Vapour Quotes

We've searched our database for all the quotes and captions related to Vapour. Here they are! All 100 of them:

Asleep by the Smiths Vapour Trail by Ride Scarborough Fair by Simon & Garfunkel A Whiter Shade of Pale by Procol Harum Dear Prudence by the Beatles Gypsy by Suzanne Vega Nights in White Satin by the Moody Blues Daydream by Smashing Pumpkins Dusk by Genesis (before Phil Collins was even in the band!) MLK by U2 Blackbird by the Beatles Landslide by Fleetwood Mac Asleep by the Smiths (again!) -Charlie's mixtape
Stephen Chbosky (The Perks of Being a Wallflower)
     Illicit flight Alfa Bravo Charlie quickly reached a predetermined altitude and stopped dead. The passengers on board screamed the way people do on fairground rides. The shuttle hesitated momentarily and then shot forward accelerating rapidly to reach a blistering 145,222 miles per hour. They were in a Mach 22 situation. The cries from on-board could not be heard from the ground. Neither did anyone in the great metropolis of Llar witness the bright blue vapour trail the craft left behind in its wake. It was after all overcast and raining heavily.
A.R. Merrydew (Our Blue Orange (Godfrey Davis, #1))
This goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust?
William Shakespeare (Hamlet)
Man is only a reed, the weakest in nature, but he is a thinking reed. There is no need for the whole universe to take up arms to crush him: a vapour, a drop of water is enough to kill him. but even if the universe were to crush him, man would still be nobler than his slayer, because he knows that he is dying and the advantage the universe has over him. The universe knows none of this.
Blaise Pascal (Pensées)
I am—yet what I am none cares or knows; My friends forsake me like a memory lost: I am the self-consumer of my woes— They rise and vanish in oblivious host, Like shadows in love’s frenzied stifled throes And yet I am, and live—like vapours tossed
John Clare ("I Am": The Selected Poetry of John Clare)
The reason it's worth standing up for punctuation is not that it's an arbitrary system of notation known only to an over-sensitive elite who have attacks of the vapours when they see it misapplied. The reason to stand up for punctuation is that without it there is no reliable way of communicating meaning.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
Mist to mist, drops to drops. For water thou art, and unto water shalt thou return.
Kamand Kojouri
Pride and hope and desire like crushed herbs in his heart sent up vapours of maddening incense before the eyes of his mind.
James Joyce (A Portrait of the Artist as a Young Man)
There is a worse tyranny than that of ill-treatment. It is the tyranny of tears, vapours, appeals to feelings of affection and of gratitude!
Georgette Heyer (Lady of Quality)
How then does light return to the world after the eclipse of the sun? Miraculously. Frailly. In thin stripes. It hangs like a glass cage. It is a hoop to be fractured by a tiny jar. There is a spark there. Next moment a flush of dun. Then a vapour as if earth were breathing in and out, once, twice, for the first time. Then under the dullness someone walks with a green light. Then off twists a white wraith. The woods throb blue and green, and gradually the fields drink in red, gold, brown. Suddenly a river snatches a blue light. The earth absorbs colour like a sponge slowly drinking water. It puts on weight; rounds itself; hangs pendent; settles and swings beneath our feet.
Virginia Woolf (The Waves)
The town is mobbed out with Saturday shoppers looking for Christmas bargains. You can almost breathe in the raw greed which hangs in the air like vapour. As the late afternoon darkness falls, the lights look tacky and sinister.
Irvine Welsh (Filth)
I Am! I am—yet what I am none cares or knows; My friends forsake me like a memory lost: I am the self-consumer of my woes— They rise and vanish in oblivious host, Like shadows in love’s frenzied stifled throes And yet I am, and live—like vapours tossed Into the nothingness of scorn and noise, Into the living sea of waking dreams, Where there is neither sense of life or joys, But the vast shipwreck of my life’s esteems; Even the dearest that I loved the best Are strange—nay, rather, stranger than the rest. I long for scenes where man hath never trod A place where woman never smiled or wept There to abide with my Creator, God, And sleep as I in childhood sweetly slept, Untroubling and untroubled where I lie The grass below—above the vaulted sky.
John Clare ("I Am": The Selected Poetry of John Clare)
I know you all, and will awhile uphold The unyoked humour of your idleness. Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wondered at By breaking through the foul and ugly mists Of vapours that did seem to strangle him. If all the year were playing holidays, To sport would be as tedious as to work; But when they seldom come, they wished-for come, And nothing pleaseth but rare accidents. So, when this loose behaviour I throw off And pay the debt I never promisèd, By how much better than my word I am, By so much shall I falsify men’s hopes; And like bright metal on a sullen ground, My reformation, glitt’ring o’er my fault, Shall show more goodly and attract more eyes Than that which hath no foil to set it off. I’ll so offend to make offence a skill, Redeeming time when men think least I will.
William Shakespeare (King Henry IV, Part 1)
Everything of the body is a river. Everything of the soul is dream and vapour. Life is war and the abode of a stranger. The only fame after death is oblivion.
Marcus Aurelius (Meditations)
With lacquerware there is an extra beauty in that moment between removing the lid and lifting the bowl to the mouth, when one gazes at the still, silent liquid in the dark depths of the bowl, its colour hardly differing from that of the bowl itself. What lies within the darkness one cannot distinguish, but the palm senses the gentle movements of the liquid, vapour rises from within, forming droplets on the rim, and the fragrance carried upon the vapour brings a delicate anticipation ... a moment of mystery, it might almost be called, a moment of trance.
Jun'ichirō Tanizaki (In Praise of Shadows)
What but a pestilential vapour can hover over society when its chief director is only instructed in the invention of crimes, or the stupid routine of childish ceremonies?
Mary Wollstonecraft (A Vindication of the Rights of Woman)
Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
William Golding (Lord of the Flies)
I am—yet what I am none cares or knows; My friends forsake me like a memory lost: I am the self-consumer of my woes— They rise and vanish in oblivious host, Like shadows in love’s frenzied stifled throes And yet I am, and live—like vapours tossed Into the nothingness of scorn and noise, Into the living sea of waking dreams, Where there is neither sense of life or joys, But the vast shipwreck of my life’s esteems; Even the dearest that I loved the best Are strange—nay, rather, stranger than the rest.
