Use Of Brackets In Quotes

THE WONDERS OF PUNCTUATION AND SPELLING                1    ABSOLUTE CERTAINTY ABOUT THE COMMA!                2    I BEFORE E COMPLETELY SORTED OUT!                3    THE MYSTERY OF THE SEMICOLON REVEALED!!!                4    SEE THE AMPERSAND! (SMALL EXTRA CHARGE)                5    FUN WITH BRACKETS! ** WILL ACCEPT VEGETABLES, EGGS, AND CLEAN USED CLOTHING

Loneliness, on the other hand, has no age bracket. I used to think that exciting countries could keep you happy and warm on novelty alone. Now I know: you can move to Paris, delight in the city, drink your cafe au lait, but no matter how pretty the buildings and balconies are, eventually you're going to find yourself hugging the lamp posts for company like you're in Les Miserables.

All it takes is six cuts,” he said near her ear. She nodded, relaxing against him as he guided her hands with precision. One deep stroke of the blade neatly removed an angled section of wood. They rotated the pencil and made another cut, and then a third, creating a precise triangular prism. “Now trim the sharp edges.” They concentrated on the task with his hands still bracketed over hers, using the blade to chamfer each corner of wood until they had created a clean, satisfying point. Done.

Abby had a little trick that she used any time Red acted like a cranky old codger. She reminded herself of the day she had fallen in love with him. “It was a beautiful, breezy, yellow-and-green afternoon,” she’d begin, and it would all come back to her—the newness of it, the whole new world magically opening before her at the moment when she first realized that this person that she’d barely noticed all these years was, in fact, a treasure. He was perfect, was how she’d put it to herself. And then that clear-eyed, calm-faced boy would shine forth from Red’s sags and wrinkles, from his crumpled eyelids and hollowed cheeks and the two deep crevices bracketing his mouth and just his general obtuseness, his stubbornness, his infuriating belief that simple cold logic could solve all of life’s problems, and she would feel unspeakably lucky to have ended up with him.

Without you having to do anything, the phone brackets the shot so that you can pretend to time travel, to pick the perfect instant when everyone is smiling. Skin is smoothed out; pores and small imperfections are erased. What used to take my father a day's work is now done in the blink of an eye, and far better. Do the people who take these photos believe them to be reality? Or have the digital paintings taken the place of reality in their memory? When they try to remember the captured moment, do they recall what they saw, or what the camera crafted for them?

They would have the use of my moist and intricate cranial recesses, the joyous bicycle rides of my uninhibited psyche, but they were going to put me in a new tax bracket.

Courage is about the most useful thing in an artist's outfit.

Just how many fully-fledged members do you have in this club?” “No members, just passengers in my wild youth.” He bracketed her head with his arms and grinned down at her pouting expression. “Jealous, sweetheart?” “Do I have a cause to be jealous?” She cupped his chin. “Never.” He kissed the tip of her nose. “There is one thing I am religious about—I never cheat.” His expression turned from playful to serious. “You should know something. My dad used to tell me, ‘Respect women, Domenico.’” He did his best imitation of his father’s baritone. “Make sure you treat them well. Cheating is a despicable act. Always put your mother or your female relatives in place of the woman you cheat on and imagine how hurt they would feel.’ It affected me to the point of imbibing it as a rule.

The existential psychotherapy approach posits that the inner conflict bedeviling us issues not only from our struggle with suppressed instinctual strivings or internalized significant adults or shards of forgotten traumatic memories, but also from our confrontation with the “givens” of existence. And what are these “givens” of existence? If we permit our-selves to screen out or “bracket” the everyday concerns of life and reflect deeply upon our situation in the world, we inevitably arrive at the deep structures of existence (the “ultimate concerns,” to use theologian Paul Tillich’s term).

Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.

To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered by what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun. If that package sounds like one big moral step backward, the Be Here Now mentality that has converted from sixties catchphrase to entrenched gestalt has its upsides. There has to be some value in living for today, since at any given time today is all you’ve got. We justly cherish characters capable of living “in the moment.”…We admire go-getters determined to pack their lives with as much various experience as time and money provide, who never stop learning, engaging, and savoring what every day offers—in contrast to the dour killjoys who are bitter and begrudging in the ceaseless fulfillment of obligation. For the role of humble server, helpmate, and facilitator no longer to constitute the sole model of womanhood surely represents progress for which I am personally grateful. Furthermore, prosperity may naturally lead any well-off citizenry to the final frontier: the self, whose borders are as narrow or infinite as we make them. Yet the biggest social casualty of Be Here Now is children, who have converted from requirement to option, like heated seats for your car. In deciding what in times past never used to be a choice, we don’t consider the importance of raising another generation of our own people, however we might choose to define them. The question is whether kids will make us happy.

