β
Love all, trust a few,
Do wrong to none: be able for thine enemy
Rather in power than use; and keep thy friend
Under thy own life's key: be check'd for silence,
But never tax'd for speech.
β
β
William Shakespeare (All's Well That Ends Well)
β
Women and cats will do as they please, and men and dogs should relax and get used to the idea.
β
β
Robert A. Heinlein
β
If one cannot enjoy reading a book over and over again, there is no use in reading it at all.
β
β
Oscar Wilde
β
Itβs no use going back to yesterday, because I was a different person then.
β
β
Lewis Carroll
β
Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armour yourself in it, and it will never be used to hurt you.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
A life spent making mistakes is not only more honorable, but more useful than a life spent doing nothing.
β
β
George Bernard Shaw
β
If at first you don't succeed, try, try again. Then quit. No use being a damn fool about it.
β
β
W.C. Fields
β
Imagining the future is a kind of nostalgia. (...) You spend your whole life stuck in the labyrinth, thinking about how you'll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.
β
β
John Green (Looking for Alaska)
β
Education is the most powerful weapon which you can use to change the world.
β
β
Nelson Mandela
β
Words are, of course, the most powerful drug used by mankind.
β
β
Rudyard Kipling
β
Words can be like X-rays if you use them properly β theyβll go through anything. You read and youβre pierced.
β
β
Aldous Huxley (Brave New World)
β
I've got a stele we can use. Who wants to do me?"
"A regrettable choice of words," muttered Magnus.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
It is more fun to talk with someone who doesn't use long, difficult words but rather short, easy words like "What about lunch?
β
β
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
β
I don't want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.
β
β
John Green (The Fault in Our Stars)
β
Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. Pride relates more to our opinion of ourselves, vanity to what we would have others think of us.
β
β
Jane Austen (Pride and Prejudice)
β
The Chinese use two brush strokes to write the word 'crisis.' One brush stroke stands for danger; the other for opportunity. In a crisis, be aware of the danger--but recognize the opportunity.
β
β
John F. Kennedy
β
The purpose of life is not to be happy. It is to be useful, to be honorable, to be compassionate, to have it make some difference that you have lived and lived well.
β
β
Ralph Waldo Emerson
β
Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming "Wow! What a Ride!
β
β
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
β
People demand freedom of speech as a compensation for the freedom of thought which they seldom use.
β
β
SΓΈren Kierkegaard
β
Suffering has been stronger than all other teaching, and has taught me to understand what your heart used to be. I have been bent and broken, but - I hope - into a better shape.
β
β
Charles Dickens (Great Expectations)
β
To love. To be loved. To never forget your own insignificance. To never get used to the unspeakable violence and the vulgar disparity of life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all, to watch. To try and understand. To never look away. And never, never to forget.
β
β
Arundhati Roy (The Cost of Living)
β
That was the thing. You never got used to it, the idea of someone being gone. Just when you think it's reconciled, accepted, someone points it out to you, and it just hits you all over again, that shocking.
β
β
Sarah Dessen (The Truth About Forever)
β
Kindred spirits are not so scarce as I used to think. It's splendid to find out there are so many of them in the world.
β
β
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
β
When you find your path, you must not be afraid. You need to have sufficient courage to make mistakes. Disappointment, defeat, and despair are the tools God uses to show us the way.
β
β
Paulo Coelho (Brida)
β
Let us find the dam snack bar," Zoe said. "We should eat while we can."
Grover cracked a smile. "The dam snack bar?"
Zoe blinked. "Yes. What is funny?"
"Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries."
Even Thalia smiled at that. "And I need to use the dam restroom."
...
I started cracking up, and Thalia and Grover joined in, while Zoe just looked at me. "I do not understand."
"I want to use the dam water fountain," Grover said.
"And..." Thalia tried to catch her breath. "I want to buy a dam t-shirt.
β
β
Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.
β
β
Kurt Vonnegut Jr. (A Man Without a Country)
β
Where you used to be, there is a hole in the world, which I find myself constantly walking around in the daytime, and falling in at night. I miss you like hell.
β
β
Edna St. Vincent Millay
β
I used to dream about escaping my ordinary life, but my life was never ordinary. I had simply failed to notice how extraordinary it was.
β
β
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
β
The things you used to own, now they own you.
β
β
Chuck Palahniuk (Fight Club)
β
To do the useful thing, to say the courageous thing, to contemplate the beautiful thing: that is enough for one man's life.
β
β
T.S. Eliot (The Use of Poetry and the Use of Criticism)
β
I do not think, sir, you have any right to command me, merely because you are older than I, or because you have seen more of the world than I have; your claim to superiority depends on the use you have made of your time and experience.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
A concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.
