Vanity Fair Thackeray Quotes

We've searched our database for all the quotes and captions related to Vanity Fair Thackeray. Here they are! All 100 of them:

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Revenge may be wicked, but it’s natural.
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William Makepeace Thackeray (Vanity Fair)
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Which of us is happy in this world? Which of us has his desire? or, having it, is satisfied?
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William Makepeace Thackeray (Vanity Fair)
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Never lose a chance of saying a kind word.
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William Makepeace Thackeray (Vanity Fair)
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Mother is the name for God in the lips and hearts of little children.
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William Makepeace Thackeray (Vanity Fair)
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All is vanity, nothing is fair.
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William Makepeace Thackeray (Vanity Fair)
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If a man's character is to be abused, say what you will, there's nobody like a relative to do the business.
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William Makepeace Thackeray (Vanity Fair)
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Are not there little chapters in everybody's life, that seem to be nothing, and yet affect all the rest of the history?
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William Makepeace Thackeray (Vanity Fair)
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The world is a looking-glass, and gives back to every man the reflection of his own face. Frown at it, and it will in turn look sourly upon you; laugh at it and with it, and it is a jolly kind companion; and so let all young persons take their choice.
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William Makepeace Thackeray (Vanity Fair)
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In the midst of friends, home, and kind parents, she was alone.
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William Makepeace Thackeray (Vanity Fair)
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The moral world has no particular objection to vice, but an insuperable repugnance to hearing vice called by its proper name.
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William Makepeace Thackeray (Vanity Fair)
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The wicked are wicked, no doubt, and they go astray and they fall, and they come by their deserts; but who can tell the mischief which the very virtuous do?
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William Makepeace Thackeray (Vanity Fair)
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...the greatest tyrants over women are women.
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William Makepeace Thackeray (Vanity Fair)
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Ah! Vanitas Vanitatum! Which of us is happy in this world? Which of us has his desire? or, having it, is satisfied?-Come, children, let us shut up the box and the puppets, for our play is played out.
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William Makepeace Thackeray (Vanity Fair)
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A woman may possess the wisdom and chastity of Minerva, and we give no heed to her, if she has a plain face. What folly will not a pair of bright eyes make pardonable? What dullness may not red lips are sweet accents render pleasant? And so, with their usual sense of justice, ladies argue that because a woman is handsome, therefore she is a fool. O ladies, ladies! there are some of you who are neither handsome nor wise.
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William Makepeace Thackeray (Vanity Fair)
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A woman with fair opportunities, and without an absolute hump, may marry WHOM SHE LIKES.
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William Makepeace Thackeray (Vanity Fair)
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Some cynical Frenchman has said that there are two parties to a love-transaction: the one who loves and the other who condescends to be so treated.
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William Makepeace Thackeray (Vanity Fair)
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A person can't help their birth.
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William Makepeace Thackeray (Vanity Fair)
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One of the great conditions of anger and hatred is, that you must tell and believe lies against the hated object, in order, as we said, to be consistent.
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William Makepeace Thackeray (Vanity Fair)
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She lived in her past life- these relics and remembrances of dead affection were all that was left her in the world.
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William Makepeace Thackeray (Vanity Fair)
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it is the ordinary lot of people to have no friends if they themselves care for nobody
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William Makepeace Thackeray (Vanity Fair)
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If a man has committed wrong in life, I don't know any moralist more anxious to point his errors out to the world than his own relations...
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William Makepeace Thackeray (Vanity Fair: A Novel Without A Hero)
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Vanity Fair is a very vain, wicked, foolish place, full of all sorts of humbugs and falsenesses and pretensions.
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William Makepeace Thackeray (Vanity Fair)
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If people only made prudent marriages, what a stop to population there would be!
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William Makepeace Thackeray (Vanity Fair)
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if you are not allowed to touch the heart sometimes in spite of syntax, and are not to be loved until you all know the difference between trimeter and trameter, may all Poetry go to the deuce, and every schoolmaster perish miserably!
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William Makepeace Thackeray (Vanity Fair)
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Money has only a different value in the eyes of each.
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William Makepeace Thackeray (Vanity Fair)
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When one fib becomes due as it were, you must forge another to take up the old acceptance; and so the stock of your lies in circulation inevitably multiplies, and the danger of detection increases every day.
