Valley Of Ashes Quotes

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This is a valley of ashes--a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud, which screens their obscure operations from your sight.
F. Scott Fitzgerald (The Great Gatsby)
And the Shadow fell upon the land, and the world was riven stone from stone. The oceans fled, and the mountains were swallowed up, and the nations were scattered to the eight corners of the World. The moon was as blood, and the sun was as ashes. The seas boiled, and the living envied the dead. All was shattered, and all but memory lost, and one memory above all others, of him who brought the Shadow and the Breaking of the World. And him they named Dragon. And it came to pass in those days, as it had come before and would come again, that the Dark lay heavy on the land and weighed down the hearts of men, and the green things failed, and hope died. And men cried out to the Creator, saying, O Light of the Heavens, Light of the World, let the Promised One be born of the mountain, according to the prophecies, as he was in ages past and will be in ages to come. Let the Prince of the Morning sing to the land that green things will grow and the valleys give forth lambs. Let the arm of the Lord of the Dawn shelter us from the Dark, and the great sword of justice defend us. Let the Dragon ride again on the winds of time.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
This is a valley of ashes - a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the form of houses and chimneys and riding smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air.
F. Scott Fitzgerald (The Great Gatsby)
Look at walls splashed with a number of stains, or stones of various mixed colours. If you have to invent some scene, you can see there resemblances to a number of landscapes, adorned with mountains, rivers, rocks, trees, great plains, valleys and hills, in various ways. Also you can see various battles, and lively postures of strange figures, expressions on faces, costumes and an infinite number of things, which you can reduce to good integrated form. This happens on such walls and varicoloured stones, (which act) like the sound of bells, in whose peeling you can find every name and word that you can imagine. Do not despise my opinion, when I remind you that it should not hard for you to stop sometimes and look into the stains of walls, or the ashes of a fire, or clouds, or mud or like places, in which, if you consider them well, you may find really marvelous ideas. The mind of the painter is stimulated to new discoveries, the composition of battles of animals and men, various compositions of landscapes and monstrous things, such as devils and similar things, which may bring you honor, because by indistinct things the mind is stimulated to new inventions.
Leonardo da Vinci
The sidewalks were haunted by dust ghosts all night as the furnace wind summoned them up, swung them about, and gentled them down in a warm spice on the lawns. Trees, shaken by the footsteps of late-night strol- lers, sifted avalanches of dust. From midnight on, it seemed a volcano beyond the town was showering red-hot ashes every- where, crusting slumberless night watchmen and irritable dogs. Each house was a yellow attic smoldering with spon- taneous combustion at three in the morning. Dawn, then, was a time where things changed element for element. Air ran like hot spring waters nowhere, with no sound. The lake was a quantity of steam very still and deep over valleys of fish and sand held baking under its serene vapors. Tar was poured licorice in the streets, red bricks were brass and gold, roof tops were paved with bronze. The high- tension wires were lightning held forever, blazing, a threat above the unslept houses. The cicadas sang louder and yet louder. The sun did not rise, it overflowed.
Ray Bradbury (Dandelion Wine)
MY HEART HAS STILLED, and my thoughts turned to ash / Yet unexpectedly, the light of spring shines through the cold night. / Could it be that the heavens pity the blade of grass in the secluded valley? / Yet I fear that the world is unpredictable and full only of hardship.
Rou Bao Bu Chi Rou (二哈和他的白猫师尊)
This was a valley of ashes – a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air.
F. Scott Fitzgerald (The Great Gatsby)
There is in this valley a beating heart. It is always and ever there. And when I am gone, it will beat for you and when you are gone, it will beat for your children and theirs, forever. Forever. Until there is no water, no air, no green in the spring or gold in the autumn, no stars in the sky or wind from the north. And when you cannot speak, it will speak for you. When you cannot see, it will be your eyes. When you cannot remember, it will be your memory. It will never forget you. And when you cannot be faithful, it will save a place for your return. This is a gift to you. It cannot be taken away. It is yours forever. It is the narrative of this world, and the scrapbook of your own small life, and, when you are gone into ash and darkness and the grave, it will tell your story.
Robert Goolrick (Heading Out to Wonderful)
From blood and ash,” I shouted, lifting the hand joined with Poppy’s. People echoed the words through the town and the valley. Poppy looked up at me and then faced the crowd as she lifted the hand that held Kieran’s. “We have risen!
Jennifer L. Armentrout (The War of Two Queens (Blood And Ash, #4))
Most days I woke up brimming with a sudden terror--that I'd forgotten to do essential things, that I'd never make friends in Colorado, that my appearance as an adult in the world was only a thin candy shell hiding a tiny, rattling center of incompetent thirteen-year-old, or worse yet, nothing at all.
Cornelia Read (Valley of Ashes (Madeline Dare, #4))
The last year of her college career was wheeling slowly round. She could see ahead her examination and her departure. She had the ash of disillusion gritting under her teeth. Would the next move turn out the same? Always the shining doorway ahead; and then, upon approach, always the shining doorway was a gate into another ugly yard, dirty and active and dead. Always the crest of the hill gleaming ahead under heaven: and then, from the top of the hill only another sordid valley full of amorphous, squalid activity.
D.H. Lawrence (The Rainbow)
I tried to imagine green grass growing over the smoking mounds of ash, and flowers blooming all through the valley, coming out in a blaze as bright as balefire. It seemed impossible, now, but life was inexorable. It would always triumph over death in the end.
Melissa Caruso (The Unbound Empire (Swords and Fire, #3))
This is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air.
F. Scott Fitzgerald (The Great Gatsby)
This is a valley of ashes - a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air.
F. Scott Fitzgerald (The Great Gatsby)
...a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of ash-gray men who move dimly and already crumbling though the powdery air.
