Veins Related Quotes

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You never cared that I was your sister before.” “Didn’t I?” His black eyes flicked up and down her. “Our father’s dead,” he said. “There are no other relatives. You and I, we are the last. The last of the Morgensterns. You are the only one left whose blood runs in my veins, too. You are my last chance.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Why did you?” Clary asked. “Why did I what?” “Help me back there.” “You’re my sister.” She swallowed. In the morning light, Sebastian’s face had some color in it. There were faint burns along his neck where demon ichor had splashed him. “You never cared that I was your sister before.” “Didn’t I?” His black eyes flicked up and down her. “Our father’s dead,” he said. “There are no other relatives. You and I, we are the last. The last of the Morgensterns. You are the only one left whose blood runs in my veins, too. You are my last chance.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
If you are disgusted by what you see, and if you feel the fire coursing through your veins, then it's up to you. You don't have to be the leader of a global movement or a household name. It can be as small scale as chipping away at the warped power relations in your workplace. It can be passing on knowledge and skills to those who wouldn't access them otherwise. It can be creative. It can be informal. It can be your job. It doesn't matter what it is, as long as you're doing something.
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
Flattery does not encourage the perfect flow of love in the vein of your relationship. Be genuine and speak out what you feel for each other without hiding the painful truth.
Michael Bassey Johnson
I am going to shrink and shrink until I am a dry fall leaf, complete with a translucent spine and brittle veins, blowing away in a stiff wind, up, up, up into a crisp blue sky.
Julie Gregory (Sickened: The Memoir of a Munchausen by Proxy Childhood)
He read the veinings of a leaf, the pattern on a mushroom cap, and divined mysteries, relations, futures, possibilities: the magic of symbols, the foreshadowing of numbers and writing, the reduction of infinitudes and multiplicities to simplicity, to system, to concept. For all these ways of comprehending the world through the mind no doubt lay within him, nameless, unnamed, but not inconceivable, not beyond the bounds of presentiment, still in the germ, but essential to his nature, part of him, growing organically within him. And if we were to go still further back beyond this Rainmaker and his time which to us seems so early and primitive, if we were to go several thousand years further back into the past, wherever we found man we would still find - this is our firm belief - the mind of man, that mind which has no beginning and always has contained everything that it later produces.
Hermann Hesse (The Glass Bead Game)
...she speaks words so powerful the wind etches them inside the atmosphere for women to remember through history. 'I exist. Outside of being a mother, a wife, a sister, a daughter, I exist. I exist as a human first, as a being that experiences joy and suffering, beauty and learning, life and tragedy. I exist because the universe chose to put me here for a purpose higher than my relation to men. I exist because a wise old woman gave me a gift and now magic runs through my veins. So the problem is not my existence as half dragon, half girl/ The problem is how you perceive it as so small, you do not believe I can exist at all apart from through my bonds with men.
Nikita Gill
Sport should be in your Blood/Veins, Not in the Joints or Bones
Binoy Boban
Always preoccupied with his profound researches, the great Newton showed in the ordinary-affairs of life an absence of mind which has become proverbial. It is related that one day, wishing to find the number of seconds necessary for the boiling of an egg, he perceived, after waiting a minute, that he held the egg in his hand, and had placed his seconds watch (an instrument of great value on account of its mathematical precision) to boil! This absence of mind reminds one of the mathematician Ampere, who one day, as he was going to his course of lectures, noticed a little pebble on the road; he picked it up, and examined with admiration the mottled veins. All at once the lecture which he ought to be attending to returned to his mind; he drew out his watch; perceiving that the hour approached, he hastily doubled his pace, carefully placed the pebble in his pocket, and threw his watch over the parapet of the Pont des Arts.
Camille Flammarion (Popular Astronomy: A General Description of the Heavens (Cambridge Library Collection - Astronomy))
I consider a tree. I can look on it as a picture: stiff column in a shock of light, or splash of green shot with the delicate blue and silver of the background. I can perceive it as movement: flowing veins on clinging, pressing pith, suck of the roots, breathing of the leaves, ceaseless commerce with earth and air—and the obscure growth itself. I can classify it in a species and study it as a type in its structure and mode of life. I can subdue its actual presence and form so sternly that I recognise it only as an expression of law — of the laws in accordance with which a constant opposition of forces is continually adjusted, or of those in accordance with which the component substances mingle and separate. I can dissipate it and perpetuate it in number, in pure numerical relation. In all this the tree remains my object, occupies space and time, and has its nature and constitution. It can, however, also come about, if I have both will and grace, that in considering the tree I become bound up in relation to it. The tree is now no longer It. I have been seized by the power of exclusiveness. To effect this it is not necessary for me to give up any of the ways in which I consider the tree. There is nothing from which I would have to turn my eyes away in order to see, and no knowledge that I would have to forget. Rather is everything, picture and movement, species and type, law and number, indivisibly united in this event. Everything belonging to the tree is in this: its form and structure, its colours and chemical composition, its intercourse with the elements and with the stars, are all present in a single whole. The tree is no impression, no play of my imagination, no value depending on my mood; but it is bodied over against me and has to do with me, as I with it — only in a different way. Let no attempt be made to sap the strength from the meaning of the relation: relation is mutual.
Martin Buber (I and Thou)
He was just a word for me. I did not see the man in the name any more than you do. Do you see him? Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream - making a vein attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams... No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one's existence - that which makes its truth, its meaning - its subtle and penetrating essence. We live, as we dream, alone...
