Vantage Off Quotes

All right.First, find me a cliff" "That,will it give you a vantage to see the area?" "No," said Kaladin. "It will give me something to throw you off of

If you can see a thing whole," he said, "it seems that it's always beautiful. Planets, lives. . . . But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you loose the pattern. You need distance, interval. The way to see how beautiful earth is, is to see it from the moon. The way to see how beautiful life is, is from the vantage point of death." "That's all right for Urras. Let it stay off there and be the moon-I don't want it! But I am not going to stand up on a gravestone and look down on life and say, 'O lovely!' I want to see it whole right in the middle of it, here, now. I don't give a hoot for eternity." "It's nothing to do with eternity," said Shevek, grinning, a thin shaggy man of silver and shadow. "All you have to do to see life as a whole is to see it as mortal. I'll die, you'll die; how could we love each other otherwise? The sun's going to burn out, what else keeps it shining?" "Ah! your talk, your damned philosophy!" "Talk? It's not talk. It's not reason. It's hand's touch. I touch the wholeness, I hold it. Which is moonlight, which is Takver? How shall I fear death? When I hold it, when I hold in my hands the light-" "Don't be propertarian," Takver muttered. "Dear heart, don't cry." "I'm not crying. You are. Those are your tears." "I'm cold. The moonlight's cold." "Lie down." A great shiver went through his body as she took him in her arms. "I'm afraid, Takver," he whispered.

You want me to lead the caravan?” “Instructions will be acceptable.” “All right. First, find a cliff.” “That, it will give you a vantage to see the area?” “No,” Kaladin said. “It will give me something to throw you off of.

Instead everyone has to pretend not to notice that their social lives are arranged hierarchically, with certain people at the top, some jostling at mid-level, and others lower down. Marianne sometimes sees herself at the very bottom of the ladder, but at other times she pictures herself off the ladder completely, not affected by its mechanics, since she does not actually desire popularity or do anything to make it belong to her. From her vantage point it is not obvious what rewards the ladder provides, even to those who really are at the top.

As children, we start off at the center of our own universe, where we interpret everything that happens from an egocentric vantage point. If our parents or grandparents keep telling us we’re the cutest, most delicious thing in the world, we don’t question their judgment—we must be exactly that. And deep down, no matter what else we learn about ourselves, we will carry that sense with us: that we are basically adorable. As a result, if we later hook up with somebody who treats us badly, we will be outraged. It won’t feel right: It’s not familiar; it’s not like home. But if we are abused or ignored in childhood, or grow up in a family where sexuality is treated with disgust, our inner map contains a different message. Our sense of our self is marked by contempt and humiliation, and we are more likely to think “he (or she) has my number” and fail to protest if we are mistreated.

We climbed this hill. Each step up we could see farther, so of course we kept going. Now we’re at the top. Science has been at the top for a few centuries now. And we look out across the plain and we see this other tribe dancing around above the clouds, even higher than we are. Maybe it’s a mirage, maybe it’s a trick. Or maybe they just climbed a higher peak we can’t see because the clouds are blocking the view. So we head off to find out—but every step takes us downhill. No matter what direction we head, we can’t move off our peak without losing our vantage point. So we climb back up again. We’re trapped on a local maximum. But what if there is a higher peak out there, way across the plain? The only way to get there is to bite the bullet, come down off our foothill and trudge along the riverbed until we finally start going uphill again. And it’s only then you realize: Hey, this mountain reaches way higher than that foothill we were on before, and we can see so much better from up here. But you can’t get there unless you leave behind all the tools that made you so successful in the first place. You have to take that first step downhill.

From the vantage point of my warm, comfortable spot on mother earth, I could see off into infinite space and the eternity of time. In just a few hours, I thought, some of us are going to make that leap into eternity. And I will be one of the instruments of that voyage. I may also be one of the travelers....It's going to happen sooner or later. But if today is my day-I'm going to have a cup of coffee first.

He remembered the night in Arlington when the news came: secession. He remembered a paneled wall and firelight. When we heard the news we went into mourning. But outside there was cheering in the streets, bonfires of joy. They had their war at last. But where was there ever any choice? The sight of fire against wood paneling, a bonfire seen far off at night through a window, soft and sparky glows always to remind him of that embedded night when he found that he had no choice. The war had come. He was a member of the army that would march against his home, his sons. He was not only to serve in it but actually to lead it, to make the plans and issue the orders to kill and burn and ruin. He could not do that. Each man would make his own decision, but Lee could not raise his hand against his own. And so what then? To stand by and watch, observer at the death? To do nothing? To wait until the war was over? And if so, from what vantage point and what distance? How far do you stand from the attack on your home, whatever the cause, so that you can bear it? It had nothing to do with causes; it was no longer a matter of vows. When Virginia left the Union she bore his home away as surely as if she were a ship setting out to sea, and what was left behind on the shore was not his any more. So it was no cause and no country he fought for, no ideal and no justice. He fought for his people, for the children and the kin, and not even the land, because not even the land was worth the war, but the people were, wrong as they were, insane even as many of them were, they were his own, he belonged with his own. And so he took up arms willfully, knowingly, in perhaps the wrong cause against his own sacred oath and stood now upon alien ground he had once sworn to defend, sworn in honor, and he had arrived there really in the hands of God, without any choice at all; there had never been an alternative except to run away, and he could not do that. But Longstreet was right, of course: he had broken the vow. And he would pay. He knew that and accepted it. He had already paid. He closed his eyes. Dear God, let it end soon.