F. Scott Fitzgerald (The Great Gatsby)
MAGNITUDE of EXISTENCE U are a dot A point A speck An image A stillness A shadow A centrifugal force Turning into itself Emanating heat Emanating light You are a transient warmth Wave like u exist Resonating properties As body As mind As heart As human You are One dot in trillions exponentially Sifting through motion Expressed as e=motion You are engulfed in water From the inside out Wrapped in the Arms of giver of air Held ephemerally by the heart of sky In suspended attraction to the wooing of earth You are reflecting ash taken to travel Bathing in sun rays Resting as moonlight You are a resonant echo Given to name matter Bouncing dot like You are a distance timber Specified to forms A mountain A valley A hill A meadow A dune A desert Exacting measure You Are A magnitude of existences © Olivia Chumacero
Olivia Chumacero
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
It was the moths that first revealed the change. Grey-tipped whispers in the moonlit night. Two or three here, a single one there. White ones slipping through the darkness, silent and seemingly harmless, but present. Growing in numbers until they erupted the quiet like flutters of falling ash. There was a music in their silence. The kind of music that attached itself to hums and vibrations in the waters of the earth. The hums, the vibrations, all but imperceptible. With the dawn the moths vanished, leaving a broken land in their wake. The Elian River leaked out into fissures of streams and brooks that first appeared as watery cracks throughout the Faeran Valley. So small at first, we didn't recognize the difference. But as the months and years passed, the Elian slipped further and deeper into the growing fractures of earth the moths had left. Trails of watery branches and veins that broke the ground until it couldn't sustain life any longer. This is what we have against the Bremistans. The land is delicate now, brittle like old bones. And I fear it is aging beyond our ability to heal it....
Debi Cimo (Delicate The alchemy of Emily Greyson)
Well, Jem was to be a soldier and see a greater battle than had ever been fought in the world; but that was as yet far in the future; and the mother, whose first-born son he was, was wont to look on her boys and thank God that the "brave days of old," which Jem longed for, were gone for ever, and that never would it be necessary for the sons of Canada to ride forth to battle "for the ashes of their fathers and the temples of their gods.
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
Beautiful were the days that are gone, and O, for them to be back. The mountain was green, and proud with a good covering of oak and ash, and washing his feet in a streaming river clear as the eyes of God. The winds came down with the scents of the grass and wild flowers, putting a sweetness to our noses, and taking away so that nobody could tell what beauty had been stolen, only that the winds were old robbers who took something from each grass and flower and gave it back again, and gave a little to each of us, and took it away again.
Richard Llewellyn (How Green Was My Valley)
MY HEART HAS STILLED, and my thoughts turned to ash / Yet unexpectedly, thelight of spring shines through the cold night. / Could it be that the heavens pity the blade of grass in the secluded valley? / Yet I fear that the world is unpredictable and full only of hardship.
Meatbun Doesn't Eat Meat (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 2)
Once that whole valley was sage scrub. Nothing more. Until one little beaver dammed a small stream.” Silence. Wind rustles through autumn grasses. “A small act,” he says quietly, “that reshaped the future.” He looks at Ash. “The past doesn’t always have to write the future.
Loreth Anne White (The Dark Bones (A Dark Lure, #2))
him." "Oh, I wish we had the old days back again," exclaimed Jem. "I'd love to be a soldier—a great, triumphant general. I'd give EVERYTHING to see a big battle." Well, Jem was to be a soldier and see a greater battle than had ever been fought in the world; but that was as yet far in the future; and the mother, whose first-born son he was, was wont to look on her boys and thank God that the "brave days of old," which Jem longed for, were gone for ever, and that never would it be necessary for the sons of Canada to ride forth to battle "for the ashes of their fathers and the temples of their gods." The shadow of the Great Conflict had not yet made felt any forerunner of its chill. The lads who were to fight, and perhaps fall, on the fields of France and Flanders, Gallipoli and Palestine, were still roguish schoolboys with a fair life in prospect before them: the girls whose hearts were to be wrung were yet fair little maidens a-star with hopes and dreams. Slowly the banners of the sunset city gave up their crimson and gold; slowly the conqueror's pageant faded out. Twilight crept over the valley and the little group grew silent. Walter had been reading again that day in his beloved book of myths and he remembered how he had once fancied the Pied Piper coming down the valley on an evening just like this. He began to speak dreamily, partly because he wanted to thrill his companions a little, partly because something apart from him seemed to be speaking through his lips. "The Piper is coming nearer," he said, "he is nearer than he was that evening I saw him before. His long, shadowy cloak is blowing around him. He pipes—he pipes—and we must follow—Jem and Carl and Jerry and I—round and round the world. Listen— listen—can't you hear his wild music?" The girls shivered. "You know you're only pretending," protested Mary Vance, "and I wish you wouldn't. You make it too real. I hate that old Piper of yours." But Jem sprang up with a gay laugh. He stood up on a little hillock, tall and splendid, with his open brow and his fearless eyes. There were thousands like him all over the land of the maple. "Let the Piper come and welcome," he cried, waving
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
You may discover in the patterns on the wall a resemblance to various landscapes, adorned with mountains, rivers, rocks, trees, plains, wide valleys and hills in varied arrangement; or again you may see battles and figures in action; or strange faces and costumes, and an endless variety of objects, which you could turn into complete and well-drawn forms. The effect produced by these mottled walls is like that of the sound of bells, in which you may recognize any name or word you choose to imagine. . . . It should not be hard for you to look at stains on walls, or the ashes of a fire, or the clouds, or mud, and if you consider them well you will find marvelous new ideas, because the mind is stimulated to new inventions by obscure things.9
Walter Isaacson (Leonardo da Vinci)
...[The] church expounded a gospel clogged with images of vast lakes of eternal fire, of seas vanishing, of valleys of dry bones, of the sun burning to ashes, of the moon turning to blood... a cosmic tale that began before time and ended with the clouds of the sky rolling away at the Second Coming of Christ; chronicles that concluded with the Armageddon; dramas thronged with all the billions of human beings who had ever lived or died as God judged the quick and the dead... While listening to the vivid language of the sermons I was pulled toward emotional belief, but as soon as I went out of the church and saw the bright sunshine and felt the throbbing life of the people in the streets I knew that none of it was true and that nothing would happen.
