“
Better to be strong than pretty and useless.
”
”
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
“
Crap.
It's all crap.
Living is crap.
Life has no meaning.
None. Nowhere to be found.
Crap.
Why doesn't anybody realize this?
”
”
K-Ske Hasegawa (Ballad of a Shinigami, Vol. 1 (Ballad of a Shinigami, #1))
“
Dr. Armonson stitched up her wrist wounds. Within five minutes of the transfusion he declared her out of danger. Chucking her under the chin, he said, "What are you doing here, honey? You're not even old enough to know how bad life gets."
And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: "Obviously, Doctor," she said, "you've never been a thirteen-year-old girl.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
The brain may die, but my compulsion for useless trivia lives on.
”
”
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
“
I promise I will repay you.”
“Oh yeah?” she asked, looking at him, with his bare feet and plain, dark clothes. “With what?”
The smile stayed on his lips. “Jewels, lies, slips of paper, dried flowers, memories of things long past, useless quotations, idle hands, beads, buttons, and mischief.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
Jewels, lies, slips of paper, dried flowers, memories of thing long past, useless quotations, idle hands, beads, buttons, and mischief.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
I thought what I'd do was, I'd pretend I was one of those deaf-mutes. That way I wouldn't have to have any goddam stupid useless conversations with anybody. If anybody wanted to tell me something, they'd have to write it on a piece of paper and shove it over to me. They'd get bored as hell doing that after a while, and then I'd be through with having conversations for the rest of my life. Everybody'd think I was just a poor deaf-mute bastard and they'd leave me alone . . . I'd cook all my own food, and later on, if I wanted to get married or something, I'd meet this beautiful girl that was also a deaf-mute and we'd get married. She'd come and live in my cabin with me, and if she wanted to say anything to me, she'd have to write it on a piece of paper, like everybody else
”
”
J.D. Salinger (The Catcher in the Rye)
“
Bad girls are as useless as they are stupid…
”
”
Kendare Blake (Anna Dressed in Blood (Anna, #1))
“
We will not be stupid girls. We will not be powerless girls. We will not be useless girls
”
”
Margaret Peterson Haddix (Uprising)
“
And my own affairs were as bad, as dismal, as the day I had been born. The only difference was that now I could drink now and then, though never often enough. Drink was the only thing that kept a man from feeling forever stunned and useless. Everything else just kept picking and picking, hacking away. And nothing was interesting, nothing. The people were restrictive and careful, all alike. And I've got to live with these fuckers for the rest of my life, I thought. God, they all had assholes and sexual organs and their mouths and their armpits. They shit and they chattered and they were dull as horse dung. The girls looked good from a distance, the sun shining through their dresses, their hair. But get up close and listen to their minds running out of their mouths, you felt like digging in under a hill and hiding out with a tommy-gun. I would certainly never be able to be happy, to get married, I could never have children. Hell, I couldn't even get a job as a dishwasher.
”
”
Charles Bukowski (Ham on Rye)
“
She tried to compose herself then, with several deep breaths. I gave her as long as she needed, all the while mentally designing my tombstone. R.I.P, Captain Abraham R. Griswold. He was completely useless and made girls cry.
”
”
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
“
There are no useless skills, girl. Only talents that have yet to find an application.
”
”
Mark Lawrence (The Book That Wouldn’t Burn (The Library Trilogy, #1))
“
I got a washed out version of Mom’s curls and a better copy of Dad’s blue eyes, The rest of me, I guess, is up for grabs. Except maybe Gran’s nose, but she could have been trying to make me feel better. I’m no prize. Most girls go through a gawky stage, but I’m beginning to think mine will be a lifelong thing. It doesn’t bother me too much. Better to be strong than pretty and useless. I’ll take a plain girl with her head screwed on right over a cheerleader any day.
”
”
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
“
I had never wanted to be one of those girls in love with boys who would not have me. Unrequited love - plain desperate aboveboard boy-chasing - turned you into a salesperson, and what you were selling was something he didn't want, couldn't use, would never miss. Unrequited love was deciding to be useless, and I could never abide uselessness.
Neither could James. He understood. In such situations, you do one of two things - you either walk away and deny yourself, or you do sneaky things to get what you need. You attend weddings, you go for walks. You say, yes. Yes, you're my best friend, too.
”
”
Elizabeth McCracken (The Giant's House)
“
Wal-mart started selling "Vampire Home Defense Kits", including holy water, crosses, stakes, mallets, and a book of quick blessings to bar vampires from your door. The fact that these kits were generally useless didn't bother me nearly as much as the idea of holy water being sold at wal-mart.
”
”
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
“
I imagined those broken rocks as the broken bodies of my enemies, their bones shattered, their trembling arms reaching upward in a useless gesture of total and complete defeat. I was a very odd little girl.
”
”
Brandon Sanderson (Skyward (Skyward, #1))
“
Don't instill, or allow anybody else to instill into the hearts of your girls the idea that marriage is the chief end of life. If you do, don't be surprised if they get engaged to the first empty, useless fool they come across.
”
”
William Booth
“
Kipple is useless objects, like junk mail or match folders after you use the last match or gum wrappers or yesterday's homeopape. When nobody's around, kipple reproduces itself. For instance, if you go to bed leaving any kipple around your apartment, when you wake up the next morning there's twice as much of it. It always gets more and more."
"I see." The girl regarded him uncertainly, not knowing whether to believe him. Not sure if he meant it seriously.
"There's the First Law of Kipple," he said. "'Kipple drives out nonkipple.' Like Gresham's law about bad money. And in these apartments there's been nobody here to fight the kipple."
"So it has taken over completely," the girl finished. She nodded. "Now I understand."
"Your place, here," he said, "this apartment you've picked--it's too kipple-ized to live in. We can roll the kipple-factor back; we can do like I said, raid the other apts. But--" He broke off.
"But what?"
Isidore said, "We can't win."
"Why not?" [...]
"No one can win against kipple," he said, "except temporarily and maybe in one spot, like in my apartment I've sort of created a stasis between the pressure of kipple and nonkipple, for the time being. But eventually I'll die or go away, and then the kipple will again take over. It's a universal principle operating throughout the universe; the entire universe is moving toward a final state of total, absolute kippleization.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
Chucking her under her chin, he said, "What are you doing here, honey? You're not even old enough to know how bad life gets."
And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: "Obviously, Doctor," she said, "you've never been a thirteen-year-old girl.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
imagined my character as a plate or shirt that had been manufactured incorrectly and was therefore useless.
”
”
Susanna Kaysen (Girl, Interrupted)
“
Or maybe Ravi Singh’s itchy head was the equivalent of Pip’s useless facts: armour and shield when the knight inside was squirming.
”
”
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
“
Someone gave me a copy of The Alchemist by Paulo Coelho, a fable about a shepherd boy who travels to the Pyramids in search of treasure when all the time it's at home. I loved that book and read it over and over again. 'When you want something all the universe conspires in helping you achieve it,' it says. I don't think that Paulo Coelho had come across the Taliban or our useless politicians.
”
”
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
“
How can God give girls so much power ? How can they turn productive,busy and ambitious men into a wilting mass of uselessness. Page 204
”
”
Chetan Bhagat (Revolution 2020: Love, Corruption, Ambition)
“
Girls, be good to these spirits of music and poetry
that breast your threshold with their scented gifts.
Lift the lyre, clear and sweet, they leave with you.
As for me, this body is now so arthritic
I cannot play, hardly even hold the instrument.
