Unread Love Quotes

You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.

Each thing I do, I rush through so I can do something else. In such a way do the days pass---a blend of stock car racing and the never ending building of a gothic cathedral. Through the windows of my speeding car I see all that I love falling away: books unread, jokes untold, landscapes unvisited...

The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed, or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it.

I couldn’t imagine loving someone with that kind of intensity, and knowing that the one you’re with is the only one you’ll ever want.” I realized that I was rambling so I stopped talking as Trace just looked at me. His expression was completely unreadable. He wrapped his hands around my face as he looked deeply into my eyes before he whispered, “I can...

Bouquets lay next to unread cards wishing recovery in messy cursive. I haven't always understood irony but I like this particular piece. For someone you wish to live, give them something that is dying.

She looked up at his unreadable eyes as he lowered her into the bed. "Do you still think of me as just a tool?" Jacks frowned. "I try not to think of you at all.

Corliss wondered what happens to a book that sits unread on a library shelf for thirty years. Can a book rightfully be called a book if it never gets read?... 'How many books never get checked out," Corliss asked the librarian. 'Most of them,' she said. Corliss never once considered the fate of library books. She loved books. How could she not worry about the unread? She felt like a disorganized scholar, an abusive mother, and a cowardly soldier. 'Are you serious?' Corliss asked. 'What are we talking about here? If you were guessing, what is the percentage of books in this library that never get checked out?' 'We're talking sixty percent of them. Seriously. Maybe seventy percent. And I'm being optimistic. It's probably more like eighty or ninety percent. This isn't a library, it's an orphanage.' The librarian talked in a reverential whisper. Corliss knew she'd misjudged this passionate woman. Maybe she dressed poorly, but she was probably great in bed, certainly believed in God and goodness, and kept an illicit collection of overdue library books on her shelves.

Manage me, I am a mess, swept under the rug of yesterday’s home improvement, a whimsical urge tossed aside for the easy reassurance of home and comfort. I am the photograph tucked away as a book-mark, in a book left half unread, once reopened to find memories crawling back into peripheral sight, faded, creased and lonely. I long to be admired, long to be held, torn and laughed at, laughed with, like a distant relative or an old friend breathing in their last breath. I missed the moment when time collapsed and memory was erased, replaced by finicky social experiments, lost in the blur of intoxication, sucked through multi-colored bendy-straws, making way for a spinning world where hub-caps stood still, but our vision didn’t. If I could leave you with only one thing, it would be small, foldable, and made from trees, with a few careless words, scribbled in blue; Take a minute to learn me, take a moment to love me, because I need your love to live,and without it, I am nothing.

She praised his book and he embraced her from gratitude rather than lust, but she didn't let go. Neither did he. She kissed his cheek, his earlobe. For months they'd run their fingers around the hem of their affection without once acknowledging the fabric. The circumference of the world tightened to what their arms encompassed. She sat on the desk, between the columns of read and unread manuscript, and pulled him toward her by his index fingers.

People sometimes act as though owning books you haven't read constitutes a charade or pretense, but for me, there's a lovely mystery and pregnancy about a book that hasn't given itself over to you yet--sometimes I'm the most inspired by imagining what the contents of an unread book might be. ~ Jonathan Lethem, author of The Fortress of Solitude

Every word, every step, every action is irreversible. If we step in front of a moving car, if we sign a contract we haven’t read, if we betray the person we love, the best we can do is try to clean up the mess. But no matter how hard we scrub, the stain on reality will never come out. The word you just read can never be unread.

Safe Sex If he and she do not know each other, and feel confident they will not meet again; if he avoids affectionate words; if she has grown insensible skin under skin; if they desire only the tribute of another’s cry; if they employ each other as revenge on old lovers or families of entitlement and steel— then there will be no betrayals, no letters returned unread, no frenzy, no hurled words of permanent humiliation, no trembling days, no vomit at midnight, no repeated apparition of a body floating face-down at the pond’s edge

Sovegna vos. Here are the years that walk between, bearing Away the fiddles and the flutes, restoring One who moves in the time between sleep and waking, wearing White light folded, sheathed about her, folded. The new years walk, restoring Through a bright cloud of tears, the years, restoring With a new verse the ancient rhyme. Redeem The time. Redeem The unread vision in the higher dream While jewelled unicorns draw by the gilded hearse.

Listening, it occurred to Randall that the love people feel for animals is the purest form of love. Loving an animal, a horse, cat, or dog, was always a romantic tragedy. It meant loving something that would die before you. Like that movie with Ali McGraw. There was no future, just the affection of the present moment. You didn't expect a big payoff, someday.

I keep collecting books I know I'll never, never read; My wife and daughter tell me so, And yet I never heed. "Please make me," says some wistful tome, "A wee bit of yourself." And so I take my treasure home, And tuck it in a shelf. And now my very shelves complain; They jam and over-spill. They say: "Why don't you ease our strain?" "Some day," I say, "I will." So book by book they plead and sigh; I pick and dip and scan; Then put them back, distressed that I Am such a busy man. Now, there's my Boswell and my Sterne, my Gibbon and Defoe; To savor Swift I'll never learn, Montaigne I may not know. On Bacon I will never sup, For Shakespeare I've no time; Because I'm busy making up These jingly bits of rhyme. Chekov is caviar to me, While Stendhal makes me snore; Poor Proust is not my cup of tea, And Balzac is a bore. I have their books, I love their names, And yet alas! they head, With Lawrence, Joyce and Henry James, My Roster of Unread. I think it would be very well If I commit a crime, And get put in a prison cell And not allowed to rhyme; Yet given all these worthy books According to my need, I now caress with loving looks, But never, never read." (from, Book Lover)

He was not above calling a book unreadable. But their literary merit wasn’t important at this moment. They were words strung together to represent the firing of neurons and the transferring of information through synapses. They were human minds set into paper, and Sebastian loved every single one of them, even the ones he found disposable.

I opened my eyes to see a silver chain, like his but thinner, longer, with a saint pendant on it. I wasn't the same as his, though; the image was of a man's profile, his eyes turned upward. 'Who is it?' I asked. 'No idea. I found it in a jar my mom has full of them,' he said. 'I was looking for someone like mine, then just someone I recognized. But then I thought maybe it was cooler to have it be a mystery, you know? So it's not just about one thing, but anything. That way, it can be about what you want it to be.' I turned it over in my hand. Like the image on the front, the back was well-worn, the few words there unreadable. 'Saint Anything.' I looked up at him. 'I love it. Thank you.

Those who love poetry, even my unreadable foreign brand, are a tender breed.

And when they're old enough I'm going to tell my little girls that everybody looks a little crazy if you're looking close enough, and if, you can't look that close then you don't really love them. All the while life goes around. And if you keep waiting for somebody perfect you'll never find love, because it's how much you love them is what makes them perfect.

Books are a way we leave a mark on the world, aren’t they? They say we were here, we loved and we grieved and we laughed and we made mistakes and we existed. They can be burned halfway across the world, but the words cannot be unread, the stories cannot be untold. They do live on in this library, but more importantly they are immortalized in anyone who has read them.

Oh Beck, I love reading your e-mail. Learning your life. And I am careful; I always mark new messages unread so that you won't get alarmed. My good fortune doesn't stop there; You prefer e-mail. You don't like texting. So this means that I am not missing out on all that much communication. You wrote an "essay" for some blog in which you stated that "e-mails last forever. You can search for any word at any time and see everything you ever said to anyone about that one word. Texts go away." I love you for wanting a record. I love your records for being so accessible and I'm so full of you, your calendar of caloric intake and hookups and menstrual moments, your self-portraits you don't publish, your recipes and exercises. You will know me soon too, I promise.