It's easy for the reader from his quiet vantage point high above the melee whence his eye sweeps over the whole horizon and he can see everything that is happening below--but a man down there can only see the subject nearest him. In the same way, in the world chronicle of mankind, there seem to be many centuries that could be crossed out and expunged as useless. There have been many errors committed in the world which we would not expect a child to commit today. What tortuous, blind, impassable, devious paths has mankind trodden in its search for eternal truth, while all the time, right before it, lay the straight road leading to the glittering edifice destined to be the palace of the ruler. This road is the clearest and the most beautiful of all, flooded by sunlight during the day and brightly illuminated at night, but the human throng flows past it in darkness. And how many times, even when inspired by God-given good sense, have men still managed to step back and turn away from it; succeeded again and again in losing themselves in back alleys in broad daylight; succeeded again and again in filling each others eyes with blinding smoke and trudging wearily after a mirage; again and again succeeded in coming to the very brink of the precipice, then asking each other, horrified, in which direction the road can be found. The present generation see all this clearly and is surprised at the erring and blundering of its ancestors, laughs at their folly. So it's not for nothing that mankind's chronicle is scarred out by heavenly flames, that each letter in it cries out, and that from every page a piercing finger is pointed at the present generation. But today's generation just laughs, sure of its strength and full of pride, and it starts off along a path of new errors over which its decedents in turn will pour their scorn.

If you stand far enough away from a picture, even a large one, the problem of the edges being at a different distance from you diminishes. Leonardo determined that a proper vantage point for a large picture should be ten to twenty times its width or height. “Stand back until your eye is at least twenty times as far off as the greatest height and width of your work,

We live in Cedarburg.” He rattled off their address as I jotted it down. “We just had lunch at Omicron, which we do twice a month. Anyway, we were headed home. As you may notice, our truck is a bit higher than cars. I guess that gave us a better vantage point if you’d consider coming up on two dead men an advantage. Anyway, I’m sure that’s the only reason Elise saw them.

Imagine the sand of the Mohaine Desert, which you crossed to find me, and imagine a trillion universes – not worlds but universes – encapsulated in each grain of that desert; and within each universe an infinity of others. We tower over these universes from our pitiful grass vantage point; with one swing of your boot you may knock a billion billion worlds flying off into darkness, in a chain never to be completed. ‘Size, gunslinger . . . size . . .

Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?) While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well. The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.

From his vantage point on the window sill, The Dude cocked a rear leg back over his head and proceeded to lick at his private parts with a thoroughness that would make a lesser man blush. I shook my head at the sight and mumbled, “Show off,” in the animal’s general direction. For a moment the tiny kitten hesitated, leg still extended behind its head, face still over its crotch. It narrowed its eyes at me, let out a displeased sound, then promptly got back to work. I suppose there are worse things than being a cat.

Apple employees had never had much respect for Microsoft’s ability to create anything but ungainly, confusing, and half-baked technologies for consumers. The animus went back decades. Even though Microsoft Word, Excel, and PowerPoint were instrumental in the early success of the Mac, Microsoft’s unforgivable sin, from the vantage point of Cupertino, was its derivative creation of Windows. Steve was being expedient when he offered to abandon Apple’s long-standing lawsuit against Microsoft to seal the deal with Gates upon his return in 1997. But folks at Apple still considered Windows a rip-off of Apple’s ideas, pure and simple.

In 1994 another bombshell was dropped. Edward Witten of Princeton's Institute for Advanced Study and Paul Townsend of Cambridge University speculated that all five string theories were in fact the same theory-but only if we add an eleventh dimension. From the vantage point of the eleventh dimension, all five different theories collapsed into one! The theory was unique after all, but only if we ascended to the mountaintop of the eleventh dimension. In the eleventh dimension a new mathematical object can exist, called the membrane (e.g., like the surface of a sphere). Here was the amazing observation: if one dropped from eleven dimensions down to ten dimensions, all five string theories would emerge, starting from a single membrane. Hence all five string theories were just different ways of moving a membrane down from eleven to ten dimensions. (To visualize this, imagine a beach ball with a rubber band stretched around the equator. Imagine taking a pair of scissors and cutting the beach ball twice, once above and once below the rubber band, thereby lopping off the top and bottom of the beach ball. All that is left is the rubber band, a string. In the same way, if we curl up the eleventh dimension, all that is left of a membrane is its equator, which is the string. In fact, mathematically there are five ways in which this slicing can occur, leaving us with five different string theories in ten dimensions.)

No, so God help me, they spake not a word; But, like dumb statues or breathing stones, Star'd each on other, and look'd deadly pale. Which when I saw, I reprehended them, And ask'd the Mayor what meant this wilfull silence. His answer was, the people were not used To be spoke to but by the Recorder. Then he was urg'd to tell my tale again. 'Thus saith the Duke, thus hath the Duke inferr'd'- But nothing spoke in warrant from himself. When he had done, some followers of mine own At lower end of the hall hurl'd up their caps, And some ten voices cried 'God save King Richard!' And thus I took the vantage of those few- 'Thanks, gentle citizens and friends,' quoth I 'This general applause and cheerful shout Argues your wisdoms and your love to Richard.' And even here brake off and came away. GLOUCESTER. What, tongueless blocks were they? Would they not speak?

Pastor Max Lucado of San Antonio, Texas, said in an editorial for the Washington Post in February 2016 that he was “chagrined” by Trump’s antics. He ridiculed a war hero. He made a mockery of a reporter’s menstrual cycle. He made fun of a disabled reporter. He referred to a former first lady, Barbara Bush, as “mommy” and belittled Jeb Bush for bringing her on the campaign trail. He routinely calls people “stupid” and “dummy.” One writer catalogued 64 occasions that he called someone “loser.” These were not off-line, backstage, overheard, not-to-be-repeated comments. They were publicly and intentionally tweeted, recorded and presented.18 Lucado went on to question how Christians could support a man doing these things as a candidate for president, much less as someone who repeatedly attempted to capture evangelical audiences by portraying himself as similarly committed to Christian values. He continued, “If a public personality calls on Christ one day and calls someone a ‘bimbo’ the next, is something not awry? And to do so, not once, but repeatedly, unrepentantly and unapologetically? We stand against bullying in schools. Shouldn’t we do the same in presidential politics?” Rolling Stone reported on several evangelical leaders pushing against a Trump nomination, including North Carolina radio host and evangelical Dr. Michael Brown, who wrote an open letter to Jerry Falwell Jr., blasting his endorsement of Donald Trump. Brown wrote, “As an evangelical follower of Jesus, the contrast is between putting nationalism first or the kingdom of God first. From my vantage point, you and other evangelicals seem to have put nationalism first, and that is what deeply concerns me.”19 John Stemberger, president and general counsel for Florida Family Action, lamented to CNN, “The really puzzling thing is that Donald Trump defies every stereotype of a candidate you would typically expect Christians to vote for.” He wondered, “Should evangelical Christians choose to elect a man I believe would be the most immoral and ungodly person ever to be president of the United States?”20 A