Can you believe my white hair was once black?
And oh, the soul grows heavy with the body.
Complaining knee-joints creak at every move.
To think I danced as delicate as a deer!
Some gloomy poems came from these thoughts:
useless: we are all born to lose life,
and what is worse, girls, to lose youth.
The legend of the goddess of the dawn
I’m sure you know: how rosy Eos
madly in love with gorgeous young Tithonus
swept him like booty to her hiding-place
but then forgot he would grow old and grey
while she in despair pursued her immortal way.
”
”
Sappho
“
Useless, idle, exploitative male chauvinist drone!
”
”
Sue Limb (Girl, 15, Charming but Insane)
“
Snow White: You're still lost in the forest, but lonely, lost girls like us can be rescued. You are standing on the edge of greatness.
Virginia: I'm not. I'm useless. I'm a nobody.
Snow White: You will one day be like me, a great advisor to other lost girls. Now stand up.
”
”
Kathryn Wesley (The 10th Kingdom)
“
The fact that these kits [vampire protection] were generally useless didn’t bother me nearly as much as the idea of holy water being sold at Wal-Mart.
”
”
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
“
Don’t hate anyone,” she had said. “It’s quite useless and harms the hater while it does nothing at all to the hated.
”
”
Ruth Rendell (The Girl Next Door)
“
But there are two kinds of guilt, girl: the kind that drowns you until you’re useless, and the kind that fires your soul to purpose.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
What was he doing with her? How on earth could he love her? But he did. Or, at least, she made him feel sick, sad, and distracted. Perhaps there was another way of describing that unique and useless combination of feelings, but “love” would have to do for now.
”
”
Nick Hornby (Funny Girl)
“
Allan: That's quite a lovely Jackson Pollock, isn't it?
Museum Girl: Yes, it is.
Allan: What does it say to you?
Museum Girl: It restates the negativeness of the universe. The hideous lonely emptiness of existence. Nothingness. The predicament of Man forced to live in a barren, Godless eternity like a tiny flame flickering in an immense void with nothing but waste, horror and degradation, forming a useless bleak straitjacket in a black absurd cosmos.
Allan: What are you doing Saturday night?
Museum Girl: Committing suicide.
Allan: What about Friday night?
”
”
Woody Allen (Play It Again, Sam)
“
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
”
”
Paolo Giordano (The Solitude of Prime Numbers)
“
Everyone, later, would find it unbelievable that anyone involved in the ranch would stay in that situation. A situation so obviously bad. But Suzanne had nothing else: she had given her life completely over to Russell, and by then it was like a thing he could hold in his hands, turning it over and over, testing its weight. Suzanne and the other girls had stopped being able to make certain judgments, the unused muscle of their ego growing slack and useless. It had been so long since any of them had occupied a world where right and wrong existed in any real way. Whatever instincts they’d ever had—the weak twinge in the gut, a gnaw of concern—had become inaudible.
”
”
Emma Cline (The Girls)
“
I had a character disorder. When I got my diagnosis it didn’t sound serious, but after a while it sounded more ominous than other people’s. I imagined my character as a plate or shirt that had been manufactured incorrectly and was therefore useless.
”
”
Susanna Kaysen (Girl, Interrupted)
“
America," he begged.
I turned to Maxon.
"They're fine. The rebels were slow, and everyone here knows what to do in an emergency."
I nodded. We stood there quietly for a minute, and I could tell he was about to move on.
"Maxon," I whispered.
He turned back, a little surprised to be addressed so casually.
"About last night. Let me explain. When they came to prep us, to get us ready to come here, there was a man who told me that I was never to turn you down. No matter what you asked for. Not ever."
He was dumbfounded. "What?"
"He made it sound like you might ask for certain things. And you said yourself that you hadn't been around many women. After eighteen years...and then you sent the cameras away. I just got scared when you got that close to me."
Maxon shook his head, trying to process all this. Humiliation, rage, and disbelief all played across his typically even-tempered face.
"Was everyone told this?" he asked, sounding appalled at the idea.
"I don't know. I can't imagine many girls would need such a warning. They're probably waiting to pounce on you," I noted, nodding my head toward the rest of the room.
He gave a dark chuckle. "But you're not, so you had absolutely no qualms about kneeing me in the groin, right?"
"I hit your thigh!"
"Oh, please. A man doesn't need that long to recover from a knee to the thigh," he replied, his voice full of skepticism.
A laugh escaped me. Thankfully, Maxon join in. Just then another mass hit the windows, and we stopped in unison. For a moment I had forgotten where I was.
"So how are you handling a roomful of crying women?" I asked.
There was a comical bewilderment in his expression. "Nothing in the world is more confusing!" he whispered urgently. "I haven't the faintest clue how to stop it."
This was the man who was going to lead our country: the guy rendered useless by tears. It was too funny.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
When you can’t provide for them anymore, their true character comes out. They treat you like pure shit. To make matters worse, they talk trash behind your back, as if what you’ve done for them was useless. That’s how some people are—they will use you up and break you down until you have nothing left to give them or yourself. People who do not have anything to lose will make sure you lose everything you’ve work so hard for.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
At this Linda gave up. Children might or might not enjoy air-raids actually in progress, but a child who was not thrilled by the idea of them was incomprehensible to her, and she could not imagine having conceived such a being. Useless to waste any more time and breath on this unnatural little girl.
”
”
Nancy Mitford (The Pursuit of Love (Radlett & Montdore, #1))
“
Oh, no, she isn’t quite as useless as that,” Aimery said. As Winter stared, a thin crimson line drew itself across his throat, blood bubbling up from the wound. “The prettiest girl on all of Luna? She will make some member of this court a happy bride someday, I should think.” “The prettiest girl, Aimery?” Levana’s light tone almost concealed the snarl beneath. Aimery slipped into a bow. “Prettiest only, My Queen. But no mortal could compare with your perfection.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
May your Valentine’s Day be filled with adoration, pampering, and a pair of gorgeous, tiny-heeled Jimmy Choo sandals that are completely useless in this weather. Just remember: You are totally worth it.
”
”
Cecily von Ziegesar (Because I'm Worth It (Gossip Girl, #4))
“
It makes it very hard to work out where you belong when you are brilliant at things that others find hard, but useless at things that others find easy.
”
”
Sarah Hendrickx (Women and Girls with Autism Spectrum Disorder)
“
Tu-whoo! Ahem! Lord Regent," said the Owl, stooping down a little and holding its beak near the Dwarf's ear.
"Heh? What's that?" said the Dwarf.
"Two strangers, my Lord," said the Owl.
"Rangers! What d'ye mean?" said the Dwarf. "I see two uncommonly grubby man-cubs. What do they want?"
"My name's Jill," said Jill, pressing forward. She was very eager to explain the important business on which they had come.
"The girl's called Jill," said the Owl, as loud as it could.
"What's that?" said the Dwarf. "The girls are all killed! I don't believe a word of it. What girls? Who killed 'em?"
"Only one girl, my Lord," said the Owl. "Her name is Jill."
"Speak up, speak up," said the Dwarf. "Don't stand there buzzing and twittering in my ear. Who's been killed?"
"Nobody's been killed," hooted the Owl.
"Who?"
"NOBODY."
"All right, all right. You needn't shout. I'm not so deaf as all that. What do you mean by coming here to tell me that nobody's been killed? Why should anyone have been killed?"
"Better tell him I'm Eustace," said Scrubb.
"The boy's Eustace, my Lord," hooted the Owl as loud as it could.
