Veins Attitude Quotes

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Showing a lack of self-control is in the same vein granting authority to others: 'Perhaps I need someone else to control me.
Criss Jami (Venus in Arms)
She adjusted her body weight and caught his eyes, her gaze shiny and with a tinge of sadness. “My grandmother told me once that the world is filled with ghosts. The longer we live the more ghosts will haunt us.” She paused glancing at her palms. “But they’re here to remind us we are alive. That our hearts beat, blood runs through our veins, we breath air into our lungs.
Simon W. Clark (The Russian Ink (Jake Armitage Thriller Book #1))
It is worth saying something about the social position of beggars, for when one has consorted with them, and found that they are ordinary human beings, one cannot help being struck by the curious attitude that society takes towards them. People seem to feel that there is some essential difference between beggars and ordinary 'working' men. They are a race apart--outcasts, like criminals and prostitutes. Working men 'work', beggars do not 'work'; they are parasites, worthless in their very nature. It is taken for granted that a beggar does not 'earn' his living, as a bricklayer or a literary critic 'earns' his. He is a mere social excrescence, tolerated because we live in a humane age, but essentially despicable. Yet if one looks closely one sees that there is no ESSENTIAL difference between a beggar's livelihood and that of numberless respectable people. Beggars do not work, it is said; but, then, what is WORK? A navvy works by swinging a pick. An accountant works by adding up figures. A beggar works by standing out of doors in all weathers and getting varicose veins, chronic bronchitis, etc. It is a trade like any other; quite useless, of course--but, then, many reputable trades are quite useless. And as a social type a beggar compares well with scores of others. He is honest compared with the sellers of most patent medicines, high-minded compared with a Sunday newspaper proprietor, amiable compared with a hire-purchase tout--in short, a parasite, but a fairly harmless parasite. He seldom extracts more than a bare living from the community, and, what should justify him according to our ethical ideas, he pays for it over and over in suffering. I do not think there is anything about a beggar that sets him in a different class from other people, or gives most modern men the right to despise him. Then the question arises, Why are beggars despised?--for they are despised, universally. I believe it is for the simple reason that they fail to earn a decent living. In practice nobody cares whether work is useful or useless, productive or parasitic; the sole thing demanded is that it shall be profitable. In all the modem talk about energy, efficiency, social service and the rest of it, what meaning is there except 'Get money, get it legally, and get a lot of it'? Money has become the grand test of virtue. By this test beggars fail, and for this they are despised. If one could earn even ten pounds a week at begging, it would become a respectable profession immediately. A beggar, looked at realistically, is simply a businessman, getting his living, like other businessmen, in the way that comes to hand. He has not, more than most modem people, sold his honour; he has merely made the mistake of choosing a trade at which it is impossible to grow rich.
George Orwell (Down and Out in Paris and London)
The anger that had flooded her veins was so pure, she thought it must have turned her blood to acid. You could read a hundred books about the attitudes and beliefs of the past, but the impact of witnessing this casual, ignorant cruelty firsthand was like having a bucket of ice upended over your head. It forced Etta to see that the centuries padding this time and hers, along with simple privilege, had protected her from the true ugliness of it. People believed this trash, and they were spreading it around like it was nothing. Like they weren’t even talking about humans.
Alexandra Bracken (Passenger (Passenger, #1))
Remember the year I stopped eating apples? Remember the summer I kept bringing home abandoned chairs? A lucid Vincent wrote to his brother: I have tried to express the terrible passions of humanity by means of red and green. His self-portrait now hangs in the Fogg. Remember the summer I had to walk to the Lake just to feel anything at all? When I descend late in the afternoon there’s a blue plate of heart- shaped cookies, there’s an orange on the kitchen counter. I notice a crack in the seam of the ceiling, a spider vein on the inside of my knee. What a still still life! The rest of the day is a slanted floorboard. The rest of the day is the color of absinthe. Note the personal and detached attitude. Note the application of arbitrary color. The tilted perspective. This poem is all surface. You may stand where you choose. This poem has no vanishing point.