Abby had a little trick that she used any time Red acted like a cranky old codger. She reminded herself of the day she had fallen in love with him. “It was a beautiful, breezy, yellow-and-green afternoon,” she’d begin, and it would all come back to her—the newness of it, the whole new world magically opening before her at the moment when she first realized that this person that she’d barely noticed all these years was, in fact, a treasure. He was perfect, was how she’d put it to herself. And then that clear-eyed, calm-faced boy would shine forth from Red’s sags and wrinkles, from his crumpled eyelids and hollowed cheeks and the two deep crevices bracketing his mouth and just his general obtuseness,

It has often been claimed that there has been very little change in the average real income of American households over a period of decades. It is an undisputed fact that the average real income—that is, money income adjusted for inflation—of American households rose by only 6 percent over the entire period from 1969 to 1996. That might well be considered to qualify as stagnation. But it is an equally undisputed fact that the average real income per person in the United States rose by 51 percent over that very same period.3 How can both these statistics be true? Because the average number of individuals per household has been declining over the years. Half the households in the United States contained six or more people in 1900, as did 21 percent in 1950. But, by 1998, only ten percent of American households had that many people.4 The average number of persons per household not only varies over time, it also varies from one racial or ethnic group to another at a given time, and varies from one income bracket to another. As of 2007, for example, black household income was lower than Hispanic household income, even though black per capita income was higher than Hispanic per capita income, because black households average fewer people than Hispanic households. Similarly, Asian American household income was higher than white household income, even though white per capita income was higher than Asian American per capita income, because Asian American households average more people.5 Income comparisons using household statistics are far less reliable indicators of standards of living than are individual income data because households vary in size while an individual always means one person. Studies of what people actually consume—that is, their standard of living—show substantial increases over the years, even among the poor,6 which is more in keeping with a 51 percent increase in real per capita income than with a 6 percent increase in real household income. But household income statistics present golden opportunities for fallacies to flourish, and those opportunities have been seized by many in the media, in politics, and in academia.

Foolproof Get Outta Bed Plan First, figure out the thing you would love to do first each morning. Is it pet your dog, eat a piece of dark chocolate, have your neck massaged, have your back scratched? Whatever will keep those eyes popped open is what you are going to do for yourself the instant you wake up. Next, you are going to keep a journal and pen beside your bed. Write down your intention and reward for the instant your eyes open. “I am going to wake up at [6:00 am]. As soon as I wake up, I am going to [drink an ice-cold glass of water] and then get in my shower.” Modify the parts in brackets with your time and your eye-opener. Finally, this third part only applies if you are a “tough case.” If you know yourself to be truly resistant to waking up, then you need a specialty app. Download an app like Alarmy. It is going to force you to wake up and take a picture of something specific (like your shower) before the alarm will shut off. I know, extreme alarms for extreme snoozers. This three-part process—note something to look forward to, set intention in writing, and use an app/alarm if needed—will work if you have identified a truly rewarding experience for yourself. This is all about your knowledge of yourself and your ability to design a three-part process that will feel like a luxurious reward to you. Maybe I should change mine to fresh-squeezed orange juice. That sounds amazing!

It was his fault.She could put the blame for this entirely on Brian Donnelly's shoudlers.If he hadn't been so insufferable,if he hadn't been there being insufferable when Chad had called, she wouldn't have agreed to go out to dinner.And she wouldn't have spent nearly four hours being bored brainless when she could've been doing something more useful. Like watching paint dry. There was nothing wrong with Chad, really.If you only had,say,half a brain, no real interest outside of the cut of this year's designer jacket and were thrilled by a rip-roaring debate over the proper way to serve a triple latte,he was the perfect companion. Unfortunately,she didn't gualify on any of those levels. Right now he was droning on about the painting he'd bought at a recent art show. No,not the painting,Keeley thought wearily. A discussion of the painting,of art,might have been the medical miracle that prevented her from slipping into a coma.But Chad was discoursing-no other word for it-on The Investment. He had the windows up and the air conditioning clasting as they drove. It was a perfectly beautiful night, she mused, but putting the windows down meant Chad's hair would be mussed. Couldn't have that. At least she didn't have to attempt conversation. Chad preferred monologues. What he wanted was an attractive companion of the right family and tax bracket who dressed well and would sit quietly while he pontificated on the narrow areas of his interest. Keeley was fully aware he'd decided she fit the bill,and now she'd only encouraged him by agreeing to this endlessly tedious date.

