Unspoken Words Quotes

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Many times in life I've regretted the things I've said without thinking. But I've never regretted the things I said nearly as much as the words I left unspoken.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Those who are near me do not know that you are nearer to me than they are Those who speak to me do not know that my heart is full with your unspoken words Those who crowd in my path do not know that I am walking alone with you Those who love me do not know that their love brings you to my heart
Rabindranath Tagore
So much of language is unspoken. So much of language is compromised of looks and gestures and sounds that are not words. People are ignorant of the vast complexity of their own communication.
Garth Stein (The Art of Racing in the Rain)
Sometimes you search so hard for words. You look for a way to interpret the language of this heart and the unspoken bond you feel. But in the end you are left with nothing but silence. And deep down you hope it’s understood.
Yasmin Mogahed
It was like we were all so busy trying to be happy or saying we were happy, but underneath there was nothing but bitterness, the kind that could only be bled out in ink, in unspoken word.
Elizabeth Scott (The Unwritten Rule)
When we take the time to break free from the tyranny of Time and learn to listen to the sound of unspoken words, we discern the hot air behind the frenzy of the wheeling and dealing around. (“Wheeling and dealing »)
Erik Pevernagie
He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
When words remain unspoken and emotions are left unexpressed, just a glint in the eyes from otherness can inflame the mind and rouse a shower of empathy. ("Only needed a light ")
Erik Pevernagie
Just as heart is a fountain of unspoken words, the universe is a womb of wonder weird worlds.
Toba Beta
You see these dictators on their pedestals, surrounded by the bayonets of their soldiers and the truncheons of their police ... yet in their hearts there is unspoken fear. They are afraid of words and thoughts: words spoken abroad, thoughts stirring at home -- all the more powerful because forbidden -- terrify them. A little mouse of thought appears in the room, and even the mightiest potentates are thrown into panic.
Winston S. Churchill (Blood, Sweat and Tears)
I am master of my spoken words and slave to those which remain unspoken.
Ankita Singhal
I was not too impressed with human language; it seemed absurdly limited. There was so much that couldn’t be put into words. That was one of the saddest things about people - their most important thoughts and feelings often went unspoken and barely understood
Alexandra Adornetto (Halo (Halo, #1))
Sometimes the words that are left unspoken are the ones that most needed to be said.
Vi Keeland (Stuck-Up Suit)
Lack of communication has a way of clipping our wings, which keeps us from flying. When things are left unspoken, we forget that everyone is destined to share the sky together.
Shannon L. Alder
...the words I can't say are the holes I punch in the walls of my psyche...
John Geddes (A Familiar Rain)
There are some words that once spoken will split the world in two. There would be the life before you breathed them and then the altered life after they'd been said. They take a long time to find, words like that. They make you hesitate. Choose with care. Hold on to them unspoken for as long as you can just so your world will stay intact.
Andrea Levy (Small Island)
Speaking unspoken words, music is a good way to say.
Toba Beta (Betelgeuse Incident: Insiden Bait Al-Jauza)
So I feared not just the violence of this world but the rules designed to protect you from it, the rules that would have you contort your body to address the block, and contort again to be taken seriously by colleagues, and contort again so as not to give the police a reason. All my life I’d heard people tell their black boys and black girls to “be twice as good,” which is to say “accept half as much.” These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile.
Ta-Nehisi Coates (Between the World and Me)
The air stilled, suspended with unspoken words, heavy thoughts, and two people who couldn't look away from one another.
Jenny B. Jones (There You'll Find Me)
Unplayed sound is like unspoken words.
Aleksandr Voinov (Skybound)
Everything I want to say and everything I've wished to say begins to take shape, falling to the floor and scrambling upright. Paragraphs and paragraphs begin building walls around me, blocking and justifying as they find ways to fit together, linking and weaving and leaving no room for escape. And every single space between every unspoken word clambers up and into my open mouth, down my throat and into my chest, filling me with so much emptiness I think I might just float away.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Which brings us to the least sexy word in the English language, kids," Dad said, kicking back in his chair. "Inbreeding. Avoid it.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs...
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
why talk and say the unsaid words in haste when silence can speak the unspoken words?
Ernest Agyemang Yeboah
Symphony starts when you walk together, feel the heart beats and understand the unspoken words.
Amit Ray (Enlightenment Step by Step)
I open my eyes. I want to know: what is in the abyss of a kiss? Are stars born in these black caves that house bated breaths and unspoken words? Do our souls crawl on these tender cheeks to greet one another by ivory gates? What happens when we kiss? Where do you go? Don’t tell me. For I have lost my desire to know. Kiss me so that I forget myself. I close my eyes and fall in the abyss.
Kamand Kojouri
For my own good, I want to hang out with people who want to find out what it would be like to live in such a way as to leave no unspoken words, no unfinished business; I want to be with people who are hungry for the truth, who want to spend time learning and sharing what they have learned rather than defending their images or reputations.
Brad Blanton (Radical Honesty: How to Transform Your Life by Telling the Truth)
It is to the man who is trying to live, to the man who is obedient to the word of the Master, that the word of the Master unfolds itself.
George MacDonald (Unspoken Sermons: Series I, II, III)
If you’re this angry,’ said Laurent, ‘you should fight a real opponent.’ ‘There’s no one–‘ Damen stopped, but the unspoken words hung, dangerous with the truth. There was no one good enough to fight him. Not in this mood. In this mood, angry and unable to hold back, he would kill them. ‘There’s me,’ said Laurent.
