Veins Tattoo Quotes

We've searched our database for all the quotes and captions related to Veins Tattoo. Here they are! All 33 of them:

She's Awakening,' Aiden said, voice tight. 'But the blood...' I heard Marcus move closer. 'Why is she bleeding?' I eased onto my side. 'I'm being tattooed by a giant, mother fu-' Another strangled scream cut of my words as a different type of pain settled in, moving under my skin. It was like lighting racing through my veins, frying every nerve ending. 'This is... wow,' Deacon said, and I pried my eyes open. There was a whole audience by the door. 'Get them out of here!' I screamed, jackknifing on the floor. 'Gods, this sucks!' 'Whoa,' I heard Deacon murmur. 'This is like watching a chick give birth or something.' 'Oh my gods, I'm going to kill him.' I could feel the beads of blood breaking out under my jeans. 'I'm going to punch him-' 'Everyone leave,' Aiden ground out. 'This isn't a godsdamn show.' 'And I think he's like the father,' Luke said. Aiden rose to his feet. 'Get. Out.
Jennifer L. Armentrout (Deity (Covenant, #3))
He pulls free before we make contact. “A moment, please. Allow me to bask in your devotion.” He’s referring to my ankle tattoo. I blush. “I’ve told you a hundred times. It’s only a set of wings.” “Nonsense.” Morpheus grins. “I know a moth when I see one.” I groan in frustration, and he surrenders, letting me press our markings together. A spark rushes between them, expanding to a firestorm through my veins. His gaze locks on mine, and the bottomless depths flicker—like black clouds alive with lightning. For that instant, I’m bared to the bone. He looks inside my heart; I look inside his. And the similarities there terrify me.
A.G. Howard (Unhinged (Splintered, #2))
When I got the tattoo, I knew I was drawing a crooked line between myself and society.
Warren Ellis (Crooked Little Vein)
He grabbed something off the floor and held it in front of his hips as he stood up. She drank in the sight of him: The tattooed slave bands around his wrists and neck, the plug in his left earlobe, his black eyes, his skull-trimmed hair. His body was as starkly lean as she remembered, all striated muscles and hard cut veins. And he threw off raw power like a scent.
J.R. Ward
When You Return Fallen leaves will climb back into trees. Shards of the shattered vase will rise and reassemble on the table. Plastic raincoats will refold into their flat envelopes. The egg, bald yolk and its transparent halo, slide back in the thin, calcium shell. Curses will pour back into mouths, letters un-write themselves, words siphoned up into the pen. My gray hair will darken and become the feathers of a black swan. Bullets will snap back into their chambers, the powder tamped tight in brass casings. Borders will disappear from maps. Rust revert to oxygen and time. The fire return to the log, the log to the tree, the white root curled up in the un-split seed. Birdsong will fly into the lark’s lungs, answers become questions again. When you return, sweaters will unravel and wool grow on the sheep. Rock will go home to mountain, gold to vein. Wine crushed into the grape, oil pressed into the olive. Silk reeled in to the spider’s belly. Night moths tucked close into cocoons, ink drained from the indigo tattoo. Diamonds will be returned to coal, coal to rotting ferns, rain to clouds, light to stars sucked back and back into one timeless point, the way it was before the world was born, that fresh, that whole, nothing broken, nothing torn apart.
Ellen Bass (Like a Beggar)
I'm nineteen tree rings and mashed acorns stop up my veins when I can't clot. Oh god, you beautiful person, I'll let you lick the salt off of my tattoos as if they were wounds, wounds made of ink and stories.
Taylor Rhodes (Sixteenth Notes: the breaking of the rose-colored glasses)
Our marriage began with knots and fangs; vows inked on skin. Black venom stained our fingers, twinned snakes strangling the marriage vein in Celtic macramé – cocksure monogamy. We became one, me and the gun, the serpent reeling itself from the needle. I had few firsts left; marriage a wild west for the hedonist. Snakes unspooled like figure-eights, symbols of eternity. Acrimony, alimony; Leave the moaning to adults. We children will be wiser wed, inoculated – these hickeys, homeopathy.
