Vc Quotes

We've searched our database for all the quotes and captions related to Vc. Here they are! All 100 of them:

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What is normal? Normal is only ordinary; mediocre. Life belongs to the rare, exceptional individual who dares to be different.
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V.C. Andrews (My Sweet Audrina (Audrina, #1))
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Life is like that - twenty minutes of misery for every two seconds of joy.
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V.C. Andrews (If There Be Thorns (Dollanganger, #3))
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Love doesn't always come when you want it to. Sometimes it just happens, despite your will.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I wish the night would end, I wish the day'd begin, I wish it would rain or snow, or the wind would blow, or the grass would grow, I wish I had yesterday, I wish there were games to play...
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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You are the most dangerous kind of female the world can ever know. You carry the seeds for your own destruction and the destruction of everyone who loves you. And a great many will love you for your beautiful face for your seductive body; but you will fail them all because you will believe they all fail you first. You are an idealist of the worst kind - the romantic idealist. Born to destroy and self destruct.
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V.C. Andrews (Fallen Hearts (Casteel, #3))
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We lived in the attic, Christopher, Cory, Carrie, and me, Now there are only three.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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You can trust a few some of the time, and most none of the time. Feel lucky if you have even one to trust all of the time.
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V.C. Andrews (If There Be Thorns (Dollanganger, #3))
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I believe in God... but I don't believe in religion. Religion is used to manipulate and punish. Used in a thousand ways for profit for even in the church, money is still the 'real' God.
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V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
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Children are very wise intuitively; they know who loves them most, and who only pretends.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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People make the rules of society, not God.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Promises are lies wrapped in pretty ribbons -Cinnamon
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V.C. Andrews
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There is no hate such as that born out of love betrayed- and my brain screamed out for revenge.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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It was the eyes. The secret of love was in the eyes. The way one person looked at another, the way eyes communicated and spoke when the lips never moved.
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V.C. Andrews
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Love, in short is the most dangerous emotion human can experience
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V.C. Andrews (Daughter of Darkness (Kindred, #1))
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Grief, no matter how you try to cater to its wail, has a way of fading away.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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At the end of the rainbow waited the pot of gold. But rainbows were made of faint and fragile gossamer-and gold weighed a ton-and since the world began, gold was the reason to do most anything.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Only someone who had cried a great deal understands why someone else wants to stop the tears.
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V.C. Andrews
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People have a way of believing nothing terrible will ever happen to them, only to others.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I saw myself dancing alone, always alone,
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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People never really died. They only went on to a better place, to wait a while for their loved ones to join them. And then once more they went back to the world, in the same way they had arrived the first time around.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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How wonderful to be understood, and never have to explain.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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Unless i'm reading an assignment or doing a paper or taking a test, i'm thinking about you.
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V.C. Andrews (Secret Whispers (Heavenstone, #2))
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love, is an unnatural attachment to another living thing. it's the root cause of most personal problems people have.
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V.C. Andrews (Daughter of Darkness (Kindred, #1))
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It is so appropriate to color hope yellow, like the sun we seldom saw. And as I begin to copy from the old memorandum journals that I kept for so long, a title comes as if inspired. 'Open the Window and Stand in the Sunshine.' Yet, I hesitate to name our story that. For I think of us more as flowers in the attic.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Love … I put so much faith in it. Truth … I kept believing it falls always from the lips of the one you love and trust the most. Faith … it’s all bound up to love and trust. Where does one end and the other start, and how do you tell when love is the blindest of all?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Through books Cathy and I have lived a zillion lives . . . our vicarious way to feel alive.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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And when I fall in love,” I began, "I will build a mountain to touch the sky. Then, my lover and I will have the best of both worlds, reality firmly under our feet, while we have our heads in the clouds with all our illusions still intact. And the purple grass will grow all around, high enough to reach our eyes.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Patience. I colored patience gray, hung over with black clouds. I colored hope yellow, just like the sun we could see for a few short morning hours. Too soon the sun rose high in the sky & disappeared from view, leaving us bereft and staring at blue.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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And why is it all men think everything a woman writes is trivial or trashy-or just plain silly drivel? Don't men have romantic notions? Don't men dream of finding the perfect love?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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The probability of a certain set of circumstances coming together in a meaningful (or tragic) way is so low that it simply cannot be considered mere coincidence.
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V.C. King
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Seek the tarnish and you shall find
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V.C. Andrews (If There Be Thorns (Dollanganger, #3))
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A flower blooms best in a happy pot.
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V.C. Andrews (Music in the Night (Logan, #4))
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It was the eyes. The secret of love was in the eyes, the way one person looked at another, the way eyes communicated and spoke when the lips never moved.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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The creative genius begins in the idle moment, dreaming up the impossible, and later making it come true.
