Urban Sayings And Quotes

In Ireland, you go to someone's house, and she asks you if you want a cup of tea. You say no, thank you, you're really just fine. She asks if you're sure. You say of course you're sure, really, you don't need a thing. Except they pronounce it ting. You don't need a ting. Well, she says then, I was going to get myself some anyway, so it would be no trouble. Ah, you say, well, if you were going to get yourself some, I wouldn't mind a spot of tea, at that, so long as it's no trouble and I can give you a hand in the kitchen. Then you go through the whole thing all over again until you both end up in the kitchen drinking tea and chatting. In America, someone asks you if you want a cup of tea, you say no, and then you don't get any damned tea. I liked the Irish way better.

Most people in Atlanta don't have an accent. It's pretty urban. A lot of people speak gangsta, though," I add jokingly. "Fo' shiz," he replies in his polite English accent. I spurt orangey-red soup across the table. St. Clair gives a surprised ha-HA kind of laugh, and I'm laughing too, the painful kind like abdominal crunches. He hands me a napkin to wipe my chin. "Fo'. Shiz." He repeats it solemnly. Cough cough. "Please don't ever stop saying that. It's too-" I gasp. "Much." "You oughtn't to have said that. Now I shall have to save it for special occasions." "My birthday is in February." Cough choke wheeze. "Please don't forget.

The pessimist says, ‘It can’t get any worse!’ And the optimist replies, ‘Oh yes it can!

Politeness is the first thing people lose once they get the power.

I mean to say, really, I am near to developing a neurosis - is there anyone around who doesn't want to study or kill me?" Floote raised a tentative hand. "Ah, yes, thank you, Floote." "There is also Mrs Tunstell, madam," he offered hopefully, is if Ivy were some kind of consolation prize. "I notice you don't mention my fair-weather husband." "I suspect, at this moment, madam, he probably wants to kill you." Alexia couldn't help smiling. "Good point.

I wasn’t ready to tell you goodbye yet.” He scanned her face as the silence embraced them, words he was terrified to speak aloud echoed through his mind. He might never be ready to hear her say goodbye.

Folk wisdom: quaint sayings of urban sophisticates compiled from the suburbs.

The farmer was and remains the stumbling block to socialist experiments everywhere. Since he raises his own food and tends to live in his own house, he is less “controllable” than say, the urban dweller.

I'm grateful when anybody can start to have his or her limited perception of the genre open up a little bit, ... There's a lot of great music in the country genre that doesn't get heard because people say, 'Well, I don't like country.

When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.

Dinner later. My house. Bring clothes for the weekend, ’cause you won’t be making it home.” Ty didn’t say another word, just turned and headed for the elevator at a stroll, shrugging into his overcoat as he went. Zane watched him go, enjoying the sight. “Score,” he said under his breath before he grabbed his phone and keys and hurried to follow.

I knew I was a little different from most demons but nothing says freak of nature like a one-eyed gypsy saying I had a rainbow glow. It just didn't sound complimentary.

And if I get it right everybody will be singing along, yeah And when they see you on the street they’ll say, 'Hey, ain’t you the girl in that song?

Holy shit! Can we say unstable? Was I the only sane one around here? Well, I guess that really wasn’t setting the standard very high." -Ember, Darkness Of Light

I will not be threatened. Do you understand me?’ He leaned closer again, his lips less than a couple of inches from hers. ‘Now try saying it without trembling.

I’m not ready to say goodnight yet.” “Then don’t.” I raised a brow. “If I go with you, I might not be able to resist kissing you again.” “Oh, I’m counting on it.” She grinned. “Get in.

While I was backstage before presenting the Best New Artist award, I talked to George Strait for a while. He's so incredibly cool. So down-to-earth and funny. I think it should be known that George Strait has an awesome, dry, subtle sense of humor. Then I went back out into the crowd and watched the rest of the show. Keith Urban's new song KILLS ME, it's so good. And when Brad Paisley ran down into the front row and kissed Kimberley's stomach (she's pregnant) before accepting his award, Kellie, my mom, and I all started crying. That's probably the sweetest thing I've ever seen. I thought Kellie NAILED her performance of the song we wrote together "The Best Days of Your Life". I was so proud of her. I thought Darius Rucker's performance RULED, and his vocals were incredible. I'm a huge fan. I love it when I find out that the people who make the music I love are wonderful people. I love Faith Hill and how she always makes everyone in the room feel special. I love Keith Urban, and how he told me he knows every word to "Love Story" (That made my night). I love Nicole Kidman, and her sweet, warm personality. I love how Kenny Chesney always has something hilarious or thoughtful to say. But the real moment that brought on this wave of gratitude was when Shania Twain HERSELF walked up and introduced herself to me. Shania Twain, as in.. The reason I wanted to do this in the first place. Shania Twain, as in.. the most impressive and independent and confident and successful female artist to ever hit country music. She walked up to me and said she wanted to meet me and tell me I was doing a great job. She was so beautiful, guys. She really IS that beautiful. All the while, I was completely star struck. After she walked away, I realized I didn't have my camera. Then I cried. You know, last night made me feel really great about being a country music fan in general. Country music is the place to find reality in music, and reality in the stars who make that music. There's kindness and goodness and....honesty in the people I look up to, and knowing that makes me smile. I'm proud to sing country music, and that has never wavered. The reason for the being.. nights like last night.

I like being able to wake up with you. I like knowing you'll be there if I need you," he continued, obviously uncomfortable with what he was saying but refusing to be deterred now that he'd begun. "I like being with you, Zane. And I'd like to keep that up now that you're here," he admitted shakily. He met Zane's eyes determinedly. "I want you.

I’m not ready to say goodnight yet.

You both talk too much,” the kid says. “Shut up. Don’t make me tell you again.” We shut up, which I find hysterically funny.

You can trust everyone to be human, with all the quirks and inconsistencies we humans display, including disloyalty, dishonesty and downright treachery. We are all capable of the entire range of human behavior, given the circumstances, from absolute saintliness to abject depravity. Trusting someone to limit their sphere of action to one narrow band on the spectrum is idealistic and will inevitably lead to disappointment. On the other hand, you can decide to trust that everyone is doing their best according to their particular stage of development, and to give everyone their appropriate berth. For this to work, you have to trust yourself to make and have made the right choices that will lead you on the path to your healthy growth. You have to trust yourself to come through every experience safely and enriched. But don’t trust what I am saying. Listen and then decide for yourself. Does this information sit easily in your belly? You know when you trust yourself around someone because your belly feels settled and your heart feels warm.

My dad liked to say that magic itself is never black; only the uses to which it is put, but mind magic is already tinted a deep, dark gray.

