Val Love Quotes

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Oricum - era de preferat iadul cu o femeie deşteaptă decât paradisul cu una proastă.
Mihail Drumeş (Invitaţia la vals)
- Vreau să-ţi intru în sânge, pricepi?
Mihail Drumeş (Invitaţia la vals)
I know you all have families who love you so if you want to leave–. (Acheron) We wouldn’t be here if we didn’t want to. You and Val fought to save my sister when no one else would have bothered. I haven’t forgotten it. (Vane) And I haven’t forgotten what the Dark-Hunters did for me and Maggie. (Wren) Yeah, we’re family. Psychotic, bizarre and a hodgepodge of personalities that should probably never be blended, but here we are. Now let’s go kick some ass. (Fury)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
Loss is like a wind, it either carries you to a new destination or it traps you in an ocean of stagnation. You must quickly learn how to navigate the sail, for stagnation is death.
Val Uchendu
I love Val. I love my job and my New York. I have no doubts that they were the right choices for me. And at the same time, I know that right choices by definition are the means by which life crystallizes loss.
Amor Towles (Rules of Civility)
The mindset of loss of a loved one is to understand that the loss will never be undone. You must live with it, like it or not. But, to live well, you must turn that loss into something positive. That way, you can become the best version of yourself; scarred, flawed and unstoppable
Val Uchendu
You didn't think I really liked you? Do you think I really like you now?" He turned toward her, uncertainty in his face."You did go quite a lot of effort to be having this conversation, but... I don't want to read too much of what I hope into that." Val stretched out beside him, resting her head in the crook of his arm. "What do you hope?" He pulled her close, hands careful not to touch her wounds as they wrapped around her. "I hope that you feel for me as I do for you," he said, his voice like a sigh against her throat. And how is that?" she asked, her lips so close to his jaw that she could taste the salt of his skin when she moved them. You carried my heart in your hands tonight," he said. "But I have felt as if you carried it long before that." She smiled and let her eyes drift closed. They lay there together, under the bridge, city lights burning outside the windows like a sky full of falling stars, as they slid off into sleep
Holly Black (Valiant (Modern Faerie Tales, #2))
The hardest thing about being a grown up is realizing there are no magic formulas to release the ones we love from pain. Maybe that's why I enjoy computer games so much; you get to be God.
Val McDermid (Crack Down (Kate Brannigan, #3))
Marry me,” I said. I sounded as astonished as she looked, but it felt right. It was right. When I spoke again, my voice went from surprised to insistent. “Be my wife, Val. Be the woman who wakes up in this bed with me every morning for the rest of our lives. Fight with me how Robin and Alan do. Make love to me. Have my children.” Her eyes popped so wide that I laughed and said, “You know, eventually, someday.
Kelly Oram (A Is for Abstinence (V Is for Virgin, #2))
If she was going to die she wanted to go out with chocolate in one hand and a shopping bag in the other.
Caroline Hanson (Love is Darkness (Valerie Dearborn, #1))
Everything she knew about him rushed through her mind like a tidal wave.
Caroline Hanson (Love is Darkness (Valerie Dearborn, #1))
In entirety, valentine is a FUCKING DAY, rather than the sanctity of its literal meaning.
Michael Bassey Johnson
Cherish simple things such as family, friends and love, because great things appear simple from far away. Place your simple things in the best light; there's enough sunshine for all of them
Val Uchendu
You’re the only redeeming quality I have in her eyes.” “Oh, that’s not true. She loves you. She bragged about you all day.” “She bragged about me being able to snag a woman like you. So, really, she was still just bragging about you.” “Well.” Val chuckled. “I suppose that really is one of your best qualities. But you do have others. Plenty of them. And some of them are even redeeming.
Kelly Oram (A Is for Abstinence (V Is for Virgin, #2))
[the sheep] sidled up beside him and bumped him lovingly with its head. Val looked at it sadly. "I am sorry, you ugly creature," he said. "I have not used my magic in a long time, and I am very out of practice.
Robin McKinley (Shadows)
If this was love, it felt different than she'd imagined it would, walking a thin line between passion and terror. It was Romeo and Juliet. It was Wuthering Heights. And Val was left petrified from the boiling intensity of it.
Nenia Campbell (Fearscape (Horrorscape, #1))
This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each. Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime. There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful. If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love: To Gaylene deceased To Ray deceased To Francy permanent psychosis To Kathy permanent brain damage To Jim deceased To Val massive permanent brain damage To Nancy permanent psychosis To Joanne permanent brain damage To Maren deceased To Nick deceased To Terry deceased To Dennis deceased To Phil permanent pancreatic damage To Sue permanent vascular damage To Jerri permanent psychosis and vascular damage . . . and so forth. In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.
Philip K. Dick (A Scanner Darkly)
Know that time is a balm that slowly heals all wound. You'll heal, you'll learn to live with the scars, you'll love again and you won't be the same, nor would you want to
Val Uchendu
It's not what you have, but whom you love that makes life worth living.
Val Stasik
Just as hate can follow you through your life, love can lead you.
Val Edward Simone
There is nothing unrealistic about the love that one man feels for another
Val Emmich (Dear Evan Hansen)
No more shall you go bookless, Mrs. Crumb. From this day henceforth you have free run of my library with my compliments." She stared. "I-" He grinned, looking not a little wicked. "Have you looked at my books? Glanced at my titles? Fondled my spines?
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Thorns with rose petals, beauty with imperfection, softness of insensibility, pain of love; duality of human nature
Val Uchendu
Nervousness made her feel nauseous, almost like she had two hearts frantically beating in her chest, instead of one.
Caroline Hanson (Love is Darkness (Valerie Dearborn, #1))
Nothing consoles you for the loss of someone you love. You absorb it into you. You move forward but you move in a different way.’ She
Val McDermid (Still Life (Inspector Karen Pirie #6))
Nothing can resist a person who is nonresistant... When you overcome negative with positive...hate with love... Evil with good. You've turn a loss to a win... You have become profound.
Val Uchendu
It is only with the heart that one can see, hear and feel clearly. Think of an image, music or movie that moves you. Things that we truly love touch our heart before our head analyzes them away. Once we think we understand them, they disappear... It is because simple things in life are invisible, inaudible and insensible to an analytical mind and an undiscerning heart. Let your heart hear the music -- be moved by images, people and places... for that makes you more alive than others.
Val Uchendu
Dogs are masters of creating emotionally safe space just by being themselves. ... it is as if something deep within our souls resonates with their energy, their unwavering unconditional love and unbridled joy to be in our presence, their undivided loyalty, and complete trust in us. Dogs make us feel special, and teach us by example to relish simple pleasures and live totally in the moment. They teach us there is only now and only who you are, who you are with, and what you are doing right then–and what could be better than to sniff the wind and be in the company of those you love?
