β
I only went out for a walk and finally concluded to stay out till sundown, for going out, I found, was really going in.
β
β
John Muir (John of the Mountains: The Unpublished Journals of John Muir)
β
Nothing stinks like a pile of unpublished writing.
β
β
Sylvia Plath
β
This grand show is eternal. It is always sunrise somewhere; the dew is never all dried at once; a shower is forever falling; vapor is ever rising. Eternal sunrise, eternal sunset, eternal dawn and gloaming, on sea and continents and islands, each in its turn, as the round earth rolls.
β
β
John Muir (John of the Mountains: The Unpublished Journals of John Muir)
β
Most people are on the world, not in it β have no conscious sympathy or relationship to anything about them β undiffused, separate, and rigidly alone like marbles of polished stone, touching but separate.
β
β
John Muir (John of the Mountains: The Unpublished Journals of John Muir)
β
I have advice for people who want to write. I don't care whether they're 5 or 500. There are three things that are important: First, if you want to write, you need to keep an honest, unpublishable journal that nobody reads, nobody but you. Where you just put down what you think about life, what you think about things, what you think is fair and what you think is unfair. And second, you need to read. You can't be a writer if you're not a reader. It's the great writers who teach us how to write. The third thing is to write. Just write a little bit every day. Even if it's for only half an hour β write, write, write.
β
β
Madeleine L'Engle
β
I have almost completed a long novel, but it is unpublishable until my death and England's.
β
β
E.M. Forster
β
Lord Grantham: βMy dear fellow. We all have chapters we would rather keep unpublished.
β
β
Jessica Fellowes (The World of Downton Abbey)
β
It is a pity that there are no big creatures to prey on humanity. If there were enough dragons and rocs, perhaps mankind would turn its might against them. Unfortunately man is preyed upon by microbes, which are too small to be appreciated.
β
β
T.H. White (The Book of Merlyn: The Unpublished Conclusion to The Once & Future King)
β
Regular maps have few surprises: their contour lines reveal where the Andes are, and are reasonably clear. More precious, though, are the unpublished maps we make ourselves, of our city, our place, our daily world, our life; those maps of our private world we use every day; here I was happy, in that place I left my coat behind after a party, that is where I met my love; I cried there once, I was heartsore; but felt better round the corner once I saw the hills of Fife across the Forth, things of that sort, our personal memories, that make the private tapestry of our lives.
β
β
Alexander McCall Smith (Love Over Scotland (44 Scotland Street, #3))
β
Everyone has the right to make his own decisions, but none has the right to force his decision on others.
β
β
Ayn Rand (The Early Ayn Rand: A Selection from Her Unpublished Fiction (The Ayn Rand Library, Vol. 2))
β
We all have chapters we would prefer unpublished.
β
β
Julian Fellowes
β
If a man could pass through Paradise in a dream, and have a flower presented to him as a pledge that his soul had really been there, and if he found that flower in his hand when he awoke - Aye! and what then?
β
β
Samuel Taylor Coleridge (Anima Poetae from the Unpublished Note-Books of Samuel Taylor Coleridge)
β
being sick feels like you're wearing someone else's glasses
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
We need more true mystery in our lives Hem- he said. The completely unambitious writer and the really good unpublished poem are the things we lack most. There is of course the problem of sustenance
β
β
Ernest Hemingway (A Moveable Feast)
β
The perfect life, the perfect lie, I realised after Christmas, is one which prevents you from doing that which you would ideally have done (painted, say, or written unpublishable poetry) but which, in fact, you have no wish to do. People need to feel that they have been thwarted by circumstances from pursuing the life which, had they led it, they would not have wanted; whereas the life they really want is precisely a compound of all those thwarting circumstances.
β
β
Geoff Dyer
β
My national resources consist of two joints of marijuana millions of genitals an unpublishable private literature that goes 1400 miles an hour and twenty-five-thousand mental institutions.
β
β
Allen Ginsberg (Howl and Other Poems)
β
Very few authors, especially the unpublished, can resist an invitation to read aloud.
β
β
Truman Capote (Breakfast at Tiffanyβs and Three Stories)
β
My mouth is a fire escape.
The words coming out
don't care that they are naked.
There is something burning in here.
When it burns I hold my own shell to my ear,
listen for the parade from when I was seven,
when the man who played the bagpipes
wore a skirt.
He was from Scotland.
I wanted to move there.
Wanted my spine to be the spine
of an unpublished book,
my faith the first and last page.
The day my ribcage became monkey bars
for a girl hanging on my every word
they said, "You are not allowed to love her."
Tried to take me by the throat
to teach me, "You are not a boy."
I had to unlearn their prison speak,
refusing to make wishes on the star
on the sheriff's chest.
I started taking to the stars in the sky instead.
I said, "Tell me about the big bang."
