Vacant Mother Quotes

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The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers. Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.
David Foster Wallace (The Pale King)
Someday you will murder your father and be with your mother, he said.” Once I’ve spoken this, put this thought into concrete words, a hollow feeling grabs hold of me. And inside that hollow, my heart pounds out a vacant, metallic rhythm. Expression unchanged, Oshima gazes at me for a long time. “So he said that someday you would kill your father with your own hands, that you would sleep with your mother.” I nod a few more times. “The same prophecy made about Oedipus. Though of course you knew that.” I nod. “But that’s not all. There’s an extra ingredient he threw into the mix. I have a sister six years older than me, and my father said I would sleep with her, too.” “Your father actually said this to you?” “Yeah. I was still in elementary school then, and didn’t know what he meant by ‘be with.’ It was only a few years later that I caught on.” Oshima doesn’t say anything. “My father told me there was nothing I could do to escape this fate. That prophecy is like a timing device buried inside my genes, and nothing can ever change it. I will kill my father and be with my mother and sister.
Haruki Murakami (Kafka on the Shore)
I don’t care about your rebellion. I don’t care about your dead wife. Or about finding a family or finding meaning. I want to be able to sleep without them jacking me full of chemicals, Darrow. I want to be able to dream again. I want to forget my mother’s caved-in head and her vacant eyes and her twitching fingers. I want to forget Adrius laughing. And I want to repay Antonia and Adrius for their hospitality. I want to stand above them and that piece of shit, Roque, as they weep for the end as I gouge out their eyes and pour molten gold into the sockets so they scream and writhe and spread their urine upon the floor and beg forgiveness for ever thinking they could put Victra au Julii in a gorydamn cage.
Pierce Brown (Morning Star (Red Rising, #3))
But her smile is vacant. Placid. A Stepford Wife smile. The tears fall but there is nothing behind them. She’s a mannequin crying on command.
Tania De Rozario (Dinner on Monster Island: Essays)
She fell into the chair he had left vacant. “Don’t sit in your father’s chair, Amy,” her mother said, not realizing that Amy’s legs were worn out from riding a bicycle, while her father had done nothing but sit down all day.
John Cheever (The Stories of John Cheever)
Blank, vacant, empty eyes looked not at me but past me, and I knew my mother was lost in a memory I could never understand, nor ever be allowed to share. Some ancient sadness behind her eyes made me feel utterly helpless and alone. She wasn’t my mother in that moment; she was someone else entirely, a stranger to whom my existence mattered not at all.
Kate Mulgrew (Born with Teeth)
Blank, vacant, empty eyes looked not at me but past me, and I knew my mother was lost in a memory I could never understand, nor ever be allowed to share. Some ancient sadness behind her eyes made me feel utterly helpless and alone. She wasn’t my mother in that moment; she was someone else entirely, a stranger to whom my existence mattered not at all. My
Kate Mulgrew (Born with Teeth)
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
Charlotte Brontë (Shirley)
Our communists aren’t like your communists. In New York they’re always on the street demonstrating, but their demands are absurd. Slash rents! Free groceries and electricity for the poor! They demand that landlords open up their vacant apartments to house the unemployed. They even demand that the Communist Party distribute unemployment relief instead of the Labor Department. They might as well demand cake and champagne!
Sana Krasikov
Michael had watched his father crawl inside a bottle and die there just so he didn’t have to get up and go to work. It wasn’t long before his mom retreated behind a vacant gaze, leaving him and his sister to pay the bills, to change her stinking bags, to roll her from one sunny patch by the window to another. His mother had become a potted plant they fretted over. No, that wasn’t right. Couldn’t plants at least turn their heads and follow the sun? Weren’t they better than her in that way?
Hugh Howey (I, Zombie)
Behind the counter sat one of those absolutely inimitable and indomitable ladies, produced only in the city of Paris, but produced there in great numbers, who would be as outraged and unsettling in any other city as a mermaid on a mountain-top. All over Paris they sit behind their counters like a mother bird in a nest and brood over the cash-register as though it were an egg. Nothing occurring under the circle of heaven where they sit escapes their eye, if they have ever been surprised by anything, it was only in a dream - a dream they long ago ceased having. They are neither ill- nor good-natured, though they have their days and styles, and they know, in the way, apparently, that other people know when they have to go to the bathroom, everything about everyone who enters their domain. Though some are white-haired and some not, some fat, some thin, some grandmothers and some but lately virgins, they all have exactly the same shrewd, vacant, all-registering eye; it is difficult to believe that they ever cried for milk, or looked at the sun; it seems they must have come into the world hungry for banknotes, and squinting helplessly, unable to focus their eyes until they came to rest on a cash-register.