Jalina Mhyana (Dreaming in Night Vision: A Story in Vignettes)
There is no fuckin’ conclusion to us,” he growled, his gaze tattooing my soul. “No end. Even death doesn’t signify the severing of this. Us. Nothing’s gonna do that, baby. Something as inconsequential as a visit from the grim reaper sure as shit isn’t gonna keep me from you. And we both know from living in this world that death is far from final.
Anne Malcom (Fatal Harmony (The Vein Chronicles, #1))
the tattoos wrapping down his arm with the masculine veins that universally turn everyone
Sarah Adams (Practice Makes Perfect (When in Rome, #2))
Bukkake,” said a voice in my ear. “Multiple ejaculations onto the face. It’s the new thing.” It was the tattooed girl, crouched behind my chair. “This is the only genuine and authentic Godzilla Bukkake night in America.
Warren Ellis (Crooked Little Vein)
Livia took in the sight of her love. He fought a still, silent battle against death, but he looked pale and helpless. Livia hated that. She knelt next the bed and kissed the mark of his tattoo through her paper mask and around the tubes. An IV chugged liquid straight into his veins.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
He talked to me like he did when I was a child, when his voice was clear and melodic, his hair still dark, when he had only wrinkles around his eyes. He held my hand and patted it softly with every word, as if his words could be tattooed in my veins. He said trees grow up because they want to get closer to the stars. He said everybody is the center of their own world and yet they're just a speck in the universe. He said it's everyone's responsibility to not be afraid to love and to be loved. He told me that I was beautiful, that creating me was a good enough reason to live. He said every time he drank he was destroying a part of himself. We're afraid life is so short, we try to take from it as much as we can. We forget everything we need will come in due time. He said people need to have faith they will be taken care of, that people are part of this earth and the earth always gives us what we need.
Angie Cruz (Soledad)
Things I've Learned in 18 Years of Life   1) True love is not something found, rather [sic] something encountered. You can’t go out and look for it. The person you marry and the person you love could easily be two different people. So have a beautiful life while waiting for God to bring along your once-in-a-lifetime love. Don't allow yourself to settle for anything less than them. Stop worrying about who you're going to marry because God's already on the front porch watching your grandchildren play.   2) God WILL give you more than you can handle, so you can learn to lean on him in times of need. He won't tempt you more than you can handle, though. So don't lose hope. Hope anchors the soul.   3) Remember who you are and where you came from. Remember that you are not from this earth. You are a child of heaven, you're invaluable, you are beautiful. Carry yourself that way.   4) Don't put your faith in humanity, humanity is inherently flawed. We are all imperfect people created and loved by a perfect God. Perfect. So put your faith in Him.   5) I fail daily, and that is why I succeed.   6) Time passes, and nothing and everything changes. Don't live life half asleep. Don't drag your soul through the days. Feel everything you do. Be there physically and mentally. Do things that make you feel this way as well.   7) Live for beauty. We all need beauty, get it where you can find it. Clothing, paintings, sculptures, music, tattoos, nature, literature, makeup. It's all art and it's what makes us human. Same as feeling the things we do. Stay human.   8) If someone makes you think, keep them. If someone makes you feel, keep them.   9) There is nothing the human brain cannot do. You can change anything about yourself that you want to. Fight for it. It's all a mental game.   10) God didn’t break our chains for us to be bound again. Alcohol, drugs, depression, addiction, toxic relationships, monotony and repetition, they bind us. Break those chains. Destroy your past and give yourself new life like God has given you.   11) This is your life. Your struggle, your happiness, your sorrow, and your success. You do not need to justify yourself to anyone. You owe no one an explanation for the choices that you make and the position you are in. In the same vein, respect yourself by not comparing your journey to anyone else's.   12) There is no wrong way to feel.   13) Knowledge is everywhere, keep your eyes open. Look at how diverse and wonderful this world is. Are you going to miss out on beautiful people, places, experiences, and ideas because you are close-minded? I sure hope not.   14) Selfless actions always benefit you more than the recipient.   15) There is really no room for regret in this life. Everything happens for a reason. If you can't find that reason, accept there is one and move on.   16) There is room, however, for guilt. Resolve everything when it first comes up. That's not only having integrity, but also taking care of your emotional well-being.   17) If the question is ‘Am I strong enough for this?’ The answer is always, ‘Yes, but not on your own.’   18) Mental health and sanity above all.   19) We love because He first loved us. The capacity to love is the ultimate gift, the ultimate passion, euphoria, and satisfaction. We have all of that because He first loved us. If you think about it in those terms, it is easy to love Him. Just by thinking of how much He loves us.   20) From destruction comes creation. Beauty will rise from the ashes.   21) Many things can cause depression. Such as knowing you aren't becoming the person you have the potential to become. Choose happiness and change. The sooner the better, and the easier.   22) Half of happiness is as simple as eating right and exercising. You are one big chemical reaction. So are your emotions. Give your body the right reactants to work with and you'll be satisfied with the products.
