Veins Fitness Quotes

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When Strane and I met, I was fifteen and he was forty-two, a near perfect thirty years between us. That’s how I described the difference back then—perfect. I loved the math of it, three times my age, how easy it was to imagine three of me fitting inside him: one of me curled around his brain, another around his heart, the third turned to liquid and sliding through his veins.
Kate Elizabeth Russell (My Dark Vanessa)
She's locked up with a spinning wheel She can't recall what it was like to feel She says, "This room's gonna be my grave And there's no one who can save me," She sits down to her colored thread She knows lovers waking up in their beds She says, "How long can I live this way Is there someone I can pay to let me go 'Cause I'm half sick of shadows I want to see the sky Everyone else can watch as the sun goes down So why can't I And it's raining And the stars are falling from the sky And the wind And the wind I know it's cold I've been waiting For the day I will surely die And it's here And it's here for I've been told That I'll die before I'm old And the wind I know it's cold... She looks up to the mirrored glass She sees a horse and rider pass She says, "This man's gonna be my death 'Cause he's all I ever wanted in my life And I know he doesn't know my name And that all the girls are all the same to him But still I've got to get out of this place 'Cause I don't think I can face another night Where I'm half sick of shadows And I can't see the sky Everyone else can watch as the tide comes in So why can't I But there's willow trees And little breezes, waves, and walls, and flowers And there's moonlight every single night As I'm locked in these towers So I'll meet my death But with my last breath I'll sing to him I love And he'll see my face in another place," And with that the glass above Her cracked into a million bits And she cried out, "So the story fits But then I could have guessed it all along 'Cause now some drama queen is gonna write a song for me," She went down to her little boat And she broke the chains and began to float away And as the blood froze in her veins she said, "Well then that explains a thing or two 'Cause I know I'm the cursed one I know I'm meant to die Everyone else can watch as their dreams untie So why can't I
Emilie Autumn
Lewd to the least drop in the tiniest vein, Our sex is fitly food for Tragic Poets, Our whole life's but a pile of kisses and babies. But, hardy Spartan, if you join with me All may be righted yet. O help me, help me.
Aristophanes (Lysistrata)
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest. His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes. "What? What's wrong?" I shake my head. "Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me." I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me. "Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is." "What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris." "I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..." "What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to." I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him. "I'm going to leave now," I say quietly. And I turn toward the door. "No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us. "I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you." "You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?" "What?" He releases my wrists, and the hurt look is back. "You're afraid of me?" "Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..." "Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too." "Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know." "Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise." I believe him.But this has nothing to do with his kindness. He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
Veronica Roth (Divergent (Divergent, #1))
There is one person who fits so perfectly in my life, someone I love unconditionally—someone who makes me laugh until I cry, and someone who I’m so attracted to that my blood will race through my veins at his every touch.
Ellie Wade (A Beautiful Kind of Love (Choices, #1))
I lie and repeat these words over to myself, and find that they are capital. Little by little others come and fit themselves to the preceding ones. I grow keenly wakeful. I get up and snatch paper and pencil from the table behind my bed. It was as if a vein had burst in me ; one word follows another, and they fit themselves together harmoniously with telling effect. Scenes piles on scene, actions and speeches bubble up in my brain, and a wonderful sense of pleasure empowers me. I write as one possessed, and fill page after page without a moment’s pause
Knut Hamsun (Hunger)
I loved the math of it, three times my age, how easy it was to imagine three of me fitting inside him: one of me curled around his brain, another around his heart, the third turned to liquid and sliding through his veins.
Kate Elizabeth Russell (My Dark Vanessa)
Miss Smith, your suspicions wound me,' he said with a smile. He drew her, stiff and unwilling, against his side. Immediately her warmth seeped into his veins. He’d known he’d missed her, but only now did he realize how much. 'I mean no harm.' 'You lie.' 'Often,' he agreed amiably, feeling the resistance leaching from her. 'Not this time.' 'I’m in no fit state to fight you,' she muttered, curving into him as if created to fit his body. 'I know,' he acknowledged ruefully, wondering why of all the women in the world, she was the only one who ignited any glimmer of chivalry in his soul. 'But it’s no fun when you just give in. I’ll wait until you’re up for another bout.' She hid her face in his shoulder. She inhaled on a shudder, as if she hadn’t taken a full breath in days. 'You’re an evil devil, Ranelaw.' 'Absolutely,' he said softly, firming his hold as she shifted, not away as she should, but closer.
Anna Campbell (Midnight's Wild Passion)
What’s the difference?” I asked him. “Between the love of your life, and your soulmate?” “One is a choice, and one is not.” I’d never thought of love as a choice. Rather, it seemed like the un-choice. But if you stayed with someone who was self-destructing and chose to keep loving, I suppose it could be a choice. I waited for him to go on. To explain how I fit in. “There is a string that connects us that is not visible to the eye,” he said. “Maybe every person has more than one soul they are connected to, and all over the world there are these invisible strings.” As if to make his point, his finger traced a black ribbon that ran through my horse’s mane. “Maybe the chances that you’ll find each and every one of your soulmates is slim. But sometimes you’re lucky enough to stumble across one. And you feel a tug. And it’s not so much a choice to love them through their flaws and through your differences, but rather you love them without even trying. You love their flaws.
Tarryn Fisher (Mud Vein)
The same tree has different shades of green; Each leaf is unique, growing on the same twig. Some veins wiggle too much, Some networks- almost a mush. Blossoming buds of the same branch Do not take the same time to grow. Then how do you think you'd fit in In this strange world, away from home?
Sanhita Baruah
His kiss sang through my veins all the way down to my toes.
Amélie S. Duncan (Match Fit (Love and Play, #1))
imagine three of me fitting inside him: one of me curled around his brain, another around his heart, the third turned to liquid and sliding through his veins.
Kate Elizabeth Russell (My Dark Vanessa)
You can tell a rider's fitness by the shape of his ass and the veins in his legs.
Tyler Hamilton
how easy it was to imagine three of me fitting inside him: one of me curled around his brain, another around his heart, the third turned to liquid and sliding through his veins.