Olena Kalytiak Davis (And Her Soul Out Of Nothing)
It is worth saying something about the social position of beggars, for when one has consorted with them, and found that they are ordinary human beings, one cannot help being struck by the curious attitude that society takes towards them. People seem to feel that there is some essential difference between beggars and ordinary ‘working’ men. They are a race apart—outcasts, like criminals and prostitutes. Working men ‘work’, beggars do not ‘work’; they are parasites, worthless in their very nature. It is taken for granted that a beggar does not ‘earn’ his living, as a bricklayer or a literary critic ‘earns’ his. He is a mere social excrescence, tolerated because we live in a humane age, but essentially despicable. Yet if one looks closely one sees that there is no ESSENTIAL difference between a beggar’s livelihood and that of numberless respectable people. Beggars do not work, it is said; but, then, what is WORK? A navvy works by swinging a pick. An accountant works by adding up figures. A beggar works by standing out of doors in all weathers and getting varicose veins, chronic bronchitis, etc. It is a trade like any other; quite useless, of course—but, then, many reputable trades are quite useless.
George Orwell (Down and Out in Paris and London)
I beheld before me an animated Corse. Her countenance was long and haggard; Her cheeks and lips were bloodless; The paleness of death was spread over her features, and her eye-balls fixed stedfastly upon me were lustreless and hollow. I gazed upon the Spectre with horror too great to be described. My blood was frozen in my veins. I would have called for aid, but the sound expired, ere it could pass my lips. My nerves were bound up in impotence, and I remained in the same attitude inanimate as a Statue. The visionary Nun looked upon me for some minutes in silence: There was something petrifying in her regard. At length in a low sepulchral voice She pronounced the following words. "Raymond! Raymond! Thou art mine! Raymond! Raymond! I am thine! In thy veins while blood shall roll, I am thine! Thou art mine! Mine thy body! Mine thy soul!---
Matthew Gregory Lewis (The Monk)
Sport should be in your Blood/Veins, Not in the Joints or Bones
Binoy Boban
Today's students can put dope in their veins or hope in their brains. If they can conceive it and believe it, they can achieve it. They must know it is not their aptitude but their attitude that will determine their altitude.
Jesse Jackson
there was my eclipse beginning! The life went boiling through my veins; I was a new man! The rim of black spread slowly into the sun’s disk, my heart beat higher and higher, and still the assemblage and the priest stared into the sky, motionless. I knew that this gaze would be turned upon me, next. When it was, I was ready. I was in one of the most grand attitudes I ever struck, with my arm stretched up pointing to the sun.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
Whatever attitude to human existence you fashion for yourself, know that it is valid only if it be the shadow of an attitude to Nature. A human life, so often likened to a spectacle on a stage, is more justly a ritual. The ancient values of dignity, beauty and poetry which sustain it are of Nature’s inspiration: they are born of the mystery and beauty of the world. Do no dishonour to the earth lest you dishonour the spirit of man. Hold your hands out over the earth as over a flame. To all who love her, who open to her the doors of their veins, she gives of her strength, sustaining them with her own measureless tremor of dark life. Touch the earth, love the earth, her plains, her valleys, her hills, and her seas; rest your spirit in her solitary places. For the gifts of life are the earth’s and they are given to all, and they are the songs of birds at daybreak, Orion and the Bear, and the dawn seen over the ocean from the beach.