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V.C. Andrews
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Beauty thinks it needs no talent and can feed on itself, so it soon dies.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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Angel, saint, Devil's spawn, good or evil, you've got me pinned to the wall and labeled as yours until the day I die. And if you die first, then it won't be long before I follow.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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I am a pretty, useless ornament who always believed she'd have a man to take care of her.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Where was that fragile, golden-fair Dresden doll I used to be? Gone. Gone like porcelain turned into steel-made into someone who would always get what she wanted, no matter who or what stood in her way.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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What's done is done. Say good-bye to the past, and hello to the future And we're wasting time, when already we've wasted enough. We've got everything ahead, waiting for us." Just the right words to make me feel real, alive, free! Free enough to forget thoughts of revenge.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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...for everything can come to those who have the desire,the drive, the dedication, and the determination." v.c.andrews
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V.C. Andrews (If There Be Thorns (Dollanganger, #3))
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Little girls get hurt when they play grown-up games.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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Love doesn’t always come when you want it to. Sometimes it just happens, despite your will.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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To believe in God is a good thing, a right thing. But when you reinforce your belief with words you take from the Old Testament that you seek out, and interpret in the ways that suit your needs best, that is hypocrisy,
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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It's funny how when you're little, you miss all the little lies. They float right past you, but you don't wonder about them much. For a long time, you think this is just something adults still do after being kids - pretend. Then one day you wake up and realize most of the world you're in is built on someone's make-believe.
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V.C. Andrews (Misty (Wildflowers, #1))
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At least when you were silent, you didn’t make any new enemies.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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All you need do is say good-bye to yesterday’s loves, and hello to the new. Look around and see who needs you most and you won’t go wrong. Forget who needed you yesterday.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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All pain seemed to come with lots of blood, and lots of mental anguish, too. I already knew about that. Maybe that was the worst kind of pain, because nobody knew about it but you.
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V.C. Andrews (My Sweet Audrina (Audrina, #1))
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We don’t anticipate accidents, nor do we expect to die young.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Love, how often that word came up in books over and over again. If you had wealth and health, and beauty and talent...you had nothing if you didn't have love. Love changed all that was ordinary into something giddy, powerful, drunken, enchanted.
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V.C. Andrews
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My thoughts took frantic flight, wanting to escape this prison, and seek out the wind so it could fan my hair and sting my skin, and make me feel alive again.
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V.C. Andrews
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And thank you for saying all of that, and for loving me, for you haven't gone unloved, or unadmired, yourself.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I love you,” was his reply. β€œI make myself keep on loving you, despite what you do. I've got to love you. We all have to love you, and believe in you, and think you are looking out for our best interests. But look at us, Momma, and really see us.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Dreams, I thought. They're the riches of a poor person, stashed in treasure chests buried deeply in the imagination. But are dreams enough?
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V.C. Andrews (Heart Song (Logan, #2))
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Love, when it came and knocked on my door, was going to be enough. And that unknown author who'd written that if you had fame, it was not enough, and if you had wealth as well, it was still not enough, and if you had fame, wealth, and also love ... still it was not enough - boy, did I feel sorry for him.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I never realized that the blue sky I saw was not the soft, nurturing sky of spring, but the cold, chilling, lonely sky of winter
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V.C. Andrews (Secrets in the Attic (Secrets, #1))
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Asleep you don't feel pain or hunger, or loneliness, or bitterness. In sleep you can drown in false euphoria, and when you awaken, you just don't care about anything.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Blood ties are not supposed to be chains.
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V.C. Andrews (My Sweet Audrina (Audrina, #1))
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Being a good listener is the perfect way to avoid answering questions you’d rather ignore.
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V.C. Andrews (If There Be Thorns (Dollanganger, #3))
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There were shadows in the corners and whispers on the stairs and time was irrelevant as honesty.
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V.C. Andrews (My Sweet Audrina (Audrina, #1))
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Why did the stars seem to be looking down at me with pity, making me feel ant-sized, overwhelmed, completely insignificant? It was too big, that close sky, too beautiful, and it filled me with a strange sense of foreboding.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Never would I become so dependent on a man I couldn’t make my way in the world, no matter what cruel blow life delivered!
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Go on, glare your eyes at me, and cry and plead, and talk to me about money and what it can buy. But it can't buy back a child once he's dead!
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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The Bible said, as Chris quoted one memorable day, there was a time for everything. I figured my time for happiness was just ahead, waiting for me.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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If you work to obtain your goal, and realize from the very beginning that nothing valuable comes easily, and still forge ahead, without a doubt you’ll reach your goal, whatever it is.