John Clare ("I Am": The Selected Poetry of John Clare)
Most books are born from the smoke and vapour of the brain: and to vapour and smoke may they well return. For having no fire within themselves, they shall be visited with fire.
Friedrich Nietzsche (Schopenhauer as Educator)
A great sea fog is not homogenous--its density varies: it is honeycombed with streets, it has its caves of clear air, its cliffs of solid vapour, all shifting and changing place with the subtlety of legerdemain.
Henry de Vere Stacpoole (The Blue Lagoon)
A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value - you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to- hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you - daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough. More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
I was no longer a vacant mind, an abstracted gaze, but the turbulent fragrance of the waving grain, the intimate smell of the heather moors, the dense heat of noon or the shiver of twilight; I was heavy; yet I was as vapour in the blue airs of summer and knew no bounds.
Simone de Beauvoir (Memoirs of a Dutiful Daughter)
Whatever is destroyed, the act of destruction does not vary much. Beauty if vapour from the pit of death.
J.A. Baker (The Peregrine: The Hill of Summer & Diaries: the Complete Works of J. A. Baker)
A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God! O my friend — but it is too much for my strength — I sink under the weight of the splendour of these visions!
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
The air was still. The silvery vapour hung serenely on the far horizon, and the frosty stars blinked brightly. Everyone knows the effect of such a scene on a mind already saddened. Fancies and regrets float mistily in the dream, and the scene affects us with a strange mixture of memory and anticipation, like some sweet old air heard in the distance.
J. Sheridan Le Fanu (Uncle Silas)
But more wonderful than the lore of old men and the lore of books is the secret lore of ocean. Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent. All my days have I watched it and listened to it, and I know it well. At first it told to me only the plain little tales of calm beaches and near ports, but with the years it grew more friendly and spoke of other things; of things more strange and more distant in space and in time. Sometimes at twilight the grey vapours of the horizon have parted to grant me glimpses of the ways beyond; and sometimes at night the deep waters of the sea have grown clear and phosphorescent, to grant me glimpses of the ways beneath. And these glimpses have been as often of the ways that were and the ways that might be, as of the ways that are; for ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.
H.P. Lovecraft (The Transition of H. P. Lovecraft: The Road to Madness)
The chemists are a strange class of mortals, impelled by an almost insane impulse to seek their pleasures amid smoke and vapour, soot and flame, poisons and poverty; yet among all these evils I seem to live so sweetly that may I die if I were to change places with the Persian king.
Johann Joachim Becher
Imagination! lifting up itself Before the eye and progress of my Song Like and unfather'd vapour; here that Power In all the might of its endowments, came Athwart me; I was lost as in a cloud, Halted without a struggle to break through, And now recovering to my Soul I say I recognize they glory; in such strength Of usurpation, in such visitings Of awful promise, when the light of sense Goes out in flashes that have shewn to us The invisible world, doth Greatness make abode There harbours whether we be young or old. Our destiny, our nature, and our home Is with infinitude, and only there; With hope it is, hope that can never die, Effort, and expectation, and desire, And something evermore about to be.
William Wordsworth (William Wordsworth's The prelude : with a selection from the shorter poems, the sonnets, The recluse, and The excursion and three essays on the art of poetry)
Blue,” I answered his ongoing question on a breath that rose before me in a cloud of vapour, knowing that it meant far more than that. That I'd just told him I wanted him. And in turn, agreed to this dangerous affair.
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
The water changed to vapour and rose, became rain and came down again, became spring, brook and river, changed a new, flowed anew.
Hermann Hesse (Siddhartha)
At the first turning of the second stair I turned and saw below The same shape twisted on the banister Under the vapour in the fetid air Struggling with the devil of the stairs who wears The deceitful face of hope and of despair
T.S. Eliot
It's strange how the human mind swings back and forth, from one extreme to another. Does truth lie at some point of th pendulum's swing, at a point where it never rests, not in the dull prependicular mean where it dangles in the end like a windless flag, but at an angle, nearer one extreme than another? If only a miracle could stop the pendulum at an angle of sixty degrees, one would believe the truth was there. Well, the pendulum swung today and I thought, instead of my own body, of Maurice's. I thought of certain lines life had put on his face as personal as a line of his writing: I thought of a new scar on his shoulder that wouldn't have been there if once he hadn't tried to protect another man's body from a falling wall. He didn't tell me why he was in hospital those three days: Henry told me. That scar was part of his character as much as his jealousy. And so I thought, do I want that body to be vapour (mine yes, but his?), and I knew I wanted that scar to exist through all eternity. But could my vapour love that scar? Then I began to want my body that I hated, but only because it could love that scar. We can love with our minds, but can we love only with our minds? Love extends itself all the time, so that we can even love with our senseless nails: we love even with our clothes, so that a sleeve can feel a sleeve.
Graham Greene
I am not a collection of members which we call the human body: I am not a subtle air distributed through these members, I am not a wind, a fire, a vapour, a breath, nor anything at all which I can imagine or conceive; because I have assumed that all these were nothing. Without changing that supposition I find that I only leave myself certain of the fact that I am somewhat.
René Descartes (Meditations on First Philosophy)
All of the waves and waters hastened, suffering, towards goals, many goals, to the waterfall, to the sea, to the current, to the ocean and all goals were reached and each one was succeeded by another. The water turned into vapour and rose, became rain and came down again, became spring, brook and river, changed anew, flowed anew.
Hermann Hesse
Worry not. Sing your songs with all the earnestness you possess. What is talent but the tongue that never ceases its wag? Look upon us poets and see how we are as dogs in the sun, licking our own behinds with such tender love. Naught else afflicts us but the vapours of our own worries.
