Veil Of Maya Quotes

The face of Truth is hidden behind the golden veil of maya, says the Upanishad.

No, really, Herr Nietzche, I have great admiration for you. Sympathy. You want to make us able to live with the void. Not lie ourselves into good-naturedness, trust, ordinary middling human considerations, but to question as has never been questioned before, relentlessly, with iron determination, into evil, through evil, past evil, accepting no abject comfort. The most absolute, the most piercing questions. Rejecting mankind as it is, that ordinary, practical, thieving, stinking, unilluminated, sodden rabble, not only the laboring rabble, but even worse the "educated" rabble with its books and concerts and lectures, its liberalism and its romantic theatrical "loves" and "passions"--it all deserves to die, it will die. Okay. Still, your extremists must survive. No survival, no Amor Fati. Your immoralists also eat meat. They ride the bus. They are only the most bus-sick travelers. Humankind lives mainly upon perverted ideas. Perverted, your ideas are no better than those the Christianity you condemn. Any philosopher who wants to keep his contact with mankind should pervert his own system in advance to see how it will really look a few decades after adoption. I send you greetings from this mere border of grassy temporal light, and wish you happiness, wherever you are. Yours, under the veil of Maya, M.E.H.

The act of concealing truth is known as ‘aavarana’, and that of projecting untruth is called ‘vikshepa’. When these occur at the level of an individual, it is known as ‘avidya’ and when they occur at the level of a group or the world, it is known as ‘maya’.

I cannot help remembering a remark of De Casseres. It was over the wine in Mouquin's. Said he: "The profoundest instinct in man is to war against the truth; that is, against the Real. He shuns facts from his infancy. His life is a perpetual evasion. Miracle, chimera and to-morrow keep him alive. He lives on fiction and myth. It is the Lie that makes him free. Animals alone are given the privilege of lifting the veil of Isis; men dare not. The animal, awake, has no fictional escape from the Real because he has no imagination. Man, awake, is compelled to seek a perpetual escape into Hope, Belief, Fable, Art, God, Socialism, Immortality, Alcohol, Love. From Medusa-Truth he makes an appeal to Maya-Lie

a husband's partiality for his wife got the better of his partiality for Truth. The face of truth is hidden behind the golden veil of maya, says the Upanishad.

Guna means strand, and in the Gita the gunas are described as the very fabric of existence, the veil that hides unity in a covering of diversity. Tamas is maya’s power of concealment, the darkness or ignorance that hides unitive reality; rajas distracts and scatters awareness, turning it away from reality toward the diversity of the outside world. Thus the gunas are essentially born of the mind. When the mind’s activity is stilled, we see life as it is.

The profoundest instinct in man is to war against the truth; that is, against the Real. He shuns facts from his infancy. His life is a perpetual evasion. Miracle, chimera and to-morrow keep him alive. He lives on fiction and myth. It is the Lie that makes him free. Animals alone are given the privilege of lifting the veil of Isis; men dare not. The animal, awake, has no fictional escape from the Real because he has no imagination. Man, awake, is compelled to seek a perpetual escape into Hope, Belief, Fable, Art, God, Socialism, Immortality, Alcohol, Love. From Medusa-Truth he makes an appeal to Maya-Lie.

Socrates tried to soothe us, true enough. He said there were only two possibilities. Either the soul is immortal or, after death, things would be again as blank as they were before we were born. This is not absolutely comforting either. Anyway it was natural that theology and philosophy should take the deepest interest in this. They owe it to us not to be boring themselves. On this obligation they don’t always make good. However, Kierkegaard was not a bore. I planned to examine his contribution in my master essay. In his view the primacy of the ethical over the esthetic mode was necessary to restore the balance. But enough of that. In myself I could observe the following sources of tedium: 1) The lack of a personal connection with the external world. Earlier I noted that when I was riding through France in a train last spring I looked out of the window and thought that the veil of Maya was wearing thin. And why was this? I wasn’t seeing what was there but only what everyone sees under a common directive. By this is implied that our worldview has used up nature. The rule of this view is that I, a subject, see the phenomena, the world of objects. They, however, are not necessarily in themselves objects as modern rationality defines objects. For in spirit, says Steiner, a man can step out of himself and let things speak to him about themselves, to speak about what has meaning not for him alone but also for them. Thus the sun the moon the stars will speak to nonastronomers in spite of their ignorance of science. In fact it’s high time that this happened. Ignorance of science should not keep one imprisoned in the lowest and weariest sector of being, prohibited from entering into independent relations with the creation as a whole. The educated speak of the disenchanted (a boring) world. But it is not the world, it is my own head that is disenchanted. The world cannot be disenchanted. 2) For me the self-conscious ego is the seat of boredom. This increasing, swelling, domineering, painful self-consciousness is the only rival of the political and social powers that run my life (business, technological-bureaucratic powers, the state). You have a great organized movement of life, and you have the single self, independently conscious, proud of its detachment and its absolute immunity, its stability and its power to remain unaffected by anything whatsoever — by the sufferings of others or by society or by politics or by external chaos. In a way it doesn’t give a damn. It is asked to give a damn, and we often urge it to give a damn but the curse of noncaring lies upon this painfully free consciousness. It is free from attachment to beliefs and to other souls. Cosmologies, ethical systems? It can run through them by the dozens. For to be fully conscious of oneself as an individual is also to be separated from all else. This is Hamlet’s kingdom of infinite space in a nutshell, of “words, words, words,” of “Denmark’s a prison.

