Urban Flooding Quotes

His shrill cries flood the forest like light engulfing a silhouette.

She'd learned a lot of things from Zeb in his Urban Bloodshed Limitation classes: in Zeb's view, the first bloodshed to be limited should be your own.

Imagine standing by a window at night, on the sixth or seventeenth or forty-third floor of a building. The city reveals itself as a set of cells, a hundred thousand windows, some darkened and some flooded with green or white or golden light. Inside, strangers swim to and fro, attending to the business of their private hours. You can see them, but you can't reach them, and so this commonplace urban phenomenon, available in any city of the world on any night, conveys to even the most social a tremor of loneliness, its uneasy combination of separation and exposure.

The city reveals itself as a set of cells, a hundred thousand windows, some darkened and some flooded with green or white or golden light. Inside, strangers swim to and fro, attending to the business of their private hours. You can see them, but you can’t reach them, and so this commonplace urban phenomenon, available in any city of the world on any night, conveys to even the most social a tremor of loneliness, its uneasy combination of separation and exposure.

When situations like this arise, instead of men feeling that they are facing other men, they feel that they are facing mountains, floods, seas: forces of nature whose size and strength focus the minds and emotions to a degree of tension unusual in the quiet routine of urban life.

The collective sign of relief heaved on V-J Day ought to have inspired Hollywood to release a flood of "happily ever after" films. But some victors didn't feel too good about their spoils. They'd seen too much by then. Too much warfare, too much poverty, too much greed, all in the service of rapacious progress. A bundle of unfinished business lingered from the Depression — nagging questions about ingrained venality, mean human nature, and the way unchecked urban growth threw society dangerously out of whack. Writers and directors responded by delivering gritty, bitter dramas that slapped our romantic illusions in the face and put the boot to the throat of the smug bourgeoisie. Still, plenty of us took it — and liked it.

Quote from BEAUTIFULLY BROKEN – pgs. 86 -87 “A Kiss”: I went to snatch my hand away, but Trent caught my hand in his, startling me. I looked up to see warmth on his face. His smile held the promise of happiness. He scooted closer and held my gaze for a breath, glanced down. He leaned forward, as if he had no control over his actions. I inhaled his nice, soapy-clean scent, and all coherent thought left my head. His hands gripped my waist and Trent yanked me against him, his mouth covering mine in a deep kiss. The caress of his lips was softer than I’d imagined. An unfamiliar rush of excitement engulfed my senses. My hands wrapped around his neck, fingering his silky tousled hair. His moist lips seared a path from my lips to my neck, igniting a blaze of desire that flooded my skin everywhere his lips and roaming hands touched. Boys had kissed me before, but not like this. Never like this...

One of my earliest memories was of a maze of pale green walls. The corridors never ended, no matter which way I turned. I was running, my feet bare, my paper-thin gown flapping around skinny foal-like legs, and the demons kept on coming. I’d run the maze before, because I always knew which way to turn to find the little clear plastic box. I’d run, and run. Lungs aching, throat burning, my feet slapping against the smooth floor, and the sound of scrabbling claws chased me down. I made it to the box, every time (I’d learned later, there were others who hadn’t) and once inside, I’d yank the clear door closed. The demons didn’t see the box. They saw only me, the wraith-like little half-blood girl. They would launch themselves—claws extended, jaws wide, eyes ablaze—and slam into my box, sending shudders rattling through my bones. They’d snap and snarl, hook their teeth into the box and gnaw at its edges, desperate to get to the feast huddling a few millimeters away. Flooding, the Institute had called it. At first I was afraid, and I learned how to run. Then I was angry, and I learned how to fight with my fists and my element. Then, I got even. I lured those demons into a corner and ambushed them, killing every last one. After countless visits to the maze, after weeks, years, I’d started liking it, and killing became as natural as breathing. It was what I was good at. What I was made for. What I lived for. © Copyright Pippa DaCosta 2016.

