Unseen Messages Quotes

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Love doesn’t live in first glances. Life doesn’t dwell in second chances. Our path exists in unseen messages.
Pepper Winters (Unseen Messages)
Life never delivers more than you can endure. Life has the sickest sense of humour. Sometimes
Pepper Winters (Unseen Messages)
Tomorrow will be better. A new day always is. Mistakes vanish. Tears dry. Tomorrow will be better. A new day makes sure of it. .............................
Pepper Winters (Unseen Messages)
LIFE OFFERS EVERYONE messages. Either unnoticeable or obvious, it’s up to us to pay attention. I
Pepper Winters (Unseen Messages)
Home is where the heart is. Home is where the soul is found. Home is where the good times laugh. Home is where the hard times heal. Home is home and there is no place I would rather
Pepper Winters (Unseen Messages)
Yes, they know her. They touch her lips, gather her words, fly away with the message, disappear into the dark. Pass through the membrane that separates this world from the unseen world that lies just underneath it.
Margaret Atwood (MaddAddam (MaddAddam, #3))
messages from the unseen” that the great Alan Turing left behind at his death: Science is a differential equation. Religion is a boundary condition.
Jim Holt (Why Does the World Exist?: An Existential Detective Story)
But some days, he looked as if he’d been up all night drinking, hung over with whatever he’d done in his past, buried beneath guilt and disgrace.
Pepper Winters (Unseen Messages)
I’d donated everything I was to those I loved. I would die for them. I would survive for them. And nothing was better than that. Nothing.
Pepper Winters (Unseen Messages)
No one can truly soothe your fears, your tears, your Rolodex of emotions. No one can truly make it right, fix the wrong, or make your dreams come true. Only you. Only
Pepper Winters (Unseen Messages)
I’m no longer myself. Love changed me. I’m no longer happy. Love ruined me. I’m no longer alive. Love killed me. I’m no longer breathing. Love consumed me.
Pepper Winters (Unseen Messages)
Don’t find us. Don’t mourn us. Don’t weep for us. Because we were the lucky ones, the chosen ones, the only ones for each other.
Pepper Winters (Unseen Messages)
Don't disguise your tears, don't hide your sadness, don't be afraid to find out who you really are. Because in those fleeting moments you'll summon such beauty and strength that, in no time at all, you'll fully grasp exactly why you're so gossiped about here in the unseen
Mike Dooley (Notes from the Universe Coloring Book)
They are yours, but you don’t understand them,” snapped Reza. “Only Adam was given true intellect, and only the banu adam have the power to call things by their right names. What you call the bird king and the hind and the stag—these are only symbols to disguise a hidden message, just as a poet may write a ghazal about a toothless lion to criticize a weak king. Hidden in your stories is the secret power of the unseen.” The stories are their own message, said the thing, with something like a sigh. That’s the secret.
G. Willow Wilson (Alif the Unseen)
My lips ached to kiss her. My body strained to hold her as if she was the perfect ending to my unhappy tragedy.
Pepper Winters (Unseen Messages)
You crashed with me. I fell for you. I love you.
Pepper Winters (Unseen Messages)
Dear Daughter, You need to be on your knees, to access the keys to doors that remain unseen.
Gift Gugu Mona (Dear Daughter: Short and Sweet Messages for a Queen)
He was my havoc, my harmony, my only chance at hope. I
Pepper Winters (Unseen Messages)
From a very early age, the message is drilled into our heads: Failure is bad; failure means you didn’t study or prepare; failure means you slacked off or—worse!—aren’t smart enough to begin with. Thus, failure is something to be ashamed of.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
It was a morning when all nature shouted "Fore!" The breeze, as it blew gently up from the valley, seemed to bring a message of hope and cheer, whispering of chip-shots holed and brassies landing squarely on the meat. The fairway, as yet unscarred by the irons of a hundred dubs, smiled greenly up at the azure sky; and the sun, peeping above the trees, looked like a giant golf-ball perfectly lofted by the mashie of some unseen god and about to drop dead by the pin of the eighteenth.
