Up The Bracket Quotes

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I do like him. I'm sick of just liking people. I wish to God I could meet somebody I could respect.... .... Listen, don't hate me because I can't remember some person immediately. Especially when they look like everybody else, and talk and dress and act like everybody else." Franny made her voice stop. It sounded to her caviling and bitchy, and she felt a wave of self-hatred that, quite literally, made her forehead begin to perspire again. But her voice picked up again, in spite of herself. "I don't mean there's anything horrible about him or anything like that. It's just that for four solid years I've kept seeing Wally Campbells wherever I go. I know when they're going to be charming, I know when they're going to start telling you some really nasty gossip about some girl that lives in your dorm, I know when they're going to ask me what I did over the summer, I know when they're going to pull up a chair and straddle it backward and start bragging in a terribly, terribly quiet voice--or name-dropping in a terribly quiet, casual voice. There's an unwritten law that people in a certain social or financial bracket can name-drop as much as they like just as long as they say something terribly disparaging about the person as soon as they've dropped his name—that he's a bastard or a nymphomaniac or takes dope all the time, or something horrible." She broke off again. She was quiet for a moment, turning the ashtray in her fingers. Franny quickly tipped her cigarette ash, then brought the ashtray an inch closer to her side of the table. "I'm sorry. I'm awful," she said. "I've just felt so destructive all week. It's awful, I'm horrible.
J.D. Salinger (Franny and Zooey)
I love the sight of his naked body. especially in these quiet, vulnerable moments. These brackets of time stapled between dreams and reality are my favorite. There's a sweetness in this hesitant consciousness - a careful, gentle return of form of function, I've found I love these minutes most for the delicate way in which they unfold. It's tender. Slow motion. Time tying its shoes.
Tahereh Mafi (Restore Me (Shatter Me, #4))
The thing about pills, Regan wanted to say to the doctor who had clearly never taken any, was that the ups and downs still happened; they were just different now, contained within brackets of limitation. Some inner lawlessness was still there, screeching for a higher high and clawing for a lower low, but ultimately the pills were loose restraints, a method of numbly shrinking
Olivie Blake (Alone With You in the Ether)
There just isn’t enough cock in this world to be caught suckin’ and be called anything but a slut for life. The cynic in me would call it a bad habit, but that’d make me a whore in denial and if there’s one thing I am, it’s an honest bitch. Then again, you don’t get famous for being daddy’s little angel, but you can easily fall into the Infamy Bracket by preaching a made-up Bible quote now and again. They say I’m shallow, but I’ve made a living out off diving off the deep end.
Dave Matthes (Sleepeth Not, the Bastard)
You will wear the féth fiada until this is done, Amadan.” “Bloody hell,” Adam muttered savagely. “I hate being invisible.” “And Keltar,” Aoibheal said in a voice like sudden thunder, with a glance up at the balustrade. “Henceforth I would advise against tampering with my curses. Perform the Lughnassadh ritual now or face my wrath.” “Aye, Queen Aoibheal,” Dageus and Drustan replied together, stepping our from behind stone columns bracketing the stairs. Adam smiled faintly. He should have known no Highlander would flee, only retreat to a higher vantage – take to the hills, in a manner of speaking – waiting in silent readiness should battle be necessary.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
I want you, Reagan. I want every piece of you.” “Even the shattered pieces?” she asks. I bracket her face with my hands and pull her face up to mine. “I’ll be the glue that puts you back together,
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
As with other paired bracketing devices (such as parentheses, dashes and quotation marks), there is actual mental cruelty involved , incidentally, in opening up a pair of commas and then neglecting to deliver the closing one. The reader hears the first shoe drop and then strains in agony to hear the second. In dramatic terms, it's like putting a gun on the mantelpiece in Act I and then having the heroine drown herself quietly offstage in the bath during the interval. It's just not cricket.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
I'm changing..." I said. "Don't do that," Alex said into my hair. Then he scooped me up and over so I was below him, his knees bracketing mine, his arms curving around my head. "Don't change." Truth: When he kissed me again, I couldn't have cared less about being a good person.I felt amazing.
Melissa Jensen (The Fine Art of Truth or Dare)
The phobic has no other object than the abject. But that word, "fear"- a fluid haze an elusive clamminess- no sooner has it cropped up than it shades off like a mirage and permeates all words of the language with nonexistence, with a hallucinatory, ghostly glimmer. Thus, fear having been bracketed, discourse will seem tenable only if it ceaselessly confront that otherness, a burden both repellent and repelled, a deep well of memory that is unapproachable and intimate: the abject.
Julia Kristeva (Powers of Horror: An Essay on Abjection)
My worst, Persephone?” His voice gets lower, almost a growl. “You dip one toe into the water and think you’re ready to swim the length of the River Styx. You can’t begin to handle what my worst has to offer.” He finally moves his hand up, only to shove it into my panties and spear me with two fingers. The contact bows my back, but his other hand is there, bracketing my throat and holding me in place. “Can you feel their eyes on you?
Katee Robert (Neon Gods (Dark Olympus, #1))
It’s a weird thing, depression. Even now, writing this with a good distance of fourteen years from my lowest point, I haven’t fully escaped. You get over it, but at the same time you never get over it. It comes back in flashes, when you are tired or anxious or have been eating the wrong stuff, and catches you off guard. I woke up with it a few days ago, in fact. I felt its dark wisps around my head, that ominous life-is-fear feeling. But then, after a morning with the best five- and six-year-olds in the world, it subsided. it is now an aside. Something to put brackets around. Life lesson: the way out is never through yourself.
Matt Haig (Reasons to Stay Alive)
Jane's leaning in, taking advantage of her height to bracket August in, burning so hot that August can't make sense of the chill sweeping up her spine. So steady and beautiful and close, too close, never close enough, and August is so completely, irreversibly, spectacularly screwed.
Casey McQuiston (One Last Stop)
New Rule: While you're telling me how your March Madness bracket is doing, you must also fill me in on your vacation and show me pictures of your kids. That way, I can not give a shit all at once.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Abby had a little trick that she used any time Red acted like a cranky old codger. She reminded herself of the day she had fallen in love with him. “It was a beautiful, breezy, yellow-and-green afternoon,” she’d begin, and it would all come back to her—the newness of it, the whole new world magically opening before her at the moment when she first realized that this person that she’d barely noticed all these years was, in fact, a treasure. He was perfect, was how she’d put it to herself. And then that clear-eyed, calm-faced boy would shine forth from Red’s sags and wrinkles, from his crumpled eyelids and hollowed cheeks and the two deep crevices bracketing his mouth and just his general obtuseness, his stubbornness, his infuriating belief that simple cold logic could solve all of life’s problems, and she would feel unspeakably lucky to have ended up with him.
Anne Tyler (A Spool of Blue Thread)
He got up. It was too early to go to bed; at least, he was not in the mood for it. He pined for a bit of amusement - something cheap and easy. A seat in the pictures, cigarettes, beer. Useless! No money to pay for any of them. He would read KING LEAR and forget this filthy century. Finally, however, it was THE ADVENTURES OF SHERLOCK HOLMES that he took from the mantelpiece. SHERLOCK HOLMES was his favorite of all books, because he knew it by heart. The oil in the lamp was giving out and it was getting beastly cold. Gordon dragged the quilt from his bed, wrapped it round his legs and sat down to read. His right elbow on the table, his hands under his coat to keep them warm, he read through "The Adventure of the Speckled Band." The little gas-mantle sighed above, the circular flame of the oil-lamp burned low, a thin bracket of fire, giving out no more heat than a candle.
George Orwell
After Laura and Mary had washed and wiped the dishes, swept the floor, made their bed, and dusted, they settled down with their books. But the house was so cosy and pretty that Laura kept looking up at it. The black stove was polished till it gleamed. A kettle of beans was bubbling on its top and bread was baking in the oven. Sunshine slanted through the shining windows between the pink-edged curtains. The red-checked cloth was on the table. Beside the clock on its shelf stood Carrie’s little brown-and-white dog, and Laura’s sweet jewel-box. And the little pink-and-white shepherdess stood smiling on the wood-brown bracket.
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
Imagine you are a member of a tour visiting Greece. The group goes to the Parthenon. It is a bore. Few people even bother to look — it looked better in the brochure. So people take half a look, mostly take pictures, remark on serious erosion by acid rain. You are puzzled. Why should one of the glories and fonts of Western civilization, viewed under pleasant conditions — good weather, good hotel room, good food, good guide — be a bore? Now imagine under what set of circumstances a viewing of the Parthenon would not be a bore. For example, you are a NATO colonel defending Greece against a Soviet assault. You are in a bunker in downtown Athens, binoculars propped up on sandbags. It is dawn. A medium-range missile attack is under way. Half a million Greeks are dead. Two missiles bracket the Parthenon. The next will surely be a hit. Between columns of smoke, a ray of golden light catches the portico. Are you bored? Can you see the Parthenon? Explain.
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
Mad! Quite mad!' said Stalky to the visitors, as one exhibiting strange beasts. 'Beetle reads an ass called Brownin', and M'Turk reads an ass called Ruskin; and-' 'Ruskin isn't an ass,' said M'Turk. 'He's almost as good as the Opium-Eater. He says we're "children of noble races, trained by surrounding art." That means me, and the way I decorated the study when you two badgers would have stuck up brackets and Christmas cards. Child of a noble race, trained by surrounding art, stop reading or I'll shove a pilchard down your neck!
Rudyard Kipling (The Complete Stalky and Co.)
Darlin’,” he says, draining his coffee cup, “I can come up with solutions all day long and you can come up with reasons. Either you take control or all you’ve got left is reasons.
Chris Crutcher (Loser's Bracket)
If you made a list of Hilda’s remarks throughout the day, you’d find three bracketed together at the top—’We can’t afford it’, ‘It’s a great saving’, and ‘I don’t know where the money’s to come from’.
George Orwell (Coming Up for Air)
and that the Academy has presently in residence no fewer than a third of the continent’s top thirty juniors, in age brackets all across the board, and that I here, who go by ‘Hal,’ usually, am ‘right up there among the very
David Foster Wallace (Infinite Jest)
the massively built old man was tired, despite his customary show of energy. I guess when you get up into that bracket, Herbert decided, you have to act in a certain way; you have to appear more than a human with merely ordinary failings.