Henry Beston (The Outermost House: A Year of Life On The Great Beach of Cape Cod)
Dreams in which the dead interact with the living are typically so powerful and lucid that there is no denying contact was real. They also fill us with renewed life and break up grief or depression. In chapter 16, on communicating with the dead, you will learn how to make such dreams come about. Another set of dreams in which the dead appear can be the stuff of horror. If you have had a nightmare concerning someone who has recently passed, know that you are looking into the face of personal inner conflict. You might dream, for instance, that your dead mother is buried alive or comes out of her grave in a corrupted body in search of you. What you are looking at here is the clash of two sets of ideas about death. On the one hand, a person is dead and rotting; on the other hand, that same person is still alive. The inner self uses the appropriate symbols to try to come to terms with the contradiction of being alive and dead at the same time. I am not sure to what extent people on the other side actually participate in these dreams. My private experience has given me the impression that the dreams are triggered by attempts of the departed for contact. The macabre images we use to deal with the contradiction, however, are ours alone and stem from cultural attitudes about death and the body. The conflict could lie in a different direction altogether. As a demonstration of how complex such dreams can be, I offer a simple one I had shortly after the death of my cat Twyla. It was a nightmare constructed out of human guilt. Even though I loved Twyla, for a combination of reasons she was only second best in the hierarchy of house pets. I had never done anything to hurt her, and her death was natural. Still I felt guilt, as though not giving her the full measure of my love was the direct cause of her death. She came to me in a dream skinned alive, a bloody mass of muscle, sinew, veins, and arteries. I looked at her, horror-struck at what I had done. Given her condition, I could not understand why she seemed perfectly healthy and happy and full of affection for me. I’m ashamed to admit that it took me over a week to understand what this nightmare was about. The skinning depicted the ugly fate of many animals in human hands. For Twyla, the picture was particularly apt because we used to joke about selling her for her fur, which was gorgeous, like the coat of a gray seal. My subconscious had also incorporated the callous adage “There is more than one way to skin a cat.” This multivalent graphic, typical of dreams, brought my feelings of guilt to the surface. But the real meaning was more profound and once discovered assuaged my conscience. Twyla’s coat represented her mortal body, her outer shell. What she showed me was more than “skin deep” — the real Twyla underneath,
Julia Assante (The Last Frontier: Exploring the Afterlife and Transforming Our Fear of Death)
Praise your body right now. Thank your body. If you have a liver problem, apologize to your liver for having overtaxed it selfishly without either care or thanks. Pledge to change your attitude and use your liver with sincere and deep gratitude. This applies to every bodily function, every internal or external organ, every artery or vein, every muscle or bone. If you continuously thank any part of your body, it will definitely respond.
Masami Saionji (The Golden Key to Happiness)
Should you wish to pursue the infinity of truth, you must make yourself humble as ashes and vigorous as the wind. And with that attitude flowing through your veins, bring your novel thinking in action and disinfect the world with a bold, radical and positive change – a change of egalitarianism, a change of globalism, a change of rationalism, a change of humanism.
Abhijit Naskar (Saint of The Sapiens)
I sniffed haughtily. “Fine. Be that way.” The randy bastard ground himself against me. “Now you’re just making me want to fuck that attitude right out of you.
Suzanne Wright (Taste of Torment (Deep In Your Veins, #3))
Revolution, which is in the blood of Parisians, was not in the veins of the Viennese. In Hans's blood there was the Austrian amiability and the good manners learned in his nursery. He was not radical enough to come directly to final conclusions. Day and night, in his desolate prison barracks, while he was almost despairing of his coming home at all, he struggled to find a compromise. He found it in his decision to convince himself with his own eyes, as soon as he came home; the terrible reports reaching the prison camp might be exaggerated and aimed at convincing the prisoners that their camp was better than their home. But when he did see with his own eyes that it was far more terrible than anything he had heard, he did not allow himself any further evasion. Now at last he was ready for the final outcome. One of the first things to strike him was that people in Vienna did not realize what had happened, and it was like a slap in the face. They went about and expected to continue as usual. But there was nothing to continue! Vienna had been an imperial capital, and an imperial capital cannot do without an empire. But the empire no longer existed. Austria was the concept of a super-national nation uniting nationalities. The concept had been destroyed. “German Austria,” the little land with seven million inhabitants, carved out of an empire of fifty-five million, possessed neither money nor friends. Nevertheless, at St. Germain they had been cynical enough to pile the burden of a succession on them that had no basis for existence. Most incomprehensible of all to this returning prisoner was the attitude of Number 10. They were still calling die people begging in the streets “beggars,” because they either did not know or did not want to know that six out of every ten Viennese were compelled to beg and that Austria itself had been assigned a role which was nothing else than that of an international beggar. They carried on their businesses, continued to go to their offices, went on receiving their pensions.Revolution, which is in the blood of Parisians, was not in the