P.G. Wodehouse (The Heart of a Goof)
How can I get used to this?” His fingers twisted my nipples before cascading down my noticeable ribcage. “How can I hope to breathe after inhaling you? How can I hope to taste after licking you?” His nose nuzzled my throat. “How am I supposed to live after having you love me?” I
Pepper Winters (Unseen Messages)
Messages from the Unseen World III. The Universe is the interior of the light cone of the creation IV. Science is a differential Equation. Religion is a Boundary Condition. (sgd) Arthur Stanley V. Hyperboloids of wondrous Light Rolling for aye through Space and Time Harbour those Waves which somehow might Play out God’s wondrous pantomime VI. Particles are founts VII. Charge = e/π ang of character of a 2π rotation VIII. The Exclusion Principle is laid down purely for the benefit of the electrons themselves, who might be corrupted (and become dragons or demons) if allowed to associate too freely
Alan M. Turing
Hanging conversations, uncertain observations, incomplete imaginations. Unsent text messages, unreplied mails, undecided calls, unattended places. Unsettled pledges, distant searches. Some underutilized wages, some unseen dreams, sitting on dried leaves, believing the unbelieved… bidding adieu, to the accepted, how much she wanted to do, what was, detested!
Jasleen Kaur Gumber (Ginger and Honey)
But they were beautiful. When they died, rippling in rainbow colors, their many-hued messages unseen, unheard by their fleeing herdmates, the beauty of their death agony was beyond words. We sold their photoreceptive skins to Web corporations, their flesh to worlds like Heaven’s Gate, and ground their bones to powder to sell as aphrodisiacs to the impotent and superstitious on a score of other colony worlds. On
Dan Simmons (Hyperion (Hyperion Cantos, #1))
I crash landed to find him. I fell from the sky to know him. I died a mortal death to be worthy of him. I am reborn because of him. “If rescue never comes, know I didn’t need it. If help never arrives, know I didn’t want it. If we die here together, be happy knowing this was our destiny. “Don’t find us. Don’t mourn us. Don’t weep for us. Because we were the lucky ones, the chosen ones, the only ones for each other.
Pepper Winters (Unseen Messages)
Mr St. John entered the little telegraph office, gave in his message, and was exchanging a few words with the clerk, when a female voice was heard speaking in hurried accents. Frederick at the moment was behind the partition unseen by the newcomer. 'Young man, can I send a telegram off at once? It's in a hurry?' 'You can send a telegram,' responded the clerk. 'Where's it to?' 'Paris.' 'What's the message?' 'I've written it down, so that there may be no mistake. It's quite private, and must be kept so: a little matter that concerns nobody. And be particular, for it's from Castle Wafer. Will it reach Paris tonight?' 'Yes,' said the clerk, confidentially, as he counted the words. 'How much to pay?' 'Twelve-and-sixpence.' 'Twelve-and-sixpence! What a swindle.' 'You needn't pay it if you don't like.' 'But then the telegram would not go?' 'Of course it wouldn't.' The sound of silver dashed down on the counter was heard. 'I can't stop to argue the charge, so I must pay it,' grumbled the voice. 'But it's a shame, young man.' 'The charges ain't of my fixing,' responded the young man. 'Good afternoon, ma'am.' She bustled out again as hurriedly as she had come in, not having suspected that the wooden partition had any one behind it.
Mrs. Henry Wood (St. Martin's Eve)
Later than usual one summer morning in 1984, Zoyd Wheeler drifted awake in sunlight through a creeping fig that hung in the window, with a squadron of blue jays stomping around on the roof. In his dreams these had been carrier pigeons from someplace far across the ocean, landing and taking off again one by one, each bearing a message for him, but none of whom, light pulsing in the wings, he could ever quite get to in time. He understood it to be another deep nudge from forces unseen, almost surely connected with the letter that had come along with his latest mental-disability check, reminding him that unless he did something publicly crazy before a date now less than a week away, he would no longer qualify for benefits. He groaned out of bed. Somewhere down the hill hammers and saws were busy and country music was playing out of somebody's truck radio. Zoyd was out of smokes.