Steven Erikson (Crack'd Pot Trail (The Tales of Bauchelain and Korbal Broach, #4))
They walked as it were in a black vapour wrought of veritable darkness itself that, as it was breathed, brought blindness not only to eyes but to the mind, so that even the memory of colours and of forms and of any light faded out of thought. Night had always been, and always would be, and night was all.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
When you touch river Ganga in Rishikesh, you also touch the ocean to which the river is connected. Because the distinction between the river and ocean is just in your mind. You also touch the vapours rising from ocean, You touch clouds, rains, earth, mountains, You touch eternity. You touch God. Remove the distinctions, clean the mind. God is right here, right now.
Shunya
In the life of man, his time is but a moment, his being an incessant flux, his senses a dim rushlight, his body a prey of worms, his soul an unquiet eddy, his fortune dark, and his fame doubtful. In short, all that is of the body is as coursing waters, all that is of the soul as dreams and vapours; life a warfare, a brief sojourning in an alien land;and after repute, oblivion. Where, then, can man find the power to guide and guard his steps? In one thing and one alone: the love of knowledge.
Marcus Aurelius (Meditations)
Man is but a reed, the most feeble thing in nature; but he is a thinking reed. The entire universe need not arm itself to crush him. A vapour, a drop of water suffices to kill him. But if the universe were to crush him, man would still be more noble than that which killed him, because he knows that he dies and the advantage which the universe has over him; the universe knows nothing of this.
Rebecca West (The Thinking Reed)
What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.
James Joyce (Ulysses)
Sometimes I felt the bloated Toad, hideous and pampered with the poisonous vapours of the dungeon, dragging his loathsome length along my bosom: Sometimes the quick cold Lizard rouzed me leaving his slimy track upon my face, and entangling itself in the tresses of my wild and matted hair: Often have I at waking found my fingers ringed with the long worms which bred in the corrupted flesh of my Infant.
Matthew Gregory Lewis (The Monk)
To do what you imply would require nothing short of divine intervention. you must change man, not systems. Can you and our vapouring friends of the Literary Chamber of Rennes, or any other learned society of France, devise a system of government that has never yet been tried? Surely not. And can we say of any system tried that it proved other than failure in the end? My dear Philippe, the future is to be read with certainty only in the past. Ad actu ad posse valet consecutio. Man never changes. He is always greedy, always acquisitive, always vile. I am speaking of Man in the bulk.
Rafael Sabatini (Scaramouche (Scaramouche, #1))
For bleeding inwards and shut vapours strangle soonest and oppress most.
Francis Bacon (The works of Lord Bacon: with an introductory essay, Volume 1The Works of)
Siddhartha saw it hurrying, the river, which consisted of him and his loved ones and of all people, he had ever seen, all of these waves and waters were hurrying, suffering, towards goals, many goals, the waterfall, the lake, the rapids, the sea, and all goals were reached, and every goal was followed by a new one, and the water turned into vapour and rose to the sky, turned into rain and poured down from the sky, turned into a source, a stream, a river, headed forward once again, flowed on once again.
Hermann Hesse (Siddhartha)
What is the end of Fame? 't is but to fill A certain portion of uncertain paper: Some liken it to climbing up a hill, Whose summit, like all hills, is lost in vapour; For this men write, speak, preach, and heroes kill, And bards burn what they call their 'midnight taper,' To have, when the original is dust, A name, a wretched picture, and worse bust.
Lord Byron (Don Juan)
But then, the sky! Blue, untainted by a single cloud (the Ancientes had such barbarous tastes given that their poets could have been inspired by such stupid, sloppy, silly-lingering clumps of vapour). I love - and i'm certain that i'm not mistaken if i say we love - skies like this, sterile and flawless! On days like these, the whole world is blown from the same shatterproof, everlasting glass as the glass of the Green Wall and of all our structures. On days like these, you can see to the very blue depths of things, to their unknown surfaces, those marvelous expressions of mathematical equality - which exist in even the most usual and everyday objects.
Yevgeny Zamyatin (We)
Her toes were pure glass. Smooth, clear, shining glass. Glinting crescents of light edged each toenail and each crease between the joints of each digit. Seen through her toes, the silver spots on the bed sheet diffused into metallic vapours.
Ali Shaw (The Girl With Glass Feet)
Then the Unlight of Ungoliant rose up even to the roots of the trees, and Melkor sprang upon the mound; and with his black spear he smote each Tree to its core, wounded them deep, and their sap poured forth as it were their blood, and was spilled upon the ground. But Ungoliant sucked it up, and going then from Tree to Tree she set her black beak to their wounds, till they were drained; and the poison of Death that was in her went into their tissues and withered them, root, branch, and leaf; and they died. And still she thirsted, and going to the Wells of Varda she drank them dry; but Ungoliant belched forth black vapours as she drank, and swelled to a shape so vast and hideous that Melkor was afraid.
J.R.R. Tolkien
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
The woods decay, the woods decay and fall, The vapours weep their burthen to the ground, Man comes and tills the field and lies beneath, And after many a summer dies the swan.
Alfred Tennyson (Tithonus)
I will tell you why; so shall my anticipation Prevent your discovery, and your secrecy to the king And queen moult no feather. I have of late--but Wherefore I know not--lost all my mirth, forgone all Custom of exercises; and indeed it goes so heavily With my disposition that this goodly frame, the Earth, seems to me a sterile promontory, this most Excellent canopy, the air, look you, this brave O'erhanging firmament, this majestical roof fretted With golden fire, why, it appears no other thing to Me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! How infinite in faculty! in form and moving how Express and admirable! in action how like an angel! In apprehension how like a god! the beauty of the World! the paragon of animals! And yet, to me, What is this quintessence of dust? man delights not Me: no, nor woman neither, though by your smiling You seem to say so.
William Shakespeare (Hamlet (Classics Illustrated #99))
to say all in a word, everything which belongs to the body is a stream, and what belongs to the soul is a dream and vapour, and life is a warfare and a stranger’s sojourn, and after-fame is oblivion.