veins of the Viennese. In Hans's blood there was the Austrian amiability and the good manners learned in his nursery. He was not radical enough to come directly to final conclusions. Day and night, in his desolate prison barracks, while he was almost despairing of his coming home at all, he struggled to find a compromise. He found it in his decision to convince himself with his own eyes, as soon as he came home; the terrible reports reaching the prison camp might be exaggerated and aimed at convincing the prisoners that their camp was better than their home. But when he did see with his own eyes that it was far more terrible than anything he had heard, he did not allow himself any further evasion. Now at last he was ready for the final outcome. One of the first things to strike him was that people in Vienna did not realize what had happened, and it was like a slap in the face. They went about and expected to continue as usual. But there was nothing to continue! Vienna had been an imperial capital, and an imperial capital cannot do without an empire. But the empire no longer existed. Austria was the concept of a super-national nation uniting nationalities. The concept had been destroyed. “German Austria,” the little land with seven million inhabitants, carved out of an empire of fifty-five million, possessed neither money nor friends. Nevertheless, at St. Germain they had been cynical enough to pile the burden of a succession on them that had no basis for existence. Most incomprehensible of all to this returning prisoner was the attitude of Number 10. They were still calling die people begging in the streets “beggars,” because they either did not know or did not want to know that six out of every ten Viennese were compelled to beg and that Austria itself had been assigned a role which was nothing else than that of an international beggar.
Ernst Lothar (The Vienna Melody)
It is worth saying something about the social position of beggars, for when one has consorted with them, and found that they are ordinary human beings, one cannot help being struck by the curious attitude that society takes towards them. People seem to feel that there is some essential difference between beggars and ordinary 'working' men. They are a race apart–outcasts, like criminals and prostitutes. Working men 'work,' beggars do not 'work'; they are parasites, worthless in their very nature. It is taken for granted that a beggar does not 'earn' his living, as a bricklayer or a literary critic 'earns' his. He is a mere social excrescence, tolerated because we live in a humane age, but essentially despicable. Yet if one looks closely one sees that there is not essential difference between a beggar's livelihood and that of numberless respectable people. Beggars do not work, it is said; but, then, what is work? A navvy works by swinging a pick. An accountant works by adding up figures. A beggar works by standing out of doors in all weathers and getting varicose veins, chronic bronchitis, etc. It is a trade like any other; quite useless, of course–but, then, many reputable trades are quite useless. And as a social type a beggar compares well with scores of others. He is honest compared with the sellers of most patent medicines, high-minded compared with a Sunday newspaper proprietor, amiable compared with a hire-purchase tout–in short, a parasite, but a fairly harmless parasite. He seldom extracts more than a bare living from the community, and, what should justify him according to our ethical ideas, he pays for it over and over in suffering. I do not think there is anything about a beggar that sets him in a different class from other people, or gives most modern men the right to despise him.
George Orwell (Down and Out in Paris and London)
I’ve decided to make you my mistress.” A small thread of temper mixed in with the fear traveling through her veins. “Have you now?” “I bought this building just for you, and had the top floor decorated in a manner I was quite certain, given your dramatic attitude, you’d appreciate.” Lucetta drew in a breath—refusing to allow Silas the satisfaction of even glancing at some of the more gaudy pieces in the room he was pointing out—and waited until he’d run out of words before she lifted her chin another notch. “I’d like to know, if you please, how you came to the conclusion I’d be receptive to the idea of becoming your mistress.” Silas settled back in the chair, folding his hands across a stomach that strained against the buttons of the jacket he was wearing. “Come now, dear. There’s no need to continue playing coy. You’ve led me on a merry chase these past few years, never affording me an audience after your performances, and neglecting to answer the notes I sent asking you to join me for a late-night dinner here or there.” He wiggled a finger in her direction. “You and I know full well that you did so in order to increase your value.” “I wouldn’t be so certain about that.” He continued speaking as if she hadn’t voiced a reply. “I’m willing to allow you to live here, amongst this lavish setting, and will provide you with your very own personal maid, a carriage with matching bays, a driver for that carriage, and . . . give you the pleasure of my company until I tire of you.” She dug her fingernails into the tender skin of her palm so that she wouldn’t be tempted to rake them across the man’s face. “I have my own carriage, thank you very much, as well as a lovely place to stay, and while I’m flattered you want to spend time in my company, I do have a profession I need to get back to. That means I am—regretfully, of course—going to have to refuse your simply charming offer to become your mistress.” Her head snapped back from his slap before she’d even realized he’d gotten up from his chair. Blinking to hold back tears that longed to fall, she lifted her chin and ignored the pain in her cheek as Silas retook his seat and immediately took to staring at her. His eyes were filled with something hot, something she was certain verged on the edge of true insanity, and that insanity chilled her straight through her bones. “It wasn’t an offer, my dear,” he finally said quite pleasantly.