Val Silver (Rescue Me: Tales of Rescuing the Dogs Who Became Our Teachers, Healers, and Always Faithful Friends)
I pressed a kiss to Anna’s forehead. I just couldn’t stop loving on her. “I love you,” Dante said quietly, almost hesitantly. I smiled. “Do you hear, Anna? Your daddy loves you.” Dante touched my cheek, bringing my attention to him and shook his head. “That’s not what I meant, even if it’s true. I love you, Val.
Cora Reilly (Bound By The Past (Born in Blood Mafia Chronicles, #7))
She tried to think of the right thing to say - something that would make him leave her alone. If she said she could defend herself he'd want her to prove it. But if she said she couldn't defend herself, then he'd take her out there to learn. This is so messed up.
Caroline Hanson (Love is Darkness (Valerie Dearborn, #1))
The joy of success lies in the process or journey -- not so much on the destination, because one destination opens the door for another. It's like the beauty of watching a blossoming flower ... a bird taking flight for the first time or a child taking the first step ... Enjoy your process today as I am.
Val Uchendu
Her gaze shifted away. "I don't remember my dreams anymore." It was like she was confessing a dirty secret. And maybe it was, because even though he hated the dreams, each time he had them, he was with his parents again. Hearing their laughter. Watching them live. But when he woke up they were really gone.
Caroline Hanson (Love is Darkness (Valerie Dearborn, #1))
And she arched, screaming, the lightning blazing from her center, sparking through her limbs, flying out her fingertips. She was incandescent. He fell atop her, heavy and male, pulling her legs up around his narrow hips, and ground down into her, once, twice. His cock jerked within her and she could feel every muscle in his body tense. He groaned into her ear like a man dying and then fell senseless and limp. And as she followed him into exhausted slumber she heard his single word: Mine.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
He attacked her throat and she was so startled by the sudden move that she squeaked. He was laving her with his tongue, openmouthed, and she moaned, arching, wondering wildly if this was the same man who wore pink silk coats and black velvet bows. This seemed so base, so animal. Not at all like the effete aristocrat she thought she knew.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
You made me love you. You were a shit mother, but I loved you anyway. Then you betrayed me. Treated me as if I were nothing to you.
Val Tobin (The Empress: A Promise of Rain (Tales from the Unmasqued World #4))
The habit of loving is definitely one to be cultivated.
Val McDermid (Northanger Abbey (Rewrite/adaptation of the Jane Austen classic novel))
Tu corazón va más deprisa que el vals.
Elena Garro (Cuentos completos de Elena Garro)
Learn to live, love and laugh . . . and to enjoy a good story when there's one to be heard.
Val Edward Simone
Learn to live, love and laugh....And to enjoy a good story when there is one to be heard.
Val Edward Simone
The calmness was fracturing, tendrils of fear seeping through her mind like ivy. Once the fear consumed her, she'd run.
Caroline Hanson (Love is Darkness (Valerie Dearborn, #1))
Art is always an exchange, like love, whose giving and taking can be a complex and wounding matter, according to Michelangelo. Ali Smith, Artful
Val McDermid (Broken Ground (Inspector Karen Pirie, #5))
true love wasn’t about gazing into each other’s eyes. It was about standing shoulder to shoulder, facing in the same direction.
Val McDermid (Beneath The Bleeding (Tony Hill & Carol Jordan, #5))
Boy do I pray about that often-the idea of needing some physical thing more than the unity of the spirit, more than the principles of mind, soul, life, truth, Love
Val Kilmer (I'm Your Huckleberry: A Memoir)
There were things one could do, things so terrible, Val was certain they could make someone stop loving you. She was equally certain that she had done some of these things, and as desperate as she was to be proven otherwise, she was equally afraid that she was right. That she had become as awful as the rest of the world seemed to think she was. That she was unlovable.
Nenia Campbell (Escape (Horrorscape, #4))
Roses have thorns,’ we whine. When thorns of life entwine. Simple things can bring solace to heart-Things everyone take for granted-Like tending beds of fragile roses-with heart full of scars
Val Uchendu
The duke brought her hand to his mouth and, his azure eyes glittering in the candlelight, pressed a kiss to the inside of her wrist. And then the edge of his teeth. She felt the warm softness of his lips, the prickle of against tender skin, and a sort of shock seemed to go straight through the center of her body. He let her go and her wrist felt the cold of night. "Séraphine. The burning one. I should've known.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Oh," said her husband, sounding deeply pleased at something he'd read in his letter. "What?" Bridget sat up, inadvertently spilling several drops of honey on her breast. Sadly, she succumbed to her husband's fondness for nudity soon after their marriage. Valentine glanced up, but his gaze was immediately drawn to the honey slowly dripping down her breast. "Val..." Bridget moved to scoop the honey up with her finger. His hand darted out, catching hers. "Oh, don't," he breathed, leaning over her, forcing her flat on her back. He bent, closing his azure eyes, and licked her breast almost reverently. She shuddered. "It's the middle of the day," she whispered. His eyes opened, wicked and amused. "I know. Your favorite." She smiled up at him, threading her fingers through his golden hair. "I love you." "And I love you," he murmured against her lips, before taking her mouth hard and possessively. Their letters fell to the floor, abandoned, but Bridget didn't care at all. She was with her true love and the world outside could wait.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
If only this mist would clear, it would be a lovely day," she said faintly. "And if only the clouds would thicken up it would be a miserable day," Mr. Allen contributed from behind the paper. "It is what it is.
Val McDermid
Fine. At least I’ll go out doing what I love: being an absolute fuckwit making the worst possible choice.” “No,” Val says, her voice solemn. “Being an absolute fuckwit making the worst possible choice in the best possible company.
Kiersten White (Mister Magic)
Two relationships in the past six years, both of which she’d hung on to long past the sell-by date. They reminded her of a poem she’d once read about love being a kite you couldn’t let go of till somebody gave you something better to do. Although
Val McDermid (The Torment Of Others (Tony Hill & Carol Jordan, #4))
She smiled at him, and Val felt his heart trip on the next few beats. Good God, she was lovely. Just sitting here outside the Rooster, cradling her mug in her hands. A little dusty, a little tired, but in her warm, earthy dark-eyed way, she was beautiful.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Trees surrounded them from all sides, casting long inky shadows that would, at another time, have been scary. But there was no point in being scared of what might be lurking in the shadows when the biggest bad, of all big bads, was gazing at her intently.
Caroline Hanson (Love is Darkness (Valerie Dearborn, #1))
Sitting there with Val's warm little body against my side and his silky-soft hair against my cheek, I felt happy and peaceful. Before this I had loved Val because he was Ronnie's son, but now I loved him for himself... and I knew there would be no more trouble. He would feel miserable at times--that could not be helped--but he would let me comfort him. And I saw how foolish I had been to fuss and worry about "the right approach" because of course "the right approach" to all our fellow creatures is just to love them.
D.E. Stevenson (Anna and Her Daughters)
all. I had a cup of coffee with Ann Cleeves at the picnic table—’ she gestured beyond the containers to where a basic picnic table sat near the edge of the cliff. ‘She was researching locations for one of her Vera books. Lovely woman, but she didn’t get inside.