β
β
Gilles Deleuze (A Thousand Plateaus: Capitalism and Schizophrenia)
β
A classic is a book that has never finished saying what it has to say.
β
β
Italo Calvino (The Uses of Literature)
β
What do you fear, lady?" [Aragorn] asked.
"A cage," [Γowyn] said. "To stay behind bars, until use and old age accept them, and all chance of doing great deeds is gone beyond recall or desire.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
Imagination does not become great until human beings, given the courage and the strength, use it to create.
β
β
Maria Montessori
β
I used to believe in forever, but forever's too good to be true
β
β
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
β
Sometimes people use thought to not participate in life.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
If, then, I were asked for the most important advice I could give, that which I considered to be the most useful to the men of our century, I should simply say: in the name of God, stop a moment, cease your work, look around you.
β
β
Leo Tolstoy (Essays, Letters and Miscellanies)
β
Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.
β
β
Donna Tartt (The Secret History)
β
When I get lonely these days, I think: So BE lonely, Liz. Learn your way around loneliness. Make a map of it. Sit with it, for once in your life. Welcome to the human experience. But never again use another person's body or emotions as a scratching post for your own unfulfilled yearnings.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Once youβve accepted your flaws, no one can use them against you.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
Education without values, as useful as it is, seems rather to make man a more clever devil.
β
β
C.S. Lewis
β
If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.
β
β
AnaΓ―s Nin
β
Inconceivable!"
"You keep using that word. I do not think it means what you think it means.
β
β
William Goldman (The Princess Bride)
β
I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.
β
β
John Green (Looking for Alaska)
β
When I stand before God at the end of my life, I would hope that I would not have a single bit of talent left, and could say, 'I used everything you gave me.
β
β
Erma Bombeck
β
Too many of us are hung up on what we don't have, can't have, or won't ever have. We spend too much energy being down, when we could use that same energy β if not less of it β doing, or at least trying to do, some of the things we really want to do.
β
β
Terry McMillan (Disappearing Acts)
β
I used to advertise my loyalty and I don't believe there is a single person I loved that I didn't eventually betray.
β
β
Albert Camus (The Fall)
β
To handle yourself, use your head; to handle others, use your heart.
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β
Eleanor Roosevelt
β
I think I've discovered the secret of life -- you just hang around until you get used to it.
β
β
Charles M. Schulz
β
When I was a little girl I used to read fairy tales. In fairy tales you meet Prince Charming and he's everything you ever wanted. In fairy tales the bad guy is very easy to spot. The bad guy is always wearing a black cape so you always know who he is. Then you grow up and you realize that Prince Charming is not as easy to find as you thought. You realize the bad guy is not wearing a black cape and he's not easy to spot; he's really funny, and he makes you laugh, and he has perfect hair.
β
β
Taylor Swift
β
The books - the generous friends who met me without suspicion - the merciful masters who never used me ill!
β
β
Wilkie Collins (Armadale)
β
Promise Yourself
To be so strong that nothing
can disturb your peace of mind.
To talk health, happiness, and prosperity
to every person you meet.
To make all your friends feel
that there is something in them
To look at the sunny side of everything
and make your optimism come true.
To think only the best, to work only for the best,
and to expect only the best.
To be just as enthusiastic about the success of others
as you are about your own.
To forget the mistakes of the past
and press on to the greater achievements of the future.
To wear a cheerful countenance at all times
and give every living creature you meet a smile.
To give so much time to the improvement of yourself
that you have no time to criticize others.
To be too large for worry, too noble for anger, too strong for fear,
and too happy to permit the presence of trouble.
To think well of yourself and to proclaim this fact to the world,
not in loud words but great deeds.
To live in faith that the whole world is on your side
so long as you are true to the best that is in you.
β
β
Christian D. Larson (Your Forces and How to Use Them)
β
It would seem that you have no useful skill or talent whatsoever," he said. "Have you thought of going into teaching?
β
β
Terry Pratchett (Mort (Discworld, #4; Death, #1))
β
Sanity is a madness put to good uses.
β
β
George Santayana (The Essential Santayana: Selected Writings)
β
What are all these?" Clary asked.
"Vials of holy water, blessed knives, steel and silver blades," Jace said, piling the weapons on the floor beside him, "electrum wire - not much use at the moment but it's always good to have spares - silver bullets, charms of protetion, crucifixes, stars of David-"
"Jesus," said Clary
"I doubt he'd fit."
"Jace." Clary was appalled.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Drink today, and drown all sorrow;
You shall perhaps not do it tomorrow;
Best, while you have it, use your breath;
There is no drinking after death.