Sebastian ran a finger over the spines of the books on the shelf. It did not matter to him what the titles were. They were books. They were filled with thoughts. Their relevance was debatable; he was sure some were exceptional while others were the works of lesser minds. He was not above calling a book unreadable. But their literary merit wasn’t important at this moment. They were words strung together to represent the firing of neurons and the transferring of information through synapses. They were human minds set into paper, and Sebastian loved every single one of them, even the ones he found disposable.

If a girl found the right man, she might not need love stories. She might find them in a pair of strong arms before drifting off to sleep. Pages unread.

Each thing I do I rush through so I can do something else.. in such a way do the days pass.. I see all that I love falling away.. books unread, jokes untold, landscapes unvisited..

Preverbal, love is the smell of a known body, the touch of a recognized hand, the blurred face in a haze of light. Words come, and love sharpens. Love becomes describable, narratable, relatable. Over time, one love comes to lay atop another, a mother's love, a father's love, a lover's love, a friend's love, an enemy's love. This promiscuous mixing of feelings and touches, of smiles and cries in the dark, of half-pushed pleasures and heart-cracking pain, of shared unutterable intimacies and guttural expressions, layer in embellished bricolage. One love coats another, like the clear pages of an anatomy textbook, drawing pictures of things we can only ever see in fractions. With the coming of words, love writes and is then overwritten; love is marginalia illegibly scrawled in your own illegible hand. In time, love becomes a dense manuscript, a palimpsest of inscrutable, epic proportions, one love is overlaying another, thick and hot and stinking of beds. It's an unreadable mess.

I’m such a terrible speller that sometimes I misspell words so bad that they become unreadably readable. For example, I might misspell a simple word like “Love” and have it come out as the properly spelled “Hate.”


Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.

No one will actually come out and say this nowadays, but women are at their best when they're writing about men: their husbands, their fathers, their lost loves. It's when they start writing about themselves that they become unreadable.

Reading was only part of the thrill that a book represented. I got a dizzy pleasure from the weight and feel of a new book in my hand, a sensual delight from the smell and crispness of the pages. I loved the smoothness and bright colors of their jackets. For me, a stacked, unread pyramid of books was one of the sexiest architectural designs there was, because what I loved most about books was their promise, the anticipation of what lay between the covers, waiting to be found.

When I first met you, I was still trying to figure out who I wanted to be. Who I could be.” I lift my head to look at him. He’s watching me, his expression unreadable, his posture tense. “You showed me so much of that,” I say. “So much more than I even knew existed. You showed me how to be free, and what it feels like to be safe and wanted and loved. You showed me how to love. How to stop being afraid. How to fight for what I want. Especially when what I wanted most was you.

Listen carefully: you do not need to have a "productive" homeschool day to please the Savior. You do not need to have a clean house to please the Savior. You do not even need to have well-behaved kids to please Him. It doesn't matter if you hit every math problem, get through an entire spelling lesson, or whether your child loves learning the way you want him to. It doesn't matter! What matters is that we seek to imitate Christ. That we order our loves so that our hearts better reflect His.  Many days, checklists will go untouched, books will go unread, ducks will not line up in a row, no matter how much we strive. So cease striving. "It is our part to offer what we can, His to finish what we cannot." —— St. Jerome

One book? One book? Now you’re being absurd. What if I finish it? Or what if I find it impossibly dull, what then? What am I supposed to read if I either complete the book I brought or I otherwise discover it to be unreadable? Or what if it no longer holds my attention? Someone could spill tea on it. There. Think of that. Someone could spill tea on my one book, and then I would be marooned. Honestly, Iona, you must use your head.” “Two books then, miss.

I’m in love with a beautiful sex-crazed slut so why can’t you just be happy for me?

He started to draw. He drew from memory. He had a good memory, something which, all things considered, was far from a blessing. The pencils moved quickly across the paper, scratching back and forth in deepening shades of grey. He leaned low over the paper, concentrating all his energy on his work. The candles flickered and dripped wax, having nothing better to do. Eventually he lifted his head and looked at his creation. The face of a young woman stared back at him from the paper, a slight smile playing on her lips. She looked as if she was about to say something, and that once she had you would laugh. She looked happy. Seven stared at the picture, his strange eyes unreadable – eyes that, now he made no effort to mask them, were from edge to edge only the deep blue of the dead ocean. He swallowed hard, as if he was trying to imbibe something foul tasting but necessary, like a child sipping medicine, and pulled another sheet of paper from his desk.

One book? One book? Now you’re being absurd. What if I finish it? Or what if I find it impossibly dull, what then? What am I supposed to read if I either complete the book I brought or I otherwise discover it to be unreadable? Or what if it no longer holds my attention? Someone could spill tea on it. There. Think of that. Someone could spill tea on my one book, and then I would be marooned.

Dead roses chocking your throat As they grieve all the words couldn't be said. Tears on your face as they fell dancing; Enjoying the poems in your eyes that forever remained unread. A painting of sorrow you have always been. Meant to be admired but never understood…..

No one can take up this book and lay it down again unread. Whoever reads one line of it is caught, is chained; he has become the contented slave of its fascinations; and he will read and read, devour and devour, and will not let it go out of his hand till it is finished to the last line, though the house be on fire over his head. And after a first reading he will not throw it aside, but will keep it by him, with his Shakespeare and his Homer, and will take it up many and many a time, when the world is dark and his spirits are low, and be straightway cheered and refreshed.

Each thing I do I rush through so I can do something else. In such a way do the days pass— a blend of stock car racing and the never ending building of a gothic cathedral. Through the windows of my speeding car, I see all that I love falling away: books unread, jokes untold, landscapes unvisited . . .

Preverbal, love is the smell of a known body, the touch of a recognized hand, the blurred face in a haze of light. Words come, and love sharpens. Love becomes describable, narratable, relatable... One love coats another, like the clear pages of an anatomy textbook, drawing pictures of things we can only ever see in fractions. With the coming of words, love writes and is then overwritten; love is marginalia illegibly scrawled in your own illegible hand. In time, love becomes a dense manuscript, a palimpsest of inscrutable, epic proportions, one love overlaying another, thick and hot and stinking of beds. It’s an unreadable mess.

Preverbal, love is the smell of a known body, the touch of a recognized hand, the blurred face in a haze of light. Words come, and love sharpens. Love becomes describable, narratable, relatable. Over time, one love comes to lay atop another, a mother's love, a father's love, a lover's love, a friend's love, an enemy's love. This promiscuous mixing of feelings and touches, of smiles and cries in the dark, of half-pushed pleasures and heart-cracking pain, of shared unutterable intimacies and guttural expressions, layer in embellished bricolage. One love coats another, like the clear pages of an anatomy textbook, drawing pictures of things we can only ever see in fractions. With the coming of words, love writes and is then overwritten; love is marginalia illegibly scrawled in your own illegible hand. In time, love becomes a dense manuscript, a palimpsest of inscrutable, epic proportions, one love is overlaying another, thick and hot and stinking of beds. It's an unreadable mess.

Is yet within the unread events of time. Thus far, go forth, thou lay, which I will back Against the same given quantity of rhyme, For being as much the subject of attack As ever yet was any work sublime, By those who love to say that white is black. So much the better!—I may stand alone, But would not change my free thoughts for a throne.

Obsidian eyes met hers, unreadable and assessing. Men didn't generally pay her much attention except to make an even number in a dance. And now she had a secret nearly-betrothed and a supposed teacher, one who looked like an angel and one a devil, and both with awful reputations. Best to remember that neither of them likely had anything good in mind for her.

Its emptiness is more than the lack of living, breathing beings. It is the unread pages of the many books that reside on the shelves throughout the room I should hot have thought one could tell when books have gone unread, but after the company of Birchwood's well-loved library it is as if I can hear these books whispering, their pages grasping and reaching for an audience.