Val McDermid (Past Lying (Karen Pirie #7))
To sit back and watch is no longer possible. It never was, it turned out. I step onto the pristine grass. It feels like an invasion, but a voice inside reminds me to loosen up. I don't pretend that I knew him before, but he's always with me now. We're weaving in between trees, careful not to disturb, on a mission. We mean no trouble. There are so many of us, the lonely souls. All of us who helped build this. Those who will watch it grow. Those we've lost. We march on together. Climbing, falling, soaring. Trying to get closer to the center of everything. Closer to ourselves. Closer to each other. Closer to something true.
Val Emmich (Dear Evan Hansen)
The Biden's have another belief as well:" If you have to ask, it's too late." When someone is in need, when they're hurting, when they're overwhelmed, you don't wait until they tell you they need your help. You give it before they have to ask. So when Neilia died and Joe was left with two young boys, trying to father them and get through his own grief, all while juggling the new hectic life of a senator, Val didn't ask if there was something she could do. She moved in. And for three years, through her own career ambitions, through her courtship and eventual marriage to her husband, Jack, she lived with Joe and the boys and made sure they had the love and support they needed to keep going.
Jill Biden (Where the Light Enters: Building a Family, Discovering Myself)
Everyone thinks themselves unique when they fall in love. The truth is, we all lose ourselves in the same way. Whether it takes hours or days or weeks, we all find ourselves in a place of wonder and urgency, where we believe nobody has ever been before to quite the same degree. If everyone felt like this, our script goes, the world would come to a grinding, grinning halt.
Val McDermid (The Skeleton Road (Karen Pirie, #3))
There's no difficulty that love cannot conquer... no door love cannot open... No wall enough love will not bring down... only if we could love enough When love, skill, a talent or gift work together... we create a masterpiece Love someone with your skill, your talent or our gift... Make someone's life easier... Make someone happy today... Create your masterpiece today
Val Uchendu
How can she stand up there so tall as she’s telling us how her mother beat her and her father molested her when she was a little girl? How is it possible for her to look so proud? How is she not being consumed by shame? She should be disintegrating before our eyes. She should be struck by lightning, and God’s big, angry, booming voice should be shaking the room with “How dare you? I told you never to tell.” But that’s not her God, she says. Her God is loving and kind and wants what’s best for her. Her God loves peace and serenity and forgiveness. Her God doesn’t make her keep secrets. I thought I knew God all my life, but maybe it was some other guy the whole time. I want this God. I want Val’s God. I want a God who doesn’t make me jump through hoops and hate myself to earn his love.
Amy Reed (Clean)
And then he saw her burning eyes. They gazed at him calmly and he saw in them benediction. He fell to his knees before her, pressing his face to her purple-velvet-clad-belly. "Séraphine, Séraphine, Séraphine. O most beloved of women, most fiery of saints, never leave me, please. I'll erect columns of white marble to you, build gardens of delight for you, cause ships to sail and warriors to rise for you, if you'll only remain by my side." She smiled down at him and cupped his cheeks. "Valentine, do you love me?" Ah, God, it was like a shot to the gut. He squeezed tight his eyes. To come so close and lose her because of this. "If I were able I would love you as no man has ever loved a woman since the beginning of time." She knelt then to face him and whispered, "But you are able." He clutched her. He wouldn't let her go, no, not even when she realized... "Séraphine, my darling, burning one, do you not remember? I told you, so long ago now, that I lacked that part. I cannot-" "But you can, Valentine." She touched a finger to his cheek and then showed it to him. He blinked. Her finger was wet. His eyes were wet. She smiled at him, his burning Séraphine, and it was as if the night sky were ablaze. "You love me." "I love you," he said in wonder, and felt his chest fill with warmth. "I love you." "And I love you," she whispered, her hands cupping his face. So he kissed her until she was limp and pliable and so very hot against him, and then he purred into her ear, "Does that mean you'll become my duchess, darling Bridget Crumb?" And when she sighed back, "Oh, yes, Val," he picked her up and carried her off to have his wicked, wicked way with her. Because he might have a heart now but some things weren't ever going to change.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Bishop?" My voice is slightly broken, soft, gentle, it doesn't even sound like me. "Vallie?" "It's always been us, right?" The pained expression that spans across his face almost brings tears to my eyes. The mask of the confident man I know is gone, and in its place is just B. He looks so broken, and all I want to do is open up my arms and let him find refuge inside my skin. I want to protect him from the pain. He drops his head to my forehead and kisses the tip of my nose. "It'll always be us, Val.
Monty Jay (Love & Hockey (Fury, #1))
Her eyes widened and her mouth formed an anguished O. He had to admit, there was real pleasure in seeing her pay the price for her bitching and whining and moaning. She’d called men like him misogynists. That was the opposite of what they were. Men like him, they loved women. They understood the kind of life that suited women best. They knew what women really wanted. Proper women didn’t want to be out there in the world, having to shout the odds all the time. They wanted to build homes, take care of families, make their mark and exercise their power inside the home. Being women, not fake men. After
Val McDermid (Splinter the Silence (Tony Hill & Carol Jordan, #9))
We cannot take leave of the aquatic plants without briefly mentioning the life of the most romantic of them all: the legendary Val­lisneria, an Hydrocharad whose nuptials form the most tragic episode in the love-history of the flowers. The Vallisneria is a rather insignificant herb, possess­ing none of the strange grace of the Water-lily or of certain submersed comas. But it seems as though nature had delighted in giving it a beautiful idea. The whole existence of the little plant is spent at the bottom of the water, in a sort of half-slumber, until the moment of the wedding-hour in which it aspires to a new life. Then the female flower slowly uncoils the long spiral of its peduncle, rises, emerges and floats and blossoms on the sur­face of the pond. From a neighbouring stem, the male flowers, which see it through the sunlit water, soar in their turn, full of hope, towards the one that rocks, that awaits them, that calls them to a magic world. But, when they have come half-way, they feel themselves suddenly held back: their stalk, the very source of their life, is too short; they will never reach the abode of light, the only spot in which the union of the stamens and the pistil can be achieved! .
Maurice Maeterlinck (The Intelligence of the Flowers)
We talk about ‘gut instinct’ or ‘feminine intuition’ and often dismiss them. We say they’re unscientific, they’re not something you can take into the witness box and make a case out of. But more often than not, these hunches are reliable indicators. They’re conclusions we draw based on experience, readings of human behaviour we trust because we’ve seen them before. Of course prejudice can creep in and skew our responses, but we shouldn’t ignore those moments when our hackles rise or our spines shiver. They’re just as valuable as those moments of instant attraction that so often lead us into love affairs …
Val McDermid (How The Dead Speak (Tony Hill & Carol Jordan #11))
Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast.   It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter.   Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes.   That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time.   Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.   VALS Yo toco el odio como pecho diurno, yo sin cesar, de ropa en ropa, vengo durmiendo lejos.