His voice was cool and steady. “You’ve proved my point, Lillian. If a man you don’t even like can bring you to this state, then how much easier would it be for St. Vincent?” She started as if he had slapped her, and her eyes widened. The transition from warm desire to a feeling of utter foolishness was not a pleasant one. The devastating intimacy between them had been nothing but a lesson to demonstrate her inexperience. He had used it as an opportunity to put her in her place. Apparently she wasn’t good enough to wed or to bed. Lillian wanted to die. Humiliated, she scrambled upward, clutching at her unfastened garments, and shot him a glare of hatred. “That remains to be seen,” she choked out. “I’ll just have to compare the two of you. And then if you ask nicely, perhaps I’ll tell you if he—” Westcliff pounced on her with startling swiftness, shoving her back to the lawn and bracketing her tossing head between his muscular forearms. “Stay away from him,” he snapped. “He can’t have you.” “Why not?” she demanded, struggling as he settled more heavily between her flailing legs. “Am I not good enough for him either? Inferior breed that I am—” “You’re too good for him. And he would be the first to admit it.” “I like him all the better for not suiting your high standards!” “Lillian— hold still, damn it— Lillian, look at me!” Westcliff waited until she had stilled beneath him. “I don’t want to see you hurt.” “Has it ever occurred to you, you arrogant idiot, that the person most likely to hurt me might be you?” Now it was his turn to recoil as if struck. He stared at her blankly, though she could practically hear the whirring of his agile brain as he sorted through the potential implications of her rash statement. “Get off me,” Lillian said sullenly. He moved upward, straddling her slender hips, his fingers grasping the inner edges of her corset. “Let me fasten you. You can’t run back to the manor half dressed.” “By all means,” she replied with helpless scorn, “let’s observe the proprieties.” Closing her eyes, she felt him tugging her clothes into place, tying her chemise and re-hooking her corset efficiently. When he finally released her, she sprang from the ground like a startled doe and rushed to the entrance of the hidden garden. To her eternal humiliation, she couldn’t find the door, which was concealed by the lavish spills of ivy coming over the wall. Blindly she thrust her hands into the trailing greenery, breaking two nails as she scrabbled for the doorjamb. Coming up behind her, Westcliff settled his hands at her waist, easily dodging her attempts to throw him off. He pulled her hips back firmly against his and spoke against her ear. “Are you angry because I started making love to you, or because I didn’t finish?” Lillian licked her dry lips. “I’m angry, you bloody big hypocrite, because you can’t make up your mind about what to do with me.” She punctuated the comment with the hard jab of one elbow back against his ribs.

in Solution Most chemical reactions that occur on the earth’s surface, whether in living organisms or among inorganic substances, take place in aqueous solution. Chemical reactions carried out between substances in solution obey the requirements of stoichiometry discussed in Chapter 2, in the sense that the conservation laws embodied in balanced chemical equations are always in force. But here we must apply these requirements in a slightly different way. Instead of a conversion between masses and number of moles, using the molar mass as a conversion factor, the conversion is now between solution volumes and number of moles, with the concentration as the conversion factor. For instance, consider the reaction that is used commercially to prepare elemental bromine from its salts in solution: 2 Br � (aq) � Cl2(aq) 02 Cl � (aq) � Br2(aq) Suppose there is 50.0 mL of a 0.0600 M solution of NaBr. What volume of a 0.0500 M solution of Cl2 is needed to react completely with the Br � ? To answer this, find the number of moles of bromide ion present: 0.0500 L � (0.0600 mol L �1 ) � 3.00 � 10 �3 mol Br � Next, use the chemical conversion factor 1 mol of Cl2 per 2 mol of Br � to find moles Cl2 reacting � 3.00 � 10 �3 mol Br � a 1 mol Cl2 2 mol Br � b � 1.50 � 10 �3 mol Cl2 Finally, find the necessary volume of aqueous chlorine: 1.50 � 10 �3 mol � 3.00 � 10 �2 L solution 0.0500 mol L �1 The reaction requires 3.00 � 10 �2 L, or 30.0 mL, of the Cl2 solution.(In practice, an excess of Cl2 solution would be used to ensure more nearly complete conversion of the bromide ion to bromine. ) The chloride ion concentration after completion of the reaction might also be of interest. Because each mole of bromide ion that reacts gives 1 mol of chloride ion in the products, the number of moles of Cl � produced is 3.00 � 10 �3 mol. The final volume of the solution is 0.0800 L, so the final concentration of Cl � is [Cl � ] � 3.00 � 10 �3 mol � 0.0800 L 0.0375 M Square brackets around a chemical symbol signify the molarity of that species.