β
β
Ben Jonson
β
There is no past or future. Using tenses to divide time is like making chalk marks on water.
β
β
Janet Frame
β
If you're going to kick authority in the teeth, you might as well use two feet.
β
β
Keith Richards (Keith Richards: In His Own Words)
β
Those who make the worst use of their time are the first to complain of its brevity.
β
β
Jean de La Bruyère (Les Caractères)
β
Cheshvan starts tonight," Rixon said, "What are you doing arsing around in a graveyard?"
"Thinking."
"Thinking?"
"A process by which I use my brain to make a rational decision.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.
β
β
Alan Moore (V for Vendetta)
β
Ally." Peeta says the words slowly, tasting it. "Friend. Lover. Victor. Enemy. Fiancee. Target. Mutt. Neighbor. Hunter. Tribute. Ally. I'll add it to the list of words I use to try to figure you out. The problem is, I can't tell what's real anymore, and what's made up.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Just erotic. Nothing kinky. It's the difference between using a feather and using a chicken.
β
β
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
β
Tell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
Tell me we'll never get used to it.
β
β
Richard Siken (Crush)
β
People laugh at me because I use big words. But if you have big ideas, you have to use big words to express them, haven't you?
β
β
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
β
You say you love rain, but you use an umbrella to walk under it. You say you love sun, but you seek shelter when it is shining. You say you love wind, but when it comes you close your windows. So that's why I'm scared when you say you love me.
β
β
Bob Marley
β
No matter how careful you are, there's going to be the sense you missed something, the collapsed feeling under your skin that you didn't experience it all. There's that fallen heart feeling that you rushed right through the moments where you should've been paying attention.
Well, get used to that feeling. That's how your whole life will feel some day.
This is all practice.
β
β
Chuck Palahniuk (Invisible Monsters)
β
I used to think as I looked out on the Hollywood night β there must be thousands of girls sitting alone like me, dreaming of becoming a movie star. But I'm not going to worry about them. I'm dreaming the hardest.
β
β
Marilyn Monroe
β
THE FIRST TEN LIES THEY TELL YOU IN HIGH SCHOOL
1. We are here to help you.
2. You will have time to get to your class before the bell rings.
3. The dress code will be enforced.
4. No smoking is allowed on school grounds.
5. Our football team will win the championship this year.
6. We expect more of you here.
7. Guidance counselors are always available to listen.
8. Your schedule was created with you in mind.
9. Your locker combination is private.
10. These will be the years you look back on fondly.
TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL
1. You will use algebra in your adult lives.
2. Driving to school is a privilege that can be taken away.
3. Students must stay on campus during lunch.
4. The new text books will arrive any day now.
5. Colleges care more about you than your SAT scores.
6. We are enforcing the dress code.
7. We will figure out how to turn off the heat soon.
8. Our bus drivers are highly trained professionals.
9. There is nothing wrong with summer school.
10. We want to hear what you have to say.
β
β
Laurie Halse Anderson (Speak)
β
give your daughters difficult names. give your daughters names that command the full use of tongue. my name makes you want to tell me the truth. my name doesnβt allow me to trust anyone that cannot pronounce it right.
β
β
Warsan Shire
β
You spend your whole life stuck in the labyrinth, thinking about how you'll escape one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.
β
β
John Green (Looking for Alaska)
β
A quiet secluded life in the country, with the possibility of being useful to people to whom it is easy to do good, and who are not accustomed to have it done to them; then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbor β such is my idea of happiness.
β
β
Leo Tolstoy (Π‘Π΅ΠΌΠ΅ΠΉΠ½ΠΎΠ΅ ΡΡΠ°ΡΡΠΈΠ΅)
β
Freethinkers are those who are willing to use their minds without prejudice and without fearing to understand things that clash with their own customs, privileges, or beliefs. This state of mind is not common, but it is essential for right thinking...
β
β
Leo Tolstoy
β
I'm about to make a wild, extreme and severe relationship rule: the word busy is a load of crap and is most often used by assholes. The word "busy" is the relationship Weapon of Mass Destruction. It seems like a good excuse, but in fact in every silo you uncover, all you're going to find is a man who didn't care enough to call. Remember men are never to busy to get what they want.
β
β
Greg Behrendt
β
[D]on't ever apologise to an author for buying something in paperback, or taking it out from a library (that's what they're there for. Use your library). Don't apologise to this author for buying books second hand, or getting them from bookcrossing or borrowing a friend's copy. What's important to me is that people read the books and enjoy them, and that, at some point in there, the book was bought by someone. And that people who like things, tell other people. The most important thing is that people read...