James Baldwin (Giovanni’s Room)
Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlage of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate—"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side-meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket—take it for the baby. This is the thing to bomb. This is the beginning—from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know that Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the beginning change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more, restive to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
Georgiana, a more vain and absurd animal than you, was certainly never allowed to cumber the earth. You had no right to be born; for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes, include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment; you have had to seek no one's company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you...After my mother's death, I wash my hands of you; from the day her coffin is carried to the vault in Gateshead church, you and I will be as separate as if we had never known each other. You need not think that because we chanced to be born of the same parents, I shall suffer you to fasten me down by even the feeblest claim. I can tell you this--if the whole human race, ourselves excepted, were swept away, and we two stood alone on the earth, I would leave you in the old world, and betake myself to the new.
Charlotte Brontë (Jane Eyre)
Margolis let out a sigh. “But back to Dr. Manning. Like I told you, he sounded worried and he said that if Lester wasn’t at the house or working regularly, then he was likely in an acute phase. Which also meant he’d likely be in one of two places: either hiding out in a vacant house somewhere, or at Plainview, which is a psychiatric hospital. Lester’s checked himself in there numerous times in the past, more frequently since his mother died. In her will, she left a trust fund large enough to cover the cost of his treatment there. It’s expensive, by the way. I couldn’t get any answers on the phone, so I called my friend again and asked if he could head over to Plainview in person. He did that this morning, about an hour before I called you. And
Nicholas Sparks (See Me: A stunning love story that will take your breath away)
You have to adjust to a new sense of normal. A new way of living. You’ll have to start filling in the role your parents left vacant. For instance, taking care of yourself when you’re sick if your mother passes away, or learning how to do your own taxes if you’ve lost your father.
Cortez Ranieri (Grief Of A Parent And Loss: Navigating And Coping With Grief After The Death Of A Parent (Grief and Loss Book 3))
Without an immediate expectation of seeing someone physically, it can take a while to be certain you’re dealing with a vacant identity. A proxy has access to every digital utterance a person has ever made, along with gray grabs from the Collective Consciousness—although there won’t be many of those in our mother’s case. We haven’t shared our externalized memories to the collective, and she never would have externalized hers at all. The omniscience of the Collective Consciousness is what the eluders want to escape so desperately that they’re willing to leave their identities behind. Some liken eluders to trapped animals gnawing off their own legs as the price of freedom. In the end, a proxy’s job isn’t deception so much as delay, like leaving a body-shaped pillow in bed before a prison break.
Jennifer Egan (The Candy House)
Two stages facing us had been erected in the bowl-shaped field for use by the performers, and bleachers had been built during the night on the north side of the hill. Other spectators sat on the ground, the slope itself providing a form of tiered seating. The laughs, jeers and applause that rang out from the audience on all sides felt like manna from heaven--only it fed my soul, not my stomach. My sister, father and Semari were almost bouncing up and down in an enthusiastic show of appreciation, while my mother, Alantonya and I less flamboyantly indicated our delight. Koranis and Temerson were quite vocal, tossing out taunts and cheers with the rest of the crowd. The only people we had invited who had not yet joined us were Cannan and Faramay. When I inquired after the captain, no one had information on his whereabouts, and I did my best to dismiss my concern. “Perhaps he’s ill,” I suggested. “The man hasn’t been ill in all the years I’ve known him.” My father chortled. “He’s never missed a day of service. And if he had taken sick, he would have made sure it was on a day when he was off-duty!” Other than Narian, who seemed lost inside his head, we all laughed at the joke, then went back to observing the festivities. Another hour passed, along with lunch, which was served to us within the royal box. I received a few odd glances from my father for conversing freely with Narian throughout the meal, but he didn’t address it, perhaps because of the looks my mother was sending his way. Once servants had removed our plates and dishes, Temerson stood and stretched. “I think I’ll step out, if you don’t mind, love,” he said to Miranna, who nodded, then he turned to my father and Koranis. “Would anyone care to join me?” They both agreed, and all were soon departing through the door behind us. I chuckled at their odd behavior, and Semari came to sit by Miranna, taking up Temerson’s seat. It was then that I noticed Alantonya had been left a bit stranded. She didn’t seem to mind, but I nonetheless pointed this out to Narian. Though he looked almost like he was swallowing medicine, he rose to his feet and walked to his mother, ignoring Semari’s stare. “Do you mind?” he asked Alantonya, gesturing to the vacant chair beside her. “No,” she said, surprised. “No, not at all.” With one final glance at me, to which I responded with an encouraging nod, he took a seat. “Are you enjoying the festivities?” he asked the Baroness, beginning some small talk, but their voices gradually dropped lower, their conversation more private. Though I could not hear their words, their postures relaxed. Then Alantonya reached out to place her hand over her son’s where it rested on the arm of his chair, and he smiled.