Pablo Neruda (Residence on Earth (New Directions Paperbook Book 992))
What’s this?” He pulled out a folder filled with shiny silver discs. “A whole television show with your name on it! Should we put the lights down low and watch?” Merlin pursed his lips. “Quite fun, in places, that one. I do like the dragon. But, well, they had a tendency to make it seem as if Arthur and Merlin could be love interests, only to pull out at the last possible second.” Val quirked an eyebrow, a double entendre no doubt simmering behind that smirk. When he spoke, it was more frustration than amusement. Ugh, why would anyone do that?” “It was called queerbaiting, Merlin said, the word like a stone in his shoe. “And sadly it was common in that age.” Val made a disgusted face and a retching sound to go with it. Merlin had to agree.
Cori McCarthy & Amy Rose Capetta (Sword in the Stars (Once & Future, #2))
My 1979 Top 40 In no particular order, this is the forty-track rotation I listened to when I was researching, prepping and writing 1979. They were all released in the late 1970s, though not all in 1979 itself. But then, like Allie, we all listen to tunes from our past . . . I hope it gets you in the mood for reading! ‘Picture This’ – Blondie ‘Lovely Day’ – Bill Withers ‘Automatic Lover’ – Dee D. Jackson ‘Brass in Pocket’ – The Pretenders ‘It’s a Heartache’ – Bonnie Tyler ‘Wild West Hero’ – Electric Light Orchestra ‘Because the Night’ – Patti Smith ‘Into the Valley’ – The Skids ‘YMCA’ – Village People ‘Like Clockwork’ – Boomtown Rats ‘Stayin’ Alive’ – Bee Gees ‘Uptown Top Ranking’ – Althea & Donna ‘No More Heroes’ – The Stranglers ‘Take a Chance on Me’ – Abba ‘Werewolves of London’ – Warren Zevon ‘Psycho Killer’ – Talking Heads ‘Kiss You All Over’ – Exile ‘Top of the Pops’ – Rezillos ‘Heroes’ – David Bowie ‘Don’t Hang Up’ – 10cc ‘English Civil War’ – The Clash ‘2-4-6-8-Motorway’ – Tom Robinson Band ‘Rebel Rebel’ – David Bowie ‘Glad to be Gay’ – Tom Robinson Band
Val McDermid (1979)
This is a friendly forty winks, Mrs. FitzEngle.” He snagged her wrist. “Join me.” She regarded him where he lay. “Ellen.” The teasing tone in Val’s voice faded. “I will not ravish you in broad daylight unless you ask it of me, though I would hold you.” She nodded uncertainly and gingerly lowered herself beside him, flat on her back. “You’re out of practice,” Val observed, rolling to his side. “We must correct this state of affairs if we’re to get our winks.” Before she could protest, he arranged her so she was on her side as well, his body curved around hers, her head resting on his bicep, his arm tucking her back against him. “The benefit of this position,” his said, speaking very close to her ear, “is that I cannot behold your lovely face if you want to confide secrets, you see? I am close enough to hear you whisper, but you have a little privacy, as well. So confide away, and I’ll just cuddle up and perhaps even drift off.” “You would drift off while I’m confiding?” “I would allow you the fiction. It’s one of the rules of gentlemanly conduct owed on summer days to napping companions.” His arm was loosely draped over her middle so he could sense the tension in her. “I can hear your thoughts turning like a mill wheel. Let your mind rest too, Ellen.” “I am unused to this friendly napping.” “You and your baron never stole off for an afternoon nap?” Val asked, his fingers tracing the length of her arm. “Never kidnapped each other for a picnic on a pretty day?” “We did not.” Ellen sighed as his fingers stroked over her arm again. “He occasionally took tea with me, though, and we often visited at the end of the day.” But, Val concluded with some satisfaction, they did not visit in bed or on blankets or with their clothes off. Ellen had much to learn about napping. His right hand drifted up to her shoulder, where he experimentally squeezed at the muscles joining her neck to her back. “Blazes,” he whispered, “you are strong. Relax, Ellen.” His right hand was more than competent to knead at her tense muscles, and when he heard her sigh and felt her relax, he realized he’d found the way to stop her mill wheel from spinning so relentlessly. “Close your eyes, Ellen,” he instructed softly. “Close your eyes and rest.” In minutes, her breathing evened out, her body went slack, and sleep claimed her. Gathering her a little more closely, he planted a kiss on her nape and closed his eyes. His hand wasn’t throbbing anymore, his belly was full, and he was stealing a few private moments with a pretty lady on a pretty day. God
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
The people who should’ve kept you safe put you in danger. The ones who should’ve known and loved you best threw you away. I don’t understand how, because you’re so good.
Suanne Laqueur (An Exaltation of Larks (Venery, #1))
Pharinet, despite what I know of Val and whatever I might of you, I will always love you both. You are strange creatures, and always have been. That is no doubt part of the attraction.
Storm Constantine (Sea Dragon Heir (The Chronicles of Magravandias, #1))
Oh, well, the dead. They are never gone. They are around us everywhere.” He made a comprehensive gesture, and Val found herself following the line of his hand, as if she could see spirits drifting through the air. “When one of them comes unexpectedly to mind, you think you are just calling up a memory. But in fact, they are stroking your cheek, whispering in your ear, reminding you how much they love you.
Sharon Shinn (Whispering Wood)
We feel spirit every time we love, every time we forgive, every time scorn is overwhelmed by empathy and bitterness overcome by compassion.
Val Kilmer (I'm Your Huckleberry: A Memoir)
I love Val. I love my job and my New York. I have no doubt that they were the right choices for me. And at the same time, I know that right choices by definition are the means by which life crystallizes loss.
Amor Towles (Rules of Civility)
If you really love each other, you can find a way around anything.
C.P. Cabaniss (Before and After (The Vals, #1))
Að vera skotin í annarri manneskju er að leggja á hana kross. Það er ofbeldi í því fólgið að klyfja einhvern svona óumbeðið af aðdáun manns. Þess vegna er tærasta ofbeldi sem þú beitir aðra manneskju að elska hana, dýrka hana eins og draum, sjá ekki sólina fyrir henni, breyta henni í þína persónulegu útópíu. Skyndilega er hún von heimsins og ber ábyrgð á velferð þinni og hamingju, óháð því hvort hún kærir sig um það. Hún er aldrei spurð, hefur ekkert val, enga rödd.
Halldór Armand (Bróðir)
Life doesn’t have to provide you any options at all. It can easily define your course from the outset and keep you in check through all manner of rough and subtle mechanics. To have even one year when you’re presented with choices that can alter your circumstances, your character, your course—that’s by the grace of God alone. And it shouldn’t come without a price. I love Val.
Amor Towles (Rules of Civility)
Donald John Trump was born on June 14th, 1946. Donald is derived from the word Domhnall meaning 'world leader' or 'leader of the world' (Gaelic dunno, 'world'; val, 'rule'). John is a Hebrew name that means 'God is gracious'. Trump is a German surname meaning 'trumpet' or 'drum' and it is also and Engish verb meaning 'to excel, surpass, or outdo', as well as an early English variant of the word 'triumph '. As Mary Colbert, who co-authored 'The Trump Prophecies describes, "Donald John Trump's name means 'World Leader Under the Grace of God Who's Leadership Will Ecel, Surpass and Outdo in Triumph.