Jen Turano (Playing the Part (A Class of Their Own, #3))
The anger that had flooded her veins was so pure, she thought it must have turned her blood to acid. You could read a hundred books about the attitudes and beliefs of the past, but the impact of witnessing this casual, ignorant cruelty firsthand was like having a bucket of ice upended over your head. It forced Etta to see that the centuries padding this time and hers, along with simple privilege, had protected her from the true ugliness of it. People believed this trash, and they were spreading it around like it was nothing. Like they weren’t even talking about humans. Etta
Alexandra Bracken (Passenger (Passenger, #1))
Nature needs our sweat to keep the blood flowing into our veins.
Sukant Ratnakar (Quantraz)
once confided to him late at night after a game of billiards and rather a lot of excellent port that his wife hated it so much that she’d only let him do it when she wanted a baby. She was a damned attractive woman, too, and a wonderful wife, as Martyn had said. In other ways. They had five children, and Martyn didn’t think she was going to wear a sixth. Rotten for him. When Edward had suggested that he find consolation elsewhere, Martyn had simply gazed at him with mournful brown eyes and said, ‘But I’m in love with her, old boy, always have been. Never looked at anyone else. You know how it is.’ And Edward, who didn’t, said of course he did. That conversation had warned him off Marcia Slocombe-Jones anyhow. It didn’t matter, because although he could have gone for her there were so many other girls to go for. How lucky he was! To have come back from France not only alive, but relatively unscathed! In winter, his chest played him up a bit due to living in trenches where the gas had hung about for weeks, but otherwise . . . Since then he’d come back, gone straight into the family firm, met Villy at a party, married her as soon as her contract with the ballet company she was with expired and as soon as she’d agreed to the Old Man’s dictate that her career should stop from then on. ‘Can’t marry a gal whose head’s full of something else. If marriage isn’t the woman’s career, it won’t be a good marriage.’ His attitude was thoroughly Victorian, of course, but all the same, there was quite a lot to be said for it. Whenever Edward looked at his own mother, which he did infrequently but with great affection, he saw her as the perfect reflection of his father’s attitude: a woman who had serenely fulfilled all her family responsibilities and at the same time retained her youthful enthusiasms – for her garden that she adored and for music. At over seventy, she was quite capable of playing double concertos with professionals. Unable to discriminate between the darker, more intricate veins of temperament that distinguish one person from another, he could not really see why Villy should not be as happy and fulfilled as the Duchy. (His mother’s Victorian reputation for plain living – nothing rich in food and no frills or pretensions about her own appearance or her household’s had long ago earned her the nickname of Duchess – shortened by her own children to
Elizabeth Jane Howard (The Light Years (Cazalet Chronicles, #1))
Get out, Theo,” he groused. “This isn’t the projects. Take that trashy attitude with you and don’t let it out the next time I see you. I won’t stand for it.” I rose, thunder reverberating off the walls of my chest. I could take a lot from him, but when he brought up where I grew up with my mother, violence filled my veins. He was lucky I had more self-control over my body than I did my mouth. Damn lucky. Swiveling on my heel, I stalked to the door of his office. Hand on the knob, he called out, “Make sure to contact Miranda. I’ll be checking with her.” I raised a hand, forcing my fingers to straighten from a fist. Then I walked the fuck out, asking myself for the thousandth time since I met Andrew Whitlock on my fifteenth birthday how I could be related to such a dumb fuck.
Julia Wolf (Soft Like Thunder (Savage U, #1))