Vacation Leave Quotes

We've searched our database for all the quotes and captions related to Vacation Leave. Here they are! All 100 of them:

Are you really a reporter?” asked Brown.
“You already asked me that. Come back to Levita, take the pardon.”
 “I doubt I’ll live long enough to get there,” said Brown bitterly.
“I hope you survive. You are a fighter. And we have the antidote for your habit on
Levita. I suggest you take a vacation. There’s nothing much that’s going to happen here.”
With that she left, leaving Brown more confused than ever.
He was a father, he had a son. And, the Levitians had a cure for his drug-addled body.
Max Nowaz (The Arbitrator)
Leaving sex to the feminists is like letting your dog vacation at the taxidermist.
Camille Paglia
I felt lethal, on the verge of frenzy. My nightly bloodlust overflowed into my days and I had to leave the city. My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
Bret Easton Ellis (American Psycho)
Love the quick profit, the annual raise, vacation with pay. Want more of everything ready-made. Be afraid to know your neighbors and to die. And you will have a window in your head. Not even your future will be a mystery any more. Your mind will be punched in a card and shut away in a little drawer. When they want you to buy something they will call you. When they want you to die for profit they will let you know. So, friends, every day do something that won’t compute. Love the Lord. Love the world. Work for nothing. Take all that you have and be poor. Love someone who does not deserve it. Denounce the government and embrace the flag. Hope to live in that free republic for which it stands. Give your approval to all you cannot understand. Praise ignorance, for what man has not encountered he has not destroyed. Ask the questions that have no answers. Invest in the millenium. Plant sequoias. Say that your main crop is the forest that you did not plant, that you will not live to harvest. Say that the leaves are harvested when they have rotted into the mold. Call that profit. Prophesy such returns. Put your faith in the two inches of humus that will build under the trees every thousand years. Listen to carrion — put your ear close, and hear the faint chattering of the songs that are to come. Expect the end of the world. Laugh. Laughter is immeasurable. Be joyful though you have considered all the facts. So long as women do not go cheap for power, please women more than men. Ask yourself: Will this satisfy a woman satisfied to bear a child? Will this disturb the sleep of a woman near to giving birth? Go with your love to the fields. Lie down in the shade. Rest your head in her lap. Swear allegiance to what is nighest your thoughts. As soon as the generals and the politicos can predict the motions of your mind, lose it. Leave it as a sign to mark the false trail, the way you didn’t go. Be like the fox who makes more tracks than necessary, some in the wrong direction. Practice resurrection.
Wendell Berry
Most people feel best about their work the week before their vacation, but it's not because of the vacation itself. What do you do the last week before you leave on a big trip? You clean up, close up, clarify, and renegotiate all your agreements with yourself and others. I just suggest that you do this weekly instead of yearly.
David Allen (Getting Things Done: The Art of Stress-Free Productivity)
From day one it was like society was this violent, complicated dance and everybody had taken lessons but me. Knocked to the floor again, climbing to my feet each time, bloody and humiliated. Always met with disapproving faces, waiting for me to leave so I'd stop fucking up the party. The wanted to push me outside, where the freaks huddled in the cold. Out there with the misfits, the broken, the glazed-eye types who can only watch as the normals enjoy their shiny new cars and careers and marriages and vacations with the kids. The freaks spend their lives shambling around, wondering how they got left out, mumbling about conspiracy theories and bigfoot sightings. Their encounters with the world are marked by awkward conversations and stifled laughter, hidden smirks and rolled eyes. And worst of all, pity.
David Wong (John Dies at the End (John Dies at the End, #1))
- "Women should all move to Amazonia, or at least vacation there four times a year." - "Amazonia?" - "It's the girl world in my head, where I go when I'm annoyed with Carter, or just men in general. There are five shoe stores per capita, nothing has any calories, and all the books and movies end happy ever after." - "I like Amazonia. When do we leave?
Nora Roberts
They should know that just because things get difficult, it's no reason to believe God is on vacation.
Harry H. Harrison Jr. (1001 Things Every Teen Should Know Before They Leave Home: (Or Else They'll Come Back))
There is a reason people say being a mother is the hardest job in the world: You do not sleep and you do not get vacation time. You do not leave your work on your desk at the end of the day. Your briefcase is your heart, and you are rifling through it constantly. Your office is as wide as the world, and your punch card is measured not in hours but in a lifetime.
Jodi Picoult (Larger Than Life)
It’s a cliché because it is true. If you are not happy with yourself and willing to show yourself the same kind of love and respect you want to give to others, no relationship will magically fix you. And while it can certainly be tempting to jump from relationship to relationship, because the space in between them is scary and unknown, learning how to demonstrate that love and compassion for yourself is essential (and surprisingly fulfilling). Going on a solo vacation, or even spending a few days alone — leaving your laptop at home, if you can manage it — might seem like a strange way to feel loved, but if you can be happy with your own company, you can be happy with anything.
Chelsea Fagan
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
You don't need a vacation. You just need to dig a pond on your land and buy some ducks, and then you can enjoy moments of escapism without ever leaving your property.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
This girl needs a vacation, so I’m taking one right now. I’m packing my bags and leaving on a motherf’ing Jäger plane.
Renee Ericson (After Tuesday (These Days, #1))
So: this is where we are going to become parents. You walk into the building as a couple, and leave a few minutes later as a family. You walk in recollecting long romantic dinners, nights at the theater, and care-free vacations. You leave worrying about where to get diapers, milk, and Cheerios.
Scott Simon (Baby, We Were Meant for Each Other: In Praise of Adoption)
Practice this first." He laid his hands on her shoulders. "Have a good trip. Enjoy your vacation." "You didn't say I had to speak to him." She blew out a breath at Roarke's calm stare. "All right, all right, it's worth it. Have a good trip." She stretched her lips into a smile. "Enjoy your vacation. Asshole. I'll leave off the asshole, I just wanted to say it now." "Understood.
J.D. Robb (Portrait in Death (In Death, #16))
Like if you’re the type who has trouble remembering whether you locked your front door before leaving for vacation, you should separate it from all the other perfunctory times you’ve locked your front door.
Ashley Elston (First Lie Wins)
She could have got into that bed and read a book. She might even have dozed in that indolent way you do when you’re in a vacation home—not for need of rest but because you can.
Rumaan Alam (Leave the World Behind)
...I require a vacation from all of you, but I’m not leaving Camorr. You five will be making a journey to Espara. I’ve arranged work there to keep you busy for several months.” “Espara?” said Locke. “Yes. Isn’t it exciting?” The room was quiet. “I thought that might be your response. Look, I tucked a pin into my jacket for this very moment.” Chains drew a silver pin from one of his lapels and tossed it into the air. It hit the floor with the faintest chiming clatter. “One of those expressions I’ve always wanted to put to the test,” said Chains.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
Most lives vanish. A person dies, and little by little all traces of that life disappear. An inventor survives in his inventions, an architect survives in his buildings, but most people leave behind no monuments or lasting achievements: a shelf of photograph albums, a fifth-grade report card, a bowling trophy, an ashtray filched from a Florida hotel room on the final morning of some dimly remembered vacation. A few objects, a few documents, and a smattering of impressions made on other people. Those people invariably tell stories about the dead person, but more often than not dates are scrambled, facts are left out, and the truth becomes increasingly distorted, and when those people die in their turn, most of the stories vanish with them.
Paul Auster
health, social life, job, house, partners, finances; leisure use, leisure amount; working time, education, income, children; food, water, shelter, clothing, sex, health care; mobility; physical safety, social safety, job security, savings account, insurance, disability protection, family leave, vacation; place tenure, a commons; access to wilderness, mountains, ocean; peace, political stability, political input, political satisfaction; air, water, esteem; status, recognition; home, community, neighbors, civil society, sports, the arts; longevity treatments, gender choice; the opportunity to become more what you are that's all you need
Kim Stanley Robinson (2312)
The Patty Winters Shows were all repeats. Life remained a blank canvas, a cliche, a soap opera. I felt lethal, on the verge of frenzy. My nightly bloodlust overflowed into my days and I had to leave the city. My mask of sanity was a victim of impending slippage. This was bone season for me and I needed a vacation. I needed to go to the Hamptons.
Bret Easton Ellis (American Psycho)
A happy and productive person is one who understands that his or her job is not the purpose of his or her life. Go on vacation, use up your sick days, ask for a temporary leave-of-absence—anything that allows you to recharge your batteries away from your typical routine. No leave, no life.