Kate Elizabeth Russell (My Dark Vanessa)
The world don't always love you for who you are. There are too many bodies here. Too many perceptions of what is and isn't beautiful. So here we are, with most of us uncomfortable in our own skin, wishing to be someone different. Thinking happiness only happens if you fit in. What to do when the world wants you to be prettier, skinnier, curvier, or have lighter or darker skin. You declare your own universe, bright and alive within your veins. You are the king or the queen, the one who makes the rules and ignores everyone who cannot see just how brilliant you are, made from atoms brighter than stars.
Courtney Peppernell (Mending the Mind (Pillow Thoughts, #3))
FOR SOME TIME, I have believed that everyone should be allowed to have, say, ten things that they dislike without having to justify or explain to anyone why they don’t like them. Reflex loathings, I call them. Mine are: Power walkers. Those vibrating things restaurants give you to let you know when a table is ready. Television programs in which people bid on the contents of locked garages. All pigeons everywhere, at all times. Lawyers, too. Douglas Brinkley, a minor academic and sometime book reviewer whose powers of observation and generosity of spirit would fit comfortably into a proton and still leave room for an echo. Color names like taupe and teal that don’t mean anything. Saying that you are going to “reach out” to someone when what you mean is that you are going to call or get in touch with them. People who give their telephone number so rapidly at the end of long phone messages that you have to listen over and over and eventually go and get someone else to come and listen with you, and even then you still can’t get it. Nebraska. Mispronouncing “buoy.” The thing that floats in a navigation channel is not a “boo-ee.” It’s a “boy.” Think about it. Would you call something that floats “boo-ee-ant”? Also, in a similar vein, pronouncing Brett Favre’s last name as if the “r” comes before the “v.” It doesn’t, so stop it. Hotel showers that don’t give any indication of which way is hot and which cold. All the sneaky taxes, like “visitor tax” and “hospitality tax” and “fuck you because you’re from out of town tax,” that are added to hotel bills. Baseball commentators who get bored with the game by about the third inning and start talking about their golf game or where they ate last night. Brett Favre. I know that is more than ten, but this is my concept, so I get some bonus ones.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
The model stripped down naked and stood with her arms out to her sides while genderless cohorts sprayed her body with large silver canisters of foundation. They wore masks over there faces and sprayed her from head to toe like they were putting out a fire. They airbrushed her into a mono-toned six-foot-two column of a human being with no visible veins, nipples, nails, lips, or eyelashes. When every single thing that was real about the model was gone, the make up artist fug through a suite case of brushes and plowed through hundreds of tubes of flesh colored colors and began to draw human features onto her face. At the same time, the hair stylist meticulously sewed with a needle and thread strand after strand of long blond hairs onto her thin light brown locks, creating a thick full mane of shimmering gold. The model had brought her own chef, who cooked her spinach soup from scratch. The soup was fed to her by one of her lackeys, who existed solely for this purpose. The blond boy stood in front of her, blowing on the soup and then feeding it to her from a small silver child's spoon, just big enough to fit between her lips. the model's mouth was barely open, maybe a quarter of an inch wide, so that she would not crack the flesh colored paint.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
...some days [Thomas] and I had almost no time at all, but still we did it. Knowingly, unapologetically, quick in the pursuit of something that seemed quite separate from ourselves. I had to have him inside me every day; a missed day was a missing day, the world crumpled. My blood was different in my veins now, luxuriously silty, peppered and precious. My body was a different body and knew what it needed. There was a sense of fit between us: not merely physical, although there definitely was that. I didn't know how I lived the minutes when he wasn't inside me, when there was no glittery rub of him inside me. I crammed him into me, hauled him in. My urgency shocked and delighted me.
Suzannah Dunn (The Sixth Wife)
The body gives up faster than the soul. Time wrinkles it, wounds it, debases it. Varicose veins, menopause… Time makes it a caricature… The body plays along, a good sport. The soul, though, is a sore loser. It needs more time to blow out the candles. It only concedes in fits and starts… through painful revelations… through a series of frights.
Zidrou
The Canonization" For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love. Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill Add one more to the plaguy bill? Soldiers find wars, and lawyers find out still Litigious men, which quarrels move, Though she and I do love. Call us what you will, we are made such by love; Call her one, me another fly, We're tapers too, and at our own cost die, And we in us find the eagle and the dove. The phœnix riddle hath more wit By us; we two being one, are it. So, to one neutral thing both sexes fit. We die and rise the same, and prove Mysterious by this love. We can die by it, if not live by love, And if unfit for tombs and hearse Our legend be, it will be fit for verse; And if no piece of chronicle we prove, We'll build in sonnets pretty rooms; As well a well-wrought urn becomes The greatest ashes, as half-acre tombs, And by these hymns, all shall approve Us canonized for Love. And thus invoke us: "You, whom reverend love Made one another's hermitage; You, to whom love was peace, that now is rage; Who did the whole world's soul contract, and drove Into the glasses of your eyes (So made such mirrors, and such spies, That they did all to you epitomize) Countries, towns, courts: beg from above A pattern of your love!
John Donne
Azami shuddered, her lips trembling, and then she consumed him as aggressively and as honestly as he did her. He felt her inside of his mind, running like lava through his veins, wrapping around his heart and filling his very bones with her. “This is madness,” she whispered against his mouth when they both came up for air. Her dark eyes searched his face. Sam didn’t have any answers. He knew she was right. They might be on opposite sides in a deadly war, yet he couldn’t let her go. She fit with him. The world around them was out of sync, not the two of them. “I know,” he admitted as he rested his forehead against hers, looking into her eyes. “What are we going to do now?” A slow smile curved his mouth. “I really expected you to kill me so I wouldn’t have to figure that part out.” She blinked, her black fan of thick silky lashes fluttering as wildly as her heart. She moistened her lips. “You’re not getting off that easily.” Sam watched the dawning smile, the way her soft mouth curved and the warmth spread to her dark eyes with absolute fascination. “Well. Damn.