I'm not good at games, Robert. Don't kiss me unless it's for read. Don't come around unless you mean to stay." "Do you mean marriage?" he asked coolly, his expressive eyebrows lifting. ..."if you're looking for a summer affair, I'm not your woman." His mouth twisted as an unreadable expression crossed his face. "Oh, but you are. You just haven't admitted it to yourself yet.

He is staring at me but his face is still unreadable. “What the fuck?” he growls. “I’m sorry. But he’s like…” “Your hero?” He arches an eyebrow at me. I close my eyes and suck on my lip. God, I really said that. I’m such an idiot. “I only meant as like a dessert-hero,” I whisper. “A dessert-hero?” he rests his chin on his hand as he continues to stare at me. “My mistake. I didn’t realize there was such a thing.” I bite back a laugh. “You know how much I love dessert,” I whisper.

I really did love you,” he said softly. Then he straightened up and his eyes were unreadable. Blank. “But there are some things in this world more important than love. Some things that last longer. Empires. You build something great, something large, something that gets people’s attention, and you’re remembered forever. You love a girl, give her your heart, and you won’t be remembered six years later. Love doesn’t last. But empires do. They go on. And on. And on. Even if just in history books.

Through books we can time travel, play make-believe and even create our own intangible art using the words to paint complex and vivid images in our minds. Your own interpretations of what’s on a page, like snowflakes or fingerprints, will never be the same as someone else’s. And to me, that’s the magic that books hold: Preserved in dried ink, on flattened paper, between two covers, that make up the endless world of possibilities lost in a page of carefully curated characters The unread books that have been staring you in the face for the past five years that you swear you could have read, or books that took you years to read that evolved along with your life; those that were bought for you as gifts or those that you bought yourself as a treat after a testing semester at school. The books that remind you of someone you loved, the books you forgot to return to a friend, or the coffee table books you will likely never read, and be pleasantly surprised by their pages when they are opened for the first time by a visiting friend.

Looking into each other's eyes and speaking together in low tones, it becomes apparent that she hopes you will walk her through her troubles and show her that male-female relations can be lovely even in loveless union. She is looking for lust fulfilled but she searches also for respect, and in this she is out of luck because you do not know her or like her very much and you do not respect yourself and so the most you can offer this girl is time out of her life and an unsatisfactory meeting of bodies and, if the fates are generous, a couple of laughs and good feelings. At any rate there will unquestionably be a divot in your hearts before dawn and Peg seems to pick up on this after thirty minutes of groping and pawing (the car interior is damp with dew) she breaks away and with great exasperation says, "What do you think you're doing?" You are smiling, because it is an utterly stupid and boring question, and you say to her, "I am sitting in an American car, trying to make out in America," a piece of poetry that arouses something in her, and you both climb into the back seat for a meeting even less satisfactory than you feared it might be. Now she is crying and you are shivering and it is time to go home and if you had a watch you would snap your wrist to look meaningfully at it but she dabs at her face and says she wants you to come upstairs and share a special-occasion bottle of very old and expensive wine and as there is no way not to do this you follow her through the dusty lobby and into the lurching, diamond-gated elevator and into her cluttered apartment to scrutinize her furnishings and unread or improperly read paperbacks, and you wonder if there is anything more depressing than the habitats of young people, young and rudderless women in particular.

O May I join the choir invisible Of those immortal dead who live again In minds made better by their presence: live In pulses stirr’d to generosity, In deeds of daring rectitude, in scorn For miserable aims that end with self, In thoughts sublime that pierce the night like stars, And with their mild persistence urge man’s search To vaster issues. So to live is heaven: To make undying music in the world, Breathing as beauteous order that controls With growing sway the growing life of man. So we inherit that sweet purity For which we struggled, fail’d, and agoniz’d With widening retrospect that bred despair. Rebellious flesh that would not be subdued, A vicious parent shaming still its child, Poor anxious penitence, is quick dissolv’d; Its discords, quench’d by meeting harmonies, Die in the large and charitable air. And all our rarer, better, truer self, That sobb’d religiously in yearning song, That watch’d to ease the burthen of the world, Laboriously tracing what must be, And what may yet be better,—saw within A worthier image for the sanctuary, And shap’d it forth before the multitude, Divinely human, raising worship so To higher reverence more mix’d with love,— That better self shall live till human Time Shall fold its eyelids, and the human sky Be gather’d like a scroll within the tomb Unread forever. This is life to come, Which martyr’d men have made more glorious For us who strive to follow. May I reach That purest heaven, be to other souls The cup of strength in some great agony, Enkindle generous ardor, feed pure love, Beget the smiles that have no cruelty, Be the sweet presence of a good diffus’d, And in diffusion ever more intense! So shall I join the choir invisible Whose music is the gladness of the world.

In the 1930s one of Jung’s students, Joseph Wheelwright, asked him about the split from Freud, and in 1991 Wheelwright recounted Jung’s reply: He [Jung] sent his book. You know, they give you freebies when you publish a book, and you send them off to your buddies with a little note saying, “I love ya, honey.” So this was in 1913, and Jung sent one of these copies to Freud, and he got it back by return post, and scrawled across the flyleaf was “Resistance to the father. S. Freud.” It was unread . . . And I said, “Well, what did you do?” And he [Jung] said, “I turned to my wife, Emma, who was in the room and said, ‘I feel as though I have been thrown out of my father’s house.

But enslaved people were not uncritical or gullible in their appropriation of the biblical text. John Jea, already quoted as an example of early black reverence for the Scripture, also illustrates the ability of some slaves to distinguish between the reliability of the Bible’s content itself and the unreliable teaching of the Bible in the hands of some white masters. Jea recalls: After our master had been treating us in this cruel manner [severe floggings, sometimes unto death], we were obliged to thank him for the punishment he had been inflicting on us, quoting that Scripture which saith, “Bless the rod, and him that hath appointed it.” But, though he was a professor of religion, he forgot that passage which saith “God is love, and whoso dwelleth in love dwelleth in God, and God in him.” And, again, we are commanded to love our enemies; but it appeared evident that his wretched heart was hardened.8 Jea’s account and others like it teach us that African-American Christians trusted the Bible while they suspected the self-serving motives and Scripture-twisting actions of white preachers and slave owners. It’s fascinating to consider that a highly oral people revered the Scriptures they could not read even while they rejected the oracles of co-opted preachers they could hear. One could say that African-American Christianity began with an unread Bible placed on the center of the church’s ecclesial coffee table.

Princess Caspida, I have nothing but respect and admiration for you. Truly you will be the queen this city needs. But I can’t marry you.” The princess stands still as stone, her face unreadable. “Why not, Prince Rahzad?” “I am sorry,” he replies. “The truth is, I am in love, but not with you.” He turns to me, and my spirit takes flight like a flock of doves, startled and erratic. I cannot move, cannot speak, as he takes my hands in his and looks me earnestly in the eye. He presses the ring into my palm, and the gold feels as if it burns my skin. “This belongs to you, and you alone. I’ve been so blind, Zahra. So caught up in the past that I’ve failed to see what’s happening in front of me. I’ve been such an idiot, I don’t know how I can expect anything from you. But I have to try. I have to tell the truth, and the truth is . . . I love you.