Del Suggs (Truly Leading: Lessons in Leadership)
I’m going on vacation, and I’m leaving my clone in charge. I’ll be gone, but I’ll be here.
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
There are areas of New England, plenty of them, with quaintness to spare, with color-changing leaves and folksy folks full of folksy homespun wisdom accompanied by folksy accents
A. Lee Martinez (Death's Excellent Vacation)
Then the concerts came to an end, the weather turned bad and my girls left Balbec, not all at once, as the swallows leave, but within the same week.
Marcel Proust (In the Shadow of Young Girls in Flower)
As he read the long poem, I began thinking that, unlike him, I had always found a way to avoid counting the days. We were leaving in three days—and then whatever I had with Oliver was destined to go up in thin air. We had talked about meeting in the States, and we had talked of writing and speaking by phone—but the whole thing had a mysteriously surreal quality kept intentionally opaque by both of us—not because we wanted to allow events to catch us unprepared so that we might blame circumstances and not ourselves, but because by not planning to keep things alive, we were avoiding the prospect that they might ever die. We had come to Rome in the same spirit of avoidance: Rome was a final bash before school and travel took us away, just a way of putting things off and extending the party long past closing time. Perhaps, without thinking, we had taken more than a brief vacation; we were eloping together with return-trip tickets to separate destinations.
André Aciman (Call Me by Your Name)
Are we mutants? Have we evolved this way? Or are we designed? Designed by whom? Why did the designer go to such elaborate lengths, only to vacate the stage and leave us wondering why we exist? For entertainment? For perversity? For a joke? To judge us? “To what end?
David Mitchell (The Bone Clocks)
It’s okay to be sad, Mummy.” Lucy promised on a know-it-all whisper. “But don’t be sad all day. He only went on vacation. He wouldn’t leave us forever. He loves us too much.
Rachel Higginson (The Five Stages of Falling in Love)
To enjoyment. To the enjoyment of vacations. To the enjoyment of any moment in life, I guess. Enjoying a moment is a victory. I think we need to hold on to those.
Rumaan Alam (Leave the World Behind)
How long do you stay in each place? It depends. I travel by three rules - never outstay your welcome; always leave them wanting more; disappear when no one's looking.
John Marrs (The Vacation)
I always figured that when I grew up, I'd leave my hometown and discover other people like me somewhere else.
Emily Henry (People We Meet on Vacation)
It was pure bliss and absolute torture at the same time. I was in daze, as if my brain had suddenly packed up and gone on vacation. I could barely string words together in a sentence.
Lang Leav (Poemsia)
I’ve been strong and responsible for too many people for too long. This girl needs a vacation, so I’m taking one right now. I’m packing my bags and leaving on a motherf’ing Jäger plane.
Renee Ericson (After Tuesday (These Days #1))
There is Normal Society and then there is the Abnormal Freaks Who Deserve Our Public Pity and Private Ridicule Society. The first is the world of good jobs and Christmas shopping and marriages and vacations and the scent of new cars. And then there is that other world, the world of the glazed eye, of people who chant at the moon and spout conspiracy theories and get sexually aroused by furry animal costumes. Some dress all in black to carry out vampire rituals and others col ect cats until they’re a furry shoulder-to-shoulder flood on every floor of the house. The Abnormal travel among the Normal and leave behind them a trail of sickeningly awkward conversations and stifled laughter, of hidden smirks and rolled eyes. And worst of all, pity.
David Wong (John Dies at the End (John Dies at the End, #1))
We are readers. Books are an essential part of our lives and of our life stories. For us, reading isn’t just a hobby or a pastime; it’s a lifestyle. We’re the kind of people who understand the heartbreak of not having your library reserves come in before you leave town for vacation and the exhilaration of stumbling upon the new Louise Penny at your local independent bookstore three whole days before the official publication date. We know the pain of investing hours of reading time in a book we enjoyed right up until the final chapter’s truly terrible resolution, and we know the pleasure of stumbling upon exactly the right book at exactly the right time.
Anne Bogel (I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life)
One of the most frustrating words in the human language, as far as I could tell, was love. So much meaning attached to this one little word. People bandied it about freely, using it to describe their attachments to possessions, pets, vacation destinations, and favorite foods. In the same breath they then applied this word to the person they considered most important in their lives. Wasn’t that insulting? Shouldn’t there be some other term to describe deeper emotion? Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their “other half.” It seemed from my reading of literature that being in love meant becoming the beloved’s entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could they really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a person’s face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself? Of course, I knew nothing about human love, but the idea had always been intriguing to me. Celestial beings never pretended to understand the intensity of human relationships; but I found it amazing how humans could allow another person to take over their hearts and minds. It was ironic how love could awaken them to the wonders of the universe, while at the same time confine their attention to one another.
Alexandra Adornetto
There were some that were of so rare a beauty that my pleasure on catching sight of them was enhanced by surprise. By what privilege, on one morning rather than another, did the window on being uncurtained disclose to my wondering eyes the nymph Glauconome, whose lazy beauty, gently breathing, had the transparence of a vaporous emerald beneath whose surface I could see teeming the ponderable elements that coloured it? She made the sun join in her play, with a smile rendered languorous by an invisible haze which was nought but a space kept vacant about her translucent surface, which, thus curtailed, became more appealing, like those goddesses whom the sculptor carves in relief upon a block of marble, the rest of which he leaves unchiselled. So, in her matchless colour, she invited us out over those rough terrestrial roads, from which, seated beside Mme. de Villeparisis in her barouche, we should see, all day long and without ever reaching it, the coolness of her gentle palpitation.
Marcel Proust (In the Shadow of Young Girls in Flower)
The last werewolf tripped over Raphael Santiago’s foot. Alec hastily hit him in the back of the head with the hilt of his seraph blade, and the werewolf stayed down. “That was an accident,” said Raphael, with Lily and Elliott sticking close behind him. “He got in my way as I was trying to leave.” “Okay,” Alec panted. He wiped dust and sweat out of his eyes. Bat the DJ staggered toward them, claws out, and Alec flipped his seraph blade so he was holding the hilt again. “Someone dropped a piece of roof on me,” Bat told him, blinking in a way that was more owlish than wolfish. “Inconsiderate.” Alec realized Bat was not so much on a murderous out-of-control rampage as mildly concussed. “Easy there,” he said, as Bat tumbled against his chest. He looked around for the most trustworthy person, for someone to be on his team. He took a gamble and dumped Bat into Lily’s arms. “Watch him for me, will you?” he asked. “Make sure he gets out all right.” “Put that werewolf down immediately, Lily,” Raphael ordered. “It really hurts that you would say that,” Bat muttered, and shut his eyes. Lily considered Bat’s head, pillowed on her lavender bosom. “I don’t want to put him down,” she announced. “The Shadowhunter gave this DJ to me.” Bat opened one eye. “Do you like music?” “I do,” said Lily. “I like jazz.” “Cool,” said Bat. Raphael threw up his hands. “This is ridiculous! Fine,” he snapped. “Fine. Let’s just vacate the collapsing mansion, shall we? Can we all agree on that one fun, non-suicidal activity?
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Lacking a functional state that assured basic social goods taken for granted elsewhere—education, pensions, health care, transport, parental leave, vacations—Americans could be overwhelmed by each day, and lose a sense of the future.
Timothy Snyder (The Road to Unfreedom: Russia, Europe, America)
When Thomas left, it was with the feeling of a summer romance—a trinket that I could take out and examine for the rest of my life, the same way I might save a seashell from a beach vacation or the ticket from my first Broadway musical.
Jodi Picoult (Leaving Time)
One of the problems of the vacation is money, father.” “Oh, I shouldn’t worry about a thing like that at your age.” “You see, I’ve run rather short.” “Yes?” said my father without any sound of interest. “In fact I don’t quite know how I’m going to get through the next two months.” “Well, I’m the worst person to come to for advice. I’ve never been ‘short’ as you so painfully call it. And yet what else could you say? Hard up? Penurious? Distressed? Embarrassed? Stony-broke?” (Snuffle.) “On the rocks? In Queer Street? Let us say you are in Queer Street and leave it at that. Your grandfather once said to me, ‘Live within your means, but if you do get into difficulties, come to me. Don’t go to the Jews.