Christine Feehan (Samurai Game (GhostWalkers, #10))
To have a goddess like you in his arms and not appreciate it…” He kissed her, unable to resist the lush, succulent mouth so close to his. He put everything he felt into it, so he could wipe out any hurt the Neds of the world had given her. When he broke away, realizing he was treading dangerous ground, she said hoarsely, “You weren’t always so…appreciative. When I said that men enjoyed my company, you said you found that hard to believe.” “What?” he retorted with a scowl. “I never said any such thing.” “Yes, you did, the day that I asked you to investigate my suitors. I remember it clearly.” “There’s no way in hell I ever…” The conversation came back to him suddenly, and he shook his head. “You’re remembering only part, sweeting. You said that men enjoyed your company and considered you easy to talk to. It was the last part I found hard to believe.” “Oh.” She eyed him askance. “Why? You never seem to have trouble talking to me. Or rather, lecturing me.” “It’s either lecture you or stop up your mouth with kisses,” he said dryly. “Talking to you isn’t easy, because every time I’m near you I burn to carry you off to some secluded spot and do any number of wicked things with you.” She blinked, then gazed at him with such softness that at made his chest hurt. “Then why don’t you?” “Because you’re a marquess’s daughter and my employer’s sister.” “What does that signify? You’re an assistant magistrate and a famous Bow Street Runner-“ “And the bastard of nobody knows whom.” “Which merely makes you a fitting companion for a hellion with a reputation for recklessness.” The word companion resonated in his brain. What did she mean by it? Then she pressed a kiss to his jaw, eroding his resistance and his reason, and he knew precisely what she meant. He tried to set her off of him before he lost his mind entirely, but she looped her arms about his neck and wouldn’t let go. “Show me.” “Show you what?” “All the wicked things you want to do with me.” Desire bolted in a fever through his vein. “My God, Celia-“ “I won’t believe a word you’ve said if you don’t.” Her gaze grew troubled. “I don’t think you know what you want. Yesterday you gave me such lovely kisses and caresses and then at the ball you acted like you’d never met me.” “You were with your suitors,” he said hoarsely. “You could have danced with me. You didn’t even ask me for one dance.” Having her on his lap was rousing him to a painful hardness. “Because I knew if I did, I would want…I would need…” She kissed a path down his throat, turning his blood to fire. “Show me,” she whispered, “Show me now what you want. What you need.” “I refuse to ruin you,” he said, half as a caution to himself. “You already have.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
What consideration remains to be urged in support of the creation of the Universe by a supreme Being? Its admirable fitness for the production of certain effects, that wonderful consent of all its parts, that universal harmony by whose changeless laws innumerable systems of worlds perform their stated revolutions, and the blood is driven through the veins of the minutest animalcule that sports in the corruption of an insect’s lymph: on this account did the Universe require an intelligent Creator, because it exists producing invariable effects, and inasmuch as it is admirably organized for the production of these effects, so the more did it require a creative intelligence. Thus have we arrived at the substance of your assertion, “That whatever exists, producing certain effects, stands in need of a Creator, and the more conspicuous is its fitness for the production of these effects, the more certain will be our conclusion that it would not have existed from eternity, but must have derived its origin from an intelligent creator.” In what respect then do these arguments apply to the Universe, and not apply to God?
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
Cleo was like those little bluebirds of happiness in Cinderella, flitting around until Natalie had been transformed into a princess. A fraudulent one, to be sure, but a princess nonetheless. The silk dress from her mother's closet had been transformed into a couture masterpiece by the sartorial skills of Cleo's talented aunt. The sheath now fit like an extremely flattering glove. Its color, and the bright handwork accents, echoed the colors of the precious vase---jade green, turquoise, marigold, and fuchsia with veins of cobalt blue. She paired it with the gold-heeled sandals, the vintage watch, and a gold snake belt borrowed from Cleo.
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
There is a method for it: ten men are required. The sergeant surgeon with his instrument; the sergeant of the wood-yard with mallet and block. The master cook, who brings the butcher's knife; the sergeant of the larder, who knows how meat should be cut; the sergeant ferrer with irons to sear the wound; the yeoman from the chandlery, with waxed cloths; the yeoman of the scullery with a dish of coals to heat the searing iron, a chafing dish to cool them; the sergeant of the cellar with wine and ale; the sergeant of the ewery with basin and towels. And the sergeant of the poultry, with a cock, its legs strung, struggling and squawking as he holds it against the block and strikes off its head. When the fowl has been sacrificed the right arm of the offender is bared. His forearm is laid down. The butcher fits the blade to the joint. A prayer is said. Then the sword hand is severed, the veins are seared, and the body of the collapsed offender is rolled onto a cloth and carried away.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
The biologist, who sees man as a balanced whole, and for whom muscles, bones, sinews and veins are as important as brains, can only look on, upset, as the destruction of all physical work and fitness continues. When Martti Ahtisaari entered the arena of Finnish politics, my biologist friend Olavi Hildén — a university professor over sixty yet still in great shape — became furious: “How could people even consider to choose him as our president? He can’t even walk properly: he just ambles along!” If one has the patience to cool down, he will admit that charming personalities exist even among chubby people: many great things have been achieved from behind thick layers of fat. But still, it is frightening to see the presidential chair filled by someone who has completely allowed his willpower and discipline to slacken in one sphere of life. This is all the more unpleasant if we follow sociologists in believing that presidential victories are no longer determined by candidates’ ideals, but rather by the images of themselves that they project. Is the popularity of Ahtisaari due to the fact that he is perceived as a buddy by the typical Finnish male, feasting on beer and and sausages in his sauna, and that he reminds the typical Finnish female of her own pot-bellied companion?
Pentti Linkola (Can Life Prevail?)