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V.C. Andrews (Heaven (Casteel, #1))
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Maybe thats because we take criticism best from those we love and those who love us-Ethan
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V.C. Andrews (Secret Whispers (Heavenstone, #2))
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Little rabbits have big ears.
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V.C. Andrews (Fallen Hearts (Casteel, #3))
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Life offers more than one chance, Cathy, you know that.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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Look at you, standing there in your iron- gray dress, feeling pious and self- righteous while you starve small children!
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I realize we lose our innocence in many ways, the most painful being when we realize those who are supposed to love us and care for us more than anything, really care for themselves and their own pleasures more. It's painful because it makes you realize how alone you really are.
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V.C. Andrews (Darkest Hour (Cutler, #5))
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Perhaps lovers aren't supposed to look down at the ground. That kind of story is told in symbols--and earth represents reality, and reality represents frustrations, chance illnesses, death, murder, and all kinds of other tragedies. Lovers are meant to look up at the sky, for up there no beautiful illusions can be trampled upon.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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That's the way all life's battles are won.. You don't look at the overall picture. You take one step, then another, and another... until you arrive at your destination.
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V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
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I think you might be the kind to put all the men you love up so high they are bound to come tumbling down.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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Did she really believe that love, once gained, couldn't be torn asunder by doubts and fears, and could never, never be put back together again?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I had heard the wind from the mountains calling me last night, telling me it was my time to go, and I woke up, knowing what to do.
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V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
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Death can be a good friend to those in extreme pain. I wondered how he held on so long...
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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I brushed it until it shone and looked somewhat like it used to look, only far thinner, and less glorious.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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We had been separated by time and distance and events so long, it was as if we had to get to know each other again, but if it was possible to fall in love with the same person twice, I did.
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V.C. Andrews (Pearl in the Mist (Landry, #2))
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You are an intriguing combination, half child, half seductress, half angel." I laughed sort and bitterly. "That's what all men like to think about women. Little girls they have to take care of--when I know for a fact it is the male who is more boy than man.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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It’s not that I’m afraid to die, it’s only the road to death that terrifies me, for sometimes it can be so drawn out.
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V.C. Andrews (Dark Angel (Casteel, #2))
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Why did I think back then, that happiness was always just ahead in the future, when I would be an adult, able to make my own decisions, go my own way, be my own person? Why had it seemed that being a child was never enough?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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-just on the verge of becoming a woman, and in these three years and almost five months, I'd reached maturity. I was older than the mountains outside. The wisdom of the attic was in my bones, etched on my brain, part of my flesh.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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What if I am a curse?" "Then you're the prettiest and nicest curse I know.
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V.C. Andrews (Darkest Hour (Cutler, #5))
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Maybe that was what millions could do-- nail a satisfied smirk to one's face.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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He won't listen to the music, and I can't turn it off.
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V.C. Andrews
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I had a gift too; not the bright and shining coin that was Christopher's. It was my way to turn over all that glittered and look for the tarnish.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Let’s go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won’t be disappointed.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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What women wanted to be eaten alive, choked by a thrusting tongue? Not me, I wanted to be played like a violin, strummed pianissimo, in largo timing, fingered into legato, and let it grow into crescendo.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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I don’t explain love, Bart. I don’t think anyone can. It grows from day to day from having contact with that other person who understands your needs, and you understand theirs. It starts with a faltering flutter that touches your heart and makes you vulnerable to everything beautiful.
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V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
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The bad psychological material is not a sin but a disease. It does not need to be repented of, but to be cured. And by the way, that is very important. Human beings judge one another by their external actions. God judges them by their moral choices. When a neurotic who has a pathological horror of cats forces himself to pick up a cat for some good reason, it is quite possible that in God's eyes he has shown more courage than a healthy man may have shown in winning the V.C. When a man who has been perverted from his youth and taught that cruelty is the right thing does dome tiny little kindness, or refrains from some cruelty he might have committed, and thereby, perhaps, risks being sneered at by his companions, he may, in God's eyes, be doing more than you and I would do if we gave up life itself for a friend. It is as well to put this the other way round. Some of us who seem quite nice people may, in fact, have made so little use of a good heredity and good upbringing that we are really worse than those whom we regard as fiends. Can we be quite certain how we should have behaved if we had been saddled with the psychological outfit, and then with the bad upbringing, and then with the power, say, of Himmler? That is why Christians are told not to judge. We see only the results which a man's choices make out of his raw material. But God does not judge him on the raw material at all, but on what he has done with it. Most of the man's psychological makeup is probably due to his body: when his body dies all that will fall off him, and the real central man, the thing that chose, that made the best or worst out of this material, will stand naked. All sorts of nice things which we thought our own, but which were really due to a good digestion, will fall off some of us: all sorts of nasty things which were due to complexes or bad health will fall off others. We shall then, for the first time, see every one as he really was. There will be surprises.