Thomas Pynchon (Vineland)
brought to a living reflection that nothing in my power whatever would…succeed without the direct assistance of the Almighty.” He moved toward emancipation amid a deepening sense that his duty lay in attempting to discern and to apply the will of the divine to human affairs. Lincoln’s own faith in the unseen was elusive but real. In 1862, Lincoln closed a message to Congress by speaking of “my great responsibility to my God, and to my country”—
Jon Meacham (And There Was Light: Abraham Lincoln and the American Struggle)
The purpose and theme of the sacred chant was to bind consciousness across the universe in a single string. It extended across universes known and unknown, and echoed in every heart throbbing. The people with intellect enough could grasp to the message being relayed and others lead ephemeral lives without deciphering it. The echoes of chant were immortal and pervaded every knit of space and time, like binding force unseen, like a string holding every pearl in place.
Arpit Bakshi (The Code Of Manavas: Beyond The Realm (Maha Vishnu Trilogy #2))
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward. She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of. Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away. “You think I can let you go now?” A low voice chuckled in her ear. Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling. “Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.” Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all. She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it. He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street. She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.” Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat. She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy. When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through. Security, Violet thought. Whatever it is they do here, they need security. Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end. But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.
Maggie Callanan (Final Gifts: Understanding the Special Awareness, Needs, and Co)
Thus, no matter where you live in New York City, you will find within a block or two a grocery store, a barbershop, a newsstand and shoeshine shack, an ice-coal-and-wood cellar (where you write your order on a pad outside as you walk by), a dry cleaner, a laundry, a delicatessen (beer and sandwiches delivered at any hour to your door), a flower shop, an undertaker's parlor, a movie house, a radio-repair shop, a stationer, a haberdasher, a tailor, a drug-store, a garage, a tearoom, a saloon, a hardware store, a liquor store, a shoe-repair shop. Every block or two, in most residential sections of New York, is a little main street. A man starts for work in the morning and before he has gone two hundred yards he has completed half a dozen missions: bought a paper, left a pair of shoes to be soled, picked up a pack of cigarettes, ordered a bottle of whiskey to be dispatched in the opposite direction against his home-coming, written a message to the unseen forces of the wood cellar, and notified the dry cleaner that a pair of trousers awaits call. Homeward bound eight hours later, he buys a bunch of pussy willows, a Mazda bulb, a drink, a shine-- all between the corner where he steps off the bus and his apartment.
E.B. White (Here Is New York)
I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches. Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned. My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling. As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me? We lived in the attic, Christopher, Cory, Carrie and me— Now there are only three. Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
It was a wondrous sight. The wood was green as mosses of the Icy Glen; the trees stood high and haughty, feeling their living sap; the industrious earth beneath was as a weaver’s loom, with a gorgeous carpet on it, whereof the ground-vine tendrils formed the warp and woof, and the living flowers the figures. All the trees, with all their laden branches; all the shrubs, and ferns, and grasses; the message-carrying air; all these unceasingly were active. Through the lacings of the leaves, the great sun seemed a flying shuttle weaving the unwearied verdure. Oh, busy weaver! unseen weaver!—pause!—one word!—whither flows the fabric? what palace may it deck? wherefore all these ceaseless toilings? Speak, weaver!—stay thy hand!—but one single word with thee! Nay—the shuttle flies—the figures float from forth the loom; the fresher-rushing carpet for ever slides away. The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.
