increase your overall contentment. Happiness, success, money, relationships, and even the approval of others will come and go in your life, but what is ultimately satisfying is feeling content.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
Our own internal conflicts prevent us from gaining the emotional clarity needed to maintain a safe and satisfying bond. The situation compounds when two men, both overwhelmed with shame, come together in an intense and explosive expression of passion.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
The one and only skill that resolves the crisis of meaning is that of acceptance.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
The world had smelled like this in the beginning, during creation, when the ocean raged and the creatures in the water multiplied, making the ocean teem with life.
Silvia Moreno-Garcia (Velvet Was the Night)
Sadly, our culture raises man to be strong and silent. Straight or gay, the pressure is on from the time we're very young to become our culture's John Wayne-style of man. * The more pain I can take, the more of a man I am. * Showing feelings is for women. * The more I can drink, the manlier I am. * Intimacy is sex; sex is intimacy. * Only women depend on others. * A man takes care of himself without help from others. * No one can hurt you if you're strong. * I am what I earn. * It is best to keep your problems to yourself. * Winning is all that really matters. Where did this stuff come from? It's everywhere in our society from the movies heroes we love to the politicians we vote for. Our culture demands that man fit in a tightly defined role.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
aware of
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
After a while, we’ve all sort of given up on finding Mr. Right. It’s more about are you Mr. In-My-Bed-Right-Now and, whatever you do, please don’t stay for breakfast.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
other and often occur simultaneously.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
Passion is a meta-emotion — an emotion that is felt only after observing other emotions over time.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
The experience of psychological trauma, as is typically diagnosed (posttraumatic stress disorder [PTSD]), has at least some of the following symptoms: • Reliving the trauma: This can happen through nightmares, flashbacks, or reexperiencing as a result of being in the presence of stimuli reminiscent of the traumatic event. • Efforts to avoid thoughts or feelings that are associated with the trauma. • Efforts to avoid activities or situations that arouse memories of the trauma. • Inability to remember some important aspect of the trauma (psychogenic amnesia). • Marked reduced interest in important activities. • Feeling of a lack of interest or expulsion by others. • Limited affect; such as inability to cherish loving feelings. • A feeling of not having any future (foreshortened future); not expecting to have a career, get married, have children, or live a long life. • Hypervigilance (heightened sensitivity to possible traumatic stimuli).
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
What’s happiness really all about? How will I find lasting love and contentment? Can I find it in a relationship with a man? Is there such a thing as a healthy relationship between two men? How can I find real purpose and passion in my life?
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
Behind her warm facade radiating empathy and understanding, there was an aggressive, bad- tempered bitch, putting up endless walls of goodness to conceal her rage and resentment toward the entire world. She was like an alligator in a velvet jumpsuit.
Zygmunt Miloszewski (Rage (Teodor Szacki, #3))
I could love you all night, Raven,” he murmured enticingly against her throat. His hands moved over her body, leaving fire in their wake. “I want to love you all night.” “Isn’t that the point? It’s dawn.” Her hands had a mind of their own, finding every defined muscle with her fingertips, stroking across his hard male form, seeking her own exploration. “Then I will spend the day making love to you.” He whispered the words against her mouth, bent closer to nibble at the corners of her lower lip. “I need you with me, Raven. You chase away the shadows and lighten the terrible load that threatens to drown me.” She skimmed her fingertips across the hard edges of his mouth. “Is this possession, or is it love?” She dipped her head to press her mouth to the hollow of his sternum, to slide her tongue over the ultrasensitive skin above his heart. There was no mark, no scar, but the sweep of her tongue followed the exact line of his earlier wound, where he had forced her to accept his life’s blood. She was merged with him, reading his mind, his erotic fantasies, wanting to bring them to life. His gut clenched hotly, his body responding with fierce aggression. Raven smiled at the feel of his hard length burning against her skin. She had no inhibitions when she lay with him, only a fierce desire to burn with him. “Answer me, Mikhail--the truth.” Her fingertips brushed his velvet tip, fingers curled around the heavy thickness of him sending hunger raging through his body. She was playing with fire, but he didn’t have the strength to stop her; he didn’t want to stop her. His hands curled in her damp hair, two tight fists. “Both,” he managed to gasp.