C.S. Pacat (Kings Rising (Captive Prince, #3))
A father's feelings are sometimes unspoken, his fears and tears can be hidden, but his love is deeper than the ocean.
Mouloud Benzadi
What about me?" I whisper. "Where do I belong?" "With me," my mother and Galen say in unison. They exchange hard glares. Galen locks his jaw. "I'm her mother," she tells Galen, her voice sharp. "Her place is with me." "I want her for my mate," Galen says. The admission warms up the space between us with an impossible heat and I want to melt into him. His words, his declaration, cannot be unspoken. And now he's declared it to everyone who matters. It's out there in the open, hanging in the air. He wants me for his mate. Me. Him. Forever.
Anna Banks (Of Triton (The Syrena Legacy, #2))
...I gave you painted air - tears I couldn't weep - truths I couldn't speak - all the words that caught in my throat...
John Geddes (A Familiar Rain)
I am in the Aleph, the point at which everything is in the same place at the same time. I'm at a window, looking out at the world and its secret places, poetry lost in time and words left hanging in space...sentences that are perfectly understood, even when left unspoken. Feelings that simultaneously exalt and suffocate.
Paulo Coelho (Aleph)
If the lost word is lost, if the spent word is spent If the unheard, unspoken Word is unspoken, unheard; Still is the spoken word, the Word unheard, The Word without a word, the Word within The world and for the world; And the light shone in the darkness and Against the Word the unstilled world still whirled About the center of the silent Word. Oh my people, what have I done unto thee. Where shall the word be found, where shall the word Resound? Not here, there is not enough silence
T.S. Eliot
He sank into that kiss, and fed from me like a starving man holding off famine. I drank from his soul in preparation for the drought to come. And when he finally pulled away, my throat was thick with unspoken words, my heart heavy with every apology I'd ever denied him. But it was too late for promises. The time had come for goodbye.
Rachel Vincent (Pride (Shifters, #3))
If you love someone, tell them...Because hearts are often broken by words left unspoken.
Pamela Daranjo
In that moment, he wanted Sin for Sin—for the quiet of his breath and the unspoken words in his eyes. It was little of physical attraction and everything of emotional. He wanted to just hold Sin without the body needing to be involved other than strong arms and a comforting heartbeat. The reminder of the peace that was so long gone now it felt a lifetime had passed.
Ais (Fade (In the Company of Shadows, #4))
Some of us will never know we'd owned someone's heart for a season.
Joyce Rachelle
I loved the beauty of your unspoken words, hidden excitement behind your eyes. I praised you by every breath that exited my lungs, with every shy smile on my lips.
Tatjana Ostojic (Cacophony of My Soul: When Love Becomes Poetry)
Something unspoken passed between them, a sensation she couldn’t describe in words.
Kelly Moran (Ghost of a Promise (Phantoms, #1))
This whole time she's swallowed her words like bitter pills not realizing they were slow-drip poison.
Elizabeth Acevedo (Clap When You Land)
The air was heavy with unspoken knowledge. Sam twisted and the obscene word shot out of him. "--dance?" Memory of the dance that none of them had attended shook all four boys convulsively.
William Golding (Lord of the Flies)
With every strike of lightning Comes a memory that lasts Not a word is left unspoken As the thunder starts to crash Maybe I should give up Standing out in the rain Need to know if it's over Cause I would leave you alone I'm flooded with all this pain Knowing that I'll never hold her Like I did before the storm
Jonas Brothers
But now its too late, And I am so broken, I don't want to carry the weight, Of the words unspoken...
Rida Altaf
...sorrow binds us - I will always cherish you - my only disillusionment is unspoken words ...
John Geddes (A Familiar Rain)
I have buried dead bodies of unspoken words in the graveyard of my being
Hilal Hamdaan
One thing I did learn throughout my life was that the weight of unspoken words always felt heavier than the burden of the consequences they carried.
Claire Contreras (The Consequence of Falling)
He watched their faces, and he knew each meant desperately what she said because they loved each other, and deep inside surely each knew the words were false, that the true words were those unspoken.
Margaret Craven (I Heard the Owl Call My Name)
Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I've had a lot of terrible things happen in my life. And what I've come to realize is if you don't say what you need to say when you have a chance...you'll regret it. Even if you're mad, say it. Scream it into the world while you still have a chance to. Because once life passes you by, it's gone. And so are the words left unspoken.
Brittainy C. Cherry (Loving Mr. Daniels)
He was always part of her thoughts, and now that he was real, he was inescapably part of her life, but it was as she had told her mother: saying he was part of her or that they were more than friends sounded like love, but it seemed like loss as well. All the words she knew to describe what he was to her were from love stories and love songs, but those were not words anyone truly meant.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
In friendship, words can go unspoken yet you still understand. That's why I'm sure that even though I don't say it, you know how special you are to me.