Joseph Conrad (Heart of Darkness)
We stay in that sunshine, on that marvellous summit, for an hour and an era. We don’t talk much. Up there, language seems impossible, impertinent, sliding stupidly off this landscape. Its size makes metaphor and simile seem preposterous. It is like nowhere I have ever been. It shucks story, leaves the usual forms of meaning-making derelict. Glint of ice cap, breach of whales, silt swirls in outflows, sapphire veins of a crevasse field. A powerful dissonance overtakes my mind, whereby everything seems both distant and proximate at the same time. It feels as if I could lean from that summit and press a finger into the crevasses, tip a drop of water from the serac pool, nudge a berg along the skyline with my fingertip. I realize how configured my sense of distance has become from living so much on the Internet, where everything is in reach and nothing is within touch. The immensity and the vibrancy of the ice are beyond anything I have encountered before. Seen in deep time – viewed even in the relatively shallow time since the last glaciation – the notion of human dominance over the planet seems greedy, delusory. Up there on that summit, at that moment, gazing from the Inner Ice to the berg-filled sea, the idea of the Anthropocene feels at best a conceit, at worst a perilous vanity. I recall the Inuit word I first heard in northern Canada: ilira, meaning ‘a sense of fear and awe’, and also carrying an implication of the landscape’s sentience with it. Yes. That is what I feel here. Ilira.
Robert Macfarlane (Underland: A Deep Time Journey)
Thus to him, to this school-boy under the bending dome of day, is suggested, that he and it proceed from one root; one is leaf and one is flower; relation, sympathy, stirring in every vein. And what is that Root? Is not that the soul of his soul?―A thought too bold,―a dream too wild. Yet when this spiritual light shall have revealed the law of more earthly natures,―when he has learned to worship the soul, and to see that the natural philosophy that now is, is only the first gropings of its gigantic hand, he shall look forward to an ever expanding knowledge as to a becoming creator. He shall see, that nature is the opposite of the soul, answering to it part for part. One is seal, and one is print. Its beauty is the beauty of his own mind. Its laws are the laws of his own mind. Nature then becomes to him the measure of his attainments. So much of nature as he is ignorant of, so much of his own mind does he not yet possess. And, in fine, the ancient precept, "Know thyself," and the modern precept, "Study nature," become at last one maxim.
Ralph Waldo Emerson (Nature and Selected Essays (Penguin Classics))
Such an increase in supply price [i.e. raw materials from the Global South], however, creates serious problems for capitalism. These arise not because of a diminishing rate of profit or a slide towards a stationary state as Ricardo had feared. Such fears relate in any case to long-run prospects. Increasing supply price, in so far as it gets translated to an increase in price, undermines the value of money, and that is a very serious and immediate issue for capitalism. If wealth-holders believe that the value of money in terms of commodities is going to fall over time, then nobody will hold wealth in its money-form.
Prabhat Patnaik (The Veins of the South Are Still Open: Debates Around the Imperialism of Our Time)
Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.
Patti Smith
the air was becoming so rare, that it was painful to breathe; the blood kept rushing to our heads every moment, but despite all this, a delightful kind of feeling spread along all my veins, and I felt somehow elated at being so far above the world—a childish feeling, no doubt, but, on getting away from social conventions and coming closer to nature, we cannot help becoming children: all the things that have been acquired are shed by the soul, and it becomes again as it was once, and as it is surely to be again some day. He who, like me, has had occasion to wander over wild mountains and scrutinize, for a long time, their fantastic shapes, and avidly swallow the vivifying air pervading their gorges, will certainly understand my desire to render, to relate, to paint those magical images.
Mikhail Lermontov (Hero of Our Time)
In the time of chimpanzees, I was a monkey Butane in my veins and I'm out to cut the junkie With the plastic eyeballs, spray paint the vegetables Dog food stalls with the beefcake pantyhose Kill the headlights and put it in neutral Stock car flamin' with a loser in the cruise control Baby's in Reno with the Vitamin D Got a couple of couches, sleep on the love seat Someone came in sayin' I'm insane to complain About a shotgun wedding and a stain on my shirt Don't believe everything that you breathe You get a parking violation and a maggot on your sleeve So shave your face with some mace in the dark Savin' all your food stamps and burnin' down the trailer park Yo, cut it Soy un perdedor I'm a loser, baby, so why don't you kill me? (Double barrel buckshot) Soy un perdedor I'm a loser baby, so why don't you kill me? Forces of evil on a bozo nightmare Ban all the music with a phony gas chamber 'Cause one's got a weasel and the other's got a flag One's on the pole, shove the other in a bag With the rerun shows and the cocaine nose-job The daytime crap of the folksinger slob He hung himself with a guitar string A slab of turkey neck and it's hangin' from a pigeon wing You can't write if you can't relate Trade the cash for the beef, for the body, for the hate And my time is a piece of wax fallin' on a termite That's chokin' on the splinters Soy un perdedor I'm a loser baby, so why don't you kill me? (Get crazy with the cheese whiz) Soy un perdedor I'm a loser baby, so why don't you kill me? (Drive-by body pierce) Yo, bring it on down I'm a driver, I'm a winner Things are gonna change, I can feel it Soy un perdedor I'm a loser baby, so why don't you kill me? (I can't believe you) Soy un perdedor I'm a loser baby, so why don't you kill me? Soy un perdedor I'm a loser baby, so why don't you kill me? (Sprechen sie Deutsche, baby) Soy un perdedor I'm a loser, baby, so why don't you kill me? (Know what I'm sayin'?)
Beck
I can't get over the fact that Descartes compared the human body to a machine or an automaton." "The comparison was based on the fact that people in his time were deeply fascinated by machines and the workings of clocks, which appeared to have the ability to function of their own accord. The word 'automaton' means precisely that -- something that moves of its own accord. It was obviously only an illusion that they moved of their own accord. An astronomical clock, for instance, is both constructed and wound up by human hands. Descartes made a point of the fact that ingenious inventions of that kind were actually assembled very simply from a relatively small number of parts compared with the vast number of bones, muscles, nerves, veins and arteries that the human and the animal body consists of. Why should God not be able to make an animal or a human body based on mechanical laws?" "Nowadays there is a lot of talk about 'artificial intelligence'." "Yes, that is the automaton of our time...