When you walked through a park, the immersive world that surrounded you was something that existed inside your own brain as a pattern of neurons firing. The sensation of a bright blue sky wasn't something high above you, it was something in your visual cortex, and your visual cortex was in the back of your brain. All the sensations of that bright world were really happening in that quiet cave of bone you called your skull, the place where you lived and never, ever left. If you really wanted to say hello to someone, to the actual person, you wouldn't shake their hand, you'd knock gently on their skull and say "How are you doing in there?" That was what people were, that was where they really lived. And the picture of the park that you thought you were walking through was something that was visualized inside your brain as it processed the signals sent down from your eyes and retina. It wasn't a lie like the Buddhists thought, there wasn't something terribly mystical and unexpected behind the veil of Maya, what lay beyond the illusion of the park was just the actual park, but it was all still illusion.

He looked around as if seeing the world for the first time. How beautiful it was, how colorful, how strange and mysterious! Here was blue, here was yellow, here was green; sky and river were flowing; forests and mountains stood fixed: Everything was beautiful, everything mysterious and magical, and in the midst of all this was he, Siddhartha, in the moment of his awakening, on the path to himself. All these things, all this yellow and blue, river and forest, passed through Siddhartha’s eye and entered him for the first time; they were no longer the illusion of Mara, no longer the veil of Maya, no longer the meaningless random multiplicity of the world of appearances, contemptible to any deep thinker among Brahmins, any thinker who scoffed at multiplicity and sought oneness. Blue was blue, river was river, and even if the One, the Divine, lay hidden in the blue and the river within Siddhartha, it was still the nature and intention of the Divine to be yellow here, blue here, sky over there, forest there, and here Siddhartha. Meaning and being did not lie somewhere behind things; they lay within them, within everything.

Beautiful was the world, colourful was the world, strange and mysterious was the world! Here was blue, here was yellow, here was green, the sky and the river flowed, the forest and the mountains were rigid, all of it was beautiful, all of it was mysterious and magical, and in its midst was he, Siddhartha, the awakening one, on the path to himself. All of this, all this yellow and blue, river and forest, entered Siddhartha for the first time through the eyes, was no longer a spell of Mara, was no longer the veil of Maya, was no longer a pointless and coincidental diversity of mere appearances, despicable to the deeply thinking Brahman, who scorns diversity, who seeks unity. Blue was blue, river was river, and if also in the blue and the river, in Siddhartha, the singular and divine lived hidden, so it was still that very divinity's way and purpose, to be here yellow, here blue, there sky, there forest, and here Siddhartha. The purpose and the essential properties were not somewhere behind the things, they were in them, in everything.

It all seems ‘real,’ but as it is constantly changing, it is not Real. Due to this maya mentality (the illusion that the world is Real), people do not look beyond the veil of illusion to Me, the unchanging consciousness, the Absolute Reality beyond all the worldly; they do not see beyond to Me, the very basis of it all. “This curtain of illusion (maya) is hard to see through, Arjuna. Only those who love and depend completely on Divinity are eventually able to see through it. “Those who are unable to see beyond the veil cannot, in effect, discriminate between Real and not-Real. Oblivious to the Reality of their own higher nature (the True Self Within), they sink to their lower nature and do evil deeds, committing acts that turn them away from Divinity. Not knowing the holy from the unholy, they are of course not devoted to Me, Divinity.

Finally we touch that Great Fact, which Goethe incorporated into his final words: the 'ever-womanly.' It is a sin against Goethe to say that here he means the female sex. He refers to that profundity signifying the human soul as related to the mystery of the world; that which deeply yearns as the eternal in man, the ever-womanly which draws the soul to the eternally immortal, the eternal wisdom, and which gives itself to the 'eternal masculine.' The ever-womanly draws us towards the ever-masculine. It has nothing to do with something feminine in the ordinary sense. Therefore can we truly seek this ever-womanly in man and woman: the ever-womanly which aspires to the union with the ever-manly in the cosmos, to become one with the Divine-Spiritual that inter-penetrates and permeates the world towards which Faust strives. This mystery of man of all ages pursued by Faust from the beginning, this secret to which Spiritual Science is to lead us in a modern sense, is expressed by Goethe paradigmatically and monumentally in those five words at the conclusion of the second part of Faust represented as a mystic Spirit Choir; that everything physical surrounding us in the sense world is Maya, illusion; a symbol only of the spiritual. But this spiritual we can perceive if we penetrate that which covers it like a veil. And in it we see attained what on earth was impossible of attainment. We see that, which for ordinary intellect is indescribable, transformed into action as soon as the human spirit unites with the spiritual world. 'The ineffable wrought in love.' And we see the significance of the moment when the soul becomes united with the eternal masculine of the cosmic world. That is the great secret expressed by Goethe in the words: 'All of mere transient date As symbol showeth; Here the inadequate To fullness groweth; Here the ineffable Wrought is in love; The ever-womanly Draws us above ...