Christine Feehan (Dark Prince (Dark, #1))
There is a Hitler inside each of us, and if we do not heal it within ourselves, these things will never stop.” There was something in her voice that day, some invisible thing that my younger self did not consciously understand but could only feel. And it went into the depths of me and there it remains still. And sometimes when I feel the cruelty in callous and indifferent men, when I hear the velvet violence hidden in the innocuous-seeming words of a mother speaking to her child, when I see the people among us from whom the powerful have stolen the future—and the present, when I feel some rage inside me wanting to do harm because I feel so helpless that I can find no other thing to do, that teaching, in the depths of me, rises up again into awareness and I see that young woman in Majdanek and I feel her eyes looking into me and I hear Elisabeth’s voice once more and I begin to think outside the box again.
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
We made ourselves more acceptable to others in a variety of ways. Perhaps you learned that you could win approval by becoming more sensitive than the other boys. Maybe you learned that you could win approval by displaying a creativity that the other boys refused to show, or you learned to win approval by excelling at everything you did.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
The wound is the trauma caused by exposure to overwhelming shame at an age when you weren’t equipped to cope with it. An emotional wound caused by toxic shame is a very serious and persistent disability that has the potential to literally destroy your life. It is much more than just a poor self-image. It is the internalized and deeply held belief that you are somehow unacceptable, unlovable, shameful, and in short, flawed.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
Being clear and straightforward about who we are, what we want from others, and our intentions is the cornerstone of integrity.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
John’s life had been like so many of ours. He grew up in a middle-class family with a loving, nurturing mother and a kind but distant father. He knew his father loved him, but they hadn’t been close since John’s teenage years. When John came out to his parents, they were upset but seemed to get through it fairly well, although they didn’t ask about the details of John’s life. He introduced his parents to his first live-in lover, but after that relationship fell apart, he avoided telling them much about whom he was seeing. It just made him feel like a double failure: first, he turned out to be gay; and second, he couldn’t keep a long-term relationship.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
The roots of our trauma with men come from two distinct sources: being a man in a hypermasculine culture and being a gay man in a decidedly straight world. The two of these combined turn the tables dramatically against us and make having a healthy relationship extremely difficult. We must relearn everything we know about relationships in order to make them work successfully.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
A gay man’s first romantic relationship with another man is almost as influential in our lives as our relationship with our fathers. The excitement of allowing yourself to freely love another man. The freedom of finally allowing yourself to have what you want. The joy of sexual fulfillment. The closeness of male companionship. The ecstasy of new love. All of these things converge in that first romantic relationship, giving it exceptional power to imprint upon our lives like no other relationship ever will again.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
At first we were really happy together. It was the first time either of us had been in a relationship with a man and definitely the first time either of us had lived with a lover. It was such a rush to come home at night and have him waiting there. No sneaking around. We could do whatever we wanted together. Then, I’m not sure when it happened—it wasn’t any particular day—we started to grow apart. Every now and then I’d meet someone at the gym and we’d mess around. I was pretty sure he was doing the same with guys he met on the road. We never really talked about it. Just one day, I came home a day early from a business trip and found him in bed with a really cute guy I’d seen around. I was completely devastated. I guess I didn’t have any right to be since I had been fooling around too, but I was. I’ve never been the same since, and certainly never trusted another man to be faithful.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
Two deeply emotionally wounded people cannot form a healthy relationship. They may struggle, compromise, and even stay together, but until they each heal their own wounds, the relationship will always be a struggle.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
Rowan surveyed the tools Cairn had laid out, the ones in the drawer. carefully, thoughtfully, he selected one. A thin, razor-sharp knife. A healer's tool, meant for sleek incisions and scraping out rot. Cairn groaned as unconsciousness gave way. By the time Cairn awoke, chained to that metal table, Rowan was ready. Cairn beheld who stood over him, the tool in Rowan's tattooed hand, the others he had also laid out on the piece of velvet, and began thrashing. The iron chains held firm. Then Cairn beheld the frozen rage in Rowan's eyes. Understood what he intended to do with that sharp, sharp knife. A dark stain spread across the front of Cairn's pants. Rowan wrapped an ice-kissed wind around the tent, blocking all sound, and began.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Many younger gay men just assume that once you get older, you hide out in your house or move away out of embarrassment from having aged. It isn’t conceivable to them that many of the gay men who “disappear” do so because they have outgrown the need for the avoidance of shame and acquisition of validation that is at the core of so much of mainstream gay culture.