"Useless?" said the Dwarf irritably. "I dare say he is. Is that any reason for bringing him to court? Hey?"
"Not useless," said the Owl. "EUSTACE."
"Used to it, is he? I don't know what you're talking about, I'm sure. I'll tell you what it is, Master Glimfeather; when I was a young Dwarf there used to be talking beasts and birds in this country who really could talk. There wasn't all this mumbling and muttering and whispering. It wouldn't have been tolerated for a moment, Sir. Urnus, my trumpet please-
”
”
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
“
He thought with a kind of astonishment of the biological uselessness of pain and fear, the treachery of the human body which always freezes into inertia at exactly the moment when a special effort is needed. He might have silenced the dark-haired girl if only he had acted quickly enough; but precisely because of the extremity of danger he had lost the power to act. It struck him that in moments of crisis one is never fighting against an external enemy but always against one's own body. Even now, in spite of the gin, the dull ache in his belly made consecutive thought impossible. And it is the same, he percieved, in all seemingly heroic or tragic situatuions. On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralyzed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
”
”
George Orwell (1984)
“
Ah Ma doesn’t want a girl as her medium,” said Jess. “She says they’re useless. Every month you have to take a break and can’t do anything for a few days.”
“Ma, you must be more modern.” Ah Ku was talking directly to his mother, as though Jess wasn’t even there. “Nowadays, men and women, there’s not much difference. A boy who is not reliable is useless every day of the month. Isn’t it better to have a reliable girl?
”
”
Zen Cho (Black Water Sister)
“
And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: “Obviously, Doctor,” she said, “you’ve never been a thirteen-year-old girl.
”
”
Anonymous
“
This is your wife now, from today till forever, she is your own. Do her anyhow you want. Use her till she is useless! May she never sleep in her father house again!” and everybody was laughing and saying, “Congra-lations! Amen! Congra-lations!
”
”
Abi Daré (The Girl with the Louding Voice)
“
Be quiet,” Belial snapped. “You, girl, do not matter. Your little talent with ghosts does not matter. When I heard you were born, I wept tears of fire, for you were female, and you could not see the shadow realms. You are useless, do you understand? Useless to me, to the world.”
But Lucie - slight and small, without a weapon in her hand - only looked at him steadily. “Talk all you want,” she said. “You certainly don’t matter. Only Jesse matters.
”
”
Cassandra Clare (The Anniversary Party, part 2 (Chain of Gold Extra Content #10))
“
A boy who is not reliable is useless every day of the month. Isn’t it better to have a reliable girl?
”
”
Zen Cho (Black Water Sister)
“
And thus began another adventure down the hilariously useless rabbit hole of second-guessing.
”
”
Kelly Bishop (The Third Gilmore Girl)
“
I must confess, sweetheart, that I have been neglecting my wall of clues. My “useless gallimaufry,” your mother called it on the one and only occasion she deigned to look at my work. I sagely agreed with her observation but of course I went running to the dictionary as soon as she was gone. Gallimaufry: a hodgepodge; a confused jumble of various people or things; any absurd medley.
”
”
Karin Slaughter (Pretty Girls)
“
But it was almost over, after all, her life. It swelled behind her like a sardine fishing net, all sorts of useless seaweed and broken bits of shells and the tiny, shining fish—all those hundreds of students she had taught, the girls and boys in high school she had passed in the corridor when she was a high school girl herself (many—most—would be dead by now), the billion streaks of emotion she’d had as she’d looked at sunrises, sunsets, the different hands of waitresses who had placed before her cups of coffee— All of it gone, or about to go.
”
”
Elizabeth Strout (Olive, Again (Olive Kitteridge, #2))
“
But for the rest of us, cool has a shelf life. If you’re a quarterback in high school, you’re cool. But ten years later, working as a sullen bouncer at the only nightclub in town, your “cool” is on life support. Which is why so many young girls who never said no end up with losers in pants hanging below their asses and no known income to speak of. These cads were charming in high school; now they’re as useless as shoulder pads on a snake.
”
”
Greg Gutfeld (Not Cool: The Hipster Elite and Their War on You)
“
Suzanne and the other girls had stopped being able to make certain judgments, the unused muscle of their ego growing slack and useless. It had been so long since any of them had occupied a world where right and wrong existed in any real way.
”
”
Emma Cline (The Girls)
“
Words are pretty, useless things — butterflies behind glass. You may feel warm and bright as you stare at their beauty but you'll walk away empty and cold, clutching nothing but the painful realization that you never really had anything at all.
”
”
Julie Johnson (The Monday Girl (The Girl Duet #1))
“
Resurrection plants are usually tiny, no bigger than your fist. They are ugly and small and useless and special. When it rains, their leaves puff up but do not become green for forty-eight hours because it takes time for photosynthesis to start up. During those strange days of its reawakening the plant lives off of pure concentrated sugar, an intense sustained infusion of sweetness, a year's worth of sucrose coursing through its veins in just one day. This little plant has done the impossible: it has transcended the wilted brown of death. The miracle is not sustainable, of course, and within a day or two things will inevitably go back to normal. Such a crazy life takes its toll, and in the long term, even a resurrection plant withers and dies completely. But for a brief, glorious moment it knows something that no other plant has ever known: how to grow without being green.
”
”
Hope Jahren (Lab Girl)
“
Cinderella, until lately, has never been a passive dreamer waiting for rescue. The forerunners of the Ash-girl have all been hardy, active heroines who take their lives into their own hands and work out their own salvations ....
Cinderella speaks to all of us in whatever skin we inhabit: the child mistreated, a princess or highborn lady in disguise bearing her trials with patience, fortitude, and determination. Cinderella makes intelligent decisions, for she knows that wishing solves nothing without concomitant action. We have each been that child. (Even boys and men share thatdream, as evidenced by the many Ash-boy variants.) It is the longing of any youngster sent supperless to bed or given less than a full share at Christmas. And of course it is the adolescent dream.
To make Cinderella less than she is, an ill-treated but passive princess awaiting her rescue, cheapens our most cherished dreams and makes a mockery of the magic inside us all—the ability to change our own lives, the ability to
control our own destinies. [The Walt Disney film] set a new pattern for Cinderella: a helpless, hapless, pitiable, useless heroine who has to be saved time and time again by the talking mice and birds because she is “off in a world of dreams.” It is a Cinderella who is not recognized by her prince until she is magically back in her ball gown, beribboned and bejewelled. Poor Cinderella. Poor us.
”
”
Jane Yolen (Once Upon a Time (she said))
“
I can’t speak, can’t move. The living room is hot, airless despite the open windows. I can hear noises from the street below: a police siren, young girls shouting and laughing, bass booming from a passing car. Normal life. But in here, the world is ending. For Scott, the world is ending, and I can’t speak. I stand there, mute, helpless, useless.
”
”
Paula Hawkins (The Girl on the Train)
“
Girls with Sharp Sticks” Men are full of rage Unable to control themselves. That’s what women were told How they were raised What they believed. So women learned to make do Achieving more as men did less And for that, men despised them Despised their accomplishments. Over time The men wanted to dissolve women’s rights All so they could feel needed. But when they couldn’t control women The men found a group they didn’t disdain— At least not yet. Their daughters, pretty little girls A picture of femininity for them to mold To train To control To make precious and obedient. She would make a good wife someday, he thought Not like the useless one he had already. The little girls attended school Where the rules had changed. The girls were taught untruths, Ignorance the only subject. When math was pushed aside for myth The little girls adapted. They gathered sticks to count them learning their own math. And then they sharpened their sticks. It was these same little girls Who came home one day And pushed their daddies down the stairs. They bashed in their heads with hammers while they slept. They set the houses on fire with their daddies inside. And then those little girls with sharp sticks Flooded the schools. They rid the buildings of false ideas. The little girls took everything over Including teaching their male peers how to be “Good Little Boys.” And so it was for a generation The little girls became the predators.