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William Makepeace Thackeray (Vanity Fair)
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She had not character enough to take to drinking, and moaned about, slip-shod and in curl-papers, all day.
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William Makepeace Thackeray (Vanity Fair)
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The world is a looking glass, and gives back to every man the reflection of his own face.
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William Makepeace Thackeray (Vanity Fair)
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Picture to yourself, O fair young reader, a worldly, selfish, graceless, thankless, religionless old woman, writhing in pain and fear, and without her wig. Picture her to yourself, and ere you be old, learn to love and pray.
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William Makepeace Thackeray (Vanity Fair)
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Long brooding over those lost pleasures exaggerates their charm and sweetness.
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William Makepeace Thackeray (Vanity Fair)
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Tis strange what a man may do, and a woman yet think him an angel.
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William Makepeace Thackeray (Vanity Fair)
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What a charming reconciler and peacemaker money is!
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William Makepeace Thackeray (Vanity Fair)
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Praise everybody, I say to such: never be squeamish, but speak out your compliment both point-blank in a man's face, and behind his back, when you know there is a reasonable chance of his hearing it again. Never lose a chance of saying a kind word. As Collingwood never saw a vacant place in his estate but he took an acorn out of his pocket and popped it in; so deal with your compliments through life. An acorn costs nothing; but it may sprout into a prodigious bit of timber.
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William Makepeace Thackeray (Vanity Fair)
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Are not there little chapters in everybody’s life, that seem to be nothing, and yet affect all the rest of the history?
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William Makepeace Thackeray (Vanity Fair)
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He had placed himself at her feet so long that the poor little woman had been accustomed to trample upon him. She didn't wish to marry him, but she wished to keep him. She wished to give him nothing, but that he should give her all. It is a bargain not unfrequently levied in love.
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William Makepeace Thackeray
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Oh, be humble, my brother, in your prosperity! Whose virtue is a deficiency of temptation, whose success may be a chance, whose rank may be an ancestor's accident, whose prosperity is very likely a satire.
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William Makepeace Thackeray (Vanity Fair)
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All the world used her ill, said this young misanthropist, ... and we may be pretty certain that persons whom all the world treats ill, deserve entirely the treatment they get. The world is a looking-glass, and gives back to every man the reflection of his own face. Frown at it, and it will in turn look sourly upon you; laugh at it and with it, and it is a jolly kind companion; and so let all young persons take their choice.
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William Makepeace Thackeray (Vanity Fair)
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No, you are not worthy of the love which I have devoted to you. I knew all along that the prize I had set my life on was not worth the winning; that I was a fool, with fond fancies, too, bartering away my all of truth and ardour against your little feeble remnant of love. I will bargain no more: I withdraw.
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William Makepeace Thackeray
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[As they say in the old legends]Before a man goes to the devil himself, he sends plenty of other souls thither.
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William Makepeace Thackeray (Vanity Fair)
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Always to be right, always to trample forward, and never to doubt, are not these the great qualities with which dullness takes the lead in the world?
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William Makepeace Thackeray
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... nobody does anything for nothing. ... it is the ordinary lot of people to have no friends if they themselves care for nobody.
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William Makepeace Thackeray (Vanity Fair)
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It is those who injure women who get the most kindness from them.
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William Makepeace Thackeray (Vanity Fair)
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It is in the nature and instinct of some women. Some are made to scheme, and some to love; and I wish any respected bachelor that reads this may take the sort that best likes him.
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William Makepeace Thackeray (Vanity Fair)
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But my kind reader will please to remember that this history has β€œVanity Fair” for a title, and that Vanity Fair is a very vain, wicked, foolish place, full of all sorts of humbugs and falsenesses and pretensions.
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William Makepeace Thackeray (Vanity Fair)
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Be cautious then, young ladies; be wary how you engage. Be shy of loving frankly; never tell all you feel, or (a better way still), feel very little. See the consequences of being prematurely honest and confiding, and mistrust yourselves and everybody. Get yourselves married as they do in France, where the lawyers are the bridesmaids and confidantes. At any rate, never have any feelings which may make you uncomfortable, or make any promises which you cannot at any required moment command and withdraw. That is the way to get on, and be respected, and have a virtuous character in Vanity Fair.
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William Makepeace Thackeray (Vanity Fair)
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Women only know how to wound so. There is a poison on the tips of their little shafts, which stings a thousand times more than a man's blunter weapon.