She turned to go back inside the livery stable. The excitement with which she’d entered it less than an hour earlier had been replaced by heavy-hearted dread. She didn’t want to see Jim right now, or even think of him and the ramifications of their impossible relationship. He waited for her only a few yards from the door, leaning against Lady’s stall and scratching her forelock. When Catherine approached, he raised his eyebrows. “Nathan won’t tell.” She pressed a finger to her lips. “We’re safe.” Jim stood there a moment, his expression unreadable. He took a tentative step toward her, pointed to her and himself and twined his fingers together with another questioning tilt of his brows. “I don’t know.” She shook her head. “I don’t know if we’re together or not. I simply don’t know. Please don’t ask me this tonight. I need some time to think.” His gaze was riveted on her lips, then her eyes. He seemed calm, but she noticed tension in his jaw and neck, signs she’d learned to read to tell her when he was upset or angry. She wished she could give him a better answer, could tell him what he wanted to hear, but to say “I love you and want to be with you” would be a lie right now. Her conflicting emotions were tearing her apart. Walking over to him, she tilted her face up and kissed him on the cheek. “I’m sorry,” she whispered near his ear so he couldn’t see her words. “I don’t mean to keep hurting you. I want to love you, but I’m afraid. You don’t understand what a huge thing you’re asking of me.” She stepped back, gave him a small smile, and gestured toward the door. “I have to go now. It’s late. But I’ll try to see you soon.” He nodded, but the hopeful light had gone out of his eyes.

I HAVE ALWAYS BEEN most interested in the question of what makes a house a home. What are the elements that move a house beyond its physical structure and provide the warmth that we all crave? In my fifteen years as a designer, I’ve come to understand that the answer is simple: It is about surrounding ourselves with things we love. (...) And in this case, the beauty comes from the owners’ love of books. Books are beautiful objects in their own right—their bindings and covers—and the space they fill on shelves or stacked on coffee tables in colorful piles add balance and texture to any room. And just like any other part of a home, books require maintenance: They need to be dusted, categorized, rearranged, and maintained. Our relationship with them is dynamic and ever changing. But our connection to them goes beyond the material. In each house we visited, the libraries were the heart of the home, meaningful to the collectors’ lives. In this book, we tried to capture what they brought to the home—the life and spirit books added. Some subjects have working libraries they constantly reference; others fill their shelves with the potential pleasures of the unread. When we visited the homes, many people could find favorite books almost by osmosis, using systems known only to themselves. (...) As we found repeatedly, surrounding yourself with books you love tells the story of your life, your interests, your passions, your values. Your past and your future. Books allow us to escape, and our personal libraries allow us to invent the story of ourselves—and the legacy that we will leave behind. There’s a famous quote attributed to Cicero: “A room without books is like a body without a soul.” If I suspected this before, I know it now. I hope you’ll find as much pleasure in discovering these worlds as we did.

This meant that I went from being the person who responded to everyone all the time, to being a person who doesn’t respond to hardly anyone, at all. At first, it was hard. My text inbox went from typically ten unread messages to over four hundred. I would read letters from readers, and instead of responding with a novel-length letter, I began saving them to a folder and sending out energetic blessings instead. If an email landed in my inbox, I would let it sit sometimes for up to seven days before even opening it. I got to things when I got to things. At first, some people were super annoyed, but after a few years of this practice, people came to understand I don’t respond to things immediately, and sometimes I don’t respond at all. To me, this is the only sane way to live. I’m not chained to my phone or to other people’s expectations of responsiveness. I don’t prove my love by texting back in two minutes.

The idea is to intentionally design a relaxing environment that is off-limits to many of the stresses and distractions that define your waking hours. Begin with aesthetics, making an effort to keep your bedroom neat and attractive. In other words, aim for Southern Living in your private quarters even if the rest of your house looks like Mechanics Weekly. Then begin to work on behaviors, keeping your bedroom off-limits to activities other than sleeping, relaxing, or making love. Nix the stacks of unpaid bills, piles of dirty laundry, collections of unread newspapers, and file folders from the office. By fostering this kind of space, seemingly untouched by the nitty gritty of daily life, you will have created a quiet haven where-by simply stepping inside and closing the door behind you-you can take a mini-vacation from stress. This time can then be used to pray, to relax, or to lavish your undivided romantic attentions on your husband.

Preverbal, love is the smell of a known body, the touch of a recognized hand, the blurred face in a haze of light. Words come, and love sharpens. Love becomes describable, narratable, relatable. Over time, one love comes to lay atop another, a mother’s love, a father’s love, a lover’s love, a friend’s love, an enemy’s love. This promiscuous mixing of feelings and touches, of smiles and cries in the dark, of half-hushed pleasures and heart-cracking pain, of shared unutterable intimacies and guttural expressions, layer in embellished bricolage. One love coats another, like the clear pages of an anatomy textbook, drawing pictures of things we can only ever see in fractions. With the coming of words, love writes and is then overwritten; love is marginalia illegibly scrawled in your own illegible hand. In time, love becomes a dense manuscript, a palimpsest of inscrutable, epic proportions, one love overlaying another, thick and hot and stinking of beds. It’s an unreadable mess.

This may be a bad time,” he says, “but there’s something I want to say to you.” I tense immediately, afraid that he’s going to name some crime of mine that went unacknowledged, or a confession that’s eating away at him, or something equally difficult. His expression is unreadable. “I just want to thank you,” he says, his voice low. “A group of scientists told you that my genes were damaged, that there was something wrong with me--they showed you test results that proved it. And even I started to believe it.” He touches my face, his thumb skimming my cheekbone, and his eyes are on mine, intense and insistent. “You never believed it,” he says. “Not for a second. You always insisted that I was…I don’t know, whole.” I cover his hand with my own. “Well, you are.” “No one has ever told me that before,” he says softly. “It’s what you deserve to hear,” I say firmly, my eyes going cloudy with tears. “That you’re whole, that you’re worth loving, that you’re the best person I’ve ever known.” Just as the last word leaves my mouth, he kisses me.

I’ve something to show you in here,” he murmurs and opens the door. The harsh light of the fluorescents illuminates the impressive motor launch in the dock, bobbing gently on the dark water. There’s a row boat beside it. “Come.” Christian takes my hand and leads me up the wooden stairs. Opening the door at the top, he steps aside to let me in. My mouth drops to the floor. The attic is unrecognizable. The room is filled with flowers... there are flowers everywhere. Someone has created a magical bower of beautiful wild meadow flowers mixed with glowing fairy lights and miniature lanterns that glow soft and pale round the room. My face whips round to meet his, and he’s gazing at me, his expression unreadable. He shrugs. “You wanted hearts and flowers,” he murmurs. I blink at him, not quite believing what I’m seeing. “You have my heart.” And he waves toward the room. “And here are the flowers,” I whisper, completing his sentence. “Christian, it’s lovely.” I can’t think of what else to say. My heart is in my mouth as tears prick my eyes.

You’ve known Bryce for what—a few months? We were friends for five years. So don’t fucking talk about me, my brother, or her as if you know anything about us. You don’t know shit, Umbra Mortis.” “I know you were a dick to her for two years. I watched you stand by while Amelie Ravenscroft tormented her. Grow the fuck up.” Ithan barred his teeth. Hunt barred his own right back. Syrinx hopped to his feet and whined, demanding more food. Hunt couldn’t help his exasperated laugh. “Fine, fine,” he said to the chimera, reaching for the container of kibble. Ithan’s eyes burned him like a brand. Hunt had seen that same take-no-shit face during televised sunball games. “Connor was in love with her for those five years, you know.” The wolf headed over to the couch and plopped onto the cushions. “Five years, and by the end of it, he’d only managed to get her to agree to go on a date with him.” Hunt kept his face unreadable as Syrinx devoured his second—potentially third—breakfast. “So?” Ithan turned on the morning news before propping his feet on the coffee table and interlacing his hands behind his head. “You’re at month five, bro. Good luck to you.