I would say Pittsburgh softly each time before throwing him up. Whisper Pittsburgh with my mouth against the tiny ear and throw him higher. Pittsburgh and happiness high up. The only way to leave even the smallest trace. So that all his life her son would feel gladness unaccountably when anyone spoke of the ruined city of steel in America. Each time almost remembering something maybe important that got lost.

You say wicked like it's a bad thing.

If I had to be succinct, I guess I would say that urban magic works on the premise that magic is created by life. And life, these days, is about the underground, the buses, the street lamps, the smell of Chinese take away and the footsteps you half-thought you could hear behind you in the empty car park, but which are gone when you look again.

We all know that there are language forms that are considered impolite and out of order, no matter what truths these languages might be carrying. If you talk with a harsh, urbanized accent and you use too many profanities, that will often get you barred from many arenas, no matter what you’re trying to say. On the other hand, polite, formal language is allowed almost anywhere even when all it is communicating is hatred and violence. Power always privileges its own discourse while marginalizing those who would challenge it or that are the victims of its power.

You can’t just say stuff like that… We’re friends." "...I think we both know that’s not true. We’re more than friends… Or I hope we will be.

They say when you meet somebody that looks just like you, you die.

The worst part about being sick is not getting any sympathy from my wife. She says I have the "man-flu." The Urban Dictionary defines "man-flu" as "an illness that causes the male to be completely helpless and sicker than any other family member." In females it is known as a cold.

Certainly it would not be too much to say that the home is the communal embodiment of family life. Thus the purity of the dwelling is almost as important for the family as is the cleanliness of the body for the individual. -Victor Aimé Huber

It was Joss Whedon's Buffy the Vampire Slayer (the television series, 1997-2003, not the lackluster movie that preceded it) that blazed the trail for Twilight and the slew of other paranormal romance novels that followed, while also shaping the broader urban fantasy field from the late 1990s onward. Many of you reading this book will be too young to remember when Buffy debuted, so you'll have to trust us when we say that nothing quite like it had existed before. It was thrillingly new to see a young, gutsy, kick-ass female hero, for starters, and one who was no Amazonian Wonder Woman but recognizably ordinary, fussing about her nails, her shoes, and whether she'd make it to her high school prom. Buffy's story contained a heady mix of many genres (fantasy, horror, science-fiction, romance, detective fiction, high school drama), all of it leavened with tongue-in-cheek humor yet underpinned by the serious care with which the Buffy universe had been crafted. Back then, Whedon's dizzying genre hopping was a radical departure from the norm-whereas today, post-Buffy, no one blinks an eye as writers of urban fantasy leap across genre boundaries with abandon, penning tender romances featuring werewolves and demons, hard-boiled detective novels with fairies, and vampires-in-modern-life sagas that can crop up darn near anywhere: on the horror shelves, the SF shelves, the mystery shelves, the romance shelves.

You see that honky McNamara on television? He says, "Yes, we are going to draft thirty percent of the Negroes in the Army. This is where they can have equal opportunity. Yeah. Yes… it's true that they are only ten percent of the population, but this is a better chance for them." When that honky talk about drafting thirty percent black people, he's talking about black urban removal—nothing else.

And New York is the most beautiful city in the world? It is not far from it. No urban nights are like the night there. I have looked down across the city from high windows. It is then that the great buildings lose reality and take on their magical powers. They are immaterial; that is to say, one sees but the lighted windows. Squares after squares of flame, set and cut into the Aether. Here is our poetry, for we have pulled down the stars to our will.

October, the urban anthropologist will say, tapping his foot steadily, we are sociologists, not politicians. We are academics, not charity workers. Life is a phenomenon.

An advanced city is not one where poor people drive cars,” Peñalosa says, “but where rich people take public transportation.

Is there a problem?” “No. In fact, she’s quite impressed with your work. So much so, she wants you to be appointed head legal counsel.” “Yes, she did mention something along those lines in this morning’s meeting. But I didn’t want to say anything in case she’d been blowing smoke. Switching isn’t a problem, is it? I mean, I’d be happy to try to smooth things over with the other lawyer.” “That’s not necessary,” Saul said, dryly. “I’m the other attorney.

Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill. I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class... “Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.” Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.” I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart. Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.” “Do they like them?” I asked him curiously. “If I can get them to read, they do. I tell them: Stories are important.” And then he looked at me and smiled.

I think generally people’s thinking process is too bound by convention or analogy to prior experiences. It’s rare that people try to think of something on a first principles basis. They’ll say, “We’ll do that because it’s always been done that way.” Or they’ll not do it because “Well, nobody’s ever done that, so it must not be good.” But that’s just a ridiculous way to think. You have to build up the reasoning from the ground up—“from the first principles

You ever hear about that experiment an American journalist did in Moscow in the 1970s? He just lined up at some building, nothing special about it, just a random door. Sure enough, someone got in line behind him, then a couple more, and before you knew it, they were backed up around the block. No one asked what the line was for. They just assumed it was worth it. I can’t say if that story was true. Maybe it’s an urban legend, or a cold war myth. Who knows?

People go on and on about boobs and butts and teeny waists, but the clavicle is the true benchmark of female desirability. It is a fetish item. Without visible clavicles you might as well be a meatloaf in the sexual marketplace. And I don't mean Meatloaf the person, who has probably gotten laid lotsa times despite the fact that his clavicle is buried so deep as to be mere urban legend, because our culture does not have a creepy sexual fascination on the bones of meaty men. Only women. Show us your bones, they say. If only you were nothing but bones.

I belong only to you", he says, looking up at me with earnest eyes. My heart just skipped a beat.

Not that I did, bang her that is. I’m not saying I wouldn’t, how could I ever be sure about something like that?

I'll email you,” he says as if he's asking me into the cellar to taste his vintage champagne.

Never stray from your own kind, Jessen,” my mother would say, “or you could end up like Princess Morga, a slave and outcast to be abhorred.” The problem was, I’d never been a very obedient daughter. Never the one to do exactly as I was told. And fairy tales have no meaning when the stars align and Fortune spins her wheel, weaving her own story for your heart.

I don't have a choice sahib. Artho hi kanya parakeeya eva father used to say" "What does it mean?" "It means a girl is another man's property and she is held in trust by her parents.

Urban was her way of saying black. Simi had downed her champagne through gritted teeth. She wanted to win because she was good – smart, creative, persuasive – not because she was black.

Look for the good instead of the bad, the right instead of the wrong, the beauty instead of the blight, the joy instead of the sorrow. Do this and you'll always have something good to say.