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William Makepeace Thackeray (Vanity Fair)
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They talked about each others’ houses, and characters, and families--just as the Joneses do about the Smiths.
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William Makepeace Thackeray (Vanity Fair)
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The best ink for Vanity Fair use would be one that faded utterly in a couple of days, and left the paper clean and blank, so that you might write on it to somebody else.
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William Makepeace Thackeray (Vanity Fair)
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Who has not remarked the readiness with which the closest of friends and honestest of men suspect and accuse each other of cheating when they fall out on money matters? Everybody does it. Everybody is right, I suppose, and the world is a rogue.
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William Makepeace Thackeray (Vanity Fair)
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The hidden and awful Wisdom which apportions the destinies of mankind is pleased so to humiliate and cast down the tender, good, and wise; and to set up the selfish, the foolish, or the wicked. Oh, be humble, my brother, in your prosperity! Be gentle with those who are less lucky, if not more deserving. Think, what right have you to be scornful, whose virtue is a deficiency of temptation, whose success may be a chance, whose rank may be an ancestor's accident, whose prosperity is very likely a satire.
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William Makepeace Thackeray (Vanity Fair)
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By humbly and frankly acknowledging yourself to be in the wrong, there is no knowing, my son, what good you may do. I knew once a gentleman and very worthy practitioner in Vanity Fair, who used to do little wrongs to his neighbours on purpose, and in order to apologise for them in an open and manly way afterwardsβ€”and what ensued? My friend Crocky Doyle was liked everywhere, and deemed to be rather impetuousβ€”but the honestest fellow.
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William Makepeace Thackeray (Vanity Fair (Vintage Classics))
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Mr Moss's courtyard is railed in like a cage, lest the gentlemen who are boarding with him should take a fancy to escape from his hospitality.
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William Makepeace Thackeray
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The stiff-backed prig, with his dandified airs and West End swagger.
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William Makepeace Thackeray (Vanity Fair)
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I can endure poverty but not shame-neglect but not insult,and insult from you..
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William Makepeace Thackeray (Vanity Fair)
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In a word, in adversity she was the best of comforters, in good fortune the most troublesome of friends...
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William Makepeace Thackeray (Vanity Fair)
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Time has dealt kindly with that stout officer, as it does ordinarily with men who have good stomachs and good tempers, and are not perplexed over much by fatigue of the brain.
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William Makepeace Thackeray (Vanity Fair)
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If success is rare and slow, everybody knows how quick and easy ruin is.
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William Makepeace Thackeray (Vanity Fair)
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Your comedy and mine will have been played then, and we shall be removed
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William Makepeace Thackeray (Vanity Fair)
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I wonder is it because men are cowards in heart that they admire bravery so much, and place military valour so far beyond every other quality for reward and worship?
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William Makepeace Thackeray (Vanity Fair)
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It is the pretty face which creates sympathy in the hearts of men, those wicked rogues. A woman may possess the wisdom and chastity of Minerva, and we give no heed to her, if she has a plain face. What folly will not a pair of bright eyes make pardonable? What dulness may not red lips and sweet accents render pleasant? And so, with their usual sense of justice, ladies argue that because a woman is handsome, therefore she is a fool. O ladies, ladies! there are some of you who are neither handsome nor wise.
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William Makepeace Thackeray (Vanity Fair)
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The world is a looking-glass, and gives back to every man the reflection of his own face. Frown at it, and it will in turn look sourly upon you; laugh at it and with it, and it is a jolly kind companion; and so let all young persons take their choice.
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William Makepeace Thackeray
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But my kind reader will please to remember that this history has β€˜Vanity Fair’ for a title, and that Vanity Fair is a very vain, wicked, foolish place, full of all sorts of humbugs and falsenesses and pretensions.
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William Makepeace Thackeray (Vanity Fair)
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Very likely Miss Binny was right to a great extent. It is the pretty face which creates sympathy in the hearts of men, those wicked rogues. A woman may possess the wisdom and chastity of Minerva, and we give no heed to her, if she has a plain face. What folly will not a pair of bright eyes make pardonable? What dulness may not red lips and sweet accents render pleasant? And so, with their usual sense of justice, ladies argue that because a woman is handsome, therefore she is a fool. Oh, ladies, ladies! some there are of you who are neither handsome nor wise.