Marcus Aurelius (The Meditations of Marcus Aurelius)
Above the dark town After the sun's gone down Two vapour trails cross the sky Catching the day's last slow goodbye Black skyline looks rich as velvet Something is shining Like gold but better Rumours of glory...
Bruce Cockburn
Facta! Yes, Facta ficta! - A historian has to do, not with what actually happened, but only with events supposed to have happened: for only the latter have produced an effect. Likewise only with supposed heroes. His theme, so-called world history, is opinions about supposed actions and their supposed motives, which in turn give rise to further opinions and actions, the reality of which is however at once vaporised again and produces an effect only as vapour - a continual generation and pregnancy of phantoms over the impentetrable mist of unfathomable reality. All historians speak of things which have never existed except in imagination.
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
She noticed immediately that they were now in an altogether paler country. The sun had disappeared above a film of vapour. The air was becoming cooler every minute. The land was flat and treeless and there seemed to be no colour in it at all. Every minute, the mist became thicker. The air became colder still and everything became paler and paler until soon there was nothing but grey and white all around them. They were in a country of swirling mists and ghostly vapours. There was some sort of grass underfoot but it was not green. It was ashy grey.
Roald Dahl (The BFG)
Perhaps you think I had forgotten Mr. Rochester, reader, amidst these changes of place and fortune.  Not for a moment.  His idea was still with me, because it was not a vapour sunshine could disperse, nor a sand-traced effigy storms could wash away; it was a name graven on a tablet, fated to last as long as the marble it inscribed. 
Charlotte Brontë (Jane Eyre)
It is nothing new, these vital lies men tell themselves, muttering and mumbling them like charms and incantations against the powers of Night. The voodoos and medicine men and the devil-devil doctors were the fathers of metaphysics. Night and the Noseless One were ogres that beset the way of light and life. And the metaphysicians would win by if they had to tell lies to do it. They were vexed by the brazen law of the Ecclesiast that men die like the beasts of the field and their end is the same. Their creeds were their schemes, their religions their nostrums, their philosophies their devices, by which they half-believed they would outwit the Noseless One and the Night. "Bog-lights, vapours of mysticism, psychic overtones, soul orgies, wailings among the shadows, weird gnosticisms, veils and tissues of words, gibbering subjectivisms, gropings and maunderings, ontological fantasies, pan-psychic hallucinations—this is the stuff, the phantasms of hope, that fills your bookshelves. Look at them, all the sad wraiths of sad mad men and passionate rebels—your Schopenhauers, your Strindbergs, your Tolstois and Nietzsches. "Come. Your glass is empty. Fill and forget.
Jack London (John Barleycorn)
We can't stop reading. Compulsively we find ourselves reading significance into dreams (we construct a science upon it); into tea-leaves and the fall of cards. We look up at the shifting vapours in the sky, and see faces, lost cities, defeated armies. Isolated in the dark, with nothing to hear and no surfaces to touch, we hallucinate reading-matter. Our craving becomes generalized – for 'the meaning of life'. If we lived alone in a featureless desert we should learn to place the individual grains of sand in a moral or aesthetic hierarchy. We should long to find the greatest grain of sand in the world, and even (in order to find a fixed point of orientation in time as well as in space) the all-time greatest grain of sand; the grain of sand whose discovery changed our whole understanding of grains of sand for ever.
Michael Frayn (Constructions)
The day succeeding this remarkable Midsummer night, proved no common day. I do not mean that it brought signs in heaven above, or portents on the earth beneath; nor do I allude to meteorological phenomena, to storm, flood, or whirlwind. On the contrary: the sun rose jocund, with a July face. Morning decked her beauty with rubies, and so filled her lap with roses, that they fell from her in showers, making her path blush: the Hours woke fresh as nymphs, and emptying on the early hills their dew-vials, they stepped out dismantled of vapour: shadowless, azure, and glorious, they led the sun’s steeds on a burning and unclouded course.
Charlotte Brontë (Villette)
That night I never thought to sleep; but a slumber fell on me as soon as I lay down in bed. I was transported in thought to the scenes of childhood: I dreamt I lay in the red-room at Gateshead; that the night was dark, and my mind impressed with strange fears. The light that long ago had struck me into syncope, recalled in this vision, seemed glidingly to mount the wall, and tremblingly to pause in the centre of the obscured ceiling. I lifted up my head to look: the roof resolved to clouds, high and dim; the gleam was such as the moon imparts to vapours she is about to sever. I watched her come—watched with the strangest anticipation; as though some word of doom were to be written on her disk. She broke forth as never moon yet burst from cloud: a hand first penetrated the sable folds and waved them away; then, not a moon, but a white human form shone in the azure, inclining a glorious brow earthward. It gazed and gazed on me. It spoke to my spirit: immeasurably distant was the tone, yet so near, it whispered in my heart— 'My daughter, flee temptation.' 'Mother, I will.' So I answered after I had waked from the trance-like dream.
Charlotte Brontë (Jane Eyre)
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.
W.B. Yeats (The Secret Rose and Rosa Alchemica)
I have transcended that phase in my intellectual growth where I discover humour in simple freakishness. What exists is real; therefore it is tragic, since wherever lives must die. Only fantasy, the vapours rising from sheer nonsense, can now excite my laughter.
Jack Vance (The Green Pearl (Lyonesse, #2))
During the winter much of Yakutia experiences a temperature inversion which results in an unusual phenomena. When the temperature dips below minus 53° Celsius, you can often hear a soft whooshing noise like the sound of grain being poured. It is caused by vapour in one’s own breath turning to ice crystals in the cold, dry air. The local Yakut people call this sound “The Whisper of the Stars.
Jonathan Safran Foer
It was astonishing, Jia Jia thought, how much human emotions rely on what the eyes can see. When all we can observe is endless condensed water vapour, or the horizon, or the darkness, we fell so incredibly detached from the world below us, as if all ties with our homeland have been cut.