Richard Wright (Black Boy)
She had the ash of disillusion gritting under her teeth. Would the next move turn out the same? Always the shining doorway ahead; and then, upon approach, always the shining doorway was a gate into another ugly yard, dirty and active and dead. Always the crest of the hill gleaming ahead under heaven: and then, from the top of the hill only another sordid valley full of amorphous, squalid activity.
D.H. Lawrence (The Rainbow)
If ever again we happened to lose our balance, just when sleepwalking through the same dream on the brink of hell’s valley, if ever the magical mare (whom I ride through the night air hollowed out into caverns and caves where wild animals live) in a crazy fit of anger over some word I might have said without the perfect sweetness that works on her like a charm, if ever the magic Mare looks over her shoulder and whinnies: “So! You don’t love me!” and bucks me off, sends me flying to the hyenas, if ever the paper ladder that I climb so easily to go pick stars for Promethea—at the very instant that I reach out my hand and it smells like fresh new moon, so good, it makes you believe in god’s genius—if ever at that very instant my ladder catches fire—because it is so fragile, all it would take is someone’s brushing against it tactlessly and all that would be left is ashes—if ever I had the dreadful luck again to find myself falling screaming down into the cruel guts of separation, and emptying all my being of hope, down to the last milligram of hope, until I am able to melt into the pure blackness of the abyss and be no more than night and a death rattle, I would really rather not be tumbling around without my pencil and paper.
Hélène Cixous (The Book of Promethea)
The Empire is falling. The barbarians are at the gate. Even the mightiest civilizations can vanish. When its empire fell, Rome turned into a pathetic backwater, full of ruins, with sheep wandering through it, munching on the overgrown grass. All the glory was gone. Will the same fate befall Los Angeles and Manhattan? Will they be overrun by wild dogs, munching on the bones of dead Influencers and bankers? One can hope!
David Sinclair (Locusts, Hollywood, and the Valley of Ashes: Individualism Versus Collectivism)
San Francisco always felt like an island to me, surrounded by the mythical East Bay with its restaurants and parks and North Bay with its wealth and its redwoods. South of the city was where our dead were buried—but not my mother, whose ashes returned to the ocean that killed her, which was also the ocean she loved. South of that were little beach towns, and then Silicon Valley and Stanford. But the people, everyone I knew, everyone I’d ever known, all lived in the city.
Nina LaCour (We Are Okay)
Against Fate Hey, Fate! When you fail a man, you spend all your time digging a well to trap him. Then you untie the well's wheel rope so that it can roll. And you keep the poor mortal struggling up, only to fall back. You show him a bushel of means and say "This is it. Worry about it, and dream." Meanwhile you spin the wheel of fortune and fill the house of the wicked with jewels, while you force the just and scrupulous to sweep up the pieces. And the man who should not even tend pigs rides a horse as a cavalier. And without a shovel, you scoop ruin onto the house of the honorable and the just. Fate, if I speak evil of you, you'll claim the man is jealous and confused But why do you look crossly at the learned and make the ignorant the landlord? Hey, why toss the bread of the wise so far down the valley? And why should I believe in your justice When you don't serve it to anyone important? Not that you keep either oath or bargain, treacherous one. Whomever you love today and who is raised to a golden throne, tomorrow may be sitting in ashes. How can such a fraudulent judge make a just decision? Fate, friend of the deceitful and devious, you are harsh to the honest. What more can I say except that someday I expect you to mix up sky and earth and sea.
Frik
I know you are in a mess and you can't see a way out of it. Your eyes only see to the horizon though. You can't see what is around the bend. I'll be waiting there for you. In this uncertain world you will always face uncertainties, but I am going to walk the journey with you. It may not be clear to you right now, but I will cause all things to work together for your good. I am in the business of making beauty from ashes, of redeeming what seems hopeless and crafting you into a work of art that shows the world My mercy and goodness. I know you are hurt and angry, but don't lose hope. I am with you every step of your journey, even through the darkest valleys and in the middle of the scariest storms. 'I love you more than you can even possibly begin to understand,' the voice reminded me.
Ryan Stevenson (Eye of the Storm: Experiencing God When You Can't See Him)
First, divorce isn’t the end of your life. It feels like it. It’s a horrible thing to go through, but it’s not the end. It’s only another beginning. Second, some men let you down. Some don’t. Look at the man in front of you and discern the difference. Third, forgive yourself. You were simply learning some important lessons, and that’s okay. Growing is messy. Fourth, when you don’t know what to do, plow ahead. You’ll run into something. I did. Fifth, opening yourself up to another person after your heart was torched, the ashes scattered to the four winds, is one of the bravest acts you can do. Yet, without love, our lives aren’t as radiant as they could be. Mine wasn’t. It’s cliché, but true. Lastly, with a little help from fate—scratch that, sometimes a big help—we make our own happy endings. But it’s a day-by-day process. Never forget that. I don’t plan to this time ‘round.
Ava Miles (Nora Roberts Land (Dare Valley, #1))
An hour after they’d left the clearing, a heavy layer of fog filled the valley like a moist blanket. The trees grew into amorphous shapes, mountains gone. Ash stopped dead in his tracks. He stared into the forest with wide eyes. “Whoa! D’you see that?!” Vale jerked to a stop. “What? Where?!” “There in the trees.” He pointed into the forest to where the rainy undergrowth grew thick with a hazy veil of grey-white mist. “The haze.” “What about it?” “Looks like game lag. But like… real lag. Real life lag.” Ash grinned at her, his brown eyes sparkling. “Like the forest is supposed to be there, but it’s not totally loaded by the computer yet.” “That’s going to be trouble.” “Why?” Vale nodded to where Ash knew the mountaintops should be, but were no longer visible, caught in an otherworldly lag. “It means we can’t see the mountains.” “So?” “So we can’t see where we are going anymore.” Ash frowned. “Er… yeah.” “C’mon. Let’s keep walking.