Evelyn Waugh (Brideshead Revisited)
To say that one goes on holiday is to speak the language of the working class, for whom the time off appears merry and playful; but to say one goes on vacation is to speak the language of the ruling class. Vacation comes from the same root as vacant and reflects what the owner sees when he looks around the floor—a vacancy where John 'should' 'be'. (I suspect that the owner probably thinks some negative thoughts about the Labor Unions and the 'damned Liberal' Government that force him to pay John even when John 'is vacant.') I leave it as a puzzle for the reader: Do the Irish and English speak Working Class in this case because they have had several socialist governments, or have the had several socialist governments because they learned to speak the language of the Working Class? And: has the U.S., alone among industrial nations, never had a socialist government because it speaks the Ruling Class language, or does it speak the Ruling Class language because it has never had a socialist government?
Robert Anton Wilson (Rebels & Devils; A Tribute to Christopher S. Hyatt)
Trust me, the enemy is as interested in tapping into your disappointments as he was with my friend. The enemy doesn’t take vacations, so we shouldn’t take vacations from studying God’s Word either. We wouldn’t want to go even a few hours without water, certainly not days or weeks, and we should view God’s living water for our souls in the same way. Satan isn’t intimidated by how strong we appear. He notices a thirsty soul quite parched. He’s sneaky. He’s crafty. He’s subtle in how he slithers up next to us and flashes just the right thing, at just the right time, in the moments we are unknowingly weak enough to think, Hmmm . . . that looks good. That might really satisfy me.
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
Say you’re sitting in a cubicle and you hate your job. It’s terrible. Everyone around you is an asshole. Your boss is a dick. All of your work is just mind-numbingly soul-sucking. But in five minutes you are about to leave for your first vacation you’ve had in five years. You’re going to be gone for two weeks at this beautiful Bora Bora seaside bungalow. It’s literally the most lavish thing you’ve ever done in your entire life. How would you feel? You would feel great. Now imagine that you are in Bora Bora. You’re on this beautiful beach with amazing people, and you’ve had so much fun. In five minutes, you’re going to have to put down the piña colada with the little umbrella in it. You have to say goodbye to these people. You will go back to your terrible job and won’t take another vacation for another five years. How would you feel? You would feel terrible. Now, think about it. You’re sitting in the cubicle at the job that you hate and you feel awesome. And you’re sitting on the beach with a drink in your hand and you feel terrible. How you feel is entirely in your mind. Your mind has nothing to do with your environment. It has nothing to do with anyone around you. It is entirely your decision. Making a change in your life is as easy as making a decision and acting on it. That’s it.
Ronda Rousey (My Fight / Your Fight)
Live a life that you do not need to take a vacation from. Live in a way that makes yearly resolutions unnecessary. Make the kind of choices that leave you Happy and Healthy... where all of your needs are satisfied. Live a life where your only ‘wants’ are for others to feel as good as you do.
Gary Hopkins
Go home, talk about it together. Bake Christmas cookies and crap. Then tell me what you want to happen. Know that I’m yours. My loyalty, my soul is yours no matter what you decide. Crap, you can shoot me in the back, and I’ll never want anything but to be around you hookers.” Blake stood and shook his head. “Nah, I don’t need time. I appreciate the place in Hawaii, and it would be great to go to—maybe for a vacation sometime? But I’m here. I’m not leaving you. You’re my family.
Debra Anastasia (Saving Poughkeepsie (Poughkeepsie Brotherhood, #3))
The divine is in the present and you must be present to experience it. When you vacate the present and recede into your mind, allowing worries or work to remove you from the moment, you leave the plain upon which the divine dwells. When you are constantly under the anesthetic of digital distraction, you withdraw; you are no longer conscious, and therefore are in no fit state to commune with the sacred. If you wish to hear the answers you seek, you must be present to hear them. If you wish to partake in the insights there to be known, you must be present to receive them. If you wish to know the divine, you must be present to meet it. …you must be present.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
So,Batman,eh?" Effing St. Clair. I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it. St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..." "Yes,great,I get it.Ha ha. Stupid me." "What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!" "Wait." I frown. "What?" "What what?" "You're singing it wrong." "No,I'm not." He pauses. "How do you sing it?" I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-" St. Clair snorts. "Laid an egg? Robin didn't lay an egg-" "'Batmobile lost a wheel,and the Joker got away.'" He stares at me for a moment,and then says with perfect conviction. "No." "Yes.I mean,seriously,what's up with the motorway thing?" "M1 motorway. Connects London to Leeds." I smirk. "Batman is American. He doesn't take the M1 motorway." "When he's on holiday he does." "Who says Batman has time to vacation?" "Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today." "Thanks." "You." He prods my leg with a finger. "Slept in." I focus on the guy's laptop again. "Yeah.You mentioned that." He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done." I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting. I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
What a marvel, to have a body, a thing that contained you. Vacation was for being returned to your body.
Rumaan Alam (Leave the World Behind)
gardening leave—a legally required paid vacation to prevent conflicts of interest or sensitive information from passing from one bank to another.
John LeFevre (Straight to Hell: True Tales of Deviance, Debauchery, and Billion-Dollar Deals)
I pray that you would experience the weirdness of the divine love in ways that leave you disoriented. I pray that you would be caught off guard when God meets you outside of the boxes you have constructed and yet remains in the places you vacated. I pray you will bless the box you once needed for God and that you will treat it tenderly even as you leave it behind you.
Sarah Bessey (Miracles and Other Reasonable Things: A Story of Unlearning and Relearning God)
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there. It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town. On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting. One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Once, before leaving on vacation, I copied an entire page from an Alice Munro story and left it in my typewriter, hoping a burglar might come upon it and mistake her words for my own. That an intruder would spend his valuable time reading, that he might be impressed by the description of a crooked face, was something I did not question, as I believed, and still do, that stories save you.
Jincy Willett
Old Sparky never burned what was inside them, and the drugs they inject them with today don't put it to sleep. It vacates, jumps to someone else, and leaves us to kill husks that aren't really alive anyway.
Stephen King (The Green Mile)
He studied the composition of food-stuffs, and knew exactly how many proteids and carbohydrates his body needed; and by scientific chewing he said that he tripled the value of all he ate, so that it cost him eleven cents a day. About the first of July he would leave Chicago for his vacation, on foot; and when he struck the harvest fields he would set to work for two dollars and a half a day, and come home when he had another year's supply—a hundred and twenty-five dollars. That was the nearest approach to independence a man could make "under capitalism," he explained; he would never marry, for no sane man would allow himself to fall in love until after the revolution.
Upton Sinclair (The Jungle)
In a way, that was the worst; Old Sparky never burned what was inside them, and the drugs they inject them with today don't put it to sleep. It vacates, jumps to someone else, and leaves us to kill husks that aren't really alive anyway.
Stephen King (The Green Mile)
You think,' she said, 'because you've identified one purpose of mine, that you know what I'm doing. But this inquiry among printers was something of a discovered attack.' [...] 'What do you mean, a discovered attack?' 'A tactical term.' She touched her fingertips together. 'When you make a move, you do two things. First, you move forward - and the space you now occupy has value. But you also vacate the spot where you once were, exposing your enemy's flank to longer-ranged attacks. Be aware of where you are, and the space you'll leave behind.' 'That's not a sense of tactics you have,' he said, blinking down at her. 'That sounds like actual tactical training. Where would a half-blind near-spinster acquire that?
Courtney Milan (The Duchess War (Brothers Sinister, #1))
Makes me so happy every time you find out how small the world is, you know? Like, we were in that place at the same time and now here we are. At different points in our lives but still connected. Like quantum entanglement or some shit.” “I think about that every time I’m in an airport. It’s one reason I love traveling so much. As a kid, I was a loner, and I always figured that when I grew up, I’d leave my hometown and discover other people like me somewhere else. Which I have, you know? But everyone gets lonely sometimes, and whenever that happens, I buy a plane ticket and go to the airport and—I don’t know. I don’t feel lonely anymore. Because no matter what makes all those people different, they’re all just trying to get somewhere, waiting to reach someone.
Emily Henry (People We Meet on Vacation)
Maybe that’s what happens on vacation. You leave all your stuff behind, all the baggage, and for a short period of time, you can forge an entirely new identify. Keeping only the best parts of yourself and adding new facets, like trying on a costume for size.