”
”
Suzanne Young (Girls with Sharp Sticks (Girls with Sharp Sticks, #1))
“
I gave [Nora] as long as she needed, all the while mentally designing my tombstone. 'R.I.P., Captain Abraham R. Griswold. He was completely useless and made girls cry.
”
”
Lia Habel
“
Our best answers in defense of Christianity have always been useless clanging symbols unless our lives have inspired the world to ask.
”
”
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
“
It doesn't make sense, and I could scream with the frustration of it, the not knowing, the uselessness of my own brain.
”
”
Paula Hawkins (The Girl on the Train)
“
Auntie Wu took special pride in two of her accomplishments--the sons she bore and the flowers she grew. They were equally useless, but the flowers smelled better.
”
”
Kay Honeyman (The Fire Horse Girl)
“
Why not laughter when an enemy’s outsmarted? Why not laughter to empty the tragedy from you when karma interrupts the beautiful death of a true samurai, when karma causes the useless death of a pretty girl? Isn’t it only through laughter that we become one with the gods and thus can endure life and can overcome all the horror and waste and suffering here on earth?
”
”
James Clavell (Shōgun (Asian Saga, #1))
“
One hour a day withdrawn from frivolous pursuits and profitably employed would enable any man of ordinary capacity to master a complete science. One hour a day would in ten years make an ignorant man a well-informed man…In an hour a day, a boy or girl could read twenty pages thoughtfully—over seven thousand pages, or eighteen large volumes in a year. An hour a day might make all the difference between bare existence and useful, happy living. An hour a day might make—nay, has made—an unknown man a famous one, a useless man a benefactor to his race.
”
”
Orison Swett Marden
“
1
The summer our marriage failed
we picked sage to sweeten our hot dark car.
We sat in the yard with heavy glasses of iced tea,
talking about which seeds to sow
when the soil was cool. Praising our large, smooth spinach
leaves, free this year of Fusarium wilt,
downy mildew, blue mold. And then we spoke of flowers,
and there was a joke, you said, about old florists
who were forced to make other arrangements.
Delphiniums flared along the back fence.
All summer it hurt to look at you.
2
I heard a woman on the bus say, “He and I were going
in different directions.” As if it had something to do
with a latitude or a pole. Trying to write down
how love empties itself from a house, how a view
changes, how the sign for infinity turns into a noose
for a couple. Trying to say that weather weighed
down all the streets we traveled on, that if gravel sinks,
it keeps sinking. How can I blame you who kneeled day
after day in wet soil, pulling slugs from the seedlings?
You who built a ten-foot arch for the beans, who hated
a bird feeder left unfilled. You who gave
carrots to a gang of girls on bicycles.
3
On our last trip we drove through rain
to a town lit with vacancies.
We’d come to watch whales. At the dock we met
five other couples—all of us fluorescent,
waterproof, ready for the pitch and frequency
of the motor that would lure these great mammals
near. The boat chugged forward—trailing a long,
creamy wake. The captain spoke from a loudspeaker:
In winter gray whales love Laguna Guerrero; it’s warm
and calm, no killer whales gulp down their calves.
Today we’ll see them on their way to Alaska. If we
get close enough, observe their eyes—they’re bigger
than baseballs, but can only look down. Whales can
communicate at a distance of 300 miles—but it’s
my guess they’re all saying, Can you hear me?
His laughter crackled. When he told us Pink Floyd is slang
for a whale’s two-foot penis, I stopped listening.
The boat rocked, and for two hours our eyes
were lost in the waves—but no whales surfaced, blowing
or breaching or expelling water through baleen plates.
Again and again you patiently wiped the spray
from your glasses. We smiled to each other, good
troopers used to disappointment. On the way back
you pointed at cormorants riding the waves—
you knew them by name: the Brants, the Pelagic,
the double-breasted. I only said, I’m sure
whales were swimming under us by the dozens.
4
Trying to write that I loved the work of an argument,
the exhaustion of forgiving, the next morning,
washing our handprints off the wineglasses. How I loved
sitting with our friends under the plum trees,
in the white wire chairs, at the glass table. How you
stood by the grill, delicately broiling the fish. How
the dill grew tall by the window. Trying to explain
how camellias spoil and bloom at the same time,
how their perfume makes lovers ache. Trying
to describe the ways sex darkens
and dies, how two bodies can lie
together, entwined, out of habit.
Finding themselves later, tired, by a fire,
on an old couch that no longer reassures.
The night we eloped we drove to the rainforest
and found ourselves in fog so thick
our lights were useless. There’s no choice,
you said, we must have faith in our blindness.
How I believed you. Trying to imagine
the road beneath us, we inched forward,
honking, gently, again and again.
”
”
Dina Ben-Lev
“
Do you think he will protect you now? You’re useless. The heir to Elfhame has no reason to spend any further time with an untutored savage of a girl. But think, you wouldn’t even have to remember him. You wouldn’t even have to remember yourself.”
“I’m not half as practical as you suppose,” Oak says. “I like many useless things. I’ve been called useless myself from time to time.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Someone loved this girl, this utterly useless girl, loved her enough to go on wooing her, even though she was being paraded before all of Europe for takers. A moment of stark despair descended upon her that she would never know such love, that she would go through life sustained only by her facade of invincibility. Then she came to her senses. Love was for fools. Gigi Rowland was many things, but she was never a fool.
”
”
Sherry Thomas (Private Arrangements)
“
Then the voice - which identified itself as the prince of this world, the only being who really knows what happens on Earth - began to show him the people around him on the beach. The wonderful father who was busy packing things up and helping his children put on some warm clothes and who would love to have an affair with his secretary, but was terrified on his wife's response. His wife who would like to work and have her independence, but who was terrified of her husband's response. The children who behave themselves because they were terrified of being punished. The girl who was reading a book all on her own beneath the sunshade, pretending she didn't care, but inside was terrified of spending the rest of her life alone. The boy running around with a tennis racuqet , terrified of having to live up to his parents' expectations. The waiter serving tropical drinks to the rich customers and terrified that he could be sacket at any moment. The young girl who wanted to be a dance, but who was studying law instead because she was terrified of what the neighbours might say. The old man who didn't smoke or drink and said he felt much better for it, when in truth it was the terror of death what whispered in his ears like the wind. The married couple who ran by, splashing through the surf, with a smile on their face but with a terror in their hearts telling them that they would soon be old, boring and useless. The man with the suntan who swept up in his launch in front of everybody and waved and smiled, but was terrified because he could lose all his money from one moment to the next. The hotel owner, watching the whole idyllic scene from his office, trying to keep everyone happy and cheerful, urging his accountants to ever greater vigilance, and terrified because he knew that however honest he was government officials would still find mistakes in his accounts if they wanted to.
There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed out because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects of one's merits.