Alan Downs Ph. D. (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
If we wish to have a relationship that is free of betrayal, then we must either find a partner who is not wounded or find a partner who is willingly and actively working on his own emotional wounds.
Alan Downs Ph. D. (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
The consequence of all this is that the more short-lived relationships and sexual encounters we have, the more cynical we become about relationships
Alan Downs Ph. D. (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
But Britain, where I’ve lived now for seventeen years, feels unreal too. I can’t quite trust in the clean water that flows from the tap; the full supermarket shelves; the orderly parks and gardens. I feel as though it’s built on a lie, on hidden or delegated suffering. As though I’m in a luxurious cinema watching a film, in a city where war is raging, and over the music of the opening credits I can hear, faintly, the screams and explosions filtering through, into the cosy velvet auditorium. And there’s enough truth in this, historically, to prevent me from dismissing it as mere trauma response on my part. Britain’s comfortable indulgences—its infrastructure, its economy, its food supplies—depend on modern slavery, its wealth and resources on thousands of brown and Black bodies murdered during empire. Britain lives in terrible denial, I know now, of a history it can’t admit to. And it survives that denial by indicating to people of colour, very subtly, very passively, that they shouldn’t think of themselves as real. Because if no one real was hurt, then no real harm has been done.
Noreen Masud (A Flat Place: Moving Through Empty Landscapes, Naming Complex Trauma)
But Britain, where I've lived for seventeen years, feels unreal too. I can't quite trust in the clean water that flows from the tap; the full supermarket shelves, the orderly parks and gardens. I feel as though it's built on a lie, on hidden or delegated suffering. As though I'm in a luxurious cinema watching a film, in a city where war is raging, and over the music of the opening credits I can hear, faintly, the screams and explosions filtering through, into the cosy velvet auditorium. And there's enough truth in this, historically, to prevent me from dismissing it as mere trauma response on my part. Britain's comfortable indulgences - its infrastructure, its food supplies - depend on modern slavery, its wealth and resources on thousands of brown and Black bodies murdered during empire. Britain lives in terrible denial, I know now, of a history it can't admit to. And it survives that denial by indicating to people of colour, very subtly, very passively, that they shouldn't think of themselves as real. Because if no one real was hurt, then no real harm has been done.
Noreen Masud (A Flat Place: Moving Through Empty Landscapes, Naming Complex Trauma)
Without a doubt, sex is a major source of invalidation within relationships between gay men. When one partner refuses the other partner’s bid for sex, it can start a chain of sexual withholding that has destroyed more than few gay male relationships.
Alan Downs Ph. D. (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
The stereotype of the bitchy, bitter queen comes from the image of the gay man who is stuck in stage two. He knows to expect invalidation, and he is armed with fistfuls of it in return. “Don’t mess with me, sister, cause I’ll bite back and bite back hard.
Alan Downs Ph. D. (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
In life, you will meet all types of people—many of whom are the antithesis of who you want to become. The problem isn’t that these people exist, or even that you have met them. The issue is that you don’t have to give them your number. Knowing who to let in and who to gently keep at a distance is an immensely important and necessary skill for positive growth. Surround yourself with only those people who share your values and whose behavior is consistent with the type of man you want to be, and gently let go of those friendships that aren’t.