Cayla Kluver (Sacrifice (Legacy, #3))
It was almost Christmas, and a Santa Claus in a vacant lot was offering to appear in pictures for five dollars. The trim on his suit was mangy, as if it had been dug out of a dumpster, yet young mothers queued ten deep on the sidewalk, holding the hands of kids waiting to get in.
Garth Risk Hallberg (City on Fire)
Then Jack turned to examine the children. They were clustered together, white from terror, some crying, some catatonic, all with a look on their faces he’d seen before, a look of vacant, hollow-eyed shock occasioned by horror way beyond a child’s capacity to process. He’d seen it on children’s faces in Kosovo and Somalia and Rwanda. An older woman who must have been the teacher’s aide stood in the center of them like Mother Goose and they clung to her skirt for comfort. She gazed at Jack with such profound wonder and gratitude, he was suddenly embarrassed.
Ninie Hammon (The Knowing (The Knowing, #1))
Liliana stood staring at the posters, filling in the dark silhouettes with worn, grey faces. She imagined her mother, eyes dark and vacant and staring back at her from her place among the other disappeared. She pictured her not as a still photograph but as a moving image, trapped within the silhouette and trying to break free.
Laekan Zea Kemp (The Things They Didn't Bury)
Lynetta bared her wickedly sharp pointed canines and hissed. Her long black hair hung wildly to her hips, tangled and teased by the breeze. She was petite like me but as strong as a male body builder. Her grip on Dominic remained iron tight. Her soul-less black eyes, vacant and without a care, really ate away at my heart. I surveyed the yard for any kind of weapon I could use against the vampire. My heart surged when I spied a colorful whirligig attached to a wooden stake embedded in my mother's pampered pansy garden nearby. Without a second's hesitation, I dashed for it and yanked it out. Running at the vampire, I screamed at the top of my lungs, "Death to the blood sucky vampire!" which gave me some courage. It wasn't every day I had to beat one vampire off of another when they didn't even really exist!
Terry Spear (The Vampire...In My Dreams)
I’m afraid they might just burn us all at the stake. In between the chatter, they keep glancing our way. It’s hard to say whether it’s my mother in her speaking-in-tongues prayer trance, my sister with her disturbing stitches and vacant stare, or the dead body that is me that keeps them glancing our way.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
The menu: legendary deep-fried Turkeyzilla, gravy, stuffing, mashed potatoes, cranberry sauce, and green beans. The theme: dysfunction. “So,” Elysia said to Lex’s parents with her ever-friendly grin, “how are you?” “How do you think they are?” Ferbus whispered. She kicked him under the table. “I mean—um—what do you do? For a living?” Lex’s mother, who hadn’t said much, continued to stare down the table at the sea of black hoodies while picking at her potatoes. Lex’s father cleared his throat. “I’m a contractor,” he said. “And she’s a teacher.” “Omigod! I wanted to be a teacher!” Elysia turned to Mrs. Bartleby. “Do you love it?” “Hmm?” She snapped back to attention and smiled vacantly at Elysia. “Oh, yes. I do. The kids are a nice distraction.” “From what?” Pip asked. Bang smacked her forehead. Lex squeezed Driggs’s hand even tighter, causing him to choke on his stuffing. He coughed and hacked until the offending morsel flew out of his mouth, landing in Sofi’s glass of water. “Ewww!” she squealed. “Drink around it,” Pandora scolded. “So! I hear New York City is lovely this time of year.” Well, it looks nice, I guess,” Mr. Bartleby said. “But shoveling out the driveway is a pain in the neck. The girls used to help, but now . . .” Sensing the impending awkwardness, Corpp jumped in. “Well, Lex has been a wonderful addition to our community. She’s smart, friendly, a joy to be around—” “And don’t you worry about the boyfriend,” Ferbus said, pointing to Driggs. “I keep him in line.” Mrs. Bartleby’s eyes widened, looking at Lex and then Driggs. “You have a—” she sputtered. “He’s your—” Ferbus went white. “They didn’t know?” “Oops!” said Uncle Mort in a theatrical voice, getting up from the table. “Almost forgot the biscuits!” “Let me help you with those,” Lex said through clenched teeth, following him to the counter. A series of pained hugs and greetings had ensued when her parents arrived—but the rest of the guests showed up so soon thereafter that Lex hadn’t gotten a chance to talk to them, much to her relief. Still, she hadn’t stopped seething. “What were you thinking?” Uncle Mort gave her a reproachful look. “I was thinking that your parents were probably going to feel more lonely and depressed this Thanksgiving than they’ve ever felt in their lives, and that