Jostein Gaarder (Sophie’s World)
I want to say you'd be surprised by the kind of people who go visit their relatives and lovers in jail, but really you wouldn't be surprised at all. It's just like you see on TV - desperate, broken-toothed women in ugly clothes, or other ladies who dress up like streetwalkers to feel sexy among the inmates and who are waiting for marriage proposals from their men in cuffs, even if they're in maximum security and the court has already marked them for life or death penalty. There are women who come with gangs of kids who crawl over their daddies, and there are the teenagers and grown-up kids who come and sit across the picnic tables bitter-lipped while their fathers try to apologize for being there. Then there are the sisters, like me, who show up because nobody else will. Our whole family, the same people who treated my brother like he was baby Moses, all turned their backs on Carlito when he went to the slammer. Not one soul has visited him besides me. Not an uncle, a tia, a primo, a friend, anybody.
Patricia Engel (The Veins of the Ocean)
In fact, there did not seem to be any limit to what Grof's LSD subjects could tap into. They seemed capable of knowing what it was like to be every animal, and even plant, on the tree of evolution. They could experience what it was like to be a blood cell, an atom, a thermonuclear process inside the sun, the consciousness of the entire planet, and even the consciousness of the entire cosmos. More than that, they displayed the ability to transcend space and time, and occasionally they related uncannily accurate precognitive information. In an even stranger vein they sometimes encountered nonhuman intelligences during their cerebral travels, discarnate beings, spirit guides from "higher planes of consciousness, " and other suprahuman entities. On occasion subjects also traveled to what appeared to be other universes and other levels of reality. In one particularly unnerving session a young man suffering from depression found himself in what seemed to be another dimension. It had an eerie luminescence, and although he could not see anyone he sensed that it was crowded with discarnate beings. Suddenly he sensed a presence very close to him, and to his surprise it began to communicate with him telepathically. It asked him to please contact a couple who lived in the Moravian city of Kromeriz and let them know that their son Ladislav was well taken care of and doing all right. It then gave him the couple's name, street address, and telephone number. The information meant nothing to either Grof or the young man and seemed totally unrelated to the young man's problems and treatment. Still, Grof could not put it out of his mind. "After some hesitation and with mixed feelings, I finally decided to do what certainly would have made me the target of my colleagues' jokes, had they found out, " says Grof. "I went to the telephone, dialed the number in Kromeriz, and asked if I could speak with Ladislav. To my astonishment, the woman on the other side of the line started to cry. When she calmed down, she told me with a broken voice: 'Our son is not with us any more; he passed away, we lost him three weeks ago.
Michael Talbot (The Holographic Universe)
Time seemed to stop, and the Lakota phrase mitakuye oyasin—we are all related—came to me, and in that moment I understood what those words meant. I inhabited them, as images, thoughts, and memories arose amidst the old vehicles. I saw my mother, gone but still with me, my father, who’d died too soon, and my sister, who I’d loved like my own life. Grandparents, aunts, uncles, friends. They appeared before me, all of my relations, my ancestors, Native and white, who’d loved and struggled, hunted and gathered, worked and played; they’d stood on this continent, looking up at these stars and these planets. It was daylight, but I could see the stars now, all of them, surrounding me, lighting the air, their brilliance shining and radiating off the monoliths. And then it was dark, a black-hole sky. But I looked down and saw that the stars—every one of them—were now in my hands, lighting up my veins, my muscles, my bones. I stood there, alone with my ancestors, and listened to them. Finally I turned away. As I walked back to my life, the words my mother used to say finally came to me. Wakan Tanka nici un. May the Creator guide you.
David Heska Wanbli Weiden (Winter Counts)
Maxims & Other Quotes If you need an adjective or adverb, you're still fishing for he right noun or verb. 34 Was this a true story? It seemed somehow unimaginable, a fantasy of some kind. But he told it with such conviction that, against my own wishes, I believed him. Was this indeed the essence of storytelling? Did one simply have to relate a tale in a believable fashion, with the authority of the imagination? 36 Memory is a mirror that may easily shatter. 81 Readers become invisible even to themselves. Only the story lives. It’s the fate of the writer, yes, as well, to disappear. ~ Alastair Reid 83 ‘There is only now,’ Borges exclaimed with unstoppable force. ‘Act, dear boy! Do not procrastinate! It’s the worst of sins. I’ve thought about this, you see: the progression toward evil. Murder, this is very bad, a sin. It leads to thievery. And thievery, of course, leads to drunkenness and Sabbath-breaking. And Sabbath-breaking leads to incivility and at last procrastination. A slippery slope into the pit!’ 98 Borges: I no longer need to save face. This is one of the benefits of extreme age. Nothing matters much, and very little matters at all. 100 Borges: Believe me, you will one day read Don Quixote with a profound sense of recollection. This happens when you read a classic. It finds you where you have been. 102 Parini: I try not to think of the phallus, except when I can think of nothing else, which is most of the time. Borges: This is the fate of young men, a limited focus. One of the few advantages of my blindness has been that I no longer focus my eyes on objects of arousal. I look inward now, though the mind has mountains, dangerous cliffs. 105 Borges: Writers are always pirates, marauding, taking whatever pleases them from others, shaping these stolen goods to our purposes. Writers feed off the corpses of those who passed before them, their precursors. On the other hand they invent their precursors. They create them in their own image, as God did with man.108 Borges: Nobody can teach you anything. That’s the first truth. We teach ourselves. 115 Borges: One should avoid strong emotion, especially when it interferes with the work at hand. We have European blood in our veins, you and I. Mine is northern blood. We’re cold people, you see. Warriors. 125 Borges: The influence of Quixote was such that Sancho acquired a taste for literary wisdom. Such wisdom in his aphorisms! ‘One can find a remedy for everything but death.’ Or this: ‘Make yourself into honey and the flies will devour you.’ 151 Borges: You see, I designed my work for the tiniest audience, ‘fit company though few.’ A writer’s imagination should not be diluted by crowds! 151 Borges: If you don’t abandon the spirit, the spirit will not abandon you. 181
Jay Parini (Borges and Me: An Encounter)