What works best in the cities is walkability,' says Jeff Speck, the renowned urban planner. And the best walks in cities, according to Speck, must be useful, safe, comfortable and interesting.

Incidentally, am I alone in finding the expression “it turns out” to be incredibly useful? It allows you to make swift, succinct, and authoritative connections between otherwise randomly unconnected statements without the trouble of explaining what your source or authority actually is. It’s great. It’s hugely better than its predecessors “I read somewhere that...” or the craven “they say that...” because it suggests not only that whatever flimsy bit of urban mythology you are passing on is actually based on brand new, ground breaking research, but that it is research in which you yourself were intimately involved. But again, with no actual authority anywhere in sight. Anyway, where was I?

There’s a saying that all roads lead to Ankh-Morpork, greatest of Discworld cities. At least, there’s a saying that there’s a saying that all roads lead to Ankh-Morpork. And it’s wrong. All roads lead away from Ankh-Morpork, but sometimes people just walk along them the wrong way. Poets long ago gave up trying to describe the city. Now the more cunning ones try to excuse it. They say, well, maybe it is smelly, maybe it is overcrowded, maybe it is a bit like Hell would be if they shut the fires off and stabled a herd of incontinent cows there for a year, but you must admit that it is full of sheer, vibrant, dynamic life. And this is true, even though it is poets that are saying it. But people who aren't poets say, so what? Mattresses tend to be full of life too, and no one writes odes to them. Citizens hate living there and, if they have to move away on business or adventure or, more usually, until some statute of limitations runs out, can’t wait to get back so they can enjoy hating living there some more. They put stickers on the backs of their carts saying "Anhk-Morpork—Loathe It or Leave It.

Is this one addiction I can indulge?” Ty’s eyes closed as soon as they made contact, and he turned his head to the side and sighed softly as he slid his arms around Zane. “At least it’s not one that’ll kill you,” he answered flatly. Zane’s mouth tipped up at the corners. He wasn’t too sure he’d say that.

Luke!...We have to be able to do cool dancing so we don't embarrass our child!" "I'm a very cool dancer," replies Luke. "Very cool indeed," "No you're not!" "I had dance lessons in my teens, you know," he retorts. "I can waltz like Fred Astire." "Waltz?" I echo derisively. "That's not cool! We need to know all the street moves. Watch me." I do a couple funky head-wriggle body-pop maneuvers, like they do on rap videos. When I look up, Luke is gaping at me. "Sweetheart," he says. "What are you doing?" "It's hip-hop!" I say. "It's street!" "Becky! Love!" Mum has pushed her way through her dancing guests to reach me. "What's wrong? Has labour started?" Honestly. My family has no idea about contemporary urban steet dance trends.

Thousands like me kept saying, "Let us in a little. Give us a piece of the pie." What hap- pened? Watts, Newark, Hartford. And what was the re- action? We started to hear a new jargon about "the urban crisis" and "law and order" and "crime in the streets.

Hopefully by next week the classes will have paid off and I'll be cooking gourmet." "Gourmet? From your cooking?" He pushed aside his computer, grabbed a paper plate, and started scoop0ing rice. "You shouldn't be able say those things in the same sentence.

Lead is one toxic legacy in America's cities. Another is segregation, secession, redlining, and rebranding: this is the art and craft of exclusion. We built it into the bones of our cities as surely as we laid lead pipes. The cure is inclusion. Flint's story is a clear call for committing anew to our democratic faith in the common wealth. As the water crisis demonstrates, it is simply not good enough for government officials to say, 'Trust us.' For all the inefficiencies and messiness that comes with democracy, the benefits - transparency, accountability, checks and balances, and the equitable participation of all people - are worth it.

Her thoughts pulsated through him, frantic, desperate, pleading for him to stay behind. “I won’t—can’t,” he murmured. “If you’re going, so am I.” She exhaled a laborious sigh and flung her arms around his neck; her warm breath fanned over his skin as she tightened her grip. “If you die, Andrew, I’ll track you across multiple dimensions just to say I warned you,” she cautioned, voice tender.

I waited in vain for someone like me to stand up and say that the only thing those of us who don't believe in god have to believe is in other people and that New York City is the best place there ever was for a godless person to practice her moral code. I think it has to do with the crowded sidewalks and subways. Walking to and from the hardware store requires the push and pull of selfishness and selflessness, taking turns between getting out of someone's way and them getting out of yours, waiting for a dog to move, helping a stroller up steps, protecting the eyes from runaway umbrellas. Walking in New York is a battle of the wills, a balance of aggression and kindness. I'm not saying it's always easy. The occasional "Watch where you're going, bitch" can, I admit, put a crimp in one's day. But I believe all that choreography has made me a better person. The other day, in the subway at 5:30, I was crammed into my sweaty, crabby fellow citizens, and I kept whispering under my breath "we the people, we the people" over and over again, reminding myself we're all in this together and they had as much right - exactly as much right - as I to be in the muggy underground on their way to wherever they were on their way to.

Here is how the harmful becomes profitable: That which yesterday was reviled today ends up in Urban Outfitters. The critic Rebecca Solnit has summarized it this way: 'Eat your heart out on a plastic tray,' say the Sex Pistols. Now, we know where to buy the tray and what the heart tastes like.

Later Michel went up to the priest as he was packing away the tools of the trade. “I was very interested in what you were saying earlier…” The man of God smiled urbanely, then Michel began to talk about the Aspect experiments and the EPR paradox: how two particle, once united, are forever and inseparable whole, “which seems pretty much in keeping with what you were saying about one flesh.” The priest’s smile froze slightly. “What I’m trying to say, “Michel went on enthusiastically, “is that from an ontological point of view, the pair can be assigned a single vector in Hilbert space. Do you see what I mean?

When you think of Eden, don’t think of a public park with a lawn, a play set, and a flowerbed or two, where God hands Adam a lawnmower and says, Keep it tidy, will ya? Think of a violent, untamed wilderness teeming with beauty, but no infrastructure, no roads, no bridges, no cities, no civilization, and God says, Go make a world. Adam wasn’t a landscape-maintenance employee. He was an explorer, a cartographer, a gardener, a designer, an architect, a builder, an urban planner, a city-maker.

Thank you, miss …?” “Annabelle.” She dropped a napkin onto his lap and smiled. “And might I say you are a handsome gent. Beautiful green eyes! I can see why Miss Ayden fancies your company!” Kane frowned. “Miss Ayden? Is this the same creepy woman with the gray eyes and weapons arsenal dangling from her hips?” “Why yes, sir. Although, she’s not so scary, once you get to know her.” Anna backed away and clasped her fingers together. “Bit of a sweet spot she has.” She winked. “Yeah. I noticed.