Scott Hildreth (Broken People)
He leaned closer and she swallowed the rest of her words as he pressed a kiss to her lips. He lifted his head slightly and looked into her eyes. She stared back at him, stunned, her heart thudding against her breastbone. He palmed the nape of her neck, and then he was kissing her again, his tongue sweeping into her mouth this time, turning her legs to jelly. She pressed her body against his, her skin on fire, desire beating a tattoo through her veins. His tongue stroked hers gently, provocatively, and she reached out and gripped his shoulders with both hands. After a long, long moment he drew back. “Come home with me?” he asked very quietly, his voice a low husk. Dear God, I thought you’d never ask.
Sarah Mayberry (More Than One Night)
My hands come down to rest on top of corded forearms, my fingers tracing along the veins as my eyes slowly open, glancing down at the inked-up skin that’s wrapped around me. I’ve never been a big tattoo girl, but on him they’re so attractive they hurt to look at. The drawings are intricate, and I can’t help but wonder if maybe they’re his own. A way for his soul to shine through his skin.
Emily McIntire (Be Still My Heart)
Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.
Patti Smith
The multiform meanings of the Chinese word for writing, wen, illustrate well this interpenetration of human and nonhuman scripts: The word wen signifies a conglomeration of marks, the simple symbol in writing. It applies to the veins in stones and wood, to constellations, represented by the strokes connecting the stars, to the tracks of birds and quadrapeds on the ground (Chinese tradition would have it that the observation of these tracks suggested the invention of writing), to tattoos and even, for example, to the designs that decorate the turtle’s shell (“The turtle is wise,” an ancient text says—gifted with magico-religious powers—“for it carries designs on its back”). The term wen has designated, by extension, literature….3 Our first writing, clearly, was our own tracks, our footprints, our
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
You’re hurt, and I can’t guarantee I can be gentle with you right now.” My core spasm at the naughty threat in his voice. “I can handle it.” My voice is husky, and by the tic in his jaw, I know he hears it. Creed leans forward into my personal space and my lids grow heavy with lust. My lips part on instinct like he’s going to kiss me, but instead, he reaches out, caressing my face with such a soft and gentle touch, it completely belies his next words. “I assure you, you can’t.” I drop my head back and groan, the stirrings of desire running rampant through my body and core. “That’s not very nice, Mr. Sabella.” He grins now, it’s devious, and hell if it doesn’t make me want to jump his bones. “And I’m not a very nice man.” Sliding my wet hand up his arm, over the protruding veins, tattoos, and old scars, I glance up at him through my lashes and smile. “To me you are.” “Always,” he whispers, pressing his lips against mine.