Philip K. Dick (Ubik)
Tom felt his darkness. His father was beautiful and clever, his mother was short and mathematically sure. Each of his brothers and sisters had looks or gifts or fortune. Tom loved all of them passionately, but he felt heavy and earth-bound. He climbed ecstatic mountains and floundered in the rocky darkness between the peaks. He had spurts of bravery but they were bracketed in battens of cowardice. Samuel said that Tom was quavering over greatness, trying to decide whether he could take the cold responsibility. Samuel knew his son’s quality and felt the potential of violence, and it frightened him, for Samuel had no violence—even when he hit Adam Trask with his fist he had no violence. And the books that came into the house, some of them secretly—well, Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands. John Steinbeck. East of Eden (Kindle Locations 4766-4770). Viking.
John Steinbeck
Moses?” I said softly. “Yeah?” His eyes lifted from the canvas briefly. “There’s a new law in Georgia.” “Does it directly contradict one of the laws of Moses?” “Yes. Yes it does,” I confessed. “Hmm. Let’s hear it.” He set his brush down, wiped his hands on a cloth and approached the bed where I was positioned, draped in a sheet like a Rubenesque Madonna. I learned the term from him, and he seemed to think it was a good thing. “Thou shall not paint,” I commanded sternly. He leaned over me, one knee on the bed, his strong arms bracketing my head, and I turned slightly, looking up at him. “Ever?” He smiled. I watched his head descend and his lips brushed mine. But his golden-green eyes stayed open, watching me as he kissed me. My toes curled and my eyes fluttered, the sensation of lips tasting lips pulling me under. “No. Not ever, just sometimes,” I sighed. “Just when I’m in Georgia?
Amy Harmon (The Law of Moses (The Law of Moses, #1))
Now, brooder is an interesting word. People who worry a lot in silence are known as brooders. But then again so is a hen sitting on her eggs. The more I get to know chickens, the more I realize half our language comes from chickens. Well, not half. But an awful lot considering this isn't Latin or anything. Cooped up. Egghead. Hatch a plan. Henpecked. Pecker. Cock. Chickenshit. Chicken-scratch. A lot of chicken words are meant to deliver attitude, which isn't surprising to me now that I have chickens. Chickens aren't background animals like fish or sheep or horses. Chickens are in-your-face animals. Chickens if you have them, come to bracket your days. The rooster hollers all morning, and then in the evening the hens have left you their mysterious gift of eggs. Silkies are said to be excellent brooders, to have a tendency toward "broodiness." This, too, is usually meant as a compliment.
Jeanne Marie Laskas (Growing Girls: The Mother of All Adventures)
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one— —and froze. Barrons stood inside the front door, dripping cool-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
the split-strike conversion strategy. Option traders often referred to it as a “collar” or “bull spread.” Basically, it involved buying a basket of stocks, in Madoff’s case 30 to 35 blue-chip stocks that correlated very closely to the Standard & Poor’s (S&P) 100-stock index, and then protecting the stocks with put options. By bracketing an investment with puts and calls, you limit your potential profit if the market rises sharply; but in return you’ve protected yourself against devastating losses should the market drop. The calls created a ceiling on his gains when the market went up; the puts provided a floor to cut his losses when the market went down.
Harry Markopolos (No One Would Listen)
And then that clear-eyed, calm-faced boy would shine forth from Red’s sags and wrinkles, from his crumpled eyelids and hollowed cheeks and the two deep crevices bracketing his mouth and just his general obtuseness, his stubbornness, his infuriating belief that simple cold logic could solve all of life’s problems, and she would feel unspeakably lucky to have ended up with him.
Anne Tyler (A Spool of Blue Thread)
The thing about pills, Regan wanted to say to the doctor who had clearly never taken any, was that the ups and downs still happened; they were just different now, contained within brackets of limitation. Some inner lawlessness was still there, screeching for a higher high and clawing for a lower low, but ultimately the pills were loose restraints, a method of numbly shrinking.
Olivie Blake (Alone With You in the Ether)
Furious, the beast writhed and wriggled its iterated integrals beneath the King’s polynomial blows, collapsed into an infinite series of indeterminate terms, then got back up by raising itself to the nth power, but the King so belabored it with differentials and partial derivatives that its Fourier coefficients all canceled out (see Riemann’s Lemma), and in the ensuing confusion the constructors completely lost sight of both King and beast. So they took a break, stretched their legs, had a swig from the Leyden jug to bolster their strength, then went back to work and tried it again from the beginning, this time unleashing their entire arsenal of tensor matrices and grand canonical ensembles, attacking the problem with such fervor that the very paper began to smoke. The King rushed forward with all his cruel coordinates and mean values, stumbled into a dark forest of roots and logarithms, had to backtrack, then encountered the beast on a field of irrational numbers (F1) and smote it so grievously that it fell two decimal places and lost an epsilon, but the beast slid around an asymptote and hid in an n-dimensional orthogonal phase space, underwent expansion and came out, fuming factorially, and fell upon the King and hurt him passing sore. But the King, nothing daunted, put on his Markov chain mail and all his impervious parameters, took his increment Δk to infinity and dealt the beast a truly Boolean blow, sent it reeling through an x-axis and several brackets—but the beast, prepared for this, lowered its horns and—wham!!—the pencils flew like mad through transcendental functions and double eigentransformations, and when at last the beast closed in and the King was down and out for the count, the constructors jumped up, danced a jig, laughed and sang as they tore all their papers to shreds, much to the amazement of the spies perched in the chandelier-—perched in vain, for they were uninitiated into the niceties of higher mathematics and consequently had no idea why Trurl and Klapaucius were now shouting, over and over, “Hurrah! Victory!!
Stanisław Lem (The Cyberiad)
He was perfect, was how she'd put it to herself. And then that clear-eyed, calm-faced boy would shine forth from Red's sags and wrinkles, from his crumpled eyelids and hollowed cheeks and the two deep crevices bracketing his mouth and just his general obtuseness, his stubbornness, his infuriating belief that simple cold logic could solve all life's problems, and she would feel unspeakably lucky to have ended up with him.
Anne Tyler
Can I have this dance?" He held out his arms expectantly, waiting as she grappled with her feelings. She gazed up into his eyes. One heartbeat later she slipped into his arms and he pulled her close. Her palm against his was heady, sending all sorts of tingles coursing up and down her arm. His other hand, on the small of her back, kept her close. They were awkward at first, but kept at it. He hummed as they moved around in a circle, her skirt swishing against her legs and sometimes tangling between his. A slow burn started on her neck. When they finished he let her go and took a small step back. "Charlie, I..." "Stop talking, Nell." His eyes closed and his lips covered hers. The kiss was gentle as he pulled her tighter against him, driving all thought from her mind. His hands moved down and bracketed her waist and he tilted his head, deepening the kiss.
Caroline Fyffe (West Winds of Wyoming (Prairie Hearts, #3))
Here he came then, day after day, week after week, month after month, year after year. He saw the beech trees turn golden and the young ferns unfurl; he saw the moon sickle and then circular; he saw—but probably the reader can imagine the passage which should follow and how every tree and plant in the neighbourhood is described first green, then golden; how moons rise and suns set; how spring follows winter and autumn summer; how night succeeds day and day night; how there is first a storm and then fine weather; how things remain much as they are for two or three hundred years or so, except for a little dust and a few cobwebs which one old woman can sweep up in half an hour; a conclusion which, one cannot help feeling, might have been reached more quickly by the simple statement that “Time passed” (here the exact amount could be indicated in brackets) and nothing whatever happened.
Virginia Woolf (Orlando: A Biography)
It may feel awkward at first, and there may be any number of obstacles. In addition to the obstructions that arise as we inch into this inner mothering, we may be stopped before we start by a discounting voice (a critical parent or protector most likely) saying, “This is ridiculous.” Its tactic is to deny the need. “You’re making a mountain out of a molehill.” “It wasn’t that bad. Just buck up.” Here is where being aware of parts comes as an advantage. Only if we can recognize that this is a part speaking up—a part that has an agenda—will we have a choice to bracket these thoughts and move forward with our intention. One of the next barriers we may face is a feeling of inadequacy. If you were not well mothered, you can easily feel that you haven’t a clue how to do it. You’re uncomfortable, you don’t know what to say or do, and you feel phony trying what doesn’t come naturally. This is enough to stop you right here. If you succeed in making an authentic connection with the undermothered parts within yourself, you may be struck by a sense of guilt that you have inadvertently continued the abandonment by not showing up earlier. No one likes to feel the sharp pain of causing harm to another. And just as I’ve mentioned earlier that a mother may unconsciously keep a distance from a child so as not to arouse her own hurt, you may feel that opening up the locked-away pain in your heart is too high a price to pay for reconnecting with child parts inside you.
Jasmin Lee Cori (The Emotionally Absent Mother, Second Edition: How to Recognize and Cope with the Invisible Effects of Childhood Emotional Neglect (Second): How to Recognize ... Effects of Childhood Emotional Neglect)
the newness of it, the whole new world magically opening before her at the moment when she first realized that this person that she’d barely noticed all these years was, in fact, a treasure. He was perfect, was how she’d put it to herself. And then that clear-eyed, calm-faced boy would shine forth from Red’s sags and wrinkles, from his crumpled eyelids and hollowed cheeks and the two deep crevices bracketing his mouth and just his general obtuseness, his stubbornness, his infuriating belief that simple cold logic could solve all of life’s problems, and she would feel unspeakably lucky to have ended up with him.
Anne Tyler (A Spool of Blue Thread)
Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered by what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun. If that package sounds like one big moral step backward, the Be Here Now mentality that has converted from sixties catchphrase to entrenched gestalt has its upsides. There has to be some value in living for today, since at any given time today is all you’ve got. We justly cherish characters capable of living “in the moment.”…We admire go-getters determined to pack their lives with as much various experience as time and money provide, who never stop learning, engaging, and savoring what every day offers—in contrast to the dour killjoys who are bitter and begrudging in the ceaseless fulfillment of obligation. For the role of humble server, helpmate, and facilitator no longer to constitute the sole model of womanhood surely represents progress for which I am personally grateful. Furthermore, prosperity may naturally lead any well-off citizenry to the final frontier: the self, whose borders are as narrow or infinite as we make them. Yet the biggest social casualty of Be Here Now is children, who have converted from requirement to option, like heated seats for your car. In deciding what in times past never used to be a choice, we don’t consider the importance of raising another generation of our own people, however we might choose to define them. The question is whether kids will make us happy.