An Yu (Braised Pork)
All day, the colours had been those of dusk, mist moving like a water creature across the great flanks of mountains possessed of ocean shadows and depths. Briefly visible above the vapour, Kanchenjunga was a far peak whittled out of ice, gathering the last of the night, a plume of snow blown high by the storms at its summit. Sai, sitting on the veranda, was reading an article about giant squid in an old National Geographic. Every now and then she looked up at Kanchenjunga, observed its wizard phosphorescence with a shiver. The judge sat at the far corner with his chessboard, playing against himself. Stuffed under his chair where she felt safe was Mutt the dog, snoring gently in her sleep. A single bald lightbulb dangled on a wire above. It was cold, but inside the house, it was still colder, the dark, the freeze, contained by stone walls several feet deep.
Kiran Desai (The Inheritance of Loss)
One may picture, too, the sudden shifting of the attention, the swiftly spreading coils and bellyings of that blackness advancing headlong, towering heavenward, turning the twilight to a palpable darkness, a strange and horrible antagonist of vapour striding upon its victims, men and horses near it seen dimly, running, shrieking, falling headlong, shouts of dismay, the guns suddenly abandoned, men choking and writhing on the ground, and the swift broadening-out of the opaque cone of smoke. And then night and extinction – nothing but a silent mass of impenetrable vapour hiding its dead.
H.G. Wells (The War of the Worlds)
Mechanized warfare still left room for human qualities to play an important part in the issue. ‘Automatic warfare’ cancels them out, except in a passive form. Archidamus is at last being justified. Courage, skill and patriotism become shrinking assets. The most virile nation might not be able to withstand another, inferior to it in all natural qualities, if the latter had some decisively superior technical appliance. (...)The advent of ‘automatic warfare’ should make plain the absurdity of warfare as a means of deciding nations’ claims to superiority. It blows away romantic vapourings about the heroic virtues of war, utilized by aggressive and ambitious leaders to generate a military spirit among their people. They can no longer claim that war is any test of a people’s fitness, or even of its national strength. Science has undermined the foundations of nationalism, at the very time when the spirit of nationalism is most rampant.
B.H. Liddell Hart (The Revolution in Warfare. (Praeger Security International))
Look at this fog. The damp gets right into your bones. It's doing my chest no good at all. I'll need a vapour bath." Bryant pulled down his scarf and peered over the sodden hedge. Dew had formed on his bald head and ears. He resembled a minor Tolkien character. "You're getting old before your time," warned May. "I can't imagine what you'll look like in your eighties." "I'm ageing gracefully, which means not trying to look like a member of Concrete Blimp." "I assume you mean Led Zeppelin...
Christopher Fowler (Seventy-Seven Clocks (Bryant & May, #3))
It was like a Stygian plain, like a vision of Hades: a land of shadows, vapours and water. Everything was going misty and disappearing like spirits. The moon was enchanting and pulling at the plain just as she enchants and pulls at the sea, drinking all that vast earthly dampness from the horizon with her silent, insatiable throat.
Gabriele d'Annunzio (The Flame)
Aristotle's opinion... that comets were nothing else than sublunary vapors or airy meteors... prevailed so far amongst the Greeks, that this sublimest part of astronomy lay altogether neglected; since none could think it worthwhile to observe, and to give an account of the wandering and uncertain paths of vapours floating in the Ether.
Edmond Halley
... he ran across the road and began to walk at breakneck speed down the hill. He hardly knew where he was walking. Pride and hope and desire like crushed herbs in his heart sent up vapours of maddening incense before the eyes of his mind. He strode down the hill amid the tumult of sudden-risen vapours of wounded pride and fallen hope and baffled desire. They streamed upwards before his anguished eyes in dense and maddening fumes and passed away above him till at last the air was clear and cold again.
James Joyce (A Portrait of the Artist as a Young Man)
Dorothy looked at everything as though it might vanish. The bright daily pottery, the spice-jars, the sweep of the staircase, the pigeons in the stable yard. What had been real was now like a thick film, a coloured oilcloth, spread over a cauldron of vapours which shaped and reshaped themselves into shadowy forms, embracing, threatening, glaring.
A.S. Byatt (The Children's Book)
Well, if you sat eating as though nothing mattered save your dinner I’m not surprised,” said Juliana viciously. “If I were not so angry with her, the deceitful, sly wretch, I could pity her for all she must have undergone at your hands.” “Seeing me eat was the least of her sufferings,” answered the Marquis. “She underwent much, but it may interest you to know, Juliana, that she never treated me to the vapours, as you seem like to do.” “Then I can only say, Vidal, that either she had no notion what a horrid brutal man you are, or that she is just a dull creature with no nerves at all.” For a moment Vidal did not answer. Then he said in a level voice: “She knew.” His lip curled. He glanced scornfully at his cousin. “Had I carried you off as I carried her you would have died of fright or hysterics, Juliana. Make no mistake, my dear; Mary was so desperately afraid she tried to put a bullet through me.
Georgette Heyer (Devil's Cub (Alastair-Audley, #2))
Endless love and voluptuous appetite pervaded this stifling nave in which settled the ardent sap of the tropics. Renée was wrapped in the powerful bridals of the earth that gave birth to these dark growths, these colossal stamina; and the acrid birth-throes of this hotbed, of this forest growth, of this mass of vegetation aglow with the entrails that nourished it, surrounded her with disturbing odours. At her feet was the steaming tank, its tepid water thickened by the sap from the floating roots, enveloping her shoulders with a mantle of heavy vapours, forming a mist that warmed her skin like the touch of a hand moist with desire. Overhead she could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids' pungency, was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedroom of newlyweds.
Émile Zola (La Curée)
Pride and hope and desire like crushed herbs in his heart sent up vapours of maddening incense before the eyes of his mind. He strode down the hill amid the tumult of suddenrisen vapours of wounded pride and fallen hope and baffled desire. they streamed upwards before his anguished eyes in dense and maddening fumes and passed away above him till at last the air was clear and cold again.