On Mr. Phipps' discovering the place of my concealment, he cocked his gun and aimed at me. I requested him not to shoot and I would give up, upon which he demanded my sword. I delivered it to him, and he brought me to prison. During the time I was pursued, I had many hair breadth escapes, which your time will not permit you to relate. I am here loaded with chains, and willing to suffer the fate that awaits me. I here proceeded to make some inquiries of him after assuring him of the certain death that awaited him, and that concealment would only bring destruction on the innocent as well as guilty, of his own color, if he knew of any extensive or concerted plan. His answer was, I do not. When I questioned him as to the insurrection in North Carolina happening about the same time, he denied any knowledge of it; and when I looked him in the face as though I would search his inmost thoughts, he replied, 'I see sir, you doubt my word; but can you not think the same ideas, and strange appearances about this time in the heaven's might prompt others, as well as myself, to this undertaking.' I now had much conversation with and asked him many questions, having forborne to do so previously, except in the cases noted in parenthesis; but during his statement, I had, unnoticed by him, taken notes as to some particular circumstances, and having the advantage of his statement before me in writing, on the evening of the third day that I had been with him, I began a cross examination, and found his statement corroborated by every circumstance coming within my own knowledge or the confessions of others whom had been either killed or executed, and whom he had not seen nor had any knowledge since 22d of August last, he expressed himself fully satisfied as to the impracticability of his attempt. It has been said he was ignorant and cowardly, and that his object was to murder and rob for the purpose of obtaining money to make his escape. It is notorious, that he was never known to have a dollar in his life; to swear an oath, or drink a drop of spirits. As to his ignorance, he certainly never had the advantages of education, but he can read and write, (it was taught him by his parents,) and for natural intelligence and quickness of apprehension, is surpassed by few men I have ever seen. As to his being a coward, his reason as given for not resisting Mr. Phipps, shews the decision of his character. When he saw Mr. Phipps present his gun, he said he knew it was impossible for him to escape as the woods were full of men; he therefore thought it was better to surrender, and trust to fortune for his escape. He is a complete fanatic, or plays his part most admirably. On other subjects he possesses an uncommon share of intelligence, with a mind capable of attaining any thing; but warped and perverted by the influence of early impressions. He is below the ordinary stature, though strong and active, having the true negro face, every feature of which is strongly marked. I shall not attempt to describe the effect of his narrative, as told and commented on by himself, in the condemned hole of the prison. The calm, deliberate composure with which he spoke of his late deeds and intentions, the expression of his fiend-like face when excited by enthusiasm, still bearing the stains of the blood of helpless innocence about him; clothed with rags and covered with chains; yet daring to raise his manacled hands to heaven, with a spirit soaring above the attributes of man; I looked on him and my blood curdled in my veins.
Nat Turner (The Confessions of Nat Turner)
As a yogi, you are an environmentalist because you recognize that the rivers flowing through the valleys and those flowing through your veins are intimately related. The breath of an old-growth forest and your most recent breath are inextricably intertwined. The quality of the soil in which your food is raised is directly connected to the health of your tissues and organs. Your environment is your extended body. You are inseparably interwoven with your ecosystem.
Anonymous
However, the most interesting property of your spacetime tube isn't its bulk shape, but its internal structure, which is remarkably complex. Whereas the particles that constitute the Moon are stuck together in a rather static arrangement, many of your particles are in constant motion relative to one another. Consider, for example, the particles that make up your red blood cells. As your blood circulates through your body to deliver the oxygen you need, each red blood cell traces out its own unique tube shape through spacetime, corresponding to a complex itinerary through your arteries, capillaries and veins with regular returns to your heart and lungs. These spacetime tubes of different red blood cells are intertwined to form a braid pattern (Figure 11.4, middle panel) which is more elaborate than anything you'll ever see in a hair salon: whereas a classic braid consists of three strands with perhaps thirty thousand hairs each, intertwined in a simple repeating pattern, this spacetime braid consists of trillions of strands (one for each red blood cell), each composed of trillions of hairlike elementary-particle trajectories, intertwined in a complex pattern that never repeats. In other words, if you imagine spending a year giving a friend a truly crazy hairdo, braiding his hair by separately intertwining not strands but all the individual hairs, the pattern you'd get would still be very simple in comparison. Yet the complexity of all this pales in comparison to the patterns of information processing in your brain. As we discussed in Chapter 8 and illustrated in Figure 8.7, your roughly hundred billion neurons are constantly generating electric signals ("firing"), which involves shuffling around billions of trillions of atoms, notably sodium, potassium and calcium ions. The trajectories of these atoms form an extremely elaborate braid through spacetime, whose complex intertwining corresponds to storing and processing information in a way that somehow gives rise to our familiar sensation of self-awareness. There's broad consensus in the scientific community that we still don't understand how this works, so it's fair to say that we humans don't yet fully understand what we are. However, in broad brushstrokes, we might say this: You're a pattern in spacetime. A mathematical pattern. Specifically, you're a braid in spacetime-indeed one of the most elaborate braids known.
Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)
In reality, however, what is so frequently true of the relation between individuals and groups applies also to him: as a matter of fact, the leader allows himself to be led. Democratic times unquestionably favor such a condition to a remarkable degree, so much so that even Bismarck and other very prominent party leaders in constitutional governments have emphasized the fact that inasmuch as they are leaders of a group, they are bound to follow it. The spirit of democracy causes persons to seek the dignity and sensation of command in this manner; it tends to a confusion and ambiguity of sensations, which fails to distinguish between ruling the mass and being ruled by it. [...] It is not only the mixture of individual peculiarity with social equality, but, in a more practical vein, as it were, it is the mingling of the sensation of rulership with submission, the influence of which is here at work. In other words, we have here the mixing of a masculine and a feminine principle.
Georg Simmel (La moda)
I had been exposed to the motion picture industry at oblique angles ever since I arrived in Los Angeles in 1964, and some of its working arrangements seemed to me far more magical than that glamour for which the Industry was noted: there was the way in which failure escalated the possibilities of success, the way in which price bore no relation to demand. There was the way in which millions of dollars were gambled on ephemeral, unpredictable and, uncomfortably often, invalid ideas of marketability. There was the way that many, perhaps most, people in the Industry remained unconscious of their own myths and superstitions. There was the Eldorado mood of life in the capital, the way in which social and economic fortunes could shoot up or plummet down, as in a mining boom town, on no more than rumors, the hint of a rich vein, the gossip that the lode was played out.