S.M. Soto (Love and Chaos (Chaos, #3))
Bryce slowed her retreat as she winced in pain, “And the apartment building? I thought it was Hunt, but it wasn’t, was it? It was you.” “Yes. Your landlord’s request went to all of my triarii. And to me. I knew Danika had left nothing there. But by that time, Bryce Quinlan, I was enjoying watching you squirm. I knew Athalar’s plan to acquire the synth would soon be exposed—and I took a guess that you’d be willing to believe the worst of him. That he’d used the lightning in his veins to endanger innocent people. He’s a killer. I thought you might need a reminder. That it played into Athalar’s guilt was an unexpected boon.” Hunt ignored the eyes that glanced his way. The fucking asshole had never planned to honor his bargain. If he’d solved the case, Micah would have killed him. Killed them both. He’d been played like a fucking fool. Bryce asked, voice raw, “When did you start to think it was me?” “That night it attacked Athalar in the garden. I realized only later that he’d probably come into contact with one of Danika’s personal items, which must have come into contact with the Horn.” Hunt had touched Danika’s leather jacket that day. Gotten its scent on him. “Once I got Athalar off the streets, I summoned the kristallos again—and it went right to you. The only thing that had changed was that you finally, finally took that amulet off. And then …” He chuckled. “I looked at Hunt Athalar’s photos of your time together. Including that one of your back. The tattoo you had inked there, days before Danika’s death, according to the list of Danika’s last locations Ruhn Danaan sent to you and Athalar—whose account is easily accessible to me.” Bryce’s fingers curled into the carpet, as if she’d sprout claws. “How do you know the Horn will even work now that it’s in my back?” “The Horn’s physical shape doesn’t matter. Whether it is fashioned as a horn or a necklace or a powder mixed with witch-ink, its power remains.” Hunt silently swore. He and Bryce had never visited the tattoo parlor. Bryce had said she knew why Danika was there. Micah went on, “Danika knew the Archesian amulet would hide you from any detection, magical or demonic. With that amulet, you were invisible to the kristallos, bred to hunt the Horn. I suspect she knew that Jesiba Roga has similar enchantments upon this gallery, and perhaps Danika placed some upon your apartments—your old one and the one she left to you—to make sure you would be even more veiled from it.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I hadn’t realized they’d have individualized starlight. I always thought mine was only … brighter than yours.” She frowned at Ruhn. “I guess it makes sense that there could be nuances to the light amongst the Fae that got interbred. Theia’s elder daughter, Helena, had the gift—and married Prince Pelias. Your ancestor.” “He’s your ancestor, too,” Ruhn muttered. “Pelias was no true prince,” Aidas spat, fangs bared. “He was Theia’s high general and appointed himself prince after he forcibly wed Helena.” “I’m sorry,” Ithan said, scrubbing at his face, “but what the fuck is this about?” He glanced at the pizza on the table, as if wondering whether it had been spiked with something. Welcome to our lives, Hunt wanted to say. But Bryce’s face had gone pale. “Queen Theia allowed this?” “Theia was dead by that point,” Aidas said flatly. “Pelias slew her.” He nodded to the Starsword in Ruhn’s hand. “And stole her blade when he’d finished.” He snarled. “That sword belongs to Theia’s female heir. Not the male offspring who corrupted her line.” Bryce swallowed audibly, and Ruhn gaped at his blade. “I’ve never heard any of this,” the Fae Prince protested. Aidas laughed coldly. “Your celebrated Prince Pelias, the so-called first Starborn Prince, was an impostor. Theia’s other daughter got away—vanished into the night. I never learned of her fate. Pelias used the Starsword and the Horn to set himself up as a prince, and passed them on to his offspring, the children Helena bore him through rape.” That very Horn that was now tattooed into Bryce’s back. A chill went down Hunt’s spine, and his wings twitched. “Pelias’s craven blood runs through both of your veins,” Aidas said to Ruhn.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Something warm and solid landed on my bare leg, and I looked down, finding Ivan’s wide hand wrapped around my knee. He gently squeezed, and my breath caught. I stared at his hand, the veins running beneath his tattooed skin, how they rippled when he squeezed again. Without thinking, I laid my hand on top of his. I was aware he and Freddie were speaking to each other. Their laughter was the soundtrack to my fingers sliding over his. He didn’t look at me, and I didn’t look at him. Not his face, anyway. My focus was on his hand and mine. The size difference. How beautiful the ink decorating his skin was. The place behind my knee where his index finger rubbed back and forth. The spiral in my chest slowly settled until I no longer felt like running out of the dining hall. It was nice to regain control without having to isolate myself from everyone.