I’m not so jaded I don’t remember,” she said, eyes shifting away from his. “That feeling, like everything is broken. Breaking.” She placed a hand in his, and lifted the other to touch his neck, lightly. He twitched at first, then relaxed. He still had a mark there where Suzao had choked him in the cafeteria. Then she was moving her fingers back toward his ear, along the scar Ryzek had cut into his neck, and he was leaning into her touch. He was warm, too warm. They never touched like this. He never thought he wanted them to. “You make no sense to me,” she said. Her palm was on his face, then, her fingers curled behind his ear. Long, thin fingers with tendons and veins always standing at attention. Knuckles so dry the skin was peeling in places. “All that has happened to you would make another person hard and hopeless,” she said. “So how…how are you even possible?” He closed his eyes. Aching. “Still, Akos, this is a war.” She brought her forehead to his. Her fingers were firm, fitted to his bones. “A war between you and the people who destroyed your life. Don’t be ashamed of fighting it.” And then a different kind of ache. A pang of longing, deep in his gut. He wanted her. Wanted to run his fingers along her strict cheekbone. Wanted to taste the elegant birthmark on her throat, and to feel her breaths against his mouth, and to wind her hair around his fingers until they were trapped. He turned his head, and pressed his lips to her cheek, hard enough that it wasn’t quite a kiss. They shared a breath. Then he pulled back, stood up, turned away. Wiped his mouth. Wondered what the hell was wrong with him. She stood right behind him, so he could feel her body’s warmth at his back. She touched the space between his shoulders. Was it her currentgift that made his skin prickle at the contact, even through his shirt? “There’s something I have to do,” she said. “I’ll be back soon.” Just like that, she was gone.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Before she knew what was happening, she was leaning towards him. Ryam stiffened as she pressed her lips to his. His mouth was warm and inviting. She only tasted him for a second before his hands jerked to her shoulders to hold her away. Undaunted, she grasped at the neck of his tunic while she kissed him, brushing over his lips again, searching, pleading. Slowly, his grip loosened. He yielded with a groan, sliding his tongue past her lips to feed on her desire. She wrapped her arms around him, barely able to circle the broadness of his shoulders. A soft, aching sound rose from her throat as his fingers dug into the nape of her neck, tilting her to him, fitting their mouths together even more intimately. She clung to him, guided by nothing but the desperate beating of her heart and a sharp, sweet yearning deep within her. His hands moved restlessly to grasp her hips, but then he tore himself away from her so abruptly she made a startled sound. He gritted his teeth and turned away, his hands clenched into fists. His pulse skipped along his neck as he gulped in breath after ragged breath. ‘You can’t kiss me like that,’ he growled. ‘You can’t look at me like that.’ Ailey was staring at him. Her fingers lifted to press against lips swollen with want and sensation. Naked desire. He could see it in her eyes, smell it on her skin. She was flushed with it, overflowing. God, the silken taste of her. She didn’t know how to hide her feelings and they clawed at him until the ache between his legs reached an acute peak. ‘What do you want from me?’ he demanded. One moment she made him swear not to touch her and the next she was kissing him into madness. If she made a single move towards him, made a single sweet sound he’d take hold of her, lower her to the ground and make her his right now with the fierce throb of combat and their wild escape still in his veins. Some part of her must have known it. That was why she stayed petrified, her only movement the rise and fall of her breasts as she struggled to breathe. ‘Tell me what it is you want from me and it’s yours,’ he promised dangerously.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
No,” she croaked, trying to shrink away from him. “You’re not supposed to be here. Don’t come near me; you’ll catch it. Please go—” “Quiet,” Kev said, sitting on the edge of the mattress. He caught Win as she tried to roll away, and settled his hand on her forehead. He felt the burning pulse beneath her fragile skin, the veins lit with raging fever. As Win struggled to push him away, Kev was alarmed by how feeble she had grown. Already. “Don’t,” she sobbed, writhing. Weak tears slid from her eyes. “Please don’t touch me. I don’t want you here. I don’t want you to get sick. Oh, please go. … ” Kev pulled her up against him, her body living flame beneath the thin layer of her nightgown, the pale silk of her hair streaming over both of them. And he cradled her head in one of his hands, the powerful battered hand of a bare-knuckle fighter. “You’re mad,” he said in a low voice, “if you think I would leave you now. I’ll see you safe and well no matter what it takes.” “I won’t live through this,” she whispered. Kev was shocked by the words, and even more by his own reaction to them. “I’m going to die,” she said, “and I won’t take you with me.” Kev gripped her more closely, letting her fitful breaths blow against his face. No matter how she writhed, he wouldn’t let go. He breathed the air from her, taking it deep into his own lungs. “Stop,” she cried, trying desperately to twist away from him. The exertion caused her flush to darken. “This is madness. … Oh, you stubborn wretch, let me go!” “Never.” Kev smoothed her wild, fine hair, the strands darkening where her tears had tracked. “Easy,” he murmured. “Don’t exhaust yourself. Rest.” Win’s struggles slowed as she recognized the futility of resisting him. “You’re so strong,” she said faintly, the words born not of praise, but damnation. “You’re so strong. … ” “Yes,” Kev said, gently using a corner of the bed linens to dry her face. “I’m a brute, and you’ve always known it, haven’t you?” “Yes,” she whispered. “And you’re going to do as I say.” He cradled her against his chest and gave her some water. She took a few painful sips. “Can’t,” she managed, turning her face away. “More,” he insisted, bringing the cup back to her lips. “Let me sleep, please—” “After you drink more.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Maxims & Other Quotes If you need an adjective or adverb, you're still fishing for he right noun or verb. 34 Was this a true story? It seemed somehow unimaginable, a fantasy of some kind. But he told it with such conviction that, against my own wishes, I believed him. Was this indeed the essence of storytelling? Did one simply have to relate a tale in a believable fashion, with the authority of the imagination? 36 Memory is a mirror that may easily shatter. 