The elements of mythical thought similarly lie half-way between percepts and concepts. It would be impossible to separate percepts from the concreteskuations in which they appeared, while recourse to concepts would require that thought could, at least provisionally, put its projects (to use Husserl's expression) 'in brackets'. Now, there is an intermediary between images and concepts, namely signs. For signs can always be defined in the way introduced by Saussure in the case of the particular category of linguistic signs, that is, as a link between images and concepts. In the union thus brought about, images and concepts play the part of the signifying and signified respectively.

In scripting, a careful coder ends every statement with a semicolon. (Sometimes complex, paragraph-like statements end with a curly bracket instead of a semicolon.

Darcy picked her up again, this time not as gently as he had when she’d tripped on the root. He carried her under one arm like a sack of grain, though to his credit, he avoided putting pressure on her lower abdomen. “I said no, ye contrary thing, and I’m big enough to make you obey whether ye want to or no’.” He crashed through the line of trees, stomped past the wounded men, and set her firmly in the wagon. “A skirmish is no place for a woman. I willna be responsible for you getting raped or killed.” That vulnerable look softened his hard features for a second. “I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.

By Chaucer’s time the cooking fire had usually moved from the centre of the ground-floor hall to the side wall of the kitchen, with a chimney and a flue. There might be a bracket let into the wall beside the fireplace with a horizontal arm, so that a cauldron could be swung over the fire. In front of the fire would be a rack holding one or more spits, probably of different sizes. Ovens were separate structures from the cooking fires, although they might be built into the side of the chimney. The heat source was logs from the fire, put into the oven while burning and removed once the clay walls of the oven were hot right through, so that they retained the heat for bread-baking. Once the loaves were done the residual heat could be used for other things, such as pies and joints brought in for baking by paying customers. Where we wrap a joint in foil, to keep it tender and retain the juices, the medieval cook achieved the same result by enclosing the joint or bird in a ‘chest’ or ‘coffin’ of plain flour and water, which was not meant for eating.

I lift the edge of her shirt so I can settle my hands on her naked waist, but she pushes my hands away. “What’s wrong?” “I can’t get used to all the touching you do. It’s strange. And makes me feel vulnerable, because my body is far from perfect.” It took a lot for her to say that, I can tell. She’s worried about me touching a pudgy spot? Seriously? I live for pudge. Bring it on. “You want me to keep my hands to myself?” She shakes her head. “No.” I kiss the tip of her nose. She scrunches up her face, and then brackets my face with her hands, looks into my eyes, and kisses me.

Playgrounds are only possible when we bracket the potential boredom or trauma in the things we encounter so that their material properties can guide us to new ways of engaging them. The crappy Instagram, Shore’s uncommon places, and the Mad Men crew’s thrift-store scavenging for set decoration all do the same thing. They recast something familiar in a relatively minor way, one that yields very little to our human desires unless we quiet them through physical therapy—by working with them, by manipulating them in our heads and then our hands. By playing with them. The

Chunking When I was young, I was told to read word by word very carefully. While this was useful for the early stages of learning, it is counterproductive later in life. The ultimate purpose of speed reading isn’t actually to read fast: it is to form images of what you read. In essence, it is really reading in images. Let’s take a sentence: The big fat cat jumped over the large spiky fence. Reading this word by word, our brain processes ten words. Hypothetically, if every word took us one second to read, the above sentence would take ten seconds to read. Now let’s break the sentence into chunks. (The big fat cat) (jumped over) (the large spiky fence) In this instance, we have ‘chunked’ the words into three (bracketed) images. If it took you one second to read each ‘chunk’ or image, the sentence could now be read in three seconds. This is more than three times faster than reading word by word! And you still read every word. In order to apply chunking, we apply it to a minimum set of words. To begin with, start by taking three words at a time. How to chunk:   1. Place your reading guide in the middle of the three words (i.e. beneath the second word). 2. Instead of reading each word, look at them as a group and visualise an image for them.  