Alan Downs Ph. D. (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
The most important thing to remember about this skill is that contentment is created when your behavior is consistent with your values.
Alan Downs Ph. D. (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
The nonacceptance of your body is yet one more expression of the internal shame. The apparent motive for body building is to achieve a beautiful physique; however, the underlying motive is to relieve shame. It’s all about making yourself more acceptable and less flawed, and in short, less shameful.
Alan Downs Ph. D. (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
Surround yourself with only those people who share your values and whose behavior is consistent with the type of man you want to be, and gently let go of those friendships that aren’t.
Alan Downs Ph. D. (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
Who is that?” Ice formed in the room. No clothing could protect against the cold this demon brought with him. It pierced through every layer, snatching the breath from Hunt’s chest with clawed fingers. A shuddering inhale was the only sign of Bryce’s discomfort as she remained facing the circle on the other side of the room. The male now contained inside its dark border. “Aidas,” she said softly. Hunt had always imagined the Prince of the Chasm as similar to the lower-level demons he’d hunted over the centuries: scales or fangs or claws, brute muscle and snarling with blind animal rage. Not this slender, pale-skinned … pretty boy. Aidas’s blond hair fell to his shoulders in soft waves, loose, yet well cut around his fine-boned face. Undoubtedly to show off the eyes like blue opals, framed by thick, golden lashes. Those lashes bobbed once in a cursory blink. Then his full, sensuous mouth parted in a smile to reveal a row of too-white teeth. “Bryce Quinlan.” Hunt’s hand drifted to his gun. The Prince of the Chasm knew her name—her face. And the way he’d spoken her name was as much greeting as it was question, his voice velvet-soft. Aidas occupied the fifth level of Hel—the Chasm. He yielded only to two others: the Prince of the Abyss, and the Prince of the Pit, the seventh and mightiest of the demon princes. The Star-Eater himself, whose name was never uttered on this side of the Northern Rift.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
What is it?” he asked quietly, his eyes full of concern. “What have you been doing that’s so terrible?” A great shudder of anguish moved through Velvet. Once he learned the truth Hank would never forgive her, but there had been enough running away, and she couldn’t bring herself to lie. Not to this man. She accepted the handkerchief he offered and dried her face. “Things was hard after Pa and Eldon died,” she managed to say, mopping at her eyes again. Hank nodded, his gaze tender, silently urging her to go on. Velvet drew in a deep breath and gripped a picket of the gate in one hand. For the first time in her life she thought she might faint. “I did cleanin’ work mostly till I came to Fort Deveraux. I’d heard I could make a lot of money here, washin’ clothes for the soldiers.” She paused and looked away for a moment, drawing strength from the orange and crimson blaze of the setting sun. “I found out soon enough that there were a lot of other women here lookin’ to wash clothes—there just wasn’t enough work to go around. I—I ended up takin’ money from men.” For a moment Hank just stood there, the color draining out of his skin. “For what?” he asked, his voice a low rasp. Velvet felt as though she was being torn apart piece by piece, organ by organ. She lowered her eyes for a moment, then met Hank’s gaze squarely. He knew—she could see that—but he was going to make her tell him. “For sleepin’ with me,” she said. With a muttered exclamation Hank turned away, his broad shoulders stiff beneath the rough, plain fabric of his shirt. Velvet reached out her hand, then let it fall helplessly to her side. She’d lost him a second time, and the experience was a cruel one. She doubted she’d ever recover from it. “I’m sorry,” she whispered. He whirled so suddenly that Velvet was startled and leapt backward. His face was taut with anger and pain. “You were my woman,” he whispered with hoarse fury. “How could you have let another man touch you?” The resilience that had allowed Velvet to survive the many hardships life had dealt her surged to the fore. She advanced on Hank, raging. “I wasn’t your woman. I wasn’t anybody’s woman. I was all alone in this world, and I did what I had to do!” Hesitantly Hank lifted his hand to her face. His thumb brushed away a tear. “There wasn’t a day or a night that I didn’t think about you, Velvet.” She hugged herself, afraid to hope or trust. “I didn’t love none of those men,” she said miserably. “I could only stand lettin’ them touch me because I pretended they was you.” Hank’s smile was soft and infinitely sad. “I’m not going to lose you again because of pride,” he said. “I don’t like that you took money from those men, but I figure I love you enough to get by that in time. All that really matters to me is now, Velvet. Now and next week and next year, and all the years after that, when you and I are going to be together.” Velvet hardly dared to believe her ears. She’d had very little good fortune in her life; she didn’t know how to deal with much besides trouble. “Folks around here won’t ever forget—there’ll be talk—” He laid two fingers to her lips, silencing her. “I don’t care,” he said. “I’ve found you. That’s all that’s important.” With a sob, Velvet let her head drop against Hank’s sturdy chest. Tenderly he enfolded her in his arms. “Hush, now,” he said. “Things are going to be different after this. Very different.” An
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
the deeply held, sinister belief that perhaps HIV is physical evidence of our own unloveableness.