Lionel Shriver
I haven't thought much about goats," Rick said. "May I ask if this represents a new price bracket for you?" "Well, I don't usually carry around three thou," Rick conceded. "I thought as much, sir, when you mentioned rabbits. The thing about rabbits, sir, is that everybody has one. I'd like to see you step up to the goat-class where I feel you belong. Frankly you look more like a goat man to me." "What are the advantages to goats?" The animal salesman said, "The distinct advantage of a goat is that it can be taught to butt anyone who tries to steal it." "Not if they shoot it with a hypno-dart and descend by rope ladder from a hovering hovercar." Rick said.
Philip K. Dick (Do Androids Dream of Electric Sheep? (Oxford Bookworms Library Level 5))
Here he came then, day after day, week after week, month after month, year after year. He saw the beech trees turn golden and the young ferns unfurl; he saw the moon sickle and then circular; he saw--but probably the reader can imagine the passage which should follow and how every tree and plant in the neighbourhood is described first green, then golden; how moons rise and suns set; how spring follows winter and autumn summer; how night succeeds day and day night; how there is first a storm and then fine weather; how things remain much as they are for two or three hundred years or so, except for a little dust and a few cobwebs which one old woman can sweep up in half an hour; a conclusion which, one cannot help feeling, might have been reached more quickly by the statement that 'Time passed' (here the exact amount could be indicated in brackets) and nothing whatever happened.
Virginia Woolf (Orlando: A Biography)
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
His eyes seemed to drink in every line, every shade of her face. He softened his grip on her chin, then bracketed her throat lightly with his fingers. As she held her breath, he stroked his thumb and fingers down both sides of her neck. “No,” he said, his voice growing husky. “I prefer to have you as you were yesterday…soft…lovely…yielding…” The words themselves were a caress, and the way he looked at her mouth, as if it were a particularly juicy morsel, made shivers dance down her spine. She fought the traitorous sensations. “You can’t have me at all.” “Can’t I?” A knowing smile touched his lips. He lowered his head and she braced herself for another brutal kiss. Instead, he pressed his lips to the pulse on the side of her neck. His lips were warm and buttery soft, nothing like they’d been a few moments ago. She tried to sit still, to pretend he wasn’t heating up her blood and making her tremble like a needle on a compass. Whole surges of feeling were taking over her body. She couldn’t seem to stop them.
Sabrina Jeffries (The Pirate Lord (Lord Trilogy, #1))
One of my favourite meditations is to drop through layers of sound. You start by asking yourself what you can hear, then absorbing that fully for a while. The background hum of the everyday opens up and separates, and becomes composed of many different actions, many different lives all surging around you as you forgetfully go about your business, thinking you’re all alone. But when you have heard all those sounds, you listen for what’s beneath them, and you find those quieter noises at the edge of perception, or the ones that are so routine to your ears that your brain doesn’t bother to notice them. And then you go lower still, bracketing those surface sounds and the ones beneath them and asking what else is there. It’s like peeling space, stripping off layers until you find, lurking beneath it all, a kind of silence you can be in. This quiet is there all the time, but it takes effort to notice it. Some people even say they can hear the sound of creation behind it. I haven’t found that yet, but there’s no harm in wondering if it will ever come into my hearing.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
So they rolled up their sleeves and sat down to experiment -- by simulation, that is mathematically and all on paper. And the mathematical models of King Krool and the beast did such fierce battle across the equation-covered table, that the constructors' pencils kept snapping. Furious, the beast writhed and wriggled its iterated integrals beneath the King's polynomial blows, collapsed into an infinite series of indeterminate terms, then got back up by raising itself to the nth power, but the King so belabored it with differentials and partial derivatives that its Fourier coefficients all canceled out (see Riemann's Lemma), and in the ensuing confusion the constructors completely lost sight of both King and beast. So they took a break, stretched their legs, had a swig from the Leyden jug to bolster their strength, then went back to work and tried it again from the beginning, this time unleashing their entire arsenal of tensor matrices and grand canonical ensembles, attacking the problem with such fervor that the very paper began to smoke. The King rushed forward with all his cruel coordinates and mean values, stumbled into a dark forest of roots and logarithms, had to backtrack, then encountered the beast on a field of irrational numbers (F_1) and smote it so grievously that it fell two decimal places and lost an epsilon, but the beast slid around an asymptote and hid in an n-dimensional orthogonal phase space, underwent expansion and came out fuming factorially, and fell upon the King and hurt him passing sore. But the King, nothing daunted, put on his Markov chain mail and all his impervious parameters, took his increment Δk to infinity and dealt the beast a truly Boolean blow, sent it reeling through an x-axis and several brackets—but the beast, prepared for this, lowered its horns and—wham!!—the pencils flew like mad through transcendental functions and double eigentransformations, and when at last the beast closed in and the King was down and out for the count, the constructors jumped up, danced a jig, laughed and sang as they tore all their papers to shreds, much to the amazement of the spies perched in the chandelier—perched in vain, for they were uninitiated into the niceties of higher mathematics and consequently had no idea why Trurl and Klapaucius were now shouting, over and over, "Hurrah! Victory!!
Stanisław Lem (The Cyberiad)
To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture, or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered with what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God, and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun.
Meghan Daum (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text
Virginia Woolf (Orlando)
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.
Virginia Woolf (Orlando)
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.
Virginia Woolf (Orlando)
Foolproof Get Outta Bed Plan First, figure out the thing you would love to do first each morning. Is it pet your dog, eat a piece of dark chocolate, have your neck massaged, have your back scratched? Whatever will keep those eyes popped open is what you are going to do for yourself the instant you wake up. Next, you are going to keep a journal and pen beside your bed. Write down your intention and reward for the instant your eyes open. “I am going to wake up at [6:00 am]. As soon as I wake up, I am going to [drink an ice-cold glass of water] and then get in my shower.” Modify the parts in brackets with your time and your eye-opener. Finally, this third part only applies if you are a “tough case.” If you know yourself to be truly resistant to waking up, then you need a specialty app. Download an app like Alarmy. It is going to force you to wake up and take a picture of something specific (like your shower) before the alarm will shut off. I know, extreme alarms for extreme snoozers. This three-part process—note something to look forward to, set intention in writing, and use an app/alarm if needed—will work if you have identified a truly rewarding experience for yourself. This is all about your knowledge of yourself and your ability to design a three-part process that will feel like a luxurious reward to you. Maybe I should change mine to fresh-squeezed orange juice. That sounds amazing!
Stephanie Ewing (The Shower Habit: 10 Steps to Increase Energy, Boost Confidence, and Achieve Your Goals Without Waking Up Earlier (Optimize Your Life Series, #1))
He bracketed his waist with his hands and took a deep breath. “The truth is I didn’t want to see you or even talk to you until I was me again.” Stunned, she dropped the fork back into her salad bowl. “I’m not sure I’m following,” she said cautiously but she knew what he meant. He wanted her to see him when they talked…his face. He leaned forward, braced his hands on her desk. She inhaled the clean, slightly citrusy scent that was uniquely Joe Hennessey. Her gaze roved his face. Every detail was just as it was before. Damn she was good. Elizabeth blinked. Chastised herself for staring. Since he hadn’t answered her question he’d obviously paused to take notice of her staring. She cleared her throat and squared her shoulders. “You’re going to have to explain what you mean, Agent Hennessey.” “Don’t play games with me, Elizabeth,” he warned, those blue eyes glinting with what some might consider intimidation. But she knew him better now. That was his predatory gleam. And she was his prey…he wanted her. “Really, Hennessey, you should be more specific.” “I love you, Elizabeth. I can’t sleep. I can’t eat. I miss you. I need to be with you.” I…I…I, was this all about him? Let him sweat for a bit. She shrugged indifferently. “I’ve been sleeping fine.” She glanced at the food in front of her. “Eating fine as well.” He straightened, threw up his hands. “What do you want me to do? Beg?” That could work, she mused wickedly.
Heather Graham (In the Dark / Person of Interest)
It was his fault.She could put the blame for this entirely on Brian Donnelly's shoudlers.If he hadn't been so insufferable,if he hadn't been there being insufferable when Chad had called, she wouldn't have agreed to go out to dinner.And she wouldn't have spent nearly four hours being bored brainless when she could've been doing something more useful. Like watching paint dry. There was nothing wrong with Chad, really.If you only had,say,half a brain, no real interest outside of the cut of this year's designer jacket and were thrilled by a rip-roaring debate over the proper way to serve a triple latte,he was the perfect companion. Unfortunately,she didn't gualify on any of those levels. Right now he was droning on about the painting he'd bought at a recent art show. No,not the painting,Keeley thought wearily. A discussion of the painting,of art,might have been the medical miracle that prevented her from slipping into a coma.But Chad was discoursing-no other word for it-on The Investment. He had the windows up and the air conditioning clasting as they drove. It was a perfectly beautiful night, she mused, but putting the windows down meant Chad's hair would be mussed. Couldn't have that. At least she didn't have to attempt conversation. Chad preferred monologues. What he wanted was an attractive companion of the right family and tax bracket who dressed well and would sit quietly while he pontificated on the narrow areas of his interest. Keeley was fully aware he'd decided she fit the bill,and now she'd only encouraged him by agreeing to this endlessly tedious date.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Sweat popped out on his brow. Little by little he advanced. Higher. Deeper. Her flesh yielding beneath his gentle but inevitable penetration. She moaned. "It's not enough. Dammit, it's not enough!" His laugh was triumphant. "Patience, love. Patience." She buried her head against his shoulder. He buried his finger inside her cleft, as far as he could. His thumb slowly circled her velvety pearl, pressed, then circled anew, faster and faster, gaining a tempo he knew would drive her wild. Her hands came up, clenching and unclenching against his chest. He felt the tension strung throughout her body and knew precisely what caused it. Knew precisely how to ease it. "Don't fight it." The words were a low, silken whisper, yet his tone was almost gritty with self-control. "Just let it happen, darling. Just let it happen." She couldn't stop it. He knew that pure sensation burned inside her. She writhed around his finger, her hips seeking, stark and wanton. He knew precisely when the spasms of release seized hold. She cried aloud. Her body contracted around him, again and again. She collapsed against him, spent and satiated, his finger still deep inside her. Aidan, however, was more aroused than he had ever been in his life. Every part of his body, every muscle, every nerve, was taut and on edge, almost to the breaking point. A crimson haze of desire scorched his insides, for though Fionna had gained release, he had not. He could barely think. Powerful arms lifted her, catching her so that she faced him, her bare legs bracketed around his. a long arm swept around her back. "You pleased me, love. And I am glad that I pleased you so much. But the next time we are together like this, it will be a different part of me that will be inside you. The next time it will be this." Reaching between them, he fumbled with his trousers, freeing his rigid erection, curling her fingers around his thick, swollen flesh and sealing it there with the pressure of his own. "And there will be nothing between us, sweet. No barriers of clothing. No barriers of words. Do you understand what I am saying?" Fionna gaped at him, stunned at what he'd said. Stunned at what he was doing. She could feel that rigidly masculine part of him... good heavens, her palm was filled with that rigidly masculine part of him.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
In the world of mental health, the lowest-functioning clients and the highest-functioning clients receive the worst care. The lowest-functioning clients typically struggle with serious mental illnesses that are maintained more than cured. And, because of downward drift that draws a disproportionate number of such patients into the lower income brackets, these clients often do not have access to top-notch care. The highest-functioning clients, on the other hand, usually have a lot going for them, including family or schools that connect them with private therapists when needed. These high-functioning clients are what therapists call YAVIS—young, attractive, verbal, intelligent, and successful—and these qualities bestow all sorts of social and psychological advantages. Being young means, as a colleague once put it, “that you haven’t completely screwed up your life yet.” Being verbal allows you to easily exchange a common currency with friends and bosses as you parlay being talkative into social status. Intelligence aids achievement and problem-solving, and even leadership. Successful people are generally brimming with confidence. And, as Aristotle said, “beauty is a greater recommendation than any letter of introduction.” So, YAVIS clients are well received nearly everywhere they go, and many therapists light up when one comes walking in the door. Still, there are two paths to being smart and charming when you are young: Life has been good or life has been bad. When life has been good, maybe someone goes to see a therapist for a while because some isolated thing is not currently going well. Most likely, the difficulty will be resolved quickly and the client will be on his way. When life has been bad, someone goes to see a therapist because even though things look pretty on the outside the person feels horrible on the inside, and this is a discrepancy that even many therapists cannot hold. Sometimes it is just too jarring to imagine that someone who seems so perfect has lived a life that has been so imperfect. What results is a therapy where the client’s image gets in the way of the help that he or she needs. The client has come to focus on what has not gone well, but the therapist is blinded by what has. Too often, being successful when you are young is about survival. Some people are good at hiding their troubles. They are good at “falling up.