I don’t know what to do with myself all alone with Matt, so I start to load the dishwasher with today’s dishes. Matt picks up plates and cups from the table and helps me. “Careful, or I’ll get used to having you around,” I warn playfully. He looks directly into my eyes. “Good. That’s what I’m going for.” My breath hitches, and I have to turn away so that I’m not facing him. I lay my hands flat on the counter and take a breath. But then I feel Matt’s length behind me. His palms lie flat on the counter beside mine, his arms bracketing my body. I can feel him from the top of my head to the heels of my feet, he’s that close. “You in love with me yet?” he whispers quietly. A grin steals across my face, and I’m so glad he can’t see it. “Nope,” I say past the lump in my throat. He brushes the hair from the back of my neck and presses his lips there. I’m suddenly glad he’s behind me, because my knees might just give out. His lips are soft and warm, but insistent. He kisses the side of my neck, and I tilt my head because it feels so damn good. “Someday, you’re going to want to marry me,” he murmurs. “You’re awfully sure of yourself.” My voice quavers only a little. I’m quite proud of that. “Mmm hmm,” he murmurs, and his lips gently slide up the side of my neck.

Simon's gaze wandered over the drifts of lace and muslin that covered her body. Still dressed in his formal black wedding suit, he approached her slowly and came to stand before her as she remained sitting in the chair. To her surprise, he lowered to his knees to bring their faces level, his thighs bracketing her slender calves. A large hand lifted to the shimmering fall of her hair, and he combed his fingers through it, watching with fascination as the golden brown strands slipped across his knuckles. Although Simon was immaculately dressed, there were signs of dishevelment that lured her attention... the short forelocks of his hair falling over his forehead, the loosened knot of his ice gray silk cravat. Dropping the brush to the floor, Annabelle used her fingers to smooth his hair in a tentative stroke. The sable filaments were thick and gleaming, springing willfully against her fingertips. Simon held still for her as she untied the cravat, the heavy silk saturated with the warmth of his skin. His eyes contained an expression that caused a ticklish sensation in the pit of her stomach. "Every time I see you," he murmured. "I think you couldn't possibly become any more beautiful- and you always prove me wrong.

In the budget the term we use for it is bracketing. We hire a contractor, like Bob Creamer, to do this work of organizing the opposition force, and also to organize rallies for our candidates. The Republicans do it, too. The footage of Creamer and Scott Foval boasting about picking fights with crazy people in the line to a campaign rally looked terrible. Foval was taped saying, “It doesn’t matter what the fricking legal and ethics people say. We need to win this mother fucker… In the lines at Trump rallies, we’re starting anarchy.

Net wages: “It’s not what you make, but what you net” after paying the FIRE sector, basic utilities and taxes. The usual measure of disposable personal income (DPI) refers to how much employees take home after income-tax withholding (designed in part by Milton Friedman during World War II) and over 15% for FICA (Federal Insurance Contributions Act) to produce a budget surplus for Social Security and health care (half of which are paid by the employer). This forced saving is lent to the U.S. Treasury, enabling it to cut taxes on the higher income brackets. Also deducted from paychecks may be employee withholding for private health insurance and pensions. What is left is by no means freely available for discretionary spending. Wage earners have to pay a monthly financial and real estate “nut” off the top, headed by mortgage debt or rent to the landlord, plus credit card debt, student loans and other bank loans. Electricity, gas and phone bills must be paid, often by automatic bank transfer – and usually cable TV and Internet service as well. If these utility bills are not paid, banks increase the interest rate owed on credit card debt (typically to 29%). Not much is left to spend on goods and services after paying the FIRE sector and basic monopolies, so it is no wonder that markets are shrinking. (See Hudson Bubble Model later in this book.) A similar set of subtrahends occurs with net corporate cash flow (see ebitda). After paying interest and dividends – and using about half their revenue for stock buybacks – not much is left for capital investment in new plant and equipment, research or development to expand production.