A small smudge over there—the bird cruised down to see, hopeful, hungry. But he was disappointed; the smudge did not move. For it was an arm, sticking out of the snow, attached to a body buried beneath. Another odd blot of lifelessness, another, another—the bird took it all in from his aerial vantage point. A yellow hat atop a grey head, eyes frozen shut. A hand, poking out of a drift; a child’s hand, so small, so white, a deathly white, paler than the snow. A wagon wheel, a pale blue dress fluttering out of its spokes, and inside that dress, a lifeless female body. Clothing fluttered, moving, tricking the hawk time and again into thinking it had found its breakfast. Clothing blown off bodies that were now naked to the elements, like the one over there, only a few heartbreaking steps away from a barn. And more small hands, feet, faces upturned, eyes shut tight. That deathly pallor, blue grey against the dazzling white snow. The hawk turned northward, hoping for better hunting grounds. But he was doomed to be disappointed on this cold, sunny morning.

Humans are not innately good (just as they are not innately evil), but they come equipped with motives that can orient them away from violence and toward cooperation and altruism. Empathy (particularly in the sense of sympathetic concern) prompts us to feel the pain of others and to align their interests with our own. Self-control allows us to anticipate the consequences of acting on our impulses and to inhibit them accordingly. The moral sense sanctifies a set of norms and taboos that govern the interactions among people in a culture, sometimes in ways that decrease violence, though often (when the norms are tribal, authoritarian, or puritanical) in ways that increase it. And the faculty of reason allows us to extricate ourselves from our parochial vantage points, to reflect on the ways in which we live our lives, to deduce ways in which we could be better off, and to guide the application of the other better angels of our nature. In one section I will also examine the possibility that in recent history Homo sapiens has literally evolved to become less violent in the biologist’s technical sense of a change in our genome. But the focus of the book is on transformations that are strictly environmental: changes in historical circumstances that engage a fixed human nature in different ways.

Then Lennon meanders off into catty talk about Dylan’s new single, “Gotta Serve Somebody,” accusing him of wanting to be a waiter for Christ. Lennon eviscerates Jerry Wexler’s whole Slow Train Coming production that the single conjures: Dylan’s singing is pathetic, he says, the lyrics embarrassing. Surveying the 1979 rock scene, Lennon remarks how the Mighty Dylan, McCartney, and Jagger seem to be sliding down a mountain, blood with mud in their nails. This leads to a reflection on how competitive he used to feel with fellow rock stars, and how silly it all seems from his new vantage. Even a couple of years back he remembers the anxious panic such competition induced. Now there doesn’t seem to be much use to listen to their albums. He still sends out for them, but they all sound pointless.

The first time Christina and Lachlan Meet ...Christina wasn't about to stop fighting—not until she took her last breath. Boring down with her heels, she thrashed. "Get off me, ye brute." She would hold her son in her arms this day if it was the last thing she did. And by the shift of the crushing weight on her chest, she only had moments before her life's breath completely whooshed from her lungs. The very thought of dying whilst her son was still held captive infused her with strength. With a jab, she slammed the heel of her hand across the man's chin. He flew from her body like a sack of grain. Praises be, had the Lord granted her with superhuman strength? Blinking, Christina sat up. No, no. Her strike hadn't rescued her from the pillager. A champion had. A behemoth of a man pummeled the pikeman's face with his fists. "Never. Ever." His fists moved so fast they blurred. "Harm. A. Woman!" Bloodied and battered, the varlet dropped to the dirt. A swordsman attacked her savior from behind. "Watch out," she cried, but before the words left her lips the warrior spun to his feet. Flinging his arm backward, he grabbed his assailant's wrist, stopped the sword midair and flipped the cur onto his back. Onward, he fought a rush of English attackers with his bare hands, without armor. Not even William Wallace himself had been so talented. This warrior moved like a cat, anticipating his opponent's moves before they happened. Five enemy soldiers lay on their backs. "Quickly," the man shouted, running toward her, his feet bare. No sooner had she rolled to her knees than his powerful arms clamped around her. The wind whipped beneath her feet. He planted her bum in the saddle. "Behind!" Christina screamed, every muscle in her body clenching taut. Throwing back an elbow, the man smacked an enemy soldier in the face resulting in a sickening crack. She picked up her reins and dug in her heels. "Whoa!" The big man latched onto the skirt of her saddle and hopped behind her, making her pony's rear end dip. But the frightened galloway didn't need coaxing. He galloped away from the fight like a deer running from a fox. Christina peered around her shoulder at the mass of fighting men behind them. "My son!" "Do you see him?" the man asked in the strangest accent she'd ever heard. She tried to turn back, but the man's steely chest stopped her. "They took him." "Who?" "The English, of course." The more they talked, the further from the border the galloway took them. "Huh?" the man mumbled behind her like he'd been struck in the head by a hammer. Everyone for miles knew the Scots and the English were to exchange a prisoner that day. The champion's big palm slipped around her waist and held on—it didn't hurt like he was digging in his fingers, but he pressed firm against her. The sensation of such a powerful hand on her body was unnerving. It had been eons since any man had touched her, at least gently. The truth? Aside from the brutish attack moments ago, Christina's life had been nothing but chaste. White foam leached from the pony's neck and he took in thunderous snorts. He wouldn't be able to keep this pace much longer. Christina steered him through a copse of trees and up the crag where just that morning she'd stood with King Robert and Sir Boyd before they'd led the Scottish battalion into the valley. There, she could gain a good vantage point and try to determine where the backstabbing English were heading with Andrew this time. At the crest of the outcropping, she pulled the horse to a halt. "The pony cannot keep going at this pace." The man's eyebrows slanted inward and he gave her a quizzical stare. Good Lord, his tempest-blue eyes pierced straight through her soul. "Are you speaking English?