Meg Jay (The Defining Decade: Why Your Twenties Matter—And How to Make the Most of Them Now)
Matthew knew it was wrong the instant their lips met. Because nothing would ever equal the perfection of Daisy in his arms. He was ruined for life. God help him, he didn’t care. Her mouth was soft and hot, like sunshine, like the white blaze of a heartwood fire. She gasped as he touched her lower lip with the tip of his tongue. Slowly her hands came to his shoulders, and then he felt her fingers at the back of his head, sliding into his hair to keep him from pulling away. There wasn’t a chance in hell of that happening. Nothing could have made him stop. A tremor shook his fingers as he bracketed the exquisite line of her jaw in the open framework of his hand, gently angling her face upward. The flavor of her mouth, sweet and elusive, fueled a hunger that threatened to rage out of control… he searched the damp silk beyond her lips, deeper, harder, until she began to breathe in long sighs, her body molding against his. He let her feel how much stronger he was, how much heavier, one muscular arm clamped along her back, his feet spread to hold her between the powerful length of his thighs. Her upper half was bound in a laced and padded corset. He was almost overcome by a savage desire to tear away the stays and quilting and find the tender flesh beneath. Instead he sank his fingers into her pinned-up hair and tugged it backward until the weight of her head was cradled in his hand, and her pale throat was exposed. He searched for the pulse he had seen earlier, his lips dragging softly along the secret pathway of nerves beneath her skin. When he reached a senstive spot, he felt the vibration of her suppressed moan against his mouth. This was what it would be like to make love to her, he thought dazedly… the sweet shivering of her flesh as he entered her, the delicate chaos of her breath, the helpless sounds that rustled in her throat. Her skin, warm and female, scented like tea and talcum and a trace of salt. He found her mouth again, opened it, delving into wet silk, heat, and an intimate flavor that drove him mad. She should have struggled, but there was only yielding and more softness, driving him past all limits. He began to ravish her mouth with deep, twisting kisses, bringing her body rhythmically against his. He felt her legs part beneath her gown, his thigh fitting neatly between them. She squirmed with innocent desire, her face blooming with the color of late summer poppies. Had she understood exactly what he wanted from her, she would have done more than blush. She would have fainted on the spot. Lifting his mouth from hers, Matthew pressed his jaw against the side of her head. “I think,” he said raggedly, “this puts to rest any question of whether I find you desirable or not.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
His voice was cool and steady. “You’ve proved my point, Lillian. If a man you don’t even like can bring you to this state, then how much easier would it be for St. Vincent?” She started as if he had slapped her, and her eyes widened. The transition from warm desire to a feeling of utter foolishness was not a pleasant one. The devastating intimacy between them had been nothing but a lesson to demonstrate her inexperience. He had used it as an opportunity to put her in her place. Apparently she wasn’t good enough to wed or to bed. Lillian wanted to die. Humiliated, she scrambled upward, clutching at her unfastened garments, and shot him a glare of hatred. “That remains to be seen,” she choked out. “I’ll just have to compare the two of you. And then if you ask nicely, perhaps I’ll tell you if he—” Westcliff pounced on her with startling swiftness, shoving her back to the lawn and bracketing her tossing head between his muscular forearms. “Stay away from him,” he snapped. “He can’t have you.” “Why not?” she demanded, struggling as he settled more heavily between her flailing legs. “Am I not good enough for him either? Inferior breed that I am—” “You’re too good for him. And he would be the first to admit it.” “I like him all the better for not suiting your high standards!” “Lillian— hold still, damn it— Lillian, look at me!” Westcliff waited until she had stilled beneath him. “I don’t want to see you hurt.” “Has it ever occurred to you, you arrogant idiot, that the person most likely to hurt me might be you?” Now it was his turn to recoil as if struck. He stared at her blankly, though she could practically hear the whirring of his agile brain as he sorted through the potential implications of her rash statement. “Get off me,” Lillian said sullenly. He moved upward, straddling her slender hips, his fingers grasping the inner edges of her corset. “Let me fasten you. You can’t run back to the manor half dressed.” “By all means,” she replied with helpless scorn, “let’s observe the proprieties.” Closing her eyes, she felt him tugging her clothes into place, tying her chemise and re-hooking her corset efficiently. When he finally released her, she sprang from the ground like a startled doe and rushed to the entrance of the hidden garden. To her eternal humiliation, she couldn’t find the door, which was concealed by the lavish spills of ivy coming over the wall. Blindly she thrust her hands into the trailing greenery, breaking two nails as she scrabbled for the doorjamb. Coming up behind her, Westcliff settled his hands at her waist, easily dodging her attempts to throw him off. He pulled her hips back firmly against his and spoke against her ear. “Are you angry because I started making love to you, or because I didn’t finish?” Lillian licked her dry lips. “I’m angry, you bloody big hypocrite, because you can’t make up your mind about what to do with me.” She punctuated the comment with the hard jab of one elbow back against his ribs.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
People, for the most part, live in the objective-immediate mode (discussed earlier). This means that they are totally absorbed in and identified with positive worldly interests and projects, of which there is an unending variety. That is to say, although they differ from one another in their individual natures, the contents of their respective positivities, they are all alike in being positive. Thus, although the fundamental relation between positives is conflict (on account of their individual differences), they apprehend one another as all being in the same boat of positivity, and they think of men generally in terms of human solidarity, and say 'we'. But the person who lives in the subjective-reflexive mode is absorbed in and identified with, not the positive world, but himself. The world, of course, remains 'there' but he regards it as accidental (Husserl says that he 'puts it in parentheses, between brackets'), and this means that he dismisses whatever positive identification he may have as irrelevant. He is no longer 'a politician' or 'a fisherman', but 'a self'. But what we call a 'self', unless it receives positive identification from outside, remains a void, in other words a negative. A 'self', however, is positive in this respect—it seeks identification. So a person who identifies himself with himself finds that his positivity consists in negativity—not the confident 'I am this' or 'I am that' of the positive, but a puzzled, perplexed, or even anguished, 'What am I?'. (This is where we meet the full force of Kierkegaard's 'concern and unrest'.) Eternal repetition of this eternally unanswerable question is the beginning of wisdom (it is the beginning of philosophy); but the temptation to provide oneself with a definite answer is usually too strong, and one falls into a wrong view of one kind or another. (It takes a Buddha to show the way out of this impossible situation. For the sotāpanna, who has understood the Buddha's essential Teaching, the question still arises, but he sees that it is unanswerable and is not worried; for the arahat the question no longer arises at all, and this is final peace.) This person, then, who has his centre of gravity in himself instead of in the world (a situation that, though usually found as a congenital feature, can be acquired by practice), far from seeing himself with the clear solid objective definition with which other people can be seen, hardly sees himself as anything definite at all: for himself he is, at best, a 'What, if anything?'. It is precisely this lack of assured self-identity that is the secret strength of his position—for him the question-mark is the essential and his positive identity in the world is accidental, and whatever happens to him in a positive sense the question-mark still remains, which is all he really cares about. He is distressed, certainly, when his familiar world begins to break up, as it inevitably does, but unlike the positive he is able to fall back on himself and avoid total despair. It is also this feature that worries the positives; for they naturally assume that everybody else is a positive and they are accustomed to grasp others by their positive content, and when they happen to meet a negative they find nothing to take hold of.
Nanavira Thera
areas such as welfare for the low-income brackets, housing, and loans, and come up with countermeasures to fundamentally prevent such complaints for the socially vulnerable, supporting the “People’s happiness policy” of the new administration
섹파조건만남
Abraham was born during the forty-first Jubilee cycle, like we talked about last night. If my calculations are correct, he was born in the 287th Sabbath cycle from Adam.” Rachael pointed to his notes on the paper. “That’s pretty cool!” She was looking at where he had written 7 x 41 in brackets next to 287. “Yes, seven and forty-one are the prime factors of 287. It’s really amazing how forty-one keeps turning up in relation to Abraham. With what we already know from Yeshua’s lineage in Matthew 1, and now this chronological evidence which shows Abraham was born during the forty-first Jubilee cycle, it looks to me like we are on the right track. If we can further nail this down, we are talking about a hidden chronological thread which potentially connects Yeshua to both the Old and New Testaments in a manner which will be hard to dispute.