Herman Melville
In the befogging pain of grief, we are able to see only part of the message, and as a result, death often seems like the ultimate insult. It appears to be the final indignity that makes a mockery of our faith. But when the fog of grief begins to clear even just a little—when at last we are able to perceive the whole truth—it becomes obvious that death is a defeated enemy, one that God uses for His eternal purposes until He ultimately destroys it: Therefore we do not lose heart. Though outwardly we are wasting away, yet inwardly we are being renewed day by day. For our light and momentary troubles are achieving for us an eternal glory that far outweighs them all. So we fix our eyes not on what is seen, but on what is unseen. For what is seen is temporary, but what is unseen is eternal. —2 Corinthians 4:16–18
Richard Exley (When You Lose Someone You Love: Comfort for Those Who Grieve)
For most of us, failure comes with baggage—a lot of baggage—that I believe is traced directly back to our days in school. From a very early age, the message is drilled into our heads: Failure is bad; failure means you didn’t study or prepare; failure means you slacked off or—worse!—aren’t smart enough to begin with. Thus, failure is something to be ashamed of. This perception lives on long into adulthood, even in people who have learned to parrot the oft-repeated arguments about the upside of failure.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
We’re not concerned with the temporal and transient. Our success isn’t measured in hours, or even centuries. Our focus is fixed on eternity. The gospel is hard to believe, and the people who bring it to the world are nobodies. The plan is still the same for all who are God’s clay pots. To summarize, here is Paul’s humble, five-point strategy: We will not lose heart. We will not alter the message. We will not manipulate the results, because we understand that a profound spiritual reality is at work in those who do not believe. We will not expect popularity, and therefore, we will not be disappointed. And we will not be concerned with visible and earthly success but devote our efforts toward that which is unseen and eternal.
John F. MacArthur Jr. (Hard to Believe: The High Cost and Infinite Value of Following Jesus)
By necessity, the message companies send to their managers is conflicting: Develop your people, help them grow into strong contributors and team members, and oh, by the way, make sure everything goes smoothly because there aren’t enough resources, and the success of our enterprise depends on your group doing its job on time and on budget.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Use manual sanity checks in data pipelines. When optimizing data processing systems, it’s easy to stay in the “binary mindset” mode, using tight pipelines, efficient binary data formats, and compressed I/O. As the data passes through the system unseen, unchecked (except for perhaps its type), it remains invisible until something outright blows up. Then debugging commences. I advocate sprinkling a few simple log messages throughout the code, showing what the data looks like at various internal points of processing, as good practice — nothing fancy, just an analogy to the Unix head command, picking and visualizing a few data points. Not only does this help during the aforementioned debugging, but seeing the data in a human-readable format leads to “aha!” moments surprisingly often, even when all seems to be going well. Strange tokenization! They promised input would always be encoded in latin1! How did a document in this language get in there? Image files leaked into a pipeline that expects and parses text files! These are often insights that go way beyond those offered by automatic type checking or a fixed unit test, hinting at issues beyond component boundaries. Real-world data is messy. Catch early even things that wouldn’t necessarily lead to exceptions or glaring errors. Err on the side of too much verbosity.
Micha Gorelick (High Performance Python: Practical Performant Programming for Humans)
When it comes to creative inspiration, job titles and hierarchy are meaningless. That’s what I believe. But unwittingly, we were allowing this table—and the resulting place card ritual—to send a different message. The closer you were seated to the middle of the table, it implied, the more important—the more central—you must be.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Her time with John, brief though it was, showed her that love and adventure are very much real. They are not only the fantasies conjured up by writers, musicians, and filmmakers. They exist in the real world. Magic exists—a two-word phrase that, before her forty-eight-year-old self met John, she would’ve considered the ultimate in naiveté and self-delusion.
Ray Smith (The Magnolia That Bloomed Unseen)
The video of the killing of George Floyd has a lasting impact because we believed it, saw it as a faithful representation of what happened on the streets of Minneapolis that day, and because it was shared over and over again as if it were actually happening over and over again, which is of course a core part of its message.
Marc Lamont Hill (Seen and Unseen: Technology, Social Media, and the Fight for Racial Justice)
The video of the killing of George Floyd has a lasting impact because we believed it, saw it as a faithful representation of what happened on the streets of Minneapolis that day, and because it was shared over and over again as if it were actually happening over and over again, which is of course a core part of its message. There is one George Floyd on video but many more who see the same fate away from the scrutiny of the lens.
Marc Lamont Hill (Seen and Unseen: Technology, Social Media, and the Fight for Racial Justice)
It’s about connecting you to a very simple but powerful idea—that the universe is always sending you signs and messages in order to communicate with you and steer you to a higher life path. It’s about how many miraculous and beautiful truths go unseen in our lives, and how, with a subtle yet meaningful shift in our perception, we can begin to see them.