James Joyce
Emily gazed with melancholy awe upon the castle, which she understood to be Montoni's; for, though it was now lighted up by the setting sun, the gothic greatness of its features, and its mouldering walls of dark grey stone, rendered it a gloomy and sublime object. As she gazed, the light died away on its walls, leaving a melancholy purple tint, which spread deeper and deeper, as the thin vapour crept up the mountain, while the battlements above were still tipped with splendour. From those, too, the rays soon faded, and the whole edifice was invested with the solemn duskiness of evening. Silent, lonely, and sublime, it seemed to stand the sovereign of the scene, and to frown defiance on all, who dared to invade its solitary reign. As the twilight deepened, its features became more awful in obscurity, and Emily continued to gaze, till its clustering towers were alone seen, rising over the tops of the woods, beneath whose thick shade the carriages soon after began to ascend.
Ann Radcliffe (The Mysteries of Udolpho)
Of the life of man the duration is but a point, its substance streaming away, its perception dim, the fabric of the entire body prone to decay, and the soul a vortex, and fortune incalculable, and fame uncertain. In a word all the things of the body are as a river, and the things of the soul as a dream and a vapour; and life is a warfare and a pilgrim’s sojourn, and fame after death is only forgetfulness.
Marcus Aurelius (Complete Works of Marcus Aurelius)
Dr Maturin had many of the virtues required in a medical man... yet he had some faults, and one was a habit of dosing himself, generally from a spirit of inquiry, as in his period of inhaling large quantities of the nitrous oxide and of the vapour of hemp, to say nothing of tobacco, bhang in all its charming varieties in India, betel in Java and the neighbouring islands, qat in the Red Sea, and hallucinating cacti in South America, but sometimes for relief from distress, as when he became addicted to opium in one form or another; and now he was busily poisoning himself with coca-leaves, whose virtue he had learnt in Peru.
Patrick O'Brian (The Commodore (Aubrey & Maturin, #17))
Unlike man, whose gods are of the unseen and the overguessed, vapours and mists of fancy eluding the garmenture of reality, wandering wraiths of desired goodness and power, intangible out-croppings of self into the realm of spirit—unlike man, the wolf and the wild dog that have come in to the fire find their gods in the living flesh, solid to the touch, occupying earth-space and requiring time for the accomplishment of their ends and their existence. No effort of faith is necessary to believe in such a god; no effort of will can possibly induce disbelief in such a god. There is no getting away from it. There it stands, on its two hind-legs, club in hand, immensely potential, passionate and wrathful and loving, god and mystery and power all wrapped up and around by flesh that bleeds when it is torn and that is good to eat like any flesh.
Jack London (White Fang)
Caging the compass, he rotated it towards himself, without realising it sank into a momentary reverie in which his entire consciousness became focused on the serpentine terminal touched by the pointer, on the confused, uncertain but curiously potent image summed up by the concept 'South', with all its dormant magic and mesmeric power, diffusing outwards from the brass bowl held in his hands like the heady vapours of some spectral grail.
J.G. Ballard (The Drowned World)
Pride and hope and desire like crushed herbs in his heart sent up vapours of maddening incense before the eyes of his mind. He strode down the hill amid the tumult of suddenrisen vapours of wounded pride and fallen hope and baffled desire. They streamed upwards before his anguished eyes in dense and maddening fumes and passed away above him till at last the air was clear and cold again. A film still veiled his eyes but they burned no longer. A power, akin to that which had often made anger or resentment fall from him, brought his steps to rest. He stood still and gazed up at the sombre porch of the morgue and from that to the dark cobbled laneway at its side.
James Joyce (A Portrait of the Artist as a Young Man)
The second picture contained for foreground only the dim peak of a hill, with grass and some leaves slanting as if by a breeze. Beyond and above spread an expanse of sky, dark blue as at twilight: rising into the sky was a woman’s shape to the bust, portrayed in tints as dusk and soft as I could combine. The dim forehead was crowned with a star; the lineaments below were seen as through the suffusion of vapour; the eyes shone dark and wild; the hair streamed shadowy, like a beamless cloud torn by storm or by electric travail. On the neck lay a pale reflection like moonlight; the same faint lustre touched the train of thin clouds from which rose and bowed this vision of the Evening Star.
Charlotte Brontë (Jane Eyre)
GGibbie never thought about himself, therefore was there wide room for the entrance of the spirit. Does the questioning thought arise to any reader: How could a man be conscious of bliss without the thought of himself? I answer the doubt: When a man turns to look at himself, that moment the glow of the loftiest bliss begins to fade; the pulsing fire-flies throb paler in the passionate night; an unseen vapour steams up from the marsh and dims the star-crowded sky and the azure sea; and the next moment the very bliss itself looks as if it had never been more than a phosphorescent gleam -- the summer lightning of the brain. For then the man sees himself but in his own dim mirror, whereas ere he turned to look in that, he knew himself in the absolute clarity of God's present thought out-bodying him.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
So now I lye by Day and toss or rave by Night, since the ratling and perpetual Hum of the Town deny me rest: just as Madness and Phrensy are the vapours which rise from the lower Faculties, so the Chaos of the Streets reaches up even to the very Closet here and I am whirl'd about by cries of Knives to Grind and Here are your Mouse-Traps. I was last night about to enter the Shaddowe of Rest when a Watch-man, half-drunken, thumps at the Door with his Past Three-a-clock and his Rainy Wet Morning. And when at length I slipp'd into Sleep I had no sooner forgot my present Distemper than I was plunged into a worse: I dreamd my self to be lying in a small place under ground, like unto a Grave, and my Body was all broken while others sung. And there was a Face that did so terrifie me that I had like to have expired in my Dream. Well, I will say no more.
Peter Ackroyd (Hawksmoor)
The Reverie of Poor Susan AT the corner of Wood Street, when daylight appears, Hangs a Thrush that sings loud, it has sung for three years: Poor Susan has pass’d by the spot, and has heard In the silence of morning the song of the bird. ’Tis a note of enchantment; what ails her? She sees A mountain ascending, a vision of trees; Bright volumes of vapour through Lothbury glide, And a river flows on through the vale of Cheapside. Green pastures she views in the midst of the dale Down which she so often has tripp’d with her pail; And a single small cottage, a nest like a dove’s, The one only dwelling on earth that she loves. She looks, and her heart is in heaven: but they fade, The mist and the river, the hill and the shade; The stream will not flow, and the hill will not rise, And the colours have all pass’d away from her eyes!