(In case you were unaware, “woke” is a term used by urban teens to describe a mental state in which one believes they are cognizant of how the world really works but instead wouldn’t have a clue if it slapped them in the face. Saying that someone is “woke” is a hip way of saying that they suffer from late-stage Dunning-Kruger effect.)

Yes the fact was that, coincidentally or not, this change of heart was happening among conservatives just as opiate addiction was spreading among both rural and middle-class white kids across the country, though perhaps most notably in the deepest red counties and states. Drug enslavement and death, so close at hand, were touching the lives, and softening the hearts, of many Republican lawmakers and constituents. I’ll count this as a national moment of Christian forgiveness. But I also know that it was a forgiveness that many of these lawmakers didn’t warm to when urban crack users were the defendants. Let’s just say that firsthand exposure to opiate addiction can change a person’s mind about a lot of things. Many of their constituents were no longer so enamored with that “tough on crime” talk now that it was their kids who were involved. So a new euphemism emerged—“smart on crime”—to allow these politicians to support the kind of rehabilitation programs that many of them had used to attack others not so long ago.

I like being able to wake up to you. I like knowing you’ll be there if I need you,” he continued, obviously uncomfortable with what he was saying but refusing to be deterred now that he’d begun. “I like being with you, Zane. And I’d like to keep that up now that you’re here,” he admitted shakily. He met Zane’s eyes determinedly. “I want you.

I didn’t say it just to get you to jump. I’m in love with you, Zane,” he admitted in a calm, clear voice. “I have been for a while.

Ty removed his fingers from Zane’s back as he saw the shiver run through him, and he pressed his lips tightly together, looking up and away in disgust as he resigned himself to what he was about to do. Broaching the subject could possibly cost him his job if Zane went tattling to the higher-ups about sexual harassment or some shit, but Ty was going to do it anyway. “Anything you need to say to me?” ... The visual of Ty’s nude body flashed behind Zane’s eyelids, and he spoke before he thought better of it. “Nothing you want to hear,” he murmured as he faced the mirror, hoping to diffuse the situation. “Thanks for the help,” he added, wanting desperately to get away from this tension. ... “You sure about that?” Ty asked as his stomach fluttered nervously. His voice finally betrayed the nerves. “Trying to be a real partner to you here, Zane. If you need to tell me something, then here’s your chance.

Pages could be written on the immense losses of productive soil that occur annually in almost every continent of the earth; on lethal air pollution episodes in major urban areas; on the worldwide distribution of toxic agents, such as radioactive isotopes and lead; on the chemicalization of man's immediate environment—one might say his very dinner table—with pesticide residues and food additives. Pieced together like bits of a jigsaw puzzle, these affronts to the environment form a pattern of destruction that has no precedent in man's long history on earth.

She tapped her chest. “No, I’m not a freak, okay, so could you stop pressuring me.” Rafael muttered something under his breath, throwing up his hands in surrender. “So what am I? What’s Karhl, Jayani, my brother, and all the BaSatai? Are we all freaks? Just because this human has some kind of fascination with labeling you, you believe in it. Be your own person, Armani, not what someone else says you are.

Henry Gerber, writing in 1932 under the pseudonym Parisex, responded to an article in The Modern Thinker that condemned homosexuality. "Is not the psychiatrist again putting the cart before the horse in saying that homosexuality is a symptom of the neurotic style of life?" he insisted. "Would it not sound more natural to say that the homosexual is made neurotic because his style of life is beset by thousands of dangers?

When I ask Kim what a capitalist is, he tells me it is someone who is from the city. He says the Khmer Rouge government views science, technology, and anything mechanical as evil and therefore must be destroyed. The Angkar says the ownership of cars and electronics such as watches, clocks, and televisions created a deep class division between the rich and the poor. This allowed the urban rich to flaunt their wealth while the rural poor struggled to feed and clothe their families. These devices have been imported from foreign countries and thus are contaminated. Imports are defined as evil because they allowed foreign countries a way to invade Cambodia, not just physically but also culturally. So now these goods are abolished. Only trucks are allowed to operate, to relocate people and carry weapons to silence any voices of dissent against the Angkar.

I’ve never paid any attention to time. Dancer says I’ve enjoyed a luxury most people never have. He hates clocks and watches and everything that has to do with time. He says people already have too many lost days and that most folks live in the past or the future but never the present, always saying stuff like “I’m unhappy because ‘X’ happened to me yesterday, or I’ll be happy again when ‘Y’ happens to me tomorrow.” He says time is the ultimate villain.

That’s what you asked him?” “Yeah, why?” Gina scrunched her face with confusion. “I thought you were going to say something juicy.” “Like what?” “I don’t know, like if he would be your sex slave or something like that.” “Kelly! Why would I ask him that?” “He’s a hot guy, you’re a hot girl. We’re in a super romantic castle on the coast.” Kelly waved her hand around the room for emphasis. “Why the hell not generate some heat in between these cold stone walls?

You know more useless crap, St. Clair. Good thing you're so darn cute," Josh says. St. Clair smiles. "At least 'cemetary' sounds classier. And you must admit-this place is pretty classy. Or,I'm sorry." He turns back to me. "Would you rather be at the Lambert bash? I hear Dave Higgenbottom is bringing his beer bong." "Higgenbaum." "That's what I said. Higgenbum." "Oh,leave him alone.Besides, by the time this place closes, we'll still have plenty of time to party." I roll my eyes at this last word.None of us have plans to attend,despite what I told Dave yesterday at lunch. St. Clair nudges me with a tall thermos. "Perhaps you're upset because he won't have the opportunity to woo you with his astonishing knowledge of urban street racing." I laugh. "Cut it out." "And I hear he has exquisite taste in film. Maybe he'll take you to a midnight showing of Scooby-Doo 2." I whack St. Clair with my bag, and he dodges aside,laughing.

It’s all right,” I said, spying what was inside his bag. “Went grocery shopping?” “I picked up a few things,” he said amicably, but then a silence stretched out between us. I got my key out, wanting to say so much more but not knowing where to start. “I see you did too.” Oh my God. I covered up the side of my bag, even though I knew he’d already seen the big yellow rooster with Cocks-A-Lot emblazoned on the side. I really had to have a word with Terry about his packaging.