John
...But the heart is not a computer that can be upgraded so quickly and easily with the latest version of love. Love cannot be sealed hermetically inside a tight box like any other on the store shelf; even though the word itself is in public domain, its quality is not. Love cannot promise a full customer satisfaction garanteed or a whole lifetime of dreams shared refunded, with no questions asked. Love cannot be agreed to in terms and conditions as quickly as the "Next" button being clicked. These unspoken terms and conditions grow and develop over time until it gets very messy, and no one remembers how such a mess of accusation and anger was able to overshadow their pure ecstasy of love, the spark between two people turning on a new operation system of togetherness for the first time. Love is always beta; never a golden master. If love were a computer, constant bug reports and subsequent fixes are the name of the game, and there are many unexplained breakdowns. The heart is too stubborn for explanations and too impatient for forgiveness, and there is usually no one at the tech support line. Forgive me stan, if I've crashed so often. It's just to hard to boot up to a whole new future without you. I am an empty monitor in search of a "hello.
Raymond Luczak
No matter what a person does to cover up and conceal themselves, when we write and lose control, I can spot a person from Alabama, Florida, South Carolina a mile away even if they make no exact reference to location. Their words are lush like the land they come from, filled with nine aunties, people named Bubba. There is something extravagant and wild about what they have to say — snakes on the roof of a car, swamps, a delta, sweat, the smell of sea, buzz of an air conditioner, Coca-Cola — something fertile, with a hidden danger or shame, thick like the humidity, unspoken yet ever-present. Often when a southerner reads, the members of the class look at each other, and you can hear them thinking, gee, I can't write like that. The power and force of the land is heard in the piece. These southerners know the names of what shrubs hang over what creek, what dogwood flowers bloom what color, what kind of soil is under their feet. I tease the class, "Pay no mind. It's the southern writing gene. The rest of us have to toil away.
Natalie Goldberg
The celebrations Of secret nonmeetings are empty, Unspoken conversations, Unuttered words. Glances that don't intersect Don't know where to come to rest. And only the tears rejoice Because they can flow and flow. Sweetbrier around Moscow, Alas! Somehow it is here ... And all this they will call Love eternal.
Anna Akhmatova (The Complete Poems of Anna Akhmatova)
It's almost as if we're afraid of words. They hang in the air, unspoken, and then seeing that they're not going to be used, they shrivel and die.
Crystal Chan (Bird)
Perhaps there was an intimacy which did not need words.
Iris Murdoch (The Message to the Planet)
She believed that by giving problems a name they tended to manifest themselves, and then it was impossible to ignore them; whereas if they remained in the limbo of unspoken words, they could disappear by themselves, with the passage of time.
Isabel Allende (The House of the Spirits)
and only when that happens do you realise just how much silence there really is. Silence between lovers, when something really needs to be said; silence from a parent when a child needs some word more than anything else in the world; silences and in betweens and everything which isn’t an answer.
Michael Marshall Smith (Spares)
Only cowards leave words unspoken.
A.D. Posey
Now let us bandy words no more... nothing is easier than sharp words, except to wish them unspoken.
R.D. Blackmore (Lorna Doone)
You observe, question?' he asks again. 'No.' 'Observe.' 'You want me to observe you sleep?' 'Yes. Want want want.' Through unspoken agreement, a tripled word means extreme emphasis. 'Why?' 'I sleep better if you observe.
Andy Weir (Project Hail Mary)
And maybe in the end, the kindest possible thing you could do for yourself is to know that there is nothing that holds us back more than the important words that went unspoken, the deep instincts that went unfelt, the callings that went unanswered. Your life is reaching toward you, and maybe the kindest possible thing you could do is reach back.
Brianna Wiest (When You're Ready, This Is How You Heal)
You and I don’t even have to speak to communicate. Body language is wordless telepathy. Collectively, ducks are The William Wordsworth of unwritten and unspoken poetry, so what are words really worth?
Jarod Kintz (Duck Quotes For The Ages. Specifically ages 18-81. (A BearPaw Duck And Meme Farm Production))
Some unspoken human communication is taking place on a hidden channel. I did not realize they communicated this much without words. I note that we machines are not the only species who share information silently, wreathed in codes.
Daniel H. Wilson (Robopocalypse (Robopocalypse, #1))
the essence of a therapeutic relationship: finding words where words were absent before and, as a result, being able to share your deepest pain and deepest feelings with another human being. This is one of the most profound experiences we can have, and such resonance, in which hitherto unspoken words can be discovered, uttered, and received, is fundamental to healing the isolation of trauma—especially if other people in our lives have ignored or silenced us. Communicating fully is the opposite of being traumatized.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Keeping The City "Unless the Lord keepeth the city, the watchman guardeth in vain" - John F. Kennedy's unspoken words in Dallas on November 23, 1963. Once, in August, head on your chest, I heard wings battering up the place, something inside trying to fly out and I was silent and attentive, the watchman. I was your small public, your small audience but it was you that was clapping, it was you untying the snarls and knots, the webs, all bloody and gluey; you with your twelve tongues and twelve wings beating, wresting, beating, beating your way out of childhood, that airless net that fastened you down. Since then I was more silent though you had gone miles away, tearing down, rebuilding the fortress. I was there but could do nothing but guard the city lest it break. I was silent. I had a strange idea I could overhear but that your voice, tongue, wing belonged solely to you. The Lord was silent too. I did not know if he could keep you whole, where I, miles away, yet head on your chest, could do nothing. Not a single thing. The wings of the watchman, if I spoke, would hurt the bird of your soul as he nested, bit, sucked, flapped. I wanted him to fly, burst like a missile from your throat, burst from the spidery-mother-web, burst from Woman herself where too many had laid out lights that stuck to you and left a burn that smarted into your middle age. The city of my choice that I guard like a butterfly, useless, useless in her yellow costume, swirling swirling around the gates. The city shifts, falls, rebuilds, and I can do nothing. A watchman should be on the alert, but never cocksure. And The Lord - who knows what he keepeth?