We climbed this hill. Each step up we could see farther, so of course we kept going. Now we’re at the top. Science has been at the top for a few centuries now. And we look out across the plain and we see this other tribe dancing around above the clouds, even higher than we are. Maybe it’s a mirage, maybe it’s a trick. Or maybe they just climbed a higher peak we can’t see because the clouds are blocking the view. So we head off to find out—but every step takes us downhill. No matter what direction we head, we can’t move off our peak without losing our vantage point. So we climb back up again. We’re trapped on a local maximum. But what if there is a higher peak out there, way across the plain? The only way to get there is bite the bullet, come down off our foothill and trudge along the riverbed until we finally start going uphill again. And it’s only then you realize: Hey, this mountain reaches way higher than that foothill we were on before, and we can see so much better from up here. But you can’t get there unless you leave behind all the tools that made you so successful in the first place. You have to take that first step downhill. —Dr. Lianna Lutterodt, “Faith and the Fitness Landscape” In Conversation, 2091

John Vernall lifted up his head, the milk locks that had given him his nickname stirring in the third floor winds, and stared with pale grey eyes out over Lambeth, over London. Snowy's dad had once explained to him and his young sister Thursa how by altering one's altitude, one's level on the upright axis of this seemingly three-planed existence, it was possible to catch a glimpse of the elusive fourth plane, the fourth axis, which was time. Or was at any rate, at least in Snowy's understanding of their father's Bedlam lectures, what most people saw as time from the perspective of a world impermanent and fragile, vanished into nothingness and made anew from nothing with each passing instant, all its substance disappeared into a past that was invisible from their new angle and which thus appeared no longer to be there. For the majority of people, Snowy realised, the previous hour was gone forever and the next did not exist yet. They-were trapped in their thin, moving pane of Now: a filmy membrane that might fatally disintegrate at any moment, stretched between two dreadful absences. This view of life and being as frail, flimsy things that were soon ended did not match in any way with Snowy Vernall's own, especially not from a glorious vantage like his current one, mucky nativity below and only reefs of hurtling cloud above. His increased elevation had proportionately shrunken and reduced the landscape, squashing down the buildings so that if he were by some means to rise higher still, he knew that all the houses, churches and hotels would be eventually compressed in only two dimensions, flattened to a street map or a plan, a smouldering mosaic where the roads and lanes were cobbled silver lines binding factory-black ceramic chips in a Miltonic tableau. From the roof-ridge where he perched, soles angled inwards gripping the damp tiles, the rolling Thames was motionless, a seam of iron amongst the city's dusty strata. He could see from here a river, not just shifting liquid in a stupefying volume. He could see the watercourse's history bound in its form, its snaking path of least resistance through a valley made by the collapse of a great chalk fault somewhere to the south behind him, white scarps crashing in white billows a few hundred feet uphill and a few million years ago. The bulge of Waterloo, off to his north, was simply where the slide of rock and mud had stopped and hardened, mammoth-trodden to a pasture where a thousand chimneys had eventually blossomed, tarry-throated tubeworms gathering around the warm miasma of the railway station. Snowy saw the thumbprint of a giant mathematic power, untold generations caught up in the magnet-pattern of its loops and whorls. On the loose-shoelace stream's far side was banked the scorched metropolis, its edifices rising floor by floor into a different kind of time, the more enduring continuity of architecture, markedly distinct from the clock-governed scurry of humanity occurring on the ground. In London's variously styled and weathered spires or bridges there were interrupted conversations with the dead, with Trinovantes, Romans, Saxons, Normans, their forgotten and obscure agendas told in stone. In celebrated landmarks Snowy heard the lonely, self-infatuated monologues of kings and queens, fraught with anxieties concerning their significance, lives squandered in pursuit of legacy, an optical illusion of the temporary world which they inhabited. The avenues and monuments he overlooked were barricades' against oblivion, ornate breastwork flung up to defer a future in which both the glorious structures and the memories of those who'd founded them did not exist.

As Goblin rushes forward to reconnoiter, Mustard approaches him with a large fear-grin and tries to embrace him for reassurance. Goblin moves forward quickly to a vantage spot to peer across the valley, and Mustard now emulates him. As Goblin (alpha), Satan (number two), and Evered (number three) scan the valley, they break off several times to look at one another quickly. After nearly 60 seconds Goblin suddenly makes his decision, and begins to vocalize and display. The entire group, which includes adolescents Freud and Beethoven, immediately follows suit, and the result is the usual one: both groups vocalize and display ferociously, then slowly retreat into their home ranges.

She lurches forward in the metal chair, smacking at her body to get the birds off, though they’re gone. Then she curls into a ball and hides her face. I reach out to touch her shoulder, to reassure her, and she hits my arm, hard. “Don’t touch me!” “It’s over,” I say, wincing--she punches harder than she realizes. I ignore the pain and run a hand over her hair, because I’m stupid, and inappropriate, and stupid… “Tris.” She just shifts back and forth, soothing herself. “Tris, I’m going to take you back to the dorms, okay?” “No! They can’t see me…not like this…” This is what Eric’s new system creates: A brave human being has just defeated one of her worst fears in less than five minutes, an ordeal that takes most people at least twice that time, but she’s terrified to go back into the hallway, to be seen as weak or vulnerable in any way. Tris is Dauntless, plain and simple, but this faction isn’t really Dauntless anymore. “Oh, calm down,” I say, more irritable than I mean to be. “I’ll take you out the back door.” “I don’t need you to…” I can see her hands trembling even as she shrugs off my offer. “Nonsense,” I say. I take her arm and help her to her feet. She wipes her eyes as I move toward the back door. Amar once took me through this door, tried to walk me back to the dormitory even when I didn’t want him to, the way she probably doesn’t want me to now. How is it possible to live the same story twice, from different vantage points?