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William Makepeace Thackeray (Vanity Fair)
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Who was the blundering idiot who said that 'fine words butter no parsnips'? Half the parsnips of society are served and rendered palatable with no other sauce.
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William Makepeace Thackeray (Vanity Fair)
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The young lady's countenance, which had before worn an almost livid look of hatred, assumed a smile that was perhaps scarcely more agreeable.
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William Makepeace Thackeray (Vanity Fair)
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Never lose a chance of saying a kind word… An acorn costs nothing; but it may sprout into a prodigious bit of timber.
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William Makepeace Thackeray (Vanity Fair)
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The best of women (I have heard my grandmother say) are hypocrites.
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William Makepeace Thackeray (Vanity Fair)
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He went to the deuce for a woman. There must be good in a man who will do that.
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William Makepeace Thackeray (Vanity Fair)
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If you take temptations into account, who is to say that he is better than his neighbour? A comfortable career of prosperity, if it does not make people honest, at least keeps them so.
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William Makepeace Thackeray (Vanity Fair)
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Have you ever had a difference with a dear friend? How his letters, written in the period of love and confidence, sicken and rebuke you! What a dreary mourning it is to dwell upon those vehement protests of dead affection! What lying epitaphs they make over the corpse of love! What dark, cruel comments upon Life and Vanities! Most of us have got or written drawers full of them. They are closet-skeletons which we keep and shun
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William Makepeace Thackeray (Vanity Fair)
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Ah! Vanitas Vanitatum! which of us is happy in this world? Which of us has his desire? or, having it, is satisfied?β€”come, children, let us shut up the box and the puppets, for our play is played out.
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William Makepeace Thackeray (Vanity Fair)
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The bearded creatures are quite as eager for praise, quite as finikin over their toilets, quite as proud of their personal advantages, quite as conscious of their powers of fascination, as any coquette in the world.
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William Makepeace Thackeray (Vanity Fair)
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The Major folded his arms round her, holding her to him as if she was a child, and kissed her head. "I will not change, dear Amelia," he said. "I ask for no more than your love. I think I would not have it otherwise. Only let me stay near you, and see you often." "Yes, often," Amelia said. And so William was at liberty to look and long: as the poor boy at school who has no money may sigh after the contents of the tart-woman's tray.
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William Makepeace Thackeray (Vanity Fair)
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Jack or Donald marches away to glory with his knapsack on his shoulder, stepping out briskly to the tune of "The Girl I left behind me." It is she who remains and suffers,-- and has the leisure to think, and brood and remember.
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William Makepeace Thackeray (Vanity Fair)
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Indeed, for my own part, though I have been repeatedly told by persons for whom I have the greatest respect, that Miss Brown is an insignificant chit, and Mrs. White has nothing but her petit minois chiffonne, and Mrs. Black has not a word to say for herself; yet I know that I have had the most delightful conversations with Mrs. Black (of course, my dear Madam, they are inviolable): I see all the men in a cluster round Mrs. White's chair: all the young fellows battling to dance with Miss Brown; and so I am tempted to think that to be despised by her sex is a very great compliment to a woman.
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William Makepeace Thackeray (Vanity Fair)
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he began to feel that she was very lonely indeed. β€œIf he’d been here,” she said, β€œthose cowards would never have dared to insult me.” She thought about β€œhim” with great sadness and perhaps longing--about his honest, stupid, constant kindness and fidelity; his never-ceasing obedience; his good humour; his bravery and courage. Very likely she cried, for she was particularly lively, and had put on a little extra rouge, when she came down to dinner.
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William Makepeace Thackeray (Vanity Fair)
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before I was married I didn't care what bills I put my name to, and so long as Moses would wait or Levy would renew for three months, I kept on never minding. But since I'm married, except renewing, of course, I give you my honour I've not touched a bit of stamped paper.
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William Makepeace Thackeray (Vanity Fair)
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To know nothing, or little, is in the nature of some husbands. To hide, in the nature of how many women? Oh, ladies! how many of you have surreptitious milliners' bills? How many of you have gowns and bracelets which you daren't show, or which you wear trembling?--trembling, and coaxing with smiles the husband by your side, who does not know the new velvet gown from the old one, or the new bracelet from last year's, or has any notion that the ragged-looking yellow lace scarf cost forty guineas and that Madame Bobinot is writing dunning letters every week for the money!