Anne Sexton (45 Mercy Street)
God told us to love everyone. However, when you don’t like someone then you need to walk away and focus not on him or her, but the hatred you’re harboring. Otherwise, you will allow your piety to take over. Before you know it, you’re using the gospel as a sword to slice other religious people apart, which have offended you. From your point of helplessness, it will be is easy to recruit people that will mistake your kindness as righteousness, when in reality it is a hidden agenda to humiliate through the words of Christ. This game is so often used by women in the Christian faith, that it is the number one reason why many people become inactive. It is a silent, unspoken hypocrisy that is inconsistent with the teachings of the gospel. If you choose not to like someone, then avoid them. If you wish to love them, the only way to overcome your frustrations is through empathy, prayer, forgiveness and allowing yourself time to heal through distance. Try focusing on what you share as sisters in the gospel, rather than the negative aspects you dislike about that person.
Shannon L. Alder
Usually when someone is angry we hear their angry words. Instead, try hearing the unspoken, “I am scared, I am frustrated, I am insecure, I am vulnerable, I am threatened.
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
Rusty, Dad needs to work and I'm going out, so you're babysitting." "I like that word," Rusty said, settling down for a nap. "Come, babies. Let us sit together.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
Malevolence, like love, needs few words.
Pär Lagerkvist (The Sibyl)
We hold the moon in our bellies and fire in our hearts. We bleed We give milk. We are the mothers of first words. These words grow. They are our children. They are our stores and poems.
Terry Tempest Williams (An Unspoken Hunger: Stories from the Field)
Kell's eyes went to the palace on last time, and he thought he could almost make out the shape of a man standing alone on a high balcony. At this distance, he was little more than a shadow, but Kell could see the band of gold glinting in his hair as a secong figure came to stand beside the king. Rhy raised his hand, and so did Kell, a single unspoken word between them. Anoshe.
V.E. Schwab
As miserable as Gregor felt about being dumped with a rat, his heart ached for Vikus. He wanted to scream at Luxa, "Say something! Don't let your granpa fly off like this! Four of us aren't coming back!" But the words caught in his throat. Part of him wasn't ready to forgive Vikus for abandoning them, either. "Fly you high, Gregor the Overlander," said Vikus. Gregor struggled with how to respond. Should he ignore Vikus? Let him know that none of them, not even an Overlander, could forgive him? Just as he had steeled himself against replying, Gregor thought of the last two years, seven months, and was it fifteen days now? There were so many things he wished he'd said to his dad when he'd had the chance. Things like how special it was when they went on the roof at night and tried to find the stars. Or how much he loved it when they took the subway out to the stadium to watch a baseball game. Or just that he felt lucky that out of all the people in the world, his dad was his dad. He didn't have room inside him for any more unspoken words. The bats were rising into the air. He only had a second. "Fly you high, Vikus!" he yelled. "Fly you high!" Vikus turned back, and Gregor could see tears shining on his cheeks. He lifted up a hand to Gregor in thanks. And then they were gone.
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
That's the worst thing about teaching, that our actions either have no force at all or have force beyond all intention, and not only our actions but our failures to act, gestures and words held back or unspoken, all we might have done and failed to do; and, more than this, that the consequences echo across years and silence, we can never really know what we've done.
Garth Greenwell (Cleanness)
If it makes you happier – I’m free.’ The rain came in sudden great swathes across the tree-tops and hit the windows and the roof; like spring rain, out of season. The bedroom air seemed full of unspoken words, unformulated guilts, a vicious silence, like the moments before a bridge collapses. We lay side by side, untouching, effigies on a bed turned tomb; sickeningly afraid to say what we really thought. In the end she spoke, in a voice that tried to be normal, but sounded harsh.
John Fowles (The Magus)
All my life I'd heard people tell their black boys and black girls to be "twice as good," which is to say "accept half as much." These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile. No one told those little white children, with their tricycles, to be twice as good. I imagined their parents telling them to take twice as much. It seemed to me that our own rules redoubled plunder. It struck me that perhaps the defining feature of being drafted into the black race was the inescapable robbery of time, because the moments we spent readying the mask, or readying ourselves to accept half as much, could not be recovered. The robbery of time is not measured in lifespans but in moments. It is the last bottle of wine that you have just uncorked but do not have time to drink. It is the kiss that you do not have time to share, before she walks out of your life. It is the raft of second chances for them, and the twenty-three-hour days for us.
Ta-Nehisi Coates (Between the World and Me)
Part of her—a small but defiant part, the part that still remembered her girlhood fantasies—desperately wanted to trust him, but the stronger part remembered how he had thoughtlessly cast her aside. “We can’t always have what we want, Marcus. You must accustom yourself to disappointment.” As I have. The unspoken words hung between them. Marcus’ mouth twitched. “But there you are wrong, my love. I always get what I want.