How is my English?” Tatiana asked Alexander in English. “It’s good,” Alexander replied in English. It was late morning. They were walking through the dense deciduous riverbank woods a few kilometers from home, with two buckets for blueberries, and they were supposed to be talking only in English, but Tatiana backtracked and said in Russian, “I’m reading much better than I’m talking, I think. John Stuart Mill is simply unreadable now instead of unintelligible.” Alexander smiled. “That’s a fine distinction.” He yanked up a couple of mushrooms. “Tania, can we eat these?” Taking them out of his hands and throwing them back on the ground, Tatiana said, “Yes. But we will only be able to eat them once.” Alexander laughed. She said, “I have to teach you how to pick mushrooms, Shura. You can’t just rip them out of the ground like that.” “I have to teach you how to speak English, Tania,” said Alexander. In English, Tatiana continued, “This is my new husband, Alexander Barrington.” And in English, Alexander replied with a smile of pleasure on his face, “And this is my young wife, Tatiana Metanova.” He kissed the top of her braided head and in Russian said, “Tatiana, now say the other words I taught you.” She turned the color of a tomato. “No,” she stated firmly, in English. “I am not saying them.” “Please.” “No. Look for blueberries.” Still in English. She saw that Alexander couldn’t have been less interested in blueberries. “What about later? Will you say them later?” he asked. “Not now, not later,” Tatiana replied bravely. But she was not looking at him. Alexander drew her to him. “Later,” he continued in English, “I will insist that you please me by using your English-speaking tongue in bed with me.” Struggling slightly against him, Tatiana said in English, “It is good I am not understand what you say to me.” “I will show you what I mean,” said Alexander, putting down his bucket. “Later, later,” she acquiesced. “Now, pick up your backet. Collect blueberries.” “All right,” he said in English, not letting go of her. “And it’s bucket. Come on, Tania. Say the other words.” He held her. “Your shyness is an aphrodisiac to me. Say them.” Tatiana, breathless inside and out, said, “All right,” in English. “Pick up your bucket. Let us go house. I will practice love with you.” Alexander laughed. “Make love to you, Tania. Make love to you.

He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.

Suddenly, he wanted some credit for it. He wanted someone to thank him for not crapping on the institution of love. He wanted someone to thank him for not being yet another dilettante. He wanted someone to thank him for quitting poetry. He wanted some great poet to thank him for quitting poetry instead of desecrating it with his amateurishness. He wanted some unborn child to thank him for not conceiving her and not leaving her a hope chest full of mawkish villanelles. He wanted some sort of organization of martyrs to give him an award. He wanted to be decorated for not putting up a fuss. He wanted to be the president of forgettable people. He wanted there to be a competition for the least competitive person, and he wanted to win that competition. He wanted some sort of badge or outfit or medal or key or hat. He wanted to be asked to stand. He wanted to be considered. He wanted to be considered in earnest before being ignored. He wanted all the insane and beautiful and passionate people in the world to take one moment of silence in gratitude for the ones who had ceded them the stage-- he, the unread poet, the sacrifice, the schoolteacher-- he wanted one goddamned moment of appreciation.

Rollo cleared his throat. “If you will excuse me, Princess Gwendafyn, Her Majesty Queen Luciee has some questions for you.” “I’ll translate for her,” Benjimir said in Elvish. “No,” Queen Luciee said in Calnoric, her voice encased in ice. “….don’t trust you…change words.” “Rollo, did the queen just imply Benjimir might not tell her the truth?” Gwendafyn murmured. “Um…yes,” the translator said. A muscle in Gwendafyn’s eyebrow jumped in irritation. “I see.” It’s a shame Queen Luciee was not bonded to Aunt Lorius. I’m certain they would get along splendidly. No, she is worse than my aunt. At least Aunt Lorius believes in what she presses upon me. Queen Luciee enjoys crushing the spirit of others. Gwendafyn had not missed the way the queen had shot down Princess Claire… “….Unnecessary, Luciee,” King Petyrr said. “Benjimir and Gwendafyn married….love each other,” he said. Queen Luciee narrowed her eyes. “I’ve thought…suspicious…an elf could love Benjimir.” Benjimir stiffened next to her, the expression on his face unreadable. In that moment, Gwendafyn wished she could wipe the smug look off the queen’s face. She knows Benjimir loves Yvrea—she must have been informed of it when he was sent into exile. How could she say such a hurtful thing to him when she is his mother? Anger rolled off Gwendafyn in waves. It was only years of experience in shoving her rage down that kept her from glaring. Instead, she fixed an unconcerned smile on her lips. Rollo cleared his throat. “Queen Luciee wishes to ask if it is true you sing a ballad to Prince Benjimir after lunch every day.” Benjimir squeezed her hand, but Gwendafyn ignored it and made a show of widening her eyes and fluttering them. I have no idea what she’s talking about, but I’m not going to let her try and make Benjimir look like an idiot. “Of course,” she said in Calnoric. When she glanced from Queen Luciee to King Petyrr she saw their look of confusion. Bother the grunts of Calnoric! They are so hard to achieve. I must be mangling this. “Rollo, could you tell them I said of course?” Rollo nodded. “Yes, Princess Gwendafyn.” He addressed the royal family across the table in flawless Calnoric. “In fact,” Gwendafyn continued in Elvish. “It is one of the most enjoyable parts of my day. We laugh—and once he even cried over a tragic ballad, though he will deny it—and enjoy each other’s company. I love spending time with Ben.” Benjimir twitched at the as-of-yet-unused nickname, but he managed to stare adoringly at her. Yvrea placed a hand over her heart. “How touching! I know you do not normally like to sing for others, sister. It is a testament to your love for Benji,” Yvrea said. “Yes,

Religious people, the “people of God,” the people of the impossible, impassioned by a love that leaves them restless and unhinged, panting like the deer for running streams, as the psalmist says (Ps. 42:1), are impossible people. In every sense of the word. If, on any given day, you go into the worst neighborhoods of the inner cities of most large urban centers, the people you will find there serving the poor and needy, expending their lives and considerable talents attending to the least among us, will almost certainly be religious people — evangelicals and Pentecostalists, social workers with deeply held religious convictions, Christian, Jewish, and Islamic, men and women, priests and nuns, black and white. They are the better angels of our nature. They are down in the trenches, out on the streets, serving the widow, the orphan, and the stranger, while the critics of religion are sleeping in on Sunday mornings. That is because religious people are lovers; they love God, with whom all things are possible. They are hyper-realists, in love with the impossible, and they will not rest until the impossible happens, which is impossible, so they get very little rest. The philosophers, on the other hand, happen to be away that weekend, staying in a nice hotel, reading unreadable papers on “the other” at each other, which they pass off as their way of serving the wretched of the earth. Then, after proclaiming the death of God, they jet back to their tenured jobs, unless they happen to be on sabbatical leave and are spending the year in Paris.

You may find this hard to believe, Mr. Pinter," she went on defensively, "but some men enjoy my company. They consider me easy to talk to." A ghost of a smile touched his handsome face. "You're right. I do find that hard to believe." Arrogant wretch. "All the same, there are three men who might consider marrying me, and I could use your help in securing them." She hated having to ask him for that, but he was necessary to her plan. She just needed one good offer of marriage, one impressive offer that would show Gran she was capable of gaining a decent husband. Gran didn't believe she could, or she wouldn't be holding to that blasted ultimatum. If Celia could prove her wrong, Gran might allow her to choose a husband in her own good time. And if that plan didn't work, Celia would at least have a man she could marry to fulfill Gran's terms. "So you've finally decided to meet Mrs. Plumtree's demands," he said, his expression unreadable. She wasn't about to let him in on her secret plan. Oliver might have employed him, but she was sure Mr. Pinter also spied for Gran. He would run right off and tell her. "It's not as if I have a choice." Bitterness crept into her tone. "In less than two months, if I remain unmarried, my siblings will be cut off. I can't do that to them, no matter how much I resent Gran's meddling." Something that looked oddly like sympathy flickered in his gaze. "Don't you want to marry?" "Of course I want to marry. Doesn't every woman?" "You've shown little interest in it before," he said skeptically. That's because men had shown little interest in her. Oh, Gab's friends loved to stand about with her at balls and discuss the latest developments in cartridges, but they rarely asked her to dance, and if they did, it was only to consult her on rifles. She'd tried flirting, but she was terrible at it. It seemed so...false. So did men's compliments, the few that there were. It was easier to laugh them off than to figure out which ones were genuine, easier to pretend to be one of the lads. She secretly wished she could find a man she could love, who would ignore the scandals attached to he family's name and indulge her hobby of target shooting. One who could shoot as well as she, since she could never respect a man who couldn't hit what he aimed at. I'll bet Mr. Pinter knows his way around a rifle.