Olivia Hayle (How to Honeymoon Alone)
I want to tell him I’ll feel terrible if I leave. I want to say, All I wanted for this trip was to be anywhere with you all day or Who cares about seeing Palm Springs when it’s one hundred degrees out or I love you so much it sometimes hurts. Instead I say, “Okay.
Emily Henry (People We Meet on Vacation)
Research shows that not long after we get home from a vacation, we tend to return to our particular baseline level of happiness. To help prevent that from happening, I didn’t fully leave the cities I’d visited but instead made them filters through which I saw my own. I stopped into small bread and cheese shops, took my time with my coffee. Seemingly cheerless streets became opportunities for observing graffiti and strangers, for “coloring the external world with the warm hues of the imagination,” as Anthony Storr described creative living
Stephanie Rosenbloom (Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude)
Wanting to leave communist Russia is all fine and well | Actually leaving the country is where you might run into a few setbacks. Obtaining a visa for a simple vacation outside the soviet block was a long and arduous process. To immigrate to a free society was about as easy as finding whiskey in a church.
Gary Govich (Career Criminal: My Life in the Russian Mob Until the Day I Died)
I hope the teacher doesn't say, 'Write an essay about your summer vacation.' If she does, I'll leave the paper blank. Else I'll have to lie. Say eviction is the best vacation. Hearing Ma weeping and Pa wheezing, cracking his knuckles while Leda sucks her pacifier, double-time, and Ray holds my hand. I never lie. I won't. It's better to keep quiet.
Jewell Parker Rhodes (Towers Falling)
At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter. The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself. Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen! You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world. At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972. A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'? I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!" They asked me to play the record over and over again.
Jung Chang (Wild Swans: Three Daughters of China)
We convince ourselves that life will be better after we get married, have a baby, then another. Then we are frustrated that the kids aren't old enough and we'll be more content when they are. After that we're frustrated that we have teenagers to deal with. We will certainly be happy when they are out of that stage. We tell ourselves that our life will be complete when our spouse gets his or her act together, when we get a nicer car, are able to go on a nice vacation, when we retire. The truth is, there's no better time to be happy than right now. Your life will always be filled with challenges. It's best to admit this to yourself and decide to be happy anyway. One of my favorite quotes comes from Alfred D Souza. He said, "For a long time it had seemed to me that life was about to begin - real life. But there was always some obstacle in the way, something to be gotten through first, some unfinished business, time still to be served, a debt to be paid. Then life would begin. At last it dawned on me that these obstacles were my life." This perspective has helped me to see that there is no way to happiness. Happiness is the way. So, treasure every moment that you have. Stop waiting until you finish school, until you go back to school, until you lose ten pounds, until you gain ten pounds, until you have kids, until your kids leave the house, until you start work, until you retire, until you get married, until you get divorced, until Friday night, until Sunday morning, until you get a new car or home, until your car or home is paid off, until spring, until summer, until fall, until winter, until you are off welfare, until the first or fifteenth, until your song comes on, until you've had a drink, until you've sobered up, until you die, until you are born again to decide that there is no better time than right now to be happy.
Crystal Boyd
As economic inequality grew, time horizons shrank, and fewer Americans believed that the future held a better version of the present. Lacking a functional state that assured basic social goods taken for granted elsewhere - education, pensions, health care, transport, parental leave, vacations - Americans could be overwhelmed by each day, and lose a sense of the future.
Timothy Snyder (The Road to Unfreedom: Russia, Europe, America)
Though Wilder blamed her family’s departure from Kansas on “blasted politicians” ordering white squatters to vacate Osage lands, no such edict was issued over Rutland Township during the Ingallses’ tenure there. Quite the reverse is true: only white intruders in what was known as the Cherokee Strip of Oklahoma were removed to make way for the displaced Osages arriving from Kansas. (Wilder mistakenly believed that her family’s cabin was located forty—rather than the actual fourteen—miles from Independence, an error that placed the fictional Ingalls family in the area affected by the removal order.) Rather, Charles Ingalls’s decision to abandon his claim was almost certainly financial, for Gustaf Gustafson did indeed default on his mortgage. The exception: Unlike their fictional counterparts, the historical Ingalls family’s decision to leave Wisconsin and settle in Kansas was not a straightforward one. Instead it was the eventual result of a series of land transactions that began in the spring of 1868, when Charles Ingalls sold his Wisconsin property to Gustaf Gustafson and shortly thereafter purchased 80 acres in Chariton County, Missouri, sight unseen. No one has been able to pinpoint with any certainty when (or even whether) the Ingalls family actually resided on that land; a scanty paper trail makes it appear that they actually zigzagged from Kansas to Missouri and back again between May of 1868 and February of 1870. What is certain is that by late February of 1870 Charles Ingalls had returned the title to his Chariton County acreage to the Missouri land dealer, and so for simplicity’s sake I have chosen to follow Laura Ingalls Wilder’s lead, contradicting history by streamlining events to more closely mirror the opening chapter of Little House on the Prairie, and setting this novel in 1870, a year in which the Ingalls family’s presence in Kansas is firmly documented.
Sarah Miller (Caroline: Little House, Revisited)
Time was minutely calculated everywhere in the vast plant so that top managers knew precisely what everyone was supposed to be doing at a given moment. Bell was struck, for instance, by how General Motors “divides the hour into ten six-minute periods…the worker is paid by the numbers of tenths of an hour he works.”27 This minute engineering of work time was connected to very long measures of time in the corporation as well. Seniority pay was finely tuned to the total number of hours a man or woman had worked for General Motors; a laborer could minutely calculate benefits of vacation time and sick leave. The micrometrics of time governed the lower echelons of white-collar offices as well as manual labor on the assembly line, in terms of promotion and benefits.
Richard Sennett (The Corrosion of Character: The Personal Consequences of Work in the New Capitalism)
It usually sits on the night table, so that I can easily look up an unknown word while I’m reading. This book allows me to read other books, to open the door of a new language. It accompanies me, even now, when I go on vacation, on trips. It has become a necessity. If, when I leave, I forget to take it with me, I feel slightly uneasy, as if I’d forgotten my toothbrush or a change of socks.
Jhumpa Lahiri (In Other Words: A Memoir (Italian Edition))
SOCIAL/GENERAL ICEBREAKERS 1. What do you think of the movie/restaurant/party? 2. Tell me about the best vacation you’ve ever taken. 3. What’s your favorite thing to do on a rainy day? 4. If you could replay any moment in your life, what would it be? 5. What one thing would you really like to own? Why? 6. Tell me about one of your favorite relatives. 7. What was it like in the town where you grew up? 8. What would you like to come back as in your next life? 9. Tell me about your kids. 10. What do you think is the perfect age? Why? 11. What is a typical day like for you? 12. Of all the places you’ve lived, tell me about the one you like the best. 13. What’s your favorite holiday? What do you enjoy about it? 14. What are some of your family traditions that you particularly enjoy? 15. Tell me about the first car you ever bought. 16. How has the Internet affected your life? 17. Who were your idols as a kid? Have they changed? 18. Describe a memorable teacher you had. 19. Tell me about a movie/book you’ve seen or read more than once. 20. What’s your favorite restaurant? Why? 21. Tell me why you were named ______. What is the origin of your last name? 22. Tell me about a place you’ve visited that you hope never to return to. get over your mom’s good intentions. 23. What’s the best surprise you’ve ever received? 24. What’s the neatest surprise you’ve ever planned and pulled off for someone else? 25. Skiing here is always challenging. What are some of your favorite places to ski? 26. Who would star as you in a movie about your life? Why that person? 27. Who is the most famous person you’ve met? 28. Tell me about some of your New Year’s resolutions. 29. What’s the most antiestablishment thing you’ve ever done? 30. Describe a costume that you wore to a party. 31. Tell me about a political position you’d like to hold. 32. What song reminds you of an incident in your life? 33. What’s the most memorable meal you’ve eaten? 34. What’s the most unforgettable coincidence you’ve experienced or heard about? 35. How are you able to tell if that melon is ripe? 36. What motion picture star would you like to interview? Why? 37. Tell me about your family. 38. What aroma brings forth a special memory? 39. Describe the scariest person you ever met. 40. What’s your favorite thing to do alone? 41. Tell me about a childhood friend who used to get you in trouble. 42. Tell me about a time when you had too much to eat or drink. 43. Describe your first away-from-home living quarters or experience. 44. Tell me about a time that you lost a job. 45. Share a memory of one of your grandparents. 46. Describe an embarrassing moment you’ve had. 47. Tell me something most people would never guess about you. 48. What would you do if you won a million dollars? 49. Describe your ideal weather and why. 50. How did you learn to ski/hang drywall/play piano?