”
”
Paulo Coelho (The Devil and Miss Prym)
“
Liberalism has been degraded into liberality. Men have tried to turn "revolutionise" from a transitive to an intransitive verb. The Jacobin could tell you not only the system he would rebel against, but (what was more important) the system he would not rebel against, the system he would trust. But the new rebel is a sceptic, and will not entirely trust anything. He has no loyalty; therefore he can never be really a revolutionist. And the fact that he doubts everything really gets in his way when he wants to denounce anything. For all denunciation implies a moral doctrine of some kind; and the modern revolutionist doubts not only the institution he denounces, but the doctrine by which he denounces it. Thus he writes one book complaining that imperial oppression insults the purity of women, and then he writes another book (about the sex problem) in which he insults it himself. He curses the Sultan because Christian girls lose their virginity, and then curses Mrs. Grundy because they keep it. As a politician, he will cry out that war is a waste of life, and then, as a philosopher, that all life is waste of time. A Russian pessimist will denounce a policeman for killing a peasant, and then prove by the highest philosophical principles that the peasant ought to have killed himself. A man denounces marriage as a lie, and then denounces aristocratic profligates for treating it as a lie. He calls a flag a bauble, and then blames the oppressors of Poland or Ireland because they take away that bauble. The man of this school goes first to a political meeting, where he complains that savages are treated as if they were beasts; then he takes his hat and umbrella and goes on to a scientific meeting, where he proves that they practically are beasts. In short, the modern revolutionist, being an infinite sceptic, is always engaged in undermining his own mines. In his book on politics he attacks men for trampling on morality; in his book on ethics he attacks morality for trampling on men. Therefore the modern man in revolt has become practically useless for all purposes of revolt. By rebelling against everything he has lost his right to rebel against anything.
”
”
G.K. Chesterton (Orthodoxy)
“
If there was a National Tweaker Olympics, Oregon would bring home the gold in every category (Living in Squalor, Poisoning Your Neighbors, Developing Facial Scabs, Public Aggression, Theft of Useless Things, Taking Stuff Apart, and Crazy Talking).
”
”
Laurie Notaro (The Idiot Girl and the Flaming Tantrum of Death: Reflections on Revenge, Germophobia, and Laser Hair Removal)
“
most people just consider her to be a twenty-one-year-old girl without a major, a partner, or any life plans. People keep trying to force this idea on her that if she doesn’t get her life together before her thirties, she will be useless to the world.
”
”
M. Hollis (The Melody of You and Me (Lillac Town, #1))
“
Just like Nick, who destroyed and rejected the real me a piece at a time – you’re too serious, Amy, you’re too uptight, Amy, you overthink things, you analyze too much, you’re no fun anymore, you make me feel useless, Amy, you make me feel bad, Amy. He took away chunks of me with blasé swipes: my independence, my pride, my esteem. I gave, and he took and took. He Giving Treed me out of existence.
That whore, he picked that little whore over me. He killed my soul, which should be a crime. Actually, it is a crime. According to me, at least.
”
”
Gillian Flynn (Gone Girl)
“
My true gifts," she said. "Returned to me."
"Truly useless gifts," Maleficent said. "What good are grace and song and beauty- especially to a dead girl?"
"Not those gifts. Those were bestowed upon me by 'others.' These are my true, natural gifts. Intelligence. Bravery. Compassion.
"Those three you 'killed' weren't actual fairies at all- they were parts of me. My true self. Hidden from me by you. Dampened. Darkened. Just like everything else in this wretched realm. Just as I myself was hidden away from the world, first in the woods, and then in a dream.
”
”
Liz Braswell (Once Upon a Dream)
“
She scanned the shadows again, bracing herself for more assailants. Nearby, a young woman watched her, and she flashed Celaena a conspirator’s grin. Celaena tried not to look too interested, though the girl was one of the most stunning people she’d ever beheld. It wasn’t just her wine-red hair or the color of her eyes, a red-brown Celaena had never seen before. No, it was the girl’s armor that initially caught her interest: ornate to the point of probably being useless, but still a work of art. The right shoulder was fashioned into a snarling wolf’s head, and her helmet, tucked into the crook of her arm, featured a wolf hunched over the noseguard. Another wolf’s head had been molded into the pommel of her broadsword. On anyone else, the armor might have looked flamboyant and ridiculous, but on the girl … There was a strange, boyish sort of carelessness to her.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
After watching—with a twinge of satisfaction—the letters burn to ashes in the fireplace, Evie felt sleepy. She went to the master bedroom for a nap. In spite of her weariness, it was difficult to relax while she was worried about Sebastian. Her thoughts chased round and round, until her tired brain put an end to the useless fretting and she dropped off to sleep.
When she awakened an hour or so later, Sebastian was sitting on the bed beside her, a lock of her bright hair clasped loosely between a thumb and forefinger. He was watching her closely, his eyes the color of heaven at daybreak. She sat up and smiled self-consciously.
Gently Sebastian stroked back her tumbled hair. “You look like a little girl when you sleep,” he murmured. “It makes me want to guard you every minute.”
“Did you find Mr. Bullard?”
“Yes, and no. First tell me what you did while I was gone.”
“I helped Cam to arrange things in the office. And I burned all your letters from lovelorn ladies. The blaze was so large, I’m surprised no one sent for a fire brigade.”
His lips curved in a smile, but his gaze probed hers carefully. “Did you read any of them?”
Evie lifted a shoulder in a nonchalant half shrug. “A few. There were inquiries as to whether or not you’ve yet tired of your wife.”
“No.” Sebastian drew his palm along the line of her thigh. “I’m tired of countless evenings of repetitive gossip and tepid flirtation. I’m tired of meaningless encounters with women who bore me senseless. They’re all the same to me, you know. I’ve never given a damn about anyone but you.”
“I don’t blame them for wanting you,” Evie said, looping her arms around his neck. “But I’m not willing to share.”
“You won’t have to.” He cupped her face in his hands and pressed a swift kiss to her lips.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
What are you doing here, honey? You’re not even old enough to know how bad life gets.” And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: “Obviously, Doctor,” she said, “you’ve never been a thirteen-year-old girl.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
It’s tempting to believe fairy tales and imagine recovery is this meteoric rise from darkness, but I think it must be stated for the sake of honesty, integrity and solidarity with others going through it, that recovery doesn’t feel at all like strength. It feels like giving up, like failing. It feels like lying in a useless lump all weekend, crying about the weight you gained. It feels like the deep shame you carry around all day because you actually can’t stop yourself eating anymore. It feels like the maddening conflict of being hungry and healthy. You gaze back at your skinny pictures wondering what happened – was that really you? It was seemingly moments ago, but now you are asking yourself what happened to the girl who would have given her life to be thin. It feels like you’re being weak and lazy and surrendering to your own worthlessness. It actually, on many days, feels like you’ve lost a battle.
”
”
Evanna Lynch (The Opposite of Butterfly Hunting: The Tragedy and The Glory of Growing Up (A Memoir))
“
All her pent-up misery and frustration broke loose with a vengeance, and she yelled at him, ‘You expect me to TRUST YOU?’ Her brain felt like a live coal, spitting sparks. ‘You expect me to go out with YOU! – when you tell me bare-faced LIES? D'you think I'm FUCKING STUPID?’ She slapped his face just as hard as she had the night before, then stood up and fled the length of the alley; tears streaming – hating herself – hating Bobby – hating the entire rotten, cruel, hateful world – filled with blind, savage, useless hate.
She didn't see the way he laid his head on his knees in despair, nor if he really cried.
”
”
Bernie Morris (Bobby's Girl)
“
He felt his arms ache and, looking down, saw that the girl had stopped struggling. There came that point, that sudden, blissful point, when it was useless to go on living, and when the mind and body came to accept that such was the case. That was a beautiful, peaceful moment, the most relaxed moment of one’s life.