81 Readers become invisible even to themselves. Only the story lives. It’s the fate of the writer, yes, as well, to disappear. ~ Alastair Reid 83 ‘There is only now,’ Borges exclaimed with unstoppable force. ‘Act, dear boy! Do not procrastinate! It’s the worst of sins. I’ve thought about this, you see: the progression toward evil. Murder, this is very bad, a sin. It leads to thievery. And thievery, of course, leads to drunkenness and Sabbath-breaking. And Sabbath-breaking leads to incivility and at last procrastination. A slippery slope into the pit!’ 98 Borges: I no longer need to save face. This is one of the benefits of extreme age. Nothing matters much, and very little matters at all. 100 Borges: Believe me, you will one day read Don Quixote with a profound sense of recollection. This happens when you read a classic. It finds you where you have been. 102 Parini: I try not to think of the phallus, except when I can think of nothing else, which is most of the time. Borges: This is the fate of young men, a limited focus. One of the few advantages of my blindness has been that I no longer focus my eyes on objects of arousal. I look inward now, though the mind has mountains, dangerous cliffs. 105 Borges: Writers are always pirates, marauding, taking whatever pleases them from others, shaping these stolen goods to our purposes. Writers feed off the corpses of those who passed before them, their precursors. On the other hand they invent their precursors. They create them in their own image, as God did with man.108 Borges: Nobody can teach you anything. That’s the first truth. We teach ourselves. 115 Borges: One should avoid strong emotion, especially when it interferes with the work at hand. We have European blood in our veins, you and I. Mine is northern blood. We’re cold people, you see. Warriors. 125 Borges: The influence of Quixote was such that Sancho acquired a taste for literary wisdom. Such wisdom in his aphorisms! ‘One can find a remedy for everything but death.’ Or this: ‘Make yourself into honey and the flies will devour you.’ 151 Borges: You see, I designed my work for the tiniest audience, ‘fit company though few.’ A writer’s imagination should not be diluted by crowds! 151 Borges: If you don’t abandon the spirit, the spirit will not abandon you. 181
Jay Parini (Borges and Me: An Encounter)
there’s dozens of stories about some kid from our world falling into a different, magical one, being the chosen one or the close companion of the chosen one and saving the world, and then going home where they’re delighted to see their family again and have a new appreciation of their own life. but what about someone who didn’t miss it? what if you save the world and you’re given your medal and stripped of the magic you learned and put back in a world you never missed? and you’re furious. maybe you gave up a few years of your life. you have callouses and muscles and a few scars and maybe a missing eye or something. you definitely have some blood on your hands. you might have PTSD you can’t talk to anyone about. and suddenly you’re fifteen again, in a body that’s too soft and too short and too complete. you’re always cold because there’s no magic burning in your veins anymore, and even as you grow up the feeling of not fitting doesn’t go away because when you look in the mirror at eighteen you look all wrong: this is not what you’re supposed to look like at eighteen. the sky clouds and you rub at the phantom ache of injuries this body never received. you wake up screaming sometimes remembering the sorcerer who burnt your hand to ashes, or the final battle you almost didn’t make it through, or the moment you felt the magic in you go out. but here’s the thing: they took you and made you into a weapon that was determined enough and powerful enough to save a whole world. they can put you back where they found you but they can’t undo everything. and there’s this, too: the place between worlds clings to you. you can’t tease fire out of the air but you can feel the pull of the doorways all the time, although none of them so far go to your world. but you try to make it work for a decade, anyway. you’re dutiful. but one night you leave work late and for the thousandth time you catch yourself searching the sky for firebirds. and you break. of the three portals within five hundred miles, one is a howling, frozen wasteland and one is a deep violet void, but one opens into a misty forest that you step into and don’t look back. it’s not your world, but if you keep going long enough, you’ll get there. (and maybe much, much later, hundreds of worlds later, you climb through a window, or a door of woven branches int he middle a field, or push aside a curtain, and as you set foot on new land you feel the fire in your veins and sparks at your fingertips and finally, finally, you’re home)
charminglyantiquated (@tumblr)
None of this Mad Mario showmanship- orange clogs and Bermuda shorts fit for Babar, sweetbreads garnished with squash blossoms stuffed with cheese from the milk of Angora goats who live in the Pyrenees. Litchi sorbet veined with coconut milk and honey from Crete.
Julia Glass (The Whole World Over)
Aedion shifted on his pallet of moldy hay and bit back his bark of agony at the pain exploding along his ribs. Worse—worse by the day. His diluted Fae blood was the only thing that had kept him alive this long, trying desperately to heal him, but soon even the immortal grace in his veins would bow to the infection. It would be such a relief—such a blessed relief to know he couldn’t be used against her, and that he would soon see those he had secretly harbored in his shredded heart all these years. So he bore down on every spike of fever, every roiling fit of nausea and pain. Soon—soon Death would come to greet him. Aedion just hoped Death arrived before Aelin did.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
He doesn’t say anything. Just looks at me. “What’s going on?” Again he doesn’t answer, but I can see his expression better now. There’s a familiar tension on his face. His eyes are crawling over my body with a heat I well recognize. I’ll never not recognize it. Slowly I untie the sash on my robe, letting it drop open. I wait to see what he’ll do. He stares at the gap in my robe, his breathing accelerating. Since he’s made no objection, I push the fabric off one shoulder and then another until the robe slips all the way to the floor, the soft fabric puddling at my feet. I’m completely naked beneath it. “Get over here,” he says in a hoarse murmur. My heart hammers wildly, and my skin has started to flush. It feels like my blood has roared to life in my veins as I walk over to where he’s sitting on the edge of the bed. When I’m in arms’ reach, he grabs my hips with both hands and pulls me closer, fitting me between his parted legs. He leans over, stretching his neck until he can take one of my breasts between his lips. He sucks the nipple. Releases it and teases it with his tongue. Then takes more of it in his mouth and works it hard. I gasp and clutch at his shoulders, swaying toward him as the sensations flood my body. As he plays with one breast and then
Claire Kent (Beacon (Kindled #8))
You've become your own cage, bars forged from fears you once called armor, now rusted, bleeding into the veins of your dreams. Each step is tethered to the weight of who you were, but that old skin no longer fits your bones. Look down- your shadow clings like a desperate lover, begging you to stay. But beyond the edge, the wind whispers of freedom, of shedding this worn-out shell.