Victoria Vane
Sorry, but I have plans elsewhere,” William said darkly. “I’m leaving tomorrow morning, and I’ll be gone for a few weeks.” “What plans?” “Doesn’t matter why I kept you in the dark. I’m going and that’s final.” “You can’t go without me,” Gilly said. “I can and I will.” “You promised to protect me always. How can you protect me if you’re gone?” “I didn’t lie to you. I will always protect you,” William told her gently. He stood, reached for her, but realized what he was doing and dropped his arms to his sides. “You have to trust me on this.
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
Such moments passed and the wasting fires of lust sprang up again. The verses passed from his lips and the inarticulate cries and the unspoken brutal words rushed forth from his brain to force a passage. His blood was in revolt. He wandered up and down the dark slimy streets peering into the gloom of lanes and doorways, listening eagerly for any sound. He moaned to himself like some baffled prowling beast. He wanted to sin with another of his kind, to force another being to sin with him and to exult with her in sin. He felt some dark presence moving irresistibly upon him from the darkness, a presence subtle and murmurous as a flood filling him wholly with itself. Its murmur besieged his ears like the murmur of some multitude in sleep; its subtle streams penetrated his being. His hands clenched convulsively and his teeth set together as he suffered the agony of its penetration. He stretched out his arms in the street to hold fast the frail swooning form that eluded him and incited him: and the cry that he had strangled for so long in his throat issued from his lips. It broke from him like a wail of despair from a hell of sufferers and died in a wail of furious entreaty, a cry for an iniquitous abandonment, a cry which was but the echo of an obscene scrawl which he had read on the oozing wall of a urinal.
James Joyce (A Portrait of the Artist as a Young Man)
Things like "Everything happens for a reason" and "You'll become a stronger/kinder/more compassionate person because of this" brings out rage in grieving people. Nothing makes a person angrier than when they know they're being insulted but can't figure out how. It's not just erasing your current pain that makes words of comfort land so badly. There's a hidden subtext in those statements about becoming a better, kinder, and more compassionate because of your loss, that often-used phrase about knowing what's "truly important in life" now that you've learned how quickly life can change. The unspoken second half of the sentence in this case says you needed this somehow. It says that you weren't aware of what was important in life before this happened. It says that you weren't kind, compassionate, or aware enough in your life before this happened. That you needed this experience in order to develop or grow, that you needed this lesson in order to step into your "true path" in life. As though loss and hardship were the only ways to grow as a human being. As though pain were the only doorway to a better, deeper life, the only way to be truly compassionate and kind.
Megan Devine (It's OK That You're Not OK: Meeting Grief and Loss in a Culture That Doesn't Understand)
Words, no matter whether they are vocalized and made into sounds or remain unspoken as thoughts, can cast an almost hypnotic spell upon you. You easily lose yourself in them, become hypnotized into implicitly believing that when you have attached a word to something, you know what it is. The fact is: You don’t know what it is. You have only covered up the mystery with a label. Everything, a bird, a tree, even a simple stone, and certainly a human being, is ultimately unknowable. This is because it has unfathomable depth. All we can perceive, experience, think about, is the surface layer of reality, less than the tip of an iceberg.
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
PRELIMINARY EXERCISE: What does a turbine veil? a bird avail what chord? I heard a bird whir no word, felt a turbine shadow turning from the floods of time electric currents the darkness stirrd, and trees in blaze of light arose casting shadows of speech, seductive, musical, abroad. It was a single tree. It was a word of many trees that filld the vale. It was a store of the unspoken in the bird that whirrd the air, that every occasion of the word overawed.
Robert Duncan
You can rely too much, my love, on the unspoken things. And the wry smile. I have that smile myself, and I've learned the silence too, over the years. Along with your expressions, like No notion and Of necessity. What happens, though, when it is all unsaid, is that you wake up one morning, no, it's more like late one afternoon, and it's not just unsaid, it's gone. That's all. Just gone. I remember this word, that look, that small inflection, after all this. I used to hold them, trust them, read them like a rune. Like a sign that there was a house, a billet, a civilization where we were. I look back and I think I was just there all alone. Collecting wisps and signs.
Renata Adler (Pitch Dark)
What is faith in Christ? It is the leaving of your way, your objects, your self, and the taking of his and him; the leaving of your trust in men, in money, in opinion, in character, in religious doctrines and opinions, and then doing as Christ tells you. I can find no words strong enough to serve for the weight of this necessity-this obedience. It is the one terrible heresy of the church that it has always been presenting something else than obedience as faith in Christ.
George MacDonald (Unspoken Sermons: Series I, II, III)
Friendship is a difficult thing to define. Oscar here is my oldest friend. How would you define friendship, Oscar?" Oscar grunts slightly, as though the answer is obvious. "Friendship is about choice and chemistry. It cannot be defined." "But surely there's something more to it than that." "It is a willingness to overlook faults and to accept them. I would let a friend hurt me without striking back," he says, smiling. "But only once." De Souza laughs. "Bravo, Oscar, I can always rely on you to distill an argument down to its purest form. What do you think, Dayel?" The Indian rocks his head from side to side, proud that he has been asked to speak next. "Friendship is different for each person and it changes throughout our lives. At age six it is about holding hands with your best friend. At sixteen it is about the adventure ahead. At sixty it is about reminiscing." He holds up a finger. "You cannot define it with any one word, although honesty is perhaps the closest word-" "No, not honesty," Farhad interrupts. "On the contrary, we often have to protect our friends from what we truly think. It is like an unspoken agreement. We ignore each other's faults and keep our confidences. Friendship isn't about being honest. The truth is too sharp a weapon to wield around someone we trust and respect. Friendship is about self-awareness. We see ourselves through the eyes of our friends. They are like a mirror that allows us to judge how we are traveling." De Souza clears his throat now. I wonder if he is aware of the awe that he inspires in others. I suspect he is too intelligent and too human to do otherwise. "Friendship cannot be defined," he says sternly. "The moment we begin to give reasons for being friends with someone we begin to undermine the magic of the relationship. Nobody wants to know that they are loved for their money or their generosity or their beauty or their wit. Choose one motive and it allows a person to say, 'is that the only reason?'" The others laugh. De Souza joins in with them. This is a performance. He continues: "Trying to explain why we form particular friendships is like trying to tell someone why we like a certain kind of music or a particular food. We just do.