Greek and the Hebrew—and whichever side you embrace more strongly determines to a large extent how you see life. From the Greeks—specifically from the glory days of ancient Athens—we have inherited our ideas about secular humanism and the sanctity of the individual. The Greeks gave us all our notions about democracy and equality and personal liberty and scientific reason and intellectual freedom and open-mindedness and what we might call today “multiculturalism.” The Greek take on life, therefore, is urban, sophisticated, and exploratory, always leaving plenty of room for doubt and debate. On the other hand, there is the Hebrew way of seeing the world. When I say “Hebrew” here, I’m not specifically referring to the tenets of Judaism. (In fact, most of the contemporary American Jews I know are very Greek in their thinking, while it’s the American fundamentalist Christians these days who are profoundly Hebrew.) “Hebrew,” in the sense that philosophers use it here, is shorthand for an ancient world-view that is all about tribalism, faith, obedience, and respect. The Hebrew credo is clannish, patriarchal, authoritarian, moralistic, ritualistic, and instinctively suspicious of outsiders. Hebrew thinkers see the world as a clear play between good and evil, with God always firmly on “our” side. Human actions are either right or wrong. There is no gray area. The collective is more important than the individual, morality is more important than happiness, and vows are inviolable.

Before we go on from here, I just want to say," he paused and took a step closer to me and reached his hand out to my heart. "What I should have said back on the plane is I know you're real." His eyes narrowed, "I'll always fight for you, Lexi, in my own way.

Been lickin’ peanut-butter spoons? Maybe I should call you butterfingers. It has a better ring than Hella Shella. - Tran 'Answer my question, Tran. Right now. Or I show you just what these fingers'--I wiggled my fingers under his nose-- 'can really do.' I took a step closer, erasing the distance between us. 'And let me tell you, emo boy, you are not going to like it. Let’s just say, that peanut butter I ate, freshly made.' I licked my lips with care. 'I’m actually quite skilled when it comes to crushing nuts.' - Shella

Jesus sent his Spirit to empower people to realize their potential, and that should be the model for all of us in doing missionary work (Acts 1:8). When confronting the desperate situations we find in third-world countries and in troubled urban and rural areas here in America, we must realize that our objective must be to empower people and challenge them to use their gifts and actualize their potential. We have to join with them in such a way so that, as you said a moment ago, when they succeed, they can say, "We did it ourselves.

Isaiah 5:8–10. The oracle in Micah has a close parallel in the poetic oracle of Isaiah 5:8–10. This poetic segment also begins with “Ah” (“woe”), anticipating big trouble to come because of destructive social behavior. The indictment is against those who “join house to house” and “field to field,” exactly the language of the commandment and of the Micah oracle. The process consists of buying up the land of small peasant farmers in order to develop large estates. The vulnerable peasants are then removed from their land and denied a livelihood, and now coveters can bask in their newly secured isolated self-indulgence. The prophetic judgment pertains to such rural displacement; in our time, the same crisis might refer to urban gentrification that dislocates the poor and the vulnerable. The poetry traces the destruction, by acquisitiveness, of a viable neighborly infrastructure.

Living in a dense environment means a less stressful and time-consuming commute to work without the aid of a car. It's about a greater sense of community and partnership that naturally develops when you walk through a place and casually collide with neighbors. It's about feeling a sense of attachment to stores and bars and restaurants and their owners and employees. Frequently I will stop in to say a hello at a restaurant or store even if I'm not shopping or eating. It's about using a compact life to reduce environmental impact. For me, it boils down to this: a place you walk through is a place you know and love.

One cannot dispute the fact that giving poor black adolescents job skills, if it is self-evident that they do not possess the academic skills to go to college, is a good thing in itself. But the business leaders who put emphasis on filling entry-level job slots are too frequently the people who, by prior lobbying and voting patterns and their impact upon social policy, have made it all but certain that few of these urban kids would get the education in their early years that would have made them look like college prospects by their secondary years. First we circumscribe their destinies and then we look at the diminished product and we say, “Let’s be pragmatic and do with them what we can.

I have spent most of my life outside, but for the last three years, I have been walking five miles a day, minimum, wherever I am, urban or rural, and can attest to the magnitude of the natural beauty that is left. Beauty worth seeing, worth singing, worth saving, whatever that word can mean now. There is beauty in a desert, even one that is expanding. There is beauty in the ocean, even one that is on the rise. And even if the jig is up, even if it is really game over, what better time to sing about the earth than when it is critically, even fatally wounded at our hands. Aren’t we more complex, more interesting, more multifaceted people if we do? What good has the hollow chuckle ever done anyone? Do we really keep ourselves from being hurt when we sneer instead of sob? If we pretend not to see the tenuous beauty that is still all around us, will it keep our hearts from breaking as we watch another mountain be clear-cut, as we watch North Dakota, as beautiful a state as there ever was, be poisoned for all time by hydraulic fracturing? If we abandon all hope right now, does that in some way protect us from some bigger pain later? If we never go for a walk in the beetle-killed forest, if we don’t take a swim in the algae-choked ocean, if we lock grandmother in a room for the last ten years of her life so we can practice and somehow accomplish the survival of her loss in advance, in what ways does it make our lives easier? In what ways does it impoverish us? We are all dying, and because of us, so is the earth. That’s the most terrible, the most painful in my entire repertoire of self-torturing thoughts. But it isn’t dead yet and neither are we. Are we going to drop the earth off at the vet, say goodbye at the door, and leave her to die in the hands of strangers? We can decide, even now, not to turn our backs on her in her illness. We can still decide not to let her die alone.

But here’s the crazy thing about humans—humans are smart enough that they know how insignificant they are. We are the only species on Earth that can conceive of either our own insignificance or our own death. Indeed, I am a microscopic particle here for only a brief moment who knows that I am a microscopic particle here for only a brief moment. A person is a speck of nothing who materializes for a split second, realizes where it stands in the scheme of time and space, understands that it will soon disappear back into nothingness for eternity, says “Wait, what the hell?”, and then disappears into nothingness for eternity. A human appears out of nowhere—gets it—and then vanishes. And all of this begs the question: If I know that I am the tiniest speck of dust around for a split second only, then why was I so upset when my fantasy football team lost on Sunday?

Hero Intercedes”: His hands flickered upward, and before I knew it, they were cupping my face. So, damnably fast now. Demonic-like fast. Trent reeled me closer. Our foreheads joined. He held me, while I trembled in his arms. I was vaguely aware of Evans and Maxwell watching, although it didn’t seem important. Nothing seemed important whenever he did this. It felt like we were enclosed in our own personal bubble made only for the two of us. Trent murmured something in my ear. We stood like that until my shaky legs gradually regained strength. I shut my eyes and pretended my body wasn’t sizzling with heat-lightning because Trent stood so close. My hormones always decided to rebel whenever he put his arms around me. And it wasn’t totally awkward and uncomfortable. No, it felt like the best thing I’d experienced since before Dad’s death. And that’s saying a lot.