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William Makepeace Thackeray (Vanity Fair)
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Perhaps in Vanity Fair there are no better satires than letters. Take a bundle of your dear friend’s of ten years backβ€”your dear friend whom you hate now. Look at a file of your sister’s! How you clung to each other till you quarreled about the twenty-pound legacy! Get down the round-hand scrawls of your son who has half broken your heart with selfish undutifulness since; or a parcel of your own, breathing endless ardour and love eternal, which were sent back by your mistress when she married the Nabobβ€”your mistress for whom you now care no more than for Queen Elizabeth. Vows, love, promises, confidences, gratitude; how queerly they read after a while! There ought to be a law in Vanity Fair ordering the destruction of every written document (except receipted tradesmen’s bills) after a certain brief and proper interval. Those quacks and misanthropes who advertise indelible Japan ink should be made to perish along with their wicked discoveries. The best ink for Vanity Fair use would be one that faded utterly in a couple of days, and left the paper clean and blank, so that you might write on it to somebody else
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William Makepeace Thackeray (Vanity Fair)
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..though Miss Rebecca Sharp has twice had occasion to thank Heaven, it has been, in the first place, for ridding her of some person whom she hated, and secondly, for enabling her to bring her enemies to some sort of perplexity or confusion; neither of which are very amiable motives for religious gratitude,
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William Makepeace Thackeray (Vanity Fair)
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Vanity Fair--Vanity Fair! Here was a man, who could not spell, and did not care to read--who had the habits and the cunning of a boor: whose aim in life was pettifogging: who never had a taste, or emotion, or enjoyment, but what was sordid and foul; and yet he had rank, and honours, and power, somehow: and was a dignitary of the land, and a pillar of the state. He was high sheriff, and rode in a golden coach. Great ministers and statesmen courted him; and in Vanity Fair he had a higher place than the most brilliant genius or spotless virtue.
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William Makepeace Thackeray (Vanity Fair)
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We are Turks with the affections of our women; and have made them subscribe to our doctrine too. We let their bodies go abroad liberally enough, with smiles and ringlets and pink bonnets to disguise them instead of veils and yakmaks. But their souls must be seen by only one man, and they obey not unwillingly, and consent to remain at home as our slavesβ€”ministering to us and doing drudgery for us.
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William Makepeace Thackeray (Vanity Fair)
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Heaven help us! The girls have only to turn the tables,and say of one of their own sex,'She is as vain as a man,' and they will have perfect reason. The bearded creatures are quite as eager for praise, quite as finikin over their toilets, quite as proud of their personal advantages, quite as conscious of their powers of fascinations, as any coquette in the world.
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William Makepeace Thackeray
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But as it turned out, the two had a great deal in common, for both Bailey and Thackeray (named for the famous novelist William Makepeace Thackeray, author of Vanity Fair) were devoted bibliophiles who believed that "a book a day kept the world at bay," as Thackeray was fond of saying. Bailey was the offspring of a generation of badgers who insisted that "Reader" was the most rewarding vocation to which a virtuous badger might be called and who gauged their week's anticipated pleasure by the height of their to-be-read pile. (Perhaps you know people like this. I do.)
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Susan Wittig Albert (The Tale of Oat Cake Crag (The Cottage Tales of Beatrix Potter, #7))
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Here’s a 165-year old but still fitting comment on public officials who are so sure they’re right that they’ll drive over a cliff rather than compromise: β€œAlways to be right, always to trample forward, and never to doubt – are not these the great qualities with which dullness takes the lead in the world?” William Makepeace Thackeray, Vanity Fair: a Novel without a Hero (1848). The author’s middle name really was β€œMakepeace.” As the quote shows, he disliked those who would not.
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William Makepeace Thackeray (Vanity Fair)
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The moral world has no particular objection to vice, but an insuperable repugnance to hearing vice called by its proper name. A polite public will no more bear to read an authentic description of vice than a truly-refined English or American female will permit the word 'breeches' to be pronounced in her chaste hearing. And yet, madam, both are walking the world before our faces every day without much shocking us. If you were to blush every time they went by, what complexions you would have!