Then I’ll sing, though that will likely have the child holding his ears and you running from the room.” This, incongruously, had her lips quirking up. “My father isn’t very musical. You hold the baby, I’ll sing.” She took the rocking chair by the hearth. Vim settled the child in his arms and started blowing out candles as he paced the room. “He shall feed his flock, like a shepherd…” More Handel, the lilting, lyrical contralto portion of the aria, a sweet, comforting melody if ever one had been written. And the baby was comforted, sighing in Vim’s arms and going still. Not deathly still, just exhausted still. Sophie sang on, her voice unbearably lovely. “And He shall gather the lambs in his arm… and gently lead those that are with young.” Vim liked music, he enjoyed it a great deal in fact—he just wasn’t any good at making it. Sophie was damned good. She had superb control, managing to sing quietly even as she shifted to the soprano verse, her voice lifting gently into the higher register. By the second time through, Vim’s eyes were heavy and his steps lagging. “He’s asleep,” he whispered as the last notes died away. “And my God, you can sing, Sophie Windham.” “I had good teachers.” She’d sung some of the tension and worry out too, if her more peaceful expression was any guide. “If you want to go back to your room, I can take him now.” He didn’t want to leave. He didn’t want to leave her alone with the fussy baby; he didn’t want to go back to his big, cold bed down the dark, cold hallway. “Go to bed, Sophie. I’ll stay for a while.” She frowned then went to the window and parted the curtain slightly. “I think it’s stopped snowing, but there is such a wind it’s hard to tell.” He didn’t dare join her at the window for fear a chilly draft might wake the child. “Come away from there, Sophie, and why haven’t you any socks or slippers on your feet?” She glanced down at her bare feet and wiggled long, elegant toes. “I forgot. Kit started crying, and I was out of bed before I quite woke up.” They shared a look, one likely common to parents of infants the world over. “My Lord Baby has a loyal and devoted court,” Vim said. “Get into bed before your toes freeze off.” She gave him a particularly unreadable perusal but climbed into her bed and did not draw the curtains. “Vim?” “Hmm?” He took the rocker, the lyrical triple meter of the aria still in his head. “Thank you.” He

Remember what I said. There's always a lot of autobiography in fiction and fiction in autobiography. It has to be that way otherwise they'd be unreadable (except by the author).

Of the two thousand original copies printed of The History of Love, some were bought and read, many were bought and not read, some were given as gifts, some sat fading in bookstore windows serving as landing docks for flies, some were marked up with pencil, and a good many were shredded to pulp along with other unread or unwanted books, their sentences parsed and minced in the machine's spinning blades.

I love you silly 'holy' book. Here's hoping everybody un-reads it.

It’s not really such a bad place,” she says, looking around the room. She’s moved on to dessert. “They know how to make a decent rice pudding.” My hand shakes a little when I pour creamer into her coffee. If I got on a plane tonight I could be in Rome in time for dinner tomorrow. Homemade pasta, fresh tomatoes and basil. Real Parmesan cheese, not the kind that comes in packets. And wine—maybe something I haven’t tasted before, a grape varietal I don’t yet know. It would be nothing like here. A break from this place. From Mom. I want to get home and e-mail Paul. I will be there. I am coming. I feel her eyes on me as I pack up my things. “You should dye your hair before you leave,” she says finally. “See if the salon can fit you in this week.” “That’s a good idea.” I kiss her goodbye. “I bet Hannah is gorgeous, she’ll look just like Emily did at that age. Beautiful, but not the brightest bulb. It’s good you’re going. You’ll have to send me pictures.” She surveys my face. I try to keep it blank, unreadable. “Use my brightening mask when you get home. It’ll clear up whatever’s happening on your chin.” “I will.” I shift my purse full of papers and snacks and bottled water from one shoulder to the other. “I love you, see you tomorrow.

Damn Princess. You look …” He cleared his throat and finally met my eyes, “wow.” I blushed fiercely and crossed my arms over my chest. “I was uh, just coming to get more towels.” He reached into the closet and pulled out a few. Dropping all but one on the floor next to me, he shook out the one still in his hand and wrapped it around my shoulders. “How are you?” He brushed his fingers across my cheek and down my neck causing me to stifle a moan. “Huh?” Chase chuckled against my neck and lightly pressed his lips to my throat. “That good, huh?” I blinked a few times and pushed away from him, ignoring that smirk I loved so much, “Why do you keep doing this to me?” “What do you mean?” He went to wrap his arms around me, but I stepped out of his reach. “This!” I pointed to an outstretched arm, “You can’t keep doing this. I’m with Brandon now, you have to stop.” His face fell into an unreadable mask and he dropped his arms to his side. “No more notes, no more touches, no more putting your lips on me. This isn’t fair to me. Do you have any idea how crazy you’re making me?” Okay, maybe I shouldn’t have asked that, his eyes lit up and that stupid smirk was back. “Really now?” “Chase I’m serious, this has to stop.” “Give me one good reason why I should.” I huffed and wrapped the towel tighter around me, “I told you, I’m with Brandon now.” “I said a good reason Princess.” He deadpanned. “That’s a perfectly good reason! And it’s the only one you’re going to get.” I bent down and picked up the towels, when I stood back up he was right in front of me. “Harper.” “No Chase,” I shut my eyes so I wouldn’t get distracted again, “Please just – just don’t. I really like Brandon. Besides, you have plenty of girls who are fine with being treated like shit by you, I’m not one of them. Go find another brainless bimbo to screw and get out of your system.” I heard his sharp intake of breath, but kept my eyes closed until I was on my way back outside.

He was silent for a little while. Then he asked, “Tell me about Nikolaos.” I shrugged. “She’s a sadistic monster, and she’s over a thousand years old.” “I look forward to meeting her.” “Don’t,” I said. “We’ve killed master vampires before, Anita. She’s just one more.” “No. Nikolaos is at least a thousand years old. I don’t think I’ve ever been so frightened of anything in my life.” He was silent, face unreadable. “What are you thinking?” I asked. “That I love a challenge.” Then he smiled, a beautiful, spreading smile. Shit. Death had seen his ultimate goal. The biggest catch of all. He wasn’t afraid of her, and he should have been.   T

For what a man loves, that that man is. What a man chooses out of a hundred offers, you are sure by that who and what that man is. And accordingly, put the New Testament in any man’s hand, and set the Throne of Grace wide open before any man; and you need no omniscience to tell you that man’s true value. If he lets his Bible lie unopened and unread: if he lets God’s Throne of Grace stand till death, idle and unwanted: if the depth and the height, the nobleness and the magnificence, the goodness and the beauty of divine things have no command over him, and no attraction to him—then, you do not wish me to put words upon the meanness of that man’s mind. Look yourselves at what he has chosen: look and weep at what he has neglected, and has for ever lost!

You hate lying to me,” murmured Jon. “Yet, you fucking do it anyway.” He watched something flit across the big man’s features, the first mate still frustratingly unreadable when he wanted to be. “Not my secrets to tell, love,” said Tom softly. “I ain’t really lyin’… ” The hard muscles in Tom’s jaw moved under his short stubble as his eyes lost a little focus. “Like Da said: patience. Have a little patience and… I’ll straighten him out for ye.