Danika Stone (Switchback)
Or maybe just his desire to escape the darkness, which in some way reminded him of his childhood and adolescence. At some point in between childhood and adolescence, he thought, he had dreamed of this landscape or one like it, less dark, less desertlike. He was in a bus with his mother and one of his mother’s sisters and they were taking a short trip, from New York to a town near New York. He was next to the window and the view never changed, just buildings and highways, until suddenly they were in the country. At that exact moment, or maybe earlier, the sun had begun to set and he watched the trees, a small wood, though in his eyes it looked bigger. And then he thought he saw a man walking along the edge of the little wood. In great strides, as if he didn’t want night to overtake him. He wondered who the man was. The only way he could tell it was a man and not a shadow was because he wore a shirt and swung his arms as he walked. The man’s loneliness was so great, Fate remembered, that he wanted to look away and cling to his mother, but instead he kept his eyes open until the bus was out of the woods, and buildings, factories, and warehouses once again lined the sides of the road. The valley he was crossing was lonelier now, and darker. He saw himself striding along the roadside. He shivered. Then he remembered the urn holding his mother’s ashes and the neighbor’s cup that he hadn’t returned, the coffee infinitely cold now, and his mother’s videotapes that no one would ever watch again. He thought about stopping the car and waiting until the sun came up.
Roberto Bolaño (2666)
Death Vision I think it’s a multiplication of sight, Like after a low hovering autumn rain When the invisible web of funnel weaves And sheetweb weavers all at once are seen Where they always were, spread and looping The grasses, every strand, waft and leaf- Crest elucidated with water-light and frost, completing the fullest aspect of field. Or maybe the grace of death is split-second Transformation of knowledge, an intricate, Turning realization, as when a single Sperm-embracing deep ovum transforms, In an instant, from stasis to replicating, Star-shifting shimmer, rolls, reaches, Alters its plane of intentions, becomes A hoofing, thumping host of purpose. I can imagine not merely The falling away of blank walls And blinds in that moment, not merely A shutter flung open for the first time Above a valley of interlocking forests And constellations but a sweeping, Penetrating circumference of vision Encompassing both knotweed bud And its seed simultaneously, seeing Blood bone and its ash as one, The repeated light and fall and flight Of hawk-owl and tundra vole As a union of origin and finality. A mathematics of flesh and space might Take hold if we ask for it in that last Moment, might appear as if it had always Existed within the eyes, translucent, Jewel-like in stained glass patterns Of globes and measures, equations, Made evident by a revelation of galaxies In the knees, spine, fingers, all The ceasings, all the deaths within deaths That compose the body becoming at once Their own symbolic perception and praise Of river salt, blooms and breaths, strings, Strains, sun-seas of gravels and gills; This one expression breaking, this same Expression healing.
Pattiann Rogers (Quickening Fields (Penguin Poets))
The Equator runs close to the Rongai Valley, and, even at so high an altitude as this we hunted in, the belly of the earth was hot as live ash under our feet. Except for an occasional gust of fretful wind that flattened the high, corn-like grass, nothing uttered — nothing in the valley stirred. The chirrup-like drone of grasshoppers was dead, birds left the sky unmarked. the sun reigned and there were no aspirants to his place. We stopped by the red salt-lick that cropped out of the ground in the path of our trail. I did not remember a time when the salt-lick was as deserted as this. Always before it had been crowded with grantii, impala, kongoni, eland, water-buck, and a dozen kinds of smaller animals. But it was empty today. It was like a marketplace whose flow and bustle of life you had witnessed ninety-nine times, but, on your hundredth visit, was vacant and still without even an urchin to tell you why. I put my hand on Arab Maina’s arm. ‘What are you thinking, Maina? Why is there no game today?’ ‘Be quiet, Lakweit, and do not move.’ I dropped the butt of my spear on the earth and watched the two Murani stand still as trees, their nostrils distended, their ears alert to all things. Arab Kosky’s hand was tight on his spear like the claw of an eagle clasping a branch. ‘It is an odd sign,’ murmured Arab Maina, ‘when the salt-lick is without company!’ I had forgotten Buller, but the dog had not forgotten us. He had not forgotten that, with all the knowledge of the two Murani, he still knew better about such things. He thrust his body roughly between Arab Maina and myself, holding his black wet nose close to the ground. And the hairs along his spine stiffened. His hackles rose and he trembled. We might have spoken, but we didn’t. In his way Buller was more eloquent. Without a sound, he said, as clearly as it could be said — ‘Lion.