The stars said, "It hurts to become.
β
β
Andrea Gibson (The Madness Vase)
β
Healthy introspection, without undermining oneself; it is a rare gift to venture into the unexplored depths of the self, without delusions or fictions, but with an uncorrupted gaze.
β
β
Friedrich Nietzsche (Unpublished Writings from the Period of Unfashionable Observations)
β
Write every day. Don't ever stop. If you are unpublished, enjoy the act of writingβand if you are published, keep enjoying the act of writing. Don't become self-satisfied, don't stop moving ahead, growing, making it new. The stakes are high. Why else would we write?
β
β
Rick Bass
β
We find that at present the human race is divided into one wise man, nine knaves, and ninety fools out of every hundred. That is, by an optimistic observer. The nine knaves assemble themselves under the banner of the most knavish among them, and become 'politicians'; the wise man stands out, because he knows himself to be hopelessly outnumbered, and devotes himself to poetry, mathematics, or philosophy; while the ninety fools plod off under the banners of the nine villains, according to fancy, into the labyrinths of chicanery, malice and warfare. It is pleasant to have command, observes Sancho Panza, even over a flock of sheep, and that is why the politicians raise their banners. It is, moreover, the same thing for the sheep whatever the banner. If it is democracy, then the nine knaves will become members of parliament; if fascism, they will become party leaders; if communism, commissars. Nothing will be different, except the name. The fools will be still fools, the knaves still leaders, the results still exploitation. As for the wise man, his lot will be much the same under any ideology. Under democracy he will be encouraged to starve to death in a garret, under fascism he will be put in a concentration camp, under communism he will be liquidated.
β
β
T.H. White (The Book of Merlyn: The Unpublished Conclusion to The Once & Future King)
β
It is not the destiny of Black america to repeat white america's mistakes. But we will, if we mistake the trappings of success in a sick society for the signs of a meaningful life.
β
β
Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
β
Don't die with the music on your tongue unsung!
Don't die with the apps in your mind undesigned!
Don't die with the books in your head unpublished!
Don't die with the sermons in your heart unpreached!
Live well and die well!
β
β
Israelmore Ayivor (Michelangelo | Beethoven | Shakespeare: 15 Things Common to Great Achievers)
β
I find things hidden in books: dried flowers, locks of hair, tickets, labels, receipt, invoices, photographs, postcards, all manner of cards. I find letters, unpublished works by the ordinary, the anguished, the illiterate. Clumsily written or eloquent, they are love letters, everyday letters, secret letters and mundane letters talking about fruit and babies and tennis matches, from people signing themselves as Majorie or Jean....I can't bring myself to dispose of these snippets and snapshots of lives that once meant (or still do mean) so much.
β
β
Louise Walters (Mrs. Sinclair's Suitcase)
β
An as-yet-unpublished poet in Boulder, Colorado, once said to me that anything worth doing was worth doing badly. I may seem, in the foregoing sketchy pages, to have followed her advice rather too well.
β
β
Joanna Russ (How to Suppress Women's Writing)
β
I turned away from him and went on my way, up the street and about my business. The past was dead. The future was resignation, fatality, and could only end one way now. The present was numbness, that could feel nothing. Like Novocaine needled into your heart. What was there in all the dimensions of time for me? ("Life Is Weird Sometimes" first chapter of unpublished novel THE LOSER)
β
β
Cornell Woolrich
β
i think you will be tired of telling
me & my dreams to go to hell
β
β
E.E. Cummings (Etcetera: The Unpublished Poems of E.E. Cummings)
β
Write the unpublishable...and then publish it.
β
β
Denis Johnson
β
The cord that tethers ability to success is both loose and elastic. It is easy to see fine qualities in successful books or to see unpublished manuscripts, inexpensive vodkas, or people struggling in any field as somehow lacking. It is easy to believe that ideas that worked were good ideas, that plans that succeeded were well designed, and that ideas and plans that did not were ill conceived. And it is easy to make heroes out of the most successful and to glance with disdain at the least. But ability does not guarantee achievement, nor is achievement proportional to ability. And so it is important to always keep in mind the other term in the equationβthe role of chanceβ¦What Iβve learned, above all, is to keep marching forward because the best news is that since chance does play a role, one important factor in success is under our control: the number of at bats, the number of chances taken, the number of opportunities seized.
β
β
Leonard Mlodinow (The Drunkard's Walk: How Randomness Rules Our Lives)
β
In the struggle between yourself
and the world, second the world.
(Im Kampf zwischen Dir
und der Welt, sekundiere der Welt)
β
β
Franz Kafka (The ZΓΌrau Aphorisms)
β
What happens when you narrow your definition to what is convenient, or what is fashionable, or what is expected, is dishonesty by silence.
β
β
Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
β
Write, even if you have a twinge, a doubt, a fear, a block, a noisy neighbor, a sick cat, thirteen unpublished stories, and a painful boil.