Inexpensive Progress Encase your legs in nylons, Bestride your hills with pylons O age without a soul; Away with gentle willows And all the elmy billows That through your valleys roll. Let's say goodbye to hedges And roads with grassy edges And winding country lanes; Let all things travel faster Where motor car is master Till only Speed remains. Destroy the ancient inn-signs But strew the roads with tin signs 'Keep Left,' 'M4,' 'Keep Out!' Command, instruction, warning, Repetitive adorning The rockeried roundabout; For every raw obscenity Must have its small 'amenity,' Its patch of shaven green, And hoardings look a wonder In banks of floribunda With floodlights in between. Leave no old village standing Which could provide a landing For aeroplanes to roar, But spare such cheap defacements As huts with shattered casements Unlived-in since the war. Let no provincial High Street Which might be your or my street Look as it used to do, But let the chain stores place here Their miles of black glass facia And traffic thunder through. And if there is some scenery, Some unpretentious greenery, Surviving anywhere, It does not need protecting For soon we'll be erecting A Power Station there. When all our roads are lighted By concrete monsters sited Like gallows overhead, Bathed in the yellow vomit Each monster belches from it, We'll know that we are dead.

Mestre. Say the word without hissing the conurbated villain, and pitying its citizens. As quickly as they can, two million tourists pass through, or by, Mestre each year, and each one will be struck by the same thought as they wonder at the aesthetic opposition that it represents. Mestre is an ugly town but ugly only in the same way that Michael Jackson might be desccribed as eccentric or a Tabasco Vindaloo flambéed in rocket fuel might be described as warm. Mestre is almost excremental in its hideousness: a fetid, fly-blown, festering, industrial urbanization, scarred with varicose motorways, flyovers, rusting railway sidings and the rubbish of a billion holidaymakers gradually burning, spewing thick black clouds into the Mediterranean sky. A town with apparently no centre, a utilitarian ever-expandable wasteland adapted to house the displaced poor, the shorebound, outpriced, domicile-deprived exiles from its neighbouring city. For, just beyond the condom- and polystyrene-washed, black-stained, mud shores of Marghera, Mestre's very own oil refinery, less than a mile away across the waters of the lagoon in full sight of its own dispossessed citizens, is the Jewel of Adriatic. Close enough for all to feel the magnetism, there stands the most beautiful icon of Renaissance glory and, like so much that can attract tourism, a place too lovely to be left in the hands of its natives, the Serenissima itself, Venice.

We fell in love with that little peep-show projection on the inside of an iris, pictures that amount to nothing more than the thirsty moon over a spot of bloody ground. Those weren’t the nothings we restless sleepwalkers knew, no place no home no song. So we heard her and we followed until she went where we couldn't follow. She went down beyond the mountains and disappeared between the crease of sky and land, like a great eyelid folding shut. No one knows what happened out in the Black Hills, but I imagine she lies buried in a rusty coffin under the stars. And on nights when the desert crickets sing her tune, they say one day she will rise again. On that day, there is no telling the kind of vengeance she'll demand of us. Fair is fair. They say when she fell from Heaven she wore a crown of jagged stars that slit the skies throat. They say she loved them all, in the secret corners of their shallow sleep. Strangers, at the last. They say a lot of things. They’re all lies. Everything is already written.

The witch-hunt narrative is now the conventional wisdom about these cases. That view is so widely endorsed and firmly entrenched that so widely endorsed and firmly entrenched that there would seem to be nothing left to say about these cases. But a close examination of the witch hunt canon leads to some unsettling questions: Why is there so little in the way of academic scholarship about these cases? Almost all of the major witch-hunt writings have been in magazines, often without any footnotes to verify or assess the claims made. Why hasn't anyone writing about these cases said anything about how difficult they are to research? There are so many roadblocks and limitations to researching these cases that it would seem incumbent on any serious writer to address the limitations of data sources. Many of these cases seem to have been researched in a manner of days or weeks. Nevertheless, the cases are described in a definitive way that belies their length and complexity, along with the inherent difficulty in researching original trial court documents. This book is based on the first systematic examination of court records in these cases.

They sat in silence for a moment. Then Jenna said," The son of a god, huh? That explains a lot." He raised an eyebrow. "Oh?" Jenna smirked at him, a mischievous look in her sparkling blue eyes. "You know, the whole super strong, ridiculously gorgeous thing. But obviously you've been told that a lot over the years. I don't expect it means much anymore." A voice far in the back of head said something faint about bad ideas, but he hit it with a large mental stick until it sputtered and shut up. "It depends on who says it," he answered, and bent his head down and kissed her.

Erle Ellis of the University of Maryland and Navin Ramankutty of McGill, argue that thinking in terms of biomes defined by climate and vegetation—temperate grasslands, say, or boreal forests—no longer makes sense. Instead, they divide the world up into “anthromes.” There is an “urban” anthrome that stretches over five hundred thousand square miles, an “irrigated cropland” anthrome (a million square miles), and a “populated forest” (four and a half million square miles). Ellis and Ramankutty count a total of eighteen “anthromes,” which together extend over thirty-nine million square miles.

If you take away just one thing from this book, let it be this: Hyper-gentrification and its free-market engine is neither natural nor inevitable. It is man-made, intentional, and therefore stoppable. And yet. Just as deniers of global warming insist that nothing out of the ordinary is happening to our world's climate, so deniers of hyper-gentrification say that noting out of the ordinary is happening to New York, and that its extreme transformation in the 2000s is just natural urban change. Let me be clear: I'm not talking about the weather. I'm talking about the climate, and New York's climate has been catastrophically changed.

The temperature was in the nineties, and on hot nights Chicagoans feel the city body and soul. The stockyards are gone, Chicago is no longer slaughter-city, but the old smells revive in the night heat. Miles of railroad siding along the streets once were filled with red cattle cars, the animals waiting to enter the yards lowing and reeking. The old stink still haunts the place. It returns at times, suspiring from the vacated soil, to remind us all that Chicago had once led the world in butcher-technology and that billions of animals had died here. And that night the windows were open wide and the familiar depressing multilayered stink of meat, tallow, blood-meal, pulverized bones, hides, soap, smoked slabs, and burnt hair came back. Old Chicago breathed again through leaves and screens. I heard fire trucks and the gulp and whoop of ambulances, bowel-deep and hysterical. In the surrounding black slums incendiarism shoots up in summer, an index, some say, of psychopathology. Although the love of flames is also religious. However, Denise was sitting nude on the bed rapidly and strongly brushing her hair. Over the lake, steel mills twinkled. Lamplight showed the soot already fallen on the leaves of the wall ivy. We had an early drought that year. Chicago, this night, was panting, the big urban engines going, tenements blazing in Oakwood with great shawls of flame, the sirens weirdly yelping, the fire engines, ambulances, and police cars – mad-dog, gashing-knife weather, a rape and murder night, thousands of hydrants open, spraying water from both breasts.