Alan Downs (The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World)
Peace is white sun reflections on summer pear trees, and ocean mist droplets defying gravity by air currents. Peace is caffeinated goodbye-kissing and velvet smiles laced with credence. Trumpet horns sound off the coming of Blue Jays, Swallows and Chickadee’s. And there is no sadness echoing within or without. There is a taste of God in every grass blade and car horn raging in the city. The stop lights are all green, and there are children playing in the fountains. A dog laps my hand, and finally—I remembered what it’s all about.
J. Carpenter (You, Me & The End of The World: Poetry Anthology)
His hand slid around to the nape of her neck. Slowly, inexorably, he forced her head down toward his. Shea closed her eyes, wanting, yet dreading his taking her blood. “I’d hate to have to feed you every day,” she muttered rebelliously. And then his mouth touched hers. Featherlight, a skimming brush Shea felt right down to her toes. His teeth scraped her lower lip, teasing, tempting, enticing. Darts of fire raced through her bloodstream. Her stomach muscles clenched. Open your mouth for me, stubborn little red hair. His teeth tugged; his tongue followed with a soothing caress. Shea gasped as much at the tender, teasing note as at the feel of his lips on hers. He took advantage immediately, fastening his mouth to hers, his tongue exploring every inch of her velvet-soft interior. Flames licked at her, swept through her like a storm. Electricity crackled, and Shea knew the full meaning of chemistry. Feeling. Pure and simple. There was nothing else but his mouth claiming hers, whirling her into another world she hadn’t known existed. The ground shifted, and Shea clutched at his shoulders to keep from floating to the clouds. He was sweeping aside every resistance, demanding her response, taking her response, all hunger and desire. Then he was in her mind, white-hot heat, possession. She was his, only his, always his. Smug male satisfaction. Shea shoved at his broad shoulders, then tumbled backward to the floor, wiping at her mouth with the back of her hand. They glared at one another, until amusement crept into her mind. Low, male, taunting. Nothing showed on his face, not a flicker in the ice of his eyes, but she knew he was laughing at her. It took a moment to realize her robe was gaping open, giving him a generous view of her bare skin. With great dignity Shea dragged the lapels together. “I think we need to straighten something out here.” Sitting on the floor, struggling desperately to get her breathing under control, to throw ice water on the raging fire in her blood, Shea was afraid he wasn’t going to take her seriously. “I am your doctor. You are my patient. This…” She waved a hand, searching for the right words. “This sort of thing is unethical. And another thing. I am in charge here. You follow my orders, not the other way around. Absolutely never, under any circumstances, do that again.” Involuntarily she touched her fingers to her lower lip. “It wouldn’t have happened at all if you hadn’t infected me with some sort of, I don’t know, rabies strain.” She glared at him.
Christine Feehan (Dark Desire (Dark, #2))