Peter Galison provides a thought-provoking study of the technological ethos in his book Einstein’s Clocks, Poincaré’s Maps. Clock coordination was in the air at the time. Bern had inaugurated an urban time network of electrically synchronized clocks in 1890, and a decade later, by the time Einstein had arrived, finding ways to make them more accurate and coordinate them with clocks in other cities became a Swiss passion. In addition, Einstein’s chief duty at the patent office, in partnership with Besso, was evaluating electromechanical devices. This included a flood of applications for ways to synchronize clocks by using electric signals. From 1901 to 1904, Galison notes, there were twenty-eight such patents issued in Bern. One of them, for example, was called “Installation with Central Clock for Indicating the Time Simultaneously in Several Places Separated from One Another.” A similar application arrived on April 25, just three weeks before Einstein had his breakthrough conversation with Besso; it involved a clock with an electromagnetically controlled pendulum that could be coordinated with another such clock through an electric signal. What these applications had in common was that they used signals that traveled at the speed of light.

During the 2016 election, the Trump campaign employed overt information-warfare tactics through intelligence firms like PsyGroup and Cambridge Analytica.16 PsyGroup’s proposal called Project Rome was presented to Rick Gates, who represented the Trump campaign; it offered “intelligence & influence services” for $3,210,000.17 It also proposed recruiting online influencers to disseminate Trump’s message to fringe “deep web” locations. Parscale was a man who knew the power of the internet. He was linked to Steve Bannon and Jared Kushner and the infamous Cambridge Analytica company.18 Cambridge was a data-mining and message-amplification firm that ran a program that analyzed social media users and crafted highly specific messaging that would appeal to each individual user’s biases, likes, and hobbies. They mastered how to weaponize a person’s inner racism or bigotry. For example, they could identify a white, rural, conservative gun enthusiast who drove a Ford truck based on Facebook posts and buying preferences. That user would then be flooded with messages on illegal immigrants and white families murdered by “urban” Blacks and photos of Ford trucks flying Trump flags. Cambridge also took and amplified Russian-intelligence-crafted themes extolling the glory of Trump. Through the firm’s effort to read social media down to each person’s tastes, it made every Republican in America consume highly targeted Russian memes and themes as nothing less than God’s honest truth.

A pair of shots rang out from outside, near the front of the house, followed by shouting. A sudden flood of adrenaline doused my fatigue and political confusion. Jean’s posture straightened, and he rose quickly. “That is Dominique, whose men were watching the transport. Something is amiss.” Ya think? I ran for my bag and pulled out the staff. Jean slipped a triangular-bladed dagger from beneath his tunic, wrenched open the door to the study, and strode out ahead of me. As always where the pirate was concerned, I trailed along, a step behind. I edged around Jean in time to see his older half-brother and fellow pirate captain Dominique Youx dragging a stumbling, bleeding man into the front hallway from outside and shoving him to the floor. I breathed a sigh of relief that it wasn’t Alex, followed by a chaser of disappointment that it wasn’t Alex, topped by a dollop of concern that our friend Ken Hachette had been shot. Ken, a human NOPD detective who’d recently been clued in about the big bad world surrounding him, had missed all the recent events due to a family emergency that had taken him out of town. Why would he be coming to Old Barataria alone via Jean Lafitte’s private transport unless Alex sent him? My adrenaline jump-started my heart to another race, this one fueled by worry. Something bad had happened; it was the only explanation. Jean and Dominique exchanged a rapid-fire torrent of French that went way past my abilities to interpret. “He claims to be a friend to her,” Dominique finally spat out, and I could tell by the way he said her, much as one might say flesh-eating maggot, that he referred to me. He’d never liked me; he considered me a bad influence on his baby brother the immortal pirate. As if.

At face value, this could sound like the genocide of a major urban population. But as noted in chapter ten, herem suggests comprehensive destruction, and not necessarily the killing of every single person of all categories.