Debra Fine (The Fine Art of Small Talk: How to Start a Conversation, Keep It Going, Build Networking Skills and Leave a Positive Impression!)
Jess gazed at the apples arranged in all their colors: russet, blushing pink, freckled gold. She cast her eyes over heaps of pumpkins, bins of tomatoes cut from the vine, pale gooseberries with crumpled leaves. "You could buy a farm." "Why would I do that?" "To be healthy," said Jess. Emily shook her head. "I don't think I'd be a very good farmer." "You could have other people farm your farm for you," said Jess. "And you could just eat all the good things." Emily laughed. "That's what we're doing here at the Farmers' Market. We're paying farmers to farm for us. You've just invented agriculture." "Yes, but you could have your own farm and go out there and breathe the fresh air and touch the fresh earth." "I think that's called a vacation," said Emily. "Oh, you're too boring to be rich," Jess said. "And I would be so talented!
Allegra Goodman (The Cookbook Collector)
As a kid, I was a loner', I explain, 'and I always figured that when I grew up, I'd leave my hometown and discover other people like me somewhere else. Which I have, you know? But everyone gets lonely sometimes, and whenever that happens, I buy a plane ticket and go to the airport and - I don't know. I don't feel lonely anymore. Because no matter what makes those people different, they're all just trying to get somewhere, waiting to reach someone.
Emily Henry (People We Meet on Vacation)
The biggest is family- unless they are certifiable or criminals, try to keep your kids connected to their cousins, aunts, uncles, grandparents, whatever you've got, even if it means sacrificing vacations and that new fridge. And visit each other in good times and bad. It teaches your kids more than you can imagine about love and loyalty, and means they will not always have a place to celebrate and someone to celebrate with, but a net to catch them if they fall.
Melissa Shultz (From Mom to Me Again: How I Survived My First Empty-Nest Year and Reinvented the Rest of My Life (Self-Help Book for Moms on Finding Your Purpose After Your Kids Leave the House))
Because when the season is over, we’re going to throw a wedding and then go on a spectacular vacation. I want to plan it without you worrying about the cost. There’s still some grueling weeks ahead of us, right? It will be easier every time I look at the screensaver I’ve downloaded for whatever beach we’re going to.” I don’t know what to say. “It doesn’t have to be expensive.” Wes chews on my neck for a moment before answering. “Privacy costs money. And I have money.” He tugs on my shoulder, so I have to turn around and face him. “You know how I got rich?” I shake my head. “By waking up one morning to find that my grandfather had died, leaving me a pile of cash. My asshole father can’t touch my trust, either. The old man knew Dad was a greedy bastard.” He grins. “It’s all just the luck of the draw, okay? And even if I’d earned every penny digging ditches, there isn’t anything I have that I don’t want to give you. Not one thing.
Sarina Bowen (Us (Him, #2))
Like Paula, the members were eager for students; they felt that they had much to teach, and that their death sentences had made them wise. They had learned one lesson particularly well: that life cannot be postponed; it must be lived now, not suspended until the weekend, until vacation, until the children leave for college, until the diminished years of retirement. More than once I heard the lament, “What a pity it is that I had to wait till now, till my body was riddled with cancer, to learn how to live.
Irvin D. Yalom (Momma and the Meaning of Life: Tales From Psychotherapy)
Time seemed to stand still as they remained embraced, him holding his body weight on his elbows as he looked down at her and grinned. “Now that’s a vacation.” She laughed and then his grin fell and he shook his head. “Like a couple of horny teenagers with no thought of tomorrow and no thought of protection. We should both be shot.” “Can you wait until the glow leaves me before you shoot me?” she asked. He smiled down at her. “You are glowing. You look gorgeous.” “It’s the look of a sated woman.” “I like it.
Carla Cassidy (Scene of the Crime: Deadman's Bluff (Scene of the Crime #6))
Months later… I try my best to enjoy summer vacation, knowing that in a few weeks I’ll be heading into the last semester of my senior year. I should’ve graduated in June, but because Robbie and I moved around during my freshman year, I fell behind a semester. Even though I won’t graduate and walk across the stage until December, my eighteenth birthday is only a few weeks away. That’s when I’ll be forced to leave the house. After the fallout with Cain back in January, I haven’t heard from him other than the few times he came by with gifts and tried to see me.
Lane Hart (Cain (Out of the Cage #1))
It's one reason I love traveling so much." I hesitate, searching for how to pour this long-steeping soupy thought into concrete words. "As a kid, I was a loner," I explain, "and I always figured that when I grew up, I'd leave my hometown and discover other people like me somewhere else. Which I have, you know? But everyone gets lonely sometimes, and whenever that happens, I buy a plane ticket and go to the airport and- I don't know. I don't feel lonely anymore. Because no matter what makes all those people different, they're all just trying to get somewhere, waiting to reach someone.
Emily Henry (People We Meet on Vacation)
The spirit of gratitude says thank you. Thank You for giving me the money to take care of my family and put food on the table. Thank You for the ability to buy a decent car and take my wife on a great vacation. Thank You for providing for my needs today and my retirement tomorrow. Thank You for Your principles on how to handle money because using them has allowed me to change my family tree and leave a legacy that will outlive me. At its core, the spirit of gratitude says, God, I’m going to manage this wealth and this stuff Your way—because it’s Yours. Thank You for trusting me to manage it for You.
Dave Ramsey (The Legacy Journey: A Radical View of Biblical Wealth and Generosity)
The divine is in the present and you must be present to experience it. When you vacate the present and recede into your mind, allowing worries or work to remove you from the moment, you leave the plain upon which the divine dwells. When you are constantly under the anesthetic of digital distraction, you withdraw; you are no longer conscious, and therefore are in no fit state to commune with the sacred. If you wish to hear the answers you seek, you must be present to hear them. If you wish to partake in the insights there to be known, you must be present to receive them. If you wish to know the divine, you must be present to meet it. …you must be present.
L.M. Browning (Seasons of Contemplation: A Book of Midnight Meditations)
Relax, princess. If your prince arrives, I'll vacate. Just keeping you company. Besides, he should know better than to leave a beautiful girl waiting on him; someone else might swoop in and steal his prize." This man is insufferable. "I'm neither a princess nor a prize, nor a girl if you want to be specific about it." "I notice you didn't mind my calling you beautiful." The waitress comes over and asks what he would like. I begin to tell her he isn't staying, but he talks right over me. "The three-wine flight and a slice of the chestnut cream cake, please." Damn his eyes! That was the dessert I was most interested in: layers of chestnut cream, apricot glaze, and dark chocolate ganache.
Stacey Ballis (Wedding Girl)
SHE TOLD THE TRUSTEES, who had surely vacationed in the Caribbean, about the Carib Indian chief who was about to be burned at the stake by Spaniards. His crime was his failure to see the beauty of his people's becoming slaves in their own country. This chief was offered a cross to kiss before a professional soldier or maybe a priest set fire to the kindling and logs piled up above his kneecaps. He asked why he should kiss it, and he was told that the kiss would get him into Paradise, where he would meet God and so on. He asked if there were more people like the Spaniards up there. He was told that of course there were. In that case, he said, he would leave the cross unkissed. He said he didn't want to go to yet another place where people were so cruel.