Julia Wolf (Jump on Three (Savage Academy #3))
Heartache Fetish" Slip into my drink Sneak into my veins and knock me out cold Am I tripping are you bliss? Are we dreaming this? Don't wake me yet It's dripping from your lips And written on your wrists Can't be tamed [Hook] You're not in the room But you got me in a headlock Tied up Helpless Ready to be sacrificed and buried Love me, love me forever You force my spirit down your throat And leave me by the roadside, dying Pulled apart by your grace It leaves a burning taste And now I got my tongue-tied and tattooed [Hook] All that's left are my bones Dipped in gold Waiting to be sold To the first damn taker All that's left is your ghost And the fire burning up Your soul [Hook]
Young & Sick
The blackguard had probably shot Victor, or worse, Dom! And he was getting away! Not on her watch, he wasn’t. She didn’t stop to think. As he came abreast of the carriage, she swung the door of the carriage open, directly into his path. It knocked him right off his feet. As he lay there, stunned, she leaped out and marched over to him. A red haze filled her vision at the thought of everything he’d done, and she dug the heel of her half boot into the wrist of the hand holding the gun. As Samuel let out a howl, she wrenched the pistol from his hand. Then she backed up and aimed it at him, praying she could pull the trigger if she had to. Not that she was likely to hit anything if she did; she’d never shot a firearm in her life. But he was not escaping, drat it. Samuel stumbled to his feet, then blanched. “Jane!” “Yes, it’s Jane, you…you…vile…horrible…arse!” “Give me the gun, Jane,” he said hoarsely, fixing his gaze on it. “You don’t want to be playing with that.” With her blood beating a fearful tattoo through her veins, she steadied the pistol in the general direction of his heart. Though she could think of better places to shoot him, frankly. “I’m not playing. And you’re not going anywhere.” Samuel lunged at her, and the pistol went off. Which was odd, because she couldn’t remember pulling the trigger. But she must have, because smoke came out of the end of the pistol and he cried out and dropped to the ground at her feet, grabbing his thigh. As Samuel rolled there, clutching at his leg and howling, Victor skidded to a halt beside him. “Good shot, Jane!” The grin he flashed her reminded her instantly of Max. “I saw you hit him with the carriage door, too. Excellent work. We’ll have to make you an honorary Duke’s Man.” “Over my dead body,” Dom growled as he ran up beside her.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
When I die I hope that there will be laughter. I hope that champagne will be served. I hope that people wear red. And I hope when people speak of me that this is what they will say: She hugged too hard. She laughed too loud. She felt too much. She swore too much. She talked too much. She wore heels that were too tall. She wore skirts that were too short. She had too many tattoos. She made too many inappropriate jokes. She asked too many questions. She drank too much caffeine. She drank too much wine. She made peace with being too much for too many. She was overdressed. She was never early. She couldn’t sing but that never stopped her. She couldn’t sew. She couldn’t bake. She couldn’t be contained. She never had a shortage of people in her kitchen. She made her own traditions. She stopped using her voice for apologies unearned. She loved with reckless abandon. She tried to see the whole world. She tried to save the corners that she could. She tried to give her children deep roots and wide wings. She fell. She rose. She danced. She unraveled. She let go. She evolved. She carried herself as though she was made of feathers. She never smoothed her wild edges. She never stopped writing new chapters. She never stopped chasing the light. She was a tangled mess. She was strong. She was fierce. She was brave. She was a badass. She dreamed out loud. Her friends were her soulmates. The ocean was her therapy. Grace was her religion. Imperfection was her backbone. Forgiveness was her freedom. She lived like there was magic enveloped in the every day. She lived like there would never be enough time. She lived like there was fire in her veins. She lived.