Michael Robotham (The Night Ferry)
Perhaps one unspoken reason why many have been so reluctant to apply the term “torture” to slavery is that even though they denied slavery’s economic dynamism, they knew that slavery on the cotton frontier made a lot of product. No one was willing, in other words, to admit that they lived in an economy whose bottom gear was torture.52 Yet we should call torture by its name. Historians of torture have defined the term as extreme torment that is part of a judicial or inquisitorial process. The key feature that distinguishes it from mere sadistic behavior is supposedly that torture aims to extract “truth.” But the scale and slate and lash did, in fact, continually extract a truth: the maximum poundage that a man, woman, or child could pick.
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
Don't let a Narcissist, or any other kind of vampire, get away with nonverbal disapproval. Unspoken communication has much more power than mere words because it is ambiguous. If a Narcissist says you did something wrong, you can at least disagree. If he only hints at it, you are left wondering if what you're seeing really means what you think it does, or if the whole thing is somehow your fault, or whatever else you might be imagining. ... Translate rather than pointing the finger. This is the tricky part because it is subtle, but it will make all the difference. An unsubstantiated accusation of an internal state, like, "You're bored," invites defensiveness. A translation, like, "You keep looking at the clock; I'm assuming you're bored," is much harder to deny. A Histrionic might try, but other kinds of vampires will have to concede that they are indeed looking at the clock.
Albert J. Bernstein (Emotional Vampires: Dealing With People Who Drain You Dry)
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
Kids are tough sometimes. There are moments when I'm so frustrated and don't feel like we understand each other. When I hit a moment like this and words of aggravation are on the tip of my tongue, this is what I say to myself: You have been given the unbelievable honor of taking care of and loving the next generation of people. Your work with them is hands down the most important work you'll ever do. Think about how many people these children will come in contact with in their life time. The messages and love you give them or don't give them will be your voice in the future. Think about that when you're aggravated or tired. Every word you speak over them matters. Your voice and the unspoken energy you're sending them are more powerful than you can possibly imagine. Speak to them as if they are Kings and Queens and you are on stage in front of thousands of people -because that's how they deserve to be treated. Give them the best of you.
Brooke Hampton
I feel confident in this assumption because between myself and my longtime students, often things happen that seem like telepathy, but it is more truthfully a relationship that has reached a maturity where words are not necessary for full communication. A quick nod in the direction of some equipment in the room and the student who has been there for years will understand it to mean, “Go get that.” The unspoken statement in that question is surmised from the context of the lesson. I don’t need to tell them precisely which piece of equipment to bring, because they already know what I am asking for. They have been around long enough to be able to add two and two together. To a beginner, it may seem like a superpower, but it is just relationship. We could and should assume the same holds true here. Not every detail needed to be spelled out.
Miyamoto Musashi (Musashi's Dokkodo (The Way of Walking Alone): Half Crazy, Half Genius—Finding Modern Meaning in the Sword Saint’s Last Words)
I certainly didn't concur with Edward on everything, but I was damned if I would hear him abused without saying a word. And I think this may be worth setting down, because there are other allegiances that can be stress-tested in comparable ways. It used to be a slight hallmark of being English or British that one didn't make a big thing out of patriotic allegiance, and was indeed brimful of sarcastic and critical remarks about the old country, but would pull oneself together and say a word or two if it was attacked or criticized in any nasty or stupid manner by anybody else. It's family, in other words, and friends are family to me. I feel rather the same way about being an American, and also about being of partly Jewish descent. To be any one of these things is to be no better than anyone else, but no worse. When confronted by certain enemies, it is increasingly the 'most definitely no worse' half of this unspoken agreement on which I tend to lay the emphasis. (As with Camus’s famous 'neither victim nor executioner,' one hastens to assent but more and more to say 'definitely not victim.')
Christopher Hitchens (Hitch 22: A Memoir)
Where do I belong?” “With me,” my mother and Galen say in unison. They exchange hard glares. Galen locks his jaw. “I’m her mother,” she tells Galen, her voice sharp. “Her place is with me.” “I want her for my mate,” Galen says. The admission warms up the space between us with an impossible heat and I want to melt into him. His words, his declaration, cannot be unspoken. And how he’s declared it to everyone who matters. It’s out there in the open, hanging in the air. He wants me for his mate. Me. Him. Forever. And I’m not sure how I feel about that. How I should feel about that. I’ve known for some time that he wanted that eventually, but how soon? Before we graduate? Before I go to college? What does it mean to mate with him? He’s a Triton prince. His place is with the Syrena, in the ocean. And let’s not forget that my place with them is dead-no Half-Breeds allowed. We have so much to talk about before this can even happen, but I feel saying so might make him feel rejected, or embarrass him in front of his older brother, the great Triton king. Or like I’m having second thoughts, and I’m not. Not exactly. I peer up at him, wanting to see his eyes, to see the promise in them that I heard in his voice. But he won’t look at me. He’s not looking at Mom, either. He keeps his iron glare on Grom, unyielding and demanding. But Grom doesn’t wither under the weight of it. In fact, he deflects it with an indifferent expression. They are definitely engaging in some sort of battle of will via manly staring contest.