Bethanon (Love Joy Trump: A Chorus of Prophetic Voices)
Esther.” He nuzzled her crown. “I find I am fully recovered.” “This is amazing,” his wife replied, “as you have neither a medical degree nor powers of divination.” “True.” He nuzzled her again. “But two things are restored to me that indicate my health is once again sound.” “And these would be?” the duchess inquired as she watched Westhaven take a polite leave of Miss James. The duke frowned at his son’s retreating back. “The first is a nigh insatiable urge to meddle in that boy’s affairs. Devlin and Valentine dragooned me into a shared tea pot, and for once, we three are in agreement over something.” “It’s about time.” “You don’t mind if I take a small hand in things?” the duke asked warily. “I am ready to throttle them both.” The duchess sighed, leaning into her husband. “And I suspect the girl is breeding and doesn’t even know it.” “St. Just is of like mind. He and Val all but asked me what I intend to do about it.” “You will think of something. I have every faith in you, Percy.” “Good to know.” “What was the second piece of evidence confirming your restored health?” “Come upstairs with me, my love, and I will explain it to you in detail.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
St. Just watched this scene, one like many stored in his memory of his half brothers casually teasing their mother, assuming she’d be there to tease when next they got around to paying a call. It made him a little crazy to see the same thing yet again today, so he turned to go. “Devlin St. Just!” The duchess’s voice had the whiplash quality to it again, and Val grimaced at him in sympathy. Devlin turned and prepared for the usual lecture on his duty to look after his little brothers, but the duchess simply opened her arms to him. He went to her and cautiously leaned in for a hug. “You are not a perfect soldier,” she whispered, “but you are a perfect son, and I love you.” Her embrace was fierce, and in his arms, she did not feel like an older woman. She felt like a mother trying to get through to her pigheaded offspring. “Good-bye,” he said, “I love you, too.” She stepped back, her smile radiant. “Look after each other.” She shook her finger at them both. “I have my hands full with your father and your featherbrained sisters. I can’t be fretting about grown men.” “Yes, Your Grace,” they said in unison, exchanging a smile. She let them go. She was still beaming from the front steps when they trotted down the drive. ***
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Only the ones whose hearts have been conquered by LOVE know the secret language of the eyes. Leave trails of love today, perhaps others might be brave enough to follow
Val Uchendu
You’re really going?” Except it wasn’t a question. “You’ve asked it of me,” Val reminded her gently, “and you are convinced Freddy will pester me literally to death if I don’t leave you to continue on with him as you did before, and you have forbidden me to call him out.” She nodded and leaned into him, fell into him, because her knees threatened to buckle with the magnitude of the loss she was to endure. Val embraced her, resting his cheek against her hair. “You’re a strong woman, Ellen Markham, and I have every faith in your ability to soldier on. I need to know as I trot out of your life that you will be fine and you will manage here without me. So”—he put a finger under her chin and forced her to meet his gaze—“tell me some pretty lies, won’t you? You’ll be fine?” Ellen blinked and obediently recited the requested untruth. “I’ll be fine.” “I’ll be fine, as well.” Val smiled at her sadly. “And I’ll manage quite nicely on my own, as I always have. You?” “Splendidly,” Ellen whimpered, closing her eyes as tears coursed hot and fast down her cheeks. “Oh, Val…” She clutched him to her desperately, there being no words to express the pure, undiluted misery of the grief she’d willingly brought on herself. “My dearest love.” Val kissed her wet cheeks. “You really must not take on so, for it tortures me to see it. This is what you want, or do I mistake you at this late hour?” “You do not.” The sigh Ellen heaved as she stepped back should have moved the entire planet. She wanted Val safe from Freddy’s infernal and deadly machinations, and this was the only way to achieve that goal. She had the conviction Valentine Windham, a supremely determined and competent man—son of a duke in every regard—would not take Freddy’s scheming seriously until it was too late. It was up to her to protect the man she loved, and that thought alone allowed her to remain true to the only prudent course. “You have not mistaken me, not now—not ever.” “I did not think you’d change your mind.” Val led her back toward the house by the hand. “I have left my direction in the library, and in the bottom drawer of the desk you will find some household money. I know you’d prefer to cut all ties, Ellen, but if you need anything—anything at all—you must call upon me. Promise?” “I promise,” she recited, unable to do otherwise. “And Ellen?” Val paused before they got to the stable yard. “Two things. First, thank you. You gave me more this summer than I could have ever imagined or deserved, and I will keep the memories of the joy we shared with me always. Second, if there should be a child, you will marry me.” “There will not be a child,” she murmured, looking back toward the wood. He was thanking her? She’d cost him a fortune and put his well-being in jeopardy, and he was thanking her? “I do not, and never will, deserve you.” “Promise me you’ll tell me if there’s a child?” Val’s green eyes were not gentle or patient. They were positively ducal in their force of will. “If there is a child I will tell you.” “Well, then.” Val resumed their progress. “I think that’s all there is to say, except, once again, I love you.” “I love you, too,” Ellen replied, wishing she’d given him the words so much more often and under so many different circumstances. “Good-bye, my dearest love.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Ladies and gentlemen.” His voice carried straight into the darkest corners of the hall and straight into Ellen’s heart. “There is a slight misprint on tonight’s program. We offer for our finale tonight my own debut effort, which is listed on the program as Little Summer Symphony. It should read, Little Weldon Summer Symphony, and the dedication was left out, as well, so I offer it to you now. “Ellen, I know you are with me tonight, seated with my parents and our friends, though I cannot see you. I can feel you, though, here.” He tapped the tip of the baton over his heart. “I can always feel you there, and hope I always will. Like its creator, this work is not perfect, but it is full of joy, gratitude, and love, because of you. Ladies and gentlemen, I dedicate this work to the woman who showed me what it means to be loved and love in return: Ellen, Baroness Roxbury, whom I hope soon to convince to be my lady wife. These modest tunes and all I have of value, Ellen, are dedicated to you.” He turned in the ensuing beats of silence, raised his baton, and let the music begin. Ellen was in tears before the first movement concluded. The piece began modestly, like an old-fashioned sonata di chiesa, the long slow introduction standing alone as its own movement. Two flutes began it, playing about each other like two butterflies on a sunbeam, but then broadening, the melody shifting from sweet to tender to sorrowful. She heard in it grief and such unbearable, unresolved longing, she wanted to grab Val’s arm to make the notes stop bombarding her aching heart. But the second movement marched up right behind that opening, full of lovely, laughing melodies, like flowers bobbing in a summer breeze. This movement was full of song and sunshine; it got the toes tapping and left all manner of pretty themes humming around in the memory. My gardens, Ellen thought. My beautiful sunny gardens, and Marmalade and birds singing and the Belmont brothers laughing and racing around. The third movement was tranquil, like the sunshine on the still surface of the pond, like the peace after lovemaking. The third movement was napping entwined in the hammock, and strolling home hand in hand in the moonlight. She loved the third movement the best so far, until it romped into a little drinking song, that soon got away from itself and became a fourth movement full of the ebullient joy of creation at its most abundant and beautiful. The joy of falling in love, Ellen thought, clutching her handkerchief hard. The joy of being in love and being loved the way you need to be. Ah, it was too much, and it was just perfect as the music came to a stunning, joyous conclusion.