”
”
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
“
God preserve me from novel-writing, thought Mrs Touchet. God preserve me from that tragic indulgence, that useless vanity, that blindness! In a cold dormitory, two hundred miles away, three heartbroken, motherless girls had hoped to be visited by their father. But William was busy at his desk, dreaming up Jack Sheppard.
”
”
Zadie Smith (The Fraud)
“
Useless to say that I hadn't thought of him when I was doing it. Useless to say that I always thought your acquaintanceship with one person had nothing to do with another. Or to say all the things that went on in my head, the longings, for songs, cigarettes, dark bars, telegrams, cacti, combs in your hair, the circus, nights out, life. He wouldn't understand.
”
”
Edna O'Brien (The Country Girls Trilogy & Epilogue [The Country Girls, The Lonely Girl, Girls in their married bliss].)
“
A gaggle of sophomore girls wavered by in their heels, en route from Bartleby's to some house party. No two of their tube tops or flouncy miniskirts were precisely alike, in cut or in color, and these slight variations made the outfits look all the more carefully orchestrated as they linked arms and passed by, pretending not to listen. Schwartz tried to comfort himself with a long look at their ten slender thighs turned pink by the cold, the good odds he'd been between four or six of those thighs on oblivious drunken nights, but it was useless, the girls looked absurd to him now, and it no longer seemed that the universe contained an endless supply of anonymous pink thighs to which he could escape from his troubles. Pella would never dress like that.
”
”
Chad Harbach (The Art of Fielding)
“
You’re not a smiling lady,' he explained simply. 'Everyone smiles. Overused and elementary, if you ask me! The world has enough pretty, smiling girls. You’re better than that. Deeper than that. Standing and smiling vacuously at thin air all the time! Girls like that are hopeless, useless, and false. You’re a thinking lady, I say. Zealous and thinking and true. And a decent man prefers a true lady over a false one any day.
”
”
K.B. Ezzell
“
They do. But I won’t. Not tonight. If you do two things for me.” His voice was calm, almost hypnotic. It had the coarse rasp of an over-rosined bow. “First, you must crawl into bed. And second, you must never tell anyone you’ve seen us, especially your da.” He leaned forward and gave Hanna’s braid a playful tug. “Because if you do, I’ll slit your mother’s throat and then your father’s, and then I’ll cut out the hearts of all these sweet slobbering hounds. I shall save Duke Silverhaunch for last so that you will know it’s all your fault.” The little girl’s face was as white as the lace on the neck of her nightgown, her eyes wide and bright as new moons. “Do you understand?” She nodded frantically, chin wobbling. “Now, now, no tears. Monsters see tears and it only whets their appetites. Off to bed with you, and take that useless Maestro Spots along too.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
too serious, Amy, you’re too uptight, Amy, you overthink things, you analyze too much, you’re no fun anymore, you make me feel useless, Amy, you make me feel bad, Amy. He took away chunks of me with blasé swipes: my independence, my pride, my esteem. I gave, and he took and took. He Giving Treed me out of existence. That whore, he picked that little whore over me. He killed my soul, which should be a crime. Actually, it is a crime.
”
”
Gillian Flynn (Gone Girl)
“
Dr. Armonson stitched up her wrist wounds. Within five minutes of the transfusion he declared her out of danger. Chucking her under the chin, he said, "What are you doing here, honey? You're not even old enough to know how bad life gets."
And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: "Obviously, Doctor," she said, "you've never been a thirteen-year-old girl
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
When in 1944 the Nazis failed to meet her as agreed in Madrid (a meeting at which she might have been interrogated about the whole Bay of Biscay incident), she wrote them the angriest, most spoiled entitled-girl letter that has likely ever been penned: “Absolutely livid about the uselessness of the journey which was expensive and disagreeable. You let me down.” To the Nazis! Who then apologized and asked very nicely to keep working with her! What a queen. After
”
”
Sam Maggs (Wonder Women: 25 Innovators, Inventors, and Trailblazers Who Changed History)
“
I don’t get it, man. That dude has zero game, then suddenly he up and jets with a hottie? Meanwhile I can’t buy a date.”
“Makes no sense.” Hi, face serious.
I pressed a fist to my lips, considering. “What’d the girl look like?”
“Hot.”
Ben shifted his weight. I heard Hi chuckle behind me.
I choked back my mounting frustration. “Could you be more specific?”
“Oh, right.” Cole rubbed his oily chin and squinted at the ceiling. “She had, like, nice hair. It was sorta . . . black? Or maybe brown. Not blonde, for sure. And she was kinda tall. But not really. Oh, and I think she wore a T-shirt. Could be wrong, though.”
I stared at the useless witness before me.
What a moron.
“Can you remember anything else, Cole?” Catching his eye, I tried to urge the memory from his brain by force of will. “Anything at all?”
For a moment, Cole’s face screwed up in thought, then it bloomed with contentment. “He said I could have his mattress. Solid dude, that Jordan.”
Hi snapped on his seat belt. “Not everyone is college material.”
Shelton shook his head. “I’m surprised that guy remembers to breathe.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
If you can’t take care of me while I’m alive, you have made me dead anyway. Just like Nick, who destroyed and rejected the real me a piece at a time—you’re too serious, Amy, you’re too uptight, Amy, you overthink things, you analyze too much, you’re no fun anymore, you make me feel useless, Amy, you make me feel bad, Amy. He took away chunks of me with blasé swipes: my independence, my pride, my esteem. I gave, and he took and took. He Giving Treed me out of existence. That whore, he picked that little whore over me. He killed my soul, which should be a crime.
”
”
Gillian Flynn (Gone Girl)
“
She extended her hand. "I'm afraid you have the better of me, sir. I've not made the pleasure of your acquaintance."
He gave her proffered hand a long look before meeting her gaze once more, as though giving her the chance to change her mind. "I am Temple."
The Duke of Lamont.
The murderer.
She stepped back, her hand falling involuntarily at the thought before she could stop it. "Oh."
His lips twisted in a wry smile. "Now you're wishing you hadn't come here after all."
Her mind raced. He wouldn't hurt her. He was Bourne's partner. He was Mr. Cross's partner. It was the middle of the day. People were not killed in Mayfair in the middle of the day.
And for all she'd heard about this dark, dangerous man, there wasn't a single stitch of proof that he'd done that which he was purported to have done.
She extended her hand once more. "I am Philippa Marbury."
One black brow arched, but he took her hand firmly. "Brave girl."
"There's no proof that you're what they say."
"Gossip is damning enough."
She shook her head. "I am a scientist. Hypotheses are useless without evidence."
One side of his mouth twitched. "Would that the rest of England were as thorough.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
What possessed them, these young girls with a talent for self-immolation? Is it what they do to show that girls too have courage, that they can do more than weep and moan, that they too can face death with panache? And where does the urge come from? Does it begin with defiance, and if so, of what? Of the great leaden suffocating order of things, the great spike-wheeled chariot, the blind tyrants, the blind gods? Are these girls reckless enough or arrogant enough to think that they can stop such things in their tracks by offering themselves up on some theoretical alter, or is it a kind of testifying? Admirable enough, if you admire obsession. Courageous enough, too. But completely useless.