John Gregory Dunne (The Studio)
He was desperate for their love and more desperate to see them die. Through time he saw they were evil. He saw them steal his soul. They gave him there pain, misery and imperfection. They trade his beautiful soul for their own satisfaction. The light they have gave him faded and brought darkness in his vein. They trapped him and he was not the only one to fall. His friends, parents, family, relatives and life has fall because of them. He lose his friends and he had nobody to call for help. They dragged him down and each day they created hell in his life. Everyday he woke with only them on his mind. He was desperate for their love and more desperate to see them die. Through time he saw they were evil. He saw them steal his soul." - Shwin J Brad
Kenty Rosse (Mindfulness and stress relief)
The only contact we could have with the void was through this little the void had produced as quintessence of its own emptiness; the only image we had of the void was our own poor universe. All the void we would ever know was there, in the relativity of what is, for even the void had been no more than a relative void,a void secretly shot with veins and temptations to be something, given that in a moment of crisis at its own nothingness it had been able to give rise to the universe.
Italo Calvino (The Complete Cosmicomics)
Throat Let your fingers touch each other as you cup your hands on the bottom of the throat. Be gentle, and hold on to your hands, but do not touch your throat. Helping the thyroid and parathyroid gland, vocal cords, larynx, and lymph nodes, this hand position handles the throat (fifth) chakra that regulates neck and chest. This is the seat of communication and expression. Using therapy to help the patient speak, speak their minds, talk for themselves, and tell their reality. It's also perfect for writer’s block! Collarbone Place your hands with your fingers pointing to the middle of your chest on the sides of your arms. This position gives Reiki to the area of the thymus between the chakras of the throat and the neck. For immune function, the thymus gland is essential. Place yourself behind or on the recipient's side for this next position (it all depends on your height logistics, their height, and how far you can stretch!). Back of the neck and front of the heart Put your left hand under the neck area and your right hand over the top of the heart area of the middle. This role incorporates heart and back care of the heart. They address two regions simultaneously: the chakra of the throat and the chakra of the heart, which helps to express one's heart or to say one's reality. This is a good position to handle high blood pressure; any position on the neck actually helps reduce high blood pressure. Heart Place the hands in a T, a hand positioned horizontally above the breasts, and a hand placed vertically between the breasts. Treating the heart (fourth) chakra governs everything related to the circulatory system, including the pulse, veins, and arteries; the lungs (related to the chakras of the heart and throat); the breasts; and the thymus. Opening Reiki's heart chakra increases the supply of affection, air, and nourishment that can be received and offered. The recipient feels acceptance and a sense of love and compassion when the heart chakra is free and moving.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Traditionally, the chakras and their corresponding auric layers are shown in certain colors, such as the root red, sacral black, solar plexus yellow, heart white, throat violet, third eye indigo, and crown purple, and it is common to be mindful of these colors when dealing with a different chakra. Most students see some of these colors during a Reiki tuning, most commonly purple or orange. The energy, or ki, carried in through the chakras, is transmitted through a huge number of meridians and nadis around the body, which are something like blood arteries and veins. The first two are larger, the latter smaller, and some old charts show 72,000 of them. A treatment like acupuncture would not even be thinkable without detailed knowledge of their location. You need to be fairly confident about the right placement when doing open-heart surgery without anesthesia, helped only by a few long needles! The chakra function and its relation to mind, body, and spirit are explained in many good books. Many Reiki courses also incorporate aspects of it–after all, it's important to become more aware of the subtleties of our existence on Earth. And yet we are faced with a shock when it comes to Reiki: this information is not a precondition for its use. It's interesting and helpful–but not necessary. The practitioner will be guided by Reiki. It's just difficult to position your hands falsely! Even if it is difficult to get close to the actual difficulty site for some reason, Reiki will still get there, as thousands of Reiki users have learned.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
In a related vein, the third principle: whenever possible, we should seek to productively alter our own state when engaging in mental labor.
Annie Murphy Paul (The Extended Mind: The Power of Thinking Outside the Brain)
The shepherd’s primary duty is to search out the lost sheep and stay with it once found. This is what distinguishes the true shepherd from the hireling, the intellectual from the intelligentsia. Both are degreed, learned and scholarly. The difference lies in their relation to the people. The intellectual never loses that compassion for the multitude which characterized the Word Incarnate. The intelligentsia, on the contrary, live apart from tears and hunger, cancer and bereavements, poverty and ignorance. They lack the common touch. Only the cream of bookish learning and not the milk of human kindness flows through their veins. So with the priest. Contact with people for Christ’s sake is the victimhood which makes the priesthood. Only by also being a lamb offered through forgetfulness of worldly superiority does the priest become the shepherd of souls.
Fulton J. Sheen (The Priest Is Not His Own)
misopedia” is a word meaning the hatred or disdain of children, but there is no commonly understood word in this language for the specific way this hatred manifests in the lives of Black children. There is no commonly shared word to describe why our children are so uniquely harmed by everything from health-care inequity to lack of access to education. Why our children are so constantly gunned down in the streets by police. And so, in a related vein to “misogynoir,” and in the hopes of illuminating this specific expression of misopedia, I offer “misafropedia” to mean the anti-Black disdain for children and childhood that Black youth experience.
Hari Ziyad (Black Boy Out of Time)
In my view, posthuman ethics urges us to endure the principle of not-One at the in-depth structures of our subjectivity by acknowledging the ties that bind us to the multiple ‘others’ in a vital web of complex interrelations. This ethical principle breaks up the fantasy of unity, totality and one-ness, but also the master narratives of primordial loss, incommensurable lack and irreparable separation. What I want to emphasize instead, in a more affirmative vein, is the priority of the relation and the awareness that one is the effect of irrepressible flows of encounters, interactions, affectivity and desire, which one is not in charge of.