Beryl Markham (West with the Night)
The archaeologist attached to the Bayard Dominick’s Marquesan team had reported in 1925 that the Marquesas offered “few opportunities for archaeological research.” But in 1956, a new expedition set out to reexamine the possibilities in these islands at the eastern edge of the Polynesian Triangle. An energetic Columbia University graduate student named Robert Suggs was sent ahead to reconnoiter, and he quickly discovered that the previous generation had gotten it all wrong. Everywhere he looked, he saw archaeological potential. “We were seldom out of sight of some relic of the ancient Marquesan culture,” he writes. “Through all the valleys were scattered clusters of ruined house platforms. . . . Overgrown with weeds, half tumbled down beneath the weight of toppled trees and the pressure of the inexorable palm roots, these ancient village sites were sources of stone axes, carved stone pestles, skulls, and other sundry curios.” There were ceremonial plazas “hundreds of feet long” and, high on the cliffs above the deep valleys, “burial caves containing the remains of the population of centuries past.” The coup de grâce came when Suggs and his guide followed up on a report of a large number of “pig bones” in the dunes at a place called Ha‘atuatua. This windswept expanse of scrub and sand lies on the exposed eastern corner of Nuku Hiva. A decade earlier, in 1946, a tidal wave had cut away part of the beach, and since then bones and other artifacts had been washing out of the dunes. Not knowing quite what to expect, Suggs and his guide rode over on horseback. When they came out of the “hibiscus tangle” at the back of the beach and “caught sight of the debris washing down the slope,” he writes, “I nearly fell out of the saddle.” The bones that were scattered all along the slope and on the beach below were not pig bones but human bones! Ribs, vertebrae, thigh bones, bits of skull vault, and innumerable hand and foot bones were everywhere. At the edge of the bank a bleached female skull rested upside down, almost entirely exposed. Where the bank had been cut away, a dark horizontal band about two feet thick could be seen between layers of clean white sand. Embedded in this band were bits of charcoal and saucers of ash, fragments of pearl shell, stone and coral tools, and large fitted stones that appeared to be part of a buried pavement. They had discovered the remains of an entire village, complete with postholes, cooking pits, courtyards, and burials. The time was too short to explore the site fully, but the very next year, Suggs and his wife returned to examine it. There
Christina Thompson (Sea People: The Puzzle of Polynesia)
The temple was in a field of graves suddenly a pitiful-looking skeleton appeared and said: A melancholy autumn wind Blows through the world; the pampas grass waves As we drift to the moor, Drift to the sea. What can be done With the mind of a man That should be clear But though he is dressed up in a monk's robe, Just lets life pass him by? Such deep musings Made me uneasy, I could not sleep. Towards dawn I dozed off... I found myself surrounded by a group of skeletons, acting as they had when they were still alive. One skeleton came over to me and said: Memories Flee and Are no more. All are empty dreams Devoid of meaning. Violate the reality of things And babble about 'God' and 'the Buddha' And you will never find the true Way. Still breathing, You feel animated, So a corpse in a field Seems to be something Apart from you. If chunks of rock Can serve as a memento To the dead A better headstone Would be a simple tea-mortar. Humans are indeed frightful things. A single moon Bright and clear In an unclouded sky; Yet we still stumble In the world's darkness. This world Is but A fleeting dream So why be alarmed At its evanescence? The vagaries of life, Though painful, Teach us Not to cling To this floating world. Why do people Lavish decoration On this set of bones, Destined to disappear Without a trace? The original body Must return to Its original place. Do not search For what cannot be found. No one really knows The nature of birth Nor the true dwelling place. We return to the source And turn to dust. Many paths lead from The foot of the mountain, But at the peak We all gaze at the Single bright moon. If at the end of our journey There is no final Resting place, Then we need not fear Losing our Way. No beginning. No end. Our mind Is born and dies; The emptiness of emptiness! Relax, And the mind Runs wild; Control the world And you can cast it aside. Rain, hail, snow, and ice: All are different But when they fall They become to same water As the valley stream. The ways of proclaiming The Mind all vary, But the same heavenly truth Can be seen In each and every one. Cover your path With fallen pine needles So no one will be able To locate your True dwelling place. How vain, The endless funderals at the Cremation grounds of Mount Toribe! Don't the mourner realize That they will be next? 'Life is fleeeting!' We think at the sight Of smoke drifting from Mount Toribe, But when will we realize That we are in the same boat? All is in vain! This morning, A healthy friend; This evening, A wisp of cremation smoke. What a pity! Evening smoke from Mount Toribe Blown violently To and fro By the wind. When burned We become ashes, and earth when buried. Is it only our sins That remain behind? All the sins Committed In the Three Worlds Will fade away Together with me.
Ikkyu
world; but that was as yet far in the future; and the mother, whose first-born son he was, was wont to look on her boys and thank God that the "brave days of old," which Jem longed for, were gone for ever, and that never would it be necessary for the sons of Canada to ride forth to battle "for the ashes of their fathers and the temples of their gods." The shadow of the Great Conflict
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
endings come upon us, valleys of dry bones loom how will our bones rise from deceit and lies and greed when we have gone to the dust, refusing to listen breathe your breath into us, re-sinew us while there is still time.
Len Freeman (Ashes and the Phoenix: Meditations for the Season of Lent)
Martin Luther King’s legacy, as its keepers know, is profoundly at odds with the historic American order, and that is why they can have no rest until the symbols of that order are pulled up root and branch. To say that Dr. King are the cause he really represented are now part of the official American creed, indeed the defining and dominant symbol of that creed – which is what both houses of the United States Congress said in 1983 and what President Ronald Reagan signed into law shortly afterward – is the inauguration of a new order and the things they symbolized can retain neither meaning nor respect, in which they are as mute and dark as the gods of Babylon and Tyre and from whose cold ashes will rise a new god, leveling their rough places, straightening their crookedness, and exalting every valley until the whole earth is flattened beneath his feet and perceives the glory of the new lord.
Samuel T. Francis (Beautiful Losers: Essays on the Failure of American Conservatism (Volume 1))
You against the world … Bet on the World. The world is never going to change for you. Unless you are a world-historic figure. Well, are you?
David Sinclair (Locusts, Hollywood, and the Valley of Ashes: Individualism Versus Collectivism)
America suffers from the Oedipus Complex. It wants to kill its father (England) and fuck its mother (Christianity, the Virgin Mary).
David Sinclair (Locusts, Hollywood, and the Valley of Ashes: Individualism Versus Collectivism)
How on earth Nietzsche, a supporter of Dionysus, went through a phase of vegetarianism is mind-boggling. Just as bad, Nietzsche was no fan of alcohol. No wonder Dionysus smote his sacrilegious ass and drove him insane, a common fate for all those that defy Dionysus.