Katie Yackley Moore
Thick and heavy silence wraps around my heart like smoky tendrils while Robbie drums his tattooed fingers on the table—fingers I imagine soaked with blood. Blue veins paint a roadmap up his forearms, the sleeves pulled halfway up. Everything about Robbie is a carefully crafted
Harleigh Beck (Obsession)
He’s the flame I should stay away from, yet my fingers itch to reach out. My mind goes places it shouldn’t, like how his skin would feel if I traced those veins up his arm, skimming over the swirls of his tattoos and the soft hairs.
Harleigh Beck (Obsession)
Checking out the cowboy across the bar, I have one thought and one thought only—Damn, I’ve missed this. Thick, tan, tattooed forearms rippling with muscle and crisscrossed with large veins—check. Stetson and a pair of broken-in Wranglers, which are topped off with a clean white tee that stretches across his broad chest and shows off his enormous biceps—check.
Jessica Peterson (Wyatt (Lucky River Ranch, #2))
Her long silver braid swings free of her hood as her attention whips in our direction, and her eerie red gaze jumps to mine and widens slightly under a faded tattoo on her forehead. My blood chills when a smirk tilts her mouth, distorting the red veins at her temples, and then she…disappears.
Rebecca Yarros (Onyx Storm (The Empyrean, #3))
His chest rose and fell rapidly as if he'd been out for an evening jog. Sweat gleamed on his muscled torso, the droplets collecting on every curve and crevice of his rippled abdominals and that tattoo was finally, finally visible. Holly vines started around his wrists and snaked up his tense veined forearms, up the ridge of his biceps, and over his shoulder to the edges of his chest. The vines constricted around his muscles and thorns bit into his skin as if they were physically piercing the flesh. It was intricate and mesmerizing and easily the most lifelike tattoo she had ever seen.
K.A. Linde (The Wren in the Holly Library (Oak & Holly Cycle, #1))
He’s all solid muscle, corded with it from shoulder to bicep to forearms. Thick veins run over his tattooed hands. I imagine what he must look like shirtless and immediately regret the thought.
Nikki St. Crowe (Their Vicious Darling (Vicious Lost Boys, #3))
There is a special place in hell for CEOs and venture capitalists. Men with webbed feet and arms that double as wings.
Karin Smirnoff (The Girl with Ice in Her Veins (The Girl with the Dragon Tattoo #8))
My heart cracks as I notice the slightly raised scars that linger around the top of the tattoos. It takes a lot to leave a mark on an immortal. Hatred boils within my veins, heating my skin as I think about how I’d punish the men who did this to him. They’d beg for death before I was through with them.
Madeline Taylor (Heir of Illusion (Verran Isles, #1))
Stark finishes my tattoos without another word exchanged between us. But I’m still raw. The sense of intimacy lingers, setting my nerves on edge. Making my blood pulse in my ears. When he finally leans down to lick the wounds on my arms, I get a rush of arousal so intense my breath catches in my throat. A sound escapes me, low and unmistakably erotic. Fuck! Stark’s eyes lock onto mine. The hunger in them steals the breath right out of my lungs—sends adrenaline coursing through my veins. Holding my gaze, he lowers his head and licks the fresh tattoos again, slow and deliberate. Without thought, my hand flashes out, fingers fisting in his dark hair. It’s not gentle. I’m angry, I realize. Or maybe frightened, I don’t know. It must hurt, but he doesn’t resist. He just gazes at me in silent challenge. For a moment, I’m not sure if I’m going to shove him away or yank him closer. The urge to crash my mouth into his surges through me like wildfire. I need connection, I realize, reeling internally. Physical contact, closeness, comfort. I’m aching for it after the emotional violence of the last few days—even from him. Even in the form of… whatever the fuck this is. Warning bells are going off in my head. This is Stark. He’s a monster, a bully, a brute. I’m very, very publicly in a relationship with Killian, who I love. Logic is no match for animal need. My fingers tighten in Stark’s hair. He opens his mouth wider, bares his teeth, and bites at my flesh. The sound—fuck, the moan—escapes me again, my nipples tightening.
Sorensen sable