William Struse (The 13th Prime: Deciphering the Jubilee Code (The Thirteenth #2))
Even the simplest of cottages often picked up the decorative elements of the more formal styles as is evident in this Italianate cottage. Almost square, the one-story frame cottage at 543 Coombs duplicates the symmetry of the larger Italianates. Note also its low-pitched roof and projecting eaves supported by elaborate pierced and scrolled brackets. The molded window hoods supported by brackets top tall, narrow sash windows. The front porch could grace a much larger house with its molded cornice, columns, brackets, pierced arches, and turned balusters. In 1908, auctioneer J.T. Gamble lived
Anthony Raymond Kilgallin (Napa: An Architectural Walking Tour (Images of America: California))
Darcy picked her up again, this time not as gently as he had when she’d tripped on the root. He carried her under one arm like a sack of grain, though to his credit, he avoided putting pressure on her lower abdomen. “I said no, ye contrary thing, and I’m big enough to make you obey whether ye want to or no’.” He crashed through the line of trees, stomped past the wounded men, and set her firmly in the wagon. “A skirmish is no place for a woman. I willna be responsible for you getting raped or killed.” That vulnerable look softened his hard features for a second. “I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Sec. Particulars Amount 80C Tax saving investments1 Maximum up to Rs. 1,50,000 (from FY 2014-15) 80D Medical insurance premium-self, family Individual: Rs. 15,000 Senior Citizen: Rs. 20,000 Preventive Health Check-up Rs. 5,000 80E Interest on Loan for Higher Education Interest amount (8 years) 80EE Deduction of Interest of Housing Loan2 Up to Rs.1,00,000 total 80G Charitable Donation 100%/ 50% of donation or 10% of adjusted total income, whichever is less 80GGC Donation to political parties Any sum contributed (Other than Cash) 80TTA Interest on savings account Rs. 10,000 1              Tax saving investments includes life insurance premium including ULIPs, PPF, 5 year tax saving FD, tuition fees, repayment of housing loan, mutual fund (ELSS) (Sec. 80CCB), NSC, employee provident fund, pension fund (Sec. 80CCC) or pension scheme (Sec. 80CCD), etc. NRIs are not allowed to invest in certain investments, such as PPF, NSC, 5 year bank FD, etc. 2              Only to the first time buyer of a self-occupied residential flat costing less than Rs. 40 lakhs and loan amount of less than 25 lakhs sanctioned in financial year 2013-14 Clubbing of other’s income Generally, the taxpayer is taxed on his own income. However, in certain cases, he may have to pay tax on another person’s income.  Taxpayers in the higher tax bracket (e.g. 30%) may divert some portion
Jigar Patel (NRI Investments and Taxation: A Small Guide for Big Gains)
Four, large warm hands on her body woke her up. They weren’t touching her anywhere inappropriate—shoulders, hips, thighs—but they were there, on her bare skin. Bare skin…oh my God—I’m naked! And so were the large, male bodies bracketing her own. She could feel their muscular warmth against her back and breasts, surrounding her, invading her, owning her. The familiar current of sexual electricity was running through her body—the feeling she always got when Deep and Lock were touching her bare skin at the same time. When the three of them were… Kat’s eyes flew open and she found herself looking into Lock’s melted chocolate gaze. “Welcome back to the land of the living, my lady,” he murmured with a smile. “We’re very glad to have you back.” “Lock’s right—you gave us quite a scare,” Deep’s voice rumbled from behind her. “We didn’t think you would make it, there for awhile.” “I almost died,” Kat blurted, the memory momentarily overcoming her shock at finding herself naked between them. “I was floating above my own body, looking down. I saw you talking about me. And then…” She frowned. “I had another dream. It was terrible but—” “But it’s over now,” Lock finished for her, soothingly. “You’re getting better, Kat, but you’re not out of danger yet.” “In my dream you were taking me to Twin Moons. Where am I?” she demanded. “I would think that would be obvious,” Deep growled in her ear. “You’re in our bed, little Kat. And that’s where you’re going to stay until you’re all better.” “What are you talking about?” She struggled to get up but they held her down, gently but firmly. “Don’t be upset,” Lock pleaded. “We won’t hurt you, my lady. You must know that by now.” “Look,
Evangeline Anderson (Sought (Brides of the Kindred, #3))
even the formidable deputy seemed lost for words – or was saving them for later. Maths followed a similar pattern. While the others struggled over algebra, Janet spent the first half of the lesson hidden behind her ponytail of tangled hair – ‘looking for split ends,’ she explained to Edie afterwards – until Mr Robinson, a nervous young teacher who had joined the school the previous term, invited her to come to the front of the class and write an answer to the question he had just chalked up on the board. ‘Why are you picking on me?’ Janet asked sulkily. ‘Because I don’t think you’ve been paying attention,’ Mr Robinson replied. Janet scraped back her chair, and walked to the front of the class with her shoulders swaying. ‘What’s the point trying to work out the answer when the question doesn’t make sense?’ she said, and proceeded to insert a missing bracket into Mr Robinson’s equation. ‘That was awesome,’ said Belinda later, over tea. ‘He looked so embarrassed! Oh, Janet, you should have seen him when you were walking back to your desk – his face was like strawberry jam!’ ‘I felt sorry for him,’ said Anastasia. ‘He’s so shy, and sometimes I think he’s frightened of us. Do you remember that time he was on supper duty last term and
Esme Kerr (Knight's Haddon 2: Mischief at Midnight)
Sometimes a piece of code is long and takes up more than one line. Code surrounded by three quotes, parentheses, brackets and braces can extend to a new line:
Cory Althoff (The Self-Taught Programmer: The Definitive Guide to Programming Professionally)
Casolaro’s proposed chapter titles for The Octopus provide a glimpse into the trajectory of his research: Chapter 1: 1980—The Most Dangerous Year. Casolaro’s notes include sub-divisions entitled “Death of Paul Morasca, Death of Fred Alvarez,” “Resupply of Contras,” “Casey,” “Vesco,” “John Nichols,” and “Transition—Mideast.” Chapter 2: Backing up: The Post War Years. 1944-1950. When they met. Kim Philby. Chapter 3: Tag Team Compartments. 1959: Patrice Lumumba, Fidel Castro, Europe, Albania, Golden Triangle, China, Formosa. He also brackets “Moriarty, [Marshall] Riconosciuto, Fat Tony.” Chapter 4: 1966: Making Friends With the Terrorist Underground. Dealers, Drugs & Money [additional unreadable line]. Chapter 5: What Went Wrong With Nixon and the Windfall/Surprise. Chapter 6: 1975: Australia With PM Houghton. Chapter 7: The Asian Underground. Chapter 8: Oil [unreadable] Controlling Countries. Chapter 9: The Big Crime—ICN, Yakuza & Terrorists, Triads. Chapter 10: 1980. Chapter 11: The role of Mossad. Chapter 12: KGB Underground. Chapter 13: Wackenhut. Chapter 14: Mideast—Beirut. Chapter 15: Iran Shah, Helms. Chapter 16: Iran & Iraq.
Kenn Thomas (The Octopus: Secret Government and the Death of Danny Casolaro)
As a rule of thumb, you should always put money into your 401(k) up to the employer match, but nothing more.
David McKnight (The Power of Zero, Revised and Updated: How to Get to the 0% Tax Bracket and Transform Your Retirement)
some cryptoassets are commodities, this could open them up to different tax treatment than if they were considered solely as property. Commodities fall under the 60/40 tax ruling, meaning 60 percent of the gains on a commodity transaction are treated as long-term capital gains and 40 percent are treated as short-term capital gains. This is different from taxing stocks where profitably selling an equity after 12 months is classified as a long-term capital gain with a current tax rate cap of 15 percent. Selling prior to 12 months would be considered a short-term gain with the tax ramification based on an investor’s income bracket.
Chris Burniske (Cryptoassets: The Innovative Investor's Guide to Bitcoin and Beyond)
I lift the edge of her shirt so I can settle my hands on her naked waist, but she pushes my hands away. “What’s wrong?” “I can’t get used to all the touching you do. It’s strange. And makes me feel vulnerable, because my body is far from perfect.” It took a lot for her to say that, I can tell. She’s worried about me touching a pudgy spot? Seriously? I live for pudge. Bring it on. “You want me to keep my hands to myself?” She shakes her head. “No.” I kiss the tip of her nose. She scrunches up her face, and then brackets my face with her hands, looks into my eyes, and kisses me.