William Wordsworth
Carroting, you must understand, was a process by which animal fur is bathed in a solution of mercury nitrate, in order to render the hairs more supple, thus producing a superior felt.” At this last word, he threw a significant glance in my direction. “Felt,” I repeated. “You mean, for the making of hats?” “Precisely. The solution is of an orange colour, hence the term carroting. However, this process had rather severe side effects on those who worked with it, which is why its use today is much reduced. When mercury vapours are inhaled over a long enough period of time—particularly, for our purposes, in the close quarters of a hat-making operation—toxic and irreversible effects almost inevitably follow. One develops tremors of the hands; blackened teeth; slurred speech. In severe cases, dementia or outright insanity can occur. Hence the term mad as a hatter.
Douglas Preston (White Fire (Pendergast, #13))
I am like a remnant of a cloud of autumn uselessly roaming in the sky, O my sun ever-glorious! Thy touch has not yet melted my vapour, making me one with thy light, and thus I count months and years separated from thee. If this be thy wish and if this be thy play, then take this fleeting emptiness of mine, paint it with colours, gild it with gold, float it on the wanton wind and spread it in varied wonders. And again when it shall be thy wish to end this play at night, I shall melt and vanish away in the dark, or it may be in a smile of the white morning, in a coolness of purity transparent.
Rabindranath Tagore (Gitanjali)
Inland rain requires trees. Rain clouds on their own cannot travel more than 400km from the sea, so rain in the centre of a continent – the very rain that creates the central forest of the Amazon for example – requires continuous forest to the coast. Around half the rain that falls on the Amazon comes from its trees. As every school geography student knows, water evaporates from the sea, then falls as rain on coastal forest. Those trees ‘breathe out’ water vapour, which creates new clouds that travel further inland in so-called ‘flying rivers’. Crucially, this is how water reaches the soy and corn plantations in central and western Brazil. Once you destroy the forest you get less rain. A 2019 study showed that the rainy season in the state of Mato Grosso had become a month shorter in a decade,41, 42 and many of the major soy farms in Brazil are now suffering from the very drought that they have caused.
Chris van Tulleken (Ultra-Processed People: Why We Can't Stop Eating Food That Isn't Food)
She had to have men at her feet; that was, as it were, the price of her – purely social – daily bread as it was the price of the daily bread of her intimates. She was, and had been for many years, absolutely continent. And so very likely were, and had been, all her Moiras, and Megs, and Lady Marjories – but she was perfectly aware that they had to have, above their assemblies as it were, a light vapour of the airs and habits of the brothel. The public demanded that … a light vapour, like the slight traces of steam that she had seen, glutinously adhering to the top of the water in the crocodile-houses of the Zoo.
Ford Madox Ford (Parade's End (Vintage Classics))
THOU RIGHTEOUS AND HOLY SOVEREIGN, In whose hand is my life and whose are all my ways, Keep me from fluttering about religion; fix me firm in it, for I am irresolute; my decisions are smoke and vapour, and I do not glorify thee, or behave according to thy will; Cut me not off before my thoughts grow to responses, and the budding of my soul into full flower, for thou art forbearing and good, patient and kind. Save me from myself, from the artifices and deceits of sin, from the treachery of my perverse nature, from denying thy charge against my offences, from a life of continual rebellion against thee, from wrong principles, views, and ends; for I know that all my thoughts, affections, desires and pursuits are alienated from thee. I have acted as if I hated thee, although thou art love itself; have contrived to tempt thee to the uttermost, to wear out thy patience; have lived evilly in word and action. Had I been a prince I would long ago have crushed such a rebel; Had I been a father I would long since have rejected my child. O, thou Father of my spirit, thou King of my life, cast me not into destruction, drive me not from thy presence, but wound my heart that it may be healed; break it that thine own hand may make it whole.
Arthur Bennett (The Valley of Vision: A Collection of Puritan Prayers and Devotions)
I lent my ear to the patient's lips - so close that I could feel his fetid, warm breath on my skin. "Can you tell me where I can find Señora Jucinta Coronado?" I asked for the last time. I was afraid he'd bite me. Instead he emitted a violently loud fart. His companions burst out laughing and clapped with joy. I took a few steps back, but it was too late: the flatulent vapours had hit me. It was then that I noticed, close to me, an old man, all hunched up, with a prophet's beard, thin hair, and fiery eyes, who was leaning on a walking stick and gazing at the others with disdain. "You're wasting your time, young man. Juanito only knows how to let off farts, and the others can only laugh and smell them. As you see, the social structure here isn't very different from that of the outside world.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
It seemed as if nothing were to break that tie — as if the years were merely to compact and cement it; and as if those years were to be all the years of their natural lives. Eighteen-forty-two turned into eighteen-forty-three; eighteen-forty-three into eighteen- forty-four; eighteen-forty-four into eighteen-forty-five. Flush was no longer a puppy; he was a dog of four or five; he was a dog in the full prime of life — and still Miss Barrett lay on her sofa in Wimpole Street and still Flush lay on the sofa at her feet. Miss Barrett’s life was the life of “a bird in its cage.” She sometimes kept the house for weeks at a time, and when she left it, it was only for an hour or two, to drive to a shop in a carriage, or to be wheeled to Regent’s Park in a bath-chair. The Barretts never left London. Mr. Barrett, the seven brothers, the two sisters, the butler, Wilson and the maids, Catiline, Folly, Miss Barrett and Flush all went on living at 50 Wimpole Street, eating in the dining-room, sleeping in the bedrooms, smoking in the study, cooking in the kitchen, carrying hot-water cans and emptying the slops from January to December. The chair-covers became slightly soiled; the carpets slightly worn; coal dust, mud, soot, fog, vapours of cigar smoke and wine and meat accumulated in crevices, in cracks, in fabrics, on the tops of picture-frames, in the scrolls of carvings. And the ivy that hung over Miss Barrett’s bedroom window flourished; its green curtain became thicker and thicker, and in summer the nasturtiums and the scarlet runners rioted together in the window-box. But one night early in January 1845 the postman knocked. Letters fell into the box as usual. Wilson went downstairs to fetch the letters as usual. Everything was as usual — every night the postman knocked, every night Wilson fetched the letters, every night there was a letter for Miss Barrett. But tonight the letter was not the same letter; it was a different letter. Flush saw that, even before the envelope was broken. He knew it from the way that Miss Barrett took it; turned it; looked at the vigorous, jagged writing of her name.