As a result men—even men she has been intimate with—do not now gaze upon her with dismay, as upon a beloved landscape devastated by fire, flood, or urban development. They do not mind that Vinnie Miner, who was never much to look at, now looks old. After all, they hadn’t slept with her out of romantic passion, but out of comradeship and temporary mutual need—often almost absent-mindedly, to relieve the pressure of their desire for some more glamorous female. It wasn’t uncommon for a man who had just made love to Vinnie to sit up naked in bed, light a cigarette, and relate to her the vicissitudes of his current romance with some temperamental beauty-breaking off occasionally to say how great it was to have a pal like her

In the end, our evaluation of what is ‘good’ can be entirely subjective. Our brains are pushed and pulled by the powerful synergy of memory, culture and images. So our concept of the right house, car or neighbourhood might be as much a result of happy moments from our past or images that flood us in popular media as of any rational analysis of how these elements will influence the moments of our lives. Given the images that the contemporary city dweller’s hippocampi has filed away, this information storm can easily lead to unreasonable expectations. Consider a little girl’s first dream home: the dollhouse. When the toy manufacturer Mattell held a contest to create a new home for their iconic Barbie toy in 2011, the winning design was the equivalent of a 4,880-square-foot glass mansion on three acres.19 Estimated construction cost in real life: $3.5 million. As sure as that house was pink, its dimensions will be transposed onto the aspirations of a generation of girls who grow up playing with it.

In The Death and Life of Great American Cities, Jane Jacobs described the ballet that takes place on crowded pavements as people make eye contact and find their way around one another. I felt a similar, if supercharged dynamic coming to life in Paris’s traffic lanes. With cars and bikes and buses mixed together, none of us could be sure what we would find on the road ahead of us. We all had to be awake to the rhythm of asymmetrical flow. In the contained fury of the narrow streets we were forced to choreograph our movements, but with so many other bicycles flooding the streets, cycling in Paris was actually becoming safer. As more people took to bicycles in Vélib”s first year, the number of bike accidents rose, but the number of accidents per capita fell. This phenomenon seems to occur wherever cities see a spike in cycling: the more people bike, the safer the streets get for cyclists, partly because drivers adopt more cautious habits when they expect cyclists on the road. There is safety in numbers.fn7, 15, 16

You have to be strong and agile to ride a bicycle in city traffic. You need excellent balance and vision. (Children and seniors, for example, have worse peripheral vision than fit adults, and more trouble judging the speed of approaching objects.17) Most of all, you must possess a high tolerance for risk.18 Even the blood of adventurous riders gets flooded with beta-endorphins – the euphoria-inducing chemical that has been found in bungee-jumpers and rollercoaster riders – not to mention a stew of cortisol and adrenaline, the stress hormones that are so useful in moments of fight and flight, but toxic if experienced over the long term. The biologist Robert Sapolsky once said that the way to understand the difference between good and bad stress is to remember that a rollercoaster ride lasts for three minutes rather than three days. A super-long roller-coaster would not only be a lot less fun but poisonous. I personally like rollercoasters, and I loved the challenge of riding in the Paris traffic. But what is thrilling to me – a slightly reckless, forty-something male – would be terrifying for my mother, or my brother or a child. So if we really care about freedom for everyone, we need to design for everyone – not just the brave. This means we have got to confront the shared-space movement, which has gradually found favour since the sharing concept known as the woonerf emerged on residential streets in the Dutch city of Delft in the 1970s. In the woonerf, walkers, cyclists and cars are all invited to mingle in the same space, as though they are sharing a living room. Street signs and marked kerbs are replaced with flowerpots and cobblestones and even trees, forcing users to pay more attention as they move. It’s a bit like the vehicular cyclist paradigm, except that in a woonerf, everyone is expected to share the road.fn8

Instead, the weeds are being read as a parable, a lesson that a monolithic, oil-based urban culture is unsustainable in the twenty-first century, and that there might be other, more ecologically gentle ways of living in cities. Families too poor to buy fresh food are starting neighbourhood organic farms on the sites of demolished local blocks. Young people from all over America – musicians, Green activists, social pioneers – are flooding into the abandoned areas, keen to experiment with new patterns of urban living which accept nature – including its weedy frontiersmen – rather than attempting to drive it out. As Julien Temple, director of the remarkable TV documentary Requiem for Detroit, has written: ‘amid the ruins of the Motor City it is possible to find a first pioneer’s map to the post-industrial future that awaits us all’.

At a time when unprecedented wildfires engulf suburban homes in Melbourne, when waters from the rising Thames flood homes in London commuter towns, and when Superstorm Sandy transforms the New York subway into a canal system, the barriers that even the most urban and privileged among us have erected to hold back the natural world are clearly starting to break down.