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
Yes?” “Um…” the receptionist says. “What is it?” I bark. But then my office door opens, and Matt steps through. “He’s on his way to you,” the receptionist says. “Thanks for the warning,” I mutter. Matt closes my office door behind him and approaches me. I stand, and he tips my chin up toward his face. “I forgot something,” he says. He’s breathless, and his eyes search mine. “I forgot to tell you that I want your heart more than I want your body,” he says. His eyes are flitting all over my face. “I fucked that up, but I’m not done yet. And I know how to say I’m sorry.” “Matt—” I start. But he cuts me off. “I want you more than I’ve ever wanted anything, and it’s difficult to even walk when I’m around you, because my dick gets so hard I could pound nails with it.” Heat creeps up my cheeks, but he doesn’t stop. “I shouldn’t have gone there with you yet, but I can’t help it. I’m fucking dying to be inside you. I’m fucking dying to hold you close to me, hopefully when we’re both naked.” He grins. “But even more than that, I want you to love me. I want you to love me a lot, and I went about it the wrong way. Please forgive me.” He finally stops and draws in a deep breath. “Please.” “Matt…” I say. “When I saw your boyfriend, all I could think was that I could satisfy you so much more, mainly because I was jealous as hell that he’s been close to you. Maybe I was trying to get him off your mind and put myself there. Or maybe I’m just an idiot. It’s probably the latter. I admit it. I’m an idiot when it comes to you. But that’s okay with me. I hope it’s okay with you, too.” “Matt,” I say again. “Forgive me,” he urges. “I won’t ever do it again.” I bracket his face with my hands. “Would you shut up for a minute?” I say. He breathes out a sigh. “Okay.” “I’m not mad. Well, a little annoyed that Seth repeated something to you that he overheard in a private conversation. That’s about me and Seth, though, not about you. I’ll deal with him about that. And no, I’m not mad at you. There’s nothing to forgive.” He doesn’t say anything. He just looks into my eyes. “Really, Matt,” I say to assure him. “You completely shut me down, which I deserved. But I already miss you.” “I haven’t gone anywhere.” I laugh.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Most sports enforce age cut-offs—that is, the ages that determine whether you can play another year in your current age bracket as a “senior,” or whether you have to move up and be a “freshman” in the next. In
Sean Patrick (Nikola Tesla: Imagination and the Man That Invented the 20th Century)
I’m further gone than you are,” I blurt out. She stops walking and looks me in the eye. “Gone?” Her green eyes blink slowly. “Gone. Done. Head over heels. Can’t stop thinking about you. Want to be with you all the time. Can feel you against my skin even when you’re not with me. Gone.” Her breaths quicken. “Oh,” she says. Her hands lay flat on my chest. “But I think I might be further gone than you are.” I lean down to look into her eyes. “Are you going to break my heart, Reagan?” I ask. “You’re already thinking about birth control, and it scares the fuck out of me, the very thought of getting to be inside you. Because I want you, Reagan. I want every piece of you.” “Even the shattered pieces?” she asks. I bracket her face with my hands and pull her face up to mine. “I’ll be the glue that puts you back together,” I breathe. “I’ve been locked up a long time, Reagan,” I say. “I’ve been locked up even longer than you have, Pete,” she says, her voice heavy with emotion. She swallows. “Don’t give me hope unless you’re sure,” I plead. “I’ve never been more sure of anything,” she says.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
I don’t know what to do with myself all alone with Matt, so I start to load the dishwasher with today’s dishes. Matt picks up plates and cups from the table and helps me. “Careful, or I’ll get used to having you around,” I warn playfully. He looks directly into my eyes. “Good. That’s what I’m going for.” My breath hitches, and I have to turn away so that I’m not facing him. I lay my hands flat on the counter and take a breath. But then I feel Matt’s length behind me. His palms lie flat on the counter beside mine, his arms bracketing my body. I can feel him from the top of my head to the heels of my feet, he’s that close. “You in love with me yet?” he whispers quietly. A grin steals across my face, and I’m so glad he can’t see it. “Nope,” I say past the lump in my throat. He brushes the hair from the back of my neck and presses his lips there. I’m suddenly glad he’s behind me, because my knees might just give out. His lips are soft and warm, but insistent. He kisses the side of my neck, and I tilt my head because it feels so damn good. “Someday, you’re going to want to marry me,” he murmurs. “You’re awfully sure of yourself.” My voice quavers only a little. I’m quite proud of that. “Mmm hmm,” he murmurs, and his lips gently slide up the side of my neck.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
As they finished eating, Christy glanced at him with indecision. “Thank you for the food. It’s getting pretty late. Maybe I should go.” He strode to her and bracketed her body with his arms. “Do you want to go?” “I don’t know. You tell me. What does the sex workers’ union say about clients staying over?” He laughed softly. “I’d have to check the man-whore union labor agreement because I’m not familiar with it. Although I’d say in this case, it’s up to the client.” “Last time I was exhausted and accidentally fell asleep in your bed,” she hurried to explain. “I don’t want you to think—
Elle Aycart (Heavy Issues (Bowen Boys, #2))
Instead of the carriage Beatrix had expected, there was a single horse on the drive, Christopher’s large bay gelding. Beatrix turned to give him a questioning look. “Don’t I get a horse? A pony cart? Or am I to trot along behind you?” His lips twitched. “We’ll ride together. If you’re willing. I have a surprise for you.” “How unconventional of you.” “Yes, I thought that would please you.” He helped her to mount the horse, and swung up easily behind her. No matter what the surprise was, Beatrix thought as she leaned back into his cradling arms, this moment was bliss. She savored the feel of him, all his strength around her, his body adjusting easily to every movement of the horse. He bade her to close her eyes as they went into the forest. Beatrix relaxed against his chest. The forest air turned sweeter as it cooled, infused with scents of resin and dark earth. “Where are we going?” she asked against his coat. “We’re almost there. Don’t look.” Soon Christopher reined in the horse and dismounted, helping her down. Viewing their surroundings, Beatrix smiled in perplexity. It was the secret house on Lord Westcliff’s estate. Light glowed through the open windows. “Why are we here?” “Go upstairs and see,” Christopher said, and went to tether the horse. Picking up the skirts of her blue dress, Beatrix ascended the circular staircase, which had been lit with strategically placed lamps in the wall brackets where ancient torches had once hung. Reaching the circular room upstairs, Beatrix crossed the threshold. The room had been transformed.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
getting it on with him in her head. She swallowed thickly and managed to squeak, "Fine." He studied her with his all-encompassing gaze a moment longer. Then he said, "What sort of secrets do you think she had?" Camille blinked, discombobulated. "What?" "Your gourd artist. What sorts of secrets does she keep?" Without thinking, she said, "She was spurned by a paperboy when she was a teenager and has been harboring a hatred for anyone tied to journalism ever since. She was planning on killing me and stuffing me in a gourd." Dylan shook his head. "Your talents are wasted. You should be writing fiction." Just like that, she went on guard. "I'm a journalist." "You're a writer," he insisted. "A good writer, and a good writer can write anything he wants." "If I'm good enough to write anything, why can't it be news? Why are you always trying to get me to change my focus?" She picked up her wine so she'd have something to do with her hand, but she didn't try to drink any, afraid she might choke. "Because your purpose isn't telling people what's already happened." Impassioned, he turned to bracket her with his legs. "It's entertaining people with your unique point of view." She remembered the harsh red letters her mother had scrawled on her partial manuscript and felt
Kate Perry (Looking for You (Laurel Heights, #4))
Your eyes say I lie when I call you my woman. This is not good. It is our bargain, eh?” He plucked a wisp of grass and ran it slowly between his fingers, watching her in a way that suggested he would soon touch her--just as slowly. “It was a promise you made for me, and now you make a lie of it? This is the way of your people, to say empty words. Penende taquoip, honey talk, eh? But it is not the way of the Comanche. If you make a lie, I will carve out your tongue and feed it to the crows.” The breeze caught his hair, draping strands of it across his chiseled features. For an instant, the knife slash that marred his cheek was hidden, and he seemed less formidable. Her attention was drawn to his lips, full and sharply defined, yet somehow hard, perhaps because of the rigid expression he always wore. Deep crevices bracketed his mouth--laugh lines, surely. Ah, yes, she could imagine him cutting out her tongue and smiling while he did it. “You do not like me too good. This is a sad thing, eh?” With a sweep of his hand, he indicated the world around them. “The sky is up, the earth is down. The sun shows its face, only to be chased away by Mother Moon. These things are for always, eh? Just as you are my woman. The song was sung long ago, and the song must come to pass. You must accept, Blue Eyes.” Loretta yearned to break eye contact but found she couldn’t. The silken threads of his deep voice wove a spell around her. She must accept? Already he was planning to give her away to his horrible cousin. She sank lower in the water, keeping her arms crossed to hide her breasts. Could he see through the ripples? Still studying her with the same unnerving intensity, he said, “When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.
Catherine Anderson (Comanche Moon (Comanche, #1))
I want to go home very badly.” Loretta fixed her gaze on her captor’s medallion. All around her, the smell of his world permeated her senses, leather, dust, smoke, and unidentifiable foods. She was probably out of her mind to trust him. But, oh, how she wanted to. Home. To Aunt Rachel and Amy. It was a fact that he hadn’t lied to her--except for the time he had promised to cut out her tongue and hadn’t. She couldn’t very well hold that against him. She scooped up a handful of nuts and berries, taking a small amount into her mouth. The sweet taste of honey washed over her tongue, activating her salivary glands. Her stomach growled in response. He heard the sound and cocked an eyebrow. “It is good?” “Mm,” she said, taking another bite and brushing her palm clean on her bloomers. “Delicious.” “Dee-lish-us?” For the space of a heartbeat she forgot to be afraid of him, and a smile spread across her lips before she realized it was coming. When he smiled back at her, the strangest feeling swept over her, an inexplicable warmth. He had smiled at her before, of course, but never like this. “Delicious,” she repeated. “That means very good, much better than just good.” His smile didn’t fade, and she found herself fascinated. On a civilized man, that lopsided grin of his could have been heart-stopping. His sharply defined lips lifted lazily at one corner to reveal gleaming white teeth, deep creases bracketing his mouth. Not the face of a killer, surely. The mood shattered when he reached out to touch her cheek. The sudden movement made her recoil, reminding her of who he was and what he was. That he considered her his property. Because she jerked away, he settled for capturing a lock of her hair, twining it through his fingers. “You are dee-lish-us. Like sunshine, eh?” Unnerved by the gleam that had stolen into his eyes, Loretta caught hold of his hand to disentangle it from her hair. Just because there were no scalps in his lodge didn’t mean he was above taking one if the mood struck. “Only things you can taste are delicious.” The moment the words passed her lips, she recalled how he had nibbled at her neck. Heat crept up her nape. As if he guessed her thoughts, his gaze dropped to her throat. She found herself longing for her homespun dress with its mutton sleeves and high neckline. Mischief danced in his eyes. Or was it a trick of the light? “This Comanche is not a Tonkowa, a People Eater.
Catherine Anderson (Comanche Moon (Comanche, #1))
Because he was leaving Liberia, Chris had tried selling his Italian made, Vespa motor-scooter. It had seen a lot of use and I know that he didn’t buy it new, but it ran and was transportation for him. ‘I’ll give you fifty for it.” I said. “The hell you will,” was his curt reply, “One hundred and fifty makes it yours.” “Don't make me laugh; it's not worth the fifty I'm offering.” I could see his face turn beet-red knowing that I had him over a barrel. “Tell you what Chris, let's cut it in half and depart friends.” I offered. I don’t think he could believe his good luck, as he was quick to accept. “Done,” he said “but you pay the taxes and license!” Of course I knew that these charges were mine but I pretended to groan anyway. With the deal done I was now the proud owner of the motor scooter. Right after the license was transferred, I rode it into a backyard body shop and had it cleaned up and painted bright red. No longer would I have to depend on a taxi or others for transportation. I was free to zip here and there at will. From now on it was the first thing off and the last thing onto the ship. I had Bo-Bo Ben, the ship’s carpenter, make a cradle to secure it and had brackets welded to the main deck behind the house, to lash it down. It still left enough elbow-room for the crew to fish off the stern.