Kurt Vonnegut Jr. (Hocus Pocus)
All these thoughts flashed through Amelia’s mind in one searing mass. But as she stiffened and waited for the ax to fall, Rohan came to her in two long strides. And before Amelia could move, or think, or even breathe, he had jerked her full length against him, and pulled her head to his. Rohan kissed her with an indecent frankness that sent her reeling. His arms were firm around her, keeping her steady while his mouth caught hers at just the right angle. Her hands moved in tentative objection, her palms encountering the tough muscles of his chest, the catch of his shirt buttons. He was the only solid thing in a kaleidoscopic world. She stopped pushing as her body absorbed the arousing details of him, the hard masculine contours, the fresh outdoors scent, the sensuous probing of his mouth. She had relived his kiss a thousand times in her dreams. She just hadn’t realized it until now. Graceful fingers cupped around her neck and jaw, turning her face upward. The tips of his fingers found the fine skin behind her ears, where it met the silken edge of her hairline. And all the while he continued to fill her with concentrated fire, until the inside of her mouth prickled sweetly and her legs shook beneath her. He used his tongue delicately, exploring without haste, entering her repeatedly while she clung to him in bewildered pleasure. His mouth lifted, his breath a hot caress against her lips. He turned his head as he spoke to whoever had entered the room. “I beg your pardon, my lord. We wanted a moment of privacy.” Amelia turned crimson as she followed his gaze to the doorway, where Lord Westcliff stood with an unfathomable expression. An electric moment passed while Westcliff appeared to marshal his thoughts. His gaze moved to Amelia’s face, then back to Rohan’s. A smile flickered in his dark eyes. “I intend to return in approximately a half hour. It would probably be best if my study were vacated by then.” Giving a courteous nod, he took his leave. As soon as the door closed behind him, Amelia dropped her forehead to Rohan’s shoulder with a groan. She would have pulled away, but she didn’t trust her knees to hold. “Why did you do that?” He didn’t look at all repentant. “I had to come up with a reason for both of us to be in here. It seemed the best option.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
But it is not glorious lulls that concern me. It is the lulls that have no velocity, that offer no structured reassurance, that bloom unbidden in the middle of nowhere—when the work is done, when children leave, when illness comes, when the mind stalls. One does not ask of a lull: What can you do for me? These lulls do not have the quality of idyllic floatiness we associate with creative loafing, vacations, or leisure time. (If they did, we might fight them less readily and feel less personal distress.) These lulls carry a restive feeling, the throb of being simultaneously too full and too empty. They evoke what Jean Cocteau once described as “the discomfort of infinity.” What if we could imagine a lull as neither fatal nor glorious? What if a lull was just a lull?
Kyo Maclear (Birds Art Life: A Year of Observation)
The temperature was in the nineties, and on hot nights Chicagoans feel the city body and soul. The stockyards are gone, Chicago is no longer slaughter-city, but the old smells revive in the night heat. Miles of railroad siding along the streets once were filled with red cattle cars, the animals waiting to enter the yards lowing and reeking. The old stink still haunts the place. It returns at times, suspiring from the vacated soil, to remind us all that Chicago had once led the world in butcher-technology and that billions of animals had died here. And that night the windows were open wide and the familiar depressing multilayered stink of meat, tallow, blood-meal, pulverized bones, hides, soap, smoked slabs, and burnt hair came back. Old Chicago breathed again through leaves and screens. I heard fire trucks and the gulp and whoop of ambulances, bowel-deep and hysterical. In the surrounding black slums incendiarism shoots up in summer, an index, some say, of psychopathology. Although the love of flames is also religious. However, Denise was sitting nude on the bed rapidly and strongly brushing her hair. Over the lake, steel mills twinkled. Lamplight showed the soot already fallen on the leaves of the wall ivy. We had an early drought that year. Chicago, this night, was panting, the big urban engines going, tenements blazing in Oakwood with great shawls of flame, the sirens weirdly yelping, the fire engines, ambulances, and police cars – mad-dog, gashing-knife weather, a rape and murder night, thousands of hydrants open, spraying water from both breasts.
Saul Bellow (Humboldt's Gift)
Anyone who is unimpressed with sneering atheism will be unimpressed by the famous science fiction works by Margaret Atwood or the fantasy of Phillip Pullman and those of their ilk. Pullman was as blasphemous as Heinlein was in Stranger In A Strange Land, but not as funny, and the ending of his His Dark Materials was dark indeed and unsatisfying. (Pullman’s hero and heroine end up parted by a law of nature invented at the last minute by a lazy author, which decrees that persons of different earths in the multiverse sicken and die if they immigrate). It is the kind of thing one reads when a surfeit of happy endings leaves a bad taste in the mouth, and you need a swish of pagan vinegar to wash out all that Christian saccharine endemic to Western civilization. Everyone likes a vacation from happiness occasionally, I suppose.
John C. Wright
I saw a television sketch that, with some variations, might seem familiar in many households. A husband is watching television and his wife if trying to engage him in conversation: Wife: Dear, the plumber didn’t come to fix the leak behind the water heater today. Husband: Uh-huh. Wife: The pipe burst today and flooded the basement. Husband: Quiet. It’s third down and goal to go. Wife: Some of the wiring got wet and almost electrocuted Fluffy. Husband: Darn it! Touchdown. Wife: The vet says he’ll be better in a week. Husband: Can you get me a Coke? Wife: The plumber told me that he was happy that our pipe broke because now he can afford to go on vacation. Husband: Aren’t you listening? I said I could use a Coke! Wife: And Stanley, I’m leaving you. The plumber and I are flying to Acapulco in the morning. Husband: Can’t you please stop all that yakking and get me a Coke? The trouble around here is that nobody ever listens to me. 5.
John C. Maxwell (Be a People Person: Effective Leadership Through Effective Relationships)
As he read the long poem, I began thinking that, unlike him, I had always found a way to avoid counting the days. We were leaving in three days— and then whatever I had with Oliver was destined to g o up in thin air. We had talked about meeting in the States, and we had talked of writing and speaking by phone— but the whole thing had a mysteriously surreal quality kept intentionally opaque by both of us— not because we wanted to allow events to catch us unprepared so that we might blame circumstances and not ourselves, but because by not planning to keep things alive, we were avoiding the prospect that they might ever die. We had come to Rome in the same spirit of avoidance: Rome was a final bash before school and travel took us away, just a way of putting things off and extending the party long past closing time. Perhaps, without thinking, we had taken more than a brief vacation; we were eloping together with return-trip tickets to separate destinations.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Violet is missing, and it seems Vance is as well,” Damien says on a huff as he exits. “Why the bloody hell would he leave with her directly after a wolf attack?” I ask as I start toward the door, finishing off my drink. “Without a word?” “I’m not sure he left with her, so much as chased after her, since it looks like he found her note first,” Damien says as he jogs down the stairs. I have the paper snatched out of his hand before he realizes it’s missing, and I flip it over, reading it. DO NOT FOLLOW ME. THIS VACATION SUCKS TOO HARD TO STAY. I’M GOING HOME TO RELAX. Sincerely, the SINGLE gypsy girl who can think for herself P.S. I’LL KEY YOUR FUCKING CARS if you come looking for me before I’m ready to deal with you again. “Little rude to leave so soon, considering how hard I worked to find out where the hell you’d all gone,” I point out before walking out the door. I’m gone before they can further delay me. “She put it in shouty caps!” Damien calls to my back, though I have no idea what the hell that’s supposed to mean.
Kristy Cunning (Gypsy Origins (All The Pretty Monsters #3))
Sometimes a woman would tell me that the feeling gets so strong she runs out of the house and walks through the streets. Or she stays inside her house and cries. Or her children tell her a joke, and she doesn’t laugh because she doesn’t hear it. I talked to women who had spent years on the analyst’s couch, working out their “adjustment to the feminine role,” their blocks to “fulfillment as a wife and mother.” But the desperate tone in these women’s voices, and the look in their eyes, was the same as the tone and the look of other women, who were sure they had no problem, even though they did have a strange feeling of desperation. A mother of four who left college at nineteen to get married told me: I’ve tried everything women are supposed to do—hobbies, gardening, pick-ling, canning, being very social with my neighbors, joining committees, run-ning PTA teas. I can do it all, and I like it, but it doesn’t leave you anything to think about—any feeling of who you are. I never had any career ambitions. All I wanted was to get married and have four children. I love the kids and Bob and my home. There’s no problem you can even put a name to. But I’m desperate. I begin to feel I have no personality. I’m a server of food and a putter-on of pants and a bedmaker, somebody who can be called on when you want something. But who am I? A twenty-three-year-old mother in blue jeans said: I ask myself why I’m so dissatisfied. I’ve got my health, fine children, a lovely new home, enough money. My husband has a real future as an electron-ics engineer. He doesn’t have any of these feelings. He says maybe I need a vacation, let’s go to New York for a weekend. But that isn’t it. I always had this idea we should do everything together. I can’t sit down and read a book alone. If the children are napping and I have one hour to myself I just walk through the house waiting for them to wake up. I don’t make a move until I know where the rest of the crowd is going. It’s as if ever since you were a little girl, there’s always been somebody or something that will take care of your life: your parents, or college, or falling in love, or having a child, or moving to a new house. Then you wake up one morning and there’s nothing to look forward to.