Rosi Braidotti (The Posthuman)
True-crime narratives represent the human condition writ large: ordinary people operating at the terrifying extremes of those instincts and emotions. In this vein, every mystery we relate, every case we report, every outcome we track, becomes its own morality play, complete with heroes, villains, and victims.
John E. Douglas (Mindhunter: Inside the FBI's Elite Serial Crime Unit)
It recalls a simile used in Ælfric’s De temporibus anni, as he explains how all the waters on earth are related: Every sea, however deep it may be, has its bottom on the earth, and the earth carries all the seas and the great ocean, and all wellsprings and rivers flow through it. Just as veins lie in a man’s body, so these veins of water lie throughout this earth.2
Eleanor Parker (Winters in the World: A Journey through the Anglo-Saxon Year)
The Duke was strongly pro-German, indeed considered himself almost German, telling Diana Mosley, ‘Every drop of blood in my veins is German.’15 He spoke German fluently and sometimes referred to it as his mother tongue and had spent most of his summers before the First World War visiting German relatives. The murder of his Russian relations in 1918 had had a profound influence on him and he always considered communism as the real threat to Britain’s interests and empire.
Andrew Lownie (Traitor King)
It is important to emphasize that this is a level of reality rather than an event at some point in time: it is that layer of any thing’s makeup at which it is in the most general sense a mixture or combination of ‘who’ and ‘what’. This emphasis will safeguard us from making two errors. First, we should not think of the grounding provided for by the Gods as a creation: the Gods are not doing anything, strictly speaking, they are simply being. As such, it takes no time for the Gods to constitute things, they are hardly performing an action in the conventional sense of the term here. In this vein, they undergo no change in constituting things as they otherwise would if they transitioned from a state of not doing so to doing so. Second, and on a related note, it is not as if the Gods grounded Nature in some initial state in order to get things going, so to speak, only to then withdraw and allow the machine to run on its own: there could be nothing around to do anything if the Gods were not there providing the ground for it to be itself at every moment in which it is.
Steven Dillon (Pagan Portals - Polytheism: A Platonic Approach)
The theme of translation has a long history in psychoanalysis. It retains significance as a term that represents three related ideas: a language change, a movement across a psychic boundary, and the transference of an object relationship. Freud's terms Übertragung [transference, transmission] and Ubersetzung [translation] carry all of these connotations, for they both mean bringing something across, or carrying something over. The etymology of the related word 'metaphor' derives from a literal Greek version of the Latin of transference (both meaning 'carrying beyond or across'). Similarly, we can include the related term 'interpretation,' which certainly describes a transfer of meaning or a translation of one set of terms into another. Again the Greek word metaphrase unites these two meanings, and a metaphrastis is a translator. In a similar vein, the Yiddish expression fartaysthn means to translate and to explain (Bloom, 2008).
Lewis Kirshner
LASER RESURFACING TREATMENT A dermatologist or medical professional can easily conduct a technique called laser skin resurfacing. It involves applying lasers to help boost the texture and appearance of the skin. Depending on your needs, your dermatologist may choose ablative or non-ablative lasers. Ablative lasers use erbium or carbon dioxide (CO2). CO2 laser resurfacing treatments can eliminate deep wrinkles, warts, and scars. Erbium laser resurfacing treats fine lines and wrinkles on the skin. Both types of ablative lasers remove the skin’s upper layers. Non-ablative lasers, on the other hand, do not remove skin layers. Fractional lasers, pulsed-dye lasers, and pulsed-light lasers are among them. Non-ablative lasers can cure rosacea, spider veins, and acne-related skin problems. For additional information about the procedures, types, aftercare, potential adverse effects, and other topics keep reading. Laser skin resurfacing could make your skin appear younger and healthier. If age, acne, or spending too much time in the sun has caused blood spots, scars, wrinkles, or lines on your face. Laser skin resurfacing may make your skin appear younger and healthier. Healing causes new skin cells to develop, giving the skin a tighter, more youthful appearance. Laser resurfacing can be used to treat: • Fine wrinkles • Age spots • Uneven skin tone or texture • Sun-damaged skin • Mild to moderate acne scars
Skin Goals clinic
Biological systems are a chemical inevitability in the right circumstances. There is, of course, something special about life—I won’t take that away from it—but it is a chemical process, a dynamic, kinetic stability that exists, as your scientists have said, “far from thermodynamic equilibrium.” You don’t have to understand this or believe me, but life is fairly common in both time and space. It is not special, nor is it particularly fragile. The best measure I have of the size and complexity of a biosphere is calories of energy captured per square meter per year. Higher is more impressive, and always more beautiful, but this measures nothing of the creation of a system like humanity. For that, my awakened mind categorizes systems by bytes of information transmitted. This will sound to you like it’s a relatively new phenomenon on your planet, but it’s not. Even pelagibacter transmit information, if only to daughter cells. Ants spray pheromones, bees dance, birds sing—all of these are comparatively low-bandwidth systems for communication. But your system caused an inflection point. The graph of data flow switched from linear to exponential growth. Maybe you would call this system “humanity,” but I wouldn’t. It is not just a collection of individuals; it is also a collection of ideas stored inside of individuals and objects and even ideas inside ideas. If that seems like a trivial difference to you, well, I guess I can forgive you since you do not know what the rest of the universe looks like. Collections of individuals are beautiful, but they are as common as pelagibacter. Collections of ideas are veins of gold in our universe.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