Anna Banks (Of Triton (The Syrena Legacy, #2))
The tourists had money and we needed it; they only asked in return to be lied to and deceived and told that single most important thing, that they were safe, that their sense of security—national, individual, spiritual—wasn’t a bad joke being played on them by a bored and capricious destiny. To be told that there was no connection between then and now, that they didn't need to wear a black armband or have a bad conscience about their power and their wealth and everybody else’s lack of it; to feel rotten that no-one could or would explain why the wealth of a few seemed so curiously dependent on the misery of the many. We kindly pretended that it was about buying and selling chairs, about them asking questions about price and heritage, and us replying in like manner. But it wasn’t about price and heritage, it wasn’t about that at all. The tourists had insistent, unspoken questions and we just had to answer as best we could, with forged furniture. They were really asking, 'Are we safe?' and we were really replying, 'No, but a barricade of useless goods may help block the view.' And because hubris is not just an ancient Greek word but a human sense so deep-seated we might better regard it as an unerring instinct, they were also wanting to know, 'If it is our fault, then will we suffer?' and we were really replying, 'Yes, and slowly, but a fake chair may make us both feel better about it.
Richard Flanagan (Gould's Book of Fish: A Novel in Twelve Fish)
And then there are those you stop counting the years with because they are here to stay. They are here. And they aren't going anywhere. Nothing will make them flinch. Nothing will make them think twice. They know you at your worst, the worst you didn't even know you had. They know the sound of your mood swings, the color of your anger, how you curse when you curse, how you shout when you throw a tantrum. They know when you're avoiding a subject. They know when you're lying. They know when you're jealous. They know your vices by heart and they celebrate them. They celebrate you-- vices included. They know your lost dreams and how life fucked you over. They know the battles you lost. And they think your fabulous when you think you're just an unlucky mediocre person who once thought will make it big in life. They know the last time you were happy. They see the unspoken sadness in your eyes. They know the words behind your silence. They know the photographs playing in your mind when you're looking afar. They know YOU, the naked YOU, the raw YOU, not the embellished YOU people see, not the YOU that will be read in biographies or in elegies once you're dead, not the YOU that introduces you to others. They love you from the bottom of their heart. They are your family regardless of their blood. They are your squad. They are your people. And no matter how many times you make them open the door, they can't walk out. They just can't. Because, just sometimes, when people say forever, they mean it. They do.
Malak El Halabi
Thus it often is with us, we take a course, and we keep to it, as if we were infallible, and we allow nothing to alter our convictions. We persuade ourselves that we are right, and we hold on our course unmoved. Death steps in: and now, when the past is irrevocable, the scales that have so long darkened our eyes, fall at once to the ground, and we see that we were wrong after all. How much cruel conduct, how many harsh words, how many little unkindnesses do we wish unspoken and undone when we look upon a dead face we have loved, or stand by the side of a new-made grave! how we wish—how we wish that we could but have the time over again! Perhaps in past times we were quite content with our own conduct; we had no doubts in our mind but that we always did what was right and kind, and that we were in every way doing our duty. But now in what a different light do right and duty appear! how we regret that we ever caused tears to flow from those dear eyes, now never to open again! why could we not have made those small concessions which would have cost us so little, why were we so hard upon that trifling fault, why so impatient with that little failing? Ah me! ah me! if we could but live our lives over again, how different, oh, how different it should be! And yet while we say this, we do not think that there are others yet alive upon whose faults we are just as hard, with whose failings we bear just as little, and that these, too, may some day go down into the quiet grave, and that we may again have to stand beside and cry 'peccavi'.
G.A. Henty (A Search for a Secret)
At some point, sisters began to talk about how unseen they have felt. How the media has focused on men, but it has been them - the sisters - who were there. They were there, in overwhelming numbers, just as they were during the civil rights movement. Women - all women, trans women - are roughly 80% of the people who were staring down the terror of Ferguson, saying “we are the caretakers of this community”. Is it women who are out there, often with their children, calling for an end to police violence, saying “we have a right to raise our children without fear”. But it is not women’s courage that is showcased in the media. One sister says “when the police move in we do not run, we stay. And for this, we deserve recognition”. Their words will live with us, will live in us, as Ferguson begins to unfold and as the national attention begins to really focus on what Alicia, Opal and I have started. The first time there’s coverage of Black Lives Matter in a way that is positive is on the Melissa Harris-Perry show. She does not invite us - it isn’t intentional, I’m certain of that. And about a year later she does, but in this early moment, and despite the overwhelming knowledge of the people on the ground who are talking about what Alicia, Opal and I have done, and despite of it being part of the historical record, that it is always women who do the work even as men get the praise. It takes a long time for us to occur to most reporters and the mainstream. Living in patriarchy means that the default inclination is to center men and their voices, not women and their work. The fact seems ever more exacerbated in our day and age, when presence on twitter, when the number of followers one has, can supplant the everyday and heralded work of those who, by virtue of that work, may not have time to tweet constantly or sharpen and hone their personal brand so that it is an easily sellable commodity. Like the women who organized, strategized, marched, cooked, typed up and did the work to ensure the civil rights movement; women whose names go unspoken, unknown, so too that this dynamic unfolds as the nation began to realize that we were a movement. Opal, Alicia and I never wanted or needed to be the center of anything. We were purposeful about decentralizing our role in the work, but neither did we want, nor deserved, to be erased.