He opened his eyes and saw that Baltsaros was staring intently at them, unmoving. What was the captain feeling about all of this? Tom’s hands had snaked down to the front of Jon’s pants, and all thought left his head as he felt the buttons come loose. After a moment, Tom dropped to his knees in front of Jon; he then gently, almost reverently, peeled Jon’s pants down, looking up at him with naked hunger as he did so. “Good boy,” said Baltsaros. The captain’s eyes were dark and unreadable, but the hand curled over the front of his pants betrayed the desire he was feeling. Jon’s breath heaved in his chest, and he stepped out of his boots as Tom tugged at them. He was now stark naked in front of Tom who remained on his knees, gazing up at him. Jon could see the bigger man’s pulse jumping in the veins at his neck, but he frowned in confusion when Tom made no other move. He realized with a start that Tom was waiting for Baltsaros’s next command. Jon reached out and touched the top of Tom’s head, running his fingers softly through the short, sandy-blond strands. “Do you want him to suck your cock?” asked Baltsaros, almost conversationally. The question made Jon feel like he had just stepped off a cliff. He gulped and closed his eyes, nodding quickly. “Tom, please use that talented mouth on Jon. However, let’s not let him peak too soon, shall we?” said Baltsaros.

Because I love you, you idiot!’ The sentence hangs in the air. It’s taken us both by surprise. We blink at each other, take a breath. I feel the flush climb my neck, check that I mean it. I do. Not just for who he’s been for the past two weeks, but for our friendship before that. Before we screwed everything up. ‘No you don’t,’ Rafa says. But the guilt and frustration are gone, replaced by something more fragile. ‘Don’t tell me what I do and don’t feel, Rafa.’ He watches me, unreadable. The seconds stretch out. ‘Then say it again.’ I look him the eye. They’re difficult words because they strip me bare. ‘I love you. You idiot.’ Rafa doesn’t speak and I can’t tell what he’s thinking. This quiet intensity is something new. I close the distance until I’m standing between his legs. I don’t touch him. ‘That’s not easy for me to say.’ ‘Because it’s me?’ ‘Because I’ve never said it before, and because I mean it. Rafa, the way I felt about you a few hours ago . . . that hasn’t changed. If I’d told you then, would you have believed it?’ His eyes soften at the memory. ‘Then believe it now.’ I press my hand to his chest, feel his heart thump against my palm through his t-shirt. ‘Do you want to add anything, or am I out on this limb alone?’ He guides me closer, his fingers light on my hips. ‘How I feel about you scares the hell out of me. I’ve got no counter-moves. No defence. And now you remember everything, I’ve lost the upper hand.’ ‘You had the upper hand?’ A short laugh. ‘Apparently not.

He stares straight ahead as the doors close, then says quietly, under his breath: “Yes.” “Yes what?” I whisper. He glances down at me, his expression unreadable. “Yes, perfectly ridiculous.” I can’t help the smile.

It is the disease of youth to mistake speed for strategy. Gravel mixed with honey: the perfect tone for delivering lies and ultimatums. Poverty doesn't bring men dignity. On the contrary it encourages envy and crime. A diplomat's face must be as unreadable as his mind. Kingdoms fall through luxury. Cities rise through virtue. No diplomat worth his salt should say everything that he is thinking. For all the bombast and hyperbole about the wonders of Rome, It was Valencia that had made Rodrigo Borgia what he is: a churchman in love with women, wealth, orange blossom and the taste of sardines. Dreams are what men use to comfort themselves when they cannot get what they want. It is my conjecture that the great men of history did without sleep.

My books have never let me down, ever since my childhood, I have known. More the unread books, I began to own, those read ones, became harder to disown.

My books have never let me down, ever since my childhood, I have known. More the unread books, I began to own, those read ones, became harder to disown.

My books have never let me down, ever since my childhood, I have known. More the unread books I began to own, those read ones, became harder to disown.

Viv didn’t press and was rewarded for her patience when the woman continued. “Books are a way we leave a mark on the world, aren’t they? They say we were here, we loved and we grieved and we laughed and we made mistakes and we existed. They can be burned halfway across the world, but the words cannot be unread, the stories cannot be untold. They do live on in this library, but more importantly they are immortalized in anyone who has read them.

And before Mateo could say another word, I pressed my lips to his, holding that soft mouth for two aching heartbeats before I pulled away. He stared at me, his face unreadable. “I’m done waiting for you to see me.” I flew from the bar. I ran. And as I raced down Quincy’s sidewalks, I put my love for Mateo away. I shoved it in that locked box. And buried it down deep.

One book? One book? Now you’re being absurd. What if I finish it? Or what if I find it impossibly dull, what then? What am I supposed to read if I either complete the book I brought or I otherwise discover it to be unreadable? Or what if it no longer holds my attention? Someone could spill tea on it. There. Think of that. Someone could spill tea on my one book, and then I would be marooned. Honestly, Iona, you must use your head.

An unread book is a terrible thing.

Books are a way we leave a mark on the world, aren't they? They say we were here, we loved and we grieved and we laughed and we made mistakes and we existed. They can be burned halfway across the world, but the words cannot be unread. They do live on in this library, but more importantly they are immortalized in anyone who has read them.

Will he go to war Over me?' He knew who I meant. The hot temper that had been on Rhys's face moments before turned to lethal calm. 'I don't know.' 'I- I would go back. If it came to that, Rhysand. I'd go back, rather than make you fight.' He slid a still-wet hand into his pocket. 'Would you want to go back? Would going to war on your behalf make you love him again? Would that be a grand gesture to win you?' I swallowed hard. 'I'm tired of death. I wouldn't want to see anyone else die- least of all for me.' 'That doesn't answer my question.' 'No, I wouldn't want to go back. But I would. Pain and killing wouldn't win me.' Rhys stared at me for a moment longer, his face unreadable, before he strode to the door. He stopped with his fingers on the sea urchin-shaped handle. 'He locked you up because he knew- the bastard knew what a treasure you are. That you are worth more than land or gold or jewels. He knew, and wanted to keep you all to himself.' The words hit me, even as they soothed some jagged piece in my soul. 'He did- does love me, Rhysand.' 'The issue isn't whether he loved you, it's how much. Too much. Love can be a poison.' And then he was gone.

coughed. Granny, you know I love Meg very much, and I’ve decided that I would like to ask her to marry me, and I’ve been told that, er, that I have to ask your permission before I can propose. You have to? Um. Well, yes, that’s what your staff tell me, and my staff as well. That I have to ask your permission. I stood completely still, as motionless as the birds in my hands. I stared at her face but it was unreadable. At last she replied: Well, then, I suppose I have to say yes. I squinted. You feel you have to say yes? Does that mean you are saying yes? But that you want to say no? I didn’t get it. Was she being sarcastic? Ironic? Deliberately cryptic? Was she indulging in a bit of wordplay? I’d never known Granny to do any wordplay, and this would be a surpassingly bizarre moment (not to mention wildly inconvenient) for her to start, but maybe she just saw the chance to play off my unfortunate use of the word “have” and couldn’t resist? Or else, perhaps there was some hidden meaning beneath the wordplay, some message I wasn’t comprehending? I stood there squinting, smiling, asking myself over and over: What is the Queen of England saying to me right now? At long last I realized: She’s saying yes, you muppet! She’s granting permission. Who cares how she words it, just know when to take yes for an answer. So I sputtered: Right. OK, Granny! Well. Fabulous. Thank you! Thank you so much. I wanted to hug her. I longed to hug her. I didn’t hug her. I saw her into the Range Rover, then marched back to Pa and Willy.

I was reading in anticipation of a similar telegram, with dishwater co ee served before me. I hallucinated about the telegram lying unread at my table. I conjured up and feared my absence from my mother’s funeral. When a loved one is incommunicado, ction takes over our lives and here I was, shunting so frequently between past and present, I seemed to be exhuming my future from it. ‘A book is a suicide postponed,’ the philosopher Emil Cioran once said. Reading books (including the depressing ones) has helped me postpone mine.