Some scholars believe we have long since passed a tipping point where the declining marginal return on imprisonment has dipped below zero. Imprisonment, they say, now creates far more crime than it prevents, by ripping apart fragile social networks, destroying families, and creating a permanent class of unemployables.28 Although it is common to think of poverty and joblessness as leading to crime and imprisonment, this research suggests that the War on Drugs is a major cause of poverty, chronic unemployment, broken families, and crime today. Todd R. Clear’s book Imprisoning Communities: How Mass Incarceration Makes Disadvantaged Communities Worse powerfully demonstrates that imprisonment has reached such extreme levels in many urban communities that a prison sentence and/or a felon label poses a much greater threat to urban families than crime itself.

Say more about the Crips and the Bloods,” Richard said, stalling for time while he tried to get his mental house in order. “To us they look the same. Urban black kids with similar demographics and tastes. Seems like they all ought to pull together. But that’s not where they’re at. They are shooting each other to death because they see the Other as less than human. And I’m saying it has been the case for a long time in T’Rain that those people we have lately started calling the Earthtone Coalition have always looked at the ones we now call the Forces of Brightness and seen them as tacky, uncultured, not really playing the game in character. And what happened in the last few months was that the F.O.B. types just got tired of it and rose up and, you know, asserted their pride in their identity, kind of like the gay rights movement with those goddamned rainbow flags. And as long as it’s possible for those two groups to identify each other on sight, each one of them is going to see the other as, well, the Other, and killing people based on that is way more ingrained than killing them on this completely bogus and flimsy fake-Good and fake-Evil dichotomy that we were working with before.” “I get it,” Richard said. “But is that all we are? Just digital Crips and Bloods?” “What if it’s true?” Devin shrugged. “Then you’re not doing your fucking job,” Richard said. “Because the world is supposed to have a real story to it. Not just people killing each other over color schemes.” “Maybe you’re not doing yours,” Devin said. “How can I write a story about Good and Evil in a world where those concepts have no real meaning—no consequences?” “What sort of consequences do you have in mind? We can’t send people’s characters to virtual Hell.” “I know. Only Limbo.” They both laughed.

In all matters of consequence, General P.P. Peckem was, as he always remarked when he was about to criticize the work of some close associate publicly, a realist. He was a handsome, pink-skinned man of fifty-three. His manner was always casual and relaxed, and his uniforms were custom-made. He had silver-gray hair, slightly myopic eyes and thin, overhanging, sensual lips. He was a perceptive, graceful, sophisticated man who was sensitive to everyone's weaknesses but his own and found everyone absurd but himself. General Peckem laid great fastidious stress on small matters of taste and style. He was always augmenting things. Approaching events were never coming, but always upcoming. It was not true that he wrote memorandums praising himself and recommending that his authority be enhanced to include all combat operations; he wrote memoranda. And the prose in the memoranda of other officers was always turgid, stilted, or ambiguous. The errors of others were inevitable deplorable. Regulations were stringent, and his data never was obtained from a reliable source, but always were obtained. General Peckem was frequently constrained. Things were often incumbent upon him, and he frequently acted with the greatest reluctance. It never escaped his memory that neither black nor white was a color, and he never used verbal when he meant oral. He could quote glibly from Plato, Nietzsche, Montaigne, Theodore Roosevelt, the Marquis de Sade and Warren G. Harding. A virgin audience like Colonel Scheisskopf [his new underling] was grist for General Peckem's mill, a stimulating opportunity to throw open his whole dazzling erudite treasure house of puns, wisecracks, slanders, homilies, anecdotes, proverbs, epigrams, apothegms, bon mots and other pungent sayings. He beamed urbanely as he began orienting Colonel Scheisskopf to his new surroundings.

Adira squirmed in Leah’s arms, wanting down. Leah lowered her until her little sneaker-clad feet touched the floor. Adira toddled away, patting the garments that brushed her head and shoulders. Straightening, Leah watched her for a moment, then turned back to Seth. “I guess I’ll get back to work.” Was that disappointment he felt upon hearing her words? He really was enjoying her company. Adira turned around and toddled back. Grasping Leah’s fingers, she reached out, took Seth’s hand, and placed Leah’s in it. Seth instinctively curled his fingers around Leah’s. Satisfied, Adira turned and toddled off once more. “Oh,” Leah said with a surprised chuckle. “Well. Maybe not.” Seth was surprised, too. What was Adira thinking? He glanced at Leah. Should he apologize? “Sorry about that.” “No worries,” she said with another charming smile. Raising their clasped hands, she turned them so his was on top and slid her free hand over it. “Oooh. Look how big your hand is.” How many times had he heard Tracy or one of the other mortal women he frequently encountered think Oooh. Look how big his hands are. You know what they say: big hands, big feet, big package in much the same tone as Leah’s. Seth couldn’t help it. He barked out a laugh. Leah’s eyes widened. “Wait. I didn’t mean that the way it sounded.” “It sounded as if you like that my hands are so big.” She flushed. “I do, but I didn’t mean it like you think.” “How do I think you meant it?” he asked with exaggerated innocence. Face red, she laughed. “Stop making me blush. I just meant I like that you’re so big. Not just your hands. But all over.” Again her eyes widened. “I mean, not all over, but—” Laughing, he took pity on her. “It’s all right. I understood what you meant the first time.” Smiling, she squinted up at him. “You like to tease, don’t you?” “Guilty as charged.” Many immortals did. It helped lighten what could otherwise be a dark existence. She caressed his hand again, sending little tingles through it. “My hand actually looks small in yours. That’s so cool.” It did. And the sensations her soft touch inspired unnerved him a bit. His pulse even picked up. Seth eyed her curiously. “You really dislike your size so much?” He thought it a shame. She was a beautiful woman. Shrugging, she released his hand and let hers fall to her sides. “When someone gives you a complex in high school, it tends to stick with you.” Adira reappeared as if by magic. Taking Leah’s hand, she again placed it in Seth’s, then moved away. The two looked at each other and smiled. Leah nodded after Adira. “Maybe she’s hoping I’ll distract you so she can take her time looking over the toys she plans to coax you into buying before you leave.” Seth winked. “Or maybe she just heard you say you like my big hands.