Hank Bracker
Lasting - 1926-2009 “Fish oils,” my doctor snorted, “and oily fish are actually good for you. What’s actually wrong for anyone your age are all those dishes with thick sauce that we all pined for so long as we were young and poor. Now we can afford to order such things, just not to digest them; we find what bills we’ve run up in the stored plaque and fat cells of our next stress test.” My own last test scored in the top 10 percent of males in my age bracket. Which defies all consequences or justice—I’ve spent years shackled to my desk, saved from all exercise. My dentist, next: “Your teeth seem quite good for someone your age, better than we’d expect with so few checkups or cleanings. Teeth should repay you with more grief for such neglect”— echoing how my mother always nagged, “Brush a full 100 strokes,” and would jam cod liver oil down our throats till we’d go gagging off to flu-filled classrooms, crammed with vegetables and vitamins. By now, I’ve outlasted both parents whose plain food and firm ordinance must have endowed this heart’s tough muscle—weak still in gratitude.
W.D. Snodgrass
I love the scream that rips from her throat as she gushes into my mouth, and I don’t even try to stifle the sound. Anyone who comes back here is getting an eyeful and an education. She starts sliding down the wall, her legs giving out, but I bracket her slim waist with my hands. “Not yet, baby.” I trap her against the wall with one hand and fumble to get my pants undone with the other. Her eyes are cloudy and sated, but when I jerk her legs up and around my back, she blinks and lust filters back into her stare. I thrust up, deep and hard and sudden, making her breath hitch.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
His eyes, pale as the glowing pool, pinned me to the spot. So much heat in them. Heat and need and a shadow of frustration, as though he didn't want to want me. His voice lowered, thick as hot cream. "Em, if you're naked in front of me, there's going to be touching." Yes, please. Now would be good. "Pretty presumptuous of you, honey pie." Lucian, the rat bastard, smiled, those hot eyes intent on my face. "Who said it had to be you I'm touching?" "What?" I could barely think. His nearness was making me light headed. "I'm not above taking matters into my own hand, if that's the only option." I pictured him handling all that... girth. The bottom dropped out of me. "Oh, well played----" Water ripped, and he was there, big body surrounding me, his mouth inches from mine. "To be clear," he murmured, "if you're naked in front of me, I'd rather touch you." He was so close, vividly present. Deliciously beautiful. My lids lowered, my lips parting with the need to feel his. I wanted. I wanted. Our legs brushed under the water, and a shiver danced up my thighs. Lucian grabbed the edge of the pool to brace himself, his arms bracketing me, which made it worse. Water droplets glinted on the dips and swells along his shoulders and arms, drawing my attention to the sheer strength of his body and how good it would feel to touch him.
Kristen Callihan (Make It Sweet)
BUT THE STORY doesn’t end there. Now that you have gotten used to paying more for coffee, and have bumped yourself up onto a new curve of consumption, other changes also become simpler. Perhaps you will now move up from the small cup for $2.20 to the medium size for $3.50 or to the Venti for $4.15. Even though you don’t know how you got into this price bracket in the first place, moving to a larger coffee at a relatively greater price seems pretty logical. So is a lateral move to other offerings at Starbucks: Caffè Americano, Caffè Misto, Macchiato, and Frappuccino, for instance. If you stopped to think about this, it would not be clear whether you should be spending all this money on coffee at Starbucks instead of getting cheaper coffee at Dunkin’ Donuts or even free coffee at the office. But you don’t think about these trade-offs anymore. You’ve already made this decision many times in the past, so you now assume that this is the way you want to spend your money. You’ve herded yourself—lining up behind your initial experience at Starbucks—and now you’re part of the crowd.
Dan Ariely (Predictably Irrational: The Hidden Forces That Shape Our Decisions)
Strike paused for a full minute. He never referred to Jonny Rokeby as ‘Dad’ and he didn’t want to say ‘our father’, because that seemed to bracket himself and Prudence together in a way that felt uncomfortable, as she was a total stranger. And yet some part of him didn’t feel she was a stranger. Some part of him felt a tug towards her. What was it? Simple curiosity? An echo of the longing he’d felt as a child, for a father who never turned up? Or was it something more primitive: the calling of blood to blood, an animal sense of connection that couldn’t quite be eradicated, no matter how much you tried to sever the tie?
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
Gradually, they draw back, and I’m left floating, drifting in a current of Charlie: his faintly spiced scent, the heat of his skin, the fine wool of his light sweater. A picture of my apartment flickers across my mind. The yellowy-red streetlights catching raindrops on my windowpane, the sound of cars slushing past, the radiator hissing against my socked feet. The smell of old books and crisp new ones, and the cologne whose cedarwood and amber notes are meant to conjure up the image of sun-soaked libraries. The creak of old floorboards, the shuffle of footsteps, half-drunken singing as revelers make their way home from the tequila bar across the street, stopping for dollar slices of pizza dripping with oil. I can almost believe I’m there. In my home, where it’s safe enough to relax, to undo the brackets of steel in my spine and slip out of my harsh outline to—settle. “You’re not useless, Charlie,” I whisper against his steady heartbeat. “You’re . . .” His hand is still in my hair. “Organized?” I smile into his chest. “Something like that,” I say. “It’ll come to me.
Emily Henry (Book Lovers)
While it might take a bit of math to figure out, there is generally a perfect amount to have in the tax-deferred bucket by the time you retire. In short, you want RMDs at age 70½ to be equal to or less than whatever your deductions happen to be in that year (which is $24,000 in today’s dollars).*4 In most cases, if you contribute only up to your employer match during working years, your 401(k) balance will be at or below this ideal amount by the time you retire.
David McKnight (The Power of Zero, Revised and Updated: How to Get to the 0% Tax Bracket and Transform Your Retirement)
Paint that when we get home. Busybody. I peered over my shoulder to Rhys, who stepped up to our little circle in the grass. His face remained more haggard than usual, lines of strain bracketing his mouth. And I realised... I would not get that last night with him. Last night- that had been the final night. We'd spent it winnowing- Don't think like that. Don't go into this battle thinking you won't walk off again. His gaze was sharp. Unyielding. Breathing became difficult. This break is the last time we'll all be here- talking. For this final leg of the march we were about to embark on... It would take us right to the battlefield. Rhys lifted a brow. Would you like to go into that wagon for a few minutes, then? It's a little cramped between the weapons and supplies, but I can make it work.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Gnosticism, a highly intellectual second-century movement (the word ‘gnostic’ comes from the Greek word for ‘knowledge’) that was later declared heretical, didn’t help. Heretics were intellectual therefore intellectuals were, if not heretical, then certainly suspect. So ran the syllogism. Intellectual simplicity or, to put a less flattering name on it, ignorance was widely celebrated. The biography of St Antony records with approval that he ‘refused to learn to read and write or to join in the silly games of the other little children’. Education and silly games are here bracketed together, and both are put in opposition to holiness. Instead of this, we learn, Antony ‘burned with the desire for God’. That this wasn’t quite true – Antony’s letters reveal a much more careful thinker than this implies – didn’t much matter: it appealed to a powerful ideal. No need to read: give up both books and bread and you will win God’s favour. Even intellectuals were susceptible to this pretty picture: it was hearing about how the simple, unlettered Antony had inspired so many to turn to Christ that led Augustine to start striking himself on the head, tearing his hair and asking, ‘What is wrong with us?’ Ignorance was power.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
The past is prelude and now we are leaving the restaurant and the fog is rolling out toward the Southern Ocean. When he kisses me, it feels natural, inevitable. It doesn’t feel like a stranger has his mouth on mine; he doesn’t taste old or male or alien. I go to see his cottage, and it is just as he described it in his letters: “I keep my horse riding tack and saddles on wooden brackets mounted on one wall, and there is usually a surfboard leaning in a corner and a wetsuit hanging in the shower. When I added the wooden loft as a bedroom, I forgot to leave space for the staircase; it now has what is essentially a ladder going up the one side. Chickens roost in the chimney’s ash trap and they emerge from their egg-laying speckled grey.” It is a home, but a wild home, cheerful, peculiar—like Pippi Longstocking’s Villa Villekulla, with a horse on the porch in an overgrown garden on the edge of town, where it “stood there ready and waiting for her.” And then what? I move to South Africa? He teaches me to ride horses and I have his baby? I become a foreign correspondent! I start a whole new life, a life I never saw coming. Either that, or I am isolated and miserable, I’ve destroyed my career, and I spend my days gathering sooty chicken eggs. A different fantasy: I fly to Cape Town. It is not as I remember it. It’s just a place, not another state of being. I am panicky and agitated. I cry without warning, and once I start, I can’t stop. It is not at all clear that my story will work out. Now I have lost my powers in that department, too. Dr. John and I make a plan to meet. But in this fantasy, I arrive at the restaurant and find it intimidating and confusing: I don’t know if I’m supposed to wait to be seated and I can’t get anyone’s attention. I’m afraid of being rude, wrong, American. When John arrives he is a stranger. I don’t know him and I don’t really like him, or worse, I can tell that he doesn’t like me. Our conversation is stilted. I know (and he suspects) that I have come all this way for an encounter that isn’t worth having, and a story that isn’t worth telling, at least not by me. I have made myself ridiculous. My losing streak continues.
Ariel Levy (The Rules Do Not Apply)
Tags separate normal texts from codes. They are the words found between angle brackets and they allow tables and images among others to tell the browser what needs to be rendered on the page. HTML tags perform a variety of functions. They do not show up when you use a browser to view the page. You only see their effects. The most basic and simplest of tags do not have a lot of functions. They merely apply formatting to texts.
Micheal Knapp (HTML & CSS: Learn The Fundamentals In 7 days)
Just—you all do that, tell me to stay.” “Because when you catch a wounded bird, you have to be careful of its wings.” In my closet, I reached up to the top shelf, then tugged the wood bracket to the side and slid it open. Pulling out the box, I carried it over to the bed and set it in front of her. “Wings are delicate things, they can heal, but they can also be re-injured if you aren’t careful.