β
β
Eric Maisel (A Writer's Paris)
β
To those who know the speech of hills and rivers straightening a stream is like shipping vagrantsβa very successful method of passing trouble from one place to the next. It solves nothing in any collective sense.
β
β
Aldo Leopold (For the Health of the Land: Previously Unpublished Essays And Other Writings)
β
Sound an alarm! Advertising, not deals, builds brands.
β
β
David Ogilvy (The Unpublished David Ogilvy)
β
Every moment of life wants to tell us something, but we do not want to hear what it has to say: when we are alone and quiet we are afraid that something will be whispered into our ear and hence we despise quiet and drug ourselves with sociability.
β
β
Friedrich Nietzsche (Unpublished Writings from the Period of Unfashionable Observations)
β
The Summer had died peacefully in its sleep, and Autumn, as soft-spoken executrix, was locking life up safely until Spring came to claim it.
β
β
Kurt Vonnegut Jr. (Look at the Birdie: Unpublished Short Fiction)
β
i am still unsure of what 'life to the fullest' for me would be, mostly i just try to be well-liked in social situations and not die
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
Q: What is wrong with the world?
A: Everybody pays attention to pictures of things. Nobody pays attention to things themselves.
β
β
Kurt Vonnegut Jr. (While Mortals Sleep: Unpublished Short Fiction)
β
i wish cats could float around your head
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
No one is bored, everything is boring
β
β
Mark Fisher (K-punk: The Collected and Unpublished Writings of Mark Fisher)
β
i want to fall backwards into a pit of bioluminescent pokΓ©mon
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
i could never be a sports writer, unless my assignment was to write 'sports sports sports sports sports' for three pages
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
We cannot love βour peopleβ unless we love each of us ourselves, unless I love each piece of myself, those I wish to keep and those I wish to changeβfor survival is the ability to encompass difference, to encompass change without destruction.
β
β
Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
β
The average person has the most fear of death and in reality thinks most rarely about it. The most prominent one occupies himself with it most persistently, but nevertheless fears it the least. The one lives blindly day to day, sinning away, only to sink down before the grim reaper. The other carefully observes his approach but then looks him in the eye, calm and composed.
β
β
Adolf Hitler (Hitler's Second Book: The Unpublished Sequel to Mein Kampf)
β
He became fubar in the classic way, which is to say that he was the victim of a temporary arrangement that became permanent.
β
β
Kurt Vonnegut Jr. (Look at the Birdie: Unpublished Short Fiction)
β
my cat is always looking at me like i am forgetting something crucial and he depends on it
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
tom clancy probably wears a baseball hat when he has sex
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
people like to see will smith reacting to aliens
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
An unpublished writer should doubt themselves. They should constantly wonder whether what theyβre creating has merit. And then, having doubted, they should take up their pen and see if they canβt make it better.
β
β
Johnny Rich
β
The perfect life, the perfect lie, I realised after Christmas, is one which prevents you from doing that which you would ideally have done (painted, say, or written unpublishable poetry) but which, in fact, you have no wish to do.
β
β
Geoff Dyer (Out of Sheer Rage: Wrestling With D.H. Lawrence)
β
They were learning that New York had another life, too β subterranean, like almost everything that was human in the city β a life of writers meeting in restaurants at lunchtime or in coffee houses after business hours to talk of work just started or magazines unpublished, and even to lay modest plans for the future. Modestly they were beginning to write poems worth the trouble of reading to their friends over coffee cups. Modestly they were rebelling once more.
β
β
Malcolm Cowley (Exile's Return: A Literary Odyssey of the 1920s)
β
The newspapers kept stroking my fear. New surveys provided awful statistics on just about everything. Evidence suggested that we were not doing well. Researchers gloomily agreed. Environment psychologists were interviewed. Damage had βunwittinglyβ been done. There were βfeared lapsesβ. There were βmisconceptionsβ about potential. Situations had βdeterioratedβ. Cruelty was on the rise and there was nothing anyone could do about it. The populace was confounded, yet didnβt care. Unpublished studies hinted that we were all paying a price. Scientists peered into data and concluded that we should all be very worried. No one knew what normal behavior was anymore, and some argued that this was a form of virtue. And no one argued back. No one challenged anything. Anxiety was soaking up most peopleβs days. Everyone had become preoccupied with horror. Madness was fluttering everywhere. There was fifty years of research supporting this data. There were diagrams illustrating all of these problems β circles and hexagons and squares, different sections colored in lime or lilac or gray. Most troubling were the fleeting signs that nothing could transform any of this into something positive. You couldnβt help being both afraid and fascinated. Reading these articles made you feel that the survival of mankind didnβt seem very important in the long run. We were doomed. We deserved it. I was so tired.