awkward televised hug from the new president of the United States. My curtain call worked. Until it didn’t. Still speaking in his usual stream-of-consciousness and free-association cadence, the president moved his eyes again, sweeping from left to right, toward me and my protective curtain. This time, I was not so lucky. The small eyes with the white shadows stopped on me. “Jim!” Trump exclaimed. The president called me forward. “He’s more famous than me.” Awesome. My wife Patrice has known me since I was nineteen. In the endless TV coverage of what felt to me like a thousand-yard walk across the Blue Room, back at our home she was watching TV and pointing at the screen: “That’s Jim’s ‘oh shit’ face.” Yes, it was. My inner voice was screaming: “How could he think this is a good idea? Isn’t he supposed to be the master of television? This is a complete disaster. And there is no fricking way I’m going to hug him.” The FBI and its director are not on anyone’s political team. The entire nightmare of the Clinton email investigation had been about protecting the integrity and independence of the FBI and the Department of Justice, about safeguarding the reservoir of trust and credibility. That Trump would appear to publicly thank me on his second day in office was a threat to the reservoir. Near the end of my thousand-yard walk, I extended my right hand to President Trump. This was going to be a handshake, nothing more. The president gripped my hand. Then he pulled it forward and down. There it was. He was going for the hug on national TV. I tightened the right side of my body, calling on years of side planks and dumbbell rows. He was not going to get a hug without being a whole lot stronger than he looked. He wasn’t. I thwarted the hug, but I got something worse in exchange. The president leaned in and put his mouth near my right ear. “I’m really looking forward to working with you,” he said. Unfortunately, because of the vantage point of the TV cameras, what many in the world, including my children, thought they saw was a kiss. The whole world “saw” Donald Trump kiss the man who some believed got him elected. Surely this couldn’t get any worse. President Trump made a motion as if to invite me to stand with him and the vice president and Joe Clancy. Backing away, I waved it off with a smile. “I’m not worthy,” my expression tried to say. “I’m not suicidal,” my inner voice said. Defeated and depressed, I retreated back to the far side of the room. The press was excused, and the police chiefs and directors started lining up for pictures with the president. They were very quiet. I made like I was getting in the back of the line and slipped out the side door, through the Green Room, into the hall, and down the stairs. On the way, I heard someone say the score from the Packers-Falcons game. Perfect. It is possible that I was reading too much into the usual Trump theatrics, but the episode left me worried. It was no surprise that President Trump behaved in a manner that was completely different from his predecessors—I couldn’t imagine Barack Obama or George W. Bush asking someone to come onstage like a contestant on The Price Is Right. What was distressing was what Trump symbolically seemed to be asking leaders of the law enforcement and national security agencies to do—to come forward and kiss the great man’s ring. To show their deference and loyalty. It was tremendously important that these leaders not do that—or be seen to even look like they were doing that. Trump either didn’t know that or didn’t care, though I’d spend the next several weeks quite memorably, and disastrously, trying to make this point to him and his staff.

I watched him work. He retied several knots in quick succession. Once he was satisfied that it was safe, he could take into consideration the film crew and me. He explained to me what we were going to do. The object would be to get the crocodile out of the trap. We needed it completely unencumbered to be able to move it to a new location. The mesh trap was tangled in the croc’s teeth and claws. We needed to carefully untangle it. As we approached the croc, my adrenaline surged. I could feel my fingertips tingling, and my mouth went dry. Steve positioned the camera crew so they could have the best vantage point without risk of getting nailed. Then he turned to me. “Right,” he said. “You jump on its head and I’ll get the net off.” Um…what? I thought surely I’d misunderstood. “Right,” Steve shouted. “Now!” So I jumped on the crocodile’s head.

Taylor chose the right side first. She stood in the doorway and looked into the room, running her Maglite over the dimness. She didn’t need the overhead to see the blood. Copious amounts of red, startling against the contiguous white theme, was very defining. From her vantage point at the doorway, she could see blood everywhere, cast off on the unmade bed and headboard, washed across the wall, soaking the carpet. In the middle of the bed, a dark-haired woman lay on her stomach, facedown on the sheets, which were nearly black. Exsanguination, her mind told her. The woman’s legs were akimbo, the left twisted under the right as if she’d fallen at an angle onto the mattress. Taylor couldn’t see her arms. She

We went as far as we could until finally the canyon ended at a soft, smooth wall of sandstone that shot abruptly skyward. I immediately took my shoes off, gripped my hands and toes like a chameleon into the porous sandstone wall and began scaling the slippery surface. As I climbed, I turned my gaze upward and fixed it where I wanted to go. At that moment, and from that particular vantage point, I could see the hole in the ceiling through which the light entered the canyon. I smiled as I realized that the walls of the shaft curved up into the shape of a heart around me. As the sun glistened down the column, it beamed like a heart made of sunshine. It was God’s heart, and it was enveloping me.