Laura Lynne Jackson (Signs: The Secret Language of the Universe)
Dear Daughter, You need to get on your knees, to access the keys to doors that remain unseen.
Gift Gugu Mona (Dear Daughter: Short and Sweet Messages for a Queen)
Who willingly choose a life of loneliness because she was too afraid to risk sharing herself with others?
Pepper Winters (Unseen Messages)
Even if we didn’t know the context, we were instructed to remember that context existed. Everyone on earth, they’d tell us, was carrying around an unseen history, and that alone deserved some tolerance. In a world where tolerance and respect for someone "different" from us seems to be missing, this is such a powerful message. My learning was, even in scenarios when we cannot understand the reason for an action or behavior of others remember that there is one!
Michelle Obama (Becoming)
When change comes, nothing is ever the same again and only the blind and the foolish choose to hang onto what once was, after it has ceased to exist forever.
Mark Foster (Everywhere But No Place (Messages From The Unseen World, #1))
devil. 12For we* are not fighting against flesh-and-blood enemies, but against evil rulers and authorities of the unseen world, against mighty powers in this dark world, and against evil spirits in the heavenly places. 13Therefore, put on every piece of God’s armor so you will be able to resist the enemy in the time of evil. Then after the battle you will still be standing firm. 14Stand your ground, putting on the belt of truth and the body armor of God’s righteousness. 15For shoes, put on the peace that comes from the Good News so that you will be fully prepared.* 16In addition to all of these, hold up the shield of faith to stop the fiery arrows of the devil.* 17Put on salvation as your helmet, and take the sword of the Spirit, which is the word of God. 18Pray in the Spirit at all times and on every occasion. Stay alert and be persistent in your prayers for all believers everywhere.* 19And pray for me, too. Ask God to give me the right words so I can boldly explain God’s mysterious plan that the Good News is for Jews and Gentiles alike.* 20I am in chains now, still preaching this message as God’s ambassador. So pray that I will keep on speaking boldly for him, as I should.
Stephen Arterburn (Every Man's Bible NLT)
Major objectives are the unseen force that pulls us into the future. Through our daily activity and discipline we provide the push to propel us toward success. But it is the dream of the future achievement of our objectives that pulls us along day after day and pulls us through the major obstacles we encounter along the way. The exciting thing about this process is that the more we push, the more the future begins to pull. As we demonstrate our unwavering determination to conquer our limitations, increase our intelligence and achieve our objective, that still, small voice within us begins to speak its special and promising message adding to the pull of the future. As we listen carefully to this voice, and respond instinctively to its urgings, the pull becomes stronger and the future more certain.
Jim Rohn (The Five Major Pieces to the Life Puzzle: A Guide to Personal Success)
Careful “messaging” to downplay problems makes you appear to be lying, deluded, ignorant, or uncaring. Sharing problems is an act of inclusion that makes employees feel invested in the larger enterprise. •
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
SUCCESS, IT HAS OFTEN BEEN SAID, means different things to different people. Measured by the throngs of visitors who are moved to make personal pilgrimages to Rome and the Vatican, the Sistine Chapel is a success beyond compare—a place that some have suggested should be listed as one of the wonders of the world. But there is another way to determine whether a human effort has achieved its goal. It is important to take note of what its creators sought to accomplish. We need to know not only what the Sistine Chapel is today, but also what it was meant to be by its founders. Would they feel their chapel is a success today? As we have seen, the chapel has been altered, expanded, decorated, and yes, even partially defaced down through the ages. It has undergone not only structural alterations but also philosophic and theological modifications. Unlike Saint Paul, the Sistine never became “all things to all men,” but it has spoken with many voices and preached many different messages. Its strongest messages undoubtedly come from Michelangelo, the man most responsible for the Sistine’s enduring fame. However, his messages—“things seen and unseen”—have been obscured, misinterpreted, censored, overlooked, and forgotten over the centuries, only to come back to light in our time. Buonarroti once prayed, “Lord, grant that I may always desire more than I can accomplish.” We have to ask: would he feel that he accomplished his goal with his frescoes? For Michelangelo, could the Sistine be considered a success?