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C.S. Lewis (Mere Christianity)
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After it's all over, the early childhood, a chain of birthdays woven with candlelight, piles of presents, voices of relatives singing and praising your promise and future, after the years of schooling, fitting yourself into different size desks, memorizing, reciting, reporting, and performing for jury after jury of teachers, counselors, and administrators, you still feel inadequate, alone, vulnerable, and naked in a world that can be unforgiving and terribly demanding.
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V.C. Andrews (Into the Garden (Wildflowers, #5))
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I was the kind of child who’d always looked for fairies dancing on the grass. I wanted to believe in witches, wizards, ogres, giants, and enchanted spells. I didn’t want all of the magic taken out of the world by scientific explanation.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I want you to understand that what is black to one person is white to another. And nothing in this world is so perfect that it is pure white, or so bad it is pure black. Everything concerning human beings comes in shades of gray, Carrie.
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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And somewhere in that crimson-colored never-never land where i pirouetted madly, in a wild and crazy effort to exhaust myself into insensibility, i saw that man, shadowy and distant, half-hidden behind towering white columns that rose clear up to a purple sky. In a passionate pas de deux he danced with me, forever apart, no matter how hard i sought to draw nearer and leap into his arms, where i could feel them protective about me, supporting me ... and with him i'd find, at last, a safe place to live and love.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Most guys arrived here normal, and they were shocked and sickened by the behavior of the guys who'd been here a while. Then within a few weeks, they'd stop being shocked, and within a few months a lot of them joined the club of the crazies. And most of them, I think, went home and became normal again, though some didn't. But I never once saw anyone here who had gone around the bend ever return to normal while they were still here. It only got worse because in this environment they'd lost any sense of. . . humanity. Or you could be nice and say they'd become desensitized. It was actually more frightening than sickening. A guy who'd sliced off the ear of a VC he'd killed that morning would be joking with the village kids and the old Mama-sans that afternoon and handing out candy. I mean, they weren't evil or psychotic, we were normal, which is was really scared the hell out of me.
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Nelson DeMille (Up Country)
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We're going to change. We're going to throw out what's worse in us and keep what's best. But come hell or high water, we three will stick together, all for one, one for all. We're going to grow, Cathy, physically, mentally, and emotionally. Not only that, we're going to reach the goals we've set for ourselves. I'll be the best damned doctor the world's ever known and you will make Pavlova seem like an awkward country girl.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.
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Dave Eggers (A Heartbreaking Work of Staggering Genius)
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Love is fragile at best and often a burden or something that blinds us. It's fodder for poets and song writers and they build it into something beyond human capacity. Falling in love means enrolling yourself in the school of disappointment. Being human means failing each other often, and no two people fail each other more than two people who pledge to do things for each other that they'll never do because they are just incapable of it...That's why art is enduring. The look of love or hope, or the look of compassion, bravery, whatever, is captured forever. We spend our lives trying to get someone to be as enduring as a painting or a sculpture and we can't because feelings crumble as quickly as the flesh.
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V.C. Andrews (Heart Song (Logan, #2))
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Cathy, don't look so defeated. She was only trying to put us down again. Maybe nothing did work out right for her, but that doesn't mean we are doomed. Let's go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won't be disappointed." If a little hill of happiness would satisfy Chris, good for him. But after all these years of striving, hoping, dreaming, longing-I wanted a mountain high! A hill wasn't enough. From this day forward, I vowed to myself, I was in control of my life. Not fate, not God, not even Chris was ever again going to tell me what to do, or dominate me in any way. From this day forward, I was my own person, to take what I would, when I would, and I would answer only to myself. I'd been kept prisoner, held captive by greed. I'd been betrayed, deceived, tied to, used, poisoned ... but all that was over now.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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...I'm a fool. I expect too much, then I'm angry because nothing ever works out the way I want. When I was young and full of hopes and aspirations, I didn't know I would get hurt so often. I think I'll get tough and won't ache again, then my fragile shell shatters, and again, symbolically, my blood is spilled with the tears I shed. I pull myself back together again, go on, convince myself there is a reason for everything, and at some point in my life it will be disclosed. And when I have what I want, I hope to god it stays long enough to let me know I have it, and it wont hurt when it goes, for I don't expect it to stay, not now. I'm like a doughnut, always being punch out in the middle, and constantly I go around searching for the missing piece, and on and on it goes, never ending, only beginning...
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V.C. Andrews (Petals on the Wind (Dollanganger, #2))
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Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
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V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))