Biological systems are a chemical inevitability in the right circumstances. There is, of course, something special about life—I won’t take that away from it—but it is a chemical process, a dynamic, kinetic stability that exists, as your scientists have said, “far from thermodynamic equilibrium.” You don’t have to understand this or believe me, but life is fairly common in both time and space. It is not special, nor is it particularly fragile. The best measure I have of the size and complexity of a biosphere is calories of energy captured per square meter per year. Higher is more impressive, and always more beautiful, but this measures nothing of the creation of a system like humanity. For that, my awakened mind categorizes systems by bytes of information transmitted. This will sound to you like it’s a relatively new phenomenon on your planet, but it’s not. Even pelagibacter transmit information, if only to daughter cells. Ants spray pheromones, bees dance, birds sing—all of these are comparatively low-bandwidth systems for communication. But your system caused an inflection point. The graph of data flow switched from linear to exponential growth. Maybe you would call this system “humanity,” but I wouldn’t. It is not just a collection of individuals; it is also a collection of ideas stored inside of individuals and objects and even ideas inside ideas. If that seems like a trivial difference to you, well, I guess I can forgive you since you do not know what the rest of the universe looks like. Collections of individuals are beautiful, but they are as common as pelagibacter. Collections of ideas are veins of gold in our universe. They must be cherished and protected. My parents, whoever and whatever they were, gave me knowledge of many systems—it was locked in my code before I was sent here to self-assemble—and the only thing I can tell you about systems like yours is that they are rare because they are unstable. Dynamite flows through their veins. A single solid jolt and they’re gone. If my data sets are accurate, you are rare, fragile, and precious.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
There had been so many times these weeks when she was sure Ruhn would realize it at last. Her blatant disinterest in learning about anything related to the first Starborn, Prince Pelias and Queen Theia, had bordered on suspicious, she’d feared. And when he’d laid the Starsword on the table in the gallery library and it had hummed, shimmering, she’d had to physically pull back to avoid the instinct to touch it, to answer its silent, lovely song. Her sword—it was her sword, and Ruhn’s. And with that light in her veins, with the star that slumbered inside her heart, the Starsword had recognized her not as a royal, worthy Fae, but as kin. Kin to those who had forged it so long ago.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
So once the junkie is strung out and fucked, the junkie looks and cries for anything in their sentimental past to replace family, so everyone the junkie talks about is a “best friend” or “brother” or some kind of “uncle.” Because once you take that plunge and stick that spike into your tangled blue, helpless veins, you hit the reset button on your life, and relate everything you love and hate—then or now—to an illusion of family, due to the sudden loss of yours.
Jon Vreeland (The Taste of Cigarettes: A Memoir of a Heroin Addict)
once confided to him late at night after a game of billiards and rather a lot of excellent port that his wife hated it so much that she’d only let him do it when she wanted a baby. She was a damned attractive woman, too, and a wonderful wife, as Martyn had said. In other ways. They had five children, and Martyn didn’t think she was going to wear a sixth. Rotten for him. When Edward had suggested that he find consolation elsewhere, Martyn had simply gazed at him with mournful brown eyes and said, ‘But I’m in love with her, old boy, always have been. Never looked at anyone else. You know how it is.’ And Edward, who didn’t, said of course he did. That conversation had warned him off Marcia Slocombe-Jones anyhow. It didn’t matter, because although he could have gone for her there were so many other girls to go for. How lucky he was! To have come back from France not only alive, but relatively unscathed! In winter, his chest played him up a bit due to living in trenches where the gas had hung about for weeks, but otherwise . . . Since then he’d come back, gone straight into the family firm, met Villy at a party, married her as soon as her contract with the ballet company she was with expired and as soon as she’d agreed to the Old Man’s dictate that her career should stop from then on. ‘Can’t marry a gal whose head’s full of something else. If marriage isn’t the woman’s career, it won’t be a good marriage.’ His attitude was thoroughly Victorian, of course, but all the same, there was quite a lot to be said for it. Whenever Edward looked at his own mother, which he did infrequently but with great affection, he saw her as the perfect reflection of his father’s attitude: a woman who had serenely fulfilled all her family responsibilities and at the same time retained her youthful enthusiasms – for her garden that she adored and for music. At over seventy, she was quite capable of playing double concertos with professionals. Unable to discriminate between the darker, more intricate veins of temperament that distinguish one person from another, he could not really see why Villy should not be as happy and fulfilled as the Duchy. (His mother’s Victorian reputation for plain living – nothing rich in food and no frills or pretensions about her own appearance or her household’s had long ago earned her the nickname of Duchess – shortened by her own children to
Elizabeth Jane Howard (The Light Years (Cazalet Chronicles, #1))
Then, when all is done, a person of related mind, a brother or sister by nature, comes to us so softly and easily, so nearly and intimately, as if it were the blood in our proper veins, that we feel as if some one was gone, instead of another having come; we are utterly relieved and refreshed; it is a sort of joyful solitude.
Ralph Waldo Emerson (Self-Reliance & Other Essays)
As a family of phenomena is mined into, effects uncovered earlier begin to create methods and understandings that help uncover later effects. One effect leads to another, then to another, until eventually a whole vein of related phenomena has been mined into. A family of effects forms a set of chambers connected by seams and passageways, one leading to another. And that is not all. The chambers in one place-one family of effects-lead through passageways to chambers elsewhere-to different families. Quantum phenomena could not have been uncovered without the prior uncovering of the electrical phenomena. Phenomena form a connected system of excavated chambers and passageways. The whole system underground is connected.