S and F-ed?” “It stands for sucked and fucked.” I coughed. “I know it doesn’t sound nice but it’s a whole hell of a lot nicer than describing what his victims looked like when he was finished with them.” “Ah, yes…” Corbin sighed wearily. “The lovely sights you get to see at your job.” I shrugged again. “It’s part of my work.” He crossed his arms over his broad chest and frowned. “A part which keeps you under the impression that all vampires are like the one you executed today.” “Well, aren’t they?” I challenged him. “At least, inside, where it counts?” Corbin looked at me steadily for a long moment, his silver-blue eyes unreadable. I stared back, unwilling to back down. At last, long after the silence had gone past uncomfortable and entered the realm of downright painful, he spoke. “Please tell me you do not really believe that, Addison,” he said quietly. “If that is truly how you view my kind then I have no chance of winning your heart.” His words stirred something inside me, a flutter in my stomach, a flush in my cheeks… I didn’t know what it was exactly but for some reason I couldn’t look at him. “Addison?” he said softly. “Stop screwing around, Corbin,” I said roughly. “This… this thing between us is a business deal and that’s all. You know it and I know it. I’m just here to be your arm candy until that sick bastard Roderick is gone. After that, our deal is done.” “Yes, so you keep reminding me.

Would you rather set up our child for war from the instant it’s born? If the serpiente reject our child for their throne, then you still have Salem as your heir. If my people reject it, there will be no Tuuli Thea after me.” I stepped back from her, horror seeping into my blood. My gaze flickered to the others in the room. Ailbhe’s pale blue eyes would not meet mine. Rei’s did, but then he looked away. Valene was watching Danica, her expression unreadable. My mate was the only one who would meet my gaze, her golden eyes pained. “Out,” I said, speaking to our audience. They looked at one another, hesitating. Valene first deferred, followed by Rei. Ailbhe lingered a moment longer, and I was not sure whether he did from guilt or compassion. Then we were alone, and I took Danica’s hands. “Danica, do you know what you are asking of me? Giving up my child to the Keep, to be raised by strangers, to sleep in lonely silence, to be taught to be ashamed of what she feels and what she is…and to be betrothed before she can even speak, before she can possibly understand love.” Danica closed her eyes for a moment, taking a breath. “I will never have a mate but you. I love you. And yes, I will have an heir. But you are talking about taking away my child.” “What else can we do?” she returned. “Zane, I was raised in the Keep; it is not as horrible as you think. And you would still see her--” She broke off, because she knew as well as I that the heir to the Tuuli Thea saw her parents only in formal situations. She shook her head. “Please…Zane, is there another way? Anything else that will keep our firstborn child from coming into the world only to see her land ripped apart by war?” Silence. “It will be months before the child is born,” I whispered, pleading not only with Danica, but with whatever powers might be. “We don’t have to make this decision, not yet.” Danica nodded, but still she said, “One queen cannot rule two worlds, even if she is of both.

BUNAHAN When the last speaker of Boro falls silent, who will notice the first-grown feather of a bird’s wing? (gansuthi) or feel how far pretending to love (onsay) is from loving for the last time (onsra)? Quiet and uneasy, in an unfamiliar place (asusu) no one sees her, or listens; there is less of her than there was. The last speaker feels Boro’s world fall apart, knowledge unravels: healing plants go unseen; the bodies of animals are unreadable. With a last thought, onguboy (to love it all, from the heart), she leaves fragments of the world she held in place. We touch their husks, about to speak and about not to speak (bunhan, bunahan); awash in loss, incomplete. Note: The italicized words are from Boro, an endangered language still spoken in parts of northern India. For more on this story, see Mark Abley’s Spoken Here: Travels Among Threatened Languages.

You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. ▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. ▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ ◀ ◁▶ ▷ She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. 카톡【ACD5】텔레【KKD55】 ♡♡♡우선 클릭해 주셔셔 정말 감사합니다 ♡♡♡ 신용과 신뢰의 거래로 많은VIP고객님들 모시고 싶은것이저희쪽 경영 목표입니다 믿음과 신뢰의 거래로 신용성있는 비즈니스 진행하고있습니다 비즈니스는 첫째로 신용,신뢰 입니다 믿고 주문하시는것만큼 저희는 확실한제품으로 모시겠습니다 믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다. 24시간 문의상담과 서울 경기지방은 퀵으로도 가능합니다 믿고 주문하시면좋은인연으로 vip고객님으로 모시겠습니다. 원하시는제품있으시면 추천상으로 구입문의 도와드릴수있습니다 ☆100%정품보장 ☆총알배송 ☆투명한 가격 ☆편한 상담 ☆끝내주는 서비스 ☆고객님 정보 보호 ☆깔끔한 거래 참고로 저희는 고객님들과 저희들의 안전을 첫째로 모든거래 진행하고있습니다, 돈도 돈이지만 안전을 기본으로 한분의 고객님이라도 저희쪽 단골분으로 모셔셔 그분들과 안전하고 깔끔한 장기간 거래원하는 업체입니다 ▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼ ◀경영항목▶ 수면제,낙태약,여성최음제,ghb물뽕,여성흥분제,남성발기부전치유제,비아그라,시알리스,88정,드래곤,99정,바오메이,정력제,남성성기확대제,카마그라젤,비닉스,센돔,꽃물,남성조루제,네노마정 등많은제품 판매중입니다 ▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼ You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.

A navigational beacon in Katz's black Levi's, a long-dormant transmitter buried by a more advanced civilization, was sparking back to life. Where he ought to have felt guilty, he instead was getting hard. Oh, the clairvoyance of the dick: it could see the future in a heartbeat, leaving the brain to play catch-up and find the necessary route from occluded present to preordained outcome. Katz could see that Patty, in the seemingly random life-meanderings that Walter had just described to him, had in fact deliberately been trampling symbols in a cornfield, spelling out a message unreadable to Walter at ground level but clear as could be to Katz at great height: IT'S NOT OVER, IT'S NOT OVER.

Yes," she said simply, waiting for him. And she held out her hands to him. They trembled slightly; she couldn't help it. He could turn his back on her, walk away, and there'd be nothing she could do. All she could do was offer herself, and wait. The mask closed down over his face once more, and she felt despair and sorrow fill her. The pain, the need, were gone. Instead he looked at her from unreadable eyes, and his thin mouth curved in a mocking smile. "So be it," he murmured. "Far be it from me to deny a lady pleasure." She dropped her hands , as if they burned but it was too late. He caught them, his long, strong white fingers wrapping around them. "It will be pleasure, you know," he continued, his voice low and mesmerizing.

page. I knew Alice was a sly one right from the start, Marigold had written rather unkindly. It looks as though she will be the first of us to get married – bags I be her bridesmaid – though I don’t know whether Tom’s actually popped the question yet. Did you think I was head over heels in love with him, like you? Because if so . . . Damn her eyes, Maddy thought furiously. How dare she insinuate I was ever in love with Tom Browning, or anyone else for that matter! Oh, how typical of Marigold to assume that everyone else feels just as she does. I could wring her neck! She screwed the letter up into a ball and guessed she was probably red in the face from sheer indignation, for half the occupants of the cookhouse were staring at her and the other half regarding her screwed-up letter with more than usual interest. She told herself not to be an idiot and carefully unravelled the crumpled pages, quickly scanning the rest of the unread sheet. Nothing of interest here, except that Marigold asked if Maddy knew that

Mac wiped away the tears on her face. Then she took a deep breath, lifted her chin, and told him the truth. “I love you.” She held her breath, waiting for him to say something. And waited…and waited…and waited. But Gage just stood there still as a statue, his face unreadable. “Um, Sarg. I’m not real familiar with this part, but I think you’re supposed to say something,” Cooper said softly.