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William Makepeace Thackeray (Vanity Fair)
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And oh, what a mercy it is that these women do not exercise their powers oftener! We can't resist them, if they do. Let them show ever so little inclination, and men go down on their knees at once-old or ugly, it is all the same. And this I set down as a positive truth. A woman with fair opportunities, and without an absolute hump, may marry WHOM SHE LIKES. Only let us be thankful that the darlings are like the beasts of the field, and don't know their own power. They would overcome us entirely if they did.
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William Makepeace Thackeray (Vanity Fair)
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To part with money is a sacrifice beyond almost all men endowed with a sense of order. There is scarcely any man alive who does not think himself meritorious for giving his neighbour five pounds. Thriftless gives, not from a beneficent pleasure in giving, but from a lazy delight in spending. He would not deny himself one enjoyment; not his opera-stall, not his horse, not his dinner, not even the pleasure of giving Lazarus the five pounds. Thrifty, who is good, wise, just, and owes no man a penny, turns from a beggar, haggles with a hackney-coachman, or denies a poor relation, and I doubt which is the most selfish of the two. Money has only a different value in the eyes of each.
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William Makepeace Thackeray (Vanity Fair)
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As his hero and heroine pass the matrimonial barrier, the novelist generally drops the curtain, as if the drama were over then: the doubts and struggles of life ended: as if, once landed in the marriage country, all were green and pleasant there: and wife and husband had nothing to do but to link each other’s arms together, and wander gently downwards towards old age in happy and perfect fruition. But our little Amelia was just on the bank of her new country, and was already looking anxiously back towards the sad friendly figures waving farewell to her across the stream, from the other distant shore.
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William Makepeace Thackeray (Vanity Fair)
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If he had but a little more brains, she thought to herself, I might make something of him; but she never let him perceive the opinion she had of him; listened with indefatigable complacency to his stories of the stable and the mess; laughed at all his jokes...When he came home, she was alert and happy; when he went out she pressed him to go; when he stayed at home, she played and sang for him, made him good drinks, superintended his dinner, warmed his slippers, and steeped his soul in comfort. The best of women {I have heard my grandmother say) are hypocrites. We don't know how much they hide from us: how watchful they are when they seem most artless and confidential: how often those frank smile which they wear so easily are traps to cajole or elude or disarm--I don't mean in your mere coquettes, but your domestic models and paragons of female virute.
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William Makepeace Thackeray (Vanity Fair)
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... I regularly frequent St. George';s, Hanover Square, during the genteel marriage season; and though I have never seen the bridegroom's male friends give way to tears, or the beadles and officiating clergy in any way affected, yet it is not at all uncommon to see women who are not in the least concerned in the operations going on -- old ladies who are long past marrying, stout middle-aged females with plenty of sons and daughters, let alone pretty young creatures in pink bonnets, who are on their promotion, and may naturally taken an interest in the ceremony -- I say it is quite common to see the women present piping, sobbing, sniffling; hiding their little faces in their little useless pocket-handkerchiefs; and heaving, old and young, with emotion.
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William Makepeace Thackeray (Vanity Fair)
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I refused to have bookshelves, horrified that I'd feel compelled to organise the books in some regimented system - Dewey or alphabetical or worse - and so the books lived in stacks, some as tall as me, in the most subjective order I could invent. Thus Nabokov lived between Gogol and Hemingway, cradled between the Old World and the New; Willa Cather and Theodore Dreiser and Thomas Hardy were stacked together not for their chronological proximity but because they all reminded me in some way of dryness (though in Dreiser's case I think I was focused mainly on his name): George Eliot and Jane Austen shared a stack with Thackeray because all I had of his was Vanity Fair, and I thought that Becky Sharp would do best in the presence of ladies (and deep down I worried that if I put her next to David Copperfield, she might seduce him).
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Rebecca Makkai (The Borrower)
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Perhaps as he was lying awake then, his life may have passed before him--his early hopeful struggles, his manly successes and prosperity, his downfall in his declining years, and his present helpless condition--no chance of revenge against Fortune, which had had the better of him--neither name nor money to bequeath--a spent-out, bootless life of defeat and disappointment, and the end here! Which, I wonder, brother reader, is the better lot, to die prosperous and famous, or poor and disappointed? To have, and to be forced to yield; or to sink out of life, having played and lost the game? That must be a strange feeling, when a day of our life comes and we say, β€œTo-morrow, success or failure won’t matter much, and the sun will rise, and all the myriads of mankind go to their work or their pleasure as usual, but I shall be out of the turmoil.