β
β
Bret Easton Ellis
β
While bachelors are lonely people, I'm convinced that married men are lonely people with dependents.
β
β
Kurt Vonnegut Jr. (Look at the Birdie: Unpublished Short Fiction)
β
I hear he liked flowers pretty well."
"Yes," said Annie, "he said they were the friends who always came back and never disappointed him."
--"Out, Brief Candle
β
β
Kurt Vonnegut Jr. (While Mortals Sleep: Unpublished Short Fiction)
β
A requirement of creativity is that it contributes to change. Creativity keeps the creator alive. β FRANK HERBERT, unpublished notes
β
β
Brian Herbert (House Atreides (Prelude to Dune, #1))
β
The C part is in here and it wants to play. Do you want to see it? Or are you going to pussy out on me again?"
This quote is taken from "As Easy As ABC", written in 2014, scheduled to be included in the as yet unpublished 3rd book of the Killing Time Legacy Series (expected c.2023).
β
β
P.J. MacNamara
β
It is through ignorance of the Unconscious psyche and through the pursuit of an exclusive cult of Consciousness that our era has become so completely atheist and profane.
β
β
Henry Corbin (Jung, Buddhism, and the Incarnation of Sophia: Unpublished Writings from the Philosopher of the Soul)
β
He caught a glimpse of that extraordinary faculty in man, that strange, altruistic, rare, and obstinate decency which will make writers or scientists maintain their truths at the risk of death. Eppur si muove, Galileo was to say; it moves all the same. They were to be in a position to burn him if he would go on with it, with his preposterous nonsense about the earth moving round the sun, but he was to continue with the sublime assertion because there was something which he valued more than himself. The Truth. To recognize and to acknowledge What Is. That was the thing which man could do, which his English could do, his beloved, his sleeping, his now defenceless English. They might be stupid, ferocious, unpolitical, almost hopeless. But here and there, oh so seldome, oh so rare, oh so glorious, there were those all the same who would face the rack, the executioner, and even utter extinction, in the cause of something greater than themselves. Truth, that strange thing, the jest of Pilate's. Many stupid young men had thought they were dying for it, and many would continue to die for it, perhaps for a thousand years. They did not have to be right about their truth, as Galileo was to be. It was enough that they, the few and martyred, should establish a greatness, a thing above the sum of all they ignorantly had.
β
β
T.H. White (The Book of Merlyn: The Unpublished Conclusion to The Once & Future King)
β
(speaking of insecurity)
"It's broken greater spirits than ours, and robbed the world of God knows how much beauty. I've seen it happen more times than I like to think about."
--"$10,000 A Year, Easy
β
β
Kurt Vonnegut Jr. (While Mortals Sleep: Unpublished Short Fiction)
β
The tragedy of life is what makes it worthwhile. I think that any life which merits living lies in the effort to realize some dream, and the higher that dream is, the harder it is to realize. Most decidedly we must all have our dreams. If one hasn't them, one might as well be dead. The only success is in failure. Any man who has a big enough dream must be a failure and must accept that as one of the conditions of being alive. If ever he thinks for a moment that he is a success, then he is finished
β
β
Eugene O'Neill (The Unknown O`Neill: Unpublished or Unfamiliar Writings of Eugene O`Neill)
β
Maybe you like being unhappy so much, you wouldn't do anything to change it.
β
β
Kurt Vonnegut Jr. (Look at the Birdie: Unpublished Short Fiction)
β
argued for an hour on the telephone. now looking at pictures of carbs
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
If someone asks me where I bought something Iβm wearing, I will usually say I donβt remember.
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
i want to pull very long, multi-colored strings out of my brain and place them next to a bowl of doritos at a party
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
i want to interrupt a game of magic the gathering by busting through a wall on a motorcycle
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
He who does not find greatness in God finds it nowhere. He must either deny it or create it.
β
β
Friedrich Nietzsche (Unpublished Letters)
β
They made a science out of people?" she said. "What a crazy science that must be."
--"Mr. Z
β
β
Kurt Vonnegut Jr. (While Mortals Sleep: Unpublished Short Fiction)
β
most psychologists/philosophers we've learned about have experienced severe depressions, attempted suicide, were considered 'freaks' or 'insane' by their peers, locked themselves in their rooms, felt socially isolated, were either celibate or extremely promiscuous, and rarely found 'love
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
For about four years, Iβve been telling people I hate sour cream. One time I sent back nachos because they had sour cream on them. I started saying this because a friend I admire hates sour cream. I told him I hated it too so we could have a funny thing in common.
β
β
Megan Boyle (selected unpublished blog posts of a mexican panda express employee)
β
When you read the words of Langston Hughes you are reading the words of a Black Gay man. When you read the words of Alice Dunbar-Nelson and Angelina Weld GrimkΓ©, poets of the Harlem Renaissance, you are reading the words of Black Lesbians. When you listen to the life-affirming voices of Bessie Smith and Ma Rainey, you are hearing Black Lesbian women. When you see the plays and read the words of Lorraine Hansberry, you are reading the words of a women who loved women deeply.