Heather Long (Brutal Fighter (82 Street Vandals, #5))
She transferred the baby and his Tupperware into the playpen for safety, stormed into the well-equipped garage, and searched frantically for a screwdriver. With an exultant cry of victory, she punched the button to the garage door opener and waited impatiently for it to rise. Resolutely, Aggie charged out of the gaping hole left by the door only to return moments later for a ladder. This posed a bigger problem than she’d anticipated. There wasn’t a ladder in sight. She searched corners and behind cabinets. In sheer exasperation, she threw her hands into the air and looked up as if to say, “I can’t take much more, Lord,” but the sight of a ladder hanging horizontally from the rafters halted her internal ranting. Now, she spoke aloud, her voice tinged with disgust. “Who would put a ladder up so high that you need a ladder to get the ladder down in the first place?” After a moment’s pause, she dashed into the kitchen and banged around the room, searching for the step stool. Ian squealed his slobbery encouragement as Aggie dragged the stool through the room, ruffling the few ruddy curls atop his bald little baby head. She teetered on the step stool, barely avoiding a collapse, and finally managed to jerk the ladder from its hooks. Hauling her prize out the garage door, Aggie surveyed the tattered basketball net she had remembered hanging deserted over the garage. The uncooperative ladder fought her at every step. After several frustrating minutes, where every swear word she’d ever heard filled her brain and threatened to overtake her self-control, Aggie realized that the ladder was upside down. Righting it, she climbed to the mounting bracket, the ladder teetering with every step. She eventually managed to unscrew one side of the apparatus and then the other. With a few jerky movements, the backboard lay on the ground beneath the swaying ladder, hardly worse for the fall. Aggie felt like a housekeeping genius as she wobbled through the house carrying her conquest upstairs to the wall above the hamper at the end of the hallway. The backboard was heavy and cumbersome; she found it difficult to hold in place and screw it into the wall at the same time, but several minutes later, she stood back and surveyed the results of her efforts. Though nearly satisfied, the lid on the hamper mocked her brilliant idea. Undaunted, she gave a swift jerk and ripped the cover off the offending hamper. “There. That’ll work,” she muttered as she trudged back downstairs, fighting the compulsion to pick up all the dirty laundry herself.
Chautona Havig (Ready or Not (Aggie's Inheritance, #1))
First published in 2020 this book contains over 560 easily readable compact entries in systematic order augmented by an extensive bibliography, an alphabetical list of countries and locations of individuals final resting places (where known) and a day and month list in consecutive order of when an individual died. It details the deaths of individuals, who died too early and often in tragic circumstances, from film, literature, music, theatre, and television, and the achievements they left behind. In addition, some ordinary people who died in bizarre, freak, or strange circumstances are also included. It does not matter if they were famous or just celebrated by a few individuals, all the people in this book left behind family, friends and in some instances devotees who idolised them. Our heartfelt thoughts and sympathies go out to all those affected by each persons death. Whether you are concerned about yourself, a loved one, a friend, or a work colleague there are many helplines and support groups that offer confidential non-judgemental help, guidance and advice on mental health problems (such as anxiety, bereavement, depression, despair, distress, stress, substance abuse, suicidal feelings, and trauma). Support can be by phone, email, face-to-face counselling, courses, and self-help groups. Details can be found online or at your local health care organisation. There are many conspiracy theories, rumours, cover-ups, allegations, sensationalism, and myths about the cause of some individual’s deaths. Only the facts known at the time of writing are included in this book. Some important information is deliberately kept secret or undisclosed. Sometimes not until 20 or even 30 years later are full details of an accident or incident released or in some cases found during extensive research. Similarly, unsolved murders can be reinvestigated years later if new information becomes known. In some cases, 50 years on there are those who continue to investigate what they consider are alleged cover-ups. The first name in an entry is that by which a person was generally known. Where relevant their real name is included in brackets. Date of Death | In the entry detailing the date an individual died their age at the time of their death is recorded in brackets. Final Resting Place | Where known details of a persons final resting place are included. “Unknown” | Used when there is insufficient evidence available to the authorities to establish whether an individuals’ death was due to suicide, accident or caused by another. Statistics The following statistics are derived from the 579 individual “cause of death” entries included in this publication. The top five causes of death are, Heart attack/failure 88 (15.2%) Cancer 55 (9.5%) Fatal injuries (plane crash) 43 (7.4%) Fatal injuries (vehicle crash/collision) 39 (6.7%) Asphyxiation (Suicide) 23 (4%). extract from 'Untimely and Tragic Deaths of the Renowned, The Celebrated, The Iconic
B.H. McKechnie
In existence there are things that we do not know, which we cannot know rationally or logically, but can only become joined and one with.As for daily collective reason, it not only suppresses and restrains man but it also betrays him.Reason limits, and therefore its answers limit. When we define something, we negate it – in the sense that we enclose it in brackets – the definition – and negate what lies outside it. The definition is a negation, as Spinoza says. When you define God, you negate him, because you make him equal to things that have been defined. Defining man or existence denies the essence of both of them. Man, like existence, is a free, potential and diverse reality, not a reality that is finite and fettered. Man lights up everything, so how can he illumine if he is limited? From this point of view, freedom is the essence of man, and there is something infinite in man: it does not become less, nor can it be known completely and finally.
Adonis
It all comes down to deductions. Even if tax rates in the future are the same as they are today, you could still end up in a higher-income tax bracket in retirement than in your working years!
David McKnight (The Power of Zero, Revised and Updated: How to Get to the 0% Tax Bracket and Transform Your Retirement)
If you had a choice between hiring a man or a woman to manage one of your projects, but you knew the woman was childbearing age, would you choose the man over her?” “No. I’d choose the best person.” “If they were equal in every way . . . ?” “I wouldn’t hold the potential for pregnancy against her.” Jack gave me a quizzical smile. “What are you trying to find out?” “I’m wondering where to put you on the evolutionary scale.” He tapped a screw into place. “How high have I gotten so far?” “I haven’t decided yet. What’s your stand on political correctness?” “I’m not against it. But a little goes a long way. Hold on a minute—” The drill whirred and screeched as Jack attached a frame bracket. He paused and looked up at me with an expectant grin. “What else?” “What are you looking for in a woman?” “Someone who’s loyal. Loving. Likes to spend time together, especially outdoors. And I sure wouldn’t mind if she hunts.” “Are you sure you wouldn’t be happier with a Labrador retriever?” I asked. -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture, or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered with what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God, and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun.
Meghan Daum (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
Harry strained his ears. Distantly, from the floor above, and growing fainter still, he heard the voice: ‘… I smell blood … I SMELL BLOOD!’ His stomach lurched. ‘It’s going to kill someone!’ he shouted, and ignoring Ron and Hermione’s bewildered faces, he ran up the next flight of steps three at a time, trying to listen over his own pounding footsteps. Harry hurtled around the whole of the second floor, Ron and Hermione panting behind him, not stopping until they turned a corner into the last, deserted passage. ‘Harry, what was that all about?’ said Ron, wiping sweat off his face. ‘I couldn’t hear anything …’ But Hermione gave a sudden gasp, pointing down the corridor. ‘Look!’ Something was shining on the wall ahead. They approached, slowly, squinting through the darkness. Foot-high words had been daubed on the wall between two windows, shimmering in the light cast by the flaming torches. THE CHAMBER OF SECRETS HAS BEEN OPENED. ENEMIES OF THE HEIR, BEWARE. ‘What’s that thing – hanging underneath?’ said Ron, a slight quiver in his voice. As they edged nearer, Harry almost slipped over: there was a large puddle of water on the floor. Ron and Hermione grabbed him, and they inched towards the message, eyes fixed on a dark shadow beneath it. All three of them realised what it was at once, and leapt backwards with a splash. Mrs Norris, the caretaker’s cat, was hanging by her tail from the torch bracket. She was stiff as a board, her eyes wide and staring. For a few seconds, they didn’t move. Then Ron said, ‘Let’s get out of here.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
At a health food store he and I had run into a girl I knew who was spaced out and scratching herself. She asked Jimmy if he knew whether the juice she’d chosen was organic, and he acted like he’d never encountered that kind of contradiction, junkies who refuse non-organic juice. He was a little sheltered, like most people who come to the city from elsewhere. Normal, educated, had a job, felt there was a purpose to his existence and so forth, and he didn’t understand about people who grew up in the city, the nihilism, the inability to go to college or join the straight world, get a regular job or believe in the future. I fit into some kind of narrative for him. Which isn’t to say that Jimmy Darling was dipping down into a lower class bracket by hanging around with me. He wasn’t. He was as common as I was, commoner, but he was the one slumming.
Rachel Kushner (The Mars Room)
What do ladies wear beneath their riding trousers?” A breathless laugh escaped her. The gloves dropped to the floor. “I would think an infamous rake would already know.” “I was never infamous. In fact, I’m fairly standard as far as rakes go.” “The ones who deny it are the worst.” She strained as he began to kiss along the side of her neck. Her skin was hot from exertion, a little salty, and her scent was divinely arousing: horses, fresh winter air, roses. “I’m sure you caused no end of mayhem in London, with all your drinking, gambling, carousing, chasing lightskirts…” “Moderate drinking,” he said in a muffled voice. “Very little gambling. I’ll admit to the carousing.” “And the lightskirts?” “None.” At her skeptical snort, Devon lifted his head. “None since I met you.” Kathleen drew back, her perplexed gaze lifting to his. “There haven’t been women since…” “No. How could I take someone else to bed? In the morning I would wake up still wanting you.” He moved closer, his large feet bracketing her small ones. “You haven’t answered my question.” She shrank from him until her head pressed against the wood-planked wall. “You know I can’t.” “Then I’ll have to find out for myself.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
As she approached the library, she felt her heartbeat quicken uncomfortably. Squaring her shoulders, she crossed the threshold. Devon appeared to be browsing over a row of books, reaching up to straighten a trio of volumes that had fallen sideways. “My lord,” Kathleen said quietly. Devon turned, his gaze finding hers at once. He was stunningly handsome, dressed in a dark suit of clothes that had been tailored in the new looser-fitting fashion, the coat, waistcoat, and trousers all made of matching fabric. The informal cut of the suit did nothing to soften the hard lines of his body. For a moment Kathleen couldn’t help remembering the feel of his arms around her, his solid chest beneath her cheek. Heat swept over her face. Devon bowed, his face inscrutable. He appeared relaxed at first glance, but a closer look revealed faint shadows beneath his eyes, and finespun tension beneath his calm veneer. “I hope you’re well this morning,” he said quietly. Her blush deepened uncomfortably. “Yes, thank you.” She curtsied and wove her fingers together in a stiff knot. “You wished to discuss something before you depart?” “Yes, regarding the estate, I’ve come to some conclusions--” “I do hope--” she began, and broke off. “Forgive me, I didn’t mean to--” “Go on.” Kathleen dropped her gaze to her clenched hands as she spoke. “My lord, if you decide to dismiss any of the servants…or indeed all of them…I hope you take into account that some have served the Ravenels for their entire lives. Perhaps you might consider giving small parting sums to the oldest ones who have little hope of securing other employment.” “I’ll bear it in mind.” She could feel him looking at her, his gaze as tangible as the heat of sunlight. The mahogany bracket clock on the mantel measured out the silence with delicate ticks. His voice was soft. “You’re nervous with me.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))