”
”
Margaret Atwood (The Blind Assassin)
“
He was more embarrassed and discreet about sex than about things I thought more difficult, like killing people, which pretty much defined the history of Catholicism, where sex of the homo, hetero, or pederastic variety supposedly never happened, hidden underneath the Vatican’s cassocks. Popes, cardinals, bishops, priests, and monks carrying on with women, girls, boys, and each other? Hardly ever discussed! Not that there was anything wrong with carrying on—it’s hypocrisy that stinks, not sex. But the Church torturing, murdering, crusading against, or infecting with disease millions of people in the name of our Lord the Savior, from Arabia to the Americas? Acknowledged with useless, pious regret, if even that.
”
”
Viet Thanh Nguyen (The Sympathizer)
“
A sincere man who sits down at night and pens that which his soul believes to be right, that which his soul tells him will be good for humanity, is exercising a power over the world that is beneficial. We should hail that expression of greatness, of goodness, with thanksgiving. But the insincere man, the man who will sit down at night and distort facts, who will wilfully misrepresent truth, who is a traitor to the divine within him which is calling, nay longing for truth, what shall we say of that man? He is publishing falsehoods to the world, giving poison to young, innocent souls who are longing for truth. Oh, there is no condemnation too strong for the hypocrite, for the betrayer of Christ. We will not condemn him, but God will, in His justice; He must.
Too much time is taken up by our young people, and by our older ones, too, in reading useless pamphlets, useless books; "It is worse than useless," says Farrar, in that excellent little work on "Great Books:". . . .
Men in Israel, it is time that we take a stand against vile literature. It is poisonous to the soul. It is the duty of a parent to put the poison, that is in the house, on the highest shelf, away from that innocent little child who knows not the danger of it. It is the duty of the parent also to keep the boy's mind from becoming polluted with the vile trash that is sometimes scattered--nay, that is daily distributed among us. There is inconsistency in a man's kneeling down with his family in prayer, and asking God to bless the leader of our Church, and then put into the hands of the boy, who was kneeling there, a paper that calls the leader a hypocrite. It ought not to be done; it is poison to the soul.
How can we tell? May be those are the great men who are writing the scurrilous articles, and these whom they attack are not the great men? Some may say: Give the children an opportunity to hear both sides. Yes, that is all well and good; but if a man were to come into your home and say to you that your mother is not a good woman, you would know he lied; wouldn't you? And you wouldn't let your children hear him. If a man came and told you that your brother was dishonest, and you had been with him all your life and knew him to be honest, you would know the man lied. So when they come and tell you the Gospel is a hypocritical doctrine, taught by this organization, when they tell you the men at the head are insincere, you know they lie; and you can take the same firm stand on that, being sincere yourself as you could in regard to your mother and brother. Teach your children, your boys and girls everywhere, to keep away from every bad book and all bad literature, especially that which savors of hatred, or envy, or malice, that which bears upon it the marks of hypocrisy, insincerity, edited by men who have lost their manhood.
”
”
David O. McKay
“
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you.
"You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes.
"Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people.
"Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you.
"Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
”
”
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
“
Hurling the box released some of his anger. It felt good so he swept his arm across the top of his dresser, knocking his pitiful possessions onto the floor, the ridiculous little carved animals, pathetic toiletries and useless old catalog he could never afford to order
from. These paltry items were the sum of his entire dismal life.
He kicked the frame of his bed, hurting his foot and knocking the light cot away
from the wall. Heedless of Rasmussen hearing the noise, he cried out his rage and frustration, tore the covers off the bed, picked up the pillow and punched it. He hurled it across the room. Dragging the thin mattress from the metal mesh of the cot, he tossed it
on the floor and looked around, but there was nothing else to tear apart since he owned so little. Laughing at the irony, he sank onto the mattress on the floor, his legs drawn to his
chest, forehead bowed to his knees, and his hands cradling the back of his neck.
Caught between harsh laughter and sobs, he breathed in hitching bursts.
He had no future, definitely no girl, and soon, no home. What the hell was he going to do?
”
”
Bonnie Dee (After the End)
“
And for the first time she has a feeling: too late, toil has exhausted her youth, the war has taken it away. Something must have snapped inside her, and men seem to sense it, for she isn't really being pursued by any of them, even though her delicate blond profile has an aristocratic look among the coarse faces, round and red like apples, of the village girls. But these postwar seventeen-and eighteen-year-old aren't waiting quietly and patiently, waiting for someone to want them and take them.
They're demanding pleasure as their right, demanding it as impetuously a though it's not just their own young lives that they're living but the lives of the hundred thousand dead and buried too. With a kind of horror, Christine now twenty six watches how they act, these newcomers, these young ones, sees their self-assurance and covetousness, their knowing and impudent eyes, the provocation in their hips, how unmistakably they laugh on matter how boldly the boys embrace them and how shamelessly they take the men off into the woods_she sees them on her way home. It disgusts her, Surrounded by this coarse and lustful postwar generation she feels ancient, tired, useless and overwhelmed, unwilling and unable to compete.
No more struggling, no more striving, that's the main thing! Breathe calmly, daydream quietly, do your work, water the flowers in the window, ask not, want not,. No more asking for anything, nothing new, nothing exciting. The war stole her decade of youth.
She has no courage, no strength left even for happiness.
”
”
Stefan Zweig (The Post-Office Girl)
“
It was the morning when she went confront my father's killer. I asked her why she wouldn't let one of the soldiers or gerents handle his rescue. And she said to me that all little girls, regardless of what they say, dream of a prince to come in and sweep them off their feet and save the day. But what no one ever mentions is that all little boys dream of a princess to do the same thing for them. But the problem with princes and princesses is that they're spoiled and self-absorbed. They act in their own best interest. They don't go after their loved ones to rescue them so much as they do it for their own vainglory, and to serve themselves. While she'd had many princes try for her hand, it was a king who had claimed her heart. Unlike princes, kings take responsibility. they think of others instead of themselves and they will risk everything, even their very lives , for those they love. It is never about them, but rather about the ones they cherish most. they love to such depth that they would sacrifice all just to see their family smile. For every thousand princes, there is only one king. And such rare men do not deserve a useless princess who sits on her duff and orders others to worship her and do her bidding. Kings deserve queens- rare women who never flinch to do whatever it takes to keep their king safe. Women who have the courage to face any attacker and to rally to whatever challenge life throws at them. I will not sit here, she said to me, and let your father suffer while I hide in comfort. He risked his life to keep us safe and I will do no less for him. If it means my life, so be it. After all, he is my life and I don't want to live without him. He deserves only my best and that's exactly what he's going to get, no matter the personal cost.
”
”
Sherrilyn Kenyon (Cloak and Silence (The League, #5.5))
“
To be honest? I'd thought myself above them. What a nasty little counter-culture snob I was. There they were, doing their fucking best, trying to have a life, trying to bring up their children decently, struggling to make the payments on the little house, wondering where their youth had gone, where love had gone, what was to become of them and all I could do was be a snotty, judgmental cow. But it was no good. I couldn't be like them. I'd seen too much, done too much that was outside anything they knew. I wasn't better than them, but I was different. We had no point of contact other than work. Even then, they disapproved of my attitude, my ways of dealing with the clients. Many's the time I'd ground my teeth as Andrea or Fran had taken the piss out of some hapless, useless, illiterate get they were assigned to; being funny at the expense of their stupidity, their complete inability to deal with straight society. Sure, I knew it was partly a defence mechanism; they did it because it was laugh or scream, and we were always told it wasn't good to let the clients get too close. But all too often - not always, but enough times to make me seethe with irritation - there was an ingrained, self-serving elitism in there too. Who'd see it better than me? They sealed themselves up in their white-collar world like chrysalides and waited for some kind of reward for being good girls and boys, for playing the game, being a bit of a cut above the messy rest - a reward that didn't exist, would never come and that they would only realise was a lie when it was far too late.