Because he was leaving Liberia, Chris had tried selling his Italian made, Vespa motor-scooter. It had seen a lot of use and I know that he didn’t buy it new, but it ran and was transportation for him. ‘I’ll give you fifty for it.” I said. “The hell you will,” was his curt reply, “One hundred and fifty makes it yours.” “Don't make me laugh; it's not worth the fifty I'm offering.” I could see his face turn beet-red knowing that I had him over a barrel. “Tell you what Chris, let's cut it in half and depart friends.” I offered. I don’t think he could believe his good luck, as he was quick to accept. “Done,” he said “but you pay the taxes and license!” Of course I knew that these charges were mine but I pretended to groan anyway. With the deal done I was now the proud owner of the motor scooter. Right after the license was transferred, I rode it into a backyard body shop and had it cleaned up and painted bright red. No longer would I have to depend on a taxi or others for transportation. I was free to zip here and there at will. From now on it was the first thing off and the last thing onto the ship. I had Bo-Bo Ben, the ship’s carpenter, make a cradle to secure it and had brackets welded to the main deck behind the house, to lash it down. It still left enough elbow-room for the crew to fish off the stern.

Case #6 Sandy and Bob Bob is a successful dentist in his community. In the 15 years since he established his own practice, he has established a reliable base of patients and has built a thriving business in a great location. A couple years ago, he brought his wife, Sandy, a business expert with an MBA, on board to help him oversee the business end of the dental practice. She had recently left her job at a financial services firm, and Bob knew that Sandy’s business acumen would be helpful in getting his administrative house in order. She brought on new employees, developed effective new processes, and enhanced the office’s marketing efforts. Within a few months, Sandy’s improvements had managed to make the dental practice a well-oiled machine. Now she could turn her attention to their real estate portfolio. Bob and Sandy owned three small apartment buildings around town, as well as one small commercial center that was home to a nail salon, a chiropractor’s office, a coffee house and a wine shop. Fortunately, Bob’s dental practice was a success and their investments earned a nice passive income for them. Unfortunately, because Bob earned on average $250,000 per year, the couple couldn’t use passive loss, which in their case came to about $100,000, from their investments to offset his high earned income. Eventually, they would be earning sheltered profits—when the mortgages on their properties were paid off and the rentals made pure profit, or if they were to sell a property. When those things eventually happened, they could use their losses to shelter those profits. But until that time, the losses were going unused. Sandy made an appointment with their CPA to discuss the situation and see how they might improve their tax situation. The CPA asked, “What about becoming a real estate professional?” He explained to Sandy that if she spent 750 hours per year, or about 15 hours a week, on the couple’s real estate investments, she would be considered a real estate professional by the IRS. This would enable the couple to write off 100 percent of their passive losses against Bob’s high income, which would bring his taxable income down to $100,000. This $100,000 deduction brought Bob and Sandy into a lower tax bracket, saving them roughly $31,000 in taxes. Sandy already devoted a large percentage of her time to overseeing their investments, and when she saw the tax advantages, her decision became clear: She would file the Section 469(c)(7) and become a real estate professional.

One of the reasons why a lot of the statistical claims about COVID-19 are controversial is that endogeneity problems abound. Early on in the pandemic, it was worryingly common, for example, to hear people take the numbers of deaths within some age brackets from COVID-19, divide that by the total population of the group, and then use the low number to conclude that people in that group are less likely to die from COVID-19 than from being struck by lightning, being a victim of a shark attack, or something else that seems a relatively tiny risk. The implicit mental model here is that becoming infected with COVID-19 is a matter of random chance and therefore the death rates observed so far represent an accurate representation of the risk of getting and dying from the disease. But this is obviously not true. Your chance of getting infected and dying of COVID-19 is influenced by both your behavior and policy. That there have been relatively higher infections and deaths in prisons or meatpacking plants does not necessarily tell us that prisoners or meatpacking workers have personal characteristics that make them more susceptible to the worst outcomes from the disease. It might simply be that they spend much time in a place that puts them more at risk of infection.