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Come along.” Nick took her arm when they left the box, and with his superior height, navigated her deftly through the crowds. “Where are we going?” Ellen asked, for she did not recognize the path they were traveling. “To meet your fate, my lady,” Nick said, but his eyes were sparkling, and Ellen didn’t realize the significance of his comment until she was being tugged backstage toward a growing buzz of voices. “The green room is this way”—Nick steered her along—“but for you, we will refer to it as the throne room. Ladies and gentlemen…” Nick bellowed as he gently pushed Ellen into a crowded, well-lit room. “Make way for the artist’s muse and for a large fellow bent on reaching that punch bowl.” Applause burst forth, and the crowd parted, leaving Ellen staring across the room at Valentine where he stood, a glass in his hand, still in his formal attire. He’d never looked so handsome to her, or so tired and happy and uncertain. He set the glass down and held out his left hand to her. “My Ellen,” he said, as if introducing her. She tried to make her steps dignified before all these strangers, but then she was walking very quickly, then, hang it, she pelted the rest of the distance right into his arms, holding on to him with every ounce of her strength. She did not leave his side when the duke and duchess were announced or when his various siblings and friends came to congratulate him. She was still right by his side when the duke approached. “Well.” Moreland smiled at his youngest son. “Suppose I was mistaken, then.” “Your Grace?” Ellen heard surprise in Val’s voice, and pleasure. “I kept trying to haze you off in a different direction, afraid the peasants wouldn’t appreciate you for the virtuoso you are.” The duke sipped his drink, gaze roving the crowd until it lit on his wife standing beside Westhaven. “I was worrying for nothing all those years. Of course they’re going to love you—you are my son, after all.” “I am that,” Val said softly, catching his father’s eye. “I always will be.” “I think you’re going to be somebody’s husband too, eh, lad?” The duke winked very boldly at Ellen then sauntered off, having delivered a parting shot worthy of the ducal reputation. “My papa is hell-bent on grandchildren. I hope you are not offended?” Ellen shook her head. “Of course not, but Valentine, we do need to talk.” “We do.” He signaled to Nick, where that worthy fellow stood guarding the punch bowl. Nick nodded imperceptibly in response and called some inane insult over the crowd to Westhaven, who quipped something equally pithy right back to the amusement of all onlookers, while Val and Ellen slipped out the door. By the light of a single tallow candle, he led Ellen to a deserted practice room. He set the candle on the floor before tugging her down beside him on the piano bench. “I can’t marry you,” Ellen said, wanting to make sure the words were said before she lost her resolve. “Hear me out,” Val replied quietly. “I think you’ll change your mind. I hope and pray you’ll change your mind, or all my talent, all my music, all my art means nothing.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
I love you,” Val began, wondering where in the nine circles of hell that had come from. He sat forward, elbows on his knees, and scrubbed a hand over his face. “I’m sorry; that came out… wrong. Still…” He glanced at her over his shoulder. “It’s the truth.” Ellen’s fingers settled on his nape, massaging in the small, soothing circles Val had come to expect when her hands were on him. “If you love me,” she said after a long, fraught silence, “you’ll tell me the truth.” Val tried to see that response as positive—she hadn’t stomped off, railed at him, or tossed his words back in his face. Yet. But neither had she reciprocated. “My name is Valentine Windham,” he said slowly, “but you’ve asked about my family, and in that regard—and that regard only—I have not been entirely forthcoming.” “Come forth now,” she commanded softly, her hand going still. “My father is the Duke of Moreland. That’s all. I’m a commoner, my title only a courtesy, and I’m not even technically the spare anymore, a situation that should improve further, because my brother Gayle is deeply enamored of his wife.” “Improve?” Ellen’s voice was soft, preoccupied. “I don’t want the title, Ellen.” Val sat up, needing to see her eyes. “I don’t ever want it, not for me, not for my son or grandson. I make pianos, and it’s a good income. I can provide well for you, if you’ll let me.” “As your mistress?” “Bloody, blazing… no!” Val rose and paced across the porch, turning to face her when he could go no farther. “As my wife, as my beloved, dearest wife.” A few heartbeats of silence went by, and with each one, Val felt the ringing of a death knell over his hopes. “I would be your mistress. I care for you, too, but I cannot be your wife.” Val frowned at that. It wasn’t what he’d been expecting. A conditional rejection, that’s what it was. She’d give him time, he supposed, to get over his feelings and move along with his life. “Why not marry me?” he asked, crossing his arms over his chest. She crossed her arms too. “What else haven’t you told me?” “Fair enough.” Val came back to sit beside her and searched his mind. “I play the piano. I don’t just mess about with it for polite entertainment. Playing the piano used to be who I was.” “You were a musician?” Val snorted. “I was a coward, but yes, I was a musician, a virtuoso of the keyboard. Then my hand”—he held up his perfectly unremarkable left hand—“rebelled against all the wear and tear, or came a cropper somehow. I could not play anymore, not without either damaging it beyond all repair or risking a laudanum addiction, maybe both.” “So you came out here?” Ellen guessed. “You took on the monumental task of setting to rights what I had put wrong on this estate and thought that would be… what?” “A way to feel useful or maybe just a way to get tired enough each day that I didn’t miss the music so much, and then…” “Then?” She took his hand in hers, but Val wasn’t reassured. His mistress, indeed. “Then I became enamored of my neighbor. She beguiled me—she’s lovely and dear and patient. She’s a virtuoso of the flower garden. She cared about my hand and about me without once hearing me play the piano, and this intrigued me.” “You intrigued me,” Ellen admitted, pressing the back of his hand to her cheek. “You still do.” “My Ellen loves to make beauty, as do I.” Val turned and used his free hand to trace the line of Ellen’s jaw. “She is as independent as I am and values her privacy, as I do.” “You are merely lonely, Val.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
You did what?” Ellen shot to her feet, dropping Val’s hand as if it were diseased. “You struck Freddy? You confronted him?” “I did. His mischief was deadly, Ellen. And his only motivation was to regain possession of the estate. He thought he could scare me off by creating accidents and setbacks, then buy the place back for a pittance, probably to sell for considerably more.” Ellen shook her head. “He wants the rents. It’s about the money, and with him it will always be about the money.” “What aren’t you telling me?” Val rose to stand behind her where she stood looking out over her gardens. “Ellen?” But she shook her head and remained unyielding when Val slipped his arms around her waist. That, more than any words, alarmed him. “Ellen,” Val spoke quietly, “Freddy won’t be bothering you anymore. I’ve seen to it.” “No.” She huffed out a breath. “No, you have not, Valentine. You have merely waved a red flag before a very angry and powerful little bull. Freddy will go off, tend his wounds, and plot his moves. He sulks and fumes and skulks about, but he does not learn his lesson.” “You’re keeping secrets.” Val rested his forehead against her nape. “Why in God’s name won’t you trust me, Ellen?” “If I tell you, will you leave?” It was Val’s turn to be silent, to consider, to weigh what was in the balance, and where, if anywhere, lay the path of hope. “I’m not going anywhere until the house and farms are completely functional,” he said. “That will take a few more weeks.” “Weeks.” Ellen stood very straight in his arms. “And then you’ll go?” “If that’s still what you want and you’ve told me the reasons why by then,” Val said, tossing his entire future into the hands of a fate that hadn’t dealt with him very kindly of late. “And until I go?” “I will be your mistress,” Ellen said, her posturing relaxing. “No.” Val turned her in his arms and tucked his chin against her temple. “You will be my love.” ***