W. Brian Arthur (The Nature of Technology: What It Is and How It Evolves)
May walked slowly around the body, studying it. Putrefaction had been halted in its advance, but the corpse’s skin had turned green and black, producing an acrid odour. He found it hard to imagine that this man had recently been walking around, eating in restaurants, watching TV. He was someone’s lover, someone’s son, but there was almost nothing human left. Without a head his trunk bore an unsettling similarity to something you would find in a meat locker. How would his loved ones feel if they could see him like this? ‘Get anything else?’ ‘It’s tricky because the usual decay process has been interrupted by the relatively sterile storage of the body. Usually, after two to three days you get staining on the abdomen. The discolouration spreads, veins grow dark, the skin blisters after a week, tissue starts softening and nails fall off at around the three-week stage, and finally the face becomes unrecognisable as the skin liquefies—
Christopher Fowler (Bryant & May on the Loose (Peculiar Crimes Unit #7))
Now that we have seen what is in the Koran, let’s consider what is not in the Muslim holy book. Islam, being one of the “world’s great religions,” as well as one of the “three great Abrahamic faiths,” enjoys the benefit of certain assumptions on the part of uninformed Americans and Europeans. Many people believe that since Islam is a religion, it must teach universal love and brotherhood—because that is what religions do, isn’t it? It must teach that one ought to be kind to the poor and downtrodden, generous, charitable, and peaceful. It must teach that we are all children of a loving God whose love for all human beings should be imitated by those whom he has created. Certainly Judaism and Christianity teach these things, and they are found in nearly equivalent forms in Eastern religions. But when it comes to Islam, the assumptions are wrong. Islam makes a distinction between believers and unbelievers that overrides any obligation to general benevolence. A moral code from the Koran As we have seen, the Koran recounts how Moses went up on the mountain and encountered Allah, who gave him tablets—but says nothing about what was written on them (7:145). Although the Ten Commandments do not appear in the Koran, the book is not bereft of specific moral guidelines: its seventeenth chapter enunciates a moral code (17:22–39). Accordingly, Muslims should:           1.    Worship Allah alone.           2.    Be kind to their parents.           3.    Provide for their relatives, the needy, and travelers, and not be wasteful.           4.    Not kill their children for fear of poverty.           5.    Not commit adultery.           6.    Not “take life—which Allah has made sacred—except for just cause.” Also, “whoso is slain wrongfully, We have given power unto his heir, but let him not commit excess in slaying”—that is, one should make restitution for wrongful death.           7.    Not seize the wealth of orphans.           8.    “Give full measure when ye measure, and weigh with a balance that is straight”—that is, conduct business honestly.           9.    “Pursue not that of which thou hast no knowledge.”           10.  Not “walk on the earth with insolence.” Noble ideals, to be sure, but when it comes to particulars, these are not quite equivalent to the Ten Commandments. The provision about not taking life “except for just cause” is, of course, in the same book as the thrice-repeated command to “slay the idolaters wherever you find them” (9:5; 4:89; 2:191)—thus Infidels must understand that their infidelity, their non-acceptance of Islam, is “just cause” for Muslims to make war against them. In the same vein, one is to be kind to one’s parents—unless they are Infidels: “O ye who believe! Choose not your fathers nor your brethren for friends if they take pleasure in disbelief rather than faith. Whoso of you taketh them for friends, such are wrong-doers” (9:23). You
Robert Spencer (The Complete Infidel's Guide to the Koran (Complete Infidel's Guides))
She watches me take off the shirt, her gaze stroking the ridges of my abs and carved waist. Blood pumps through the veins in my cock. Fuck. Jane. Not in that order. Not in that fucking way. It’s not my job to think about her in any setting outside of client-bodyguard relations. It’s not my job to think about what she’d taste like if I spread her legs. I have pictured it, and I’ll do a hundred deadlifts as punishment for even thinking about her pussy. Unprofessional. Un-fucking professional. It’s not my job to feel a fucking thing other than duty. Responsibility. Devotion – workplace devotion.
Krista Ritchie (Tangled Like Us (Like Us, #4))
Guthrie stresses that in Israel holiness attaches to the elite and the monarch; the point may apply as well to Ugarit. He notes how the radiance of the deity became associated with the power of the king: “Holiness here is ideology, and designed to serve a particular social system.” In his discussion of sacred order, W. E. Paden comments in a related vein: “Power and order are intertwined and mutually conditioning elements of religious world-building. Each is a premise of the other. The gods presuppose the very system which invests them with their status as gods, even though the worldorder may itself be perceived as a creation of the gods.” Thus, the holiness of a place expressed altogether this worldly relationship of power and status
Mark S. Smith (The Origins of Biblical Monotheism: Israel's Polytheistic Background and the Ugaritic Texts)
Indeed, Aristotle makes as many mistakes as possible for a man who is founding the science of biology. He thinks, for example, that the male element in reproduction merely stimulates and quickens; it does not occur to him (what we now know from experiments in parthenogenesis) that the essential function of the sperm is not so much to fertilize the ovum as to provide the embryo with the heritable qualities of the male parent, and so permit the offspring to be a vigorous variant, a new admixture of two ancestral lines. As human dissection was not practised in his time, he is particularly fertile in physiological errors: he knows nothing of muscles, not even of their existence; he does not distinguish arteries from veins; he thinks the brain is an organ for cooling the blood; he believes, forgivably, that man has more sutures in the skull than woman; he believes, less forgivably, that man has only eight ribs on each side; he believes, incredibly, and unforgivably, that woman has fewer teeth than man.25 Apparently his relations with women were of the most amicable kind.
Will Durant (The Story of Philosophy)
Hurry and love are incompatible. All my worst moments as a father, a husband, and a pastor, even as a human being, are when I’m in a hurry—late for an appointment, behind on my unrealistic to-do list, trying to cram too much into my day. I ooze anger, tension, a critical nagging—the antitheses of love. If you don’t believe me, next time you’re trying to get your type B wife and three young, easily distracted children out of the house and you’re running late (a subject on which I have a wealth of experience), just pay attention to how you relate to them. Does it look and feel like love? Or is it far more in the vein of agitation, anger, a biting comment, a rough glare? Hurry and love are oil and water: they simply do not mix. Hence, in the apostle Paul’s definition of love, the first descriptor is “patient.
John Mark Comer (The Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the Modern World)
Get out, Theo,” he groused. “This isn’t the projects. Take that trashy attitude with you and don’t let it out the next time I see you. I won’t stand for it.” I rose, thunder reverberating off the walls of my chest. I could take a lot from him, but when he brought up where I grew up with my mother, violence filled my veins. He was lucky I had more self-control over my body than I did my mouth. Damn lucky. Swiveling on my heel, I stalked to the door of his office. Hand on the knob, he called out, “Make sure to contact Miranda. I’ll be checking with her.” I raised a hand, forcing my fingers to straighten from a fist. Then I walked the fuck out, asking myself for the thousandth time since I met Andrew Whitlock on my fifteenth birthday how I could be related to such a dumb fuck.
Julia Wolf (Soft Like Thunder (Savage U, #1))