David Sinclair (Locusts, Hollywood, and the Valley of Ashes: Individualism Versus Collectivism)
You could take seriously a president that quoted T. S. Eliot. But none do, and none ever would. No president would ever dare to say anything intelligent. There would be a revolution on the spot. The rednecks’ heads would explode. America would implode. God forbid that a president should ever say a single clever thing. All that the president is allowed to say is, “God bless America. One nation under God.” … the mantra of morons. Imagine a different America where the president said, “I think, therefore I am. … The unexamined life is not worth living. … God is dead.
David Sinclair (Locusts, Hollywood, and the Valley of Ashes: Individualism Versus Collectivism)
Conspiracy theories encourage the masses to believe in lurid nonsense and to denounce intellectuals, who are supposedly all in on the conspiracy and hard at work to deceive and enslave the people. But mediocrities, so we are to believe, can see through all intellectual bullshit … they know experts are idiots. Here we have the Dunning-Kruger effect in full flow, shining like the dumbest star in the sky, the one that hovered above that grubby stable in Bethlehem.
David Sinclair (Locusts, Hollywood, and the Valley of Ashes: Individualism Versus Collectivism)
Parents and schools are teaching children how not to think, but how to be good little groupthinkers and people of faith, how to be liberal, multicultural, and politically correct. The idea of quality, excellence, glory, is anathema. It’s the love that dare not speak its name. The exceptional make the mediocre feel bad about themselves, so the mediocre use their force of numbers to demonize the exceptional. The mediocre cannot and will not be made to feel inadequate. Instead of making themselves adequate – God forbid! – they kill the exceptional and then no one notices their inadequacy. Hallelujah! Job done. Amen, Namaste, Brother!
David Sinclair (Locusts, Hollywood, and the Valley of Ashes: Individualism Versus Collectivism)
If an extra-terrestrial wiped out humanity bar eight survivors, would you expect the eight to swear vengeance against the monster? According to the Bible, the eight – Noah’s family – actually worshiped the ET as God! Independence Day: Independence from God! When will humanity be free?
David Sinclair (Locusts, Hollywood, and the Valley of Ashes: Individualism Versus Collectivism)
What’s the definition of pathetic: overhearing the conversation of two plastic beauties (absolutely consumed with their image) and encountering the vacuum that exists between the ears of these people.
David Sinclair (Locusts, Hollywood, and the Valley of Ashes: Individualism Versus Collectivism)
Practice & Ash 2. Scales of the Malefic Viper 3. Lucenti Plains 4. Pondering on Ponds 5. Introspection 6. Intermission 1 – Viridia (1/2) 7. Intermission 1 – The Malefic Viper (2/2) 8. Moment of Curiosity 9. Cleaning Up the Plains 10. The Great White Stag 11. No Rest for the Wicked 12. Loot & Healing 13. True Protagonist 14. Into the Dark 15. The Right Way 16. Dark Mana & Dark Tunnels 17. Many Rats! Handle it! 18. Dark Attunement 19. Nest Watcher 20. A Final Gift 21. Willful Ignorance 22. The Balance Broken 23. Beers & Exposition 24. Of Fate & Destiny 25. William & Jake 26. Spring Cleaning = Loot 3.0 27. Valley of Tusks 28. Going with the Flow 29. The Right Way Forward 30. Mana 101 31. A Thoughtful Touch 32. Pigs for Slaughter 33. Limit Break 34. Falling Rocks 35. Horde Leader 36. Next Target: King of the Forest 37. King 38. Eclipse 39. Fall 40. When the Curtains Fall 41. Tutorial Rewards: Titles & Math 42. Tutorial Rewards: Narrowing Down Options 43. Tutorial Rewards: Getting Stuff 44. Intermission 2 - Life after Death (Casper) 45. Records 46. A Godlike Getaway 47. Danger Bath 48. Second Part? 49. Embracing Power 50. Defiance & Gains 51. You know, I'm something of a sage myself 52. Homecoming 53. Intermission 3 - Carmen 54. Intermission 4 - Noboru Miyamoto 55. Intermission 5 - Eron 56. The Blue Marble 57. One Step Mile 58. Pylon of Civilization 59. Intermission 6 - Matteo (1/2) 60. Intermission 6 - Matteo (2/2) 61. The Times They Are A-Changin' 62. Monsters 63. Living with the Consequences 64. Points of View 65. Going Down 66. Two Kinds of People 67. Big Blue Mushroom 68. Delegating (avoiding) Responsibilities 69. Construction Plans 70. First World Problems 71. How to Train Your Dragon Wings 72. Freedom
Zogarth (The Primal Hunter 2 (The Primal Hunter, #2))
Fresno, California, sits in the center of the San Joaquin Valley in the middle of the state. “Ash tree” in Spanish, Fresno is the closest major city to Yosemite National Park.
Rachel Howzell Hall (These Toxic Things)
Why don’t we just do what we’ve done with our lives?” Her brow knit. “What do you mean?” “Rise from the ashes of where we came from. Imagine something better and make it happen.