Virginia Woolf (Flush)
He thanked me with a smiling nod, measured out a few minims of the red tincture and added one of the powders. The mixture, which was at first of a reddish hue, began, in proportion as the crystals melted, to brighten in colour, to effervesce audibly, and to throw off small fumes of vapour. Suddenly and at the same moment, the ebullition ceased and the compound changed to a dark purple, which faded again more slowly to a watery green. My visitor, who had watched these metamorphoses with a keen eye, smiled, set down the glass upon the table, and then turned and looked upon me with an air of scrutiny. "And now," said he, "to settle what remains. Will you be wise? will you be guided? will you suffer me to take this glass in my hand and to go forth from your house without further parley? or has the greed of curiosity too much command of you? Think before you answer, for it shall be done as you decide. As you decide, you shall be left as you were before, and neither richer nor wiser, unless the sense of service rendered to a man in mortal distress may be counted as a kind of riches of the soul. Or, if you shall so prefer to choose, a new province of knowledge and new avenues to fame and power shall be laid open to you, here, in this room, upon the instant; and your sight shall be blasted by a prodigy to stagger the unbelief of Satan.
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
LECHLADE, GLOUCESTERSHIRE. (Composed September, 1815. Published with “Alastor”, 1816.) The wind has swept from the wide atmosphere Each vapour that obscured the sunset’s ray; And pallid Evening twines its beaming hair In duskier braids around the languid eyes of Day: Silence and Twilight, unbeloved of men,    5 Creep hand in hand from yon obscurest glen. They breathe their spells towards the departing day, Encompassing the earth, air, stars, and sea; Light, sound, and motion own the potent sway, Responding to the charm with its own mystery.    10 The winds are still, or the dry church-tower grass Knows not their gentle motions as they pass. Thou too, aereal Pile! whose pinnacles Point from one shrine like pyramids of fire, Obeyest in silence their sweet solemn spells,    15 Clothing in hues of heaven thy dim and distant spire, Around whose lessening and invisible height Gather among the stars the clouds of night. The dead are sleeping in their sepulchres: And, mouldering as they sleep, a thrilling sound,    20 Half sense, half thought, among the darkness stirs, Breathed from their wormy beds all living things around, And mingling with the still night and mute sky Its awful hush is felt inaudibly. Thus solemnized and softened, death is mild    25 And terrorless as this serenest night: Here could I hope, like some inquiring child Sporting on graves, that death did hide from human sight Sweet secrets, or beside its breathless sleep That loveliest dreams perpetual watch did keep.    30
Percy Bysshe Shelley (Percy Bysshe Shelley)
So spake our mother Eve, and Adam heard Well pleased, but answered not; for now too nigh Th' Archangel stood, and from the other hill To their fixed station, all in bright array The Cherubim descended; on the ground Gliding meteorous, as ev'ning mist Ris'n from a river o'er the marish glides, And gathers ground fast at the labourer's heel Homeward returning. High in front advanced, The brandished sword of God before them blazed Fierce as a comet; which with torrid heat, And vapour as the Libyan air adust, Began to parch that temperate clime; whereat In either and the hast'ning angel caught Our ling'ring parents, and to th' eastern gate Led them direct, and down the cliff as fast To the subjected plain; then disappeared. They looking back, all th' eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand, the gate With dreadful faces thronged and fiery arms: Some natural tears they dropped, but wiped them soon; The world was all before them, where to choose Their place of rest, and Providence their guide: They hand in hand with wand'ring steps and slow, Through Eden took their solitary way.
John Milton (Paradise Lost)
Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.
Percy Bysshe Shelley
They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))
Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Good faith, this same young sober-blooded boy doth not love me; nor a man cannot make him laugh—but that's no marvel; he drinks no wine. There's never none of these demure boys come to any proof; for thin drink doth so over-cool their blood, and making many fish-meals, that they fall into a kind of male green-sickness; and then, when they marry, they get wenches. They are generally fools and cowards-which some of us should be too, but for inflammation. A good sherris-sack hath a two-fold operation in it. It ascends me into the brain; dries me there all the foolish and dull and crudy vapours which environ it; makes it apprehensive, quick, forgetive, full of nimble, fiery, and delectable shapes; which delivered o'er to the voice, the tongue, which is the birth, becomes excellent wit. The second property of your excellent sherris is the warming of the blood; which before, cold and settled, left the liver white and pale, which is the badge of pusillanimity and cowardice; but the sherris warms it, and makes it course from the inwards to the parts extremes. It illumineth the face, which, as a beacon, gives warning to all the rest of this little kingdom, man, to arm; and then the vital commoners and inland petty spirits muster me all to their captain, the heart, who, great and puff'd up with this retinue, doth any deed of courage—and this valour comes of sherris. So that skill in the weapon is nothing without sack, for that sets it a-work; and learning, a mere hoard of gold kept by a devil till sack commences it and sets it in act and use. Hereof comes it that Prince Harry is valiant; for the cold blood he did naturally inherit of his father, he hath, like lean, sterile, and bare land, manured, husbanded, and till'd, with excellent endeavour of drinking good and good store of fertile sherris, that he is become very hot and valiant. If I had a thousand sons, the first humane principle I would teach them should be to forswear thin potations and to addict themselves to sack.
William Shakespeare (Henry IV, Part Two)