β
β
Neil Gaiman
β
I used to think I was the strangest person in the world
but then I thought, there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do
I would imagine her, and imagine that she must be out there thinking of me too.
well, I hope that if you are out there you read this and know that yes, itβs true Iβm here, and Iβm just as strange as you.
β
β
Rebecca Katherine Martin
β
Alice laughed. 'There's no use trying,' she said. 'One can't believe impossible things.'
I daresay you haven't had much practice,' said the Queen. 'When I was your age, I always did it for half-an-hour a day. Why, sometimes I've believed as many as six impossible things before breakfast. There goes the shawl again!
β
β
Lewis Carroll
β
Do not be too moral. You may cheat yourself out of much life so. Aim above morality. Be not simply good, be good for something.
β
β
Henry David Thoreau
β
We die to each other daily. What we know of other people is only our memory of the moments during which we knew them. And they have changed since then. To pretend that they and we are the same is a useful and convenient social convention which must sometimes be broken. We must also remember that at every meeting we are meeting a stranger.
β
β
T.S. Eliot (The Cocktail Party)
β
Every day, think as you wake up, today I am fortunate to be alive, I have a precious human life, I am not going to waste it. I am going to use all my energies to develop myself, to expand my heart out to others; to achieve enlightenment for the benefit of all beings. I am going to have kind thoughts towards others, I am not going to get angry or think badly about others. I am going to benefit others as much as I can.
β
β
Dalai Lama XIV
β
I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?
β
β
J.R.R. Tolkien
β
I used to think soul mates were two of the same. I used to think I was supposed to look for somebody that was like me. I don't believe in soul mates anymore and I'm not looking for anything. But if I did believe in them, I'd believe your soul mate was somebody who had all the things you didn't, that needed all the things you had. Not somebody who's suffering from the same stuff you are.
β
β
Taylor Jenkins Reid (Daisy Jones & The Six)
β
That's what real love amounts to - letting a person be what he really is. Most people love you for who you pretend to be. To keep their love, you keep pretending - performing. You get to love your pretence. It's true, we're locked in an image, an act - and the sad thing is, people get so used to their image, they grow attached to their masks. They love their chains. They forget all about who they really are. And if you try to remind them, they hate you for it, they feel like you're trying to steal their most precious possession.
β
β
Jim Morrison
β
A man of my acquaintance once wrote a poem called "The Road Less Traveled", describing a journey he took through the woods along a path most travelers never used. The poet found that the road less traveled was peaceful but quite lonely, and he was probably a bit nervous as he went along, because if anything happened on the road less traveled, the other travelers would be on the road more frequently traveled and so couldn't hear him as he cried for help. Sure enough, that poet is dead.
β
β
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
β
You can be the most beautiful person in the world and everybody sees light and rainbows when they look at you, but if you yourself don't know it, all of that doesn't even matter. Every second that you spend on doubting your worth, every moment that you use to criticize yourself; is a second of your life wasted, is a moment of your life thrown away. It's not like you have forever, so don't waste any of your seconds, don't throw even one of your moments away.
β
β
C. JoyBell C.
β
1. Be Impeccable With Your Word
Speak with integrity. Say only what you mean. Avoid using the word to speak against yourself or to gossip about others. Use the power of your word in the direction of truth and love.
2. Don't Take Anything Personally
Nothing others do is because of you. What others say and do is a projection of their own reality, their own dream. When you are immune to the opinions and actions of others, you won't be the victim of needless suffering.
3. Don't Make Assumptions
Find the courage to ask questions and to express what you really want. Communicate with others as clearly as you can to avoid misunderstandings, sadness and drama. With just this one agreement, you can completely transform your life.
4. Always Do Your Best
Your best is going to change from moment to moment; it will be different when you are healthy as opposed to sick. Under any circumstance, simply do your best, and you will avoid self-judgment, self-abuse and regret.
β
β
Miguel Ruiz
β
I've been in love before, it's like a narcotic. At first it brings the euphoria of complete surrender. The next day you want more. You're not addicted yet, but you like the sensation, and you think you can still control things.You think about the person you love for two minutes then forget them for three hours. But then you get used to that person, and you begin to be completely dependent on them. Now you think about him for three hours and forget him for two minutes. If he's not there, you feel like an addict who can't get a fix. And just as addicts steal and humiliate themselves to get what they need, you're willing to do anything for love."- By the River Piedra I Sat Down and Wept
β
β
Paulo Coelho
β
Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is...and force the viewer to see the pretty girl she used to be...and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart...no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them.
β
β
Robert A. Heinlein
β
Men always say that as the defining compliment, donβt they? Sheβs a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like sheβs hosting the worldβs biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I donβt mind, Iβm the Cool Girl.