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
I will be your mistress,” Ellen said, her posturing relaxing. “No.” Val turned her in his arms and tucked his chin against her temple. “You will be my love.” ***
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
I love you, Ellen Markham.” He kissed her cheek. “When are you going to tell me you love me?” “How can you be sure I do?” Val hiked a leg across her thighs. “First, you are sending me away. This is proof positive you love me, for you are trying to protect me from some sort of grave peril only you can perceive.” Ellen’s breathing hitched, and Val knew his guess had been right. Gratified by that success, he marched forward. “Second”—he slipped a hand over her breast—“you make love with me, Ellen. You hold nothing back, ever, and are so passionate I am nigh mindless with the pleasure of our intimacy.” He punctuated this sentiment by dipping his head and suckling gently on her nipple. She groaned and arched up toward him. “I make my point.” Val smiled in the dark and raised his head. “Third, there is the way I make love with you.” “And how is that?” She sounded more breathless than curious. Val shifted his body over hers. “As if I trust you. I know you are human, and you will do what you think best, but you do it with my interests in mind, Ellen. I don’t have to watch myself with you, because you love me, truly. I know it. It isn’t the way my siblings love me, though they are dear. It isn’t how my parents love me, which is more instinct than insight. It isn’t the way my friends love me, though they are both dear and insightful.” “So how is it?” Ellen asked, slipping her legs apart to cradle him intimately. “It’s the way I want and need to be loved,” Val said quietly, resting his weight against the soft, curving length of her. “It’s perfect.” “But I am sending you away,” Ellen reminded him, her fingers at his nape. Val levered up on his forearms and began to nudge lazily at her sex with his erection. “So you’re running out of time to tell me the things that matter, aren’t you?” If she was going to use words to answer, Val forestalled her reply by kissing her within an inch of her soul. Her response was made with her body, and to Val’s mind she told him, as emphatically as any woman ever told her man, she did, indeed, unequivocally love him. And always would. “What
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Ellen?” “I know I told you I would explain,” she said, turning her back to him, “but does it have to be now?” “For God’s sake.” Val ran a hand through his hair. “If not now, then tell me when, please? I will be on my horse leaving for London at first light, and the sun set an hour ago. We are down to hours, Ellen, and bloody few of those.” “I know, but I don’t want to see your eyes when you learn what I have to tell you. I don’t want to see what you think of me writ plain on your face.” Val stepped closer to her. “You are being cowardly and asking the impossible of me. You are not a cowardly woman, Ellen Markham.” “Cowardly.” Ellen winced and crossed her arms. “I am merely asking you for patience. We’re at the local assembly, for pity’s sake.” “You’ve had weeks, Ellen,” Val shot back, his temper rising through his frustration and bewilderment. “You want to send me off for what amounts to no reason.” “I can write to you.” “You won’t, though. Why in the name of all that’s holy can’t you just, in the smallest, least significant way, trust me? There’s nothing you can say or do or think or imagine that will make me stop loving you. It isn’t in me to do that.” She shook her head, and Val saw the glint of fresh tears on her cheeks. “Blazing hell.” He crossed to her and wrapped his arms around her. “I’m sorry, Ellen. I’m sorry I’ve made you cry, sorry I can’t be more patient, sorry you are so frightened. What can I do to make it better?” She drew in a slow, shuddery breath. “Let me collect myself. The evening has been long, and we are both exhausted. You find Nick and Darius, and I’ll be along in a minute.” Dismissed,
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Being invisible to your father hurts,” Val said. He fell silent, wondering where the words had come from. Growing up, he’d been the runt, too young, too dreamy, too artistic to keep up with his brothers or their friends. As a younger man, he’d been disinclined to academic brilliance, social wit, or business acumen, and denied by ducal fiat from buying his colors. For the first time, he wondered if he’d chosen the piano or simply chained himself to it by default. Nick shot him a curious glance. “Would it be so much better if you’d ended up like Bart and Victor? If Esther and Percy had to bury three sons instead of two, while you were spared the pains of living the life God gave you? I think the more important question now, Val, is are you invisible to yourself?” “No, Nick.” A mirthless laugh. “I am not, but just when I realize what a pit I had fallen into with my slavish devotion to a simple manual skill, just when I can begin to hope there might be more to life than benumbing myself on a piano bench, I find a woman I can love, but she can’t love me back.” “I think she does love you,” Nick replied, remaining seated as Val rose and crossed the room. “And you certainly do love her.” Val considered Nick’s words. They settled something inside him, in his head—where he planned and worked out strategies—and in his heart, where his music and his love for Ellen both resided. “I do love her.” Val lowered himself to sit on the little stage enthroning the piano. “I most assuredly do. It’s helpful to be reminded of this.” “Now I am going to cry,” Nick said with mock disgust as he crossed the room and once again sat right next to Val. “What will you do about Ellen?” “About Ellen? I agree with you: We love each other. She believes her love for me requires us to part. I believe our love requires us to be together for whatever time the good Lord grants.” “So you must convince her,” Nick concluded with a nod. “How will you go about this?” “I have some ideas.” Those ideas were like the first stirrings of a musical theme in Val’s head. Tenuous, in need of development, but they were taking hold in Val’s mind with the same tenacity as a lovely new tune. “God alone knows if my ideas will work.” Val
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
And when Valentine let the last tender melody fade up into the stars, he put his hands in his lap and hoped it was good enough for the woman he loved. He shifted to straddle the piano bench and wrapped his arms around Ellen’s waist. She curled up against his chest and held on to him as if she were drowning. “Damn you, Val Windham,” she breathed against his neck. “Damn you, damn you. All summer…” She stopped and drew in a shaking sob. He listened, his soul calm enough to absorb any reaction, as long as she was in his arms. “All summer,” she went on, “you climbed around on the roofs and in the trees, hanging bat houses, mucking stalls, wrecking your hands, when you can… My God, Valentine. My God.” She was shocked, Val got that much, but he wasn’t sure what the rest of her reaction was. “I have listened to you,” Ellen said earnestly. Not, I have listened to you play, or I have listened to your music. I have listened to you.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