Ava Miles (The Perfect Ingredient (Dare Valley, #7))
Hearts Are Made To Be Broken [Verse] Hearts are made to be broken yeah we know Feel that ache deep down where the shadows grow They walked away left a scar don’t you see But that pain ain't holdin' me down no I’m free [Verse 2] Told myself I'd be alright through the storm Rain falls hard but it ain't my norm Your love was a fire burned too bright But now I'm gonna heal in the moonlight [Chorus] Hearts are made to be broken they say But I’ll rise from the ashes anyway If they left your love don’t give 'em your pain Find strength in yourself let go of the chain [Verse 3] Saw the dreams crumble like old dry leaves Singin’ songs of sorrow left to the breeze Bathed in regret but I won't stay Gonna keep movin’ yeah find my way [Verse 4] Dust on my boots felt dirt on my soul Walkin' through valleys where shadows roll But the sun’s gonna shine yeah I can tell Breakin' through dark like a saved soul yell [Chorus] Hearts are made to be broken they say But I’ll rise from the ashes anyway If they left your love don’t give 'em your pain Find strength in yourself let go of the chain
James Hilton-Cowboy
The upper part of the mountain had completely disappeared in a spectacular blast that caused the lower walls of the volcano to collapse inward, creating a huge, circular hole in the ground—a caldera—five miles (8 km) wide. This gradually filled with snowmelt and rainwater to form Crater Lake—with a maximum depth of 1,958 feet (597 m), the deepest lake in the United States. Magma spilled from cracks along the shattered volcanic rim and surged downhill in avalanches that filled nearby valleys with up to three hundred feet (90 m) of hot rock, pumice, and ash. Somewhere between eleven and fourteen cubic miles (not cubic yards, cubic miles, or 46–58 km3) of magma was ejected. A towering column of ash thirty miles (48 km) high rained down for several days on eastern Oregon, Washington, Idaho, Montana, Nevada, and southwestern Canada. An ash layer half an inch (1 cm) thick was measured in Saskatchewan, 745 miles (1,200 km) from its origin.
Jerry Thompson (Cascadia's Fault: The Coming Earthquake and Tsunami that Could Devastate North America)
The bees that tunnel in the rock and hard-packed mud of the walls here go back a long way. Holed-up underneath the thread-work of the vaulting ash, thin holly; beech and suckered elms - sinew peeling, shot through with poison galleries - I peer into the bee maze, stood down among the rib roots and moss. The bees still mass in the hola weg and drone down in the valley church, the gilded Queen of martyrs, beside the aged books and pitch mantraps. Records of steel barbs in the hollow, hooded traps cast out to snare a covert congregation - creeping round the black-wood crescent; lamping with dark lanterns. No moon above the whispering fields, low service in the cross-hatched apse and every outside sound an ambush. Amphidromic points of faith
Robert Macfarlane
I stood on a rise, overlooking the plague valley. Matthew was beside me. The last thing I remembered was crawling into my sleeping bag after the whiskey had hit me like a two-by-four to the face. Now my friend was here with me. “I’ve missed you. Are you feeling better?” How much was this vision taking out of him? “Better.” He didn’t appear as pale. He wore a heavy coat, open over a space camp T-shirt. “I’m so relieved to hear that, sweetheart. Why would you bring us here?” “Power is your burden.” I surveyed all the bodies. “I felt the weight of it when I killed these people.” “Obstacles multiply.” “Which ones?” A breeze soughed over the valley. “Bagmen, slavers, militia, or cannibals?” He held up the fingers of one hand. “There are now five. The miners watch us. Plotting.” “But miners are the same as cannibals, right?” He shuffled his boots with irritation. “Miners, Empress.” “Okay, okay.” I rubbed his arm. “Are you and Finn being safe?” His brows drew together as he gazed out. “Smite and fall, mad and struck.” I looked with him, like we were viewing a sunset, a beautiful vista. Not plague and death. “You’ve told me those words before.” “So much for you to learn, Empress. Beware the inactivated card.” One Arcana’s powers lay dormant—until he or she killed another player. “Who is it?” “Don’t ask, if you ever want to know.” Naturally, I started to ask, but he cut me off. “Do you believe I see far?” He peered down at me. “Do you believe I see an unbroken line that stretches on through eternity? Centuries ago, I told an Empress that a future incarnation of hers would live in a world of ash where nothing grew. She never believed me.” I could imagine Phyta or the May Queen surveying verdant fields and crops, doubting the Fool. “Now I tell you that dark days are ahead. Will you believe me?” “I will. I do. Please tell me what will happen. How dark?” “Darkest. Power is your burden; knowing is mine.” His expression turned pleading, his soft brown eyes imploring. “Never hate me.” I raised my hands, cradling his face. “Even when I was so mad at you, I never hated you.” “Remember. Matthew knows best.” He sounded like his mom—when she’d tried to drown him: Mother knows best, son. I dropped my hands. “It scares me when you say that.” “Do you know what you really want? I see it. I feel it. Think, Empress. See far.” I was trying! “Help me, then. I’m ready. Help me see far!” “All is not as it seems. What would you sacrifice? What would you endure?” “To end the game?” His voice grew thick as he said, “Things will happen beyond your wildest imaginings.” “Good things?” His eyes watered. “Good, bad, good, bad, good, good, bad, bad, good-bye. You are my friend.
Kresley Cole
There were several different kinds of beasts that I found, as I teleported from valley to valley, hillside to hillside, as the sky lightened with the rising sun. White, clucking birds, fluffy sheep, spotted cows, pink pigs. I was able to understand them by using my Chi to perceive their thoughts, but their language was very basic and they mostly communicated with each other through grunts and noises. “What is your name?” I asked a particular chicken with my mind voice. “I am a chicken,” it thought back. “Bawk!” it said aloud. “What is your purpose?” “I am eating.” The bird scratched at the ground with its goofy yellow feet, pulling plant seeds out of the tall grass. As the morning went on, I noticed that some of the larger, more complicated creatures, the mobs, as I was taught they were called, burst into flames as the sun settled higher into the sky! Skeletons and zombies raced around, frantic and on fire, until they burned up and left behind nothing but piles of ash, bones, and charred meat. What an interesting world. As I teleported into the shadows of a tall, dark forest, I found a lone zombie hiding from the sun under a pine tree. He held a metal shovel in his hand—a Minecraftian tool. “Excuse me,” I said into his mind. “Who…? Who’s there?” the zombie asked in a dull, slow voice. The creature looked around with black eyes. I stepped out from the shadows to where it couldn’t help but notice me. It’s not like I was trying to hide before—I don’t know how it didn’t see me. The zombie’s face stretched in surprise. “Oh!” it cried. “You surprised me! So sneaky!” It settled down, paused, and stood vacant for a moment before speaking again. “What you want?” “I was wondering … why does the sun sets zombies on fire?” I said into its mind. The zombie was shocked. “The sun sets zombies on fire?!” It was suddenly very aware of the sunlight just outside of the shadow of the tree, and the poor undead creature clutched at the pine’s trunk to keep away from the light. “Elias,” I suddenly heard in my mind. The voice of another Enderman. “Behind you.