Sean DeLaney
the rush of adrenaline overcame indecision, fear and nervousness. The paralysing cold seeping into his bones was replaced by the heat of blood coursing through his veins. As the tracer bullet came flying past, lighting the place with a deadly cocktail of shrapnel and fire, Manoj stood up, tall and brave, his slight frame coiled like spring, his face a mask. Through the scream of the wind, he roared at those of his men that were fit to fight, ordering them to follow him through the hail of bullets. Like a colossal god with invincible powers he walked into the curtain of shells and bullets. He didn’t look back even once to see who had followed his final command but if he had he would have been a satisfied man. All his Gorkha jawans who could pick themselves up and walk were right behind him, their khukris gripped firmly in their hands.
Rachna Bisht Rawat (The Brave: Param Vir Chakra Stories)
She awakened with a start to find Macon standing at the foot of the bed, watching her with a grin stretched across his face. His finger and thumb still lingered on her big toe. Stunned, she scooted toward the headboard, as if it could lend her some protection, her eyes wide. Steven’s .45 was in the drawer of the nightstand on his side of the bed. She inched in that direction. “What are you doing here?” she croaked. Macon dragged his eyes over her lush figure, her sleep-rumpled underthings made of the thinnest lawn, and smiled. “You might say I’ve come to admire the spoils. It won’t be long now, Emma, dear. Things are going very badly for Steven. Soon you’ll be giving me fine, redheaded sons. Of course, I won’t be able to keep you here at Fairhaven—that would be indiscreet. We’ll have to get you a place in town.” Emma tried to shield her breasts with one arm as she moved nearer and nearer the side of the bed. “You’re vile, Macon Fairfax, and I’d sooner die than let you touch me. Now, get out of here before I scream!” “You can scream all you want,” he chuckled, spreading his hands wide of his lithe body. “There’s nobody here but the servants, and they wouldn’t dream of interfering, believe me.” Emma swallowed hard. She couldn’t be sure whether he was bluffing; after all, this was Macon’s house as well as Cyrus’s. If he gave instructions, they were probably obeyed. “Get out,” she said again. Her hand was on the knob of the nightstand drawer, but she knew she wasn’t going to have time to get the pistol out and aim it before Macon was on her. He was too close, and his eyes showed that he knew exactly what she meant to do. “It won’t be so bad, Emma,” he coaxed, his voice a syrupy croon by then. “I know how to make you happy, and you’re in just the right place for me to prove it.” “Don’t touch me,” Emma breathed, shrinking back against the headboard, her eyes wide with horror. “Steven will kill you if you touch me!” “You wouldn’t tell him.” Macon was standing over her by then, looking down into her face. She could see a vein pulsing at his right temple as he set his jaw for a moment. “You’d keep it to yourself because he wouldn’t have a chance in hell of winning this case if he assaulted me in a fit of rage—would he?” Emma’s heart was thundering against her ribs and she was sure she was going to throw up. She tried to move away from Macon, but he reached out and grasped her hard by the hair. “Please,” she whispered. He indulged in a small, tight smile. “Don’t humiliate yourself by begging, darling. It won’t save you. Keep your pleas for those last delicious moments before pleasure overtakes you.” Bile rushed into the back of Emma’s throat. “Let me go.” He pressed her flat against the mattress, his hand still entangled in her hair. She gazed up at him in terror, unable to speak at all. The crash of the door against the inside wall startled them both. Emma’s eyes swung to the doorway, and so did Macon’s. Nathaniel was standing there, still dressed in the suit he’d worn to Steven’s trial, his tie loose, his Fairfax eyes riveted on his cousin’s face. In his shaking hand was a derringer, aimed directly at Macon’s middle. “Let her go,” he said furiously. Macon released Emma, but only to shrug out of his coat and hang it casually over the bedpost. “Get out of here, Nathaniel,” he said, sounding as unconcerned as if he were about to open a book or pour himself a drink. “This is business for a man, not a boy.” Emma was breathing hard, her eyes fixed on Nathaniel, pleading with him. With everything in her, she longed to dive for the other side of the bed and run for her life, but she knew she wouldn’t escape Macon. Not without Nathaniel’s help. “I won’t let you hurt her,” the boy said with quiet determination. The derringer, wavering before, was steady now. Macon
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
UNEARTHING   Her eyes heal as does her smile and she knows not. She only knows the voice in her head, not the voice in her heart. Only there is more magic, more passion, zest, feeling, hidden down deep within her that has yet to breathe out of that mysterious place that is her heart, seemingly an abyss of unheard of power, treasured and held tightly by the darkest parts of her. Only if a kiss filled with fire could spark light into that dark world. Only if something marvelous were kind enough to wake her from her sleep so that she may share her magic, her kiss, and her love. A love that has never burned like the searing sun over fevered white sand. A love that has never burned like the deep fiery veins that flow underneath the earth. A kiss that has never felt so warm. Magic that bestows an otherwise incomprehensible art to every atom and form of energy that observes from every corner of the cosmos. Observing with delight to create something that much more beautiful as if it were somehow possible to mirror or mimic a love that seems only fitting for gods.
Luccini Shurod
I hold up my hand. “Do not interrupt me when I gave you the courtesy of listening to what you had to say.” A thick vein pulses in his temple, but he keeps his fat mouth shut.
Sadie Kincaid (The Perfect Fit)
I've encountered no greater mystery in life than myself. In a just society I'd be warehoused somewhere. But of course what really threatens the scofflaw is not the just society but the decaying one. It is here that he finds himself becoming slowly indistinguishable from the citizenry. He finds himself co-opted. Difficult these days to be a rake or a bounder. A roué. A deviant? A pervert? Surely you're joking. The new dispensations have all but erased these categories from the language. You can no longer be a loose woman . For instance. A trollop. The whole concept is meaningless. You cant even be a drug addict. At best you're just a user. A user? What the fuck is that? We've gone from dope friends to drug users in just a few short years. It doesn't take Nostradamus to see where this is headed. The most heinous of criminals clamoring for standing. Serialkillers and cannibals claiming a right to their lifestyle. Like anyone else I try to sort out where I fit into this menagerie. Without malefactors the world of the righteous is robbed of all meaning. As for myself again if I cant be decorum's sworn enemy while savoring its fruits I simply see no place for me at all. What would you recommend, Squire? Go home and draw a warm bath and climb in and open a vein? Never mind. I see you weighing the merits of it. Anyway, Hoffer has it right. Real trouble doesn't begin in a society until boredom has become its most general feature. Boredom will drive even quietminded people down paths they'd never imagined. Boredom. Squire, I'm a scoundrel very nearly without peer. But in our time decent people actually attract comment. We dont know what to make of them. They have few friends, while I have more friends than I know what to do with. Why is that? I dont know. I think it's because people are bored out of their fucking minds. I cant come up with anything else.