BUT THE STORY doesn’t end there. Now that you have gotten used to paying more for coffee, and have bumped yourself up onto a new curve of consumption, other changes also become simpler. Perhaps you will now move up from the small cup for $2.20 to the medium size for $3.50 or to the Venti for $4.15. Even though you don’t know how you got into this price bracket in the first place, moving to a larger coffee at a relatively greater price seems pretty logical. So is a lateral move to other offerings at Starbucks: Caffè Americano, Caffè Misto, Macchiato, and Frappuccino, for instance. If you stopped to think about this, it would not be clear whether you should be spending all this money on coffee at Starbucks instead of getting cheaper coffee at Dunkin’ Donuts or even free coffee at the office. But you don’t think about these trade-offs anymore. You’ve already made this decision many times in the past, so you now assume that this is the way you want to spend your money. You’ve herded yourself—lining up behind your initial experience at Starbucks—and now you’re part of the crowd.

we suffer also from our inevitable confrontation with the human condition-the "givens" of existence. What precisely are these "givens"? The answer is within each of us and readily available. Set aside some time and meditate on your own existence. Screen out diversions, bracket all preexisting theories and beliefs, and reflect on your "situation" in the world. In time you will inevitably arrive at the deep structures of existence or, to use the theologian Paul Tillich's felicitous term, ultimate concerns. In my view, four ultimate concerns are particularly germane to the practice of therapy: death, isolation, meaning in life, and freedom. These four ultimate concerns constitute the spine of my 1980 textbook, Existential Psychotherapy, in which I discuss, in detail, the phenomenology and the therapeutic implications of each of these concerns.

Tags separate normal texts from codes. They are the words found between angle brackets and they allow tables and images among others to tell the browser what needs to be rendered on the page. HTML tags perform a variety of functions. They do not show up when you use a browser to view the page. You only see their effects. The most basic and simplest of tags do not have a lot of functions. They merely apply formatting to texts.

Since the eighteenth century, the Celtic fringes have posed for the urban intellectual as a location of the wild, the natural, the creative and the insecure. We can often find it said, with warm approval, that the Celts are impetuous, natural, spiritual and naive. I try in what follows to make a clear that such an approval is drawing on the same system of structural oppositions as is the accusation that the Celt is violent (impetuous), animal (natural), devoid of any sense of property (spiritual), or without manners (naive). I include the bracketed terms as effective synonyms of the words that precede them, that we would use to praise rather than deride... We are dealing here with a rich verbal and metaphorical complex, and I have not thought it very important to distinguish between those who find a favourable opinion of the Gael within this complex, and those who dip into it to find the materials for derision. In both cases the coherence of the statements can only be found at their point of origin, the urban intellectual discourse of the English language, and not at their point of application, the Celt, the Gael, the primative who is ever departing, whether his exit be made to jeers or to tears.

First published in 2020 this book contains over 560 easily readable compact entries in systematic order augmented by an extensive bibliography, an alphabetical list of countries and locations of individuals final resting places (where known) and a day and month list in consecutive order of when an individual died. It details the deaths of individuals, who died too early and often in tragic circumstances, from film, literature, music, theatre, and television, and the achievements they left behind. In addition, some ordinary people who died in bizarre, freak, or strange circumstances are also included. It does not matter if they were famous or just celebrated by a few individuals, all the people in this book left behind family, friends and in some instances devotees who idolised them. Our heartfelt thoughts and sympathies go out to all those affected by each persons death. Whether you are concerned about yourself, a loved one, a friend, or a work colleague there are many helplines and support groups that offer confidential non-judgemental help, guidance and advice on mental health problems (such as anxiety, bereavement, depression, despair, distress, stress, substance abuse, suicidal feelings, and trauma). Support can be by phone, email, face-to-face counselling, courses, and self-help groups. Details can be found online or at your local health care organisation. There are many conspiracy theories, rumours, cover-ups, allegations, sensationalism, and myths about the cause of some individual’s deaths. Only the facts known at the time of writing are included in this book. Some important information is deliberately kept secret or undisclosed. Sometimes not until 20 or even 30 years later are full details of an accident or incident released or in some cases found during extensive research. Similarly, unsolved murders can be reinvestigated years later if new information becomes known. In some cases, 50 years on there are those who continue to investigate what they consider are alleged cover-ups. The first name in an entry is that by which a person was generally known. Where relevant their real name is included in brackets. Date of Death | In the entry detailing the date an individual died their age at the time of their death is recorded in brackets. Final Resting Place | Where known details of a persons final resting place are included. “Unknown” | Used when there is insufficient evidence available to the authorities to establish whether an individuals’ death was due to suicide, accident or caused by another. Statistics The following statistics are derived from the 579 individual “cause of death” entries included in this publication. The top five causes of death are, Heart attack/failure 88 (15.2%) Cancer 55 (9.5%) Fatal injuries (plane crash) 43 (7.4%) Fatal injuries (vehicle crash/collision) 39 (6.7%) Asphyxiation (Suicide) 23 (4%). extract from 'Untimely and Tragic Deaths of the Renowned, The Celebrated, The Iconic