The logical extension of a burgeoning population and urbanization is the conversion of open spaces into paved ground. This has resulted in flooding of cities as well as water scarcity due to groundwater depletion and the lack of rainwater harvesting.

My whole life changed after I drowned and died in the flood.

My whole life changed after I drowned and died in the flood.

Samantha turns toward us as we enter and her mouth drops open. “You.” Pure joy floods her face like sunlight falling through storm clouds, and she runs up to me, laying hands on either side of my face as she gazes deeply into my eyes. “There you are.

With the Mandate firmly established, more Jewish immigrants flooded into Palestine. Unlike previous waves, the migrations of the 1920s built up the urban centers of the Yishuv. With the urban centers came the institutions of a modern state: banks, schools, industry, newspapers, the Histadrut (a trade union), and eventually an administrative arm of the World Zionist Organization known as the Jewish Agency. The Haganah expanded. More land was purchased, and more settlements arose. In 1925 the first Jewish institute of higher education—the Hebrew University on Mount Scopus in Jerusalem—was established

City leaders pour resources into beautiful spectacles for political reasons, rather than providing good roads, functioning sewers, relatively safe marketplaces, and other basic amenities of urban life. As a result, cities may look awe-inspiring but aren't particularly resilient against disasters like storm floods and drought. And the more a city suffers from the onslaughts of nature, the more contentious its political situation becomes. Then it's even harder to repair shattered dams and homes. This vicious cycle has haunted cities for as long as they've existed. Sometimes the cycle ends with urban revitalization, but often it ends in death.

Most of the biosphere cannot see the infosphere; it is invisible, a parallel universe humming with ghostly inhabitants. But they are not ghosts to us—not anymore. We humans, alone among the earth’s organic creatures, live in both worlds at once. It is as though, having long coexisted with the unseen, we have begun to develop the needed extrasensory perception. We are aware of the many species of information. We name their types sardonically, as though to reassure ourselves that we understand: urban myths and zombie lies. We keep them alive in air-conditioned server farms. But we cannot own them. When a jingle lingers in our ears, or a fad turns fashion upside down, or a hoax dominates the global chatter for months and vanishes as swiftly as it came, who is master and who is slave?

He and others have interpreted contemporary accounts in terms of a succession of impacts, too small to have a global impact but quite sufficient to cause mayhem in the ancient world, largely through generating destructive atmospheric shock waves, earthquakes, tsunamis, and wildfires. Many urban centres in Europe, Africa, and Asia appear to have collapsed almost simultaneously around 2350 BC, and records abound of flood, fire, quake, and general chaos. These sometimes fanciful accounts are, of course, open to alternative interpretation, and hard evidence for bombardment from space around this time remains elusive. Having said this, seven impact craters in Australia, Estonia, and Argentina have been allocated ages of 4,000–5,000 years and the search goes on for others. Even more difficult to defend are propositions by some that the collapse of the Roman Empire and the onset of the Dark Ages may somehow have been triggered by increased numbers of impacts when the Earth last passed through the dense part of the Taurid Complex between 400 and 600 AD. Hard evidence for these is weak and periods of deteriorated climate attributed to impacts around this time can equally well be explained by large volcanic explosions. In recent years there has, in fact, been a worrying tendency amongst archaeologists, anthropologists, and historians to attempt to explain every historical event in terms of a natural catastrophe of some sort –whether asteroid impact, volcanic eruption, or earthquake –many on the basis of the flimsiest of evidence. As the aim of this volume is to shed light on how natural catastrophes can affect us all, I would be foolish to argue that past civilizations have not suffered many times at the hands of nature. Attributing everything from the English Civil War and the French Revolution to the fall of Rome and the westward march of Genghis Khan to natural disasters only serves, however, to devalue the potentially cataclysmic effects of natural hazards and to trivialize the role of nature in shaping the course

T1 consisted of nineteen settlements distributed throughout the valley. It was an immense human-engineered environment, in which the ancient Mosquitia people transformed the rainforest into a lush, curated landscape. They leveled terraces, reshaped hills, and built roads, reservoirs, and irrigation canals. In its heyday T1 probably looked like an unkempt English garden, with plots of food crops and medicinal plants mingled with stands of valuable trees such as cacao and fruit, alongside large open areas for public ceremonies, games, and group activities, and shady patches for work and socializing. There were extensive flower beds, because flowers were an important crop used in religious ceremonies. All these growing areas were mixed in with residential houses, many on raised earthen platforms to avoid seasonal flooding, connected by paths. “Having these garden spaces embedded within urban areas,” said Fisher, “is one characteristic of New World cities that made them sustainable and livable.