Cormac McCarthy (The Passenger (The Passenger #1))
He was a superbly fit character with bulging arm veins and great social energy, but he was curiously off-putting. It was more than the unfortunate face, pinched with ambition and spoiled with unruly teeth. It was a manner, Ali thought. A disregard. He traded on a thin repertoire of charm, yet didn’t care if you were charmed.
Jeff Long (The Descent)
I missed the rest of the conversation because, while the good actor was carefully cooking his sentences with criticisms spiced with kindness, another member of the group, a young man who looked Chinese, with a face like raspberry jelly, stumbled up to me. His naturally yellow complexion was complemented by bright threads of broken veins, more purple than red. He had thick hair, a receding brow, jutting cheekbones, narrow eyes whose dark pupils seemed more polished than alive, a barely visible moustache the color of dead leaves, a little salt and pepper beard that was worn out like an old carpet, a long neck with an Adam’s apple stuck in it like a huge walnut, and shoulders like a scrawny old horse which did not fit with his thick, short chest and his pot belly. He was knock-kneed and bowed legged, with kneecaps shaped like coconuts. He also borrowed Doctor Magne’s chair, blew cigarette smoke out his nose, and took his turn to tackle me. His language was less elegant than the other two; it was hard for him to speak, which you could put down to shyness. He was dull and awkward. He seemed horribly unhappy and sorry to have come over, but there he was. He had to march on—and he did so heroically!—death in his soul. “Monsieur—finally yes!... Monsieur… I don’t like to jaw about brothers… absolutely not! But I have to tell you that Desbosquets is a lot more… absolutely… oh, I’ll blurt it out… a lot more… absolutely cracked than our friend Magne. Absolutely yes!” He wanted to be frank, to open up, which he constantly regretted, because he knew that he would be clumsy and mocked; he felt ridiculous and it was killing him. But his need for some honest self-indulgence gnawed at him, and he spit out his slang and his absolutelys—‘absolutely yes!’ and ‘absolutely no!’— which made him think he was revealing the deepest depths of his soul. He continued. “Maybe they told you about me—yes! I know: bing, bang —mechanics! Absolutely yes! A hack, they must have told you…” (Aha! I thought. So it’s my colleague the poet!) “…and the worst trouble, right? That’s Leonard—yes! Ah! When I’m a little…bing, bang…mechanics! I guess—grumpy—I don’t say… but there’s not an ounce of meanness in me! Disgusting, this awful problem with talking, but the mechanics, you know—because it’s the mechanics—no way! Do you want me to tell you my name? Ah! Totally unknown, my name, but don’t want them to mangle it mechanically when quoting it to you: Oswald Norbert Nigeot. Don’t say Numskull—no!—Although my verses!... Ah! Damned mechanics!... A bonehead, a stupid bonehead, bitten by the morbid mania to write—and the slander of the old students of the Polytechnic! Oh! To write! Terrible trade for the poorly gifted like me who are… bing, bang, not mechanics! And angry at the mechanics of words. Polytechnic pigs manufacture words; so, poor hacks can’t use them. Ah! Even this is mechanics!... And drunk on it, Desbosquets too, very drunk! Obviously you see it: Cusenier, Noilly-Prat, why not Pernod? It’s awful for people like him and me! See, you know— liquids are scarce—but thanks to the guards’ hatred of Bid’homme… and thanks to old Froin, too good, don’t believe in any bad—but can you call that bad? He lives with the Heaven of…mechanics…of…bang…of derangements, no! I want arrangements, not derangements!” Mr. Nigeot seemed very proud of having successfully (?) completed such a long sentence propped up by only one “bang” and one “mechanics,” but in spite of his satisfaction, he was scared of continuing less elegantly and he got all tangled up in a run of bizarre expressions in which the hated Polytechnicians and the bings and bangs (not to mention the absolutelys) got so out of hand that I could not understand a word of what he said.
John-Antoine Nau (Enemy Force)
I kind of associate people with flavors. My grandpa? He's an acquired taste, but the closest I can get is crème brûlée. A caramelized shell on the outside. Burnt, bitter notes. But crack the surface, and you find nothing but sweet custard. And Granny? She's a lemon meringue pie. A classic. Pillowy, silken-sweet egg whites, tamed with a hint of sour lemon and a snap of rich, buttery crust." Squinting at him, she stopped rambling, feeling naked under his smoldering gray gaze. She lifted her heavy twists off the spot between her shoulder blades and fanned her neck. "Told you it was weird." "It's not. It's beautiful." He looked down at the water, then met her eyes. "Do you have one for me?" "I didn't. Before. I tried to figure you out, but nothing ever fit. I think maybe because my doubts got in the way. But now...?" "Now?" She traced her finger along the veins in his arms, watched his breath catch. "A ginger cookie. Not a gingersnap. Those are brittle and grate against your teeth. You're a chewy molasses cookie, the kind that gives when you bite into it, with exciting zings of crystallized ginger and pops of raw sugar." She dipped her chin, leaning on the railing again. He moved behind her and slipped his arms around her waist, melting her to the core. He placed his mouth right by her ear, his breath tickling her neck. "What I'm hearing is, you like things a little spicy." Laughing, she craned her neck around to catch the gleam in his eyes. "That's what you got out of that?" "I heard what I heard.