β
β
Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
β
But as adults, we have come to see that her autobiographical novels were not only fictionalized but brilliantly edited, in a profound act of American myth-making and self-transformation. As unpublished manuscripts, letters, and documents have come to light, we have begun to apprehend the scope of her life, a story that needs to be fully told, in its historical context, as she lived it. That tale is different from the one she wrote. It is an adult story of poverty, struggle, and reinventionβa great American drama in three acts.
β
β
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
β
This whole effort to rebuild and stabilize a countryside is not without its disappointments and mistakes... What matter though these temporary growing pains when one can cast his eye upon the hills and see hard-boiled farmers who have spent their lives destroying land now carrying water by hand to their new plantations
β
β
Aldo Leopold (For the Health of the Land: Previously Unpublished Essays And Other Writings)
β
All of our children are prey. How do we raise them not to prey upon themselves and each other? And this is why we cannot be silent, because our silences will come to testify against us out of the mouths of our children.
β
β
Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
β
People who sell bolts and nuts and locomotives and frozen orange juice make billions, while the people who struggle to bring a little beauty into the world, give life a little meaning, they starve.
--"$10,000 A Year, Easy
β
β
Kurt Vonnegut Jr. (While Mortals Sleep: Unpublished Short Fiction)
β
Please look at the imperfect human being God gave to love you once, and try to like me a little for what I really was, or, God willing, am. Then please, darling, become an imperfect human being among imperfect human beings again."
"Jenny
β
β
Kurt Vonnegut Jr. (While Mortals Sleep: Unpublished Short Fiction)
β
It is not necessary to attempt a resolution when it is self-resolving.
β
β
David Thorne (I'll Go Home Then, It's Warm and Has Chairs. The Unpublished Emails.)
β
Don't blame you for trying to run away from yourself, but it can't be doneβnot even in a Buick.
β
β
Kurt Vonnegut Jr. (Look at the Birdie: Unpublished Short Fiction)
β
Not knowing is another form of torture.
β
β
Ale Meza-Santiago
β
Iβm not bragging, but merely stating facts. Sometimes I have to remember my accomplishments and successes so I donβt dwell on my failures.
β
β
Sally Miller (The Beauty Queen: Let No Deed Go Unpublished)
β
As I spoke of another's love and looked into the wide, blue windows of her soul, a rich, insistent yearning flooded my senses.
--"Tango
β
β
Kurt Vonnegut Jr. (While Mortals Sleep: Unpublished Short Fiction)
β
In the statistical gargon used in psychology, p refers to the probability that the difference you see between two groups (of introverts and extroverts, say, or males and females) could have occurred by chance. As a general rule, psychologists report a difference between two groups as 'significant' if the probability that it could have occurred by chance is 1 in 20, or less. The possibility of getting significant results by chance is a problem in any area of research, but it's particularly acute for sex differences research. Supppose, for example, you're a neuroscientist interested in what parts of the brain are involved in mind reading. You get fifteen participants into a scanner and ask them to guess the emotion of people in photographs. Since you have both males and females in your group, you rin a quick check to ensure that the two groups' brains respond in the same way. They do. What do you do next? Most likely, you publish your results without mentioning gender at all in your report (except to note the number of male and female participants). What you don't do is publish your findings with the title "No Sex Differences in Neural Circuitry Involved in Understanding Others' Minds." This is perfectly reasonable. After all, you weren't looking for gender difference and there were only small numbers of each sex in your study. But remember that even if males and females, overall, respond the same way on a task, five percent of studies investigating this question will throw up a "significant" difference between the sexes by chance. As Hines has explained, sex is "easily assessed, routinely evaluated, and not always reported. Because it is more interesting to find a difference than to find no difference, the 19 failures to observe a difference between men and women go unreported, whereas the 1 in 20 finding of a difference is likely to be published." This contributes to the so-called file-drawer phenomenon, whereby studies that do find sex differences get published, but those that don't languish unpublished and unseen in a researcher's file drawer.
β
β
Cordelia Fine (Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference)
β
Much of the gay white movement seeks to be included in the american dream and is angered when they do not receive the standard white male privileges, misnamed as βamerican democracyβ. Often, white gay men are working not to change the system. This is one the reasons why the gay male movement is as white as it is. Black gay men recognize, again by the facts of survival, that being Black, they are not going to be included in the same way.