In the poem, Inanna, unveiled, sees her own mysterious depth, Ereshkigal, who glares back at her. She has an immediate, full experience of her underworld self. That naked moment is like the fifth scene in the Villa of Mysteries where the faun, looking into a mirror bowl, sees reflected back a mask of terrible Dionysus as lord of the underworld. It is the moment of self-confrontation for the goddess of active life and love. Archetypally, these eyes of death are implacable and profound, seeing an immediateness that finds pretense, ideals, even individuality and relatedness, irrelevant. They also hold and enable the mystery of a radically different, precultural mode of perception. Like the eyes in the skulls around the house of the Russian nature goddess and witch, Baba-Yaga, they perceive with an objectivity like that of nature itself and our dreams, boring into the soul to find the naked truth, to see reality beneath all its myriad forms and the illusions and defenses it displays. Western science once aspired to such vision. But we humans do not have such objective eyes. We can see only limited and relative, indeterminate truths. We and our subjectivity are part of the reality we seek to see. Before the vision of Ereshkigal, however, objective reality is unmasked. It is nothing"Neti,neti," as the Sanskrit says and yet everything, the place of paradox behind the veil of the Great Goddess and the temple of wisdom. These eyes see from and embody the starkness of the abyss that takes all back, reduces the dancing, playing maya of the goddess to inert matter and stops life on earth.

The Vedic scriptures declaire that the physical world operates under one fundamental law of maya [=illusion]. [...] Physical science, then, cannot formulate laws outside of maya: the very fabric and structure of creation. Nature herself is maya. [...] Those who cling to the cosmic illusion must accept its essential law of polarity: flow and ebb, rise and fall, pleasure and pain. [...] Delusive maya in man manifests itself as avidya, ignorance. Maya or avidya can never be destroyed through intellectual convinction or analysis, but solely through attaining the interior state of nirbikalpa samadhi. [...] To remove the veil of maya is to uncover the secret of creation.

In the realm of Maya's veil, Where illusions dance and sway, Ram and Krishna, wise and true, Saw through the world's ephemeral hue. Allah, the All-Merciful, proclaimed, "This mortal stage, a fleeting game, Where egos strut and passions flare, A testing ground, a soul's repair." Muhammad, the Prophet of Light, Expounded on the material plight, A transient realm, a fragile guise, Where true treasures lie beyond the skies. Oh, heed their words, their wisdom deep, And seek the essence, the soul to keep, For in the depths of spirit's embrace, Lies true reality, time's endless chase.

BETWEEN THE GODS AND MORTAL MEN and women there hung a veil, and its name was maya. The truth was that the fabled world of the gods was the real one, while the supposedly actual world inhabited by human beings was an illusion, and maya, the veil of illusion, was the magic by which the gods persuaded men and women that their illusory world was real.

remove the veil of maya is to uncover the secret of creation. He who thus denudes the universe is the only true monotheist. All others are worshipping heathen images. So long as man remains subject to the dualistic illusions of Nature, the Janus-faced Maya is his goddess; he cannot know the one true God. The world illusion, maya, manifests in men as avidya, literally, “not-knowledge,” ignorance, delusion. Maya or avidya can never be destroyed through intellectual conviction or analysis, but solely through attaining the interior state of nirbikalpa samadhi. The

[Dick] had absorbed Hume's argument that we cannot verify causality (that B follows A does not prove that A caused B), Bishop Berkeley's demonstration that physical reality cannot be objectively established (all we have are sensory impressions that seem to be real), and Kant's distinction between noumena (unknowable ultimate reality) and phenomena (a priori categories, such as space and time, imposed upon reality by the workings of the human brain). From Jung he adopted the theory of projection: The contents of our psyches strongly color our perceptions. As a coup de grace, Phil's study of Vedic and Buddhist philosophy led to a fascination with maya: True reality is veiled from unenlightened human consciousness. We create illustory realms in accordance with our fears and desires.

The earth’s diurnal cycle, from light to darkness and vice versa, is a constant reminder to man of creation’s involvement in maya or oppositional states. (The transitional or equilibrated periods of the day, dawn and dusk, are therefore considered auspicious for meditation.) Rending the dual-textured veil of maya, the yogi perceives the transcendent Unity.