Chandra Blumberg (Digging Up Love (Taste of Love, #1))
Hand that stretched I had never seen him there before, On the street where I tread every day to settle life’s daily score, There on the edges of pavement at its most conspicuous location, He knelt there with no sense of self promotion, With one hand held out from his thinning and tattered blanket, And he held it there in this position from the sunrise to the sunset, And everyone who passed by flung something towards him, Few tossed money, few tossed a thing or two, but most of them offered him looks grim, It was at these moments his hand retreated a bit, But then it reclaimed its stance that the man had for many years now deemed fit, And people looked at him, a few looked at the hand, Many, just like me, paused for a moment and thought of the causes for his life being so bland, Who could tell, no one, none of us, for only the hand knew of the strain, Of being stretched forever on the pillars of disdain and a lot of pain, Beside the man, next to the pavement, flowed a river, That stretched endlessly like his hand as if trying to reach out to its discreet lover, Because it flowed slowly, with no visible waves, no movement at all, But in reality it flowed deep into the veins of journey encompassing seasons all, The journey called life that just like kneeling man’s hand stretches endlessly, Through which we seek life, that evades us all tirelessly, Because finding it will be like the river meeting its lover, And then both the river and the hand would sink to a point lower, From where nothing can be retrieved once lost, Because there everything is a creation of the past, To be continued........
Javid Ahmad Tak (They Loved in 2075!)
VigraFirm T Testosterone Gold's makes use of lasers expertly to combat spider veins, in addition to in reversing the results of zits. We all recognize the fitness advantages that workout offers us. Because there are such a lot of male enhancement scams, a few purch
byhkdia
There's a self-generating power born from a fitting name, the same way a clenched fist shoots blood through a vein.
Amy Jo Burns (Shiner)
Though my simple work dress had turned near to rags and my body felt fit to fall apart and sweat and dirt coated my skin, the farther we got from Ain, the more I began to believe that Darien was right. I was still the daughter of a king. The blood in my veins could not be muddied or drained.
Mereda Hart Farynyk (Daughter of the Rain)
Though my simple work dress had turned near to rags and my body felt fit to fall apart at any instant and sweat and dirt coated my skin, the farther we got from Ain, the more I began to believe that Darien was right. I was still the daughter of a king. The blood in my veins could not be muddied or drained.
Mereda Hart Farynyk (Daughter of the Rain)
An infusion of storytelling lifeblood of into the vein of time provides a means to stitch a common thread of conjoined understanding through the collective consciousness of our generation. The communal sheaves of internal dialogue handed-down through the ages trace a seamless patchwork of wisdom, weaving the broadcloth of perception with strands of evocative fabric gleaned from examining the textile breach of humankind’s fitful existence.
Kilroy J. Oldster (Dead Toad Scrolls)
I leaned forward and took his huge cock head into my mouth, struggling to fit it all in. I could feel his thick veins rubbing against the sides of my mouth as I tried to suck him down, but his meat was just too thick, and I could only take about 5 inches of it before I gagged.
B.J. Wolfe (Straight Guys First Try (XXX-Rated Straight Gay First Time Erotica))
Look,” says Zafar, “suppose you’re a young couple. It’s spring and desire is rushing through your veins. Lying side by side, you reach out and touch one another under the sheet. But you have to be careful, ma-in-law’s bundled up asleep just a few feet away. Your brother’s kids are sleeping in the same room. You must wait till everyone else is asleep, and after you’ve lain quietly awake trying to reckon their breathing, you’re obliged to proceed with minimum movement, no scrapes or rustles, uttering not the smallest sound. To be erotic in such circumstances, this is what makes it an art.” “Might even be,” says Gaurilal, “that these very restrictions on the poor, need for breath-control plus twisting about of the body to fit cramped and unlikely spaces, are what gave rise to yoga.
Indra Sinha (Animal's People: A Novel)
It wasn’t a “white person” who ordered the internment of Japanese-Americans based on nothing other than the color of their skin and the blood in their veins. That was the longest-serving, most powerful and best-loved Democrat of all, Franklin Roosevelt and it should not go unnoticed that it is this same Roosevelt who remains so beloved a figure in today’s Democratic party that, when Ocasio-Cortez sought to sell her massive one-size-fits-all “environmental” programs to her fellow Democrats, she did so by naming her bill after the Socialist/collectivist/ racist Roosevelt’s signature policies, “The New Deal.” That’s not a “dog whistle,” that’s a bullhorn.
Evan Sayet (The Woke Supremacy: An Anti-Socialist Manifesto)
With battle-weary arms, Sheridan slugged his way across the luminous waves sending light-filled droplets splashing into the air like Fourth of July sparklers. Stumbling onto the lake’s rocky banks, he clawed desperately at the animal skin suit, yanking at the fastenings and peeling back the suffocating shroud in a fitful temper tantrum. He collapsed onto the glitter washed shore, his chest heaving, his forehead pulsing with pumped up veins. “That was a nightmare!” Sheridan rasped between gulps of air. “Like some sort of freaked-out acid trip!” “All suffering comes bearing a gift. Every pain is a portal. You must look at the hand of your suffering to see the gift it offers and peer into your pain to see where it may lead.” Kunchen said calmly.
Phillip White
You’ve become your own cage, bars forged from fears you once called armor, now rusted, bleeding into the veins of your dreams. Each step is tethered to the weight of who you were, but that old skin no longer fits your bones. Look down— your shadow clings like a desperate lover, begging you to stay. But beyond the edge, the wind whispers of freedom, of shedding this worn-out shell.
Sean DeLaney
You’ve been chasing ghosts down the same worn path, feet pounding rhythms of a song long dead. But the soil is barren here— no fruit grows from the roots you planted in yesterday’s dust. You’ve become your own cage. Bars forged from fears you once called armor now rust and bleed into the veins of your dreams. Each step is tethered to the weight of who you were, but that old skin no longer fits your bones. Look down. Your shadow clings like a desperate lover begging you to stay.
Sean DeLaney (When Life Begins to Whisper: A Journey Beyond Answers)