She’d learned a lot of things from Zeb in his Urban Bloodshed Limitation classes: in Zeb’s view, the first bloodshed to be limited should be your own.

We have all heard the sceptics who warn that serious action to fight climate change and energy scarcity will lead us into decades of hardship and sacrifice. When it comes to cities, they are absolutely wrong. In fact, sustainability and the good life can be by-products of the very same interventions. Alex Boston, the Golder planner who advises dozens of cities on climate and energy, doesn’t even ask civic leaders about their greenhouse gas reduction aspirations when they first start talking. ‘We ask, “What are your core community priorities?”’ says Boston. ‘People don’t talk about climate change. They say they want economic development, livability, mobility, housing affordability, taxes, all stuff that relates to happiness.’ These are just the concerns that have caused us to delay action on climate change. But Boston insists that by focusing on the relationship between energy, efficiency and the things that make life better, cities can succeed where scary data, scientists, logic and conscience have failed. The happy city plan is an energy plan. It is a climate plan. It is a belt-tightening plan for cash-strapped cities. It is also an economic plan, a jobs plan and a corrective for weak systems. It is a plan for resilience. THE GREEN SURPRISE Consider the by-product of the happy city project in Bogotá. Enrique Peñalosa told me that he did not feel the urgency of the global environmental crisis when he was elected mayor. His urban transformation was not motivated by a concern for spotted owls or melting glaciers or soon-to-be-flooded residents of villages on some distant coral atoll. Still, a funny thing happened near the end of his term. After making Bogotá easier, cleaner, more beautiful and more fair, the mayor and his city started winning accolades from environmental organizations. In 2000 Peñalosa and Eric Britton were called to Sweden to accept the Stockholm Challenge Award for the Environment, for pulling 850,000 vehicles off the street during the world’s biggest car-free day. Then the TransMilenio bus system was lauded for producing massive reductions in Bogotá’s carbon dioxide emissions.fn1, 3 It was the first transport system to be accredited under the UN’s Clean Development Mechanism – meaning that Bogotá could actually sell carbon credits to polluters in rich countries. For its public space transformations under mayors Peñalosa, Antanas Mockus and their successor, Luis Garzón, the city won the Golden Lion prize from the prestigious Venice Architecture Biennale. For its bicycle routes, its new parks, its Ciclovía, its upside-down roads and that hugely popular car-free day, Bogotá was held up as a shining example of green urbanism. Not one of its programmes was directed at the crisis of climate change, but the city offered tangible proof of the connection between urban design, experience and the carbon energy system. It suggested that the green city, the low-carbon city and the happy city might be exactly the same destination.

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But the darkening national mood wasn’t Farah’s imagination. By the time of the ceremony at Reza Shah’s shrine, Iran’s bursting-at-the-seams quality was giving over to paralysis. The electrical blackouts, once sporadic and of short duration, had become almost daily occurrences and stretched to hours at a time. The continuing flood of food imports had by now thoroughly gutted the rural agricultural base, driving even more young men into Iran’s teeming urban ghettos. Simultaneously, the state was being schooled on a couple of basic economic laws, specifically that in a globally interconnected economy neither recession nor inflation can be confined. In the West, the oil shocks of 1973 and 1974 had triggered both an economic downturn and a conservation movement, sharply reducing the demand for Middle Eastern oil. At the same time, the spike in oil prices had triggered a knock-on inflationary effect on almost every other product or commodity the world produced, so Iran was now paying markedly more for everything from a Chieftain tank to a bag of imported rice. So hard was the economic brake applied that by the early summer of 1976 the Iranian government was compelled to take out the first in a series of massive international loans.