The good news was that the smoke, whatever its source, was not getting closer to us. The bad news was that it was moving towards Oban. We wasted no time rowing across the loch. The group we’d already sent over remained visible and clearly busy, though doing what was anybody’s guess from our vantage point in the birlinn. It was getting on past noon, and I hated the idea of leaving the birlinn behind. Crafting it had been a singularly powerful experience, one that I wasn’t sure was repeatable. The birlinn we’d made was unique. In the end, though, it was a boat. It wasn’t alive like the three hundred people we were trying to keep breathing. Not to mention the thousands in Oban who could die. I’d planned to take one of the oars to give a rower a break, but I must have looked haggard. When I’d gone to offer, the bloke with the oar had taken one look at me and said, “Naw, mate.” Sitting on a thwart next to Eilidh, I fervently wished for something to distract me from the radiating warmth on my left. Rowing would at least give me something to do that wasn’t thinking about that heat or second guessing all the decisions we’d made in the past few days. We could have taken the strongest of us and returned to Oban, leaving the other three hundred to take the slower route around the loch. Sure, that was a possibility. But if we’d done that, we’d have left them vulnerable, including the children. That wasn’t acceptable to me or to anyone else. Oban had the advantage of numbers and at least some preparation at this point; the people with us did not. There were any number of things we could be questioning, but if we sat here picking apart the instincts we’d followed, all we’d do was pick up an ulcer. We were still alive. That was all that mattered. I tuned back in to the birlinn to hear a couple of the rowers talking, both of them darting glances at me and Eilidh in the process. “. . . wrecked all of Sackington’s guns and stole his grenades,” one of them said, not really trying to be quiet. Eilidh zeroed in on him like a bloodhound catching a whiff of the quarry. “Yes. We did.” “Erm, he wasn’t saying it was a bad thing!” one of the rowers blurted out. “Yes, I was! We could have used those instead of hitting things with sticks, for fuck’s sake,” the other one said. “No offense.” “Mate, they don’t even work anymore,” I said, and when I could almost see his thoughts pivot to but there’s magic now, I sighed. “We happened to be present when someone figured out how to use their magic to fire a rifle at one of Bawbag’s simulacra. Not only did the bullet literally bounce right back, but it killed his daughter when it ricocheted, and his next shot was dead on. Can you guess what happened then?” “He died,” said the guy who had tried to reassure me they weren’t questioning that decision. He had sandy brown hair that was a mess of waves half stuck to his head with sweat from the exertion, and his muscles were bulging out of his shirt—guess he was getting those Strength increases. “Did he die?” the other bloke asked. “Aye, he might as well have just shot himself in the heart. Even swords bounced right off that damn thing—piercing it with the point seems to be the only thing even marginally successful, and that might be imbuing it with Purifire more than the actual poke.” “I know how to shoot a gun,” Eilidh said bluntly. “And amateurs with firearms tend to hurt much more than they help, let alone in a state of active combat. This isn’t the fucking Wild West.” She sounded Done with a capital D, and I didn’t blame her. To his credit, the bloke seemed to mull that over for a bit before nodding as if ceding the point. Whatever the Ascended Alliance knew about friendly fire of an arcane nature, that did not extend to human-made explosives. If

Twenty-seven years later It wasn’t until 2006 that Norman had the courage to look up the National Transportation Safety Board’s Accident Report for the crash and read the transcription of the pilot’s radio conversation with air traffic control. They had been doomed almost from takeoff. The pilot was using an underpowered plane with insufficient instruments on a rough day. He didn’t get a weather briefing or file a flight plan. He shouldn’t have taken off let alone headed into the storm. Thirty seconds into the flight he seemed lost and he was warned three times by air traffic control not to continue flying as he was. Big Bear airport was at an altitude of 2,100 m (7,000 ft) and was unmanned. Even with the right instruments and a modern plane it would have been all but impossible to land that day. Norman also went back up to the mountain to where Sandra had fallen. He paid his respects and continued up to the site of the crash. He was surprised, but even from that high vantage point he couldn’t see the meadow where he had been rescued. The big ridge blocked it out. So how had he known where to head for that day? Had he sensed the most likely place to find another human being? Was he lucky? Or maybe, just maybe, someone was looking out for him. This story is a brief retelling of the events in Crazy for the Storm by Norman Ollestad, published by HarperPress. Reprinted by permission of HarperCollins Publishers Ltd © 2009 Norman Ollestad.

If you can see a thing whole," he said, "it seems that it's always beautiful. Planets, lives. . . . But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you loose the pattern. You need distance, interval. The way to see how beautiful earth is, is to see it from the moon. The way to see how beautiful life is, is from the vantage point of death." "That's all right for Urras. Let it stay off there and be the moon-I don't want it! But I am not going to stand up on a gravestone and look down on life and say, 'O lovely!' I want to see it whole right in the middle of it, here, now. I don't give a hoot for eternity." "It's nothing to do with eternity," said Shevek, grinning, a thin shaggy man of silver and shadow. "All you have to do to see life as a whole is to see it as mortal. I'll die, you'll die; how could we love each other otherwise? The sun's going to burn out, what else keeps it shining?

You want me to lead the caravan?” “Instructions will be acceptable.” “All right. First, find a cliff.” “That, it will give you a vantage to see the area?” “No,” Kaladin said. “It will give me something to throw you off of.

I claim her,” Albert said. “I will marry the lass.” Josephine and Laurin gasped in wide-eyed astonishment. Josephine reached out and grabbed Laurin’s hand to keep her from either falling off her mount, or jumping down in order to run away. Helmert threw his head back and laughed. Darvord and Clarence joined in. From her vantage point, Josephine could see the murderous glare in Albert’s eyes. She could also see that he was quite serious. After several long moments of guttural laughter, Helmert looked up at Albert. “Ye cannae be serious? Ye want to marry Laurin? She has no dowry or name to offer ye.” “She does no’ need a dowry or a name,” Albert told him firmly. “I have a bride price.” He reached into his sporran and removed a leather bag filled with coins and tossed it to Helmert. “One hundred and eight merks,” he said before turning away to head toward the horses. Not one MacAulay brother or man moved, for they were frozen in place by what they’d just seen. Tightfisted Albert, the man who rarely parted with his money, had just paid an unbelievable amount of coin for Laurin’s freedom. ’Twas a shocking moment no one would soon forget. Helmert was also surprised, but for different reasons. He tested the weight of the pouch and looked up at Albert. “Be ye certain ye want her?” Albert answered with a stone-cold glare. “She be no’ pure, ye ken?” Helmert said. “She’s been used more times than a —” Albert did not give him time to finish the taunt. He drew back and slammed a large fist into Helmert MacAdam’s nose. Helmert fell back and landed with a thud . Rivulets of blood ran from his nose and trailed down his cheek. Neither of his friends bothered to step forward to offer any assistance. Albert stood over him. “I be no’ as kind as me brother. I do no’ give any man the opportunity to insult me betrothed.