Now I would be one of the Others, the clients, the ones who stood outside in the cold and, shivering, looked in at the lighted windows of reason and middle-class respectability. I would be another colossal fuck-up, another dinner party story. But my sin was all the greater because I'd wilfully defected from the right side to the hopelessly, eternally wrong side. I was not only a screw-up, I was a traitor.
”
”
Joolz Denby (Wild Thing)
“
I used to be a roller coaster girl"
(for Ntozake Shange)
I used to be a roller coaster girl
7 times in a row
No vertigo in these skinny legs
My lipstick bubblegum pink
As my panther 10 speed.
never kissed
Nappy pigtails, no-brand gym shoes
White lined yellow short-shorts
Scratched up legs pedaling past borders of
humus and baba ganoush
Masjids and liquor stores
City chicken, pepperoni bread
and superman ice cream
Cones.
Yellow black blending with bits of Arabic
Islam and Catholicism.
My daddy was Jesus
My mother was quiet
Jayne Kennedy was worshipped
by my brother Mark
I don’t remember having my own bed before 12.
Me and my sister Lisa shared.
Sometimes all three Moore girls slept in the Queen.
You grow up so close
never close enough.
I used to be a roller coaster girl
Wild child full of flowers and ideas
Useless crushes on polish boys
in a school full of white girls.
Future black swan singing
Zeppelin, U2 and Rick Springfield
Hoping to be Jessie’s Girl
I could outrun my brothers and
Everybody else to that
reoccurring line
I used to be a roller coaster girl
Till you told me I was moving too fast
Said my rush made your head spin
My laughter hurt your ears
A scream of happiness
A whisper of freedom
Pouring out my armpits
Sweating up my neck
You were always the scared one
I kept my eyes open for the entire trip
Right before the drop I would brace myself
And let that force push my head back into
That hard iron seat
My arms nearly fell off a few times
Still, I kept running back to the line
When I was done
Same way I kept running back to you
I used to be a roller coaster girl
I wasn’t scared of mountains or falling
Hell, I looked forward to flying and dropping
Off this earth and coming back to life
every once in a while
I found some peace in being out of control
allowing my blood to race
through my veins for 180 seconds
I earned my sometime nicotine pull
I buy my own damn drinks & the ocean
Still calls my name when it feels my toes
Near its shore.
I still love roller coasters
& you grew up to be
Afraid
of all girls who cld
ride
Fearlessly
like
me.
”
”
Jessica Care Moore
“
Did the Führer take her (mother) away?”
The question surprised them both, and it forced Papa to stand up. He looked at
the brown-shirted men taking to the pile of ash with shovels. He could hear them
hacking into it. Another lie was growing in his mouth, but he found it impossible
to let it out. He said, “I think he might have, yes.”
“I knew it.” The words were thrown at the steps and Liesel could feel the
slush of anger, stirring hotly in her stomach. “I hate the Führer,” she said. “I hate
him.”
And Hans Hubermann?
What did he do?
What did he say?
Did he bend down and embrace his foster daughter, as he wanted to? Did he
tell her that he was sorry for what was happening to her, to her mother, for what
had happened to her brother?
Not exactly.
He clenched his eyes. Then opened them. He slapped Liesel Meminger
squarely in the face.
“Don’t ever say that!” His voice was quiet, but sharp.
As the girl shook and sagged on the steps, he sat next to her and held his face
in his hands. It would be easy to say that he was just a tall man sitting poorpostured
and shattered on some church steps, but he wasn’t. At the time, Liesel
had no idea that her foster father, Hans Hubermann, was contemplating one of
the most dangerous dilemmas a German citizen could face. Not only that, he’d
been facing it for close to a year.
“Papa?”
The surprise in her voice rushed her, but it also rendered her useless. She
wanted to run, but she couldn’t. She could take a Watschen from nuns and Rosas,
but it hurt so much more from Papa. The hands were gone from Papa’s face now
and he found the resolve to speak again.
“You can say that in our house,” he said, looking gravely at Liesel’s cheek.
“But you never say it on the street, at school, at the BDM, never!” He stood in
front of her and lifted her by the triceps. He shook her. “Do you hear me?”
With her eyes trapped wide open, Liesel nodded her compliance.
It was, in fact, a rehearsal for a future lecture, when all of Hans Hubermann’s
worst fears arrived on Himmel Street later that year, in the early hours of a
November morning.
“Good.” He placed her back down. “Now, let us try …” At the bottom of the
steps, Papa stood erect and cocked his arm. Forty-five degrees. “Heil Hitler.”
Liesel stood up and also raised her arm. With absolute misery, she repeated it.
“Heil Hitler.” It was quite a sight—an eleven-year-old girl, trying not to cry on
the church steps, saluting the Führer as the voices over Papa’s shoulder chopped
and beat at the dark shape in the background.
”
”
Markus Zusak
“
Though it’s best not to be born a chicken at all, it is especially bad luck to be born a cockerel. From the perspective of the poultry farmer, male chickens are useless. They can’t lay eggs, their meat is stringy, and they’re ornery to the hens that do all the hard work of putting food on our tables. Commercial hatcheries tend to treat male chicks like fabric cutoffs or scrap metal: the wasteful but necessary by-product of an industrial process. The sooner they can be disposed of—often they’re ground into animal feed—the better. But a costly problem has vexed egg farmers for millennia: It’s virtually impossible to tell the difference between male and female chickens until they’re four to six weeks old, when they begin to grow distinctive feathers and secondary sex characteristics like the rooster’s comb. Until then, they’re all just indistinguishable fluff balls that have to be housed and fed—at considerable expense. Somehow it took until the 1920s before anyone figured out a solution to this costly dilemma. The momentous discovery was made by a group of Japanese veterinary scientists, who realized that just inside the chick’s rear end there is a constellation of folds, marks, spots, and bumps that to the untrained eye appear arbitrary, but when properly read, can divulge the sex of a day-old bird. When this discovery was unveiled at the 1927 World Poultry Congress in Ottawa, it revolutionized the global hatchery industry and eventually lowered the price of eggs worldwide. The professional chicken sexer, equipped with a skill that took years to master, became one of the most valuable workers in agriculture. The best of the best were graduates of the two-year Zen-Nippon Chick Sexing School, whose standards were so rigorous that only 5 to 10 percent of students received accreditation. But those who did graduate earned as much as five hundred dollars a day and were shuttled around the world from hatchery to hatchery like top-flight business consultants. A diaspora of Japanese chicken sexers spilled across the globe. Chicken sexing is a delicate art, requiring Zen-like concentration and a brain surgeon’s dexterity. The bird is cradled in the left hand and given a gentle squeeze that causes it to evacuate its intestines (too tight and the intestines will turn inside out, killing the bird and rendering its gender irrelevant). With his thumb and forefinger, the sexer flips the bird over and parts a small flap on its hindquarters to expose the cloaca, a tiny vent where both the genitals and anus are situated, and peers deep inside. To do this properly, his fingernails have to be precisely trimmed. In the simple cases—the ones that the sexer can actually explain—he’s looking for a barely perceptible protuberance called the “bead,” about the size of a pinhead. If the bead is convex, the bird is a boy, and gets thrown to the left; concave or flat and it’s a girl, sent down a chute to the right.
”
”
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)