How funny do you think it feels not to be able to play the piano when it’s all I’ve done of worth in the past twenty-some years? I did not excel at school, and I can’t point to an illustrious career like my brother, the former cavalry officer. I haven’t Westhaven’s head for business. I wasn’t a jolly good time like Bart or a charmer like Vic. But, by God, I could play the piano.” “And you can build stone walls and referee between Day and Phil and keep an eye on Nick Haddonfield when he hares all over the Home Counties,” Darius retorted. “Do you think one activity defines you?” “I’m like a whore, Darius, in that, yes, the one activity, in my case playing the piano, defines me.” Val heard weariness in his own voice. “When Dev was driven mad by nightmares, I played for him so he couldn’t hear the battles anymore. When his little Winnie was scared witless by all the changes in her life, I played for her and taught her a few things to play for herself. When Victor was so sick, I’d play for him, and he’d stop coughing for a little while. It’s how I let people know they matter to me, Darius, and now…” Darius got up and crossed the room, then lowered himself to sit beside Val in the shifting candlelight. “Now all this playing for others has left you one-handed, angry, and beating yourself up.” Not beating himself up, precisely, but feeling beaten up. “The piano is the way I have a soul, Dare. It’s always there for me, always able to say the things I can’t, always worth somebody’s notice, even if they don’t know they notice. It has never let me down, never ridiculed me before others, never taken a sudden notion not to know who I am or what I want. As mistresses go, the piano has been loyal, predictable, and lovely.” “You
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Val regarded her at some length, sitting beside him with the sheet tucked primly under her arms, her cinnamon hair down her back in a tidy braid. This discussion of children had to touch sensitive nerves for her, for she’d quite plainly considered the lack of a Markham heir her failing. He’d love to give her a child, to prove to her the shortcoming had not been hers. But
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
You can recall your husband with all the love you ever bore him,” Val said, holding her gaze. “You can be grateful for the years you shared, the affection and the memories, but in this bed today, you are with me.” “I am with you.” Her reply was gratifyingly swift and certain. “Only with you, and you are with me.” “Just so. Now come cuddle up with me on this beautiful rainy day, and be my love.” She
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
You said we’d take every reasonable precaution, Valentine. What precautions did we take?” “You are not fertile for another few days.” He turned his cheek into her palm, so she felt the slight rasp of his beard. “Your menses started on Thursday, and thus you will likely not come in season for another few days. I would not have risked making love to you beyond tomorrow.” She eyed him curiously. “How do you know this?” “St. Just explained it to me when I was twelve, among other things. You are also not likely to conceive the week before your courses start, but there are those many women whose patterns do not fit the usual. There’s a name for them, in fact.” Ellen’s lips pinched with disapproval. “What is this name?” “Mothers.” Val grinned at her. “Or brides.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
The afternoon was turning out to be sweet, lazy, and altogether enjoyable, when Ellen heard Val’s voice in her ear. “You, my love”—he kissed her neck—“are not wearing drawers.” “It’s too hot,” Ellen said, smiling at his wicked tone of voice. “Perhaps.” Val’s hand slid up her leg, hiking her dress along with it. “Perhaps it’s too hot for even the clothing you have on.” “Valentine.” Ellen opened her eyes. “It is broad, sunny daylight. Will you behave?” “Misbehaving is always more fun in broad, sunny daylight, and I’m not asking you to take your clothes off, just let me move them aside.” “Has this been your objective since you came to my room?” Ellen asked, trying to peek over her shoulder to read his expression. “Honestly?” Val met her gaze. “It became my objective the moment I first kissed you, and yes, I do mean that first kiss, a year or so ago. Lie back, Ellen.” Val’s voice dropped, and his touch became silken. “Let me pleasure you.” “You
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
I’m going to kiss you again.” He took her hand in his. “Now, in fact.” He settled his lips over hers gently, just as he’d done a year ago. And now, as then, he took his time deepening the kiss, tasting her, breathing in her fragrance, letting his hands wander over her arms and shoulders and neck, until she was leaning into him and kissing him back. “All day today,” Val said as he wrapped his arms around her, “I watched you being so brisk, efficient, and businesslike. You have the knack of the friendly transaction, and you part with your produce willingly enough. But your flowers.” He paused to kiss the side of her neck, a spot she seemed to particularly enjoy. “When you sold your posies,” Val went on, kissing his way out to her shoulder, “each time, you didn’t want to let them go. Your heart broke a little, sending them off that way, for coin.” “Hush. Flowers aren’t kisses to be given away…” She buried her face against his shoulder. “What?” He slid a hand to her nape and began massaging gently. “Your moods are hard to read today, love.” “I’m just tired,” Ellen said, offering him a smile.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Good evening.” He gazed down at her lying in her hammock and realized she had already changed into her bedclothes. Well, well, well… “Is there room for two in that hammock?” he asked, still not quite sure of his welcome. “I don’t know, but let’s try it, and if we end up on the ground, we’ll know there isn’t.” Not exactly a rousing cheer, but the boys had said she was in a mood today. Val hopped around, pulling off his boots and stockings, and surveyed the challenge before him. “You roll up that way and hold to the edge, and I’ll climb aboard.” The hammock dipped significantly, and it took some nimbleness on Val’s part, but he was soon ensconced wonderfully close to Ellen, the hammock pitching them together by design. “We need a rope,” Val murmured into Ellen’s ear, “attached to one of the trees, so I can set this thing to swinging for you.” “There’s a breeze tonight.” She turned so her cheek rested on Val’s arm. “I wasn’t sure you were coming.” “Why wouldn’t I?” Val nuzzled her hair, loving the scent and softness of it. “Because the boys are still making a racket at the pond?” “I hoped it was our boys and not those other rotten little brats. You shoo them away, and they’re like flies. They just come buzzing back.” “Are they truly rotten?” He worked an arm under her neck, drawing her closer. “I was a boy once. I hesitate to think all regarded me as an insect merely on the strength of my puerile status.” “You were a good boy.” Ellen’s voice held the first hint of a smile.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Are you afraid of something, Ellen? Afraid I’ll hurt you?” “Hurt me?” She scooted around a little. “Of course you’ll hurt me.” “Blazes.” Val went still behind her. “That answer doesn’t encourage a fellow, love. Whatever do you mean?” “You will offer me the sort of oblivion widows can discreetly enjoy, Valentine, and some sweet memories, but we both know nothing can come of it. When you are no longer interested, or you sell the property, you’ll move along with your life, selling your furniture, maybe restoring another estate, and I’ll still be here weeding my bed. My beds.” He
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
It is only with the heart that one can see, hear and feel clearly. Think of an image, music or movie that moves you. Things that we truly love touches our heart before our head analyzes them away. Once we think we understand them, they disappear... It is because simple things in life are invisible, inaudible and insensible to an analytical mind and an undiscerning heart. Let your heart hear the music -- be moved by images, people and places... for that makes you more alive than others.
Val Uchendu