β
β
Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
β
You wrote down that you were a writer by profession. It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It's never been anything but your religion. Never. I'm a little over-excited now. Since it is your religion, do you know what you will be asked when you die? But let me tell you first what you won't be asked. You won't be asked if you were working on a wonderful moving piece of writing when you died. You won't be asked if it was long or short, sad or funny, published or unpublished. You won't be asked if you were in good or bad form while you were working on it. You won't even be asked if it was the one piece of writing you would have been working on if you had known your time would be up when it was finished--I think only poor Soren K. will get asked that. I'm so sure you'll get asked only two questions.' Were most of your stars out? Were you busy writing your heart out? If only you knew how easy it would be for you to say yes to both questions. If only you'd remember before ever you sit down to write that you've been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart's choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won't even underline that. It's too important to be underlined. Oh, dare to do it, Buddy ! Trust your heart. You're a deserving craftsman. It would never betray you.
β
β
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
β
Sadomasochism is an institutionalized celebration of dominant/subordinate relationships. And it prepares us either to accept subordination or to enforce dominance. Even in play, to affirm that the exertion of power over powerlessness is erotic, empowering, is to set the emotional and social stage for the continuation of that relationship, politically, socially, and economically. Sadomasochism feeds the belief that domination is inevitable and legitimately enjoyable.
β
β
Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
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The lady who works in the grocery store at the corner of my block is called Denise, and she's one of America's great unpublished novelists. Over the years she's written forty-two romantic novels, none of which have ever reached the bookstores. I, however, have been fortunate enough to hear the plots of the last twenty-seven of these recounted in installments by the authoress herself every time I drop by the store for a jar of coffee or can of beans, and my respect for Denise's literary prowess knows no bounds. So, naturally enough, when I found myself faced with the daunting task of actually starting the book you now hold in your hands, it was Denise I turned to for advice.
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Dave Gibbons (Watchmen)
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Instead of finding myself in the future, I traveled about fifty metres along the sidewalk at 200mph before finding myself in a bush. When asked by the nurse filling out the hospital accident reports 'Cause of accident?' I stated, 'time travel attempt' but she wrote down 'stupidity'.
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David Thorne (I'll Go Home Then, It's Warm and Has Chairs. The Unpublished Emails.)
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To My Children,
I'm dedicating my little story to you; doubtless you will be among the very few who will ever read it. It seems war stories aren't very well received at this point. I'm told they're out-dated, untimely and as might be expected - make some unpleasant reading. And, as you have no doubt already perceived, human beings don't like to remember unpleasant things. They gird themselves with the armor of wishful thinking, protect themselves with a shield of impenetrable optimism, and, with a few exceptions, seem to accomplish their "forgetting" quite admirably.
But you, my children, I don't want you to be among those who choose to forget. I want you to read my stories and a lot of others like them. I want you to fill your heads with Remarque and Tolstoy and Ernie Pyle. I want you to know what shrapnel, and "88's" and mortar shells and mustard gas mean. I want you to feel, no matter how vicariously, a semblance of the feeling of a torn limb, a burnt patch of flesh, the crippling, numbing sensation of fear, the hopeless emptiness of fatigue. All these things are complimentary to the province of War and they should be taught and demonstrated in classrooms along with the more heroic aspects of uniforms, and flags, and honor and patriotism. I have no idea what your generation will be like. In mine we were to enjoy "Peace in our time". A very well meaning gentleman waved his umbrella and shouted those very words...less than a year before the whole world went to war. But this gentleman was suffering the worldly disease of insufferable optimism. He and his fellow humans kept polishing the rose colored glasses when actually they should have taken them off. They were sacrificing reason and reality for a brief and temporal peace of mind, the same peace of mind that many of my contemporaries derive by steadfastly refraining from remembering the War that came before.
[excerpt from a dedication to an unpublished short story, "First Squad, First Platoon"; from Serling to his as yet unborn children]
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Rod Serling
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Barbara Cortland broke the world record. In 1983, she wrote 23 novels. She was 82 years old. Two novels a month that year. Altogether she wrote 723 published novels. The last she wrote at age 97. When she died a year later, there were 160 unpublished novels still waiting to be published. Did people like her work? Depending on what estimate you use, she sold between 600 million and 2 billion books. Most of her books were romance novels.
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James Altucher (Reinvent Yourself)
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β¦I relied on an unpublished report by Jose Fernandez-Partagas, a late-twentieth-century meteorologist who recreated for the National Hurricane Center the tracks of many historical hurricanes, among them the Galveston Hurricane. He was a meticulous researcher given to long hours in the library of the University of Miami, where he died on August 25, 1997, in his favorite couch. He had no money, no family, no friends--only hurricanes. The hurricane center claimed his body, had him cremated, and on August 31, 1998, launched his ashes through the drop-port of a P-3 Orion hurricane hunter into the heart of Hurricane Danielle. His remains entered the atmosphere at 28 N., 74.2 W., about three hundred miles due east of Daytona Beach.