Skeleton Steve (Diary of an Enderman Ninja, Book 1 (Diary of an Enderman Ninja #1))
MY HEART HAS STILLED, and my thoughts turned to ash / Yet unexpectedly, the light of spring shines through the cold night. / Could it be that the heavens pity the blade of grass in the secluded valley? / Yet I fear that the world is unpredictable and full only of hardship.
Meatbun Doesn't Eat Meat (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 2)
After more than ten years of no news, bad news suddenly came from the Imperial Capital. The only relative he had left in the world has been separated from each other. Despite years of hard work and cultivation, he still could not completely wipe out the anger and hatred from his heart. He only felt that the fire of karma in his heart was burning, and he could only burn his heart to ashes! He entered the cave alone, drove Chongming out, and sat alone facing the wall for three days and nights, trying to extinguish his demons. The valley was empty, with only the deceased to accompany him, so he shouted uncontrollably, yelled, screamed and punched the stone wall, vented his anger and pain, but he still could not control the hatred in his heart.
沧月 (Zhuyan (With Prequel of Mirror) 朱颜(附镜子上卷镜前传))
After only a few days, the novelty of a return to dried noodles had already worn off. The valley opened ahead, miles of flat ash and shale between the waves of mountains. We walked on, in an endless space where time and possibility seemed endless.
Raynor Winn (The Wild Silence)
Can you set her down at Burbank? I want to ask some questions.” “I’m going to.” The summer heat of the valley came up to meet us as we circled in. Heat lay like a fine ash on the rubbish lots and fields and half-built suburbs, slowing the tiny cars on the roads and boulevards, clogging the air.
Ross Macdonald (The Moving Target (Lew Archer #1))
The dawn, which came with such wizardry and wildness to Arkev, broke on Old Ash’s village in the valley in its usual way. To begin with.
Tanith Lee (Volkhavaar)
The scar on my face. Do you know how I got it?” “Your family was attacked by some Craven when you were a child,” he answered. “Vikter…” “He filled you in?” A faint, tired smile pulled at my lips. “It’s not the only scar.” When he said nothing, I slipped my hand out from under my sleeve. “When I was six, my parents decided to leave the capital for Niel Valley. They wanted a much quieter life, or so I’m told. I don’t remember much from the trip other than my mother and father being incredibly tense throughout the whole thing. Ian and I were young and didn’t know a lot about the Craven, so we weren’t afraid of being out there or stopping at one of the smaller villages—a place I was told later hadn’t seen a Craven attack in decades. There was just a short wall, like most of the smaller towns, and we were staying at the inn only for one night. The place smelled like cinnamon and cloves. I remember that.” I closed my eyes. “They came at night, in the mist. There was no time once they appeared. My father…he went out onto the street to try and fend them off while my mother hid us, but they came through the door and the windows before she could even step outside.” The memory of my mother’s screams forced my eyes open. I swallowed. “A woman—someone who was staying at the inn—was able to grab Ian and pull him into this hidden room, but I hadn’t wanted to leave my mom and it just…” Dark and disjointed flashes of the night attempted to piece themselves together. Blood on the floor, the walls, running down my mother’s arms. Losing my grip on her slippery hand, and then grabbing hands and snapping teeth. The claws… And then the soul-crushing, fiery pain until, finally, nothing. “I woke up days later, back in the capital. Queen Ileana was by my side. She told me what had happened. That our parents were gone.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
I know of that place,” said Manawyddan. “Great is the power of the outer ring, but that of the inner is yet greater. For its twelve Stones are said to be the first Twelve Gods born of Earth, archetype of all the mighty mysterious Twelves that are to come. In their sides is not only the color of the sea that once covered all things, but the ashes of those fires from which Earth the Mother shaped Herself, that mighty travail from which the mountains and the valleys sprang.
Evangeline Walton (The Mabinogion Tetralogy: The Prince of Annwn, The Children of Llyr, The Song of Rhiannon, The Island of the Mighty)
That I Saw the Light on Nonotuck Avenue That every musical note is a flame, native in its own tongue. That between bread and ash there is fire. That the day swells and crests. That I found myself born into it with sirens and trucks going by out here in a poem. That there are other things that go into poems like the pigeon, cobalt, dirty windows, sun. That I have seen skin in marble, eye in stone. That the information I carry is mostly bacterial. That I am a host. That the ghost of the text is unknown. That I live near an Air Force base and the sound in the sky is death. That sound like old poetry can kill us. That there are small things in the poem: paper clips, gauze, tater tots, and knives. That there can also be emptiness fanning out into breakfast rolls, macadam, stars. That I am hungry. That I seek knowledge of the ancient sycamore that also lives in the valley where I live. That I call to it. That there are airships overhead. That I live alone in my head out here in a poem near a magical tree. That I saw the light on Nonotuck Avenue and heard the cry of a dove recede into a rustle. That its cry was quiet light falling into a coffin. That it altered me. That today the river is a camera obscura, bending trees. That I sing this of metallic shimmer, sing the sky, the song, all of it and wonder if I am dying would you come back for me?
Peter Gizzi
June 16, 1778 The forest between Philadelphia and Valley Forge
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
The bees of my melancholy, which had rarely troubled me since we escaped that foul man Bellingham at Valley Forge, were buzzing inside my brainpan, fast overcoming my customary caution.
Laurie Halse Anderson (Ashes (Seeds of America, #3))