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now." I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine." I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not." Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you." My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him. Don't!" I said, but she didn't pause. Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked. Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers. Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides. Ta da!" she said, clapping her hands at her own accomplishment. Very impressive," Jerry said in a low voice. "Now put the pony away." Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once. Now," she said evenly. "Tell me again what isn't mine." Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers." Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me." Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her. My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion. You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
Aryn Kyle (The God of Animals)
Do you want to know what finally changed things for me?” “What?” My voice is barely above a whisper. Dappled sunlight falls across his face, highlighting his flushed cheeks. “I met someone. She’s about five-six, golden brown hair, devastating smile. The kind that warms you from the inside out. And she made me so mad. Not two weeks after I started the job, she called to grill me about a story I posted on Facebook. She insisted I edit it because I didn’t get the wording right.” He adopts a mock falsetto voice. “ ‘It isn’t the “Panama Canal” cruise. It’s “Panama Canal and the Wonders of Azuero.” Fix it, please.’ ” My muscles go limp and my knees nearly buckle. Because he’s talking about me. “Finally, someone who wasn’t walking on eggshells. She actually snapped at me, and it was like she snapped me out of my fog. I may have been unnecessarily combative after that, just to get a rise out of her, but I started to feel again. Irritation, at first, but then more. After a while, I began getting out of the house. Seeing a therapist. Playing hockey. I adopted Winnie—best decision ever. I actually started looking forward to waking up in the morning.” Graeme steps closer, but I’m glued to the spot. Heat sizzles through my veins when he reaches up to run his knuckles along my cheek. “And staff meeting Thursdays? They became my favorite day of the week. Because I got to see her face.” My heart is hammering and my lungs seize. The sound of guests approaching rumbles closer, but I don’t look away. I swallow past the lump that’s lodged in my throat. “After this cruise, they’re my favorite day of the week too.” Reaching up, I run my fingers lightly along the hand that’s cupping my cheek. Graeme’s eyes widen and his lips part. Gathering every ounce of resolve I can muster, I step away just as Nikolai and Dwight crest a nearby hill. We continue through the highlands, fastening our platonic coworker facades into place. But an unspoken understanding hangs in the space between us, heavy and undeniable… This just went way past any bet.
Angie Hockman (Shipped)
Why do you choose to write about such gruesome subjects? I usually answer this with another question: Why do you assume that I have a choice? Writing is a catch-as-catch-can sort of occupation. All of us seem to come equipped with filters on the floors of our minds, and all the filters have differing sizes and meshes. What catches in my filter may run right through yours. What catches in yours may pass through mine, no sweat. All of us seem to have a built-in obligation to sift through the sludge that gets caught in our respective mind-filters, and what we find there usually develops into some sort of sideline. The accountant may also be a photographer. The astronomer may collect coins. The school-teacher may do gravestone rubbings in charcoal. The sludge caught in the mind's filter, the stuff that refuses to go through, frequently becomes each person's private obsession. In civilized society we have an unspoken agreement to call our obsessions “hobbies.” Sometimes the hobby can become a full-time job. The accountant may discover that he can make enough money to support his family taking pictures; the schoolteacher may become enough of an expert on grave rubbings to go on the lecture circuit. And there are some professions which begin as hobbies and remain hobbies even after the practitioner is able to earn his living by pursuing his hobby; but because “hobby” is such a bumpy, common-sounding little word, we also have an unspoken agreement that we will call our professional hobbies “the arts.” Painting. Sculpture. Composing. Singing. Acting. The playing of a musical instrument. Writing. Enough books have been written on these seven subjects alone to sink a fleet of luxury liners. And the only thing we seem to be able to agree upon about them is this: that those who practice these arts honestly would continue to practice them even if they were not paid for their efforts; even if their efforts were criticized or even reviled; even on pain of imprisonment or death. To me, that seems to be a pretty fair definition of obsessional behavior. It applies to the plain hobbies as well as the fancy ones we call “the arts”; gun collectors sport bumper stickers reading YOU WILL TAKE MY GUN ONLY WHEN YOU PRY MY COLD DEAD FINGERS FROM IT, and in the suburbs of Boston, housewives who discovered political activism during the busing furor often sported similar stickers reading YOU'LL TAKE ME TO PRISON BEFORE YOU TAKE MY CHILDREN OUT OF THE NEIGHBORHOOD on the back bumpers of their station wagons. Similarly, if coin collecting were outlawed tomorrow, the astronomer very likely wouldn't turn in his steel pennies and buffalo nickels; he'd wrap them carefully in plastic, sink them to the bottom of his toilet tank, and gloat over them after midnight.
Stephen King (Night Shift)