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Erik Larson (Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History)
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Each of us is called upon to take a stand. So in these days ahead, as we examine ourselves and each other, our works, our fears, our differences, our sisterhood and survivals, I urge you to tackle what is most difficult for us all, self-scrutiny of our complacencies, the idea that since each of us believes she is on the side of right, she need not examine her position.
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Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
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(a man in love speaking)
"I don't notice much of anything anymore but Marie." He laid his hand on his chest. "This force," he said, "it just does with you what it wants to do with you, makes you feel what it wants to make you feel."
--"Tango
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Kurt Vonnegut Jr. (While Mortals Sleep: Unpublished Short Fiction)
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When you first start writing stories in the first person if the stories are made so real that people believe them the people reading them nearly always think the stories really happened to you. That is natural because while you were making them up you had to make them happen to the person who was telling them. If you do this successfully enough you make the person who is reading them believe that the things happened to him too. If you can do this you are beginning to get what you are trying for which is to make the story so real beyond any reality that it will become a part of the readerβs experience and a part of his memory. There must be things that he did not notice when he read the story or the novel which without his knowing it, enter into his memory and experience so that they are a part of his life. This is not easy to do. unpublished
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Larry W. Phillips (Ernest Hemingway on Writing)
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Because...β he used to cradle his daughter in his arms every morning and often they would exchange soft nuances β...if you can dream it, if you can see it in your visions at night, if you can feel it in your soul, itβs yours! And it never really belonged to anyone else, in the first place! It was always yours!β Viera returned her scroll to the drawer and closed it, she kissed the compass around her neck and climbed into her bed under the warm quilts, the candle flame crackled and the memories of her fatherβs arms around her embraced her there in bed and his deep, hoarse voice resounded in her ears; β... and if you chance upon a treasure that is yours and it happens to be in the possession of someone else, itβs not very wrong to take what is yours, to take what you dreamed, what you saw in your visions at night, what you felt visit you in your spirit! Sure, itβs not lawful, but aye aye my little one, listen to me when I tell you that the best things in life are not under the laws of any sort! For which law created love? Which law created courage? The best things, the real things, are the things that are not measured by any manβs laws! Fear is the only thing that any law has ever created! And what kind of pirates would we all be if we were afraid of any of our fears, even a little!
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C. JoyBell C.
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It was hard but very strengthening to remember that I could silent my whole life long and then be dead, flat out, and never have said or done what I wanted to do, what I needed to do, because of fear of pain, fearβ¦If I waited to be right before I spoke, I would be sending little cryptic messages on the Ouija board, complaints from the other side.
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Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
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Black Lesbians are not a threat to the Black family. Many of us have families of our own. We are not white, and we are not a disease. We are women who love women. This does not mean we are going to assault your daughters in an alley on Nostrand Avenue. It does not mean we only think about sex, any more than you only think about sex. Even if you do believe any of these stereotypes about Black Lesbians, begin to practice acting like you donβt believe them.
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Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
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Due to the superficiality of our intellect, we do indeed live in one ongoing illusion: that means that in every moment we need art in order to live. Our eyes do not permit us to get beyond the forms. But if we ourselves are the ones who have gradually trained our eyes to do this, then we realize that an artistic power holds sway within us. Thus, we see in nature itself mechanisms that protect against absolute knowledge: the philosopher recognizes the language of nature and says: βwe need artβ and βwe need only a limited amount of knowledgeβ.
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Friedrich Nietzsche (Unpublished Writings from the Period of Unfashionable Observations)
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The perfect life, the perfect lie β¦ is one which prevents you from doing that which you would ideally have done (painted, say, or written unpublishable poetry) but which, in fact, you have no wish to do. People need to feel that they have been thwarted by circumstances from pursuing the life which, had they led it, they would not have wanted; whereas the life they really want is precisely a compound of all those thwarting circumstances. It is a very elaborate, extremely simple procedure, arranging this web of self-deceit: contriving to convince yourself that you were prevented from doing what you wanted. Most people donβt want what they want: people want to be prevented, restricted. The hamster not only loves his cage, heβd be lost without it. Thatβs why children are so convenient: you have children because youβre struggling to get by as an artistβwhich is actually what being an artist meansβor failing to get on with your career. Then you can persuade yourself that your children prevented you from having this career that had never looked like working out. So it goes on: things are always forsaken in the name of an obligation to someone else, never as a failing, a falling short of yourself.
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Geoff Dyer (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
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Asia is rising against me.
I haven't got a chinaman's chance.
I'd better consider my national resources.
My national resources cousist of two joints of marijuana millions of
genitals an unpublishable private literature that goes 1400
miles an hour and twentyfive-thousand mental institutions.
I say nothing about my prisons nor the millions of underprivileged
who live in my flowerpots under the light of five hundred
suns.
I have abolished the whorehouses of France, Tangiers is the next
to go.