Despite the fact that Uncle Rulon and his followers regard the governments of Arizona, Utah, and the United States as Satanic forces out to destroy the UEP, their polygamous community receives more than $6 million a year in public funds. More than $4 million of government largesse flows each year into the Colorado City public school district—which, according to the Phoenix New Times, “is operated primarily for the financial benefit of the FLDS Church and for the personal enrichment of FLDS school district leaders.” Reporter John Dougherty determined that school administrators have “plundered the district’s treasury by running up thousands of dollars in personal expenses on district credit cards, purchasing expensive vehicles for their personal use and engaging in extensive travel. The spending spree culminated in December [2000], when the district purchased a $220,000 Cessna 210 airplane to facilitate trips by district personnel to cities across Arizona.” Colorado City has received $1.9 million from the U.S. Department of Housing and Urban Development to pave its streets, improve the fire department, and upgrade the water system. Immediately south of the city limits, the federal government built a $2.8 million airport that serves almost no one beyond the fundamentalist community. Thirty-three percent of the town’s residents receive food stamps—compared to the state average of 4.7 percent. Currently the residents of Colorado City receive eight dollars in government services for every dollar they pay in taxes; by comparison, residents in the rest of Mohave County, Arizona, receive just over a dollar in services per tax dollar paid. “Uncle Rulon justifies all that assistance from the wicked government by explaining that really the money is coming from the Lord,” says DeLoy Bateman. “We’re taught that it’s the Lord’s way of manipulating the system to take care of his chosen people.” Fundamentalists call defrauding the government “bleeding the beast” and regard it as a virtuous act.

[…] if sophistication is the ability to put a smile on one's existential desperation, then the fear of a glossy sheen is actually the fear that surface equals depth. *** […] we wake up, we do something—anything—we go to sleep, and we repeat it about 22,000 more times, and then we die. *** Part of our new boredom is that our brain doesn't have any downtime. Even the smallest amount of time not being engaged creates a spooky sensatino that maybe you're on the wrong track. Reboot your computer and sit there waiting for it to do its thing, and within seventeen seconds you experience a small existential implosion when you remember that fifteen years ago life was nothing but this kind of moment. Gosh, mabe I'll read a book. Or go for a walk. Sorry. Probably not going to happen. Hey, is that the new trailer for Ex Machina? *** In the 1990s there was that expression, "Get a life!" You used to say it to people who were overly fixating on some sort of minutia or detail or thought thread, and by saying, "Get a life," you were trying to snap them out of their obsession and get them to join the rest of us who are still out in the world, taking walks and contemplating trees and birds. The expression made sense at the time, but it's been years since I've heard anyone use it anywhere. What did it mean then, "getting a life"? Did we all get one? Or maybe we've all not got lives anymore, and calling attention to one person without a life would put the spotlight on all of humanity and our now full-time pursuit of minutia, details and tangential idea threads. *** I don't buy lottery tickets because they spook me. If you buy a one-in-fifty-million chance to win a cash jackpoint, you're simultaneously tempting fate and adding all sorts of other bonus probabilities to your plance of existence: car crashes, random shootings, being struck by a meteorite. Why open a door that didn't need opening? *** I read something last week and it made sense to me: people want other people to do well in life but not too well. I've never won a raffle or prize or lottery draw, and I can't help but wonder how it must feel. One moment you're just plain old you, and then whaam, you're a winner and now everyone hates you and wants your money. It must be bittersweet. You hear all those stories about how big lottery winners' lives are ruined by winning, but that's not an urban legend. It's pretty much the norm. Be careful what you wish for and, while you're doing so, be sure to use the numbers between thirty-two and forty-nine.

The economic system founded on isolation is a circular production of isolation. The technology is based on isolation, and the technical process isolates in turn. From the automobile to television, all the goods selected by the spectacular system are also its weapons for a constant reinforcement of the conditions of isolation of 'lonely crowds.' . . . 'With the present means of long-distance mass communication, sprawling isolation has proved an even more effective method of keeping a population under control,' says Lewis Mumford in The City in History, describing 'henceforth a one-way world.' But the general movement of isolation, which is the reality of urbanism, must also include a controlled reintegration of workers depending on the needs of production and consumption that can be planned. Integration into the system requires that isolated individuals be recaptured and isolated together: factories and halls of culture, tourist resorts and housing developments are expressly organized to serve this pseudo-community that follows the isolated individual right into the family cell. The widespread use of receivers of the spectacular message enables the individual to fill his isolation with the dominant images―images which derive their power precisely from this isolation.

The other strikingly modern feature of the type of poet which Euripides now introduced into the history of literature is his apparently voluntary refusal to take any part whatever in public life. Euripides was not a soldier as Aeschylus was, nor a priestly dignitary as Sophocles was, but, on the other hand, he is the very first poet who is reported to have possessed a library, and he appears to be also the first poet to lead the life of a scholar in complete retirement from the world. If the bust of him, with its tousled hair, its tired eyes and the embittered lines round the mouth, is a true portrait, and if we are right in seeing in it a discrepancy between body and spirit, and the expression of a restless and dissatisfied life, then we may say that Euripides was the first unhappy poet, the first whose poetry brought him suffering. The notion of genius in the modern sense is not merely completely strange to the ancient world; its poets and artists have nothing of the genius about them. The rational and craftsmanlike elements in art are far more important for them than the irrational and intuitive. Plato’s doctrine of enthusiasm emphasized, indeed, that poets owed their work to divine inspiration and not to mere technical ability, but this idea by no means leads to the exaltation of the poet; it only increases the gulf between him and his work, and makes of him a mere instrument of the divine purpose. It is, however, of the essence of the modern notion of genius that there is no gulf between the artist and his work, or, if such a gulf is admitted, that the genius is far greater than any of his works and can never be adequately expressed in them. So genius connotes for us a tragic loneliness and inability to make itself fully understood. But the ancient world knows nothing of this or of the other tragic feature of the modern artist—his lack of recognition by his own contemporaries and his despairing appeals to a remote posterity. There is not a trace of all this—at least before Euripides. Euripides’ lack of success was mainly due to the fact that there was nothing in classical times that could be called an educated middle class. The old aristocracy took no pleasure in his plays, owing to their different outlook on life, and the new bourgeois public could not enjoy them either, owing to its lack of education. With his philosophical radicalism, Euripides is a unique pheno menon, even among the poets of his age, for these are in general as conservative in their outlook as were those of the classical age —in spite of a naturalism of style which was derived from the urban and commercial society they lived in, and which had reached a point at which it was really incompatible with political conservatism. As politicians and partisans these poets hold to their conservative doctrines, but as artists they are swept along in the progressive stream of their times. This inner contradiction in their work is a completely new phenomenon in the social history of art.