Now, at thirty-four, she is back home. But her journey has transformed her so thoroughly that she no longer fits in easily. Her change in status has left Justice a little off balance, seeing the world from two vantage points at the same time: the one she grew up in and the one she occupies now.

For the moment at least, we fall into that class of fishermen who fancy themselves to be poet/philosophers, and from that vantage point we manage to pull off one of the neatest tricks in all of sport: the fewer fish we catch the more superior we feel. -----

We anchored just off the mouth of the Ozama River in about 30 feet of water and used the running boat to land liberty parties. Since Trujillo was extremely anti-communist, everything else he did was forgiven by the United States. It was our policy at the time to maintain a friendship with Latin American dictators, as long as they are anti-communistic. Regardless of our political friendship with the Dominican Republic, we were warned not to get into trouble since it could create a serious international problem. From our vantage point at the anchorage, we could see the newly acquired Presidential yacht Angelita alongside the wharf paralleling the Ozama River. The vessel was built in Kiel, Germany, in 1931 as the Hussar II and at the time was the largest private yacht afloat. The Angelita had a strange look since she was designed to be a four-masted sail ship, but lacked masts, when she was previously converted to a weather ship for the U.S. Coast Guard and later the U.S. Navy. The name had already been changed from USS Sea Cloud to Trujillo’s daughter’s name when I saw her, but it would still take a few more years before her conversion would be complete although she should have remained a sail ship…. The good news is that after the ship stayed in port for eight years, Hartmut Paschburg and a group of Hamburg associates purchased her. Changing her name back to the Sea Cloud, she underwent extensive repairs and revisions at the Howaldtswerke-Deutsche Werft, the same Hamburg shipyard where she was originally built. This time she became a luxury sailing cruising ship outfitted to accommodate sixty-four passengers and a crew of sixty. The Sea Cloud set sail on her first cruise in 1979 and has been described by the Berlitz Complete Guide to Cruising & Cruise Ships as "the most romantic sailing ship afloat! In 2011, the Sea Cloud underwent additional renovations at the MWB-Werft in Bremerhaven. She is still in operation….

On an early morning scouting trip in the foothills north of Los Angeles, two van-loads of crew people fan out over an area that the production designer wants to make into a guerrilla army encampment. I stay close to the vans, keeping an overview of the area and waiting for the director to emerge. It’s a warm sunny day. Most of the crew is wearing shorts and running shoes. The director is another story. He climbs out of his van wearing a location-specific hunter-outdoorsman khaki outfit complete with an impressive pair of lug-sole hiking boots and walks off in the general direction the crew has taken, thumbing through some script notes. A few seconds later he steps squarely into a pile of dog-doo that everyone else has successfully navigated. I watch, transfixed, as he leaps back in horror and freezes. He does not spot me as he quickly looks around to see if anyone has noticed his predicament. No one else has. He hurriedly examines the bottom of his now-disgusting hiking boot. I take a deep breath and step from beside the van, pretending I am deeply involved in a conversation on my walkie-talkie. As I walk toward him, I pull a little folding penknife from my pocket and flip the blade open. I hand it to him without a word as I pass and continue on toward the location, still pretending to be talking into the radio. I round the corner of a building and find a vantage point. The director is hopping up and down on one foot, hurriedly scraping the bottom of his boot with the tiny knife. He finishes the messy job, pulls himself together, and strides purposefully around the building and toward a clearing where the crew has gathered, waiting for his comments. I quickly take my place as the director approaches. He walks briskly past me and without looking, hands the little knife back to me with the dog-doo-covered blade still open. He continues on to the front of the group and with complete authority runs through his ideas for the scene. Over the next few months of filming, neither of us ever mentions the incident.

We climbed this hill. Each step up we could see farther, so of course we kept going. Now we’re at the top. Science has been at the top for a few centuries now. And we look out across the plain and we see this other tribe dancing around above the clouds, even higher than we are. Maybe it’s a mirage, maybe it’s a trick. Or maybe they just climbed a higher peak we can’t see because the clouds are blocking the view. So we head off to find out—but every step takes us downhill. No matter what direction we head, we can’t move off our peak without losing our vantage point. So we climb back up again. We’re trapped on a local maximum. But what if there is a higher peak out there, way across the plain? The only way to get there is to bite the bullet, come down off our foothill and trudge along the riverbed until we finally start going uphill again. And it’s only then you realize: Hey, this mountain reaches way higher than that foothill we were on before, and we can see so much better from up here. But you can’t get there unless you leave behind all the tools that made you so successful in the first place. You have to take that first step downhill. —Dr. Lianna Lutterodt, “Faith and the Fitness Landscape

Jerry finally yelled, “Jim! We need your help.” “I’m behind you,” I said, trying to keep the impatience out of my voice.  Jerry spun around, spotting us.  From his new vantage point, there was a tree and a bush in the way.  All he could see was part of my head and Badgelor’s tail.  “Oh, you were taking a dump,” he said.  Apparently, my exasperated face and my dropping-a-deuce face were similar.  Good to know.  “Nope, just standing here,” I ground out.  Jerry rushed through the bush, tripped again, and landed in the only mud puddle in the area.  Globs of mud flew toward us. like a claymore mine.  Several splattered over my clean armor.  One large chunk flew right into Badgelor’s nose. An instant later, Badgelor sneezed in a most unheroic fashion.  The sudden bucking motion caused me to fall off my steed and land in a heap, directly in front of Jerry.  I got to my feet an instant before he managed to look up.  Badgelor had turned away to paw at his nose desperately.  Shart was, as usual, laughing hysterically. “Did he just sneeze?” asked Jerry. “No, that is an ancient War Badger Battle Cry,” I replied evenly.  “Badgelor senses trouble.” Jerry paused, turning to face Badgelor in wonder.  “Amazing.  So, he knows that someone is attacking Lorraine’s estate?” “We suspected it,” I nodded sagely, which was true.