Men actually think this girl exists. Maybe theyβre fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men β friends, coworkers, strangers β giddy over these awful pretender women, and Iβd want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men whoβd like to believe that this kind of woman exists and might kiss them. Iβd want to grab the poor guy by his lapels or messenger bag and say: The bitch doesnβt really love chili dogs that much β no one loves chili dogs that much! And the Cool Girls are even more pathetic: Theyβre not even pretending to be the woman they want to be, theyβre pretending to be the woman a man wants them to be. Oh, and if youβre not a Cool Girl, I beg you not to believe that your man doesnβt want the Cool Girl. It may be a slightly different version β maybe heβs a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe heβs a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesnβt ever complain. (How do you know youβre not Cool Girl? Because he says things like: βI like strong women.β If he says that to you, he will at some point fuck someone else. Because βI like strong womenβ is code for βI hate strong women.β)
β
β
Gillian Flynn (Gone Girl)
β
Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.
Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!"
Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.
"You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--"
All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger.
"You dropped this," he said, totally poker-faced.
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
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When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I'd been asked this question hundreds of times over the years, and I remember once early on when I couldn't get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn't even speak, so I held up nine fingers.
Later, after they'd given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, "You know how I know you're a fighter? You called a ten a nine."
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
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John Green (The Fault in Our Stars)
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I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
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Emily BrontΓ« (Wuthering Heights)
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She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
You'd probably kick my butt."
You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-"
Oh, you so wanted to."
Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry.
Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
You're laughing at me," I complained.
I am not!"
You are so not making this easy."
Then she laughed for real, and she put her hands
around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.
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Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
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To love someone is like moving into a house," Sonja used to say. "At first you fall in love in everything new, you wonder every morning that this is one's own, as if they are afraid that someone will suddenly come tumbling through the door and say that there has been a serious mistake and that it simply was not meant to would live so fine. But as the years go by, the facade worn, the wood cracks here and there, and you start to love this house not so much for all the ways it is perfect in that for all the ways it is not. You become familiar with all its nooks and crannies. How to avoid that the key gets stuck in the lock if it is cold outside. Which floorboards have some give when you step on them, and exactly how to open the doors for them not to creak. That's it, all the little secrets that make it your home.
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Fredrik Backman (A Man Called Ove)
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A towel, [The Hitchhiker's Guide to the Galaxy] says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-boggingly stupid animal, it assumes that if you can't see it, it can't see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
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Douglas Adams (The Hitchhikerβs Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
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Fatβ is usually the first insult a girl throws at another girl when she wants to hurt her.
I mean, is βfatβ really the worst thing a human being can be? Is βfatβ worse than βvindictiveβ, βjealousβ, βshallowβ, βvainβ, βboringβ or βcruelβ? Not to me; but then, you might retort, what do I know about the pressure to be skinny? Iβm not in the business of being judged on my looks, what with being a writer and earning my living by using my brainβ¦
I went to the British Book Awards that evening. After the award ceremony I bumped into a woman I hadnβt seen for nearly three years. The first thing she said to me? βYouβve lost a lot of weight since the last time I saw you!β
βWell,β I said, slightly nonplussed, βthe last time you saw me Iβd just had a baby.β
What I felt like saying was, βIβve produced my third child and my sixth novel since I last saw you. Arenβt either of those things more important, more interesting, than my size?β But no β my waist looked smaller! Forget the kid and the book: finally, something to celebrate!
Iβve got two daughters who will have to make their way in this skinny-obsessed world, and it worries me, because I donβt want them to be empty-headed, self-obsessed, emaciated clones; Iβd rather they were independent, interesting, idealistic, kind, opinionated, original, funny β a thousand things, before βthinβ. And frankly, Iβd rather they didnβt give a gust of stinking chihuahua flatulence whether the woman standing next to them has fleshier knees than they do. Let my girls be Hermiones, rather than Pansy Parkinsons.
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J.K. Rowling
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My name is Hazel. Augustus Waters was the great sat-crossed love of my life. Ours was an epic love story, and I won't be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because-like all real love stories-it will die with us, as it should. I'd hoped that he'd be eulogizing me, because there's no one I'd rather have..." I started crying. "Okay, how not to cry. How am I-okay. Okay."
I took a few deep breaths and went back to the page. "I can't talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and infinite collection of others. Of course, there is a Bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I'm likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I'm grateful.
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John Green (The Fault in Our Stars)
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Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.
This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple βI must,β then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose...
...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, donβt blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the worldβs sounds β wouldnβt you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
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Rainer Maria Rilke