Betty Friedan (The Feminine Mystique)
She hadn't gone back in time. The idea was silly. Or had she? Had she knocked on the door of her home to see a younger version of herself answer; had there been a mutual shock of recognition (as the younger Rebecca realized that, yes, her husband's work was due to be a success, that he was not wasting his time chasing rainbows and tilting at windmills); had she slipped her arm into that of her past self (feeling a slight electric tingle as skin touched skin and a taste in her mouth as if she'd touched a nine-volt battery to her tongue) and said, We need to to talk? Had she sat in a coffee shop, conversing with a woman who everyone assumed was related to her in some way—Oh my god you two are so cute, you're mother and daughter but you look like sisters? Had she made some kind of idle remark overheard by a man on his way to spend two weeks' vacation in North Dakota; had that comment convinced that man to settle there permanently instead, and to contact those who had political sympathies similar to his own? Had that unknown man begun the slow process of taking over the state by placing his allies in the local governments if he could? Had that strategy failed, leaving brute force as a regrettable last resort?
Dexter Palmer (Version Control)
He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure. But there she was. His mate. She was nothing like Jesminda. Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him. Elain had been... thrown at him. He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her. 'Do you mind if I held myself to the other?' He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication. Rhysand was many things, but he certainly had good taste. The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness. He didn't want to admit he liked it. Didn't want to admit he found the city beautiful. That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be. An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one. 'There's a plate of biscuits. Would you like one?' He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return. But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window. He had not seen her entire face since that day in Hybern. Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock. Looking at her now... She was pale, yes. The vacancy still glazing her features. But he couldn't breathe as she faced him fully. She was the most beautiful female he'd ever seen. Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once. But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Susannah smiled at them nervously, then looked up at the route-map. "Hello, Blaine." "HOWDY, SUSANNAH OF NEW YORK." Her heart was pounding, her armpits were damp, and here was something she had first discovered way back in the first grade: it was hard to begin. It was hard to stand up in front of the class and be first with your song, your joke, your report on how you spent your summer vacation ... or your riddle, for that matter. The one she had decided upon was one from Jake Chambers's crazed English essay, which he had recited to them almost verbatim during their long palaver after leaving the old people of River Crossing. The essay, titled "My Understanding of Truth," had contained two riddles, one of which Eddie had already used on Blaine. "SUSANNAH? ARE YOU THERE, L'IL COWGIRL?" Teasing again, but this time the teasing sounded light, good-natured. Good-humored. Blaine could be charming when he got what he wanted. Like certain spoiled children she had known. "Yes, Blaine, I am, and here is my riddle. What has four wheels and flies?" There was a peculiar click, as if Blaine were mimicking the sound of a man popping his tongue against the roof of his mouth. It was followed by a brief pause. When Blaine replied, most of the jocularity had gone out of his voice. "THE TOWN GARBAGE WAGON, OF COURSE. A CHILD'S RIDDLE. IF THE REST OF YOUR RIDDLES ARE NO BETTER, I WILL BE EXTREMELY SORRY I SAVED YOUR LIVES FOR EVEN A SHORT WHILE.
Stephen King (Wizard and Glass (The Dark Tower, #4))
I'll come with you,' I said softly to Tamlin, to Lucien, shifting on his feet, 'if you leave them alone. Let them go.' You do not hold me. Tamlin's face contorted with wrath. 'They're monsters. They're-' He didn't finish as he stalked across the floor to grab me. To drag me out of here, then no doubt winnow away. You do not hold me. The fist gripping my power relaxed. Vanished. Tamlin lunged for me over the few feet that remained. So fast- too fast- I became mist and shadow. I winnowed beyond his reach. The king let out a low laugh as Tamlin stumbled. And went sprawling as Rhysand's fist connected with his face. Panting, I retreated right into Rhysand's arms as one looped around my waist, as Azriel's blood on him soaked into my back. Behind us, Mor leaped in to fill the space Rhys had vacated, slinging Azriel's arm over her shoulders. ... Tamlin rose, wiping the blood now trickling from his nose as he backed to where Lucien held his position with a hand on his sword. But just as Tamlin neared his Emissary, he staggered a step. His face went white with rage. And I knew Tamlin understood a moment before the king laughed. 'I don't believe it. Your bride left you only to find her mate. The Mother has a warped sense of humour, it seems. And what a talent- tell me, girl; how did you unravel that spell?' I ignored him. But the hatred in Tamlin's eyes made my knees buckle. 'I'm sorry,' I said, and meant it. Tamlin's eyes were on Rhysand, his face near-feral. 'You,' he snarled, the sound more animal than Fae. 'What did you do to her?
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The overall U.S. homeownership rate increased from 64 percent in 1994 to a peak in 2004 with an all-time high of 69.2 percent. Real estate had become the leading business in America, more and more speculators invested money in the business. During 2006, 22 percent of homes purchased (1.65 million units) were for investment purposes, with an additional 14 percent (1.07 million units) purchased as vacation homes. These figures led Americans to believe that their economy was indeed booming. And when an economy is booming nobody is really interested in foreign affairs, certainly not in a million dead Iraqis. But then the grave reality dawned on the many struggling, working class Americans and immigrants, who were failing to pay back money they didn't have in the first place. Due to the rise in oil prices and the rise of interest rates, millions of disadvantaged Americans fell behind. By the time they drove back to their newly purchased suburban dream houses, there was not enough money in the kitty to pay the mortgage or elementary needs. Consequently, within a very short time, millions of houses were repossessed. Clearly, there was no one around who could afford to buy those newly repossessed houses. Consequently, the poor people of America became poorer than ever. Just as Wolfowitz's toppled Saddam, who dragged the American Empire down with him, the poor Americans, that were set to facilitate Wolfowitz's war, pulled down American capitalism as well as the American monetary and banking system. Greenspan's policy led an entire class to ruin, leaving America's financial system with a hole that now stands at a trillion dollars.
Gilad Atzmon (The Wandering Who? A Study of Jewish Identity Politics)
As humans we spend our time seeking big, meaningful experiences. So the afterlife may surprise you when your body wears out. We expand back into what we really are—which is, by Earth standards, enormous. We stand ten thousand kilometers tall in each of nine dimensions and live with others like us in a celestial commune. When we reawaken in these, our true bodies, we immediately begin to notice that our gargantuan colleagues suffer a deep sense of angst. Our job is the maintenance and upholding of the cosmos. Universal collapse is imminent, and we engineer wormholes to act as structural support. We labor relentlessly on the edge of cosmic disaster. If we don’t execute our jobs flawlessly, the universe will re-collapse. Ours is complex, intricate, and important work. After three centuries of this toil, we have the option to take a vacation. We all choose the same destination: we project ourselves into lower-dimensional creatures. We project ourselves into the tiny, delicate, three-dimensional bodies that we call humans, and we are born onto the resort we call Earth. The idea, on such vacations, is to capture small experiences. On the Earth, we care only about our immediate surroundings. We watch comedy movies. We drink alcohol and enjoy music. We form relationships, fight, break up, and start again. When we’re in a human body, we don’t care about universal collapse—instead, we care only about a meeting of the eyes, a glimpse of bare flesh, the caressing tones of a loved voice, joy, love, light, the orientation of a house plant, the shade of a paint stroke, the arrangement of hair. Those are good vacations that we take on Earth, replete with our little dramas and fusses. The mental relaxation is unspeakably precious to us. And when we’re forced to leave by the wearing out of those delicate little bodies, it is not uncommon to see us lying prostrate in the breeze of the solar winds, tools in hand, looking out into the cosmos, wet-eyed, searching for meaninglessness.