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William Makepeace Thackeray (Vanity Fair)
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Miss Sedley was almost as flurried at the act of defiance as Miss Jemima had been; for, consider, it was but one minute that she had left school, and the impressions of six years are not got over in that space of time. Nay, with some persons those awes and terrors of youth last for ever and ever. I know, for instance, an old gentleman of sixty-eight, who said to me one morning at breakfast, with a very agitated countenance, 'I dreamed last night that I was flogged by Dr Raine.' Fancy had carried him back five-and-fifty years in the course of that evening. Dr Raine and his rod were just as awful to him in his heart then, at sixty-eight, as they had been at thirteen. If the Doctor, with a large birch, had appeared bodily to him, even at the age of threescore and eight, and had said in awful voice, 'Boy, take down your pants...' Well, well...
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William Makepeace Thackeray (Vanity Fair)
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It is all vanity to be sure: but who will not own to liking a little of it? I should like to know what well-constituted mind, merely because it is transitory, dislikes roast beef? That is a vanity; but may every man who reads this, have a wholesome portion of it through life, I beg: aye, though my readers were five hundred thousand. Sit down, gentlemen, and fall to, with a good hearty appetite; the fat, the lean, the gravy, the horse-radish as you like itβ€”don’t spare it. Another glass of wine, Jones, my boyβ€”a little bit of the Sunday side. Yes, let us eat our fill of the vain thing, and be thankful therefor. And let us make the best of Becky’s aristocratic pleasures likewiseβ€”for these too, like all other mortal delights, were but transitory.
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William Makepeace Thackeray (Vanity Fair)
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It is not that speech of yesterday,” he continued, β€œwhich moves you. That is but the pretext, Amelia, or I have loved you and watched you for fifteen years in vain. Have I not learned in that time to read all your feelings and look into your thoughts? I know what your heart is capable of: it can cling faithfully to a recollection and cherish a fancy, but it can’t feel such an attachment as mine deserves to mate with, and such as I would have won from a woman more generous than you. No, you are not worthy of the love which I have devoted to you. I knew all along that the prize I had set my life on was not worth the winning; that I was a fool, with fond fancies, too, bartering away my all of truth and ardour against your little feeble remnant of love.
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William Makepeace Thackeray (Vanity Fair)
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Middlemarch is a novel that is diminished by being put on the screen. It can't help but be, because so much of what we enjoy in Middlemarch is the interplay between what the characters do and what we know about them because of the telling voice. It's less of a problem for the cinema when it deals with novels that are purely concerned with action and what people do. I haven't thought this through, and I'm just trying it now to see what it sounds like. But maybe it would be less a problem with novels that are told in the first person. The interesting thing to me about Middlemarch, and Thackeray's Vanity Fair, and several other great novels, is precisely this omniscient, as we call it, third person, which naive readers mistake for the author. It isn't George Eliot who is saying this; it's a voice that George Eliot adopts to tell this story. There can be something very interesting in a novel like Bleak House, which was also done very well on the television by the same adapter, Andrew Davis. Now, Bleak House is told in two voices, as you remember. One is the somewhat trying Esther Summerson, who is a paradigm of every kind of virtue, and the other is a different sort of voice entirely, a voice that tells the story in the present tense, which was unusual for the time, a voice that doesn't seem to have a main character attached to it. But I think that Dickens is playing a very subtle game here. I've noticed a couple of things about that second narration that make me wonder whether it isn't Esther herself writing the other bits of it. For instance, at the very beginning, she says, "When I come to write my portion of these pages . . ." So she knows that there is another narrative going on, but nobody else does. Nobody else refers to it. The second thing is that she is the only character who never appears in those passages of present-tense narration. The other characters do. She doesn't. Why would that be? There's one point very near the end of the book where she almost does. Inspector Bucket is coming into the house to collect Esther to go and look for Lady Dedlock, who's run away, and we hear that Esther is just coming -- but no, she's turned back and brought her cloak, so we don't quite see her. It's as if she's teasing us and saying, "You're going to see me; no, you're not." Now, that's Dickens, at the height of his powers, playing around -- in ways that we would now call, I don't know, postmodern, ironic, self-referential, or something -- with the whole notion of narration, characterization, and so on. Yet, it doesn't matter. Those things are there for us to notice and to enjoy and to relish, if we have the taste for that sort of thing. But the events of Bleak House are so thrilling, so perplexing, so exciting that a mere recital of the events themselves is enough to carry a whole television adaptation, a whole play, a whole story. It's so much better with Dickens's narrative playfulness there, but it's pretty good without them.