This means that, on one level, there are no algorithms or codes that are free from subjectivity. At a higher level, in the case of machine learning algorithms, any decisions or distinctions produced by an algorithm from prior decisions cannot be isolated from critique. Humanists must be opposed to bracketing any questions applied to the operations and procedures used within these methods.

I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.

Hardie Boys- Exterior Millwork Exterior spaces on your property are largely exposed to the elements and that means they have to endure considerable wear and tear. This is why it becomes important to make sure that the structures, features and elements are manufactured by specialists that use high-quality, weather-resistant materials and products. We at Hardie Boys, Inc. are a leading manufacturer of various type of exterior architectural work. Since our inception in 1997, we have moved from strength to strength and created a niche for ourselves in this space. Today, when property owners across the region want any exterior millwork done, the first company they think of is us. Not only do we design, manufacture & install a variety of columns, soffit systems, brackets and louvers and a number of other similar products, but use very unique materials and techniques in making these features. Take a look at how our products differ from standard ones used in these applications: • Longevity- Traditionally, these features are made using materials such as foam, wood, concrete, plaster, brick, aluminum, iron etc. While most of these materials are quite hardy they aren’t always able to withstand the elements well. Wood can rot, while metal can rust and corrode over time; concrete tends to develop cracks when exposed to temperature fluctuations and plaster loses its resilience over time. All our products are made with a unique cellular PVC material which is extremely resilient and lasts for a number of years without any trouble. • Minimal maintenance- When you have exterior structures made of wood, they require specialized treatment and have to be polished or painted with regularity. Metal features have to be sanded and painted regularly as well and concrete needs to be resurfaced when it develops cracks. In comparison, the cellular PVC material we use is low-maintenance and only requires basic cleaning. • Aesthetics- As mentioned earlier, the material we use in exterior millwork is weather-resistant and doesn’t fade or deteriorate as much as traditionally-used materials do. This means the features and installations on your property continue to look attractive and add to the aesthetics and value of your property. • Fast and simple installation-The installation of the features made of cellular PVC is easy and quick. This means the project can be completed within a shorter timeframe and with the least amount of disruption to the daily activities on your property. • Versatility- This material is extremely versatile and can be used in the manufacture of various features and installation. We are also very creative and innovative in our approach and keep adding new products to our existing line of premium products. We are a customer-centric company that focuses on customization; and work very closely with our customers and provide beautifully-designed custom exterior millwork installations that are resilient and durable. While the British West Indies style is what we are more inclined towards, our products complement architectural styles including Dutch West Indies, Florida Vernacular, Coastal, Key West and more. For any more information about our custom designed cellular PVC, exterior millwork, contact Hardie Boys, Inc. on this number- 954-784-8216.

Try. It’s more efficient. You can’t go through life doing this the wrong way. The wasted minutes could add up to days. Weeks.” An unexpected giggle escaped her, as if she were a young girl being teased. “I don’t use a pencil that often.” Devon reached around her, his hands engulfing hers. And she let him. She stood still, her body wary but compliant. A fragile trust had been established during their earlier encounter--no matter what else she might fear from him, she seemed to understand that he wouldn’t hurt her. The pleasure of holding her washed through him in repeated waves. She was petite and fine-boned, the delicious fragrance of roses rising to his nostrils. He’d noticed it when he’d held her earlier…not a cloying perfume, but a light floral essence swept with the sharp freshness of winter air. “All it takes is six cuts,” he said near her ear. She nodded, relaxing against him as he guided her hands with precision. One deep stroke of the lade neatly removed an angled section of wood. They rotated the pencil and made another cut, and then a third, creating a precise triangular prism. “Now trim the sharp edges.” They concentrated on the task with his hands still bracketed over hers, using the blade to chamfer each corner of wood until they had created a clean, satisfying point. Done. After one last luxurious inhalation of her scent, Devon released her slowly, knowing that for the rest of his life, a single breath of a rose would bring him back to this moment.