maybe we could help alleviate some of that by hosting a dinner featuring the one and only daughter they have left.” “A dinner of horrors? You know my track record with family gatherings!” He ignored her. “Here we are!” he said, turning back to the table with a giant platter. “Biscuits aplenty!” Lex grunted and took her seat. “I’m not sure how much longer I can do this,” she whispered to Driggs. “Me neither,” he replied. “I think my hand is broken in three places.” “Sorry.” “And your dad seems to be shooting me some sort of a death stare.” Lex glanced at her father. “That’s bad.” “Think he brought the shotgun?” “It’s entirely possible.” “All I’m saying,” Ferbus went on, trying to redeem himself and failing, “is that we all look out for one another here.” Mr. Bartleby looked at him. Ferbus began to sweat. “Because, you know. We all need somebody. Uh, to lean on.” “Stop talking,” Bang signed. Elysia gave Lex’s parents a sympathetic grin. “I think what my idiot partner is trying to say—through the magic of corny song lyrics, for some reason—is that you don’t need to worry about Lex. She’s like a sister to me.” She realized her poor choice of words as a pained look came to Mrs. Bartleby’s face. “Or an especially close cousin.” She shut her mouth and stared at her potatoes. “Frig.” Lex was now crushing Driggs’s hand into a fine paste. Other than the folding chairs creaking and Pip obliviously scraping the last bits of food off his plate, the table was silent. “Good beans!” Pip threw in.
Gina Damico (Scorch (Croak, #2))
It was only a little after five, nowhere near sundown, yet the day was finished, done for; the empty silent house was not vacant at all but filled with presences like held breath; and suddenly I wanted my mother; I wanted no more of this, no more of free will; I wanted to return, relinquish, be secure, safe from the sort of decisions and deciding whose foster twin was this having to steal an automobile. But it was too late now; I had already chosen, elected; if I had sold my soul to Satan for a mess of pottage, at least I would damn well collect the pottage and eat it too: hadn’t Boon himself just reminded me, almost as if he had foreseen this moment of weakness and vacillation in the empty house, and forewarned me: “We done gone through too much to let nothing stop us now.
William Faulkner (The Reivers (Vintage International))
Please note that the Gallup-documented changes in trust did not flow from the verifiable truth or falsity of the content. In the bubble, facts are no match for belief. There is no Democrat Party child-sex ring being operated out of a Washington, D.C., pizzeria, and never was. There is no fleet of UN black helicopters poised to invade the capitals of the world and steal their sovereignty, and never was. There was no U.S. military operation under the Obama administration to overthrow Texas and jail patriots in a vacant Walmart (I’m pretty sure we already have Texas, don’t we?). There was no George W. Bush administration plot to blow up the Twin Towers on 9/11 as a false-flag operation. There was no fake moon landing. Baby Barack Obama was born in a Honolulu, Hawaii, hospital, just as the birth certificate and contemporaneous newspaper announcements said. And at Sandy Hook Elementary School in 2012, having already shot his own mother to death, Adam Lanza murdered twenty children and six adults. It was not a hoax. No matter what that asshole Alex Jones or his addled followers believe, the victims’ grieving parents were not “crisis actors” in a plot to undermine the Second Amendment. It was a fucking massacre conducted with a fucking assault rifle such as the fucking NRA has fought for decades to be readily available.
Bob Garfield (American Manifesto: Saving Democracy from Villains, Vandals, and Ourselves)
Mother put on her serious face. "I can't stand idly by and watch the country go down the Swannee. The political arena is the only logical and reasonable course left open to any decent Irish patriot. Besides, last night the cumann nominated me to contest the seat left vacant by the death of Dinny Blackstone who has represented the area in the Dail for twenty years. Who am I to argue?" "Sure he's been dead for at least ten years," Rory said. "It's a wonder that anyone finally noticed.
Ferdia MacAnna (The ship inspector)
Mother put on her serious face. "I can't stand idly by and watch the country go down the Swannee. The political arena is the only logical and reasonable course left open to any decent Irish patriot. Besides, last night the cumann nominated me to contest the seat left vacant by the death of Dinny Blackstone who has represented the area in the Dail for twenty years. Who am I to argue?" "Sure he's been dead for at least ten years," Rory said. "It's a wonder that anyone finally noticed.
Ferdia MacAnna (The ship inspector)