WITH A SOMEWHAT PROLONGED GRINDING of the brakes and an unnecessary amount of fuss in the way of letting off steam, the afternoon train from London came to a standstill in the station at Detton Magna. An elderly porter, putting on his coat as he came, issued, with the dogged aid of one bound by custom to perform a hopeless mission, from the small, redbrick lamp room. The station master, occupying a position of vantage in front of the shed which enclosed the booking office, looked up and down the lifeless row of closed and streaming windows, with an expectancy dulled by daily disappointment, for the passengers who seldom alighted. On this occasion no records were broken. A solitary young man stepped out on to the wet and flinty platform, handed over the half of a third-class return ticket from London, passed through the two open doors and commenced to climb the long ascent which led into the town.

Imagine yourself again, that same innocent five-year-old. Your parents get into a fight, and it makes you feel something new—fear and doubt of love and goodness. You instinctually find that by covering yourself with a blanket, you feel safe and protected. So you start to wear this blanket as a costume to hide from the chaos. You go to school and your classmates taunt you just for being yourself. You feel ashamed and embarrassed. You decide one blanket isn’t enough protection, so you add a second one to cover yourself up even more. If you didn’t physically do this as a child, we can guarantee you did it metaphorically. As you get older, you fall in love, but the person you open your heart to shuts you down. So you add another layer of protection over yourself. Your parents get divorced; you add another layer. People let you down; you add a layer. Your big plans don’t pan out; you add another layer. Anytime you are unable to control your circumstances or the people around you, you are reminded of how powerless you seem to be, and so you protect yourself with yet another layer. Because of mineness mentality, your mind innocently collected these experiences as a part of your identity and has worn them all your life. After all, from your ego’s vantage point, all of it is mine, and therefore about me—all my experiences must define me. As time goes on, the free, happy, innocent child of bliss becomes buried deep underneath the layers of fear for so many years that even you forget your true identity. You’ve been wearing the protective layers for so long that you completely overlooked the fact that you could just take them all off at any point. Luckily, underneath the layers of past experiences you have dressed yourself in, you still remain the innocent and happy child. No matter how traumatic life has been, you are still innocent and free, beautiful and perfect, wanted and loved, seen and recognized—just as you are. And with a little decluttering of the mind’s layers, the innocent child of bliss can finally be revealed once again.

Woven deep within this story is the notion of I told you so. It’s certainly the vantage point of Alice, and the source of the guilt that consumes her, all these decades later, for not forcing her son to get off that goddamn fishing boat.

Meanwhile, John Barentine, an astronomer with the Arizona-based dark-sky conservation organization Dark Sky Consulting, found a more accidental finding in one of JWST's first photographs. The image of the Southern Ring Nebula, which is 2,500 light-years away from Earth, was exceptionally clear. A fascinating galaxy seen on the edge-on (a unique vantage position for examining the galaxy's core bulge) popped into view off to the side, earlier misunderstood as part of the nebula itself. "We have this extremely sensitive equipment that will disclose stuff we didn't even know we were searching for," Barentine said. "It's worth looking about in the backdrop of practically every photograph Webb shoots.

Finally, it was approaching airtime. In our election-night studio, the floor director called out, "Sixty seconds." My heart was pounding a bit, so I looked at Bill to help calm myself down. Instead, I was surprised. From the desk up, Bill appeared fine, but from my vantage point beside him, I could see his hands in his lap just below. They were shaking. A lot. "Bill, you're not nervous, are you?" I asked. His response was words I would live by. "Son, the day you're not nervous on a show like this is the day you've been in the business too long." And with that, we were off. "Good evening, Manitoba, and welcome to Election '72. I'm Bill Guest and with me is Peter Mansbridge.

How different this view was from her parent’s croft, where her evening vantage from the doorway was peppered with trees. From there, north of the village and off the main road, she would hear sheep baying the night, and some nights, if the breeze was just right, she could catch the smell of the sea she had never seen. How different this life was than the one she had grown up in. She still worked hard, cooked, cleaned, and sewed, but something else persisted. Here she was in the center of the MacLeod’s, where everything bustled in a way nonexistent at the remote croft of her parents.

We walk around to the lower vantage point, where two man-made streams empty into a small pool. “Let’s see if Graham recognizes you,” Sue giggles. Graham is the nickname of a male wolf from the Graham facility that Sue tells me is most atypical. “Why would Graham recognize Will?” I ask. “When Will walks by, often Graham will run up to the fence and jump around,” Sue says. “He’s boisterous. Crowds like him. He’ll get up on that rock and strike poses for them.” She points at a rocky outcrop jutting up about twenty feet from the water pool. As we approach, a lanky wolf walks slowly along the outcrop’s rim. A breeze picks up and carries our scent right to his nose. Though he’s not even looking in our direction, Graham tenses. He turns his head, faces the three of us, and sniffs the air. Without breaking his gaze, he leaps down the rock face and runs a well-worn trail through the grass. He catapults across the stream and bucks his hind legs with a flourish in midair. He stops below the translucent barrier, glares up at us, and whines. The whine devolves into a throaty growl. He stamps the grass, leaps and jumps, tears at the earth and lands ankle deep in the water. He glares directly at Will. “Oh yeah, he sees you all right,” Sue laughs. “That wolf wants a bite out of your rump.” Passerby have stopped to watch Graham’s antics. A small crowd forms. He runs across the rocky outcrop again, back over the stream, and down to the pool, then tears at the grass again with broad paws. He runs this loop repetitively and stops each time to stand off against Will. One of the visitors jokes that he must smell the barbecue at a nearby lunch truck, but they misunderstand his body language. He isn’t hungry. He is agitated. “I think it’s just misplaced aggression,” Will says when I ask if Graham is exhibiting excitement or anger. “Usually when he sees me, I’m restraining him or helping to examine him. The wolves can’t do much when they are restrained, so he acts out later.” Safe in the exhibit, Graham stares at Will. Without breaking eye contact, he walks to a bush and gnaws on its thick branches. It’s as if he’s saying, “Check out my canines. See how big they are?” There was nothing overtly threatening about his behavior, but it was a change from the docile nature I’d seen in other penned red wolves. Sue is right: he is definitely atypical, charismatic even.