My ambition is to be President despite the fact that I'm a Catholic.
America how can I write a holy litany in your silly mood?
I will continue like Henry Ford my strophes are as individual as
his automobiles more so they're all different sexes.
America I will sell you strophes $2500 apiece $500 down on your
old strophe
America free Tom Mooney
America save the Spanish Loyalists
America Sacco & V anzetti must not die
America I am the Scottsboro boys.
America when I was seven momma took me to Communist Cell
meetings they sold us garbanzos a handful per ticket
a ticket costs a nickel and the speeches were free
everybody was angelic and sentimental about the workers
it was all so sincere you have no idea what a good thing
the party was in 1835 Scott Nearing was a grand old man
a real mensch Mother Bloor made me cry I once saw
Israel Amter plain. Everybody must have been a spy.
America you don't really want to go to war.
America it's them bad Russians.
Them Russians them Russians and them Chinamen. And them
Russians.
The Russia wants to eat us alive. The Russia's power mad. She
wants to take our cars from out our garages.
Her wants to grab Chicago. Her needs a Red Readers' Digest.
Her wants our auto plants in Siberia. Him big bureaucracy
running our fillingstations.
That no good. Ugh. Him make Indians learn read. Him need
big black niggers. Hah. Her make us all work sixteen hours
a day. Help.
America this is quite serious.
America this is the impression I get from looking in the television
set.
America is this correct?
I'd better get right down to the job.
It's true I don't want to join the Army or turn lathes in precision
parts factories, I'm nearsighted and psychopathic anyway.
America I'm putting my queer shoulder to the wheel.
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Allen Ginsberg (Howl: And Other Poems)
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The pilgrimage of Italy, which I now accomplished, had long been the object of my curious devotion. The passage of Mount Cenis, the regular streets of Turin, the Gothic cathedral of Milan, the scenery of the Boromean Islands, the marble palaces of Genoa, the beauties of Florence, the wonders of Rome, the curiosities of Naples, the galleries of Bologna, the singular aspect of Venice, the amphitheatre of Verona, and the Palladian architecture of Vicenza, are still present to my imagination. I read the Tuscan writers on the banks of the Arno; but my conversation was with the dead rather than the living, and the whole college of Cardinals was of less value in my eyes than the transfiguration of Raphael, the Apollo of the Vatican, or the massy greatness of the Coliseum. It was at Rome, on the fifteenth of October, 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted fryars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind. After Rome has kindled and satisfied the enthusiasm of the Classic pilgrim, his curiosity for all meaner objects insensibly subsides.
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Edward Gibbon (Autobiographies; printed verbatim from hitherto unpublished MSS., with an introd. by the Earl of Sheffield. Edited by John Murray)
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Ezra asked me to bring you this,' I said and handed him the jar. 'He said you would know what it was.'
He took the jar and looked at it. Then he threw it at me. It struck me on the chest or the shoulder and rolled down the stairs.
'You son of a bitch,' he said. 'You bastard.'
'Ezra said you might need it,' I said. He countered that by throwing a milk bottle.
'You are sure you don't need it?' I asked.
He threw another milk bottle. I retreated and he hit me with yet another milk bottle in the back. Then he shut the door.
I picked up the jar which was only slightly cracked and put it in my pocket.
'He did not seem to want the gift of Monsieur Pound," I said to the concierge.
'Perhaps he will be tranquil now,' she said.
'Perhaps he has some of his own,' I said.
'Poor Monsieur Dunning,' she said.
The lovers of poetry that Ezra organized rallied to Dunning's aid again eventually. My own intervention and that of the concierge had been unsuccessful. The jar of alleged opium which had been cracked I stored wrapped in waxed paper and carefully tied in one of an old pair of riding boots. When Evan Shipman and I were removing my personal effects from that apartment some years later the boots were still there but the jar was gone. I do not know why Dunning threw the milk bottles at me unless he remembered my lack of credulity the night of his first dying, or whether it was only an innate dislike of my personality. But I remember the happiness that the phrase 'Monsieur Dunning est montΓ© sur le toit et refuse catΓ©goriquement de descendre' gave to Evan Shipman. He believed there was something symbolic about it. I would not know. Perhaps Dunning took me for an agent of evil or of the police. I only know that Ezra tried to be kind to Dunning as he was kind to so many people and I always hoped Dunning was as fine a poet as Ezra believed him to be. For a poet he threw a very accurate milk bottle. But Ezra, who was a very good poet, played a good game of tennis too. Evan Shipman, who was a very fine poet and who truly did not care if his poems were ever published, felt that it should remain a mystery.
'We need more true mystery in our lives, Hem,' he once said to me. 'The completely unambitious writer and the really good unpublished poem are the things we lack most at this time. There is, of course, the problem of sustenance.
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Ernest Hemingway (A Moveable Feast)