Benjamin Blech (The Sistine Secrets: Michelangelo's Forbidden Messages in the Heart of the Vatican)
Your employees are smart; that’s why you hired them. So treat them that way. They know when you deliver a message that has been heavily massaged. When managers explain what their plan is without giving the reasons for it, people wonder what the “real” agenda is. There may be no hidden agenda, but you’ve succeeded in implying that there is one. Discussing the thought processes behind solutions aims the focus on the solutions, not on second-guessing. When we are honest, people know it.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
When we focus our thoughts upon some person in the spirit world, whether they be in the form of a definite message, or whether they are solely of an affectionate nature, those thoughts will reach their destination without fail, and they will be taken up by the percipient.
Anthony Borgia (Life in the World Unseen)
Freshmen spend in unfathomable sitting on their beds – heads against the wall or propped pillows, semistudying or not, listening to music, catching a little TV, sending e-mail messages while flipping through yesterday's student newspaper and talking about "you know, nothing," which means everything. Just plain being is pretty darn interesting in those first few months of stay-up-as-late-as-you-want independence.
Suskind (A Hope in the Unseen: An American Odyssey from the Inner City to the Ivy League)
A moment later the music began, and Kate shrank beneath the onslaught of its message: the fury of hope and joy that towered in the notes, outburning the sunlight and outpouring the volumes of the sea. All that was bold and noble and happy in created sound burst from the metempirical quills, and it was a blasphemy not to rejoice. Christian died in its midst, purposeful and successful; the last struggle unseen by anyone but Kate, and laying no bridle on the living.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
The personal narrative is an invitation for other people to join the author in a journey of discovery as the author attempts to organize snippets of their life into a telling format and generate a self-healing message. A person whom discloses what an inflamed mind taught them does not seek heavy-handedly to impose their will upon other people, but they preach to an unseen audience so that other people can avoid the insanity and inanity that came before they received a shaft of illumination. Most personal essay writers begin by wanting to conduct strictly a private inquest, but feel a need to make connections with their brethren through their act of confessing.
Kilroy J. Oldster (Dead Toad Scrolls)
Millennia of evolution had been lost by living in cities, eating prepared meals, letting the cogs of society keep us insulated from truly living.
Pepper Winters (Unseen Messages)
But fate didn’t work that way. It didn’t give invitations to its upcoming events. It just orchestrated what would happen with no apology or suggestion.
Pepper Winters (Unseen Messages)
I’d pinned happiness on a future I couldn’t predict.
Pepper Winters (Unseen Messages)
something of myself. I had chances, but somehow it never worked out, events just kept dragging me down. I’m not
Mark Foster (Everywhere But No Place (Messages From The Unseen World, #1))
I was worse than chewing gum. I was the grime left over from a well-trodden shoe.
Pepper Winters (Unseen Messages)
Trust. An intangible emotion that carried no price or guarantee but was the most valuable thing a person could earn.
Pepper Winters (Unseen Messages)
Life was too short to refute happiness. Life was far, far too short to say no to love.
Pepper Winters (Unseen Messages)
But for every dark day, there were bright ones. For every tear, there were smiles. For every argument, there was laughter.
Pepper Winters (Unseen Messages)
The simple things. Things I’d used every day without thinking were now the most incredible novelties.
Pepper Winters (Unseen Messages)
The message of the fulfillment of time is not a green light for a new, and assumedly Christian activism. But it makes us say with Paul: "Though our outer nature is wasting away our inner nature is renewed everyday - because we look not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal." In these words the message of the Preacher and the message of Jesus are united. All is vanity but through this vanity eternity shines into us, comes near to us, draws us to itself. When eternity calls in time, then pessimism vanishes. When eternity times us, then time becomes a vessel of eternity. Then we become vessels of that which is eternal.
Paul Tillich (The New Being)