David Eagleman (Sum: Forty Tales from the Afterlives)
I’ve gotta go,” I say, scowling at my phone. “Now?” Ryder asks, tipping my chin up with one hand so that our eyes meet. “Unfortunately. It’s my mom. Lucy and Morgan are covering for me, but I’ve got to get back. I’m supposed to be at the drugstore.” “What are we going to tell them? Our moms, I mean?” I shake my head. “We can’t tell them anything. At least, not yet. Can you imagine the pressure they’d put on us if they knew? I mean, they already drive us nuts and they think we hate each other.” “You’re right. So…we keep it a secret?” “Not exactly. I’ve got to tell Lucy and Morgan. Just…not our parents, okay? Besides, think how fun it will be, sneaking around.” His eyes light with mischief. “Good point.” “Don’t go getting any naughty ideas,” I tease. “C’mon, walk me to my car.” He takes my hand and falls into step beside me, glancing down at me with a wicked grin. “What?” I ask. “Hey, you’re the one who brought up ‘naughty,’ not me.” I poke him playfully in the ribs. “I’ve got an idea,” he says. “Let’s pretend we’ve got to do a school project together. You know, say that we’ve been paired up against our will. We can make a big fuss about it--complain about having to spend so much time together.” “While we secretly do lots of naughty things?” I offer. He nods. “Exactly.” I shiver, imagining the possibilities. Suddenly, I’m looking forward to those Sunday dinners at Magnolia Landing. And to Christmas and the inevitable Cafferty-Marsden winter vacation. In fact, the rest of the school year looms ahead like a lengthy stretch of opportunities, no longer filled with uncertainty and doubt, but with the knowledge that I’m on the right path now…the perfect path. And like Nan suggested, I’m going to grab it. Embrace it. Hold on to it tightly--just like I’m holding on to this boy beside me. We reach my car way too quickly. I’m not ready to go, to leave him, to begin this necessary charade. I lean against my car’s door with a sigh, drawing Ryder toward me. His entire body is pressed against mine, firing every cell inside me at once. My knees go weak as he kisses me softly, his lips lingering on mine, despite the urgency. “Good night,” I whisper. “Good night,” he whispers back, his breath warm against my cheek. Oh man. It just about kills me to slip inside the car and turn the key in the ignition. I’m grinning to myself as I drive away, watching as Ryder becomes a speck in my rearview mirror before melting into the night.
Kristi Cook (Magnolia (Magnolia Branch, #1))
I am like God, Codi? Like GOD? Give me a break. If I get another letter that mentions SAVING THE WORLD, I am sending you, by return mail, a letter bomb. Codi, please. I've got things to do. You say you're not a moral person. What a copout. Sometime, when I wasn't looking, something happened to make you think you were bad. What, did Miss Colder give you a bad mark on your report card? You think you're no good, so you can't do good things. Jesus, Codi, how long are you going to keep limping around on that crutch? It's the other way around, it's what you do that makes you who you are. I'm sorry to be blunt. I've had a bad week. I am trying to explain, and I wish you were here so I could tell you this right now, I am trying to explain to you that I'm not here to save anybody or any thing. It's not some perfect ideal we're working toward that keeps us going. You ask, what if we lose this war? Well, we could. By invasion, or even in the next election. People are very tired. I don't expect to see perfection before I die. Lord, if I did I would have stuck my head in the oven back in Tucson, after hearing the stories of some of those refugees. What keeps you going isn't some fine destination but just the road you're on, and the fact that you know how to drive. You keep your eyes open, you see this damned-to-hell world you got born into, and you ask yourself, "What life can I live that will let me breathe in & out and love somebody or something and not run off screaming into the woods?" I didn't look down from some high rock and choose cotton fields in Nicaragua. These cotton fields chose me. The contras that were through here yesterday got sent to a prison farm where they'll plant vegetables, learn to read and write if they don't know how, learn to repair CB radios, and get a week-long vacation with their families every year. They'll probably get amnesty in five. There's hardly ever a repeat offender. That kid from San Manuel died. Your sister, Hallie "What's new with Hallie?" Loyd asked. "Nothing." I folded the pages back into the envelope as neatly as I could, trying to leave its creases undisturbed, but my fingers had gone numb and blind. With tears in my eyes I watched whatever lay to the south of us, the land we were driving down into, but I have no memory of it. I was getting a dim comprehension of the difference between Hallie and me. It wasn't a matter of courage or dreams, but something a whole lot simpler. A pilot would call it ground orientation. I'd spent a long time circling above the clouds, looking for life, while Hallie was living it.
Barbara Kingsolver (Animal Dreams)
the politics of inevitability, a sense that the future is just more of the present, that the laws of progress are known, that there are no alternatives, and therefore nothing really to be done. In the American capitalist version of this story, nature brought the market, which brought democracy, which brought happiness. In the European version, history brought the nation, which learned from war that peace was good, and hence chose integration and prosperity. Before the collapse of the Soviet Union in 1991, communism had its own politics of inevitability: nature permits technology; technology brings social change; social change causes revolution; revolution enacts utopia. When this turned out not to be true, the European and American politicians of inevitability were triumphant. Europeans busied themselves completing the creation of the European Union in 1992. Americans reasoned that the failure of the communist story confirmed the truth of the capitalist one. Americans and Europeans kept telling themselves their tales of inevitability for a quarter century after the end of communism, and so raised a millennial generation without history. The American politics of inevitability, like all such stories, resisted facts. The fates of Russia, Ukraine, and Belarus after 1991 showed well enough that the fall of one system did not create a blank slate on which nature generated markets and markets generated rights. Iraq in 2003 might have confirmed this lesson, had the initiators of America’s illegal war reflected upon its disastrous consequences. The financial crisis of 2008 and the deregulation of campaign contributions in the United States in 2010 magnified the influence of the wealthy and reduced that of voters. As economic inequality grew, time horizons shrank, and fewer Americans believed that the future held a better version of the present. Lacking a functional state that assured basic social goods taken for granted elsewhere—education, pensions, health care, transport, parental leave, vacations—Americans could be overwhelmed by each day, and lose a sense of the future. The collapse of the politics of inevitability ushers in another experience of time: the politics of eternity. Whereas inevitability promises a better future for everyone, eternity places one nation at the center of a cyclical story of victimhood. Time is no longer a line into the future, but a circle that endlessly returns the same threats from the past. Within inevitability, no one is responsible because we all know that the details will sort themselves out for the better; within eternity, no one is responsible because we all know that the enemy is coming no matter what we do. Eternity politicians spread the conviction that government cannot aid society as a whole, but can only guard against threats. Progress gives way to doom.
Timothy Snyder (The Road to Unfreedom: Russia, Europe, America)
Sam was about to travel to Asia with her boyfriend and she was fretting about what her backers would think if she released some of her new songs while she was 'on vacation'. She was worried that posting pictures of herself sipping a Mai Tai was going to make her look like an asshole. What does it matter? I asked her, where you are whether you're drinking a coffee, a Mai Tai or a bottle of water? I mean, aren't they paying for your songs so that you can... live? Doesn't living include wandering and collecting emotions and drinking a Mai Tai, not just sitting in a room writing songs without ever leaving the house? I told Sam about another songwriter friend of mine, Kim Boekbinder, who runs her own direct support website through which her fans pay her monthly at levels from $5 to $1,000. She also has a running online wishlist of musical gear and costumes kindof like a wedding registry, to which her fans can contribute money anytime they want. Kim had told me a few days before that she doesn't mind charging her backers during what she calls her 'staring at the wall time'. She thinks this is essential before she can write a new batch of songs. And her fans don't complain, they trust her process. These are new forms of patronage, there are no rules and it's messy, the artists and the patrons they are making the rules as they go along, but whether these artists are using crowdfunding (which is basically, front me some money so I can make a thing) or subscription services (which is more like pay me some money every month so that I can make things) or Patreon, which is like pay per piece of content pledge service (that basically means pay me some money every time I make a thing). It doesn't matter, the fundamental building block of all of these relationships boils down to the same simple thing: trust. If you're asking your fans to support you, the artist, it shouldn't matter what your choices are, as long as you're delivering your side of the bargain. You may be spending the money on guitar picks, Mai Tais, baby formula, college loans, gas for the car or coffee to fuel your all-night writing sessions. As long as art is coming out the other side, and you're making your patrons happy, the money you need to live (and need to live is hard to define) is almost indistinguishable from the money you need to make art. ... (6:06:57) ... When she posts a photo of herself in a vintage dress that she just bought, no one scolds her for spending money on something other than effects pedals. It's not like her fan's money is an allowance with nosy and critical strings attached, it's a gift in the form of money in exchange for her gift, in the form of music. The relative values are... messy. But if we accept the messiness we're all okay. If Beck needs to moisturize his cuticles with truffle oil in order to play guitar tracks on his crowdfunded record, I don't care that the money I fronted him isn't going towards two turntables or a microphone; just as long as the art gets made, I get the album and Beck doesn't die in the process.
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)