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Philip Pullman
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Colonel Crawley’s defective capital. I wonder how many families are driven to roguery and to ruin by great practitioners in Crawlers way?β€” how many great noblemen rob their petty tradesmen, condescend to swindle their poor retainers out of wretched little sums and cheat for a few shillings? When we read that a noble nobleman has left for the Continent, or that another noble nobleman has an execution in his house β€” and that one or other owes six or seven millions, the defeat seems glorious even, and we respect the victim in the vastness of his ruin. But who pities a poor barber who can’t get his money for powdering the footmen’s heads; or a poor carpenter who has ruined himself by fixing up ornaments and pavilions for my lady’s dejeuner; or the poor devil of a tailor whom the steward patronizes, and who has pledged all he is worth, and more, to get the liveries ready, which my lord has done him the honour to bespeak? When the great house tumbles down, these miserable wretches fall under it unnoticed: as they say in the old legends, before a man goes to the devil himself, he sends plenty of other souls thither.
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William Makepeace Thackeray (Vanity Fair (Centaur Classics) [The 100 greatest novels of all time - #27])
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Mrs. O’Dowd, the good housewife, arrayed in curl papers and a camisole, felt that her duty was to act, and not to sleep, at this juncture. β€œTime enough for that,” she said, β€œwhen Mick’s gone”; and so she packed his travelling valise ready for the march, brushed his cloak, his cap, and other warlike habiliments, set them out in order for him; and stowed away in the cloak pockets a light package of portable refreshments, and a wicker-covered flask or pocket-pistol, containing near a pint of a remarkably sound Cognac brandy, of which she and the Major approved very much; ... Mrs. O’Dowd woke up her Major, and had as comfortable a cup of coffee prepared for him as any made that morning in Brussels. And who is there will deny that this worthy lady’s preparations betokened affection as much as the fits of tears and hysterics by which more sensitive females exhibited their love, and that their partaking of this coffee, which they drank together while the bugles were sounding the turn-out and the drums beating in the various quarters of the town, was not more useful and to the purpose than the outpouring of any mere sentiment could be? The consequence was, that the Major appeared on parade quite trim, fresh, and alert, his well-shaved rosy countenance, as he sate on horseback, giving cheerfulness and confidence to the whole corps. All the officers saluted her when the regiment marched by the balcony on which this brave woman stood, and waved them a cheer as they passed; and I daresay it was not from want of courage, but from a sense of female delicacy and propriety, that she refrained from leading the gallant--personally into action.
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William Makepeace Thackeray (Vanity Fair)
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Suppose you are particularly rich and well-to-do, and say on that last day, 'I am very rich; I am tolerably well known; I have lived all my life in the best society, and, thank Heaven, come of a most respectable family. I have served my King and country with honour. I was in Parliament for several years, where, I may say, my speeches were listened to, and pretty well received. I don't owe any man a shilling: on the contrary, I lent my old college friend, Jack Lazarus, fifty pounds, for which my executors will not press him. I leave my daughters with ten thousand pounds a piece--very good portions for girls: I bequeath my plate and furniture, my house in Baker Street, with a handsome jointure, to my widow for her life; and my landed property, besides money in the Funds, and my cellar of well-selected wine in Baker Street, to my son. I leave twenty pound a year to my valet; and I defy any man after I am gone to find anything against my character.' Or suppose, on the other hand, your swan sings quite a different sort of dirge, and you say, 'I am a poor, blighted, disappointed old fellow, and have made an utter failure through life. I was not endowed either with brains or with good fortune: and confess that I have committed a hundred mistakes and blunders. I own to having forgotten my duty many a time. I can't pay what I owe. On my last bed I lie utterly helpless and humble: and I pray forgiveness for my weakness, and throw myself with a contrite heart at the feet of the Divine Mercy.' Which of these two speeches, think you, would be the best oration for your own funeral? Old Sedley made the last; and in that humble frame of mind, and holding by the hand of his daughter, life and disappointment and vanity sank away from under him.
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William Makepeace Thackeray (Vanity Fair)